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Michael R Burch Oct 2020
O, the Horror! Halloween Poetry!

Halloween Poetry: Dark, Eerie, Haunting and Scary poems about Ghosts, Witches, Vampires, Werewolves, Reanimated Corpses and "Things that go Bump in the Night!"



Thin Kin
by Michael R. Burch

Skeleton!
Tell us what you lack...
the ability to love,
your flesh so slack?

Will we frighten you,
grown as pale & unsound,
when we also haunt
the unhallowed ground?



The Witch
by Michael R. Burch

her fingers draw into claws
she cackles through rotting teeth...
u ask "are there witches?"
… pshaw! …
(yet she has my belief)



Vampires
by Michael R. Burch

Vampires are such fragile creatures;
we dread the dark, but the light destroys them...
sunlight, or a stake, or a cross ― such common things.

Still, late at night, when the bat-like vampire sings,
we shrink from his voice.

Centuries have taught us:
in shadows danger lurks for those who stray,
and there the vampire bares his yellow fangs
and feels the ancient soul-tormenting pangs.
He has no choice.

We are his prey, plump and fragrant,
and if we pray to avoid him, he earnestly prays to find us...
prays to some despotic hooded God
whose benediction is the humid blood
he lusts to taste.



Styx
by Michael R. Burch

Black waters,
deep and dark and still...
all men have passed this way,
or will.

Charon, the ferrymen who carried the dead across the River Styx to their eternal destination, has been portrayed by artists and poets as a vampiric figure.



Revenge of the Halloween Monsters
by Michael R. Burch

The Halloween monsters, incensed,
keep howling, and may be UNFENCED!!!
They’re angry that children with treats
keep throwing their trash IN THE STREETS!!!

You can check it out on your computer:
Google says, “Please don’t be a POLLUTER!!!”
The Halloween monsters agree,
so if you’re a litterbug, FLEE!!!

Kids, if you’d like more treats this year
and don’t want to cower in FEAR,
please make all the mean monsters happy,
and they’ll hand out sweet treats like they’re sappy!

So if you eat treats on the drag
and don't want huge monsters to nag,
please put all loose trash in your BAG!!!

NOTE: If you recite the poem, get the kids to huddle up close, then yell the all-caps parts like you’re one of the unhappy monsters, and perhaps "goose" them as well. They'll get the message.



It's Halloween!
by Michael R. Burch

If evening falls
on graveyard walls
far softer than a sigh;

if shadows fly
moon-sickled skies,
while children toss their heads

uneasy in their beds,
beware the witch's eye!

If goblins loom
within the gloom
till playful pups grow terse;

if birds give up their verse
to comfort chicks they nurse,
while children dream weird dreams

of ugly, wiggly things,
beware the serpent's curse!

If spirits scream
in haunted dreams
while ancient sibyls rise

to plague nightmarish skies
one night without disguise,

while children toss about
uneasy, full of doubt,
beware the Devil's lies...

it's Halloween!



Ghost
by Michael R. Burch

White in the shadows
I see your face,
unbidden. Go, tell

Love it is commonplace;
tell Regret it is not so rare.

Our love is not here
though you smile,
full of sedulous grace.

Lost in darkness, I fear
the past is our resting place.



All Hallows Eve
by Michael R. Burch

What happened to the mysterious Tuatha De Danann, to the Ban Shee (from which we get the term “banshee”) and, eventually, to the Druids? One might assume that with the passing of Merlyn, Morgan le Fay and their ilk, the time of myths and magic ended. This poem is an epitaph of sorts.

In the ruins
of the dreams
and the schemes
of men;

when the moon
begets the tide
and the wide
sea sighs;

when a star
appears in heaven
and the raven
cries;

we will dance
and we will revel
in the devil’s
fen...

if nevermore again.



Pale Though Her Eyes
by Michael R. Burch

Pale though her eyes,
her lips are scarlet
from drinking of blood,
this child, this harlot

born of the night
and her heart, of darkness,
evil incarnate
to dance so reckless,

dreaming of blood,
her fangs ― white ― baring,

revealing her lust,
and her eyes, pale, staring...



Like Angels, Winged
by Michael R. Burch

Like angels ― winged,
shimmering, misunderstood ―
they flit beyond our understanding
being neither evil, nor good.

They are as they are...
and we are their lovers, their prey;
they seek us out when the moon is full
and dream of us by day.

Their eyes ― hypnotic, alluring ―
trap ours with their strange appeal
till like flame-drawn moths, we gather...
to see, to touch, to feel.

Held in their arms, enchanted,
we feel their lips, so old!,
till with their gorging kisses
we warm them, growing cold.



Solicitation
by Michael R. Burch

He comes to me out of the shadows, acknowledging
my presence with a tip of his hat, always the gentleman,
and his eyes are on mine like a snake’s on a bird’s ―
quizzical, mesmerizing.

He ***** his head as though something he heard intrigues him
(although I hear nothing) and he smiles, amusing himself at my expense;
his words are full of desire and loathing, and while I hear everything,
he says nothing I understand.

The moon shines ― maniacal, queer ― as he takes my hand whispering

Our time has come... And so we stroll together creaking docks
where the sea sends sickening things
scurrying under rocks and boards.

Moonlight washes his ashen face as he stares unseeing into my eyes.
He sighs, and the sound crawls slithering down my spine;
my blood seems to pause at his touch as he caresses my face.
He unfastens my dress till the white lace shows, and my neck is bared.

His teeth are long, yellow and hard, his face bearded and haggard.
A wolf howls in the distance. There are no wolves in New York. I gasp.
My blood is a trickle his wet tongue embraces. My heart races madly.
He likes it like that.



Sometimes the Dead
by Michael R. Burch

Sometimes we catch them out of the corners of our eyes ―
the pale dead.
After they have fled
the gourds of their bodies, like escaping fragrances they rise.

Once they have become a cloud’s mist, sometimes like the rain
they descend;
they appear, sometimes silver like laughter,
to gladden the hearts of men.

Sometimes like a pale gray fog, they drift
unencumbered, yet lumbrously,
as if over the sea
there was the lightest vapor even Atlas could not lift.

Sometimes they haunt our dreams like forgotten melodies
only half-remembered.
Though they lie dismembered
in black catacombs, sepulchers and dismal graves; although they have committed felonies,

yet they are us. Someday soon we will meet them in the graveyard dust
blood-engorged, but never sated
since Cain slew Abel.
But until we become them, let us steadfastly forget them, even as we know our children must...



Polish
by Michael R. Burch

Your fingers end in talons—
the ones you trim to hide
the predator inside.

Ten thousand creatures sacrificed;
but really, what’s the loss?
Apply a splash of gloss.

You picked the perfect color
to mirror nature’s law:
red, like tooth and claw.

Published by The HyperTexts



Siren Song
by Michael R. Burch

The Lorelei’s
soft cries
entreat mariners to save her...

How can they resist
her faint voice through the mist?

Soon she will savor
the flavor
of sweet human flesh.



How Long the Night (anonymous Old English Lyric)
loose translation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song...
but now I feel the northern wind's blast ―
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong
now grieve, mourn and fast.



The Wild Hunt
by Michael R. Burch

Near Devon, the hunters appear in the sky
with Artur and Bedwyr sounding the call;
and the others, laughing, go dashing by.
They only appear when the moon is full:

Valerin, the King of the Tangled Wood,
and Valynt, the goodly King of Wales,
Gawain and Owain and the hearty men
who live on in many minstrels’ tales.

They seek the white stag on a moonlit moor,
or Torc Triath, the fabled boar,
or Ysgithyrwyn, or Twrch Trwyth,
the other mighty boars of myth.

They appear, sometimes, on Halloween
to chase the moon across the green,
then fade into the shadowed hills
where memory alone prevails.



The Vampire's Spa Day Dream
by Michael R. Burch

O, to swim in vats of blood!
I wish I could, I wish I could!
O, 'twould be
so heavenly
to swim in lovely vats of blood!

The poem above was inspired by a Josh Parkinson depiction of Elizabeth Bathory up to her nostrils in the blood of her victims, with their skulls floating in the background.



Nevermore!
by Michael R. Burch

Nevermore! O, nevermore!
shall the haunts of the sea
― the swollen tide pools
and the dark, deserted shore ―
mark her passing again.

And the salivating sea
shall never kiss her lips
nor caress her ******* and hips,
as she dreamt it did before,
once, lost within the uproar.

The waves will never **** her,
nor take her at their leisure;
the sea gulls shall not have her,
nor could she give them pleasure...
She sleeps, forevermore!

She sleeps forevermore,
a ****** save to me
and her other lover,
who lurks now, safely smothered
by the restless, surging sea.

And, yes, they sleep together,
but never in that way...
For the sea has stripped and shorn
the one I once adored,
and washed her flesh away.

He does not stroke her honey hair,
for she is bald, bald to the bone!
And how it fills my heart with glee
to hear them sometimes cursing me
out of the depths of the demon sea...

their skeletal love ― impossibility!



Dark Gothic
by Michael R. Burch

Her fingers are filed into talons;
she smiles with carnivorous teeth...
You ask, “Are there vampires?”
― Get real! ―
(Yet she has my belief.)



Epitaph for a Palestinian Child
by Michael R. Burch

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.


Athenian Epitaphs (Gravestone Inscriptions of the Ancient Greeks)

Mariner, do not ask whose tomb this may be,
but go with good fortune: I wish you a kinder sea.
― Michael R. Burch, after Plato


Does my soul abide in heaven, or hell?
Only the sea gulls in their high, lonely circuits may tell.
― Michael R. Burch, after Glaucus



Passerby,
tell the Spartans we lie
lifeless at Thermopylae:
dead at their word,
obedient to their command.
Have they heard?
Do they understand?
― Michael R. Burch, after Simonides



Completing the Pattern
by Michael R. Burch

Walk with me now, among the transfixed dead
who kept life’s compact and who thus endure
harsh sentence here―among pink-petaled beds
and manicured green lawns. The sky’s azure,
pale blue once like their eyes, will gleam blood-red
at last when sunset staggers to the door
of each white mausoleum, to inquire―
What use, O things of erstwhile loveliness?


Reclamation
by Michael R. Burch

after Robert Graves, with a nod to Mary Shelley

I have come to the dark side of things
where the bat sings
its evasive radar
and Want is a crooked forefinger
attached to a gelatinous wing.

I have grown animate here, a stitched corpse
hooked to electrodes.
And night
moves upon me―progenitor of life
with its foul breath.

Blind eyes have their second sight
and still are deceived. Now my nature
is softly to moan
as Desire carries me
swooningly across her threshold.

Stone
is less infinite than her crone’s
gargantuan hooked nose, her driveling lips.
I eye her ecstatically―her dowager figure,
and there is something about her that my words transfigure
to a consuming emptiness.

We are at peace
with each other; this is our venture―
swaying, the strings tautening, as tightropes
tauten, as love tightens, constricts
to the first note.

Lyre of our hearts’ pits,
orchestration of nothing, adits
of emptiness! We have come to the last of our hopes,
sweet as congealed blood sweetens for flies.

Need is reborn; love dies.



Deliver Us ...
by Michael R. Burch

The night is dark and scary―
under your bed, or upon it.

That blazing light might be a star ...
or maybe the Final Comet.

But two things are sure: your mother’s love
and your puppy’s kisses, doggonit!



the Horror
by Michael R. Burch

the Horror lurks inside our closets
the Horror hides beneath our beds
the Horror hisses ancient curses
the Horror whispers in our heads

the Horror tells us Death is coming
the Horror tells us there’s no hope
the Horror tells us “life” is futile
the Horror beckons, “there’s the Rope!”



Belfry
by Michael R. Burch

There are things we surrender
to the attic gloom:
they haunt us at night
with shrill, querulous voices.

There are choices we made
yet did not pursue,
behind windows we shuttered
then failed to remember.

There are canisters sealed
that we cannot reopen,
and others long broken
that nothing can heal.

There are things we conceal
that our anger dismembered,
gray leathery faces
the rafters reveal.



Duet
by Michael R. Burch

Oh, Wendy, by the firelight, how sad!
How worn and gray your auburn hair became!
You’re very silent, like an evening rain
that trembles on dark petals. Tears you’ve shed
for days we laughed together, glisten now;
your flesh became translucent; and your brow
knits, gathered loosely. By the well-made bed
three portraits hang with knowing eyes, beloved,
but mine is not among them. Time has proved
our hearts both strangely mortal. If I said
I loved you once, how is it that could change?
And yet I watch you fondly; love is strange . . .

Oh, Peter, by the firelight, how bright
my thought of you remains, and if I said
I loved you once, then took him to my bed,
I did it for the need of love, one night
when you were far away. My heart endured
transfigurement―in flaming ash inured
to heartbreak and the violence of sight:
I saw myself grow old and thin and frail
with thinning hair about me, like a veil . . .
And so I loved him for myself, despite
the love between us―our first startled kiss.
But then I loved him for his humanness.
And then we both grew old, and it was right . . .

Oh, Wendy, if I fly, I fly beyond
these human hearts, these cities walled and tiered
against the night, beyond this vale of tears,
for love, if it exists, dies with the years . . .

No, Peter, love is constant as the heart
that keeps till its last beat a measured pace
and sets the fixtures of its dreams in place
by beds at first well-used, at last well-made,
and counts each face a joy, each tear a grace . . .



Horror
by Michael R. Burch

What I ache to say is beyond saying―
no words for the horror
of not loving enough,
like a mummy half-wrapped in its moldering casements
holding a lily aloft.

No, there are no words for the horror
as a tormented wind howls through the teetering floes
and the cold freezes down to my clawed hairy toes ...

What use to me, now, if the stars appear?
As I moan
the moon finds me,
fangs goring the deer.



Strange Corps(e)
by Michael R. Burch

We are all dying, haunted by life―
dying, but the living will not let us go.
We are perishing zombies, haunted by the moonglow.

With what animation we, shuffling, return
nightly, to worry Love’s worm-eaten corpse,
till, living or dead, she is wholly ours.

We are the dying, enamored of “life”―
the palest of auras, the eeriest call.
We stagger to attention ... stumble ... fall.

We have only one thought―Love’s peculiar notion,
that our duty’s to “live,” though such “living” means
night’s horrific wild hungers, its stranger dreams.

We now “live” on the flesh of eroded dreams
and no longer recoil at the victims’ screams.



Love, ah! serene ghost
by Michael R. Burch

Love, ah! serene ghost,
haunts my retelling of her,
or stands atop despairing stairs
with such pale, severe eyes,
I become another pallid specter.

But what I feel
most profoundly is this:
the absolute lack of her kiss,
the absence of her wild,
unwarranted laughter.

So that,
like a candle deprived of oxygen,
I become mere wick and tallow again.
Here and hereafter ...
gone with her now, in the darkest of nights, the flame!

I lie, pallid vision of man―the same
wan ghost of her palpitations’ claim
on my heart
that I was before.

I love her beyond and despite even shame.



Eden
by Michael R. Burch

Then earth was heaven too, a perfect garden.
Apples burgeoned and shone―unplucked on sagging boughs.
What, then, would the children eat?
Fruit indecently sweet,
redolent as incense, with a tempting aroma ...



Outcasts
by Michael R. Burch

There was a rose, a prescient shade of crimson,
the very color of blood,
that bloomed in that garden.

The most dazzling of all the Earth’s flowers,
men have forgotten it now,
with their fanciful tales of apples and serpents.

Beasts with lips called the goreflower “Love.”

The scribes have the story all wrong: four were there,
four horrid dark creatures―chattering, bickering.
Aduhm placed one red petal in Ehve’s matted hair;

he was lost in her arms
till dawn sullen and golden
imperceptibly streaked the musk-fragrant air.

Two flared nostrils quivered, two eyes remained open.

Kahyn sought me that evening, his bloodless lips curled
in a grimacelike smile. Sunken-cheeked, he approached me
in the Caverns of Similitudes, eerie Barzakh.

“We are outcasts, my brother!, God quickly deserts us.”
As though his anguish conceived in insight’s first blush
might not pale next to mine in Sheol’s gray realm.

“Shining Creature!” he named me and called me divine
as he lavished damp kisses upon my bright scales.
“Help me find me one rare gift to put Love’s gift to shame.”

“There is a dark rose with a bittersweet fragrance
as pungent as cloves: only man knows its name.
Clinging and cloying, it destroys all it touches . . .”

“But red is Ehve’s preference; while Envy is green.”
He was downcast a moment, a moment, a moment . . .
“Ah, but red is the color of blood!”

Disagreeable child, far too clever for his own good.

Published in The Bible of Hell (anthology)



No One
by Michael R. Burch

No One hears the bells tonight;
they tell him something isn’t right.
But No One is not one to rush;
he lies in grasses greenly lush
as far away a startled thrush
flees from horned owls in sinking flight.

No One hears the cannon’s roar
and muses that its voice means war
comes knocking on men’s doors tonight.
He sleeps outside in awed delight
beneath the enigmatic stars
and shivers in their cooling light.

No One knows the world will end,
that he’ll be lonely, without friend
or foe to conquer. All will be
once more, celestial harmony.
He’ll miss men’s voices, now and then,
but worlds can be remade again.



Bikini
by Michael R. Burch

Undersea, by the shale and the coral forming,
by the shell’s pale rose and the pearl’s white eye,
through the sea’s green bed of lank seaweed worming
like tangled hair where cold currents rise . . .
something lurks where the riptides sigh,
something old and pale and wise.

Something old when the world was forming
now lifts its beak, its snail-blind eye,
and with tentacles about it squirming,
it feels the cloud above it rise
and shudders, settles with a sigh,
knowing man’s demise draws nigh.



Ceremony
by Michael R. Burch

Lost in the cavernous blue silence of spring,
heavy-lidded and drowsy with slumber, I see
the dark gnats leap; the black flies fling
their slow, engorged bulks into the air above me.

Shimmering hordes of blue-green bottleflies sing
their monotonous laments; as I listen, they near
with the strange droning hum of their murmurous wings.

Though you said you would leave me, I prop you up here
and brush back red ants from your fine, tangled hair,
whispering, “I do!” . . . as the gaunt vultures stare.



Contraire
by Michael R. Burch

Where there was nothing
but emptiness
and hollow chaos and despair,

I sought Her ...

finding only the darkness
and mournful silence
of the wind entangling her hair.

Yet her name was like prayer.

Now she is the vast
starry tinctures of emptiness
flickering everywhere

within me and about me.

Yes, she is the darkness,
and she is the silence
of twilight and the night air.

Yes, she is the chaos
and she is the madness
and they call her Contraire.



Dark Twin
by Michael R. Burch

You come to me
out of the sun―
my dark twin, unreal . . .

And you are always near
although I cannot touch you;
although I trample you, you cannot feel . . .

And we cannot be parted,
nor can we ever meet
except at the feet.



East End, 1888
by Michael R. Burch

Past darkened storefronts,
hunched and contorted, bent with need
through chilling rain, he walks alone
till down the glistening cobblestones
deliberate footsteps pause, resume.

He follows, by a pub confronts
a pasty face, an overbright smile,
lips intimating easy bliss,
a boisterous, over-eager tongue.

She barters what she has to sell;
her honeyed words seem cloying, stale―
pale, tainted things of sticky guile.



A rustle of her petticoats,
a flash of bulging milk-white breast
. . . the price is set: a crown. “A tip,
a shilling more is yours,” he quotes,
“to wash your privates.” She accepts.
Saliva glistens on his lips.



An alley. There, he lifts her gown,
in answer to her question, frowns,
says―“You can call me Jack, or Rip.”



East End, 1888 (II)
by Michael R. Burch

He slouched East
through a steady downpour,
a slovenly beast
befouling each puddle
with bright footprints of blood.

Outlined in a pub door,
lewdly, wantonly, she stood . . .
mocked and brazenly offered.

He took what he could
till she afforded no more.

Now a single bright copper
glints becrimsoned by the door
of the pub where he met her.

He holds to his breast the one part
of her body she was unable to *****,
grips her heart to his wildly stammering heart . . .
unable to forgive or forget her.

Originally published by Penny Dreadful



Evil, the Rat
by Michael R. Burch

Evil lives in a hole like a rat
and sleeps in its feces,
fearing the cat.

At night it furtively creeps
through the house
while the cat sleeps.

It eats old excrement and gnaws
on steaming dung
and it will pause

between odd bites to sniff through the ****,
twitching and trembling,
for a scent of the cat ...

Evil, the rat.



Temptation
by Michael R. Burch

Jesus was always misunderstood . . .
we have that, at least, in common.
And it’s true that I found him,
shriveled with hunger,
shivering in the desert,
skeletal, emaciate,
not an ounce of fat
to warm his bones
once the bright sun set.

And it’s true, I believe,
that I offered him something to eat―
a fig, perhaps, a pomegranate, or a peach.

Hardly the great “temptation”
of which I’m accused.

He was a likeable chap, really,
and we spent a pleasant hour
discussing God―
how hard He is to know,
and impossible to please.

I left him there, the pale supplicant,
all skin and bone, at the mouth of his cave,
imploring his “Master” on callused knees.

Published in The Bible of Hell (anthology)



Role Reversal
by Michael R. Burch

The fluted lips of statues
mock the bronze gaze
of the dying sun . . .

We are nonplused, they say,
smacking their wet lips,
jubilant . . .

We are always refreshed, always undying,
always young, forever unapologetic,
forever gay, smiling,

and though it seems man has made us,
on his last day, we will see him unmade―
we will watch him decay
as if he were clay,
and we had assumed his flesh,
hissing our disappointment.



Excelsior
by Michael R. Burch

I lift my eyes and laugh, Excelsior . . .
Why do you come, wan spirit, heaven-gowned,
complaining that I am no longer “pure?”

I threw myself before you, and you frowned,
so full of noble chastity, renowned
for leaving maidens maidens. In the dark

I sought love’s bright enchantment, but your lips
were stone; my fiery metal drew no spark
to light the cold dominions of your heart.

What realms were ours? What leasehold? And what claim
upon these territories, cold and dark,
do you seek now, pale phantom? Would you light

my heart in death and leave me ashen-white,
as you are white, extinguished by the Night?



Liar
by Michael R. Burch

Chiller than a winter day,
quieter than the murmur of the sea in her dreams,
eyes wilder than the crystal spray
of silver streams,
you fill my dying thoughts.

In moments drugged with sleep
I have heard your earnest voice
leaving me no choice
save heed your hushed demands
and meet you in the sands
of an ageless arctic world.

There I kiss your lifeless lips
as we quiver in the shoals
of a sea that endlessly rolls
to meet the shattered shore.

Wild waves weep, "Nevermore,"
as you bend to stroke my hair.

That land is harsh and drear,
and that sea is bleak and wild;
only your lips are mild
as you kiss my weary eyes,
whispering lovely lies
of what awaits us there
in a land so stark and bare,
beyond all hope . . . and care.

This is one of my early poems, written as a high school sophomore or junior.



The Watch
by Michael R. Burch

Moonlight spills down vacant sills,
illuminates an empty bed.
Dreams lie in crates. One hand creates
wan silver circles, left unread
by its companion—unmoved now
by anything that lies ahead.

I watch the minutes test the limits
of ornamental movement here,
where once another hand would hover.
Each circuit—incomplete. So dear,
so precious, so precise, the touch
of hands that wait, yet ask so much.

Originally published by The Lyric



Keywords/Tags: Halloween, dark, supernatural, skeleton, witch, ghost, vampire, monsters, ghoul, werewolf, goblins, occult, mrbhalloween, mrbhallow, mrbdark

Published as the collection "Halloween Poems"
Ryan O'Leary Aug 2018
President Joko Widodo.

Indonesian symbol Garuda
  is a mythical type phoenix
  akin to Icarus both extinct.

  Joko Widodo also known
   as the bird-man of Bali
   told Abbot go fly a kite.
day's almost over
Sun's almost gone
an entire star hidden in the shadow cast by a speck of rock

high on caffeine
while falling asleep
trying to push myself past a mindful minefield of lyrical cynicism

scraping around bottom
goring the core
make a wish upon our shadow star to be a whimsical poet-to-be

flimsy words arise
then fall away
and the head's emptied again from nothing worth remembering

could be better
could be worse
not qualified to judge due to never passing the bar set for myself

eye-ing the time
passing me by
feeling the throb of decay in fingers' muscle memories of home row

finally the night
and darkened peace
stopping to let the words sink in, refresh the mind, and rest the eyes a minute

just resting my eyes
Ugh, utter crap.  Bad combination of "too tired to write" with "nothing worthwhile to say."  If I had any shame I'd be embarrassed to post this.
PJ Poesy Mar 2016
I understand they find dinosaur bones there in your backyard. Big ones. I've never been to your house or even close to that neighborhood, but ever since you've written me, I am completely intrigued. What you said about me, I think about you in an execrable Hemingway way, maybe as in his "Death In The Afternoon." All the goring. Faintheartedness is nothing to be carried by bullfighters or by bone hunters, I suppose. If there were a way of going back to days of nobler more romanticized slaughtering in bullrings, without the controversy, I'd have to say it is more evident in our modern day Jurassic Park flicks where nerdish paleontologists are transformed into  fiendishly handsome toreadors.

I know I'm not making much sense. Bullfights and dinosaur rustling, what's to compare? One being non-civilized though colorful and bathetic, the other fantastical but forgivable because the beasts bite back. Oh, if only I could explain these machismo machinations. What a ruse. How song and dance does intrigue. Please write me again from South Dakota. I'd like to book one of those dusty dinosaur tours before I go extinct.  Bone hunts, bullfights, same difference.
This was probably way too precocious. Oh well.
Alessander Jun 2015
A7
I told them,  “I don’t feel sorry for Robin Williams.
He lived it. Coke-fueled, bearded trickster of ******.
Well traveled and well versed, raging into worlds
Physical and ephemeral, like a ghostly bull
Goring mortals to unfeel the estoques
Sunk deep into his vital corpse.”

I had a friend who blew his brains out
While his parents were watching tv in the living room
And another who rented a room at the Marriott
Then hung himself off the shower-rod

Both early 20s
You won’t see them on the big screen
Or hear their witty banter on interviews
Chic celebs won’t eulogize them
On “Extra”, “TMZ”,  or “Access Hollywood”
No 2 minute montages
At award shows, while tuxes and gowns float
Clapping in ovation behind the shimmering façade
Of golden statues

They got a few lines in an obituary, in A7
Those who knew them will speak in hushed euphemisms
No one daring to whisper “suicide”
As if it’s the ****** Mary of deaths
Like walking under a ladder, or breaking a mirror
The mirror containing, like smoke, the future
The jagged shards reflecting moonlight faintly

I love them all the same
estoques: the swords ****** into bulls
Robert Zanfad Oct 2009
Where the devil if not here
In the room with me.
Surprised
In the kitchen
I slide
The chef's knife
Far back on the counter
To hide
Lest she loose control lost
Again, else
Might become real, that image
Now swimming
In her own soup,
Of a chromium-vanadium blade
Gleaming, swinging
In glorious swoop
Home to this chest or head,
Imagining it dead,
Tainted crimson.
Not the first time
I could be a toreador
Fending off his bull
With nearby chair
To save flesh from the goring
Of its horns,
On the way to salvation
At the door.
Still, animal rage
Stands between instrument
And shields awaiting at table
As they are meant.
A lamb, I once used my hand
And it hurt
When steel first broke skin.
Tears weren't
First from pain, but shock
Life was so real and cruel.
Since then the whys
Have grown with our lives.
One or other medication
Will fail to stop the sensation.
Now, my life's exhaustion is
In pondering the question:
Can the coward present neck
As easy offering and end it,
Or continue cowardice,
Facing  the goddess
Conspired to destroy
What once was me.
Brent Kincaid Nov 2015
First, let’s talk about some of the lies
Uttered by the nefarious and unwise
Of a peculiar type of mindless insanity
Created and backed by the inanity
Of the Madison Avenue careerists
And hordes of conspiracy theorists
Who have taken the issue of a ****
And buried it in misconduct and greed.

It is important not to fall for the joke
That it is quite all right to smoke
Because smoking anything you pass
A dose of something called cyanic gas
Into your lungs, and perhaps minimal,
It’s the gas they use to execute criminals.
But, other uses for this homegrown stuff
Can help people whose lives are tough.

But the whole shooting match is a dodge
Started out by rich men in their fancy lodge
Fueled by ignorance and false piety
Written into law by a strangers to sobriety
That somehow had no problem with drinking
But thought being ****** was stinking thinking.
So they created movies and legends galore.
But repression is all the lies were ever for.

(There’s an old joke about a boss’s decree
About employees drinking ***** daily.
He issued the rule on the smell-free *****
That was drunk at lunch time by his crews,
Because he didn’t want customers hazy
Thinking his employees were going crazy.
He preferred they know they were inebriated
Rather than a staff full of the grossly pixilated.)

It was that kind of thinking that created
A fervor that up until today has not abated,
That named an easily grown garden plant
Into some kind of major anti-***** rant,
While opiates are endorsed by the AMA.
And hundreds of versions are here today
To cure the same ailments as cannabis
Without the side effects that are a nemesis.

Medical science is finally ignoring
A sacred cow that needed goring;
Suggesting to the country as a whole
That this simple plant can play a role
In helping those who need relief
And are being criminalized by a belief
That, accompanied with such sadness,
Was the true definition of ****** madness.
The meaning of the trustees and the ablution of the signs respectively were based on the word ficare "in the proportion of providing signs and building", as a complement to the concept, in the case of Zefian's Virola, it is given to the ring that rotates in its elliptical as a virtual particle, similar to the Muon. But always in a semantic ring or circle look. Linguistics will attribute both the Virola and the Fero; in this case "leading or leading" The dissociation here is the semantics in the object not entrenched to be used as a common kind of language, but rather as "Virolifero", it is understood that this word will forge the Zefian Arrow into the amalgamation of the ring that leads, to abduct all energies towards a Central Whole. The product of all this energy will be called channeling of the mental representations of the "sign" of signifying, evoking independence in each terminology by itself and represented, rather in the theological physical elementality, associated with the Virolifera plane.

As the treatise of this codex suggests, a term between terms, to assign mnemonic and etymological chaining of meaning most of the appropriation of terminologies attached to a properly vernacular word. The horizon that is stipulated is of a Vernathian nature, where the average life-turning receptacle is of enormous proportions in its multi dynamics, especially in the moral, ethical and theological, especially in matters of emotional articulation associated with a significant meaning. Vernarthian dreams are of Speed of Quantum Physics, therefore they are pure metaphysical and meta-biological, appending to restricted spaces of stimulus and impulse speed, hiding in the residual mass of the unknown, to attribute to them chromatics that is settled in the Corpus Callosum of both hemispheres. Neuroscience yes, but that deposits physical values in the concentration of rest and active energy in areas of the cerebellum, to unleash a choice of names or anthroponyms. Where all the names with a certain alacrity of reason, meaning is attached according to their toponymy, in this case, Virolifero, could be a factor of canceling choices and adaptation of higher energies, on the universe, as a patronage of the Universe "called Rings of Zefian ”endowed with electron elliptical Muon particles.

The signifier of Virolifero will be its phoneme, perhaps more associated with the subject being the ring, associated with its mental representation. This force of Vernarthian thought indicates semantics and phonetics of speculative endowment, for becoming of building rings associated with an eco-physical and eco-environmental scheme. The entire philosophical Vernarthian range has a Sacred Geometry in its verbal and numeral composition, either in the connotation of concepts-ideas and of signs that represent the mental cultural heritage.  Literality will advocate the chronology of gap and verbal-linguistic space, contributing figurative, Greco-Latin barbarisms, such as Virolifero's verbal vigor if we place it in the reference of a building ring, being able to be figurative as a ring that makes or leads according to its practical verbal use dialectical. And in context, it would appear as something sacred in what will be referred to in this Codex of Nuraga Complexes, where each fold of lithosphere will be of the geological relationship between Stonehenge or Nuraga in Sardinia, each one appropriating age in what could be more or less an archaeological conflict of origins, or of comparative aspects of the referenced union, for the end of times, nations, civilizations, political states, and generations of socio-economic persistence. Making an archaeological contextual fact as in these terms, of such references of reception or political exile, but also cultural, adding the terminology of the intracultural contribution of the region. In the argument of Pythagoras and his self-exile in Italy, it is said that he had been condemned to exile from Samos because of his aversion to the tyranny of Polycrates. Around 530 BC settled in Crotona, a Greek colony in southern Italy, where he founded a movement with religious, political, and philosophical purposes, known as Pythagoreanism, and which generated duplicity of context in his sacred mathematical pilgrimage, towards a process of exercise contrary to his own Pythagorean School, expropriating a persona non grata in internal conflicts with personalities from Crotona itself, where he had to flee later. Here ipso facto the verbal exercise exemplifies his transliteration by an unfailing fact, in favor of what emerges from a coercive task, abandoning the same in what placidly sheltered him, and virtually ostracized as an immigrant from Samos.

Hosted the Pythagoreans in Sardinia, Italy.  Being in the colorimetry of the 6th century BC. He was peering into a universe that wasted infusion, clinging to the unknown roots themselves, with undulating harmonies in what we inhabit as an ethical and religious wave and vibrational entity. The prefix Vilori will indicate sacred mathematics, adapting to the numeral and algorithmic harmony of three plus three + 1, which would be the suffix, Fero. The external exaltation of numerical sensations will lie in human sensations already pre-established as a socio-environmental existential order, towards a divine-human being. What is strictly formative is a sacred legacy, since its equivalence is composed of mathematical formulas and figures that all point to the creation of an ambivalent whole, upward and downward proportionate. Focusing on originality of thought and work, embodying the prose, prophecies,  and intensely solid parables.

Vernarth and Etréstles began the attached Rituals in these megalithic complexes. On each Solstice, they arranged sectarians related to this phenomenology, in such a way as to incorporate them into this millenary civilization. They always attacked the archaeological area of Orroli, which is in the center of the soft plateau of Pran'e muru, in a strategic position to control the territory along the middle course of the Flumendosa River. Normally here they performed twilight liturgies similar to those perpetually held in La Mandragora, Sudpichi, Horcondising Region - Chile. Vernarth, always got all the provisions and utensils off the sailboat. Pyramid Torches, Oil Fuels, Sacred Drums, Proved Firewood, Stonework for Obsidian Workshops. Mapuche  wind instruments such as Trutruca, Cultrún and trompe. Buzzers to repel zoomorphic beings of the Bestiary, Alchemy, and Esotericism. Etréstles, coordinated content and other related duties by illuminating all the souls who once lived here. To which Vernarth masterfully adhered, filing them with impressive themes of the prehistoric world. To consider more than five volumes by concept before departure, to then break into the sacred space and meaning, limpid and originating from the session of totem animals and trance with Navajo drums. Each oar looked like a Karibu daunting a maple or a conifer that wanted to change its bark skin for those of the goring of the Karibu or the Moose him. While the eagle with its claws dropped crashing down on the Rehue line to Gnegechen, on the Cultrun, whose plural palpitations of the mandrake wanted to seem to be more than a hallucinogenic thrilling herb.

Describes Vernarth in Regression of him: Theater and Aeschylus, Dance and Athena, gifts from Stonehenge and Borrehaugene in Norway on Viking ships. They walked over the suspicious stones of the Nuragas.  In each ritual in these sets, they concelebrated next to the gorges, through which said river ran, being globally submerged in two artificial lakes until today. A territory deeply marked by man since prehistory, confirming the extraordinary concentration of remains found; from the Neolithic to the Bronze and Iron Ages, Roman times, and the Middle Ages. The Arrubiu was the main bastion, around it, satellite Nuragas gravitated, dominating strategic points and access roads. Near the complex is the tomb of Giants from the Sword, here they would consecrate their dynamics of the Xiphos Hoplite sword, to develop the bronze rites,  as a heritage from the linear insertion of Sardinia with Patmos,  to which they will go after the Solstice from the Nuraga complex. In his prehistoric speeches, he always had to stand out and go back to years prior to 1000 BC. Today it has become the symbol of Sardinia and its distinctive culture. The typical Nuraga is located in a panoramic place and has the shape of a tower with a geometric shape of a truncated cone or divided in half, some higher, others very low, reminiscent of a Tholos (Ancient Greek circular construction). Right here Vernarth, they poured milk and Pranayama, to delineate the points of the Sun to align them with the whims of Brahma and Xifos; swords that are gleaming over the eyes of a stingray. Vernarth, as post-frontal poetry, in treachery that decorated such a hendecasyllable, undertook to rescue the largest real estate fire, from where his own subsistence will hang. In the main protocol, in a drumming trance, he pierced the brains of all those present. Fragments remained everywhere ever imagined, on the timeless Nuragha ruins under the treetops and their Templum. Misleading beings that attacked the underworld of Persephone, and the Nuragic Gods who were elemented, by prevailing in this ceremony that they did not know if it was their own, not knowing that they were included.

Isaías sings (bis): “The presence in the corresponding versed folio makes it relative to the prophecy of the Immanuel born of a ******, which is associated with a similar Virgilian prophecy of Cumana, justifying its prophetic symbolism. Here is the warning that blackens the skies where the light retracts, thousands of attendants in the Nuragas are chained during the announcement of a thousandth that climbs abysses like the fateful Strigoi, and only tribulated pasture will have to transplant rebellions, which lie asleep for the wind of the ideal of incipient spiritual ******* dressed in execration. Has the conflagration of the heart that resists death and agonizes several times in the Templum ritual been unleashed ... The conditions await for the apostates when they refuse the water that does not make them optimal, and makes the radius of obedience of the Vernarthian heart elliptical, full of granules of lumpy Physconia, whose frequency will become embedded in bodies of treacherous, kingdoms and fungal lineages. The reign of the saints will judge diversity on the thrones with devastation in the fatuous beatifications in Pergamum, already admonished by me also in Sardinia”
Codex XIX -  Ultramundis  Nuragas
Israel Ortiz Jr Jul 2013
The Bullfighter!
He is unfazed by the size of the beast.
Standing in position he crosses himself
and the beast is at the ready. The
sun is aglow and the women with
their white roses, and exposed fears.

How would Picasso paint this scene?
Dying in public view - the souls.
Clearly occupied by the fate of
instant glory or tragic goring.  The
war in the ring between man and
beast. The dance begins.
Mona Jun 2016
Firstly Hand me over to the pouring rain
Let me be soaked in that flooring pain
Be sure to let me me enjoy my goring gain

For I surely believe not in my plastic fame,but
Let me enjoy this acidic game I designed , Cos
I   know not  the rules of this drastic shame

Lastly Let me enjoy my intoxicating
Oxytocin that preserves my metamorphosis
To an ignominious state that will prevail
Through my youthful altercations.
This specific piece describes my views on the uncompromising ways of a teen or anyone who's youthful at heart .
Hopefully you may. Understand
Graff1980 Jan 2017
Hope is the last refuge
of the broken and bruised
the painfully confused
who feel ill-used
yet hold on to
a chance to renew
the positive that is
long overdue.

Hope is a smile
that breaks tears
causing some to fall
and others to disappear.
It is a fool’s game
of poor predictions,
bets placed from
bad positions
but still sustain
the lost
and unforgiven,
those painfully driven,
living in the dreams
of what good things
tomorrow might bring.

Hope is a trinket
saved despite the need to eat
so, that when this homeless man meets
his long lost loved
he can give that gift
to the man he misses.
It is a warm spot on
a sidewalk vent,
a hand offering two dollars,
a stranger offering conversations
to break the cold blindness
of this windy winter loneliness.

Hope is daylight
to a prisoner who
moves to make things better
in an unfair system,
an institution
that tries to turn them
into numbers,
less than human
equal to dollar signs.
It is consuming all that bull
running down that rodeo clown
goring him to the core
and making it out
of that gated door
before idiots slam you
back in again.

Hope is a good ear
and a mouth shut
someone who hears
what other people
need so badly to say.

Hope is the lessons
that I have learned and lost
found and forgot
given and taken.
Whether I was right or mistaken
fool or genius
hope is the stream that
swims between us
in shared language,
in shared body movements,
in shared history.
It is the energy
that directs us towards
better days for
all people.

Hope is good
not necessarily
making its lack evil
but it is what people
need to get by,
a reason to stay alive.

Hope is transitive,
equal to what we do
to make dreams reality.

Ultimately, hope is the promise of
compassion yet to come.
Mortuus Odio Jan 2014
It would have been a whisper
A voice dancing on your eardrums
A slight breeze trough your hair
It would have been easy
Watching love blossom in the winter
Wild flowers goring through feet of snow
I should have just ended it
Walked away from everything
And never look back on all this
Was it a mistake....?
No....a learning experience
So I'll never get close to another person
I'll become the ghost I always was
In the hallways of your fleeting memories
Should I have ended it?
What would have been the point?
You broke my heart
I broke your sanity
Guess we're even
Not like I had anything going for me
Goodnight
Thought I'd just write my thoughts
One more time
Before I paint them on the canvas
The corner of my room has become
W A Marshall May 2014
We sat untroubled
in the back yard
a warm dusk
the heat from the sun
radiating upward from
the cement patio
it felt so good
being with him
there - one on one
like a divine consultation
at the end of the day
father and son
but we couldn’t get past
the small things
he inhaled and swallowed
his bourbon on the rocks
washing away his fears
his hand waved
shouting, “hello!”
to the woman next door
then whispering under
his breath -
“you ******* - you,”
his twisted stare grabbed
me with his fire
I froze and deliberated
why he said things like this
at times like this
I couldn’t fix
such a gorgeous evening
that was damaged now
a ball of fire setting low
into the trees
he blamed the war
and grumbled
about his absent father
and his neglected childhood
so unforgiving and foul
puking his guts
on the neighbor and
the warm cement
goring anyone
who stepped into his range
I stared into the woods
while the screen door
squealed like a pig
abandoned on the square
avoiding the horns
of an angry bull.
In this house
Of toys
Built by Penn,
The gable never peaks

Higher, higher...

It soars from sand through air
And surging storm
Defying the weeping rain
And her ominous refrain

Pitter, patter...

The owls knew
But their sage counsel
Fizzled in the wind

Hoo, hoo...

Bulls bred on steroids
From Farm Fed
Rang the bell

Moo, moo...

Goring without prejudice
Matadors who didn't see red
Until their dreams bled
On the front lawn
Like lambs of lore

Maaa, maaa...

And the house
Of toys
Built by Penn
Crumbled in the sand
Levered string severed
By the red marching band

~ P
(#HouseOfToys)
1/4/2015
Ray Suarez Jul 2016
Lucid dreaming swans
Perched high upon
Delicate snow branches
Wide eyed, watching
Me
I spit at the roots of your sanctuary
I stand naked as the black bull
Paces
The bullring encircled by flame
He is confused and I
Am lost
He kicks the dirt
And I throw silk purple
Flowing thunderstorm rain
Mockery into his face
I twist in a beautiful
Smirk at death veronica
And I feel the breeze of ****** horn
On my neck
Yes, I am scared
Neither of us will make it out
Alive
He tastes my cape
And I choke on his dust
He stands confused
And I am lost
Why must we keep
Charging and twirling
All of our lives?
We sweat encircled in
Hell flame
Thinking about why it's all
So unfair
Then prepare for the next
Brutal goring or
Brilliant silk tornado
While the swans slumber delicately
Upon the canopies
Of brittle trees
I'd rather be here
Than up there
VHE RedWolf Nov 2015
I did this for you , but you're ignoring me
this chase for attention is really boring me
I feel like an apple because you're coring me
and i want to cry out my eyes as if you're goring me
I wanna step away but optimism's reassuring me
I wanna give my all to you until theirs nothing more in me
I  just wan't to love you but it seems your not adoring me
can we please converse so at least i feel your exploring me
your psyche is hypnotic and i feel as if your luring me
your eyes are so replenishing I feel like your restoring me
I really want to fly with you, your actions steady flooring me
you're bringing out the beast holy sheesh now look at roaring me
I hope one day that im the catch an soon you will be scoring me
my mind is liquidation the sensation's like your pouring me
man on everything i love i swear i hate these feelings
my torso on the ground my eyes & hope are facing ceilings
i wish i never met you why must u be so appealing
i act like i don't feel the pain the only way i'm dealing
and your a ******* thief because my heart you know your stealing
and then you shattered it like glass, emotions i'm concealing
an if you date me long enough you know that ill be kneeling
I have several layers like an union and I'm always peeling
baby if you stay with me then every part ill be revealing
i just prey and hope that i can cope and i feel faith's healing
because this pain's a mental strain and this **** is just unappealing.

SO **** THIS
brenda callahan Mar 2017
Once were u alone on an island

And I far away in a strange southern land

Politely in goring  knocking

And notes sent asking

For a moment in your mind




At last u spoke and I retorted

Nestled now safely in your thoughts

We pratter in strange tounge

With words, strokes and quietness

Places filled and dearly held




Speak do we of smallness

Overcome by strange utterings

Wondering why words are all

We needed to make small talk

Tak
Michael R Burch Apr 2021
These are prophetic poems and apocalyptic poems … poems about possible dark futures for mankind and the planet we depend on for life and sustenance. Are we condemning our children and grandchildren to live underground like moles, if they live at all?



The Vision of the Overseer’s Right Hand
by Michael R. Burch

“Dust to dust ...”

I stumbled, aghast,
into a valley of dust and bone
where all men become,
at last, the same color . . .

There a skeletal figure
groped through blonde sand
for a rigid right hand
lost long, long ago . . .

A hand now more white
than he had wielded before.
But he paused there, unsure,
for he could not tell

without the whip’s frenetic hiss
which savage white hand was his.

Originally published by Poetry Porch



Man Retreats into Savagery
by Michael R. Burch

What I ache to say is beyond saying―
no words for the horror
of not loving enough,
like a mummy half-wrapped in its moldering casements
holding a lily aloft.

No, there are no words for the horror
as an arctic wind howls through the teetering floes
and the cold freezes down to my clawed hairy toes ...

What use to me, now, if the stars appear?

As I moan
the moon finds me,
fangs goring the deer.



Milestones Toward Oblivion
by Michael R. Burch

A milestone here leans heavily
against a gaunt, golemic tree.
These words are chiseled thereupon:
"One mile and then Oblivion."

Swift larks that once swooped down to feed
on groping slugs, such insects breed
within their radiant flesh and bones ...
they did not heed the milestones.

Another marker lies ahead,
the only tombstone to the dead
whose eyeless sockets read thereon:
"Alas, behold Oblivion."

Once here the sun shone fierce and fair;
now night eternal shrouds the air
while winter, never-ending, moans
and drifts among the milestones.

This road is neither long nor wide . . .
men gleam in death on either side.
Not long ago, they pondered on
milestones toward Oblivion.



Davenport Tomorrow
by Michael R. Burch

Davenport tomorrow ...
all the trees stand stark-naked in the sun.

Now it is always summer
and the bees buzz in cesspools,
adapted to a new life.

There are no flowers,
but the weeds, being hardier,
have survived.

The small town has become
a city of millions;
there is no longer a sea,
only a huge sewer,
but the children don't mind.

They still study
rocks and stars,
but biology is a forgotten science ...
after all, what is life?

Davenport tomorrow ...
all the children murmur through vein-streaked gills
whispered wonders of long-ago.



Burn
by Michael R. Burch

for Trump

Sunbathe,
ozone baby,
till your parched skin cracks
in the white-hot flash
of radiation.

Incantation
from your pale parched lips
shall not avail;
you made this hell.
Now burn.

This was one of my early poems, written around age 19. I dedicated the poem to Trump after he pulled the United States out of the Paris climate change accords.



Evil, the Rat
by Michael R. Burch

for Trump

Evil lives in a hole like a rat
and sleeps in its feces,
fearing the cat.

At night it furtively creeps
through the house
while the cat sleeps.

It eats old excrement and gnaws
on steaming dung
and it will pause

between odd bites to sniff through the ****,
twitching and trembling,
for a scent of the cat ...

Evil, the rat.



No One
by Michael R. Burch

No One hears the bells tonight;
they tell him something isn’t right.
But No One is not one to rush;
he smiles on a bed soft, green and lush
as far away a startled thrush
flees from horned owls in sinking flight.

No One hears the cannon’s roar
and muses that its voice means war
comes knocking on men’s doors tonight.
He sleeps outside in awed delight
beneath the enigmatic stars
and shivers in their cooling light.

No One knows the world will end,
that he’ll be lonely, without friend
or foe to conquer. All will be
once more, celestial harmony.
He’ll miss men’s voices, now and then,
but worlds can be remade again.



Bikini
by Michael R. Burch

Undersea, by the shale and the coral forming,
by the shell’s pale rose and the pearl’s bright eye,
through the sea’s green bed of lank seaweed worming
like tangled hair where cold currents rise ...
something lurks where the riptides sigh,
something old, and odd, and wise.

Something old when the world was forming
now lifts its beak, its snail-blind eye,
and, with tentacles like Medusa's squirming,
it feels the cloud blot out the skies' ...
then shudders, settles with a sigh,
understanding man’s demise.



Lay Down Your Arms
by Michael R. Burch

Lay down your arms; come, sleep in the sand.
The battle is over and night is at hand.
Our voyage has ended; there's nowhere to go . . .
the earth is a cinder still faintly aglow.

Lay down your pamphlets; let's bicker no more.
Instead, let us sleep here on this ravaged shore.
The sea is still boiling; the air is wan, thin . . .
lay down your pamphlets; now no one will “win.”

Lay down your hymnals; abandon all song.
If God was to save us, He waited too long.
A new world emerges, but this world is through . . .
so lay down your hymnals, or write something new.



Styx
by Michael R. Burch

Black waters,
deep and dark and still . . .
all men have passed this way,
or will.

Originally published by The Raintown Review



Charon 2001
by Michael R. Burch

I, too, have stood―paralyzed at the helm
watching onrushing, inevitable disaster.
I too have felt sweat (or ecstatic tears) plaster
damp hair to my eyes, as a slug’s dense film
becomes mucous-insulate. Always, thereafter
living in darkness, bright things overwhelm.

Originally published by The Neovictorian/Cochlea



Beast 666
by Michael R. Burch

“... what rough beast ... slouches toward Bethlehem to be born?”―W. B. Yeats

Brutality is a cross
wooden, blood-stained,
gas hissing, sibilant,
lungs gilled, deveined,
red flecks on a streaked glass pane,
jeers jubilant,
mocking.

Brutality is shocking―
tiny orifices torn
by cruel adult lust,
the fetus unborn
tossed in a dust-
bin. The scarred skull shorn,
nails bloodied, tortured,
an old wound sutured
over, never healed.

Brutality, all its faces revealed,
is legion:
Death March, Trail of Tears, Inquisition . . .
always the same.
The Beast of the godless and of man’s “religion”
slouching toward Jerusalem:
horned, crowned, gibbering, drooling, insane.



Shock and Awe
by Michael R. Burch

With megatons of “wonder,”
we make our godhead clear:
Death. Destruction. Fear.

The world’s heart ripped asunder,
its dying pulse we hear:
Death. Destruction. Fear.

Strange Trinity! We ponder
this God we hold so dear:
Death. Destruction. Fear.

The vulture and the condor
proclaim: The feast is near!―
Death. Destruction. Fear.

Soon He will plow us under;
the Anti-Christ is here:
Death. Destruction. Fear.

We love to hear Him thunder!
With Shock and Awe, appear!―
Death. Destruction. Fear.

For God can never blunder;
we know He holds US dear:
Death. Destruction. Fear.



First They Came for the Muslims
by Michael R. Burch

after Martin Niemöller

First they came for the Muslims
and I did not speak out
because I was not a Muslim.

Then they came for the homosexuals
and I did not speak out
because I was not a homosexual.

Then they came for the feminists
and I did not speak out
because I was not a feminist.

Now when will they come for me
because I was too busy and too apathetic
to defend my sisters and brothers?

Published in Amnesty International’s Words That Burn anthology, Borderless Journal (India), The Hindu (India), Matters India, New Age Bangladesh, Convivium Journal, PressReader (India) and Kracktivist (India)

This poem returns an astounding 819,000 Google results for the eleventh line. That’s a lot of cutting and pasting!

It is indeed an honor to have one of my poems published by such an outstanding organization as Amnesty International―one of the world's finest. Not only is the cause good―a stated goal is to teach students about human rights through poetry―but so far the poetry published seems quite good to me.



What Immense Silence
by Michael R. Burch

What immense silence
comforts those who kneel here
beneath these vaulted ceilings
cavernous and vast?

What luminescence stained
by patchwork panels of bright glass
illuminates drained faces
as the crouching gargoyles leer?

What brings them here―
pale, tearful congregations,
knowing all Hope is past,
faithfully, year upon year?

Or could they be right? Perhaps
Love is, implausibly, near
and I alone have not seen It . . .
But, if so, still, I must ask:

why is it God that they fear?

Published in The Bible of Hell



Where We Dwell
by Michael R. Burch

Night within me.
Never morning.
Stars uncounted.
Shadows forming.
Wind arising
where we dwell
reaches Heaven,
reeks of Hell.

Published in The Bible of Hell



the Horror
by Michael R. Burch

the Horror lurks inside our closets
the Horror hides beneath our beds
the Horror hisses ancient curses
the Horror whispers in our heads

the Horror tells us Death is coming
the Horror tells us there’s no hope
the Horror tells us “life” is futile
the Horror beckons, “there’s the Rope!”



Deliver Us ...
by Michael R. Burch

The night is dark and scary―
under your bed, or upon it.

That blazing light might be a star ...
or maybe the Final Comet.

But two things are sure: your mother’s love
and your puppy’s kisses, doggonit!



Belfry
by Michael R. Burch

There are things we surrender
to the attic gloom:
they haunt us at night
with shrill, querulous voices.

There are choices we made
yet did not pursue,
behind windows we shuttered
then failed to remember.

There are canisters sealed
that we cannot reopen,
and others long broken
that nothing can heal.

There are things we conceal
that our anger dismembered,
gray leathery faces
the rafters reveal.



Liar
by Michael R. Burch

Chiller than a winter day,
quieter than the murmur of the sea in her dreams,
eyes softer than the diaphanous spray
of mist-shrouded streams,
you fill my dying thoughts.

In moments drugged with sleep
I have heard your earnest voice
leaving me no choice
save heed your hushed demands
and meet you in the sands
of an ageless arctic world.

There I kiss your lifeless lips
as we quiver in the shoals
of a sea that, endless, rolls
to meet the shattered shore.
Wild waves weep, "Nevermore,"
as you bend to stroke my hair.

That land is harsh and drear,
and that sea is bleak and wild;
only your lips are mild
as you kiss my weary eyes,
whispering lovely lies
of what awaits us there

in a land so stark and bare,
beyond all hope . . . and care.

This is one of my early poems, written as a high school sophomore or junior.



Polish
by Michael R. Burch

Your fingers end in talons―
the ones you trim to hide
the predator inside.

Ten thousand creatures sacrificed;
but really, what’s the loss?
Apply a splash of gloss.

You picked the perfect color
to mirror nature’s law:
red, like tooth and claw.



Is there any Light left?
by Michael R. Burch

Is there any light left?
Must we die bereft
of love and a reason for being?
Blind and unseeing,
rejecting and fleeing
our humanity, goat-hooved and cleft?

Is there any light left?
Must we die bereft
of love and a reason for living?
Blind, unforgiving,
unworthy of heaven
or this planet red, reeking and reft?

NOTE: While “hoofed” is the more common spelling, I preferred “hooved” for this poem. Perhaps because of the contrast created by “love” and “hooved.”



Modern Appetite
by Michael R. Burch

It grumbled low, insisting it would feast
on blood and flesh, etcetera, at least
three times a day. With soft lubricious grease

and pale salacious oils, it would ease
its way through life. Each day―an aperitif.
Each night―a frothy bromide, for relief.

It lived on TV fare, wore pinafores,
slurped sugar-coated gumballs, gobbled S’mores.
When gas ensued, it burped and farted. ’Course,

it thought aloud, my wife will leave me. Yours
is not so **** particular. Divorce
is certainly a settlement, toujours!

A Tums a day will keep the shrink away,
recalcify old bones, keep gas at bay.
If Simon says, etcetera, Mother, may

I have my hit of calcium today?



Imperfect Sonnet
by  Michael R. Burch

A word before the light is doused: the night
is something wriggling through an unclean mind,
as rats creep through a tenement. And loss
is written cheaply with the moon’s cracked gloss
like lipstick through the infinite, to show
love’s pale yet sordid imprint on us. Go.

We have not learned love yet, except to cleave.
I saw the moon rise once ... but to believe ...
was of another century ... and now ...
I have the urge to love, but not the strength.

Despair, once stretched out to its utmost length,
lies couched in squalor, watching as the screen
reveals "love's" damaged images: its dreams ...
and ******* limply, screams and screams.

Originally published by Sonnet Scroll



Stump
by Michael R. Burch

This used to be a poplar, oak or elm . . .
we forget the names of trees, but still its helm,
green-plumed, like some Greek warrior’s, nobly fringed,
with blossoms almond-white, but verdant-tinged,
this massive helm . . . this massive, nodding head
here contemplated life, and now is dead . . .

Perhaps it saw its future, furrow-browed,
and flung its limbs about, dejectedly.
Perhaps it only dreamed as, cloud by cloud,
the sun plod through the sky. Heroically,
perhaps it stood against the mindless plots
of concrete that replaced each flowered bed.
Perhaps it heard thick loggers draw odd lots
and could not flee, and so could only dread . . .

The last of all its kind? They left its stump
with timeworn strange inscriptions no one reads
(because a language lost is just a bump
impeding someone’s progress at mall speeds).
We leveled all such “speed bumps” long ago
just as our quainter cousins leveled trees.
Shall we, too, be consumed by what we know?
Once gods were merely warriors; august trees
were merely twigs, and man the least divine . . .
mere fables now, dust, compost, turpentine.



They Take Their Shape
by Michael R. Burch

“We will not forget moments of silence and days of mourning ...”―George W. Bush

We will not forget ...
the moments of silence and the days of mourning,
the bells that swung from leaden-shadowed vents
to copper bursts above “hush!”-chastened children
who saw the sun break free (abandonment
to run and laugh forsaken for the moment),
still flashing grins they could not quite repent ...

Nor should they―anguish triumphs just an instant;
this every child accepts; the nymphet weaves;
transformed, the grotesque adult-thing emerges:
damp-winged, huge-eyed, to find the sun deceives ...

But children know; they spin limpwinged in darkness
cocooned in hope―the shriveled chrysalis
that paralyzes time. Suspended, dreaming,
they do not fall, but grow toward what is,
then ***** about to find which transformation
might best endure the light or dark. “Survive”
becomes the whispered mantra of a pupa’s
awakening ... till What takes shape and flies
shrieks, parroting Our own shrill, restive cries.

Originally published by The HyperTexts



Veiled
by Michael R. Burch

She has belief
without comprehension
and in her crutchwork shack
she is
much like us . . .

tamping the bread
into edible forms,
regarding her children
at play
with something akin to relief . . .

ignoring the towers ablaze
in the distance
because they are not revelations
but things of glass,
easily shattered . . .

and if you were to ask her,
she might say―
sometimes God visits his wrath
upon an impious nation
for its leaders’ sins,

and we might agree:
seeing her mutilations.



Intimations
by Michael R. Burch

Let mercy surround us
with a sweet persistence.

Let love propound to us
that life is infinitely more than existence.

Published by Katrina Anthology



Keywords/Tags: Apocalyptic Poems, Prophetic Poems, Future, Vision, Visionary, Omen, Omens, Sign, Signs, Climate Change, Global Warming, Environment, Extinction
Apocalyptic, Prophetic, Future, Omens, Climate Change, Global Warming, Environment, Extinction
These are poems about poetry, poems about writing, poems about the process of composition...



The Composition of Shadows
by Michael R. Burch

“I made it out of a mouthful of air.”—W. B. Yeats

We breathe and so we write; the night
hums softly its accompaniment.
Pale phosphors burn; the page we turn
leads onward, and we smile, content.
    
And what we mean we write to learn:
the vowels of love, the consonants’
strange golden weight, each plosive’s shape—
curved like the heart. Here, resonant,...

sounds’ shadows mass beneath bright glass
like singing voles curled in a maze
of blank white space. We touch a face—
long-frozen words trapped in a glaze

that insulates our hearts. Nowhere
can love be found. Just shrieking air.



Less Heroic Couplets: Questionable Credentials
by Michael R. Burch

Poet? Critic? Dilettante?
Do you know what’s good, or do you merely flaunt?



Less Heroic Couplets: Dark Cloud, Silver Lining
from “Love in the Time of the Coronavirus”
by Michael R. Burch

Every corona has a silver lining:
I’m too far away to hear your whining,
and despite my stormy demeanor,
my hands have never been cleaner!



A Passing Observation about Thinking Outside the Box
by Michael R. Burch

William Blake had no public, and yet he’s still read.
His critics are dead.



Distances (II)
by Michael R. Burch

There is a small cleanness about her,
as if she has always just been washed,
and there is a dull obedience to convention
in her accommodating slenderness
as she feints at her salad.

She has never heard of Faust, or Frost,
and she is unlikely to have been seen
rummaging through bookstores
for mementos of others
more difficult to name.

She might imagine “poetry”
to be something in common between us,
as we write, bridging the expanse
between convention and something . . .
something the world calls “art”
for want of a better word.

At night I scream
at the conventions of both our worlds,
at the distances between words
and their objects: distances
come lately between us,
like a clean break.

Published by Verse Libre, Triplopia and Lone Stars



This Distance Between Us
by Michael R. Burch

This distance between us,
    this vast gulf of remembrance
    void of understanding,
sets us apart.

You are so far,
    lost child,
    weeping for consolation,
once dear to my heart.

Once near to my heart,
    though seldom to touch,
    now you are foreign,
now you grow faint...

like the wayward light of a vagabond star—
    obscure, enigmatic.
    Is the reveling gypsy
becoming a saint?

Now loneliness,
    a broad expanse
    —barren, forbidding—
whispers my name.

I, too, am a traveler
    down this dark path,
    unsure of the footing,
cursing the rain.

I, too, have felt pain,
    pain and the ache of passion unfulfilled,
    remorse, grief, and all the terrors
of the night.

And how very black
    and how bleak my despair . . .
    O, where are you, where are you
shining tonight?



East Devon Beacon
by Michael R. Burch

Evening darkens upon the moors,
Forgiveness—a hairless thing
skirting the headlamps, fugitive.

Why have we come,
traversing the long miles
and extremities of solitude,
worriedly crisscrossing the wrong maps
with directions
obtained from passing strangers?

Why do we sit, 
frantically retracing                                
love’s long-forgotten signal points
with cramping, ink-stained fingers?

Why the preemptive frowns,
the litigious silences,
when only yesterday we watched
as, out of an autumn sky this vast,
over an orchard or an onion field,
wild Vs of distressed geese
sped across the moon’s face,
the sound of their panicked wings
like our alarmed hearts
pounding in unison?



Happily Never After
by Michael R. Burch

Happily never after, we lived unmerrily
(write it!—like disaster) in Our Kingdom by the See
as the man from Porlock’s laughter drowned out love’s threnody.

We ditched the red wheelbarrow in slovenly Tennessee,
then made a picturebook of poems, a postcard for Tse-Tse,
a list of resolutions we knew we couldn’t keep,
and asylum decorations for the King in his dark sleep.

We made it new so often, strange newness, wearing old,
peeled off, and something rotten gleamed—dull yellow, not like gold—
like carelessness, or cowardice, and redolent of ***.
We stumbled off, our awkwardness—new Keystone comedy.

Huge cloudy symbols blocked the sun; onlookers strained to see.
We said We were the only One. Our gaseous Melody
had made us Joshuas, and so—the Bible, new-rewrit,
with god removed, replaced by Show and Glyphics and Sanskrit,
seemed marvelous to Us, although King Ezra said, “It’s S--t.”

We spent unhappy hours in Our Kingdom of the Pea,
drunk on such Awesome Power only Emperors can See.
We were Imagists and Vorticists, Projectivists, a Dunce,
Anarchists and Antarcticists and anti-Christs, and once
We’d made the world Our oyster and stowed away the pearl
of Our too-, too-polished wisdom, unanchored of the world,
We sailed away to Lilliput, to Our Kingdom by the See
and piped the rats to join Us, to live unmerrily
hereever and hereafter, in Our Kingdom of the Pea,
in the miniature ship Disaster in a jar in Tennessee.



Performing Art
by Michael R. Burch

Who teaches the wren
in its drab existence
to explode into song?

What parodies of irony
does the jay espouse
with its sharp-edged tongue?

What instinctual memories
lend stunning brightness
to the strange dreams

of the dull gray slug
—spinning its chrysalis,
gluing rough seams—

abiding in darkness
its transformation,
till, waving damp wings,

it applauds its performance?
I am done with irony.
Life itself sings.



Less Heroic Couplets: Mini-Ode to Stamina
by Michael R. Burch

When you’ve given so much
that I can’t bear your touch,
then from a safe distance
let me admire your persistence.

Published by ***** of Parnassus



Less Heroic Couplets: Sweet Tarts
by Michael R. Burch

Love, beautiful but fatal to many bewildered hearts,
commands us to be faithful, then tempts us with sweets and tarts.




Adrift
by Michael R. Burch

I helplessly loved you
   although I was lost
in the veils of your eyes,
   grown blind to the cost
   of my ignorant folly
—your unreadable rune—
   as leashed tides obey
an indecipherable moon.

Published by The New Stylus



The Drawer of Mermaids
by Michael R. Burch

This poem is dedicated to Alina Karimova, who was born with severely deformed legs and five fingers missing. Alina loves to draw mermaids and believes her fingers will eventually grow out.

Although I am only four years old,
they say that I have an old soul.
I must have been born long, long ago,
here, where the eerie mountains glow
at night, in the Urals.

A madman named Geiger has cursed these slopes;
now, shut in at night, the emphatic ticking
fills us with dread.
(Still, my momma hopes
that I will soon walk with my new legs.)

It’s not so much legs as the fingers I miss,
drawing the mermaids under the ledges.
(Observing, Papa will kiss me
in all his distracted joy;
but why does he cry?)

And there is a boy
who whispers my name.
Then I am not lame;
for I leap, and I follow.
(G’amma brings a wiseman who says

our infirmities are ours, not God’s,
that someday a beautiful Child
will return from the stars,
and then my new fingers will grow
if only I trust Him; and so

I am preparing to meet Him, to go,
should He care to receive me.)



alien
by michael r. burch

there are mornings in england
when, riddled with light,
the Blueberries gleam at us—
plump, sweet and fragrant.

but i am so small...
what do i know
of the ways of the Daffodils?
“beware of the Nettles!”

we go laughing and singing,
but somehow, i,...
i know i am lost. i do not belong
to this Earth or its Songs.

and yet i am singing...
the sun—so mild;
my cheeks are like roses;
my skin—so fair.

i spent a long time there
before i realized: They have no faces,
no bodies, no voices.
i was always alone.

and yet i keep singing:
the words will come
if only i hear.



I AM!
by Michael R. Burch

I am not one of ten billion—I—
sunblackened Icarus, chary fly,
staring at God with a quizzical eye.

I am not one of ten billion, I.

I am not one life has left unsquashed—
scarred as Ulysses, goddess-debauched,
pale glowworm agleam with a tale of panache.

I am not one life has left unsquashed.

I am not one without spots of disease,
laugh lines and tan lines and thick-callused knees
from begging and praying and girls sighing “Please!”

I am not one without spots of disease.

I am not one of ten billion—I—
scion of Daedalus, blackwinged fly
staring at God with a sedulous eye.

I am not one of ten billion, I

AM!



Paradoxical Ode to Antinatalism
by Michael R. Burch

A stay on love 
would end death’s hateful sway,
someday.

A stay on love 
would thus be love,
I say. 

Be true to love
and thus end death’s
fell sway!



Hymn for Fallen Soldiers
by Michael R. Burch

Sound the awesome cannons.
Pin medals to each breast. 
Attention, honor guard!
Give them a hero’s rest.

Recite their names to the heavens
Till the stars acknowledge their kin.
Then let the land they defended
Gather them in again.

When I learned there’s an American military organization, the DPAA (Defense POW/MIA Accounting Agency), that is still finding and bringing home the bodies of soldiers who died serving their country in World War II, after blubbering like a baby, I managed to eke out this poem.



How Could I Understand?
by Michael R. Burch

The intense heat and light of the Hiroshima and Nagasaki atomic bomb blasts left ghostly silhouettes of human beings imprinted in concrete, whose lives were erased in an instant.

How could I understand
that light
might
be painful?

That sight
might
be crossed?

How could I understand
the cost
of my ignorance,
or the sun’s 
inflorescence?

Who was there to tell me
that I, too,
might be one of the
Lost?



The First Christmas
by Michael R. Burch

’Twas in a land so long ago . . .
the lambs lay blanketed in snow
and little children everywhere
sat and watched warm embers glow
and dreamed (of what, we do not know).

And THEN—a star appeared on high,
The brightest man had ever seen!
It made the children whisper low
in puzzled awe (what did it mean?).
It made the wooly lambkins cry.

Not far away a new-born lay,
warm-blanketed in straw and hay,
a lowly manger for his crib.
The cattle mooed, distraught and low,
to see the child. They did not know

it now was Christmas day!



gimME that ol’ time religion!
by michael r. burch

fiddle-dee-dum, fiddle-dee-dee,
jesus loves and understands ME!
safe in his grace, I’LL **** them to hell—
the strumpet, the harlot, the wild jezebel,
the alky, the druggie, all queers short and tall!
let them drink ashes and wormwood and gall,
’cause fiddle-dee-DUMB, fiddle-dee-WEEEEEEEEEEEEEEEEee . . .
jesus loves and understands
ME!



Unapproved Absence, or, Slip Up
by Michael R. Burch

Christ, how I miss you!,
though your parting kiss is still warm on my lips.

Now the floor is not strewn with your stockings and slips
and the dishes are all stacked away.

You left me today ...
and each word left unspoken now whispers regrets.



faith(less)
by michael r. burch

for the “Chosen Few”

Those who believed
and Those who misled
lie together at last
in the same narrow bed

and if god loved Them more
for Their strange lack of doubt,
he kept it well hidden
till he snuffed Them out.

ah-men!



Haunted
by Michael R. Burch

Now I am here
    and thoughts of my past mistakes are my brethren.
    I am withering
and the sweetness of your memory is like a tear.

Go, if you will,
    for the ache in my heart is its hollowness
    and the flaw in my soul is its shallowness;
there is nothing to fill.

Take what you can;
    I have nothing left.
    And when you are gone, I will be bereft,
the husk of a man.

Or stay here awhile.
    My heart cannot bear the night, or these dreams.
    Your face is a ghost, though paler, it seems
when you smile.

Published by Romantics Quarterly



Duet (I)
by Michael R. Burch

Oh, Wendy, by the firelight, how sad,
    how worn and gray your auburn hair became!
    You’re very silent, like an evening rain
that trembles on dark petals. Tears you’ve shed
    for days we danced together, glisten now;
    your flesh became translucent; and your brow
knits, gathered loosely. By the well-made bed    
    three portraits hang with knowing eyes, beloved,
    but mine is not among them. Time has proved
our hearts both strangely mortal. If I said
    I loved you once, how is it that could change?
    And yet I watch you fondly; love is strange...
    
Oh, Peter, by the firelight, how bright
    my thought of you remains, and if I said
    I loved you once, then took him to my bed,
I did it for the need of love, one night
    when you were far away. My heart endured
    transfigurement—in flaming ash inured
to heartbreak and the violence of sight:
    I saw myself grow old and thin and frail
    with thinning hair about me, like a veil...
And so I loved him for myself, despite
    the love between us—our first startled kiss.
    But then I loved him for his humanness.
And then we both grew old, and it was right ...

Oh, Wendy, if I fly, I fly beyond
    these human hearts, these cities walled and tiered
    against the night, beyond this vale of tears,
for love, if it exists, dies with the years...

No, Peter, love is constant as the heart
    that keeps till its last beat a measured pace
    and sets the fixtures of its dreams in place
by beds at first well-used, at last well-made,
    and counts each face a joy, each tear a grace...



Duet (II)
by Michael R. Burch

If love is just an impulse meant to bring
two tiny hearts together, skittering
like hamsters from their Quonsets late at night
in search of lust’s productive exercise...

If love is the mutation of some gene
made radiant—an accident of bliss
played out by two small actors on a screen
of silver mesh, who never even kiss...

If love is evolution, nature’s way
of sorting out its DNA in pairs,
of matching, mating, sculpting flesh’s clay...
why does my wrinkled hamster climb his stairs

to set his wheel revolving, then descend
and stagger off ... to make hers fly again?

Published by Bewildering Stories and The HyperTexts



Duet, Minor Key
by Michael R. Burch

Without the drama of cymbals
or the fanfare and snares of drums,
I present my case
stripped of its fine veneer:
Behold, thy instrument.
Play, for the night is long.

Published by Brief Poems



At Tintagel
by Michael R. Burch

The legend of what happened on a stormy night at Tintagel is endlessly intriguing. Supposedly, Merlin transformed Uther Pendragon to look like Gorlois so that he could sleep with Ygraine, the lovely wife of the unlucky duke. While Uther was enjoying Ygraine’s *******, Gorlois was off getting himself killed. The question is: did Igraine suspect that her lover was not her husband? Regardless, Arthur was the child conceived out of this supernatural (?) encounter.

That night,
at Tintagel,
there was darkness such as man had never seen . . .
darkness and treachery,
and the unholy thundering of the sea...

In his arms,
who can say how much she knew?
And if he whispered her name . . .
“Ygraine”
. . . could she tell above the howling wind and rain?

Could she tell, or did she care,
by the length of his hair
or the heat of his flesh, . . .
that her faceless companion
was Uther, the dragon,

and Gorlois lay dead?

Published by Songs of Innocence, Celtic Twilight, Fables, Fickle Muses and Poetry Life & Times



we did not Dye in vain!
by michael r. burch

from “songs of the sea snails”

though i’m just a slimy crawler,
     my lineage is proud:
my forebears gave their lives
     (oh, let the trumps blare loud!)
so purple-mantled Royals
     might stand out in a crowd.

i salute you, fellow loyals,
     who labor without scruple
as your incomes fall
     while deficits quadruple
to swaddle unjust Lords
     in bright imperial purple!

Originally published by The American Dissident



Crunch
by Michael R. Burch

A cockroach could live nine months on the dried mucus you scrounge from your nose
then fling like seedplants to the slowly greening floor...

You claim to be the advanced life form, but, mon frere, 
sometimes as you ****** encrusted kinks of hair from your Leviathan ***
and muse softly on zits, icebergs snap off the Antarctic.

You’re an evolutionary quandary, in need of a sacral ganglion
to control your enlarged, contradictory hindquarters:
surely the brain should migrate closer to its primary source of information, 
in order to ensure the survival of the species.

Cockroaches thrive on eyeboogers and feces;
their exoskeletons expand and gleam like burnished armor in the presence of uranium.
But your cranium
                            is not nearly so adaptable.



A Vain Word
by Michael R. Burch

Oleanders at dawn preen extravagant whorls
as I read in leaves’ Sanskrit brief moments remaining
till sunset implodes, till the moon strands grey pearls
under moss-stubbled oaks, full of whispers, complaining
to the darkening autumn, how swiftly life goes—
as I fled before love ...
                                     Now, through leaves trodden black,
shivering, I wander as winter’s first throes
of cool listless snow drench my cheeks, back and neck.

I discerned in one season all eternities of grief,
the specter of death sprawled out under the rose,
the last consequence of faith in the flight of one leaf,
the incontinence of age, as life’s bright torrent slows.

O, where are you now?—I was timid, absurd.
I would find comfort again in a vain word.

Published by Chrysanthemum and Tucumcari Literary Review



What Goes Around, Comes
by Michael R. Burch

This is a poem about loss
so why do you toss your dark hair—
unaccountably glowing?

How can you be sure of my heart
when it’s beyond my own knowing?

Or is it love’s pheromones you trust,
my eyes magnetized by your bust
and the mysterious alchemies of lust?

Now I am truly lost!



Oasis
by Michael R. Burch

for Beth

I want tears to form again
in the shriveled glands of these eyes
dried all these long years
by too much heated knowing.

I want tears to course down
these parched cheeks,
to star these cracked lips
like an improbable dew

in the heart of a desert.
I want words to burble up
like happiness, like the thought of love,
like the overwhelming, shimmering thought of you

to a nomad who
has only known drought.



Afterglow
by Michael R. Burch

for Beth

The night is full of stars. Which still exist?
Before time ends, perhaps one day we’ll know.
For now I hold your fingers to my lips
and feel their pulse ... warm, palpable and slow...

once slow to match this reckless spark in me,
this moon in ceaseless orbit I became,
compelled by wilder gravity to flee
night’s universe of suns, for one pale flame...

for one pale flame that seemed to signify
the Zodiac of all, the meaning of
love’s wandering flight past Neptune. Now to lie
in dawning recognition is enough...

enough each night to bask in you, to know
the face of love ... eyes closed ... its afterglow.



Melting
by Michael R. Burch

for Beth

Entirely, as spring consumes the snow,
the thought of you consumes me: I am found
in rivulets, dissolved to what I know
of former winters’ passions. Underground,
perhaps one slender icicle remains
of what I was before, in some dark cave—
a stalactite, long calcified, now drains
to sodden pools whose milky liquid laves
the colder rock, thus washing something clean
that never saw the light, that never knew
the crust could break above, that light could stream:
so luminous,
                     so bright,
                                     so beautiful . . .
I lie revealed, and so I stand transformed,
and all because you smiled on me, and warmed.

Published by Borderless Journal (Singapore)




First Steps
by Michael R. Burch

for Caitlin Shea Murphy

To her a year is like infinity,
each day—an adventure never-ending.
    She has no concept of time,
    but already has begun the climb—
from childhood to womanhood recklessly ascending.

I would caution her, "No! Wait!
There will be time enough another day . . .
    time to learn the Truth
    and to slowly shed your youth,
but for now, sweet child, go carefully on your way!..."

But her time is not a time for cautious words,
nor a time for measured, careful understanding.
    She is just certain
    that, by grabbing the curtain,
in a moment she will finally be standing!

Little does she know that her first few steps
will hurtle her on her way
    through childhood to adolescence,
    and then, finally, pubescence . . .
while, just as swiftly, I’ll be going gray!



briefling
by michael r. burch

manishatched,hopsintotheMix,
cavorts,hassex(quick!,spawnan­ewBrood!);
then,likeamayfly,he’ssuddenlygone:
plantfood

Here “briefling” is a diminutive of “brief” and also a pun on “brief fling.”



pretty pickle
by michael r. burch

u’d blaspheme if u could
because ur Gaud’s no good,
but of course u cant:
ur a lowly ant
(or so u were told by a Hierophant).

The wordplay of “ur Gaud” and “u cant” is intentional, as always.



Ah! Sunflower
by Michael R. Burch

for and after William Blake

O little yellow flower
like a star ...
how beautiful,
how wonderful
we are!

Originally published by Borderless Journal (Singapore)



All the More Human, for Eve Pandora
by Michael R. Burch

a lullaby for the first human Clone

God provide the soul, and let her sleep
be natural as ours, unplagued by dreams
of being someone else, lost in the deep
wild swells of grieving all that human means . . .

and do not let her come to doubt herself—
that she is as we are, so much alike
in frailty, in the books that line the shelf
that tell us who we are—a rickety ****        

against the flood of doubt—that we are more
than cells and chance, that love, perhaps, exists
because of someone else who would endure
such pain because some part of her persists

in us, and calls us blesséd by her bed,
become a saint at last, in whose frail arms
we see ourselves—the gray won out of red,
the ash of blonde—till love is safe from harm

and all that human means is that we live
in doubt, and die in doubt, and only love
the more because together we must strive
against an end we loathe and fear. What of?—

we cannot say, imagining the Night
as some weird darkened structure caving in
to cold enormous pressure. Lacking sight,
we lie unbreathing, thinking breath a sin . . .

and that is to be human. You are us—
true mortal, child of doubt, hopeful and curious.



Springtime Prayer
by Michael R. Burch

They’ll have to grow like crazy,
the springtime baby geese,
if they’re to fly to balmier climes
when autumn dismembers the leaves...

And so I toss them loaves of bread,
then whisper an urgent prayer:
“Watch over these, my Angels,
if there’s anyone kind, up there.”

Originally published by Borderless Journal (Singapore)



Altared Spots
by Michael R. Burch

The mother leopard buries her cub,
then cries three nights for his bones to rise
clad in new flesh, to celebrate the sunrise.

Good mother leopard, pensive thought
and fiercest love’s wild insurrection
yield no certainty of a resurrection.

Man’s tried them both, has added tears,
chants, dances, drugs, séances, tombs’
white alabaster prayer-rooms, wombs

where dead men’s frozen genes convene ...
there is no answer—death is death.
So bury your son, and save your breath.

Or emulate earth’s “highest species”—
write a few strange poems and odd treatises.



Our English Rose
by Michael R. Burch

for Christine Ena Burch

The rose is—        
the ornament of the earth, 
the glory of nature, 
the archetype of the flowers, 
the blush of the meadows, 
a lightning flash of beauty.

This is my translation of a Sappho epigram.



chrysalis
by michael r. burch

these are the days of doom
u seldom leave ur room
u live in perpetual gloom

yet also the days of hope
how to cope?
u pray and u *****

toward self illumination ...
becoming an angel 
(pure love)

and yet You must love Your Self



Attend Upon Them Still
by Michael R. Burch

for my grandparents George and Ena Hurt

With gentleness and fine and tender will,
attend upon them still;
thou art the grass.

Nor let men’s feet here muddy as they pass
thy subtle undulations, nor depress
for long the comforts of thy lovingness,

nor let the fuse
of time wink out amid the violets.
They have their use—

to wave, to grow, to gleam, to lighten their paths,
to shine resplendent glories at their feet.
Thou art the grass;

make them complete.



Talent
by Michael R. Burch

for Kevin Nicholas Roberts

I liked the first passage
of her poem—where it led
(though not nearly enough
to retract what I said.)
Now the book propped up here
flutters, scarcely half read.
    It will keep.
    Before sleep,
let me read yours instead.

There's something of love
in the rhythms of night
—in the throb of streets
where the late workers drone,
in the sounds that attend
each day’s sad, squalid end—
that reminds us: till death
we are never alone.

So we write from the hearts
that will fail us anon,
    words in red
    truly bled
though they cannot reveal
    whence they came,
    who they're for.
And the tap at the door
goes unanswered. We write,
for there is nothing more
    than a verse,
    than a song,
than this chant of the blessed:
    If these words
    be my sins,
let me die unconfessed!
Unconfessed, unrepentant;
I rescind all my vows!
    Write till sleep:
    it’s the leap
only Talent allows.



Pool's Prince Charming
by Michael R. Burch

this poem is my tribute, written on the behalf of his fellow pool sharks, for the legendary Saint Louie Louie Roberts

Louie, Louie, Prince of Pool,
making all the ladies drool ...
Take the “nuts”? I'd be a fool!
Louie, Louie, Prince of Pool.

Louie, Louie, pretty as Elvis,
owner of (ahem) a similar pelvis ...
Compared to you, the books will shelve us.
Louie, Louie, pretty as Elvis.

Louie, Louie, fearless gambler,
ladies' man and constant rambler,
but such a sweet, loquacious ambler.
Louie, Louie, fearless gambler.

Louie, Louie, angelic, chthonic,
pool's charming hero, but tragic, Byronic,
winning the Open drinking gin and tonic?
Louie, Louie, angelic, chthonic.



Ave Maria
by Michael R. Burch

Ave Maria,
Maiden mild,
Listen to my earnest prayer.
Listen, O, and be beguiled.
Ave Maria.

Ave Maria,
Maiden mild,
Be Mother now to every child
Beset by earth’s thorned briars wild.
Ave Maria.

Ave Maria,
Maiden mild,
Embrace us with your Love and Grace.
Let us look upon your Face.
Ave Maria.

Ave Maria,
Maiden mild,
Attend now to our earnest call— 
When will Love be All in All?
Ave Maria.



bachelorhoodwinked
by michael r. burch

u
are
charming
& disarming,
but mostly alarming
since all my resolve
dissolved!

u
are
chic
as a sheikh’s
harem girl in the sheets
but my castle’s no longer my own
and my kingdom’s been overthrown!

Published by Brief Poems



Virginal
by Michael R. Burch

for Beth

For an hour
every wildflower
beseeches her,
"To thy breast,
Elizabeth..."

But she is mine;
her lips divine
and her ******* and hair
are mine alone.
Let the wildflowers moan.

Published by Songs of Innocence



BEAD BY BEAD
by Michael R. Burch

Bead by bead,
I count my lovers’ moons...
Moon by sad moon,
I await my children. Soon...



Belfry
by Michael R. Burch

There are things we surrender
to the attic gloom:
they haunt us at night
with shrill, querulous voices.

There are choices we made
yet did not pursue,
behind windows we shuttered
then failed to remember.

There are canisters sealed
that we cannot reopen,
and others long broken
that nothing can heal.

There are things we conceal
that our anger dismembered,
gray leathery faces
the rafters reveal.



Burn
by Michael R. Burch

for Trump

Sunbathe,
ozone baby,
till your parched skin cracks
in the white-hot flash
of radiation.

Incantation
from your pale parched lips
shall not avail;
you made this hell.
Now burn.

Originally published by Setu



Beast 666
by Michael R. Burch

“... what rough beast ... slouches toward Bethlehem to be born?”—W. B. Yeats

Brutality is a cross
wooden, blood-stained,
gas hissing, sibilant,
lungs gilled, deveined,
red flecks on a streaked glass pane,
jeers jubilant,
mocking.

Brutality is shocking—
tiny orifices torn,
impaled with hard lust,
the fetus unborn
tossed in a dust-
bin. The scarred skull shorn,
nails bloodied, tortured,
an old wound sutured
over, never healed.

Brutality, all its faces revealed,
is legion:
Death March, Trail of Tears, Inquisition . . .
always the same.
The Beast of the godless and of man’s “religion”
slouching toward Jerusalem:
horned, crowned, gibbering, drooling, insane.



Bible libel (ii)
by michael r. burch

ur savior’s a cad
—he’s as bad as his dad—
i note per ur horrible Bible.

demanding belief
or he’ll bring u to grief?
he’s worse than his horn-sprouting rival!

was the man ever good
before being made “god”?
if so, half ur Bible is libel!

Here "being made god" can be read two ways. Jesus was a man "made god" but he was equated with Jehovah, a mythical being also "made god." This is a follow-up poem to my childhood poem "Bible Libel."





dark matter(s)
by michael r. burch

for and after William Blake

the matter is dark, despairful, alarming:
ur Creator is hardly prince charming!

yes, ur “Great I Am”
created blake’s lamb

but He also created the tyger ...
and what about trump and rod steiger? 

Rod Steiger is best known for his portrayals of weirdos, oddballs, mobsters, bandits, serial killers, and fascists like Mussolini and Napoleon.



Disconcerted
by Michael R. Burch

Meg, my sweet,
fresh as a daisy,
when I’m with you
my heart beats like crazy
& my future gets hazy...



Less Heroic Couplets: Unsmiley Simile or Down Time
by Michael R. Burch

Quora is down!
I frown:
how long can the universe suffice
without its ad-vice?



absinthe sea
by michael r. burch, circa age 18-19

i hold in my hand a goblet of absinthe

the bitter green liqueur
reflects the dying sunset over the sea

and the darkling liquid froths
up over the rim of my cup
to splash into the free,
churning waters of the sea

i do not drink

i do not drink the liqueur,
for I sail on an absinthe sea
that stretches out unendingly
into the gathering night

its waters are no less green
and no less bitter,
nor does the sun strike them with a kinder light

they both harbor night,
and neither shall shelter me

neither shall shelter me
from the anger of the wind
or the cruelty of the sun

for I sail in the goblet of some Great God
who gazes out over a greater sea,
and when my life is done,
perhaps it will be because
He lifted His goblet and sipped my sea.



Am I
by Michael R. Burch, circa age 14

Am I inconsequential;
do I matter not at all?
Am I just a snowflake,
to sparkle, then to fall?

Am I only chaff?
Of what use am I?
Am I just a feeble flame,
to flicker, then to die?

Am I inadvertent?
For what reason am I here?
Am I just a ripple
in a pool that once was clear?

Am I insignificant?
Will time pass me by?
Am I just a flower,
to live one day, then die?

Am I unimportant?
Do I matter either way?
Or am I just an echo—
soon to fade away?



The Endeavors of Lips
by Michael R. Burch

How sweet the endeavors of lips—to speak
of the heights of those pleasures which left us weak
in love’s strangely lit beds, where the cold springs creak:
for there is no illusion like love ...

Grown childlike, we wish for those storied days,
for those bright sprays of flowers, those primrosed ways
that curled to the towers of Yesterdays
where She braided illusions of love ...

“O, let down your hair!”—we might call and call,
to the dark-slatted window, the moonlit wall ...
but our love is a shadow; we watch it crawl
like a spidery illusion. For love ...

was never as real as that first kiss seemed
when we read by the flashlight and dreamed.

Published by Romantics Quarterly and The Eclectic Muse (Canada)



Crescendo Against Heaven
by Michael R. Burch

As curiously formal as the rose,
the imperious Word grows
until it sheds red-gilded leaves:    
then heaven grieves
love’s tiny pool of crimson recrimination
against God, its contention
of the price of salvation.

These industrious trees,
endlessly losing and re-losing their leaves,
finally unleashing themselves from earth, lashing
themselves to bits, washing
themselves free
of all but the final ignominy
of death, become
at last: fast planks of our coffins, dumb.

Together now, rude coffins, crosses,
death-cursed but bright vermilion roses,
bodies, stumps, tears, words: conspire
together with a nearby spire
to raise their Accusation Dire ...
to scream, complain, to point out these
and other Dark Anomalies.

God always silent, ever afar,
distant as Bethlehem’s retrograde star,
we point out now, in resignation:                
You asked too much of man’s beleaguered nation,
gave too much strength to his Enemy,
as though to prove Your Self greater than He,
at our expense, and so men die
(whose accusations vex the sky)
yet hope, somehow, that You are good...
just, O greatest of Poets!, misunderstood.

Published by The NeoVictorian/Cochlea, Poetry Life & Times and The Eclectic Muse (Canada)





You Never Listened
by Michael R. Burch

You never listened,                            
though each night the rain
wove its patterns again
and trembled and glistened . . .

You were not watching,
though each night the stars
shone, brightening the tears
in her eyes palely fetching . . .

You paid love no notice,
though she lay in my arms
as the stars rose in swarms
like a legion of poets,

as the lightning recited
its opus before us,
and the hills boomed the chorus,
all strangely delighted . . .

Originally published by Contemporary Rhyme



Break Time
by Michael R. Burch

for those who lost loved ones on 9-11

Intrude upon my grief; sit; take a spot
of milk to cloud the blackness that you feel;
add artificial sweeteners to conceal
the bitter aftertaste of loss. You’ll heal
if I do not. The coffee’s hot. You speak:
of bundt cakes, polls, the price of eggs. You glance
twice at your watch, cough, look at me askance.
The TV drones oeuvres of high romance
in syncopated lip-synch. Should I feel
the underbelly of Love’s warm Ideal,
its fuzzy-wuzzy tummy, and not reel
toward some dark conclusion? Disappear
to pale, dissolving atoms. Were you here?
I brush you off: like saccharine, like a tear.

Published by Sonnet Writers, Freshet and Sontey (Czechoslovakia)



Dancer
by Michael R. Burch

You will never change;
you range,
investing passion in the night,
waltzing through
a blinding blue,
immaculate and fabled light.

Do not despair
or wonder where
the others of your race have fled.
They left you here
to gin and beer
and won't return till you are bled

of fantasy
and piety,
of brewing passion like champagne,
of storming through
without a clue,
but finding answers fall like rain.

They left.
You laughed,
but now you sigh
for ages,
stages
slipping by.

You pause;
applause
is all you hear.
You dance,
askance,
as drunkards cheer.



Bound
by Michael R. Burch

Now it is winter—the coldest night.
And as the light of the streetlamp casts strange shadows to the ground,
I have lost what I once found
in your arms.

Now it is winter—the coldest night.
And as the light of distant Venus fails to penetrate dark panes,
I have remade all my chains
and am bound.



Elegy for a little girl, lost
by Michael R. Burch

for my mother, Christine Ena Burch, who was always a little giggly girl at heart

. . . qui laetificat juventutem meam . . .
She was the joy of my youth,
and now she is gone.
. . . requiescat in pace . . .
May she rest in peace.
. . . amen . . .
Amen.

Originally published by Setu



Because You Came to Me
by Michael R. Burch

for Beth

Because you came to me with sweet compassion
and kissed my furrowed brow and smoothed my hair,
I do not love you after any fashion,
but wildly, in despair.

Because you came to me in my black torment
and kissed me fiercely, blazing like the sun
upon parched desert dunes, till in dawn’s foment
they melt ... I am undone.

Because I am undone, you have remade me
as suns bring life, as brilliant rains endow
the earth below with leaves, where you now shade me
and bower me, somehow.

Published by Setu



Ambition
by Michael R. Burch, circa age 18

Men speak of their “Ambition”
and I smile to hear them say
that within them burns such fire,
such a longing to be great...

For I laugh at their “Ambition”
as their wistfulness amasses;
I seek Her tongue’s indulgence
and Her parted legs’ crevasses.



Analogy
by Michael R. Burch, circa age 18

Our embrace is like a forest
lying blanketed in snow;
you, the lily, are enchanted
by each shiver trembling through;
I, the snowfall, cling in earnest
as I press so close to you.
You dream that you now are sheltered;
I dream that I may break through.



Dance With Me
by Michael R. Burch, circa age 18

Dance with me
to the fiddles’ plaintive harmonies.

Enchantingly,
each highstrung string,
each yearning key,
each a thread within the threnody,
bids us, "Waltz!"
then sets us free
to wander, dancing aimlessly.

Let us kiss
beneath the stars
as we slowly meet ...
we'll part
laughing gaily as we go
to measure love’s arpeggios.

Yes, dance with me,
enticingly;
press your lips to mine,
then flee.

The night is young,
the stars are wild;
embrace me now,
my sweet, beguiled,
and dance with me.

The curtains are drawn,
the stage is set
—patterned all in grey and jet—
where couples in like darkness met
—careless airy silhouettes— 
to try love's timeless pirouettes.

They, too, spun across the lawn
to die in shadowy dark verdant.

But dance with me.

Sweet Merrilee,
don't cry; I see
the ironies of all the years
within the moonlight on your tears,
and every ****** has her fears ...

So laugh with me
unheedingly;
love's gaiety is not for those
who fail to heed the music's flow,
but it is ours.

Now fade away
like summer rain,
then pirouette ...
the dance of stars
that waltz among night's meteors
must be the dance we dance tonight.

Then come again—
like a sultry wind.

Your slender body as you sway
belies the ripeness of your age,
for a woman's body burns tonight
beneath your gown of ****** white—
a woman's ******* now rise and fall
in answer to an ancient call,
and a woman's hips—soft, yet full—
now gently at your garments pull.

So dance with me,
sweet Merrilee ...
the music bids us,
"Waltz!"

Don't flee!

Let us kiss
beneath the stars;
love's passing pains will leave no scars
as we whirl beneath false moons
and heed the fiddle’s plaintive tunes ...

Oh, Merrilee,
the curtains are drawn,
the stage is set,
we, too, are stars beyond night's depths.
So dance with me.



Fairest Diana
by Michael R. Burch

Fairest Diana, princess of dreams,
born to be loved and yet distant and lone,
why did you linger—so solemn, so lovely—
an orchid ablaze in a crevice of stone?

Was not your heart meant for tenderest passions?
Surely your lips—for wild kisses, not vows!
Why then did you languish, though lustrous, becoming
a pearl of enchantment cast before sows?

Fairest Diana, fragile as lilac,
as willful as rainfall, as true as the rose;
how did a stanza of silver-bright verse
come to be bound in a book of dull prose?

Published by Tucumcari Literary Journal and Night Roses



Late Frost
by Michael R. Burch

The matters of the world like sighs intrude;
out of the darkness, windswept winter light
too frail to solve the puzzle of night’s terror
resolves the distant stars to salts: not white,

but gray, dissolving in the frigid darkness.
I stoke cooled flames and stand, perhaps revealed
as equally as gray, a faded hardness
too malleable with time to be annealed.

Light sprinkles through dull flakes, devoid of color;
which matters not. I did not think to find
a star like Bethlehem’s. I turn my collar
to trudge outside for cordwood. There, outlined

within the doorway’s arch, I see the tree
that holds its boughs aloft, as if to show
they harbor neither love, nor enmity,
but only stars: insignias I know—

false ornaments that flash, overt and bright,
but do not warm and do not really glow,
and yet somehow bring comfort, soft delight:
a rainbow glistens on new-fallen snow.

I had Robert Frost in mind when I wrote this poem, thus the title. Frost was fond of the word “arch,” and it’s here because of that fondness.



Snap Shots
by Michael R. Burch

Our daughters must be celibate,
die virgins. We triangulate
their early paths to heaven (for
the martyrs they’ll soon conjugate).

We like to hook a little tail.
We hope there’s decent *** in jail.
Don’t fool with us; our bombs are smart!
(We’ll send the plans, ASAP, e-mail.)

The soul is all that matters; why
hoard gold if it offends the eye?
A pension plan? Don’t make us laugh!
We have your plan for sainthood. (Die.)

The second stanza is a punning reference to the Tailhook scandal, in which US Navy and Marine aviation officers were alleged to have sexually assaulted up to 83 women and seven men.



Over(t) Simplification
by Michael R. Burch

“Keep it simple, stupid.”

A sonnet is not simple, but the rule
is simply this: let poems be beautiful,
or comforting, or horrifying. Move
the reader, and the world will not reprove
the idiosyncrasies of too few lines,
too many syllables, or offbeat beats.

It only matters that she taps her feet
or that he frowns, or smiles, or grimaces,
or sits bemused—a child—as images
of worlds he’d lost come flooding back, and then...
they’ll cheer the poet’s insubordinate pen.

A sonnet is not simple, but the rule
is simply this: let poems be beautiful.



Love, ah! serene ghost
by Michael R. Burch

Love, ah! serene ghost,
haunts my retelling of her,
or stands atop despairing stairs
with such pale, severe eyes,
I become another pallid specter.

But what I feel
most profoundly is this:
the absolute lack of her kiss,
the absence of her wild, 
unwarranted laughter.

So that,
like a candle deprived of oxygen,
I become mere wick and tallow again.
Here and hereafter ...
departed with her, in the darkest of nights, the flame!

Here I lie, the pallid vision of man—the same
wan ghost of her palpitations’ claim
on my heart
that I was before.
I love her beyond and despite even shame.



1-800-HOT-LINE
by Michael R. Burch

“I don’t believe in psychics,” he said, “so convince me.”

When you were a child, the earth was a joy,
the sun a bright plaything, the moon a lit toy.
Now life’s small distractions irk, frazzle, annoy.
When the crooked finger beckons, scythe-talons destroy.

“You’ll have to do better than that, to convince me.”

As you grew older, bright things lost their meaning.
You invested your hours in commodities, leaning
to things easily fleeced, to the convenient gleaning.
I see a pittance of dirt—untended, demeaning.

“Everyone knows that!” he said, “so convince me.”

Your first and last wives traded in golden bands
to escape the abuses of your cruel hands.
Where unwatered blooms line a small plot of land,
the two come together, waving fans.

“Everyone knows that. Convince me.”

As your father left you, you left those you brought
to the doorstep of life as an afterthought.
Two sons and a daughter tap shoes, undistraught.
Their tears are contrived, their condolences bought.

“Everyone knows that. Convince me.”

A moment, an instant ... a life flashes by,
a tunnel appears, but not to the sky.
There is brightness, such brightness it sears the eye.
When a life grows too dull, it seems better to die.

“I could have told you that,” he shrieked, “I think I’ll **** myself!”

Originally published by Penny Dreadful



Pilgrim Mountain
by Michael R. Burch, circa age 16

I have come to Pilgrim Mountain
to eat icicles and to bathe in the snow.
Please don’t ask me why I have done this,
for I do not know . . .
but I had a vision of the end of time
and I feared for my soul.

On Pilgrim Mountain the rivers shriek
as they rush toward the valleys, and the rocks
creak and groan in their misery,
for they recollect they’re prey to
night and day,
and ten thousand other fallacies.

Sunlight shatters the stone,
but midnight mends it again
with darkness and a cooling flow.
This is no place for men,
and I know this, but I know
that that which has been must somehow be again.

Now here on Pilgrim Mountain
I shall gouge my eyes with stone
and tear out all my hair,
and though I die alone,
I shall not care . . .

for the night will still roll on
above my weary bones
and these sun-split, shattered stones
of late become their home
here, on Pilgrim Mountain.



The Evolution of Love
by Michael R. Burch

Love among the infinitesimal
flotillas of amoebas is a dance
of transient appendages, wild sails
that gather in warm brine and then express
one headstream as two small, divergent wakes.

Minuscule voyage—love! Upon false feet,
the pseudopods of uprightness, we creep
toward self-immolation: two nee one.

We cannot photosynthesize the sun,
and so we love in darkness, till we come
at last to understand: man’s spineless heart
is alien to any land. 
                                We part
to single cells; we rise on buoyant tears,
amoeba-light, to breathe new atmospheres ...
and still we sink. 
                            The night is full of stars
we cannot grasp, though all the World is ours.    

Have we such cells within us, bent on love
to ever-changingness, so that to part
is not to be the same, or even one?
Is love mere evolution, or a scream
against the thought of separateness—a cry
of strangled recognition? Love, or die,
or love and die a little. Hopeful death!
Come scale these cliffs, lie changing, share this breath.



First and Last
by Michael R. Burch

for Beth, after Pablo Neruda

You are the last arcane rose
of my aching,
my longing,
or the first yellowed leaves’
vagrant spirals of gold
forming huddled bright sheaves;
you are passion forsaking
dark skies, as though sunsets no winds might enclose.

And still in my arms
you are gentle and fragrant—
demesne of my vigor,
spent rigor,
lost power,
fallen musculature of youth,
leaves clinging and hanging,
nameless joys of my youth to this last lingering hour.

Published by Tucumcari Literary Review and Poetry Life & Times



Her Preference
by Michael R. Burch

Not for her the pale incandescence of dreams,
the warm glow of imagination,
the hushed whispers of possibility,
or frail, blossoming hope.

No, she prefers the anguish and screams
of bitter condemnation,
the hissing of hostility,
damnation's rope.



the Horror
by Michael R. Burch

the Horror lurks inside our closets
the Horror hides beneath our beds
the Horror hisses ancient curses
the Horror whispers in our heads

the Horror tells us Death is coming
the Horror tells us there’s no hope
the Horror tells us “life” is futile
the Horror beckons, “there’s the Rope!”



Man Retreats into Savagery
by Michael R. Burch

What I ache to say is beyond saying—
no words for the horror
                        of not loving enough,
like a mummy half-wrapped in its moldering casements
holding a lily aloft.

No, there are no words for the horror
as a cyclone howls between teetering floes
and the cold freezes down to my clawed hairy toes...

What use to me, now, if the stars appear?

As I moan
             the moon finds me,
                                        fangs goring the deer.
These are poems about poetry, poems about writing, poems about the process of composition.
TJ Struska Apr 2020
Fro and yaw,
I've taken on water,
Jamming the frequency with static.
A strange adjustment of ratchets and pawls.
Hot Cherry, bane of my life,
I get your final comedown.
Some feely f#€k encounter,
**** the story,
It's here,
And here, and here.

Moonlit, the silence of dirt,
I've got to tear down these walls,
You swore it was Heaven,
The way the carwash was lit
With the last of summer,
A blip on the cosmic calendar
Wanderlust.
Everything pales in the plain,
Silverfish run under the streetlights,
Put it all on dust radio,
And it comes down when it **** well pleases.

It all pales in the noon,
Some obscure ghosts,
Brandy Alexander's in the moonlight,
Practiced Pretty Boy nod off
At the bar,
Some swimming nighttime dark Enchantress,
Vexing succubus, Waking
To the stench of smelly sheets
Drawing in this manifold nightmare,
Red toenails and blood wisp at midnight.

Like a hollow drum I pound,
Pierced and yellowed
And worn clear through.
There's a fog along New Gloucester
And a monster prowls the highway,
Running along darkened trails,
******* what light there is.
It has some fact and form,
It's mostly obscured by clouds,
Hiding in the scrim of a bare field,
It moans the hour of waking.

Suffer the children to come to Thee,
There lies the Kingdom of Glory,
While I bide my time in this Habit,
Cinched up tight for your disapproval.
I may mire and muck the proceedings.
I'm like a train wreak at noon
And a wheel turning in the sun.
And I'll mercy your begotten Laury,
And ****** away the light.

Weak words like tea in an old woman's cup,
There here amongst the clutter,
Perhaps in this room with a broken clock,
An old wristwatch,
A dusty beer bottle stood on end.
Broken records with pirate songs of old,
More a distant cry,
A mournful calling.

O sure, I've spent time on the Du Da Ranch,
Dreaming potato pancakes,
A Denver with coffee.
Who said time would sneak up like this,
Nipping at our heels?
Stealing time like a thief.
It's a swan in the lake,
A spider in the room,
Shoeboxes of old photos covered in dust.
A rusted ***** stuck in the jamb.
Bleak moments in the rain,
Holocaust survivors in grainy images.
Here comes Herman Goring
Dressed as Santa,
All smiles and candy for the children.

It's a mad dash for the Happy Trails Back Home.
Venus, my baby, tell me
Something on this naked night?
Good God Night Love,
Grab the rails.
It's a dinosaur running the highway,
Overloaded from Michigan
To Indy City,
Funky info to nowhere.
I got another Disco Mania Movement
All drew up in my mind.
Nothing in the pipes, no matter,
No more pizzazz along the avenue,
Kinda lay out and lay low,
Get my drift,
While I pick dead man's bones one at a time.
I got 209 of em-
What's your story?
I hope someone will read this. This is my Magnus Opus poem. The Big Boy I been holding back.
I imagine if Stephen King wrote a poem, It may be of this nature..TJ STRUSKA
Eleete j Muir Mar 2022
The casus belli of the words harmony at the
Feet of Gamaliel's folly. A seraphic
Stratagem obeying certainties affirmation on
The tip-toe of expectation and the wind of
Discretion to tell of death in the ***, as well
As of, the better part of valour; the cold-hearted
Claret flame searing noxiously at the drubbing
Casuistical deleterious benedictory embranglement-
To see as far through a brickwall as anybody, espying
The beshrewed fragrance of spirits on the left, cloying
Incuriously at the beatific vision possessing knowledge
Of experience goring miscreant houses made of
Man and woman with inconsequential hands to the
Right which cut the baby in half upon the
Green silk of kings who know not the time of day
Nor the breath of God.









ELEETE J MUIR
Yo everyday we thuggin' 8ball chuggin'
Hands on my nuts hugging guns buggin'
For ****** itching got their brains twitchin'
Switchin' got fast heataz slang pitchin'
Straight out of the kitchen money strengethen
Spot out the chickens spell drawer picking
Wicked as the wiccans to druids fluids
Of blood drawing over the concrete boards
No need to raise my vocal chords swords
Being swung leave all heads ****** and sprung
Tip the hoes with sip of verbal jons lungs
All clogged make her throw up hold up my cup
The lean is pouring my spirit is soaring goring
Everyday life fantasy I'm feelin' crazy hazy
Off the purple to grey tapes swing like an ape
Too late wait see his fate in a crate can't relate
Relax ya stress from blast of the Wess smokin sess
Bars Alcatraz high maxed choas spins like a Tax
Smooth hip hop jazz cuties i bag with the fat ***
Cop those fearing temps expose foes really doe?
Bank rolls bigger than hay barrels known pharaoh
Taking it back to the days of the celestial
Stressin' you while I'm testing you
No clues for the news drawing blues
Wailin' like a wolf spoonful rooted my wools
Sprout to a plant broke the clouts rant
My critics i treat em like ******* come in riches
Then they turn misses slugs throwing kisses
Washes the sins dishes bump fistes black riots
No longer keeping quiet cant even deny it
As i multiple it calculus lust maths i bust
Put myself as a trustee to a trust plats dust
All others smothers any other colors  
Check the crayola rocks nickles a knock
See the birds living off natures clock
Ticks and tocks yo htown killaz got it locked
False poet Feb 2021
Rationality is that human capacity that allows us to think
To evaluate and act through the use of reason
This characteristic is supposed to be what differentiates us from animals
But the reality that my eyes see makes me keep asking myself this same question over and over again
Who are the real animals here?

Isn't it animal abuse?
You ask a bullfighter who thinks it's normal to **** for money
You will say that animals do not suffer, right?
Stick a sword in your back and maybe then you can talk
I'm glad when I see a goring all over your mouth

I shot everyone who beat a seal
To then go-to fashion and not crazy would you tear your skin to dress even if you were masochistic
And this goes for the one who threw puppies into the river, will you be able to do the same when you grow up with your children?

Today violence is fun
I would make myself a ***** coat like you but not mink
The poacher deserves the gallows, it is not for survival,
So we are the most primitive beings
There is talk of evolution and every day I see the news the cold blood of the one who has no heart

In Spain, bullfighting is art, for me a torture
What a disgusting country that considers its culture
Based on real events just why we exist
Rational animals you can call us killers

How much ******* is on the loose
Anyone who mistreats an animal deserved to be dead
Or away from the world killing each other
The most dangerous on this planet is us

Your inferiority complex is bigger every day, they would never do it to you, coward!
If you abandon him, it is because he is no longer a cute puppy as before
You disgust me and it makes me sad to see so many human beings without blood in their veins
I ask for more condemnation, the man between cages and chains

Sometimes I think I wish we were their dinner
Trained, caged, exploited in circuses
As easy to see as putting on Tele Cinco, for you entertainment and fun
Torture, suffering is morbid and morbid sells on television

Stuffed heads are a trophy in your living room
I ask for salvation for the whales of Japan
We don't deserve forgiveness, our extinction is my wish
Rational animals, humans I don't think so

How much ******* is on the loose
Anyone who mistreats an animal deserved to be dead
Or away from the world killing each other
The most dangerous on this planet are us

I am fed up and manifest, I suffer when I see an animal suffering
That we are able to do all this of our own free will

Multinationals that test their products on animals that cannot defend themselves and it is not fair
Be well informed of what you buy, because the blood spilled will be on your hands if you support them
Public executions if they escape from the slaughterhouse, no tranquilizer darts?, it is an unnecessary waste of money

I call for us not to think that we are not capable of doing anything
For that very reason I write this poem
I want to make the most ******* animal reflect
Whoever tortures for fun, the human being
Reflect! If you are with me, just raise your hand
due november fifteenth two thousand nineteen

Yours truly long time
satisfactory Verizon customer
i.e. namely this monsieur
breathes easy, cuz within noggin
contentment doth whir
billing agent pleasant as
Mister Rogers neighbor.

Great relief pending bill
$148.80, she did defer
'pon my explaining
lack of adequate funds
I did forthrightly inform her
social security disability

electronically deposited door
ring first week of next month
and without dad dough of shout for sure
upon being told, I got no cell phone,
she (courteous billing representative)
waived attendant fee
reflexive generous extempore,

such simple random act of kindness
suffused within me to core
of central processing unit
circuits comprising fatherboard decor
*** lit up analogous to Christmas tree
generating sense and sensibility of euphoria

buoying spirits in severe contrast wherefore
once pawn time... couple nights backs,
I got attacked courtesy small escritoire
after losing balance attempting to stand
from crouched position immediately more
than less unsteadily, veritably, wobbly...

fell back felt desk corner explore
right side ribcage felt brunt edge bore
ring into body, yet
dressed to keep warm
blunt right angle wood frame did score
jabbing, nearly goring thru jacket
feeling searing pain shoot pour

ling as if struck with lightning
resigned to crawl crablike fore
word bracing lower body
while daggers of agony
did not lesson, I did implore
in vain sincerely your deplore
hubble basketcase - reed
no repeat performance nor encore!
Qualyxian Quest Dec 2022
We of the craft are all mad
Once I was a teacher
Now I'm just a dad

Drama in my mind
But my life is o so boring!

Bush, Rumsfeld, Trump
Himmler, Goebbels, Goring

Mark Twain in Tahoe
Me at Sage Ridge School

Brutus is deluded
King Lear is a Fool

            London Calling!
Qualyxian Quest Apr 2023
We of the craft are all mad
Once I was a teacher
Now I'm just a dad

Drama in my mind
But my life is o so boring!

Bush, Rumsfeld, Trump
Himmler, Goebbels, Goring

Mark Twain in Tahoe
Me at Sage Ridge School

Brutus is deluded
King Lear is a Fool

            London Calling!

— The End —