Ill-fated crowds neath unchained clouds: the Silent City braved
against a sudden flashing flood, unleashing lashing waves,
which stripped its stony structures, blown with neutron bursts that laved.

Its barren streets, although effete, resound of yesterday
with chit-chat words no longer heard (though having much to say)
since teeming life (at one time, rife), surceased and slipped away.

Within its walls? Whist buildings, tall... Outside the City? Dunes,
which limn its frail forgotten tales, in weird unworldly runes
with symbols strung like halos hung in lifeless, limp festoons.

Above! The dismal ditch of dusk reveals a velvet streak,
through which the winter’s wicked winds will sometimes weave and sneak,
and faraway a cable sways, a bridge clings hushed and bleak.

Thin shadows shift, like silver shafts, throughout the doomed domain
reflecting white, wee wisps of light in ebon beads of bane
which cast a crooked smile across a faceless windowpane.

Wan neon lights glow through the nights, through darkness sleek as slate,
while lanterns (hovered, high above, in silent swinging gait),
whelm ballrooms, bars, bereft bazaars, though no one’s left to fete.

Death's silhouettes show no regrets, 'twixt twilight’s ashen shrouds,
oblivious she always was to cries in dying crowds –
in foggy neap the spirits creep beyond the mushroom clouds.


No ghosts of ones with jagged tongues will sing a silent psalm
nor haunt pale lips with languid quips to pierce the deathly calm,
nor yet redress the emptiness that shifting shades embalm.



The City’s blur? A sepulcher for Christians, Muslims, Jews –
Cathedrals, Temples, vacant now, enshrine their residues,
for churches, mosques and synagogues abide without a bruise.

No cantillation, belfry bells, monastic chants inspire
and Minarets, though standing yet, host neither voice nor crier -
abodes and buildings silhouette a muted spectral choir.

A church’s Gothic ceilings guard the empty pews below
and, all alone amongst the stones, a maiden’s blue jabot.
The Saints, in crypts, though nondescript, grace halos now aglow.

Stray footsteps swarm through church no more (apostates that profane)
though echoes in the nave still din and chalice cups retain
an altar wine that tastes of brine decaying in the rain.

Coiled candle sticks, with twisted wicks, no longer 'lume the cracks -
their dying flames revealed the shame, mid pendant pearls of wax,
when deference to innocence dissolved in molten tracks.

Six steeple towers, steel though now drab daggers in the sky!
Their hallowed halls no longer call when breezes wander by –
for, filled with dread to wake the dead, they've ceased to sough or sigh.

The chapel chimes? Their clapper rope (that tongue-tied confidante)
won’t writhe to ring the carillon, alone and lean and gaunt –
its flocks of jute, now fallen mute, adorn the holy font.


No saints will come with jagged tongues to sing a silent psalm
nor bless pale lips with languid quips to pierce the deathly calm,
nor pray for mercy, grace deferred, nor beg lethean balm.


Beyond the suburbs, farmers’ fields (where donkeys often brayed)
inhale gray gusts of barren dust where living seed once laid
and in the haze a scarecrow sways, impaled upon a *****.

Green trees gone dark in palace parks (where kids once paused to play),
watch lifeless things on phantom swings (like statues made of clay)
guard marbled tombs in graveyards groomed for grievers bent to pray.

And castle clocks, unwound, defrock with speechless spinning spokes,
unfurling blight of reigning Night by sweeping off her cloaks,
and flaunting dun oblivion, her Baroness evokes.

The sun-bleached bones of those who'd flown lie scattered down the lanes
while other souls who’d hid in holes left bones with yellow stains
of plaintive tears (shed insincere, for no one felt the pains).

The wraiths that scream in sleepless dreams have ceased to terrify
though terrors wrought by conscience fraught now stalk and lurk nearby
within the shrouds of curtained clouds, frail fabrics on the sky.

And fog no longer seeps beyond the edge of doom’s café,
for when she trails her mourning veils, she fills the cabaret
with sallow smears of misty tears in sheets of shallow gray.

The City’s still, like hollowed quill with ravished feathered vane,
baptized in floods of spattered blood, once flowing through a vein.
The fruits of life, destroyed in strife... ’twas truly all in vain.


No umbras hum with jagged tongues nor sing a silent psalm
nor lade pale lips with languid quips to pierce the deathly calm –
they've seen, you see, life’s brevity, beneath a neutron bomb.


EPILOGUE

Beyond the Silent City’s walls, the victors laugh and play
while celebrating PEACE ON EARTH, the devil’s sobriquet
for neutron radiation death in places far away.

NOTE TO THE READER – Once Apun a Time

This yarn is a flossy fabric woven of several earlier warped works, lightly laced together, adorned with fur-ther braided tails of human frailty. The looms were loosed, purling frantically this febrile fable...

Some pearls may be found wanting – unwanted or unwonted – piled or hanging loose, dangling free within a fuzzy flight of fancy...

The threads of this untethered tissue may be fastened, or be forgotten, or else be stranded by the readers and left unravelling in the knotted corners of their minds...

'twill be perchance that some may  laugh or loll in loopy stitches, else be torn or ripped apart, while others might just simply say “ ’tis made of hole cloth”, “sew what” or “cant seam to get the needle point”...,

yes, a proper disentanglement may take you for a spin on twisted twines of any strings you feel might need attaching or detaching…

picking knits, some may think that
       such strange things ‘have Never happened in our Land’,
       such quaint things ‘could Never happen in our Land’’,
       such murky things ‘will Never happen in our Land’’…

and this may all be true, if credence be dis-carded…

such is that gooey gossamer which vails the human mind...

and thus was born the teasing title of this fabricated Fantasy...

                                NEVER LAND

An ancient man named Peter Pan, disguised but from the past,
with feathered cap and tunic wrap and sabre’s sailed his last.
Though fully grown, on dust he’s flown and perched upon a mast
atop the Walls around the sprawls, unvisited and vast -
and all the while with bitter smile he’s watching us aghast.

As day begins, a spindle spins, it weaves a wanton web;
like puckered prunes, like midday moons, like yesterday’s celebs,
we scrape and *****, we seldom hope - he watches while we ebb:

The ***** grinder preaches fine on Sunday afternoons -
he quotes from books but overlooks the Secrets Carved in Runes:
“You’ve tried and toyed, but can’t avoid or shun the pale monsoons,
it’s sink or swim as echoed dim in swinging door saloons”.
The laughingstocks are flinging rocks at ball-and-chained baboons.

While ghetto boys are looting toys preparing for their doom
and Mademoiselles are weaving shells on tapestries with looms,
Cathedral cats and rafter rats are peering in the room,
where ragged strangers stoop for change, for coppers in the gloom,
whose thoughts are more upon the doors of crypts in Christmas bloom,
and gold doubloons and silver spoons that tempt beyond the tomb.

Mid *** shots from vacant lots, that strike and ricochet
a painted girl with flaxen curl (named Wendy)’s on her way
to tantalise with half-clad thighs, to trick again today;
and indiscreet upon the street she gives her pride away
to any guy who’s passing by with time and cash to pay.
(In concert halls beyond the Walls, unjaded girls ballet,
with flowered thoughts of Camelot and dreams of cabarets.)

Though rip-off shops and crooked cops are paid not once but thrice,
the painted girl with flaxen curl is paring down her price
and loosely tempts cold hands unkempt to touch the merchandise.
A crazy guy cries “where am I”, a ****** titters twice,
and double quick a lunatic affects a fight with lice.

The alleyways within the maze are paved with rats and mice.
Evangelists with moneyed fists collect the sacrifice
from losers scorned and rubes reborn, and promise paradise,
while in the back they cook some crack, inhale, and roll the dice.

A *** called Boe has stubbed his toe, he’s stumbled in the gutter;
with broken neck, he looks a wreck, the sparrows all aflutter,
the passers-by, they close an eye, and turn their heads and mutter:
“Let’s pray for rains to wash the lanes, to clear away the clutter.”
A river slows neath mountain snows, and leaves begin to shudder.

The jungle teems, a siren screams, the air is filled with ****.
The Reverent Priest and nuns unleash the Holy Shibboleth.
And Righteous Jane who is insane, as well as Sister Beth,
while telling tales to no avail of everlasting death,
at least imbrue Hagg Avenue with whisky on their breath.

The Reverent Priest combats the Beast, they’re kneeling down to prey,
to fight the truth with fang and tooth, to toil for yesterday,
to etch their mark within the dark, to paint their résumé
on shrouds and sheets which then completes the devil’s dossier.

Old Dan, he’s drunk and in a funk, all mired in the mud.
A Monk begins to wash Dan’s sins, and asks “How are you, Bud?”
“I’m feeling pain and crying rain and flailing in the flood
and no god’s there inclined to care I’m always coughing blood.”
The Monk, he turns, Dan’s words he spurns and lets the bible thud.

Well, Banjo Boy, he will annoy with jangled rhymes that fray:
“The clanging bells of carousels lead blind men’s minds astray
to rings of gold they’ll never hold in fingers made of clay.
But crest and crown will crumble down, when withered roots decay.”

A pregnant lass with eyes of glass has never learned to cope.
Once set adrift her fall was swift, she slid a slipp’ry ***** -
she casts the Curse, the Holy Verse, and shoots a shot of dope,
then stalks discreet Asylum Street her daily horoscope -
the stray was struck by random truck which was her only hope.

So Banjo Boy, with little joy, he strums her life entire:
“The wayward waif was never safe; her stars were dark and dire.
Born midst the rues and avenues where lack and want aspire
where no one heeds the childish needs that little ones require;
where faith survives in tempest lives, a swirl within the briar,
Infinity grinds as time unwinds, until the winds expire.
Her last caprice? The final peace that no one could deny her -
whipped by the flood, stray beads of blood cling, splattered on the spire;
though beads of sweat are cool and wet, cold clotted blood is dryer.”

Though broken there, she’s fled the snare with dying thoughts serene.
And now she’s dead, the rumours spread: her age? a sweet 16,
with child, *****, her soul dyed red, her body so unclean.
A place is sought where she can rot, avoiding churchyard scenes,
in limey pits, as well befits, behind forbidding screens;
and all the while a dirge is styled on tattered tambourines
which echo through the human zoo in valleys of the Queens.

Without rejoice, in hissing voice, near soil that’s seldom trod
“In pious role, God bless my soul”, was mouthed with mitred nod,
neath scarlet trim with black, and grim, behind a robed facade -
“She’ll burn in hell and sulphur smell”, spat Priest and man of god.

Well, angels sweet with cloven feet, they sing in girl’s attire,
but Banjo Boy, he’s playing coy while chanting in the choir:
“The clueless search within the church to find what they desire,
but near the nave or gravelled grave, there is no Rectifier.”
And when he’s through, without ado, he stacks some stones nearby her.

The eyes behind the head inclined reflect a universe
of shanty towns and kings in crowns and parties in a hearse,
of heaping mounds of coffee grounds and pennies in a purse,
of heart attacks in shoddy shacks, of motion in reverse,
of reasons why pale kids must die, quite trite and curtly terse,
of puppet people at the steeple, kneeling down averse,
of ****** tones and megaphones with empty words and worse,
of life’s begin’ in utter sin and other things perverse,
of lewd taboos and residues contained within the Curse,
while poets blind, in gallows’ rind, carve epitaphs in verse.

A sodden dreg with wooden leg is dancing for a dime
to sacred psalms and other balms, all ticking with the time.
He’s 22, he’s almost through, he’s melted in his prime,
his bane is firm, the canker worm dissolves his brain to slime.
With slanted scales and twisted jails, his life’s his only crime.

A beggar clump beside a dump has pencil box in hand.
With sightless eyes upon the skies he’s lying there unmanned,
with no relief and bitter grief too dark to understand.
The backyard blight is hid from sight, it’s covered up and bland,
and Robin Hood and Brother Hood lie buried in the sand.

While all night queens carve figurines in gelatine and jade,
behind a door and on the floor a deal is finally made;
the painted girl with flaxen curl has plied again her trade
and now the care within her stare has turned a darker shade.
Her lack of guile and parting smile are cutting like a blade.

Some boys with cheek play hide and seek within a house condemned,
their faces gaunt reflecting want that’s hard to comprehend.
With no excuse an old recluse is waiting to descend.
His eyes despair behind the stare, he’s never had a friend
to talk about his hidden doubt of how the world will end -
to die alone on empty throne and other Fates impend.

And soon the boys chase phantom joys and, presto when they’re gone,
the old recluse, with nimble noose and ****** features drawn,
no longer waits upon the Fates but yawns his final yawn
- like Tinker Bell, he spins a spell, in fairy dust chiffon -
with twisted brow, he’s tranquil now, he’s floating like a swan
and as he fades from life’s charades, the night awaits the dawn.

A boomerang with ebon fang is soaring through the air
to pierce and breach the heart of each and then is called despair.
And as it grows it will oppose and fester everywhere.
And yet the crop that’s at the top will still be unaware.

A lad is stopped by roving cops, who shoot in disregard.
His face is black, he’s on his back, a breeze is breathing hard,
he bleeds and dies, his mama cries, the screaming sky is scarred,
the sheriff and his squad at hand are laughing in the yard.

Now Railroad Bob’s done lost his job, he’s got no place for working,
His wife, she cries with desperate eyes, their baby’s head’s a’ jerking.
The union man don’t give a ****, Big Brother lies a’ lurking,
the boss’ in cabs are picking scabs, they count their money, smirking.

Bob walks the streets and begs for eats or little jobs for trying
“the answer’s no, you ought to know, no use for you applying,
and don’t be sad, it aint that bad, it’s soon your time for dying.”
The air is thick, his baby’s sick, the cries are multiplying.

Bob’s wife’s in town, she’s broken down, she’s ranting with a fury,
their baby coughs, the doctor scoffs, the snow flies all a’ flurry.
Hard work’s the sin that’s done them in, they skirmish, scrimp and scurry,
and midnight dreams abound with screams. Bob knows he needs to hurry.
It’s getting late, Bob’s tempting fate, his choices cruel and blurry;
he chooses gas, they breathe their last, there’s no more cause to worry.

Per protocols near ivied walls arrayed in sage festoons,
the Countess quips, while giving tips, to crimson caped buffoons:
“To rise from mass to upper class, like twirly bird tycoons,
you stretch the treat you always eat, with tiny tablespoons”

A learned leach begins to teach (with songs upon a liar):
“Within the thrall of Satan’s call to yield to dim desire
lie wicked lies that tantalize the flesh and blood Vampire;
abiding souls with self-control in everyday Hellfire
will rest assured, when once interred, in afterlife’s Empire”.
These words reweave the make believe, while slugs in salt expire,
baptised in tears and rampant fears, all mirrored in the mire.

It’s getting hot on private yachts, though far from desert plains -
“Well, come to think, we’ll have a drink”, Sir Captain Hook ordains.
Beyond the blame and pit of shame, outside the Walled domains,
they pet their pups and raise their cups, take sips of pale champagnes
to touch the tips of languid lips with pearls of purple rains.

Well, Gypsy Guy would rather die than hunker down in chains,
be ridden south with bit in mouth, or heed the hold of reins.
The ruling lot are in a spot, the boss man he complains:
“The gypsies’ soul, I can’t control, my patience wears and wanes;
they will not cede to common greed, which conquers far domains
and furtive spies and news that lies have barely baked their brains.
But in the court of last resort the final fix remains:
in boxcar bins with violins we’ll freight them out in trains
and in the bogs, they’ll die like dogs, and everybody gains
(should one ask why, a quick reply: ‘It’s that which God ordains!’)”

Arrayed in shawls with crystal *****, and gazing at the moons,
wiled women tease with melodies and spooky loony tunes
while making toasts to holey ghosts on rainy day lagoons:
“Well, here’s to you and others too, embedded in the dunes,
avoid the stares, avoid the snares, avoid the veiled typhoons
and fend your way as every day, ’gainst heavy heeled dragoons.”

The birds of pray are on their way, in every beak the Word
(of ptomaine tomes by gnarly gnomes) whose meaning is obscured;
they roost aloof on every roof, obscene but always herd,
to tell the tale of Jonah’s whale and other rhymes absurd
with shifty eyes, they’re giving whys for living life deferred.

While jackals lean, hyenas mean, and hungry crocodiles
feast in the lounge and never scrounge, lambs languish in the aisle.
The naive dare to say “Unfair, let’s try to reconcile.
We’ll all relax and weigh the facts, let justice spin the dial.”

With jaundiced monks and minds pre-shrunk, the jury is compiled.
The Rulers meet, First Ladies greet, the Kings appear in style.
Before the Court, their sins are short, they’re swept into a pile;
with diatribes and petty bribes, the jurors are beguiled.

The Herd entreats, the Shepherd bleats the verdict of the trial:
“You have no face. Stay in your place, stay in the Rank and File.
And wait instead, for when you’re dead, for riches after while”;
Aristocrats add caveats while sailing down the Nile:
“If Minds are mugged or simply drugged with philtres in a vial,
then few indeed will fail to feed the Pharaoh’s Crocodile.”
The wordsmiths spin, the bankers grin and politicians smile,
the riff and raff, they never laugh, they mark a martyred mile.

The rituals are finished, all, here comes the Reverent Priest.
He leads the crowds beneath the clouds, and there the flock is fleeced
(“the last are first, the rich are cursed” - the leached remain the least)
with crossing signs and ****** wines and consecrated yeast.
His step is gay without dismay before his evening feast;
he thanks the Lord for room and, bored, he nods to Eden East
but doesn’t sigh or wonder why the sins have not decreased.

The sinking sun’s at last undone, the sky glows faintly red.
A spider black hides in a crack and spins a silken thread
and babes will soon collapse and swoon, on curbs they call a bed;
with vacant eyes they'll fantasize and dream of gingerbread,
and so be freed, though still in need, from anguish of the dead.

Fat midnight bats feast, gnawing gnats, and flit away serene
while on the trails in distant dales the lonesome wolverine
sate appetites on foggy nights and days like crystalline.
A migrant feeds on gnats and weeds with fingers far from clean
and thereby’s blessed with barren breast (the easier to wean) -
her baby ***** an arid flux and fades away unseen.

The circus gongs excite the throngs in nighttime Never Land –
they swarm to see the destiny of Freaks at their command,
while Acrobats step pitapat across the shifting sands
and Lady Fat adores her cat and oozes charm unplanned.
The Dwarfs in suits, so small and cute when marching with the band,
ask crimson Clowns with painted frowns, to lend a mutant hand,
while Tamers’ whips with withered tips, throughout the winter land,
lure minds entranced through hoops enhanced with flames of fires fanned.
White Elephants in big-top tents sell black tusk contraband
to Sycophants in regiments who overflow the stands,
but No One sees anomalies, and No One understands.
At night’s demise, the dither dies, the lonely Crowd disbands,
down dead-end streets the Horde retreats, their threadbare rags in strands,
and Janes and Joes reweave their woes, for thoughts of change are banned.

The Monk of Mock has fled the flock caught knocking up a tween.
(She brought to light the special rite he sought to leave unseen.)
With profaned eyes they agonise, their souls no more serene
and at the shrine the flutes of wine are filled with kerosene
by men unkempt who once had dreamt but now can dream no more
except when bellowed bellies belch an ever growing roar,
which churns the seas and whips a breeze that mercy can’t ignore,
and in the night, though filled with fright, they try to end the War.

The slow and quick are hurling bricks and fight with clubs of rage
to break the chains and cleanse the stains of life within a cage,
but yield to stings of armoured things that crush in every age.

At crack of dawn, a broken pawn, in pools of blood and fire,
attends the wounds, in blood festooned (the waves flow nigh and nigher),
while ghetto towns are burning down (the flames grow high and higher);
and in their wake, a golden snake is rising from the pyre.
Her knees are bare, consumed in prayer, applauded by the Friar,
and soon it’s clear the end is near - while magpie birds conspire,
the lowly worm is made to squirm while dangling from a wire.

The line was crossed, the battle lost, the losers can’t deny,
the residues are far and few, though smoke pervades the sky.
The cool wind’s cruel, a cutting tool, the vanquished ask it “Why?”,
and bittersweet, from  Easy Street, the Pashas’ puffed reply:
“The rules are set, so don’t forget, the rabble will comply;
the grapes of wrath may make you laugh, the day you are to die.”

The down and out, they knock about beneath the barren skies
where homeward bound, without a sound, a ravaged raven flies.
Beyond the Walls, the morning calls the newborn sun to rise,
and Peter Pan, a broken man, inclines his head and cries...

On dusty, aging shelves
rest countries of minds
drying in paper jars:
mummified in culture,
embalmed in ink,
reincarnated in conscience.

Go forth! Adorn walls and altars
to honor epitomes of thought:
precise rhetoric of Socrates,
vivid horrors of Dante,
articulate utopias of Moore,
cryptic lessons of Sa'di,
heroic voices of Shakespeare---
all epiphanies of poets
and projections in prose
collected together.

Yet if ignored and neglected,
such wisdoms are wasted,
and intellectual temples
aimed to inspire and instruct
remain silent, standing crypts.

Chapter XXI
Hegira to Patmos

They dropped their moorings from Cala Cogone early, when the tide seemed to be separated from the waters like a head distanced from its body. On a lavish and romantic day they went to Genoa, to continue the logistics of the trip to Piacenza. During the trip Etréstles was stretched out in the bow under a Sun that seemed to be fearsome as it was a digestive task that would make him ingest his own dream, which perhaps he aspired to be more than a journey. While he slept, at the helm Etréstles dressed in a black robe and the comrades also sleeping with dreams that they painted with sign gestures on their faces.

Dream of Etréstles: "With the memory off-center ..., I was still in Izzana, dancing by the clouds on gray tulles of the layers of the sky that tried to stop being a Kingdom without a Crown and Sword". They glimpsed the stones melting and turning into gauze juxtaposed to the aerosolites that unfolded from the Sorcery, landing on the hands and heads of Vernarth and Himself. As he continued his dreamy journey, he dialogued with the auxiliary legate of his own dream. “He tells her that he sees them beyond where their liturgies collide. They cross eroding the vanished and itinerant reason”. He gets up and takes the moorings of the ship and ties them to his neck. Then everyone cooperates to walk along the edge of the ship, which all moved barefoot. This is how I would wake up!

Vernarth tries to wake him up, shakes him, but doesn't wake up. And when he tried to avoid him from sleep, he saw that he had the moorings around his neck, along with two Unicorns who were escorting him and were looking towards infinity, auspicious that Genoa was already coming in front of their horns. The others began to wake up and ate reclining, almost as if without any desire to get up from the deck full of self-sliding linen, which allowed everyone to pass their own meals, including those that were semi-consumed rolling on the deck. Etréstles,  transferred the dream to Vernarth, once he went to his bedroom to rest before they touched the roadstead at the foot of the homonymous promontory, 36 km from Genoa.  Portofino, close to the hydro form of the Portofino Regional Natural Park.  Being able to find different entrance doors through S. Rocco, Portofino Vetta and Nozaregoino  that led you to paths with different levels of accessibility and landscape. On the route of the path that traveled from Northwest to Southwest on the same promontory, he received the full beauty of the Mediterranean vegetation, with its beautiful pines, bluish and clean waters of the Mediterranean, which filled his lungs and especially his stem, which silenced of peace to those who accompany you through this interesting and beautiful Natural Park with deep blue eyes.
Vernarth is wrapped with two layers of linen and stands in between eclipsing each of the Unicorns. They pass her horn through her pectoral, as if wanting to insinuate affection. But her propitiated gesture was to crown her with the Power of her phalanx, the impetus in Gaugamela, an Onyx Crown, to lighten the burden of sleep and wake up before reaching the shores of Genoa.
Calling in Genoa, they all descend in a separate part and say goodbye from afar, gesturing with their hands. Their ramblings revealed multi-level radiographs of the resolved aura that invited them to an enclave hostel, to re-enter the world of their daily chores. The Unicorns who would return back to Sardinia stayed on the ship that was in the blue bay. They positioned themselves at the bow one and at the stern the other, to lighten the sails and return to Izzana.

Vernarth and Etréstles walked with their bags, letting go of their feet towards La Via ** Settembre, they travel in an east-west direction, next to Corso Italia, the promenade that runs along the promenade, which is one of the favorite places to reform the destination of Piacenza. From this road they moved near the adjacent carriage station to the Caruggio neighborhood in Sottoripa. Here they entered an inn to eat and drink liqueurs made from natural herbal recipes and sweet citrus, some fish with bread, sauce and Genovés sourdough. to satisfy their hunger.
They had dinner and opened the exit to the terminal. Before, they went to the Ponte Monumentale where the church dedicated to Santa Rita is, called Iglesia de la Consolación, whose entrance, at the level of the old streets, is slightly lower than the current street. They pass a porch and enter. "Almost like a grand cloister sensation they perceived during their stay, as if centuries had passed, but which never ended in the wanderings of any secular period. It was the impression once entered and soaked on this road, which still remains active. From this original cloister, the invocation of images on the sides placed towards the church towards Via ** Settembre, as well as the closed portal in the market access plaza on Via Galata, recur, while the other two sides are they completed attractions to admire when the eastern market in Genoa appeared before them ”.

When they entered, the masks were passed over the bones of their faces, indulgent towards both faces of the visitors, under a freshness of gravitational atmospheric fragrance, perhaps from the connected baptismal font or the lateral nave or the three naves separated by square pillars illuminating them. This is where Vernarth places his right hand on his forehead and his mouth, as a sign of catechesis detached from The Vault, the central nave and the counter-facade that were painted in fresco in 1874 by Giuseppe Isola, after reading about the intertextual verifying thus Vernarth. (Visioni dell'Apocalisse, Gloria di Nostra Signora della Consolazione and Giuditta rientra trionfante in Betulia), while Etréstles frenziedly admitted the frescoes through the side aisles that are the work of Giovanni Quinzio at an angle close to him. Observing everything, he was already indoctrinating to reprint new vigor to enter Piacenza triumphantly and head to the Region of Patmos. Giuseppe Isola's fresco was the great motive that struck his reason for being where he was to continue the threads upon threads of his lineage as the great Commander of the troops of Gaugamela and his Phalanges. Here is the church in its first tune with the duty of limitlessness before its steps to dominions that will make it recover their powers, from where they were first seen dressing in the clothes of an innocent child.


In the apse, there was the choir singing baroque pieces, and followed by elaborate wooden stalls from the 17th century. In the Altars on the left, on the Fifth Altar, Etréstles, captures a simultaneous vision. From that moment when it was the disappearance of this Santa Maria della Pace church, which could have been one structure on top of the other, perhaps in ruins but if the columns could go further from where their originals are born. Until then both had separated from each other, and they would meet again here in the apse, where they never lose sight of each other again, to turn towards the exit that required them to leave the sacred precinct. In the terminal, a grayish float awaited them, with silver trim on the edges of the structure, at the top of the front roof it said "Where you must never go and be". It was just the transport of an allegorical float. They were theatrical traveling artists, who had places available for travelers to Piacenza. The one that they just approached to move to the home, where they had to register at their own will and rejoin this excellent session "Parapsychological Regression".The Trebbia valley, a few kilometers from Piacenza. Vernarth noted that a shaft of the chariot made a strange sound. To which he notified the driver, telling him what he caught on the rear axle of the carriage. They go down to inspect all; not being able to detect anything that it would suppose would be an anomaly of filming of the instrumental east. Etréstles sees that some steeds were grazing on some meadows and he tells them all. Vernarth warns him and immediately heads to them. It reaches only a sorrel that was running its tongue over its hoof. The others flee. Vernarth approaches, and notices that he had a wound in his left hoof, noticing that in the center there was a strip of Green color, He takes his leg, and examines it. He takes out his dagger and begins to remove the stake that was inserted into his damaged leg. The others were gone, restarting the trip to Piacenza. Etréstles managed to climb a steed, and followed him - The float remained without them supposedly to arrive safely at Piacenza. But at 5 km, before reaching the city they are struck by a lightning bolt from a sudden storm. What misdirects his route - the passengers were left intact, only fatally suffered the loss of the driver. (It was verified by Vernarth when he arrived at his home in Piacenza).   As  Vernarth rode fast in the storm, trying to catch up with the carriage. Stress them towards the same to reach their brother. They rode propagating the pastures that passed near the forests of Val Trebbia. When the storm intensified instantly, it was wise to take refuge and wait for the flood to decrease. They were always close to each other. Etréstles about 18 km from Vernarth, they did not know it, but the horses sensed each other. They already distinguished, that they were close to each other, but it was necessary to take care of the horse, and have to check its hoof again. He checks it and notices that it had a green stripe in the four parts, like a pigment already placed concentrically in the middle of each hoof.


Ellipses Gaugamela - Final War
Vernarth bids farewells farewell. Once the Achaemenides are surrendered, he prepares to review them. Walk with Alikanto across the ****** plain. Reviewing his five hundred dead and three thousand wounded, he goes to recirculate in the footsteps of the attack, manages to see lead as a sentinel gathered wounded horses, but not serious. He approaches him and says Khaire; asking what unit they came from. He tells them of the Hosts of the command of Hefestion. The sentinel tells him, that he was enraptured by the fact before his eyes to see that all the horses of the line of Hefestion, Alexander the Great and Vernarth, to fascinate him that they had a green stripe on his left hoof. Wedge riders are formed, lining up the stable, towards the court of the guards and Macedonian monarchs. She dismounts from Alikanto and checks the chestnut trees, managing to insinuate that it could be Medea's ploy of the smiling charm towards her Hetairoi dancers, whose elite had bracelets on each leg on each chestnut. Also with the offensive weapon, they acted as the Macedonian's personal guard. Vernarth recalled that, before starting the offensive, with his blessed Xifos he inflicted light wounds on the left foot of his Phalanges in the act of "overtaking them before being stained by the enemy"

Vernarth says: Here is the cavalry that has received so much praise for «hammer» in the strategies, because it crushed the enemy units retained by the «anvil» or the «phalanx» that I had to command and lead the charge, intoning the riders. And even more the circumcisions that he gave them before entering combat. With the Hetairoi I was organizing squadrons of 200 to 300 soldiers, while they were checking the chestnut trees. In the campaign, they would ride the best horses, ******* or on the blanket, they were awarded the best weapons available. Each carried his long throwing spear Xyston, accompanied by a Kopis sword, for hand-to-hand combat, which in the interlude would defend his flax and bronze breastplate, with respective protective armbands and helmet, before lightly tackling his aggression . The horses were also partially protected, but not their hooves! I gave them the final instruction by decree to take them to the altarpieces and attend to them, so that they check their left hoof.Thus giving signs of great concern about the green stripe on each of its left hooves. Sentinel Hetairoi, with some of his servants, gather the animals and transport them where they have been ordered to tend and examine them. As the designs collapse over the night in gloomy litanies, Medea bursts into a great green outfit saying:

Medea: Vernarth, rancid are on my memory the potions and designs of those who want to talk about me or offer me in their lust.Where the zeal of anxiety deceives the wishful arms that welcome the victorious pleasure. Hooves are my skeptics and famous decisions, because I am weak in will but not in character. Green is the pouring of my converted powers into the veins of the horses. They were carriers in their eloquent ferocity. Instead of blood, I had sap from the magic vessels that I transferred to them so as not to doubt the doubts. Their object is that a green band was encased in their hooves as a sign of the Hipnos promontory through their Son Clovis, to plunge all the forests of the raging underworld, towards the heart of each "Valiant Hetairoi".


Outside ellipsis / near Piacenza
Vernarth and Etréstles in a post-storm clearing, a soft breeze greets them and they meet again, they greet Khaire! And together they reroute to the empty pastures, which would gradually begin to venture them through the farthest forests of the Val Trebbia. On some brown plains with poor colors that visited him falling as they faded on his mirage. From this unusual crossroads they will supremely perceive the closeness of Piacenza in their breathing.
Now they are in the vicinity of the Cimitero de Piaceza. Then they will have to go home on the Via Giovanni Codagnello, on the calendar of January 2020. The Parapsychological Regression continues.


Piacenza Cemetery, January 20, 2020
Vernarth and Etréstles entered the necropolis long before sunset. They were carrying a cake to celebrate Vernarth's birthday. Night Patrol joined the visit. In particular, they followed a night watch service that was active, trusting their guide Piacenza or the surrounding area, with 3 internal night patrol passages 365 days a year, for the rest of lives beyond all material life, perhaps turned into marble statues.
They hired a special service dedicated to the approved service for 2 people .; They were active during the caretaker's office opening hours (the same opening hours as the cemetery). With this service they overcame difficulties to walk after so much traveling. They leave the green-hoofed horses, now turned into statues. They request authorization from the entrance cemetery offices, to honor their belonging and to please those who visit them on their behalf. In Genoa, after having passed through the exterior without entering, they were ecstatic with the Staglieno Cemetery in Genoa (the most monumental in Italy).But if they enter the Piacenza, where the sanitary monumentality passed through the real function of such an enclosure in the contingency. It was commented by the neighboring offices that the migration of corpses from Bergamos were moved to Modena, Acqui Terme, Domodossola, Parma, Piacenza to carry out the respective ceremonies. Due to the great Viral Pandemic that decimated a great majority of Italian citizens in these areas. Vernarth became aware of the current reality, saw how a gravedigger conversed with the crowds, there was a nurse, a doctor and a prodigal man who concentrated on uploading moods to those who were there, almost like a caster, to relieve them of this transitory despite humanity.
They continue past the pyramidal pines, to the central pavilion. They sit on the edge of some flagstones, and take the cake to celebrate their birthday. They sing a hymn and they both enjoy it lovingly. Etréstles saw that he had a little cream left on his nose and cheekbone, running his hand to remove it. In the instant, the guard calls them; it was time to go because it was time to close the compound. They say goodbye with a monumental hug paying tribute to their brother!


Etréstles says: Honors Vernarth, for your immeasurable Valor! It is a great contribution that we divide our work and commitments. From here I go to the Messolonghi Cemetery. I will only wait for the crescent moon to meet the Charioteer, then leave with him and my beloved Drestnia. My Xifos Sword in my right hand and the head that I cut off in my left hand, in Gaugamela before that rugged fate! Khaire, My honors Commander Etréstles!. It remains in the shadow of some pyramidal pine trees of this sublime night, and then they distance themselves. Vernarth leaves the compound heading towards his house relatively close to the cemetery, on the Via Giovanni Codagnello.


Final session in Vía Codagnello, Piacenza:
Vernarth enters opens the door and everyone is waiting for him. Huge groups of friends, work colleagues, family, their pets, and especially the Parapsychologist, who had commanded this whole great session. They all approach her and in the instant, Vernarth awakes abruptly from the parapsychological session. They stabilize it and check your vital signs. There were many days of this odyssey. His awakening was mediatic, since they were attentive to him to question him and confess everything, but he was clear that his purpose would lead him to the confines of Patmos along with Raeder and Petrobus. It remained only to wait for the tenuity of a simple immortal warrior to assist in the services of John the Evangelist. The parapsychologist says you have to wake up, you can no longer be AND stay here in this temporary tube!
Once he has refused to wake up, he takes the itinerary to return to Macedonia. The visibly worn and stunned parapsychologist demands that he give up and obey his command. The effort was unproductive, only letting himself be carried by the grip of his right hand, taking his other with great vigor to remove it from shamelessness, from whom he does not suppress his pride to who still remains wounded by the swords that bleed his soul in Gaugamela. "Everyone is amazed and resigned !, pointing out that he must have always been in the surroundings of his beloved Macedonia, cutting the bursts of succulent insolence on the same temperate cliffs, where some variation of the sounds of the wind would make him saddle his Alikanto to acclaim the gods who came looking for him ”

Vernarth is engulfed in ambivalence, almost celebrating his birthday and waking up from his parapsychological journey. Both will take place, but the session will continue irrevocably. After a few days close to the first day of the crescent moon, he greeted him from a privileged place on his house Etréstles de Kalavrita who was with the Charioteer in his car and Drestnia, they went in that masterful car to join the chores of the Koumetrium Messolonghi (Editorial Palibrio - USA) .So returning to Messolonghi, to meet his disciples and essences of the foundation of his naturalness.


Hegira to Patmos
On a gray day in July 1820. Piacenza slept under the ambush of the revolution, in Italy there was a situation similar to that of another European nation. Vernarth was preparing his last details with the parapsychologist, to undertake his Hegira to Patmos, since he was a revolutionary and this was of great motivation to emigrate from this constant stage of Wars and sociopolitical processes. Manage to be a participant in this revolt in the Piedmont area. Its ideological axes were liberalism and nationalism. Given that the most affected countries were those of southern Europe (episodes from other areas, such as Germany or France, were much less important), with Spain as epicenter of a movement that extended to Italy and Portugal, and on the other hand Greece; It has been called the Mediterranean cycle as opposed to the Atlantic cycle that had preceded it in the previous generation (the first liberal revolutions or bourgeois revolutions, produced on both sides of the ocean: the Independence of the United States -1776- and the French Revolution -1789- ). As compromised great principalities of much of Europe were banned, it participates in great dissolution of collisions and invasions that involved it. In this way he would liberate his Homeland, especially his province of Piacenza.

Although the "Kingdom of Italy" as such did not exist, there were two great kingdoms that participated in the Revolutions of 1820: the Kingdom of Naples and the Kingdom of Piedmont. However, most of the revolutionary movements were driven by secret societies, such as coal. The Kingdom of Piedmont was also one of the most affected, since it was at the epicenter of Italian nationalism. It was controlled by Víctor Manuel I, member of the House of Savoy and defender of the Old Regime. The monarch had only been on the throne for 6 years, since he returned to Turin in 1814 due to the defeat of Napoleon. Since his return, various factions within the country advocated for a unification of all the Italian kingdoms. The unstable situation of its neighbor, the Kingdom of Naples, caused the carbonarians within Piedmont to revolt in March 1821.

Conclusive Hegira ellipsis to Patmos:
After this great conflict, he orders his parapsychologist to resume his final session in Patmos; he begins the procedure for the era that he had to trespass anachronistically, returning to the era of the Macedonian Empire. The parapsychologist asks him time, place, dates, clothing, customs, and manages to meet his request. He enters the portal, and in the backwaters of Messolonghi he meets Raeder and Petrobus. They were close to this heroic land, Messolonghi in the Gulf of Patras, the capital of Aetolia-Acarnania. Nothing less than in the land of his Brother Etréstles "Koumeterium Messolonghi".


"They all approach the vicinity, pray three times to heaven, and manage to be abducted to the underworld of Messolonghi. When they were snooping through the catacombs, they make out the surroundings of a luminous vault, thus distinguishing a woman passing by with others. It was the beautiful nymph Eurydice inaugurating The Constitution of a new Government”.
Eurydice and the gravediggers worked for the new government to be instituted. They were reviewing the last ground plans that converged on the tenth cemetery.
Eurydice ...: with the absence of Etréstles and Drestnia we will make her awakening continue, whose awakening phase closely relates to her wife.
Grave ...: Where do we start?
Eurydice ...: by the southwestern statue of Ashurbanipal, to pay tribute to Botsaris. Then, we will go up to receive the cordoned off tomb of Bramante and Ghiberti, so that the latter can advise us regarding the work to be erected.
They climb the northeast pavilion to the foundations of a mausoleum. They approach the slab of Ghiberti, who was loosening his fingers, sitting on the shore of a Pyramid-shaped cypress. Bramante vanished into the gray beams of light...

Ghiberti ...: I already know your mission. I am summoned to the Council on the day of the sailors' return. To start, they went to the mines to look for precious stones, stones to build Markos Botsaris.
Eurydice ...: Good! Well, in nine moons and nine suns they will return from the coasts of Morocco, the last docking point, so that they can then return. At the moment they are already warned.
Just back, there was a Lover with her right hand holding her chin.

Inamorada In Love ...: Five centuries ago I awaited my awakening, my lover promised to return ... with these verses...:
"I want to be different,
I want to take you my love...
and tell you that by missing you
there is no greater sadness than not seeing you ...
Forgive me for not coming back...
before my absence caused your death,
Wait for me ... I'm going to tell you ... how I miss you
Along with my immortality of feeling...!  How I miss you...!!

... He still tells me this, but from here, under the embankment of the cemetery I feel that he is far away and I can do nothing. Also, I have it in my memory and one day we will meet here. The Enamorada continues to sit and watch armies of soldiers being thrown into graves, their bodies severed. As she continues; ... there is more life here than on the surface, and the trenches replace the concave wombs, as vessels! As everything here lives, even the flowing and hallucinatory invocations are perceived from the Poets, Alchemists and Astronomers. They make the invisible go in a formidable adventure to the site of their magical hallucinations.
Eurydice ...: Stay on your stone, with your chiffon dress; here you will see the arrival of Etréstles. He will bring news from other lands to answer you. Now dispense if we delay, sadness will fall on the other beings who are being buried and transhumated. The Enamorada remained on the stone with her knees resting on her chest. Eurydice and her assistants went to their rooms. "
All this they manage to witness, and then go in search of Etréstles on the same tenth cemetery floor. Raeder and Petrobus were laughing and at the same time they were impressed, as if wanting to remember him when they have to leave directly from Messolonghi to Patmos, towards the Dodecanese region. In the meantime Vernarth was searching for his brother in all the nearby areas of the catacombs flashing penetrating light, unable to find him. He arrives at the ninth cemetery and is fascinated by a feminine image that would seem like a phantasmagorical chimera ..., it was Drestnia moistening some ferns on some crypts making gestures to see them already grown, even if they had just been planted...!

They approach her intimacy and ask her greetings, Drestnia answers them abstractedly that Etréstles traveled to Patmos to applaud the maiden ceremonies that would be wed in the spring in the nearby meadows. Being able to settle in The Monastery of Zoodochos Pigi, and who later went to the hills of Castelli, as it has been known that everything has been celebrated on a hill that many hundreds of years ago has sheltered our historical fragrances in the unity of the ethereal until the present. Such ruins among some works as well as the Temple of Apollo that will continue to survive with its prevailing mystery not revealed.
Etréstles gives them their congratulations and wraps his arms around Drestnia. They evacuate the cemetery, remaining abstracted in the internal darkness of the catacombs with fewer lights than a feasible twilight of darkness, as if immediately leaving Etréstles to be with him in the spring, shedding light on herself taking them to the Castelli hills, which they would figure in the sweetened exaltation of the pollinations of the nymphs on the maternal and ****** maidens.

They go out and spread their impulses over the promontory of the Koumeterium of Messolonghi with Raeder and Petrobus on Raeder's shoulders. Vernarth invoked the north with her staff where Alikanto would appear with her hooves with greenish stripes.

Raeder says:  Let's go. On those warm currents to follow we will not unite you Vernarth. Smiling, the fantastic boy danced, forming figures that enlivened him to hold on to the legs of Petrobus. They both stared at Vernarth and raised high above the warm clouds. Beneath the Messolonghi miniature, she had Vernarth's sights on them; she was putting reins and her Hoplite tunic, to mount Alikanto. He looks around and makes a big sign to Raeder to follow him to where he was, they suspend themselves and manage to go back to the highest mass of misty airs that would take them against the clock towards Patmos to meet Saint John and Etréstles.

What might the heights of the minds eyes see while the spirit is in motion of the purest emotion of intent and expression of love?


Is it such a state where false has awards and evening gowns picked out for the awards show?

Is it so fake that one might find it difficult to understand real from false?

Or might the fact that when a human being can truly  walk the line of life with grace and demanding ******* while gently caressing the absolutely overwhelming truth that love has ravaged the soul ,

Ravaged this soul,

*****, held, ravaged, run through, righted and scorned in the deepest of waters a soul has yet to express to the world for two thousand years, and all while  the captive ....... Soul,         is critiqued on the devastation wrot in such completeness that is is even to this day savoured as a prized  fetish even unto the sad would self.

Dare I ask simple a question of wondering curious eyes of windowed souls to cast a view into the dew of the greatness of being of truth and grace while respecting the very heart from which such torture pours from?

dare a truth be asked that such a human being be of a dignity in company with the child timid in him self torn, dashed , bruised, named and bolder than the soul that resides in you?

Dare a tasked truth be ever revealed of contemptuous  acts of ***** souls and privacy of ones tiny castles in the  oh so damaged and bitter sands. Of the wombs of mind that we all venture to frontier the very limit of the souls endurance, prestige while being undignified by the raw violence of the act of continued ****, or is a dared truth to harsh a fact for timidness of my self to have swallowed whole as the soul of mine self and mine eyes and mine teeth from which the vengeance did pour a pounding to seek, all to be driving back by the broken and horrorably disfigured child of me that many find more womanly.   For this Ugly Boy of me, this sad sot silly and ***** smaller to the vastness of the fridgidness of ******* through lies and manipulations while taking in the raw ******* of the common God's child , virus this not what we all are the now newly in question not so rarely ***** and sold like ****** in a new church for the dastardly and bastarded ******* that we have come to call complacency of decency?  

Any, how foolish, yes my dear friend , you are indeed a wiser worrier  wafareing wondering wizard of vast skills and frightful  ways and means to tame the beast of such hateful things , so costic as to reach deep into them and quiver their tiny tethers and frail feathers all a mockingly  to the tones and notes left after we vacated the dead crypts of self deprivation and hate as we all found the truth of the emotion as it poured through us when realizing this damaged, torn and frightened child , a man holding the depth of winter killing fields at bay, a man kindly swaying the stars to play a tune so as to grace all who broke his heart a stay of pain for each and every attempted and timidly bold and brazen sway and slanted ****** love or raw truth and powerful motions from which we all find the fancy to ****** the  tool as the goofiest  **** **** as hell fool we all choose to allowed the absolute grace and magesty to ******* Rule our Hearts for even just a fraction of a moment in this prayer of endless time, yet hold with the dared scary and walking naked and alone into the lions den while the wolfs and beasts all gathered their finest clothes, weapons and gold, silver, trinkites and shiny of the shiniest of the things they boldly and brashly slash all with as to command the fear to reside in the human spirit.

As this silly little hill Billy with a **** nice *** *****, were wolf feet and all called out to the proudest and loudest of the tiny little spouts and softly said " what is all you foolish fuss about?"
"Have you lost you most precious toys, only to find victim the Dickson of my sorry and sad state of dieing from the oath and lashing of what you helped  rip from what can only be many peoples and communities and even many families?"

Dare a truth to truth this dare my dearest cud of a bear for a true beast of welcome verosity I be all the while giggling and prancing all about like a happy *** skipping fairy, and of this I most truly rather be for don't you know? , did no one tell you the news?  The horror is scaring but the truth is so amazing, turns out scar gardens are the softest things God has ever created, scar gardens are the hardest element that break far stronger , bold creatures of far fasters tested , cleeted, bust a mother up than most man has ever know to exist.
Scar gardens are the very  spouts from which the truth and grace of the living love of God pours fourth into this majestic ******, animal ,spiritual ,sacred, holy and magnificent place , a place that the very bashing of the flowers that dance you delight even in the pity, plight, laughter , and slight  has done nothing but cast us all from it loving embrace, yet, dear cub of a Billy bad *** nub of a cubbed couger in the final leaps to catch this timid and playful prey of me that you so think you will devour you see,  we, the ones whom truly felt and opened and dare that **** scary *** chance to dance with this devil in the pale moon light have found that they no longer must live in fright, that this very garden is theirs and none to own but to flourish and grow, thrive if you must, but lest get nasty for a real minute, animal to animal ,it ma thrive , sure but it will **** , love ,fight, rise , Smit , right the wrongs that have tortured us far to ******* long and in that moment of exstacy the human race may just finally realize ***, love, caring, kindness and truth of self are the face of God starting through your eyes experiencing all f his loving songs creations and getting ******* goose bumps and he'll yes this Billy Jack goofy *** bad  kat all **** knuckled with bad habits and a lust for loving full ******* spectrum and a lesbian trapped in this fugly *** mans body all crazy *** triple run *** marks the spot moon shine devil of mine were wolf feet and all does truth and whole love the Real Girl and is ,,,,, and most mother ******* who are real and real down with the truth that God is love and loves even your silly but as God loves mine silly *** and the rest of this star studded cast of human **** ups simply attempting to pass and go the **** home at the end of the school bell.


HUA,    I do love the Real artist  you speak of, she knows it, and may just know that I know she is not the one laying **** the silly hill Billy with a rather bad *** wi,,,,,,,, um sorry.     Where were we. Oh yes. Um. Only those who care to let go and allow the truest of flows and are true to self and the love that one finds in the being of anothers breath, thoughts , actions , decisions, and mistakes and graces to right ones self after horrors that tear us and embarrass us, these know the truth ,and my dear friend i love you too, but not like the love i expressed to you in hopes you to feel the love i share to her with out pushing it on her, so that what is rightfully hers to reject or except i gave it all away to all even those whom used it to fuel hate in mine own shape , form and name.  And i have done all of this and a dillion years of pouring stars into the hearts of that goofy *** girl by way of dancing crying and **** it dieing through the very core of you,  yes i got you high, horney, got you off, many times , i gave you memories of sparks you know, i gave you worlds of wonder and ways to flurish and grow, i gave you what you , well many of you , did not even deserve for it was truy meant to be for her, but i felt that the most good it could do and the best love i could show her is i can love all of you and even rock hear heart all the very same ways i moved you , and not loose one silly little drop of the tears in her pain, yet sip them and drip them into her so she may choose to live again, as she has done for me.....do you now see? For I C C I said this goofy eyed going man who has done all this in his true and real names,  For I Love You So.


And didn't even eat my wheaties wink , smile I a not mad at ya, just being me, and some times we all have a tax bit of  werewolfand badger **** in us , sorry to offend, smile in the end, we all just might be ,,,,, sort f friends..

Vernarth sequence

Prophecy I -  “Eighth month of sailing in systemic plenitude”

“Since they will not hunt us down in all our Itheoi cycles…
nor in other lapses from where the fine eye could have sewn the buttonholes of the shroud, where there will be life and if there will be a short time without life...
dragged by you for a long time where the sun is melted over the word, staying stored and locked in your pocket to collect it blushing,
tomorrow's jump without a yesterday declining..., without a tomorrow in the heat of a bonfire...
lamb in bait handled being the portal of those who have been slapped inside their cheeks… who will not shorten the cycle that transcends all the oblong sepulchral vaults or who abound in the nonsense of sanitizing nights of ***** despot life having to measure themselves in your flourishing duel by Aiónius of the cleanest dew of its solid stroke and announced delineation of the new one that has been retraced again being more than a brief syllable created again fertile, in the biosphere mouth so as not to see you omnipresent mist, meditating not having you and that dares to meditate on your future that will have to be reserved for yourself by professing it when you are cold in front of you and insinuating if in living followed by letters to be flooded pondering like a paralyzed sleeping part that wants not to be covered with feigned warmth and that does not fit in all the parts of me being who wants to be consul of some shelter with all those who sleep also half dreaming in the company of the lost afternoon that never ends serving Saint John in Katapausis here, perhaps Aiónius del Ibico 1 as a magnificent and net unit that sees the luminous truth when we all come out of a prophecy alive even if it's dark ".

"What a reckless job of losing value,
I am already in Katapausis in the eighth month...,
I entered as the light opened with my hand turned into the light...
being already a katapausis meaning in Sabbatarianism.
Quasi-unit method exhibiting cohesion to the rest motif
With levers in my hands and intra-sabbatism in his dissertation...
of an exegetical and theological nature that has transpired soft insomniac light, We are a people who do not have to fear or air to deposit for a future warehouse above the Sycamore or birds that guard all the Gold above my hands on the Sycamore…”

"Stay in my house, if I don't come back it will be yours
stay at home, it will belong to everyone even in the apocalypse...
that more reckless will be silent as a work of losing value,
Katapausis is the threshold where my life enters and leaves at once,
stay at my house, if I don't come back it will be yours...
Open windows by meekly closing them to that confronted obverse to you...

He comes from a den relativized on reliefs in weathered beads...
they will be soluble mineral beings convened moving away from the most distant and closest to the least distant…, from waters of underground siphons… there we will all be floating… like vertebrate invertebrate animals”

Vernarth, after not entering the grotto not having found Saint John, goes outside where he goes on a campaign for three months before he can be received by God's law. Here he meets with Reader and his pelican, as well as Eurydice.


Prophecy II -  “Seventh, Inter-synergy energy”

“Three months I have waited in the middle of this mountain,
symmetrically arranging the steps to be taken, not going backward
prana of life walking in oceans of life walking…
us and them… how much must separate us to reach us?
what I have not tried to separate…, what I have not been able to achieve…

I think I died early in the worlds that haven't risen yet,
I think I was reborn late among dense curves that overwhelm us with straight lines
soul, principle, matter, and material distinctive ontology
Ghost god of parallelisms beings and activities in affinity...
starvation body of low energy ceasing creatures in embryo
incessant firstborn to infuse other confining souls
trails demons slip where my ashes hands are sore
wounded doctrines to engender and doctrines to ulcerate...

As the prophecy uses the sea carrying messages resolved from shore to shore
close to a Virtual why in the twilight your Faith that must be glandular… matter of soul and body exposed to predisposing theological and chemical, in pursuit of the corruptible whole in vice versa if he does not burst with atheistic impatience.”

Eurydice takes a zither and sings tempting stormy actions to Vernarth, Raeder and Petrobus put their souls in line in the first linear principle, Together with the matter of corporeal fire proceeding to the definition where all the parts are confirmed without distinction dancing next to them creating the greatest bond of faith in body and soul, thus spending the three months in a few words of light of the sated fire.

"In the eighth-month katapausis, eight times your permanent peace must rest in
cited state; once it is translated into Sabbathisms and it will be the same state… When everyone finishes their dance in the cave and enters believing they have the courage to enter eight times in connection with rest…, plus eight times in connection without rest.
In some verses, the urgency of the entrance will be accentuated. The main issue “is that history will be repeating itself exactly where the Israelites were at Kadesh-Barnea. A related term either synonymous with Kadesh or referring to one of two sites, is Kadesh (or Qadesh) Barnea. Various etymologies for Barnea have been proposed, including 'wilderness of travel' but none have produced a broad consensus. What is the consensus? will we stop believing or lean on the shores of a preacher rain of Jehovah or lean on the shores of a preacher sinful waterfall or lean on the shores of a preacher confessing rain or lean on the shores of a preacher wet wind inquisitor...? where ever the aromas of its faithful winds served will go sacred to everything named before and many before the confessing rainy…, waterfalls in favor of the temperamental inquisitor wind”.

Astheneiais”, in Greek is and will be a weakness, in Hebrews a moral connotation and will mean not only physical weakness but a conscious weakness and trembling in temptation. Our Lord also understands us in this weakness because he was tempted in every way as we are. Since he himself was tempted he knows from experience what it means for us to be tempted. He was not tempted in all the particulars of our life, for example, He was not tempted as a husband or father, owner or employer or soldier, because he was none of these things. But he was tempted in all three areas of human susceptibility: body, soul, and spirit.

Prophecy III -  “Sixth, Resilience…”

“They were on the perimeter trying to keep me together at his command,
I go every day for its pantry, food, groceries, bookstore supplies and ink, oils, and other essences for the environment in continuous handwritten obedience, I have to leave for Skalá where some residents are waiting for me who have ordered to bring materials from Gricos and Psili Ammos to project your home,
If this has been written like this, it is because my pleasure in walking has written it, in the company of the one, he has written for the one who walks next to me the god Ibicus!

They always asked me why to mention why I have to do this for them… I will tell you that I used to serve leaders who consolidate the Hellenic geography,
without them, everything would have been invaded by unled foreign hands… in that rest, I have to attend to the verse that precedes it...
which says that we have already entered where I already intend to argue the following…

Resilience and exhortation that from the beginning I have taken since it began... now I will abide by and present your messages in a very predominant note, I was Hoplite Commander of the Falange and Hetairoi, now a Christian who does not dispute living a life of obedience to those who are not and are not without his martyrs...
like those people to whom God swore they will not enter my rest
whose amen will be preached in the passive voice verse!

Remain as the verb indicates with the real facts, the word
independent of the present, independent of who and when…
Saint Gabriel my Abrahamic angel will give me white strength and frolicking lilies like baskets of hermaphroditic lilies procreating only-begotten forests at the altar.

Stand tall over the Abrahamic fire without knuckles or shields,
rethink your beloved woman and take a sudden step to heal your wounds there is so much grass to cut and so much poetry to chew...
up the mountain towards Skalá at night after drinking wine
Epitrapezios Inos setting fire with innocuous saffron atmosphere
lips of fire and bread, for a good offensive fight.
Greek fire naphtha, cinnabar, and anthracite.

Wake up united with the deep disorder
Grant the color that deserves to have your day as a constellation
with the image that rests on your angular and calloused hands.
stopping spaces of loss more than all the centuries that waited for the minimum incense to a good warrior, sweet wine for open bleeding wound not his… the thunder that hides baptisms in all hearts empty of blood...

“While Vernarth was praying in the oracle he felt a thunderous supra sound As if the gates of hell had opened...
As if millions of seconds of angels were to be dispersed from the sky
To reduce more seconds of silence to the thinnest pleading eardrum

A few days ago I saw a ghost that was chopping wood...
I couldn't realize that he was really Him...,
I also saw him cutting thousands of volumes from a library...
Also, not realizing it, I saw several, like more than eighty manuscripts..., of breaths that still did not prosper in the hands of San Marcos...

A gigantic door slam is felt again...!
again it was the angels that came
at the wrong time in his return..., but now in his repatriation
they climbed through and into the Garden of Eden.”

Vernarth, evicted from the habit of the unknown, was apprehended by his craftsmanship of him, he was still attentive to be received by San Juan. The longer he waited to be arranged for an audience, he did not postpone what his memory pointed out to be more than an experience plotting capacities in the face of his own limitations. From that moment on, a gigantic gate slam is felt again! the angels who went back one after another with their polished golden-white cloaks relapsed..., but now making the Garden of Eden their own,... being theirs in what was theirs, that they would be in the house of a wise gardener of Eden perhaps being the same Katapausis manger at once!

Raeder says: hugging him profusely! time has to fly like little angels, having them by your side as companions of the time that is leftover on their wings, giving it all to your enjoyment of living and feeling it lost in you without finding it. ! khaire mi Vernarth!, I have some karidopitas with nuts and yogurt accompanied by baklava with nuts in delicious syrup from Kalymnos. Petrobus jumped for joy and fluttered like a hummingbird to steal a few pieces! Eurydice and Vernarth did the same. That night they told militia stories while they ate the morsels, so they fell asleep as if it had been the first time they had fought such a great menu. Euridice assists in the same with his fresh clean face, creating an atmosphere of conciliation to renew the dream of a day that will dawn close to his waking up far from the criminals. Vernarth takes the staff from him from then on and divides books and manuscripts into two portions so that he has time to take steps to really feel that he can walk close to Saint John.

Prophecy IV -  "Fifth, Nature, Manuscripts and Jophiel"

“Zeus wakes up trembling, full of headaches saturated with Herbs for headaches Jophiel speaking this time with the Kabbalistic language of the Torah...with golden commoner super zone of the Organikon Sorousliston Papadikon….age-old music that supplies Zeus with protein albumin, to make him more human…Zeus accepts Jophiel by placing his head about the house of Jophiel; a divine island to throw cards…brings the second ray to the Sahasrara at the crown of your head, pacifying love that is the suspicious and risky loser of everything risk in the head especially when a feeling is born!

Zeus turns his head and Jophiel twists it to the opposite side
about the ruined zeros that he did not count from the plasma of his dependency, Zeus feared having albumin at risk of human transmutation... happy to be able to cry he imagines slipping into the middle of a lake and he sees that he falls on Hera's poultry harming none, Zeus pours brimstone from his mouth and milks inelegant prose from the scythe…

Trina flame whose son bears glorious her bearer,
thousands of lives being clumsy for the wisest destitute
being what in the present you were more than past trine
when you harbor from Hanael's Blue Sodalite quarry
the imperfect perfects when you listen to your
body how it beats, how it breathes... you realize that it is perfect
as is Jophiel and discerns repairing the wisdom in the decisive punt
where gum rosin myrrh and multi urban frankincense go
towards the soul plane architecture of the human plane.
Hardened Zeus overflows glazed sallow emulsion of war
coagulated exhausting guarantor of everything is well,
books of the silent world of nails that do not sound sheets,
Hanael in massive books divides sounding with her iris gel-colored nails encrypted library manuscript of a thousand years, the voluptuous organism of a thousand years…
flapping unpredictable millennia and wiry hands,
colossal capstans…, annihilated with a thousand years…
a silly propeller that spins like a sickle rolling over a certain holistic tabernacle of the small portion of the next day when Zeus awoke to the diaphanous threatening light with sunless cloud waistband…
His face is seen with frowns and he looks at his face as well
without seeing folds…but in front of the Aiónius.

The geranium appears in the representation of the natural whole kicking the Sickle, much more here lost of our spiritual being
Zeus Jophiel's hardened shoulder heats up only to lean on Him...
light on his shoulders fires on both of them…
how long it takes to save us perhaps twenty times what supports us even tired and much more unwrapped than the treachery of him alone and without being followed without knowing
nothing more than a thousand-year-old shell through which he would drain…perhaps a tortoise-like millennial angel walked up to the omega! joy preparing to give you live hopeful,
that if it would be timely to give you more life...
Here is Aiónius reordering the world together with Zefian…
He shares everything eternal of all your life that floats in the sea,
miserable mix space where capo dastro separates the end
where all the wheres cannonade the hoarse fire...
cement that joins brick wall and plenary adobes
love without nature that castrates your beautiful woman
that hides her face without mascara looking for it...
let's go outside says Vernarth..., we still have a few seconds in his solvent... sensible, full, and arc well-being...
as if you were floating in the air floating more
also needed me to teach you before your limits limit you,
and make you angry from the miserable sense,... Don't listen to me anymore...!!”

Vernarth puts his first three fingers on the capo dastro roosters crow with his skin vibrating beyond the sleep of Raeder and Petrobus. Reader wakes up and says…; My Vernarth I will make fire and heat water. Petrobus runs with his wings to look for sacred wood. Eurydice comments…, I will prepare the praiseworthy sacred breakfast.

When they were preparing to do all this, Jophiel and Hanael appeared to him, joining in the breakfast that would feed all the days and millennia of the world. Unleavened fruit, honey, and milk multiply above all, satiating hunger with satiated satisfaction.

Prophecy V – Fourth, Limbus Necropolis

“From so far away…, so far away that I listen to your sacrosanct cries…!
from the Koumeterium of Messolonghi…, rocking my elbows and hurting myself
moving in rare pleasant crypt upon crypts disconsolate stones
not so far away..., keys held in the eighth cemetery...
Who is to open the heavy door now...?
I come from Messolonghi 555 km in linear figures to Patmos...,
narrowing concave… doubtful in extension, passion princess cloud
He must welcome me benevolently in the night nymph consort...
Limbus N cloud, Cloud Cemetery lofty lofty hypogeum
soul of Limbo, before seeing the nut that girds the face in the graceful Grim Reaper resurrecting restless…, sinning… grail sacrament without Being or being…?
Necropolis Cloud, expectant mortuary technology...
amaze me if there is a byte for me...
narrow conscience, unseemly to amaze me?

Here the lost mist of the Nothofagus God phoneme-photon vanishes with divine mass light to build the Áullos Kósmos. The Sacrament of Limbus will provide spaces and assemblages of meters for thousands of areas of infamous wandering the Ouranos, approaching the Áullos Kósmos to host him and rescue the children of the meter that was missing in the numeral rule of the Megaron acroteria before going up to the Necropolis Cloud. Vernarth, mere body formalizing principle...
extinct delicate evocation of the shadow of Elpenor;
Achaean warrior of Ulysses grandiloquent who even has otitis
and verse where flu spreads influenza
heartbreak from far away reverberating in the elite of lexicons…
arriving equidistant ... the last one arrives threatening with his Kantabroi staying neither divided nor captured, taking refuge in outright failure twilight of megahertz, farce propaganda surrendered fear will not fall even after …

Vernarth falls from the Koumeterium Mesolonghi in the Necropolis cloud privileging his status, he falls from this gloomy digital platform with a high alcoholic degree! from the high heaven after drinking hours he came in the carriage that was from Zilos, with the passion of heaven depriving his understanding stunned on some branches of will of Ziziphus…, stunned on branches of mercy….

Vernarth in a contrite accident with Elpenor, his psyche flies to the realm of the dead, Hades was remaining prisoner in that world taking the form of a Homeric icon or shadow. Vernarth was asleep after his binge, and Elpenor asks him if he wanted to join him with some concoctions. He was with blurred vision, a headache, and still lying down. But in the passionate horror of his drunkenness, he gets up quickly, saying to Elpenor: For me, it was one less pain to drink after having fallen from such a distance without being able to request and have had the grace of my mother's lullaby. For this reason, I hug you! They went together to the Cloud Necropolis to continue in the Limbus trying to alternate their physical body to gaseous liquid. At that moment Eurídice hits her with a piece of wood on her legs so that she wakes up from the bite of that nightmare that overwhelmed her to finally be able to wake up. Raeder had gone with Petrobus to Skalá to seek inputs of gnosis and his own inspiration for accents before the welcome in Katapausis to come in the blink of an eye of San Juan, necessary redaction for licenses and to be admitted to his library.

Prophecy VI - “Third, Rethymnon City and State”

“Vernarth heard the sound of a bouzouki, spoke of a 40-day fast that Greece celebrates before Easter, at the Rethymnon carnival they come from all over Greece to attend as a family during the week with animations, evenings and concerts, dances…theatre, floats with Venetian art in the picturesque old town and modern city, in this ancient city …

Rethymnon Political Ellipsis

“Like territorial extension, past-future organized infamous scene…Vernarth imagines being with Etréstles in immediate predictions
with years and thousands…, clan hobbies, Rethymnon manuscript…
while he thus deliberated…, thus rejoicing in the immaculate extramural grotto thus being as if it were comparable to a Neolithic village; being together lost with eagerness to appear from political power... palaces, kings, pro-organized religions..., rancorous superlative temple, priestly-eucharistic, nationalized sovereign citizen... commanding Parliament of the Hellenic politai people
the competent anti-value entity of the substratum political state…
sedentary-agricultural or nomadic-livestock culture…, vertical Hoplite culture!”

In Thessaloniki street, he would meet his brother head-on...Imagining how he would be...? Well-dressed-shiny, he would be in a passing tavern usually naming himself tradition and terms of questionable validity rather than those of a retro-linguistic family, in the remarkable urban-city dialogue called seditious inns with networks of political territorial extension, reaching the colossal size of multinational ideals of a complex stratification, social meeting place, future ministries to whom to delegate?. They would arrive at the tavern in Rethymnon in Crete, they order coffee, biscuits, and Mosaikó chocolates. In an unexpected moment, he suddenly wakes up from this deep, hallucinating, and futuristic imagination! His brother appears immediately, not in Rethymnon but in Katapausis with the goddess Lepidoptera!

End Ellipsis Rethymnon

“At the moment his imagination breaks just when they were preparing to toast… Etréstles in this same interval appear in Katapausis Reader and Petrobus coming in a singular pilgrimage from Skalá…this is how the syllabic song of the arcane ***** is heard emitting from the grotto…, yellow lights and saffron…. Saint John and the Gospel celebrating the Eucharist…Vernarth would believe for the first time that the hermit would come, but No…!
his brother was to be in the intervening yellow-white light
in front of him nothing more than Etréstles visiting him”

Likewise, they would no longer be in Rethymnon,
but the carnival would already begin in the region of Patmos...
eating delicacies, and the Sousta towards the circle of the Sun in the hands…They have been two months with the sweetened Moon and the Sun posing its mass of light in her… soft palm next to her waiting for him in the proximity of a Hebrew silence

Estretles says Khaire Vernarth! from Piacenza who did not see your joyous lux! I can see now to the sound of yourself the stoic zither...
countenance light, the orbit of your eyes, pale asthenia without photon without light, expectorant suppuration of your sacred Lynothorax, Absent in front of the long and fatal transverse lapse!
Raeder makes a speech to Zeus Photon Child Lux
Fulminant spends time where it remains greater than the minimum...
Patmos is the time of the Messiah…, retrograde years…
polis Helennic city-states.

Culture-state… state time chorus in tune
Philosophical poetic-epic Olympian Aiónius global leader
Homeric poems..., Raeder I am..., a naughty Politai...
you Vernarth are Politai Hetairoi militia
candy wasted by me Raeder… sweetened in my memory
polytheistic, cultured and declined…
theocratic referendum or democratic right,
Exciting porridge of my Kourabiedes cookies
butter, icing sugar, flour, eggs from the icy cliff
vanilla or Mastica resin, ***, Ouzo, mastica liquor…
or other alcoholic beverages…, which bubble on the underside of Aiónius soaked in my mouth with water from petal buds
coated for you with sugar on the tip of my tongue…
reflective cops in a wonderful dialogue of a tasty recipe...
It's time for everyone else to snack too!!

In that second Raerder was choking on a Kourabiede biscuit,
but there was the guardian of the Petrobus who piloted the
throwing hieratic water on the inside of his mouth,
forcing him to take heart from the buttress of his speech
shooing thick crumbs from his skinny dialogue spitted...
Gerakis, ray, tabletop oak bull, scepter for those who rule with him and not...My Zeus friend I invite you to play marbles,
I invite you to tell us that we are friends...
we're both fine… only Space-separated us…?

Raeder runs towards Zeus' thunderbolt from his right hand.
he jumps up and takes it from her, in exchange for this she gives him his marbles...The entire earth tilts over the Aegean..., the earth's axis tilts eight degrees, altering the cerebrospinal fluid of the Hellenic geopolitical conception..., with Zeus poly infarcted over descending magnitudes of inter-politics, millennia and headless governments...

“Apokalypsis lightning restarted, emerged from a New World”
Prophecy VII -. “Second, Alikanto Aion, Quantum”
"Kalymnos, golden tetra steed Alikanto was grazing under the metallic moon...
transiting its quantum physics…, golden legs…, four golden domes
the super host being in Apoika Andros next to the villagers,
commemorating troupe and advent…, Heraklion next period
celebrant anniversary, progeny bearer of Kanti Cretense,
close cycles of the sacred fire, domestic environment, and private zeal...
funerary hidden cult… streets in the hieratic family dwelling
fertile women… totalized and lustful ****…
productive longevity and harvests…, family Apoika
next successor belligerence…, funerary plexus…
culty predecessor…, treatise and imprecation of law, theme and legible religion domestic scene, family civic servant ceremony

Goddess Hestia austere, head with eight sacred candles dressed
Olympus lacking without gods…, only Goddesses embargo!
Feminine Hestia Domestic Goddess, an emanation of the female oval to ovulating…Pritaneo, the central decree of the political harvests… foreign exchange grains to be minted monetary stock exchange of Athens… Pritaneo ford on the rise, ford on increase Aion... hesitant dart swoop into eternity,
Alikanto Perpetual Aion…Speaks with both hands
synchronized and tilted tongue…
stutters and swallows, in six paranasal sinuses
saturated with fiery saliva..., and an Internal voice saying say...
what makes sense to feel and what does not turn off...
sleeping waves in the poison of love igniting
intra-Vernarth love…, billing infected holy blood
methodical coupled time…, Gaugamela the bronze extremity,
of a lost leader…, won leader!

If I had to run to rewrite retro Adhoc poems and chosen trova,
With a shy Trojan verse, I would dare today if I kissed her in front of me… she!
she would jump from the hyperesthetic-Ouranos…, inhuman to the Aion world
aurora celestina, bleeds big and defiant today in your star
In herself Ella…, pestiferous condemnation sweetness and aura between her…she just be, she herself be supported be…, Oh… Goddess Hestia on your opposite leg unbraced arm, meadow and vein braid… assaulted by lost and thirsty love written everything if she tempts…, everything wields darkly if it took you to our Olympus… at night loving you whole..., emptying everything with no inappropriate hand singing don vine fissure and intimate company, may it be exterminated... passion outside with nailed stake..., iron embedding..., nails wounding...exhausted supra lips supra yours…, mid sand writing full to her…
tip of my Xiphos… blood made written with written maiden mythology,
letter sword Spatha…, cyclamen balm made whole if I had you!

“To the loves of the world I say…, cover your ears fungus of boredom, your torn ears squander ignoring more than sordid saying...my blood kills, my blood revives! I **** my blood and I **** everyone, with your blood scattered, ***** blood scattered…!
do not leave me alone until nightfall… I only ask for holy water,
emptied from your mouth goddess Hestia who flies tons over me...
I only ask for a spatha romantic blood sharp, ******, and scattered...
to write to the love wars that I have lost...
to the wars of love that I have won, slicing the jugular of the
treacherous and wicked emperor"

“… Alikantus, he remembered the Hoplite commander in Gaugamela, he remembered when he dodged arrows with his head so that they would not hit his body or his pectoral. From such a present moment falling by surrendering to the evocation of him. He goes down to a stream and confines himself to the vanity quagmire, continues on his path reaching a suspicious lagoon, drinks sacred water, drinking again manages to perceive the effigy of Vernarth in the mirror of Aion's Hydor... calling him from Patmos! Law reminded his master how he died for everyone in the world just as the world would not let him bring more than agonizing for him because there was no more space said Aionius ... "

Alikantus then clenched his jaws too hard, falling out all his molars, he asked the Gods in front of Hestia to restore them fifteen days before arriving at the Ekadashi in Patmos where his master, thus loving all the lives of the world, as well as the hidden cries behind the Dypilons hiding the power of God… or laugh at gagged iris flashes and mummified sighs with lives that subsist!

Vernarth from Patmos called to him so that his eyes looked invigorated like the swarms of green and gray vanadium fire, of mood in the predictive table and close prediction. AlIkantus bids farewell to Kalymnos spraying sorrel and hyper-odoriferous flowers of the Apoika in Kalymnos loving from above, very close, flying, loving everything so much that he forgot to fly. He sometimes fell hard but recovered retried as a baby steed in the womb of a mother new species to be born again in Apoika!


Prophecy VIII -  "First of Aionius, "Eleusis Prophecy of Hamor"
“Aiónius received news of Hamor's prophecy; cosmic orgiastic order
tyrannical snake victim throwing herself into her abyss and purpose..., banishment as an objective void to be decreed, even so ending the world from another world,
discontinuous terse march, slurred arpeggio, speech by Aiónius
there is no world left but if extermination…, undone threshold…, provoke in delicate chaos…!

As a child, I ran to the supreme world herding lions... I called them and they ran to me..., they came alone, some didn't...! Being young, one day Aionius went to the farm and counted the lions... Some came others No... Aionius..., in such a hamorio he was locking an earring from his ears, he hung them again, which happened the next day relaxed..., he saw a maiden who laughed hypnotized…, he sighed when she turned around saying with her poor gestures… Destroy it! The afflicted turned away not knowing what was coming… destroying the desolate world vilifying silky physiognomies, chipped and dandruff face slipping from yours being captive and arid…, tempts to flow libertarian imprint in foreign praxis, origin, and end,
me from the slime being born in my eighth life in nothingness ataxia…

The beloved Victim surrounded by snakes moved the stump of her arms
eaten away by the serpent that took refuge in thorns of forged steel...
she kept walking…, Aiónius pointed at her and kissed her gestures escaping frightened towards the valley in farewells... not fitting itself in valleys that were never anything she paraded with the current of her last word, the beloved again moved her arms following her in front of her the beast was on her, Aiónius buried from fleeing and coming… with fiery phenotype, abrupt vocabulary, says: “Strapping and interludes, after beings of impiety, the world of impiety, Hamor of the first wit… towards other refuges I will depart about a Yes devouring bare ring on it…”
escape curve that cuts the pelvis of my beloved
destructive be your curved world that before had to destroy me...
ultra pre-hellenic nymph Harpé passion spread on me…
Hailed libertarian praise, aristocratic vermilion accent, minority ruling? Overwhelming rigor expended, prophetic Hamor, prophetic expansive arsenal! It must come from all the supreme worlds with strokes and silhouettes conquering...true dream, confused hypothetical oscillate sweeping imploring and contracting popular decision, management and space of my Sickle…, sometimes uncontained… worse avenues in its radius and dark mourning badly wounded shadow! The vertex that finally launches opens the dawn and his Hamada flees... Leaving with the untidy serpent, about touching and causing rangers in the stuck earth.

Demeter and Persephone; based on Eleusis in ancient Greece
mystery myth of the abduction of Persephone daughter of Demeter…
by the king of the underworld of Hades, Abrahamanica's offspring
cabal, life in the descent, the search and the ascent…
Ascent of Indra lightning Vahana and lightning from her right eye,
Persephone to the reunion with her beloved daughter ascending.

Zodiac and mysteries involved, visions and sleight of hand
that of an afterlife, rain of seven trunks, long-lived Airavata
elephant, Eleusis jump psychedelic mystery, incision, and coherent rites, ceremonies and experiences of cold winters and life on earth
plants in gestation under the gift of Elitíaen and beings that
they are about to germinate and be born, beings in a chain of genes...
vegetable running on the earth, vegetable in March in its glory
September in the jaws of the purified phrase and inaccurate acropolis I…

Sacred obscenities, deadly tributes with the death penalty...,
wandering nights without clothes with obese and badly fragrant meats point and taco dances praising the harvest in honor of a dead Thracian bull, libating priestly vessels and bullfighting heads in a deliberately defined and improper triweekly ritual, revealed in Demeter and Persephone.

Only Hamor in his venerable pyx lies locked up knowing he is unable to open inside this lustful bewitching sparkles, the mystery of emancipated disenchantment that awakens from his slow consciousness without knowing how to go on passing in the sum of all happenings of Aiónius. ”

This is how he defined himself from the syncretism of Indra and the mystery of Eleusis, from Demeter and his daughter Persephone from the vile kidnapped underworld. Of the divine Goddess Elitia and the annual records of children born within a year in the germinating seed of the mystery of love that would begin with this prophecy with the initial "H" of the underworld exclaimed Hades and Greek heritage in this event. Vernarth and his companions listened to this prophecy, almost falling asleep, it seemed to them sweet pallor-bitter, love-heartbreak in the previous day before diagnosing having a presence in the hermitage of San Juan Apóstol for the superior company of a later day that was approaching as the greatest daring of all up in the mountains while disposing of Vernarth's Apologist obverse of Aiónius's.

Epilogue Prophecies - “Eleusis, Isadora Duncan to the Parthenon”

“Vernarth and Eurydice indulged in the jargon of agitated diasporas
of inhabitants fleeing the Rite of Eleusis, crossed hands and feet
They dueled on olive trunks with Theban thunder, vague Insurrection of the ancient world, and consonants of barbarian Pleiades,
acclaiming predilection of the Eremita San Juan to appear...
in a breath of peace resurfacing... but seeing that Vernarth was accompanied of Eurydice hid in front of them leaving only her aura near from the stream of a chrysalis!
In the dizzying succession of myths, good news reaches her sacred ears, waking up her trend and her high quarterly price outside the walls... being later received in the grotto of the hermitage in growing expectation and a link of longing that weaves to remind him of being a crusade piece.

The kidnapping of his reverie feared and timid frivolous crushing blizzard, he was walking surrounded by Falangists on horseback pointing at him and threatening him, scrutinizing in the distance loneliness of his past lives,
his regressive life, concerning key to origins of his illustrative Existence, stranded at this moment..., Vernarth makes a pact with himself to detach himself..., of his spirit, detach from their lives under a hypnotic and compelling law..., like a suspended index in the Sistine Chapel, homologous ship Ave Maria Messiah!

From Eleusis Vernarth vanished in aerial horse-dreaming,
he crossed through the pavilions with himself persevering some wake
riding his Alikantus ******* and standing with him to pillage the Empyrium niche Persephone's trace of herself and her ******* ******* them...
with devoted passion, milky way, and milky syrup chin howling...
Vanishing dancer, Athenian acropolis, Dionysian sanctuary of the acropolis… Stepdaughter-patron in the dance of Zeus and Themis lopsided frame of the season's wildness of all creation and defiance of Eleusis looking for her daughter and her children, priestesses safely taking off their corset and their pictures…
raging chastity, oligo blood, Itheoi music, outraged dance complaining, Possessed expressing being seductive but also a native *******... the underworld in darkness, free daughter, and iconoclastic Greek mythologist
inconvenient Victorian mania, a courtesan from Olympus, courtesan undressed! Isadora, Demeter, and Persephone… flooded with Aphrodite foam!

She “prayed songs with plexus and feet, plotting gardens around the world… full of baseboard feet where everything created in brief Apokálypsis was dying! By desolate Parthenons dancing in Muscovite ruins, maenades sweaty enclave and also throwing back his head as if possessed by ecstasy in her Bugatti and Leonidas…, enchanted by Aiónius! intoxicated and exorbitant with beautiful rosy placebo eyes... Hair with headbands vine petioles, her Nebris tight skin was wearing... in her hand's bunches of barberries to Dionysus with torches and live snakes a chaste crook naming Thirsus; rod topped with Kashmar branches wrapped in borders, vines and ivy, allusive link…, morbid ecosystem! covering her crotch in the Temple of her Kopanos dancing from the eternal fire cremated and in a romantic dimension remembering Byron's meritorious…
Hellenic passionate, and of Hölderlin poeticizing together with Aiónius.

Rudiment wound … ruinous on value exciting in those
of the imagined and creative in her perdition, Sicalipsis e impudicias
torn fire in the Metelmi and her ***** we are twisted,
epic worthy of greek tragedy dancing like waves of fire
in the forge in terrifying death of her children Deirdre and Patrick,
submerged and injured in the Seine in Paris in 1913, falling into the
water in the car that was traveling with her wet nurse… before…!
saying goodbye to them in urgent social commitments,
I Aiónius take you to the Empyrium.

What a dire tribulation in the prevailing misfortunes by not postponing it, retain the fate of whose children is quite a story with the kidnapping of theirs and merits of fulfilling commitments committed to solicitous artists... support, crestfallen inside a dresser or Bolshoi dancing statue, dancing empty with bare feet, frigid anemone, frigid Sea…

Arriving at the dawn of her last prophecy, Isadora Duncan accompanies her in full life beyond all limiting borders with the borders of her dance, the flat field of Eleusis receives her presumptuously associating in around for the dressings...
And left-handed dalliance self-indulging…, advanced barefoot to the Parthenon…!naked towards the world and the orb dug out of her before her undressed.

Reader and Petrobus jumped on this steep stone, emulating the meteorites that shone in the sky of Patmos such a party of nocturnal lights, such emery detached from a fleeting planet in the largest Hellenic scene saying: "Well-being to the Hellenic World all calm, dance and immunity to the firmament where Isidora rests in the Kantabroi of Aionius”

The lantern sways, as shadows flash,
Mists draped in night so still;
Illuminating fleshless arms,
Creep-out along this hill.
Such guardians of soul-less mounds,
Wooden markers of the poor,
Bow in hallowed reverence
As sentries evermore.

Weeping, yet un-frightened,
She trips between each aisle;
Casting light against each stone,
Acknowledge each beguiled.
Then memory finds her grasping,
And clenching cold, damp stone
Denoting ‘neath a vacant plot,
For he never did come home.

‘Pon scattered grass and gravelly dirt;
Drops to reverent knee,
While fanning simple pleats about,
Her dress, in modesty.
She twists the **** and raises wick;
And it curls with cloak of flame.
She whets her lips, inhaling deep,
Then summons ‘pon his name:

“Bartholomew,  Bartholomew,
Can you see that I ‘ave come?
Are you near, me sweetest husband?
‘Tis I, your Mary Dunn!
I had me thoughts to come t’night,
To ‘ave a word with you,
That’s pressin’ on me heart so fierce,
Ya’ ‘round Bartholomew?
Aye, that’d be just like ye some,
To wait fer me confess;
A’twisten’ in me awkward words,
No salve fer me distress!
Yet I—I need t’hear yer voice
An’ calmin’ words to heal,
The anxious quiver, here, inside,
A’longin’ to reveal.”

The widow paused, collecting will,
And questioned own intent;
To cast a net to spirit’s world,
To herald self- repent.
She wrings her fingers nervously,
While waiting ‘pon the dead;
When suddenly a breeze did rise,
Then a hand upon her head.

“Mary Dunn, me Mary Dunn,
‘Ave not better things to do;
Than wander ‘bout such crypts at night,
A’hovered by the moon?
What keeps y’here in dank an cold,
So callin’ out fer me?
Ye know fer fact I’m dead by now,
An rottin’ in the sea!”

“It’s good to see ya’ too, my love;
Better then, to hear;
That death din’t take away that tongue,
Or how ye prone t’snear.
I ‘spected that I’d smell ya’ first,
That rancid scent of whale;
Yer eyes were once quite darker,
Yer skin not quite so pale”.

The spirit corpse then spun about,
Examined high and low,
The fiery bride he’d left behind,
With heart so still aglow.
Warmed by her excited eyes,
And cheeks so pink with life;
He felt a distance aching,
Longing for this wife.

“Ye got a bit of lonely, Mary,
That why ye come tonight;
‘Spectin’ glimpse ‘ov me, like this
‘Wud turn ya’ heart to right?
Sensible is how ye was,
Yet be scurryin’ to find,
Such wisdom in yer harkin’,
To terms ye felt unkind.”

“Stop with ya’!  Stop with ya’!
Ya’ stubborn, briney goat!
T’wasn’t me who boarded ship
An’ failed to keep afloat!
Aye, the heaven hasn’t tempered,
The iron in yer will.
Judge me not Bartholomew,
One, amongst the krill!”

The bearded ghost then chuckled,
‘Til tears came to his eyes.
Proud he was to have such time,
To spend with feisty bride.
He then retreats in silence,
As he gleans from her distress,
That she torments with a secret,
To him, she must confess.

“"Bartholomew, me love,"
she embarks to make her plea,
"Ye left me young an' fruitful still,
yet no child ‘pon me knee.
I'm not as sturdy as y'think,
An' tremble at the thought;
deprived I am of husbandry,
my womb be saved fer naught."
Without ye then, I’ll ‘ave no spring,
No child to remind,
Of splendid days, brighter sun,
Me husband now divine.
I’m askin’ yer forgiveness,
And yer permit to pursue,
The kindly callers come to me,
In absence then, of you.”

“Yer speakin’ of the cooper, Tim,
Or Drew, the smithies’ hand?
Aye, better off with men who keep,
Their feet upon the land!
But Tim, I’m sadly knowin’ that,
His time is comin’ due;
An’ if a child be yer design,
There ‘ain’t no seeds in Drew.
I’ll not be one to keep ya’,
To an empty marriage bed.
Lord knows ye d’serve a finer life,
Than keepin’ with the dead.
But ev’rythin’ that’s in me,
Needs ye hurt no more.
Death ‘as grant me favored eyes,
I ‘adn’t known before.
I’ll come ‘ere, e’vry night,
An’ visit, yer desire.
Honest, I will always be,
Tendin’ yer require.
Love ‘been mine for days of flesh,
Then, for eternity.
Go then now, me Mary Dunn,
An’ make a life for thee.”

With courage she did leave that night,
With freedom then realized,
To pair with then, another mate,
Forsaking former ties.
Yet, on the night that followed,
And for thousands after, too,
She chose the comp’ny of the ghost,
Her lost Bartholomew.

Each night she braved nature’s serve,
Through rain, or cold, or sleet;
Imbibing ‘pon such moment’s time,
To feed on love so sweet.
Each minute spent, Bartholomew,
Rejoiced in hardships, laughter;
And only God and Time will know,
Such treasures in hereafter.

One night, amidst November freeze,
Mary staggered there,
Among the stones akin to home,
With her husband shared;
Lungs revolting, gurgling swell,
Mouth of staining red;
Contrasting earthly suffering,
Found solace ‘mongst the dead.
Fevered to delirium,
Wet, silver-tainted hair,
She settles ‘side familiar post
And finds him waiting there.
Struggles so to form a breath,
In hopes that she may speak,
Surrendering the day’s accounts;
But fears she is too weak.

“Aye, ‘tis time, me Mary Dunn,
A’time that ye come home.
Beyond this night, forevermore,
Y’ll nev’r be alone.
I wish that I could reach ya’ now,
An pull ya’ ‘cross the veil
That’s kept us ‘part these many years,
In spite of what’s prevailed.”

“So ‘lighten me, me whaler man,”
She coughed a pale reply.
“Why’d ya’ choose to lie to me,
To keep me as yo’r bride?
The cooper, he outlived us both,
Eight children sprung from Drew;
Ye lied to me for all these years,
What say, Bartholomew?”

“I feared me own accord, me lass,
From terms set forth above;
Ye cannot cross to waitin’ arms,
Unless ye go with love.
An’ I, but one love known to life,
This chance then rest with you
To be me escort to the Lord,
This, I say is true.
Should ye have taken ‘nother man,
I feared that ye’d be his;
An’ ye’d be taken up with him,
While I’d be left like this;
A-hoverin’ in between such space,
An’ time, by lonesome self;
While pinin’ for me heart of life,
Me Mary, ‘n no one else.”

“Aye, such flat’ry from  des’prate ghost;
It was my life ye know;
I seen ya’ for deceiver,
So many years ago.
But I choose’d to keep me vows to you,
‘Til heaven takes me in;
An’ if I granted sim’lar choice,
I’d choose the same a’gin’.

I’m dying love, I feel it now,
Me spirit needs to leave;
This body sez it’s had enough,
Me time is done, indeed.”
“Lay down, me lass, breath peace,
Lay down ‘n be there, still;
Our fate, as love, ‘pears destiny,
As both our lungs were filled.”

Mary Dunn surrendered then,
To callings of her spirit;
With forever longing arms of his,
She had no cause to fear it.
United once again, at last,
Of faith and love of few,
She crossed into Eternity,
With her love, Bartholomew!

869

Because the Bee may blameless hum
For Thee a Bee do I become
List even unto Me.

Because the Flowers unafraid
May lift a look on thine, a Maid
Alway a Flower would be.

Nor Robins, Robins need not hide
When Thou upon their Crypts intrude
So Wings bestow on Me
Or Petals, or a Dower of Buzz
That Bee to ride, or Flower of Furze
I that way worship Thee.

Marielle indicates: “Your luminosity, Copernicus vibrating in Giordano Bruno, expresses hypotheses that they revive to Quentinnais from the third hour, from here now I am hospitalized and without light to line the end where I will put my feet evasive. Raymond Bragasse is here where I met him, and I saw him with his holy rosary on his necklace, and on Andrés Panguiette's claw. That you grumble, they excommunicate my sentences, which are that of the rooster that becomes gentle in a Corso, Sardinian or Roman Praetorian, in the leap I relegate to San Gabriel, with its magical art that excites the retentiveness of Saint George. Under what science do they moderate me by joining you, or what century will intuit us with its own splendor, whose obscurantism under his revolution mutes anyone in the darkness of the cave of Dionysius. The divinity postpones itself, to leave its daily chores where souls fly daily ..., they do not stop leaving with their spoils after the fairies that fly to purgatory. But many have passed over me, and I was wondering where to find you, I never thought that I should fly over a swarm of wasps to reach your divine lair, full of regulatory darkness for those who live against the light, and of an Elizabethan garment that dismisses my ring, where Its natural original magic is isolated from our semi-alive body, with brittle Egyptian suns that redoubled where I had to wait for you at the Pentecost bench. What retarding essence dries up who does not show any vital or symbolic avital sign, where the rough cyclicality does not allow me to chastise my hair in any vanity for you. Oh that Moral spellings referring to my commendation, if it is not apostasy! What else would I dare to speak, through the sky flying away from the lunar books of Vivencia, where it is sent from its orbit towards the cosmos free of all and of all with Wonthelimar free of me, confined of Marielle. I know that I am analogous **** of the Libri Dei Viventi, perhaps sackcloths or coats have to be spun in Parnassus, to gird myself to myself, and not Marielle cloistered in her solitude, who does not receive the Vivendi torpor of her paradisiac sacrilege when seducing a supposed daughter of Hecate, fortunately, I have to guess with a swarm, and stay in the nets of your cave. With the stanza that is invested in rhetorical values, I go crazy for love to which I am conjured, but from Marielle now or in hundreds of years that pester on my sackcloth, which will never be used for the liturgy with you, if I revive in the crisis of resurrection in the arms of Saint George in the stained glass window in Avignon, and in his forearm that passes through the worst emotional crypts of my author.

As I have to contest hostile votes that are netted in the puritanism of those who only wear sackcloth in the unstitched Mausoleums of Quentinnais, and in the strident leaves that move elected in his advent, where the subclavian of Luzbel stands. Unanimous I have to dare by asininity ...! Moderating threads of horror and silver light, which revives us in the beasts and in their perches, ad libitum in the lattices where it emerges from the conspiracy of our tragedy. Oh, what an impetuous incarnation of the anti-Christian verb has to express itself in your incarnations of light and restless shadow, in the apse of the discanted in Avignon, and in the acroteria shadow, suffering from cowardice by not wanting to see me angelic, universal predisposition, just to know fit and what to say with your soul lineage and twin life, who only knows how to love you. Our reincarnations are rescued, now that we go to Patmos intimidated, in the sound of shining the veiled Vernarth, reprimanded in his acquiescent morality under his own law and his glasses, born from his rib that ends in the exception of a foul dialogue. It is premature for me to say what I do not have to write, but the particles slowly fall through the beam of their adjective essences, reshaping exterminated historiographies that want to make green, in colloquia that draw the eyes of whoever wants to blind the profane cult, absorbed in sallow particles in four sciences and elements… What unresolved probe and mass can strike your heart poured into you Wonthelimar? You know when we get to Profitis I will go holding your hand in the morning, to adore you and kneel down, we will deal with why we lost ourselves, and why the sun has not stained me with so much fury, carrying me burned in tongues of its consumptive and guttural infinity. After taking the hand of dawn, I will sue the impossible quagmire and its Áullos Kósmos, weakened by theoretical openness, lacking unity, but not far from my vanistory, nor from the sessile fluff of my hair, waiting for you with your stormy return to hold me. Ayia Lavra will declare war on the eighth cemetery of Messolonghi, with solidity and sanctity that frees my chains in a single trident, paling in the rust of it, methodological treatise, and where the determination of veracity is annihilated.

Because I have to go to heaven when I want to offer myself to you, without any century that has received me with fewer wounds than those I had yesterday in its indolent septicemia, with miracles and incense burners that burn in imprecate, and provide a pagan theology of human filth. , not portraying biblical when your plurality dressed as a secular thirteenth, by referrals or Greco-Gallic that arise from the love that has no end or beginning in the autonomy of an incorruptible being, and even less when you wear sweets in its lavender lex. Genius Loci, or amplified reality, rather your idea of sticking with me when I have not been, and of attracting me when the future in the portal is made in the perfect symmetry of him, or whoever looms excited in his cabal. The body is no longer inscrutable, overworking with poetry to constrict my torn voice, running at great speed to seize the cosmetic that paints our faces, Selene and her luster aggravate punctuality and the status of science in creation. I have read volume VIII, and I saw that tears flowed by where I never thought ... !, for exchanges that marginalize an established authority, nor with more childish will I undone the garments of his self-description. Mime or jester in front of me in my catalog of the tragic actress with the anemic volume of her, pointing out uprisings in new waves, on seas that did not have them ..., loaded in new skeptical allegorical clouds, on truths that were already understood in the jealous name. It is incumbent on us to navigate with lamps that have to guide us through dark Ptolemaic hexahedra or henbane crusts, which do not manage to go over the sentry boxes of a divine gesture. How to dare to a final gesture of inflaming with you in factions and premises beyond an apocalypse, or of a Penelope that is gestated in a god, or becomes unknowable of a prevailing divine plan.

Charged with our dissidence, we will go far from the unknown burdens, that scripts are annexed in the new birth of our fiefdom and in their great expectation. Now four elytra have been born on my back, who hope to reveal to you the categories of the deleterious vanquished, reduced to only two Ptolemic emetics ..., you and I in a final judgment, which we already know well about, about the seventh eras that await us in the Southern Sporades, and in his final judgment in the eighth. O Jerusalem, I deprive my oldest sin by conceiving, but rather by confessing it with you. What insurgent dualism will make me get rid of myself and be reborn indestructible in its dizzying relish where the multi-chained temptation of redemption runs towards you? Wonthelimar…, I'm here, in this thunder slip writing for you. I have distanced my head united to yours so that it is not destroyed, for all thoughts, where although you are my diluted kingdom, I will beg You to leave me in the growing vertical anticipated flight from my body, but later in my consciousness which is what which will pre-exist with his Roman staff intertwining with his lusters, and in the syntagmas of Vernarth, which come from the Sporades of Patmos. As I honor and glorify Him in the southern part of him, my dear sackcloth has warmed away from my myopic eyes, already feeling your face breath on me, I will be able to vindicate narrated stories after we part before God!

With voice that could inspire the angels of hell,
    To rise up, take arms against the Devil and rebel,
    You sing to Heaven of Love's luscious truth,
    Consists in it a kind of Beauty rare forsooth,
    A song to make all heart's swoon, take flight,
    Banishing demons of the night,
    Thou art the sublime friend, risen from eternity's fires,
    Inspires feelings suffice to be sung to lyres,
    Thine destiny to be immortalized in words sublime,
    That vanquish hell and transcend time.

    O cherished friend, beget thy sweetest sound,
    That doth ring along the Earth, up and around,
    Gift me with your precious Peace,
    Your perfect care, your clamouring Love increase,
    Blithe spirit indeed, coy mockingbird,
    Who does true justice to the word,
    Where God sings instead of does the verbs,
    I knew in my Heart I was one of your herd,
    Cubs of God, afoot on paws of passion,
    Love an exquisite chemical reaction.

    Borne aloft on divinest wings,
    Troubador inspires mind to flight, to sing,
    Searching fathoms of Love, the depths of soul,
    To unite the Heart with one and all,
    Fierce the luscious hues and hot,
    The passion which through my mind crept,
    For Truth of your words I could have wept,
    Deciphering mysteries of our Heart's crypts,
    Knowledge true on which spirit roves,
    Your song frolics in Love's treasure troves.

    Keep the flame alive my friend,
    Make my spirit whole once again,
    Next to thine truths illusion pales,
    Thine words doth scale all Heaven's vales,
    Fluttering like a ribbon on the breeze,
    Blowing through the wind and trees,
    Touching ears and minds and hearts,
    Gifts with light of love which imparts,
    Truth sufficient to be sung to lyres,
    From that great Knight that rose from Heaven's fires.

He walks, traverses Love's line for miles,
To save the Heart from wicked wiles,
That deceive the soul and self of worth,
But Love will be found even in Love's dearth,
Warming our Hearts the breadth of their girth,
Shielding us in warm spirit's sheath,
Dreaming, rocking, to and fro on passion's heath,
His words put Hearts in exquisite health,
Heartbeams go in every word,
Praying sublime to the lovely Lord.

In vain the tyrants suppress his song,
That raises voice above the evil throng,
For all hearts are drunk on his music,
Learning from his passion's rubric,
A Guru who made Love his melody,
To heal our sore and tender malady,
Applying salve to sullied spirit,
With wanton word and wanton wit,
Love grows wings, in every line,
Show me how to make your heart mine

Be forever laughing, living,
Friendly, florid and forgiving,
Let your truth in Hearts gestate,
For it let us be elate,
Towards the light of Lover's sun,
Through which the cosmic fires run,
You take us on wings of blazing fire,
Burnished with colours of desire,
What the mind dare grasp the bolt,
Of Zeus, through which our Heart's shot.

Allow me some time to play with your mind.
For your feeble thoughts have kept you blind.
Look into my thoughts of morbid mental vane.
I am entering your soul now, you feeling empty pain.
The deepest crypts within your dreams
swallow up your wretched heart,
and drown its pulsing gleam.
Then, when your twisted heart
so venomously does subside...
the poisoned blood runs cold,
as evil takes over pride.
I leave your tortured mind with great disgust.
For evil has consumed you.
Your fate I mustn't lust.

© Crystal Eriskson

It's Sunday again for you cloistered patricians
aloof from the madness, the magic and myth;
who trust in your wisdom, investments, physicians
unready to answer forthwith:

"Why bother with worship—in church or the zoo—
why weaken the links with a dull set of tools ?"
you ask yourself over your high-end Tarrazu,
bemused at the fables of fools.

You've bartered salvation for New York Times articles,
sipping on bitterness (shade-grown organic).
You settle for molecules, atoms and particles
unfairly-traded, satanic—

while you celebrate emptiness, general futility
musing on nothingness, sure of specifics
ensconced in your kitchen of pampered gentility
flirting with atheist physics.

Those simple plebeians:  you'd love to enlighten them
help them, like you, to become a free-thinker
but you remain tasteful, for boldness might frighten them
reeling in fairy tales: hook, line and sinker.

Yet somebody, somewhere has uttered your sentence
(though you abhor judgement, let's read it again).
Sheba and Nineveh, versed in repentance
await you—not whether but when.

The darkness is brewing unholy filtration;
the wine of the harlot approaches the rim;
your guilt is augmenting in slow percolation;
you shrug it all off on a whim.

The souls of Assyria rise from your paper
they watch in amazement, prepare your abyss.
Your coffee now brims a more sulfurous vapor;
oh sinner—there's something amiss:

The crypts of Marib and the tombs of the Axumites
shudder and groan while you're reading the Times...
(immune to the words that some Christarded  poet writes
mixing psychosis with rhymes.)

Royal Sheba will chastise your erudite unbelief,
smug self-importance and cynical squawk.
Then she'll sigh with immense Ethiopian grief
and her Highness Queen Bilqis will talk.

It is Sunday in Babylon.  What if your sunlight ends...
why are there mobs in the streets of the nation?
Shall you have breakfast—or calculate dividends...
what would you pay for salvation?

Write a scary poem about Halloween?
Weirdest ode you've ever seen!!!
What is seen at Halloween?
Bloodsucking Salem zombies,
TV addict Abercrombies,
Spiders and maggots in their hair,
Crypts in the garbage tip over there,
Witches floating round my room
Fit right in here as they zoooooom............
Yes, my other car's a broom!!!!!!

I

Oft have I seen at some cathedral door
  A laborer, pausing in the dust and heat,
  Lay down his burden, and with reverent feet
  Enter, and cross himself, and on the floor
Kneel to repeat his paternoster o’er;
  Far off the noises of the world retreat;
  The loud vociferations of the street
  Become an undistinguishable roar.
So, as I enter here from day to day,
  And leave my burden at this minster gate,
  Kneeling in prayer, and not ashamed to pray,
The tumult of the time disconsolate
  To inarticulate murmurs dies away,
  While the eternal ages watch and wait.

II

How strange the sculptures that adorn these towers!
  This crowd of statues, in whose folded sleeves
  Birds build their nests; while canopied with leaves
  Parvis and portal bloom like trellised bowers,
And the vast minster seems a cross of flowers!
  But fiends and dragons on the gargoyled eaves
  Watch the dead Christ between the living thieves,
  And, underneath, the traitor Judas lowers!
Ah! from what agonies of heart and brain,
  What exultations trampling on despair,
  What tenderness, what tears, what hate of wrong,
What passionate outcry of a soul in pain,
  Uprose this poem of the earth and air,
  This mediæval miracle of song!

III

I enter, and I see thee in the gloom
  Of the long aisles, O poet saturnine!
  And strive to make my steps keep pace with thine.
  The air is filled with some unknown perfume;
The congregation of the dead make room
  For thee to pass; the votive tapers shine;
  Like rooks that haunt Ravenna’s groves of pine
  The hovering echoes fly from tomb to tomb.
From the confessionals I hear arise
  Rehearsals of forgotten tragedies,
  And lamentations from the crypts below;
And then a voice celestial that begins
  With the pathetic words, “Although your sins
  As scarlet be,” and ends with “as the snow.”

IV

With snow-white veil and garments as of flame,
  She stands before thee, who so long ago
  Filled thy young heart with passion and the woe
  From which thy song and all its splendors came;
And while with stern rebuke she speaks thy name,
  The ice about thy heart melts as the snow
  On mountain heights, and in swift overflow
  Comes gushing from thy lips in sobs of shame.
Thou makest full confession; and a gleam,
  As of the dawn on some dark forest cast,
  Seems on thy lifted forehead to increase;
Lethe and Eunoë—the remembered dream
  And the forgotten sorrow—bring at last
  That perfect pardon which is perfect peace.

V

I lift mine eyes, and all the windows blaze
  With forms of Saints and holy men who died,
  Here martyred and hereafter glorified;
  And the great Rose upon its leaves displays
Christ’s Triumph, and the angelic roundelays,
  With splendor upon splendor multiplied;
  And Beatrice again at Dante’s side
  No more rebukes, but smiles her words of praise.
And then the ***** sounds, and unseen choirs
  Sing the old Latin hymns of peace and love
  And benedictions of the Holy Ghost;
And the melodious bells among the spires
  O’er all the house-tops and through heaven above
  Proclaim the elevation of the Host!

VI

O star of morning and of liberty!
  O bringer of the light, whose splendor shines
  Above the darkness of the Apennines,
  Forerunner of the day that is to be!
The voices of the city and the sea,
  The voices of the mountains and the pines,
  Repeat thy song, till the familiar lines
  Are footpaths for the thought of Italy!
Thy fame is blown abroad from all the heights,
  Through all the nations, and a sound is heard,
  As of a mighty wind, and men devout,
Strangers of Rome, and the new proselytes,
  In their own language hear thy wondrous word,
  And many are amazed and many doubt.

By the time he got out of the front door the morning sun had fully risen. Surrounding it lay a sea of blue sky, light coloured and peppered here and there with trails of white left from distant airplanes. The birds sang in the trees, all in harmony, and a light breeze whispered, left over from the night before.

As he jumped into his car, a dusty red little Citroën, he realised that in his rushed efforts to get ready he'd put his shoes on the wrong feet. A little while ago he'd seen a documentary based on people with abnormal deformities, and there had been an American 30-something year old with two right feet. Right now, looking at his shoes, he looked a little like him; all he needed now was a group of cameras and a well-spoken, polished presenter pretending to care but really just thinking about the paycheck at the end of night. He figured all TV presenters were pretentious, fixated on climbing up the great showbiz ladder rather than helping those in need.

He grabbed them off, scuffed black business shoes to match his tattered jeans and faded blue shirt, and swapped them over. Once both shoes were on correct, he lit up a smoke and set off down the road.

Ahead of him was Lancaster Road, a sprawling stretch of asphalt tarmac that served as the primary mode of navigation through Manchester. If you were to turn left it would take you all the way into the main city, and also a stodge of backed-up traffic, and, if you chose right, to the quiet town of Penitence which was where his works was based. Going right would technically be quicker, as the road to the left led to a series of zig zag-like curves where the road layout had been forced to compensate for the huge cliff several miles to the north. That being said, Will almost always chose left, as the dual carriageway that branched off Lancaster Road was always jammed up with traffic, comprising mainly of angry motorists and haulage lorries driving in from the east. Choosing right would easily add three quarters of an hour onto his journey, and quite frankly he'd rather stare at a wall than be surrounded by blaspheming mouths and ugly red faces.

This time however he went right, joining the steady stream of cars that were already beginning to slow down. There was no apparent reason for this, for over 4 years he must have consistently turned left every morning, but today his mind had thrown a curveball - albeit a stupid one. Already running late, it had chosen to go on the longest route possible.

Good work there mate, brilliant.


50mph - 45mph - 40mph

The speedometer slowly crept down, the shudder of the lower gears gradually increasing. Clouds had now gathered in the sky, not quite bloated nor dark enough to threaten rain but it was enough to dull the sunshine into a pale, white, glow. He was now going slow enough to see the bits of clutter and ******* - discarded newspapers, cans, broken bottles - littering the pavement. Then it suddenly gave way to a rudimentary dirt road and steel crash barriers as he approached the dual carriageway.

35mph - 30mph - 25mph

Sighing, he fumbled for the radio and flicked it on, momentarily averting his gaze from the road to the numbered buttons, tuning for a station.

--- Ssssshhhh ---

Nothing but static.

**** radio! If only I could -

When he glanced up his heart nearly stopped - directly ahead of him, on the highway, stood a man. He stood with his back toward Wills car, shoulders slumped, stock still.

What-?!

Will froze as the car lurched on, the distance between the bonnet and the mans body rapidly closing. No thought came into his brain, his legs distant from his body as if untethered.

Nothing but numbness.

The future series of events played like a stop motion video inside his mind; finding the brakes and jamming them down - only too little, too late. The old man would first lean as the bumper pressed into his lower back, then snap sickeningly in half, the momentum of the car causing his body to jackhammer up the bonnet and roll over the back of the car. There he would fall once again onto the road, spine splintered and blood soaking through his shirt into a puddle on the tarmac.

STOP! Will stop the **** car!!!

He smashed the brakes down and closed his eyes.

Although the first thing taught in driving lessons is to never close your eyes, particularly during an emergency stop, the overwhelming panic threw his nerves into a spasm, and in that split second everything he was told - brake hard, clutch down, don't let the car stall - was forgotten in an instant. He knew what he should do, knew that if the wheels were even slightly turned he could cause the car to skid, or worse, flip.

Brake down, clutch down, engine off, a mantra his instructor had once sang on one of his first lessons. Will had a feeling that if Ruth Carotene could see him, see this, now she'd have some sort of coronary, or maybe an aneurysm. She'd always been set in her ways of teaching, starting each lesson going through her seemingly endless list of checkpoints, and this right here smashed every single rule she'd taught him.
Break, clutch, engine off -
Eyes, open your eyes
He did, the windscreen before him doubling for a second. His heart was pounding away, nervous sweat lining his forehead and arms. The car had stopped, and in his dumb paralysis he hadn't the faintest idea how much it had skid. Safe to say it hadn't flipped over though, unless he was upside down and didn't realise it.
Nope, the sky is still above me, he observed, and it was then he also saw the fat bald-headed guy rapping his hands against the drivers side window. The world washed back slowly, the sun white and the air filled wit beeps and the Ssssshhhhhh static of the radio. He lowered the window, allowing the honking horns to fully enter and consume the inside of the car.
"What the hell are you playing at? I nearly ran into the back of you!" the bald guy barked at him, his pudgy face both pale and angry. Will glanced in the rear view mirror and saw about a dozen or so more cars behind him, scowling faces and gesturing hands sending out messages far from morning greetings or amicable hello's.
"Sorry... There was someone in the road," he croaked, pointing to the blank space in front. Empty, nothing there.
Can't be, he was right there! Stood right there! For a second he thought the figure had been an apparition, or maybe hadn't been there all along, merely a figment of his tired mind. That's when his gaze shifted to the opposite side of the road and the mis-shapen entity clambering over the crash barrier. Whoever it was, they had crossed the road while Will had been in his daze, and it was now he could fully see it in it's ghastly glory.
"I must be ****** blind 'cause to me there ain't nobody there -"
Grotesque was the only word he could think of to describe it. Under the pallid glow of the sun its skin glistened sick-white, partially covered by a tattered grey t-shirt that billowed in the wind like torn flags. It wore shorts, also grey, it's long stick-like legs poking out like splintered tooth picks. And it's face, oh God that face. He only caught a vague view as it glanced over its shoulder, but what he saw reminded him of the ghouls that would creep out of the crypts, the nightmarish beings that stalked late night TV shows such as the Twilight Zone seeking fresh flesh to feast on. But it was human alright - it's normal, albeit disintegrating, clothing the only sign of its former non-twisted self.
Oh God -
"Hey, are you even listening? There ain't no one there *******!"
Will faced the guy, now stood so close his flabby face nearly poked through the window, and then back to the crash barrier. The fiend was gone, much to his relief.
"Sorry it must have been a bird or something, I'm really really sorry mate I thought it was a man, or a kid."
"Yeah yeah whatever, just get going and get out of my way." With that he stormed off, only stopping briefly to exchange disapproving looks with the car behind him. He drove a black sports-like car, probably a Vauxhall, and Will briefly wondered how such a small car could carry an overweight ******* like that.
*******, he muttered to himself as he restarted the engine. Turns out he'd let the car stall as well.
Back to school I guess, what would dear old Ruth say?
Setting off was easy, the fat guy overtook him almost instantly, slamming his horn as he went, but looking over to where the misfit had been was not. He wanted to look, to check in case it hadn't really gone away and was instead lurking, contorting it's swollen lips into a grin.
Grinning at him.
"Gooood evening listeners, this is RADIO XFM!"
Halfway down the radio finally clicked on, interrupting his line of thought - quite mercifully, if he was being honest. The sight of that thing not only made him feel uneasy, but he also couldn't shake off the feeling of foreboding as well. Like it was some sort of warning, a sign.
Of what?
[smashing glass smashing]
He didn't know, didn't dare to think, and as he cantered down the carriageway in the steady stream of traffic he sat silently, the radio singing out its tunes like an uninvited guest. It was an oldie that was on, maybe Boston or Bowie, he wasn't sure, but as it played on he sat in silence, the shadows in the car cutting harsh lines into his face.

On Halloween the sky was scarred
The full moon peered, a piercing shard,
Behind a hole, the eye of night,
Above the smell of death and fright,
Along a bone laced boulevard.


As corpses crept from crypts unbarred,
The flames, they crawled, with pale regard,
On roasting rot – a sanguine sight...
On Halloween.


The bones, they blanched within the yard,
Again to have their evening marred
By ghouls and fiends who rip and bite
With claws and fangs which drip delight
While gorging flesh, so slightly charred...
On Halloween.

;-)

Bleak the rays shattered through broken panes
life, dust, dust,  future and smoke
automobiles and gunshots solitary this hour
when screams rend the air, not my turn today -
no, not as yet. Mother, I want to rest my head
in your lap. Can I weep?

Cactus in my soul, I ask, Can I, all that I am?
Lust is the death of man. Gouge your eye that lusts.
Broken void of my afterdays, that mourn
like the wind on the dunes

         Mother, I am well. There is love, there is hope, light
         hidden like nuggets in piles of the dark.
         Mother, I must be well.

It was the other night. Nightmare in loop.
Shamed, stripped beaten violated.
I am in a well, deep pit, drained
of all the essence of light
I can hear your voice echoing with the ray
shattered tumbling down the walls

free, free I am the wind mourning in the dunes
can you tame the wind?

        In the depths, and in the deaths islanding life
        mirage of oases, Mother, I have found him,
        my Senor, to whom I give my ring

Violate me, visage of the abyss,
burn me, but can you find me?
beat me, chain me, but can you enslave me?
I am not here in these nerves and veins.
I am all of Augusta, America,
I fly in the Masts above the skies

Sweet Lord, I see you have deemed heaven
for me, no purgatory but here.
I accept, I surrender, I submit. To thy will.

            Mother, do not negotiate. I am strong.

Where in my naked body have you found me?
here, in these bruises, have your embers soothed?
I am the Lamb that does not cower.
I haunt your soul as guilt.
In what little's left of it.

He finds you in the catacombs where
I haunt the crypts that no vicar penetrates.
When all is lost, when death is certain at the sea,
there opens a way and I will walk out

           Mother, I am coming. Have faith, for faith maketh.
           I hold you here in my *****, smouldering pain,
           that gets me to wake every haunting day.
           Every day that brings the sound of darkness home.

*I fly in the Masts above the skies.
Tame me, I am the wind breaking the dunes.
Ilohi, lema sebachtani sebachtani

Psychopathic shells,
Of lost and dismembered souls,
Crawling from the crypts,
Of graffiti filled walls,
Carved by long since disappeared ghosts,
Of yesterdays expectations and never-ending tomorrows,
Flashes of broken teeth emerge from faces,
That long ago have forgotten how to smile,
Moanings and groans,
Echo through the empty halls,
As physical needs manifest and display,
The forever lost sensibilities of Mind.

drips of oil and water twisting
in the bubbling glass,
nickel spins in orange quarts
citrine gold and brass

copper caramel and platinum
shining tinted on mass
for crypts inside the cemetery
lawn covered by grass

on lot lined in green treetops
yellow meets blood red
marking glass panels stained
and then framed in lead

handmade by a glass cutter
as a salute for the dead
from the people still left living
-aches born with death fed

I never found that righteous cloud
I cried out my ideals loud and proud,
Much to my demise my destiny has nobody left to idolize
Lost myself dreaming of yellow zebra filled skies.
Ice cubes and cigarettes are no match for me,
I cried out my ideals loud and proud,
I never found that righteous cloud.
Because I've been cursed by a demented sea-bass!
Consider yourself enlightened by the Wisdom Crypt.
My journey has lead me to
Bless, and Freedom, and ****, and ***.

By the time he got out of the front door the morning sun had fully risen. Surrounding it lay a sea of blue sky, light coloured and peppered here and there with trails of white left from distant airplanes. The birds sang in the trees, all in harmony, and a light breeze whispered, left over from the night before.

As he jumped into his car, a dusty red little Citroën, he realised that in his rushed efforts to get ready he'd put his shoes on the wrong feet. A little while ago he'd seen a documentary based on people with abnormal deformities, and there had been an American 30-something year old with two right feet. Right now, looking at his shoes, he looked a little like him; all he needed now was a group of cameras and a well-spoken, polished presenter pretending to care but really just thinking about the paycheck at the end of night. He figured all TV presenters were pretentious, fixated on climbing up the great showbiz ladder rather than helping those in need.

He grabbed them off, scuffed black business shoes to match his tattered jeans and faded blue shirt, and swapped them over. Once both shoes were on correct, he lit up a smoke and set off down the road.

Ahead of him was Lancaster Road, a sprawling stretch of asphalt tarmac that served as the primary mode of navigation through Manchester. If you were to turn left it would take you all the way into the main city, and also a stodge of backed-up traffic, and, if you chose right, to the quiet town of Penitence which was where his works was based. Going right would technically be quicker, as the road to the left led to a series of zig zag-like curves where the road layout had been forced to compensate for the huge cliff several miles to the north. That being said, Will almost always chose left, as the dual carriageway that branched off Lancaster Road was always jammed up with traffic, comprising mainly of angry motorists and haulage lorries driving in from the east. Choosing right would easily add three quarters of an hour onto his journey, and quite frankly he'd rather stare at a wall than be surrounded by blaspheming mouths and ugly red faces.

This time however he went right, joining the steady stream of cars that were already beginning to slow down. There was no apparent reason for this, for over 4 years he must have consistently turned left every morning, but today his mind had thrown a curveball - albeit a stupid one. Already running late, it had chosen to go on the longest route possible.

Good work there mate, brilliant.


50mph - 45mph - 40mph

The speedometer slowly crept down, the shudder of the lower gears gradually increasing. Clouds had now gathered in the sky, not quite bloated nor dark enough to threaten rain but it was enough to dull the sunshine into a pale, white, glow. He was now going slow enough to see the bits of clutter and ******* - discarded newspapers, cans, broken bottles - littering the pavement. Then it suddenly gave way to a rudimentary dirt road and steel crash barriers as he approached the dual carriageway.

35mph - 30mph - 25mph

Sighing, he fumbled for the radio and flicked it on, momentarily averting his gaze from the road to the numbered buttons, tuning for a station.

--- Ssssshhhh ---

Nothing but static.

**** radio! If only I could -

When he glanced up his heart nearly stopped - directly ahead of him, on the highway, stood a man. He stood with his back toward Wills car, shoulders slumped, stock still.

What-?!

Will froze as the car lurched on, the distance between the bonnet and the mans body rapidly closing. No thought came into his brain, his legs distant from his body as if untethered.

Nothing but numbness.

The future series of events played like a stop motion video inside his mind; finding the brakes and jamming them down - only too little, too late. The old man would first lean as the bumper pressed into his lower back, then snap sickeningly in half, the momentum of the car causing his body to jackhammer up the bonnet and roll over the back of the car. There he would fall once again onto the road, spine splintered and blood soaking through his shirt into a puddle on the tarmac.

STOP! Will stop the **** car!!!

He smashed the brakes down and closed his eyes.

Although the first thing taught in driving lessons is to never close your eyes, particularly during an emergency stop, the overwhelming panic threw his nerves into a spasm, and in that split second everything he was told - brake hard, clutch down, don't let the car stall - was forgotten in an instant. He knew what he should do, knew that if the wheels were even slightly turned he could cause the car to skid, or worse, flip.

Brake down, clutch down, engine off, a mantra his instructor had once sang on one of his first lessons. Will had a feeling that if Ruth Carotene could see him, see this, now she'd have some sort of coronary, or maybe an aneurysm. She'd always been set in her ways of teaching, starting each lesson going through her seemingly endless list of checkpoints, and this right here smashed every single rule she'd taught him.
Break, clutch, engine off -
Eyes, open your eyes
He did, the windscreen before him doubling for a second. His heart was pounding away, nervous sweat lining his forehead and arms. The car had stopped, and in his dumb paralysis he hadn't the faintest idea how much it had skid. Safe to say it hadn't flipped over though, unless he was upside down and didn't realise it.
Nope, the sky is still above me, he observed, and it was then he also saw the fat bald-headed guy rapping his hands against the drivers side window. The world washed back slowly, the sun white and the air filled wit beeps and the Ssssshhhhhh static of the radio. He lowered the window, allowing the honking horns to fully enter and consume the inside of the car.
"What the hell are you playing at? I nearly ran into the back of you!" the bald guy barked at him, his pudgy face both pale and angry. Will glanced in the rear view mirror and saw about a dozen or so more cars behind him, scowling faces and gesturing hands sending out messages far from morning greetings or amicable hello's.
"Sorry... There was someone in the road," he croaked, pointing to the blank space in front. Empty, nothing there.
Can't be, he was right there! Stood right there! For a second he thought the figure had been an apparition, or maybe hadn't been there all along, merely a figment of his tired mind. That's when his gaze shifted to the opposite side of the road and the mis-shapen entity clambering over the crash barrier. Whoever it was, they had crossed the road while Will had been in his daze, and it was now he could fully see it in it's ghastly glory.
"I must be ****** blind 'cause to me there ain't nobody there -"
Grotesque was the only word he could think of to describe it. Under the pallid glow of the sun its skin glistened sick-white, partially covered by a tattered grey t-shirt that billowed in the wind like torn flags. It wore shorts, also grey, it's long stick-like legs poking out like splintered tooth picks. And it's face, oh God that face. He only caught a vague view as it glanced over its shoulder, but what he saw reminded him of the ghouls that would creep out of the crypts, the nightmarish beings that stalked late night TV shows such as the Twilight Zone seeking fresh flesh to feast on. But it was human alright - it's normal, albeit disintegrating, clothing the only sign of its former non-twisted self.
Oh God -
"Hey, are you even listening? There ain't no one there *******!"
Will faced the guy, now stood so close his flabby face nearly poked through the window, and then back to the crash barrier. The fiend was gone, much to his relief.
"Sorry it must have been a bird or something, I'm really really sorry mate I thought it was a man, or a kid."
"Yeah yeah whatever, just get going and get out of my way." With that he stormed off, only stopping briefly to exchange disapproving looks with the car behind him. He drove a black sports-like car, probably a Vauxhall, and Will briefly wondered how such a small car could carry an overweight ******* like that.
*******, he muttered to himself as he restarted the engine. Turns out he'd let the car stall as well.
Back to school I guess, what would dear old Ruth say?
Setting off was easy, the fat guy overtook him almost instantly, slamming his horn as he went, but looking over to where the misfit had been was not. He wanted to look, to check in case it hadn't really gone away and was instead lurking, contorting it's swollen lips into a grin.
Grinning at him.
"Gooood evening listeners, this is RADIO XFM!"
Halfway down the radio finally clicked on, interrupting his line of thought - quite mercifully, if he was being honest. The sight of that thing not only made him feel uneasy, but he also couldn't shake off the feeling of foreboding as well. Like it was some sort of warning, a sign.
Of what?
[smashing glass smashing]
He didn't know, didn't dare to think, and as he cantered down the carriageway in the steady stream of traffic he sat silently, the radio singing out its tunes like an uninvited guest. It was an oldie that was on, maybe Boston or Bowie, he wasn't sure, but as it played on he sat in silence, the shadows in the car cutting harsh lines into his face.

I’ll light another cigarette
As the Roman candles burn,
Lace the atmosphere with lamented regret
And tear it away before it slips into the chain of deterioration.

I’ll cut out my tongue
While there’s something left to say
I’ll retain the mystery
Whilst the rest is lost to history.
With adoration as a breaking point
I’ll feel each part of me disjoint
Under the pressure.
I’m just another guilted plague-
Haunting the crypts of nature
When the morality bomb drops
I’ll collect the shards
Use poetry as a Perspex,
Desire as a casket
I’ll build wordless pyres
Under motionless fires
And choke the concordance
With a suffocating breath of ecstasy
Until my lungs are transplanted with ivy
Disrupts the chemistry
As hydrogen tears through me
And we burn under element number one.

Your mask is unlike anyother,
That I have yet to see.
Its impermeable to your emotions,
And a cruelty to those it fools.
You lurk in the safety of your mask,
A hiding place from all the world.

A never moving shadow,
Which knows no pain,
You keep yourself within,
And never let them in.
Waiting patiently until they leave
Your mask and you alone.

To the crypts of your silent soul,
Will your mask and body go.

Fear'd desolation
Corrupting, painful despair
Erupts from the crypts of my mind
Yet flowers blossom within;
Sacred rebirth through turmoil

"Tell me where all past years are...
or who cleft the Devil's foot.
Teach me to hear mermaid's singing..."
--Donne

...and all other lessons
came to pass,
those of night-fall,
fallen too fast.
Crickets screeched within the leaves
around the rocks,
rocking the weeds
...instructions lost in lonliness,
good-byes, good-byes,
hello to death,
not breath nor sounds
of love or life,
just lessons passing
throughout the night:
by memories of times long gone
to Hell and high Heaven
in the Mermad's song.

The Devil seems
to have had his share,
he ate our dreams,
left none to spare.
But, who can blame
the poor ol' man,
he's only doing
the best he can;
and what we don't,
(because we won't)
in language lost on sailing ships,
as we the cargo
are shipped off to crypts;
still wondering now
as the dank ground surrounds:
where went those years?*
whilst the dirge resounds.

The normal way of life is such:
          the old give way to young.
To understand does not take much,
          explained in simple tongue:
Adults that love do procreate.
Their selves they form and replicate,
          continuing the song which they have sung.

The first into the world are first
          to leave the world behind.
They dry and shrivel in their thirst,
          are ground to dust and rind.
They find their solace in their spawn,
inside whose flesh they carry on
          their signatures, in place of their old mind.

The next await their counted turn,
          with shovel at the hand;
enjoy the lives which must adjourn
          into the unseen land.
Then find a mate to spawn their own,
before their own flesh from the bone
          departs into the dryness of the sand.

Yet once upon a blood red moon,
          the normalcy defers.
The next in line depart too soon,
          in snares of life's dark lures.
The first must intern on the shelves
of crypts the flesh that holds their selves,
          and taste what to the next this life confers.


(C)2014, Christos Rigakos