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Mokomboso Oct 2014
My hair is a mop hanging over my crown
The shade of standard mammalian brown
I am envious of your tresses
Over your face is a redheaded swirl,
Gradating into your dreadlocked shawl
Tendrils of auburn drag along the floor like a high wizard’s gown
If I had your hair I would knot each section into braids
Weave it with bobbles and beads
I could take a curler to my cape, straighteners to my legs
I’ve always been a fan of the redhead, pre-Raphaelite waves
Reds and yellows and oranges cascade
You take it to another level though, and boy
It is most enviable!
I would ask that we swap, but with my fur pattern you’d look quite odd
With a blackish flannel hanging on your head
And the odd patch of wiry moss 'tween your legs
And I must say I would look a bit daft
With a crimped ginger trench coat swamping my back!
So I shall just say, Mr. orang-utan
Your hair is great!
Orangutans have badass hair. That is all.
I caught a tremendous fish
and held him beside the boat
half out of water, with my hook
fast in a corner of his mouth.
He didn't fight.
He hadn't fought at all.
He hung a grunting weight,
battered and venerable
and homely.  Here and there
his brown skin hung in strips
like ancient wallpaper,
and its pattern of darker brown
was like wallpaper:
shapes like full-blown roses
stained and lost through age.
He was speckled with barnacles,
fine rosettes of lime,
and infested
with tiny white sea-lice,
and underneath two or three
rags of green **** hung down.
While his gills were breathing in
the terrible oxygen
--the frightening gills,
fresh and crisp with blood,
that can cut so badly--
I thought of the coarse white flesh
packed in like feathers,
the big bones and the little bones,
the dramatic reds and blacks
of his shiny entrails,
and the pink swim-bladder
like a big peony.
I looked into his eyes
which were far larger than mine
but shallower, and yellowed,
the irises backed and packed
with tarnished tinfoil
seen through the lenses
of old scratched isinglass.
They shifted a little, but not
to return my stare.
--It was more like the tipping
of an object toward the light.
I admired his sullen face,
the mechanism of his jaw,
and then I saw
that from his lower lip
--if you could call it a lip
grim, wet, and weaponlike,
hung five old pieces of fish-line,
or four and a wire leader
with the swivel still attached,
with all their five big hooks
grown firmly in his mouth.
A green line, frayed at the end
where he broke it, two heavier lines,
and a fine black thread
still crimped from the strain and snap
when it broke and he got away.
Like medals with their ribbons
frayed and wavering,
a five-haired beard of wisdom
trailing from his aching jaw.
I stared and stared
and victory filled up
the little rented boat,
from the pool of bilge
where oil had spread a rainbow
around the rusted engine
to the bailer rusted orange,
the sun-cracked thwarts,
the oarlocks on their strings,
the gunnels--until everything
was rainbow, rainbow, rainbow!
And I let the fish go.
haley Jan 2018
love is not a safe word
it’s one haiku revised 400 times
on cracked leather chairs in the corner of cafés

some of us love badly
she says as she kisses the rim of her glass.
some of us love stretched out
like pizza dough that rips when our rolling pin rolls it too thin.

some of us love in secrecy
we do not trust your hands.
you try to pull our scalp off and draw your portrait on our mind

some of us love clean
like bubble bath that smells like lavender from some fancy store in the mall
some of us love *****
we cant clean you off our skin

some of us kiss with our teeth
some of us braid our lovers into our hair
and when we remove the hair tie
it is crimped and messy and tangled

some of us love love
but only far from home
when we slip into bed we start thinking
and we can’t stay still

some of us wash our clothes even when they don’t smell
or aren’t stained
just because it feels like you are inside of our shirts and pants and sneakers

some of us walk alone past your house
on the way to ours
and stop at the front step
waiting for you to come out
and smile at us
the only thing we wait for today
are the smudged signatures of snails
scrawled across your pavement

some of us love to the bone
until there are no more “ifs”
just “is” and “are”
the collected poems of our fingers
swollen, bruised, red like a bouquet of roses

some of us love
and we regret it
we never get home in time for dinner because of it, we leak like a faulty faucet, we sleep with our pillows over our heads to keep everything in
but some of us love
some of us own a watch and know the time with a glance at our wrist, some of us own a sponge to soak up the water, some of us own satin pillows that feel like whispers on our cheekbones
Bailey B Dec 2009
I suppose that I should be writing about the pencil itself, how its pale cerulean self lights up my taupe desk (yes, taupe.), or perhaps how the navy stamps that embellish it bleed a little at the sides
smeared, or even the sheer fact that it says "hoppy Easter"with little bunnies on it, which is ironic because it is January.
(and even funnier because the little bunnies look like demons waiting to pounce on your soul, slightly feline...feline bunnies?)
But no.
I sing instead the song of that metal thing at the end of the pencil, crimped like a tin can stuck in a sixties hair salon--the small item that sort of resembles Darth Vader; the metal thing that, when you think about it, you never notice; the thing that holds the eraser in place and the lead in the wood, and the wood in a line, the line for your pencil holder at the top of your desk (your taupe desk) that you write on and without writing you'd die...
Without life you don't exist.
I sing to the tiny piece of metal that is out of place, yet holds the world as we know it together. Because in a way, I know how it feels to bridge together two elements; two worlds, if you will.
It's a difficult task indeed to hold it all together. And I realize, staring at the satanic rabbits adorning my writing utensil that this thing doesn't have a name.
TC Apr 2013
Scuzzy film on a scalding riptide,
Bare sinew woven like scaffolding,
Catcalling as warm-and-fuzzies
Mince by like so many exposed marble legs
Passing construction sites.
Crimped by a polaroid viewfinder,
I sit alone and click-click-click
With folded memories in my pocket.

Let me just set the record straight:
I’m still in love with our contrails,
But you can go **** yourself.
We were helter-skeltering kids
Rivulets of caustic devotion
Sweltering down our skeletons,
Fly away with me again, please
I’m seeing synonyms for you
In every ally-cat hymnal
This gutter throat can sputter out
Seeing scarecrows bound by wicker muscles
Shivering in a windfarm
Powered by all those doors you slammed
Snapping together like worn
Rubber bands warm summer hands --
Dance with me, you were
The most perfectly human
I've ever felt.

Is that Listerine rolling out of your mouth
In waves of empty bottles once meant for me?
Off of your shoulders like a cape,
A swindler, eyeing you
Like you’re trying to sell me cutlery.
Exchange glances that are
Trailmix crumbling between couch cushions,
Rubbing shoulders with waspy relief,
Tendrils of comfort had me gripped by the biceps
Spread eagle like a petrified starfish
Till I lashed out at you with bullwhip arms
Because my own back had been too hard to reach lately,  

Mirrored
Ad Infinitum.
Your tongue looks like a mirror,
Stick it out at me,
We always did look more than alright together
People stared on the subway,
Called us starry-eyed without a trace of irony.
Back in the day when you made me happier
Than something I don’t even have a metaphor for,
Just happy. Happy needs no metaphors.

I still check my reflection every once in a while
Never know if we’ll collide again anyway,
Best to be prepared but instead I
Drift aimfully towards a catacomb of eyelash wishes
And equally corny ******* I never believed in,
Still don’t,

It was getting at us, though,

Rubbing sandy fists down to the core
Instead of holding hands
Crunchy apple shell
Skin friction,
Bite the seed,
1,000 angry pomegranate teeth,
Chapped lips like crustacean shells,
Aligned like eye-freckles
Me looking like an unused punching bag,
You somewhere off in the distance,
A fading marble of plasticine light
On my wavering horizon.

Because yeah, you broke my ******* heart
You were novacane cruel and selfish
And so immature it stunned me
But you also taped it back into my chest
On the day we met so I guess we’re even.

It’s funny, already I can’t quite remember your voice,
the shape of my name in your mouth,
how you laughed,
but every word  you ever said
is still carved onto the back of my hand
like a roadmap towards all the ways
you showed me how to love myself.

Still rubbing them away with your scalding riptide,
All those words you said about forever,
Now just shackles,
So gladly did I submit to yours,
I still hate those ornery devices
Even now when,
They’re curled at my feet
Like broken wings.
Obadiah Grey Apr 2016
In Alarias eyes lies
a roast lamb mountain,
on a sea of the worlds
bestest gravy.
between her thighs
is peas pudding n pies,
cornish pasties,
crimped and savoury.
Mia Mehnaz Mar 2019
Time had evaporated into the dingy air of the hospital
Day merged to night, night to day.
Sleep turned to endless bouts of prayer and whispering into your ear. Whispering that it wasn't your time yet,
That everyone was waiting for you to come back.
All that came back to my ears
were the incessant beep of machinery
Machinery that was your lifeline,
that kept your beautiful heart beating.
Coiled and crimped tubes running in and out of your body
And you looked frighteningly ethereal;
A ghostly angel in the place of my sister.
A tangle of exterior veins; pumping foreign liquids into you
And though I loathed the thought of those cold substances
Stealing away the warmth from your blood, they kept you safe.
They ushered you away
From that distant white shore,
We have come to call death.
Until one day they simply could not save you any longer.
But there was a lingering flame
Amongst the grief that was waiting to pounce
Because? You were fighting.
Like a soldier you were fighting,
With your bare hands struggling against the predator called death.
You fought with every last ounce of will in your body,
Until God called your name,
And you grew your wings, and you left.
Visitors come and go
An endless flurry of desperate hugs
Fairy-like kisses upon my cheek; soaked, saturated in tears.
Because that was the first time,
I had ever felt absolutely, completely, powerless.
I was shrinking back into a shell of myself,
Speak when spoken to I reminded myself.
And through the night I would choke back my fear,
And I sang to you. Childhood melodies.
And they seemed so far away; out of my grasp.
I clutched a strangers hand
Your hand, was delicate and soft
This hand was swollen; foreign.


But I didn’t let go. Not yet.
I ran my hand through your hair,
And I didn’t get the scent, of lavender and soap.
I retched. Inhaling something harsh.
Because as I put one finger to your head,
It came away with blood.
Still.
You layed so, so, still.
Your chest rising and falling; with breaths that weren’t yours.
And I still,
Still, read you stories and talked to you-
In that scarce hope that you would wake up,
And I could hug you for real.
Not having to heave myself over you;
Being delicate, in fear of choking you.
But I still hoped.
God, I hoped with everything in me that you would make it.
I prayed on my knees,
Screaming in a silent room that,
I would abandon my faith- if God stole you from me.
And yet, stolen from me you were.
The doctors were hopeless,
Reminding us- the damage is irreversible.
If not today, you would die tomorrow.
But I would not desert you.
I still hoped.
I hoped.
I kept hoping.
And the next day came.


The day before you died.
The white sun broke through the window,
Embraced the room and clarified.
The shadows that the limbs,
Of the simple oak tree make on the hospital wall;
Stark and bellowing.
The leaves are all gone.
The leaves and the colour are gone.
The tree is devoid of youth and joy;
And in the tree- I see you.
It hurts.
You are the mannequin of a sleeping girl.
But the heaviness of you,
As though your insides have turned to lead.
I believe it is lucid now,
A dying girl.
Trapped in a coma.
Tomorrow, you’ll be gone.

My sister’s eyes are closed.
I pull her closer,
Inhale what remnants of her pure scent is left.
I want to hold her, In this world.
Keep her close,
Let her never to leave- not yet.
Her hair brushes my cheek.
She is still sleeping-
Why is she still sleeping?
And then,
I begin to cry
I do not stop,
And I lay my sister down.

On the white sheet.
My sister,
Her eyes flutter open.
And sees shadows,
Sparrows on the wall.
Flocking to the naked limbs of the simple oak tree.
She smiles,
A small, beautiful smile.
And she points to the shadows on the wall and says


“It’s okay now, look, the leaves are returning to the tree.”
This is probably the most personal thing I have ever written. The most raw, the most real account of my sisters death. This poem doesn't speak of my grief, as my others do. But rather takes on the perspective of the girl I was when my sister was dying, A small thank you for reading, God bless you all <3
PK Wakefield Mar 2011
i4
did because i well jeez 10:23 farther steeper i'd was a outside 10:24 a junebug
is creaking on the well like a fine cylinder. it's because steeper or 10:27 clunking
a light of amiable is sort of. at 10:31 a common a cool the. into if.
        a very sorry long is diacriticly loose with the scab of lunging trees
by the barn 10:31:53 is . it's was almost because i did i well jeez
the june is a crimped fine determined juice. did it seem because or and a breif
i s haloed somewhat or creaking a junebug is big for by the stalls shuffling with legs in the sort of barn by the 10:36 it's gabled a bit. or does it seem a because well did i and meyou. pm well it were 10:37 and longest brown is seemingly. otherwise unmarked a phonetic element. by a 10:39PM leafing softly
  the scuttle a. unnerved little scraping. beneath or metatarsaled cadence a the grassed stripping earth went from the basest mouth of timbered certainly to the unskinniest blue. a vanity of wheels or because well did i jeez
Georgina Ann Jul 2011
I am from a big red door
that could have been bigger.

I am from the dust bunny colony
under my bed.

I am from chipped nail polish
and hastily crimped hair.

From the nine O'clock curfew,
From the first-born throne.
The tripping, wandering, hands-out-in-the-dark, throne.

I am from the tall grass.
The kind that has no paths waded through it yet.

I am from the lost, the loud, the longing.
Connor Reid Mar 2014
Motions croak in crimped t-shirts
Peace hurts the leg of 3 wheelers
Spit in a book, carefully holding hands over healers
Frosted articulation of bricks hitting off buildings
The doctor resumes surgery on the filming
Actress gummy mouthed backpacker sharing rooms with a jet-lagger galvanizing goo
If I phone myself, I’ll phone you too
Ad-hoc hop around dentures holding saxophones, laziness is the common king around here
Match the sketch with the deliriant fear free freedom and sneer
Shut the promo drunk and dolo
Potions of pogos bouncing so low
Both bones focal, keeping in a smile from an eye perched over the edge spitting on the populous
Attacking formulas with cruel gruel from the oesophagus
Wilting oxalis wooded in obelisks
Mortal coil in amphetamine greed for the sleep
Positioned slightly awkward and barely out of reach
Been seen being dreams piercing holes in the purple of the seeds
Peace is deemed green, free me from the iron between the sheets
Coins flipped in a river and an etude rings out with a profound sense of urgency
Won't wake up faces blindly painted deranged by a 5 sided box that gave fame to what was contained
Warp the wattage, walk in nervous
Hold cosmic stardust in one hand
Another a phone to call the best man
To marry the two hands and I’m sure the priest will understand
Hairs on the ceiling float through the window and provide an outspoken account of how they are feeling
Canisters of friendship huffed in the backs of vans till passing point seizures explain themselves
9mm film reel candy bars and ring modulation skeletal structure cat gut harps
Never finish a walk to work without beginning the start
Trolleys of Dolly Parton facelifts
Knife cutter butterfly anaesthesia makeshift
Hollow bellies of pardoned mop heads becoming a commodity
I can't say sorry if I begin to speak so oddly
I’d say probably yes if you lit a fire beyond the fence where the old man gambles drop-***** with 50 pence
Bite down on copper, synchronise the action
Winter comes and goes like conversation going out of fashion
Morbid, terra-fin switches waterbeds
Hints home at spit-roasting ostrich heads
Cost and effect, cause and intellect
The castle puts his foot down only to find a horses neck
Zipped up in honey, the combs hive mind should reconsider its self lucky
Unorthodox autodidact naturally diffracting compound eye composes paranoia and lies
The patronage of the savant is murderous and contrived
Its better out than in
The constant metaphor for unluckiness
Is where we begin
Radiance in a hot water semi permeable membrane crescent
Strokes the backs of frogs in the desert, stars iridescent and sun bears a weapon
Hammocks, ****, sweat on the brow, split lips on cornerstones of the solstice in the dead of now
Space-age ape on the country road lets out a cough
Caution to the hissing hills ****** in hidden zygotic havens
Actors have no time to cut themselves shaving
Austro-Bavarian chemical burns Molotov cocktail sewers
Crayons let me draw this face on, paint the day on and on, it gets newer
Its the context at which you and I notice the separation, that cues canned humour
2012
Mary Pear Sep 2016
September morning and the blush pink of a child's eyelid
layers
With soft Wedgewood blue
And a silvery white.
Feathery treetops shiver in the light breeze
And there is a delicious chill in the air.
Contrails break apart in slow motion
Resting on the daybreak's skyline.

A blackbird hops across the dewy grass
To take his morning slice of stale bread.
Rose petals crimped and heavy wait
Patiently to be dried in the pastel sun.

There is no sadness as the summer slips by;
Just memories of freshly mown grass
On parish fields, of light, of warmth,
Of sea and country walks
Sweetening, like apples
In a sand box.
PK Wakefield May 2013
when i the you sweetly
sublime of
knees fleeting intensely

kiss inwardly
the entering sound

You
the perhaps exactly
shed a sliver of teeth

by catching skin
gag
upon a sliver
of ***** shyness

and seem feel
the arms by
youth hard

hands

crimped skinny hot
vulnerable teasing
to swallow
nick armbrister Apr 2019
Crimping Tent
There are certain things that occur in the Crimping Tent
Like making hot air balloons, pink inflatable castles and blow up dolls
And crimping men’s nuts just the way they like them
Crimped vertically, laterally or horizontally
The crimping business was a lucrative one
Making clothes and accessories and *** toys paid well
Even the curtains in National Express buses were crimped
The crimped look was always in fashion and a cash incentive
Scarlet Niamh Jan 2017
I do not understand how they do it,
having so much thought that they invented
an entire universe of elements,
components and small fixtures of greater
workings. Those incredible, beautiful
scientists, with their steam-crimped hair and curious
eyes; the wonderfully inventive mathematicians
who ponder over all knowledge in order
to realise something new - that is what
true beauty is. Chemistry, physics, biology
and maths are their own art forms, and what they
seek to create is more beautiful than my
words and paintbrush can ever dream.
~~ May all of the jagged equations in the world flow together to create an artwork more beautiful than perception itself. ~~
Intrépide Jan 2017
a noble man is set forth on a quest
to rescue a damsel in distress
who aches to leave all her pasts
and detach herself from woeful blasts

a gloomy day it is
for the man has not yet come,
who seeks to catch a fleeting glimpse
of the damsel's broken, crimped
and beaten heart

she's unlikely aware of what might come
it's why she sat upright and slummed
for the noble man is yet to come,
to mend and fix her broken parts

a big smile she wore
upon his' entrance to the door
she smiled at him, and curtsied deep
for she has felt some kind of relief
Devon Baker Dec 2011
They never should have let me out of the box,
these harnesses are coddled in rust and will never do,
I nearly have an arm free now.
Tis the bloodlust,
the ever recurring,
I cauterize so sickly raptured and recoiled,
vile animal reveling beneath fang and flesh.
Tis the beast wrought beneath this parchment bearing,
what is left of mortal means
as the morals feast upon the limbs and lungs of one another.
Ever screaming,
my memories wrench and tear,
torn in ribbons splayed from lung to tissue.
My demon slaughters the remnants packed and hid way
in corner and shadow,
ideals and sockets of life scratch and rip
across the flesh of the air as their lungs flood so violently,
doused in creamy blood liquid.
I die so sullenly,
so intrepidly,
dripped in god’s sunlight beams,
bathed in crackling spine and broken butterfly wings.
I writhe not in brain fractured grenade shrapnel,
not felted amongst iron clad bomb shards,
I lie so serenely,
stomach basking in sun beam,
I bite and suckle upon such succulent fruits of flesh,
human meat and such soft hips of lustful imps,
so untouched and littered in my most precise of bite marks.
I stake claim to the everest of fiendish hues,
chains so kin to my sins,
mind so ravaged in demonish,
all thought is mother to acts so sickly in hellish cravings,
I seek no retribution for ideals so crimped and carved through my bones.
All is relative to one’s fiendish benevolences.
I take care to ratify my most ancient of antiquities,
the very blood line that so racks this mortal sense of the human reality.
This evil is ever bearing and eternal lasting,
nor it’s will softened.
Shackles crease and crinkle
so fondly with every sickly furnished breath.
Taylor Marion Jun 2014
I cant tell a lie, not as well as some. Regardless of what words come out, my eyes will be rather lazy when it comes to hiding distress.
What impresses me is jest, you still have not noticed, and for that i owe you. I'll mark the debt in my little check book inside my head, jot it down like the others, put it aside and pretend it tended forth some tangible result.

Now all is overflowing, the pages ripping and crimped. Used up like the excuses we made to sway away rependence, but the only sorries given are the ones saved for ourselves. Poor modern-generation children, they really let us off the hook. Tucked us in to sleep soundly in feather down little beds resting our little heads, crying over little spits we regretfully didn't have the guts to spat. All told to hush up and pretend, fall to slumber and sleep and forget. Refrain,
You'll wake up to morning rain and tell your lies all over again.
Savannah is beautiful is she not,
With her lovely homestead lots?
Have you seen her in the spring?
She is the most charming thing.

Azaleas blooming everywhere,
Adorning parks and town squares:
Fuchsia, red, pink, and white.
Such a breathtaking sight.

Dogwoods scattered here and there,
Nestled among the trees.
Magnolia fragrance fills the air,
Borne by gentle breeze.

Wisteria lends a delicate touch.
The aged oak we love so much.
How charming, spirited and brisk;
So beautiful and picturesque.

Crape myrtle with a crimped look
Brightens lawns and scenic nooks.
The river with its gentle flow.
The beach where many love to go.

Juniper, cypress and cedar too,
Give contrast with their dark-green hue.
The sago palm in bold fanfare
Is seen almost everywhere.

Savannah is fortunate to be
Richly filled with history.
Beautiful art for all to see
Adorns the various galleries.

Fancy eating, southern style.
Down-home cooking worthwhile.
A little time is all it takes
To visit the restaurants and lakes.

Come see Savannah in the spring;
Enjoy the view that nature brings.
And may God's blessings ever be
Upon our city by the sea.
Bill Shmuck May 2015
I caught a tremendous fish
and held him beside the boat
half out of water, with my hook
fast in a corner of his mouth.
He didn’t fight.
He hadn’t fought at all.
He hung a grunting weight,
battered and venerable
and homely. Here and there
his brown skin hung in strips
like ancient wallpaper,
and its pattern of darker brown
was like wallpaper:
shapes like full-blown roses
stained and lost through age.
He was speckled with barnacles,
fine rosettes of lime,
and infested
with tiny white sea-lice,
and underneath two or three
rags of green **** hung down.
While his gills were breathing in
the terrible oxygen
—the frightening gills,
fresh and crisp with blood,
that can cut so badly—
I thought of the coarse white flesh
packed in like feathers,
the big bones and the little bones,
the dramatic reds and blacks
of his shiny entrails,
and the pink swim-bladder
like a big peony.
I looked into his eyes
which were far larger than mine
but shallower, and yellowed,
the irises backed and packed
with tarnished tinfoil
seen through the lenses
of old scratched isinglass.
They shifted a little, but not
to return my stare.
—It was more like the tipping
of an object toward the light.
I admired his sullen face,
the mechanism of his jaw,
and then I saw
that from his lower lip
—if you could call it a lip—
grim, wet, and weaponlike,
hung five old pieces of fish-line,
or four and a wire leader
with the swivel still attached,
with all their five big hooks
grown firmly in his mouth.
A green line, frayed at the end
where he broke it, two heavier lines,
and a fine black thread
still crimped from the strain and snap
when it broke and he got away.
Like medals with their ribbons
frayed and wavering,
a five-haired beard of wisdom
trailing from his aching jaw.
I stared and stared
and victory filled up
the little rented boat,
from the pool of bilge
where oil had spread a rainbow
around the rusted engine
to the bailer rusted orange,
the sun-cracked thwarts,
the oarlocks on their strings,
the gunnels—until everything
was rainbow, rainbow, rainbow!
And I let the fish go.
PK Wakefield Dec 2010
came thee by thee came
a posthumous day
(the fold most grand and eloquent
the lancing fragrance)
i,m uncareful lucid cadaver
of sensible powder    
crimped finely
so in the clarity of feverish dawn i drew and bent the notch
a shady dappled riot
       where i wait for some madly gabbing burst
of wet unkempt






                                  S
                                    P
                                  R
                                 I
                                   n
                                         g .
PK Wakefield Sep 2016
i believe in a story

               (it is my love)

the passing of my hands through light,
the coming of slight graces,
the bended stocks of mute flowers.

my love
you are without skin,
your eyes do not see,
your lips do not kiss.

my love
i love you–

         (and where

are you?

my love you
are the whole neatness
wishing within me

to feel the slight pressing
of heat beneath your skin;

the pulsed flexing of your vein
and hem. my love you are

the small darkness
and tiny quiet of my
heart to fill you kissing;

the crimped weakness of your knees,
the playing of your eyes after nightfall,
the winking fleetness of your cheeks.)

And, my love
are you

  where ?

(i can feel you)

even with space
between breathing
and heat between us;     my love

i can feel your someday lips
within my lips the
waxing of your palm
within my palm.

my love
(and i have always loved you)
will believe
in the story

of your hands and lips:

the passing of my hands through light,
the coming of slight graces,
the bended stocks of mute flowers.
brooke Aug 2016
i was half asleep on a kitchen counter
curled up around the steak knives and
soup ladles, threaded through thick duvets

when you came and tucked yourself into me
with your burlap jacket, but I let you under the
covers--and I distinctly remember pressing my fingers
under your shirt only to feel how deathly cold you were
as if you had just come from the outside, or had risen up
from the snow drifts, opened your ribcage and let the cold
seawater fill the cab

but you were whispering something, a secret I couldn't make out
an undiscovered motive, slight of hand, slight of breath
you were lieing and I was letting you in, letting you in
beneath the weapons, beneath my skin, into my body
and you reached in for a handful of grain but I was a
barrel of cords and twine

meshed and tamped, you found the soft damp earth where
I grow and we somehow managed to make it seem ok
make it seem ok
you're out there ok
crimped and furious
a mean cuss on your lips



touching still means too
much to        me
(c) Brooke Otto 2016



just another dream I had.
phi Feb 2015
I write on the tops of wooden desks,
press the tip of my pen deep into the wood
and scribble out inane hearts and Lee '15 and
dumb poetry that curls over the edges of the desk
on uneven lines like a disaster waiting to happen.

I scrawl words and designs
on the crimped edges of a TAZO tea packet,
crumpled in my pocket,
and rip the paper apart slowly,
watching the lines of pencil split and diverge
and never meet again.

I ink my fingers with expo and sharpie,
let the tips shine oily black in the light
then quickly press them
onto crisp printer paper, peel my fingers
off and count the dips of my identity
in the grooves of white and black.

I smear the side of my hand with black,
wipe charcoal on my forehead
as I sweat in dimly lit studios,
hunched over my stool and eyeing the x-acto knife
from where it lies on top of a box of glue sticks.
Beside me is a cup of black TAZO tea,
that has steeped for over 4 hours and is already
cold.

When I leave, it is past midnight,
but the sky is not dark yet because
even with only the light of the stars,
I can see sharpie on the flesh of my thumb,
and charcoal dust fills the crescents of my nails
and someone has probably already
crossed out my name on that desk in room 216
that I sit at for English,
and in my pocket there are 2 more packets of tea
that I need to drink because

it has been four hours,
and my tea is already cold.
saige Jun 2018
i thought about her again
all night

imagined taking her
curled lashes
and freckled skin
and crimped hair
and plush lips
to germany
to buy her a pretzel
as big as her face
although,
not half as golden
then clubbing through munich
and berlin
and maybe dublin
on the way back
no strings attached,
you know?

i could work every hour
between now and
whenever

she wants to go to germany

she used to tell me all the time
five years ago
when she wanted to go
to oak island
and every flea market
and guardians of the galaxy
and planet fitness
and sweet frog
and bed
with me

and as of last night,
i am sure
i'd still go anywhere
with that girl
zebra Jul 2017
Satan's *** nail is pounded in the floor
sharp side jutting up
pristine
it glows like a diamond in flames
be careful to wear the thick boots
of God
its a crime if you step upon this gleaming nail bare foot

there are dagged blades voluptuous
spired and protruding from every wall
made of  black obsidian shards
be mindful to wear
Gods hair shirt
to keep from being pierced by edges so dark
they are the marks of Satan's lust

the stony land you inhabit
is torrid feverous
a world soul of scintillating rhythms
be careful to wear the warm woolly hat
of God
with thick ear muffs to shield you
from the rays
and Lucifer's
moans of seduction

don't take off your shoes
to cool and stretch crimped toes
or Satan's *** nail
will pierce your feet

don't remove your hair shirt
or
dagged cutlery
will score your torso
******

don't remove your woollies
or
the seductive rhythms
will set you dancing thread-less
a mindless dizzy sinner
shaking your ***

if you dare find yourself lewd
hungry for dark lechery aphrodesia
you will be aghast at first
a scourge even to your self
ashamed
that you are not ashamed
unable
to suffer the the protection of Gods garments any longer
thrilled dancing naked
your cut feet will be scorched with fragrant balms
and sweeten the earth with sensuality
your wounded torso
will be perfumed and fondled
with rich thickened unguents
the adoration of limitless love
your head will bob to the rhythms of the world soul
your raw mouth red slicked with creamy waters
***** ***** **** and ***
will fly like silky angels to gates of adoration
in the feral embrace of multitudes

and when asked
by men of God
why you dance naked
like a happy *****
clad in piercings
your torch a black fire
like a Babylon of harlots
you will realize horror of horrors
that you are hooked on Satan's *** nail
an abomination
to the good men of God
religion drinking piranhas
and as they ply their craft of wisdom and inquisition
with accusations of souls black heart

you may look around and realize
the God they praise
is a hard red fist
admonitions and threats
of endless purgatories and hells
to bind the lascivious heart delicious
a bean counter of transgressions
every pleasure a sin
every imprisonment a virtue
their
God
a
Vatican
of
curses
Commentary on religion
and the way it influences ****** attitudes
You may not wish to read this if your are a devout
supplicant of the synoptic religions
dafne Aug 2016
we untie the strings of our hearts in hopes we'll learn to tie each others tighter,
yet we end up in knots,
knowing each month will tie a little tighter,
thinking it will make us strong,
but before we know it we forgot what its like to be strong on our own,
and we are forced to unravel our knots,
but our strings have become tired, crimped and frayed,
and here i am splitting, into smaller pieces of what i was before
Jenny Gordon Apr 2019
...but here I am:  Miss Oscar the Grouch.



(sonnet #MMMMMMMDCCCLXXIII)


So pull your cat out of your bag to scale,
And I'll watch "*****" foot it, for a sense
Of all the tricks you like to show off thence,
Disgust you culled mine likewise in betrayl,
Cuz that's 'most what is left.  Her blonde detail
Crimped to effect, (and girls know girls from hence)
This sordid game two play sans tickets, whence
Let's play it to the hilt, swords drawn, t'avail.
If only I could listen to frogs' cure
For fevered brows, but it's TOO COLD.  Did you
Call in the weather to draw up as twere
What I should feel, playing me the fool anew
For love; or come, what gives?  Meow Mix poor,
I'm barking up no trees--um, are we through?

12Apr19c
NOTE:  these sonnets I am posting finally--these first few, are literally the theme you'll see repeated as the hours and days scroll by.
Sue Collins Nov 2019
I found an old ivory-decorated little box tucked away among her possessions.
The box was locked but easy to foil by a person determined to seek answers.
The old woman had a lived a charmed life full of money, travel, and whiskey.

She had worn her classical beauty as a haughty warning to all who came near.
An acerbic genius at inserting the dagger right into the softest spot with ease.
Her own soft spot was animals, the wilder the better. Her feral streak, I guess.

The box felt empty but it was hiding a small crimped note underneath the velvet.
I hesitated. My face in the above gilded mirror was not the face I depended upon.
Flashes of the old woman blurred my vision. I imagined the old cord between us.

The old cord, discarded continually. Seesawing between venom and disinterest.
No back-up plan, no come-to-Jesus moments, just an invisible border wall.
I can’t seem to breathe, the portentous air enveloping me as I read:
“I did the best I could. Mom.” I shut the box and put it back where it belonged.

— The End —