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"bloc" poems
a ****** of crows gathers over Hamburg, carrion carrying on with business as usual. feeding on the festered flesh of a gentrified populace. in private jets coughing carbon they fly from the west on turbine wings, engines screaming as they dive towards a nation secured by razor-wound walls and barb-wire borders. they pitched a battle in Germany, convinced that austerity would ******* the resistance and give justification to premeditated violence. but the tables have turned on the thieves again. we are the end result of your failed policies, globalization has destroyed our homes. if your cabal rallies like a kettle of vultures, you will do so behind closed doors, cowering in your fortress' halls. you shall not pass. watch as the power shifts like the melting gears of torched BMWs. we will tear the vestiges of your authority down. we will black out your surveillance cameras, smash your windows, and block your limos. no pasaran. flee, while you can still run. this city belongs to the wild ones, a black bloc, thousands strong, dancing amidst the tear gas, tossing molotovs. marching to liberty's sturdy drum, equal in our solidarity song.
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Jul 8, 2017
Jul 8, 2017 at 12:14 PM UTC
(bloc)k
There was a homeless lady, one afternoon, outside the hospital. Was she homeless? I don’t know. She had a ladened shopping cart, which, on TV, is kind of a signature. We were inside, waiting for an Uber. She was outside, in chiaroscuro relief. Dressed in bright, multilayered, mismatched florals and brocades, she reminded me of a gypsy. There are still gypsy caravans in France. Are there gypsies in America? She wore boots and long strings of beaded jewelry. They would have had to have been glass, I supposed, but tinseled with the glitter of those pop spangles, she looked, en bloc, the richest and the poorest of us. She wasn’t young and she wasn’t old. She sat alone, on a short retaining wall, her cart within guarded reach. I noticed her because every time I glanced over, she was watching me with the dark unblinking eyes of a bird. She had an easy confidence, in the wild, sitting safe and protected by her clam, obstinate shell of boredom. What must I look like to her - with her tangled hair and unwashed face? Me in my permanent pressed hospital wear, diminished by over-washing. A doll behind glass, whose whole life is patterned by plans? Our Uber pulled up, the number matched and as Lisa opened the car door, I gathered my things and looked back but the gypsy lady was gone, leaving a blank space.
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Jun 11, 2023
Jun 11, 2023 at 10:29 PM UTC
the gypsy
when you only see the world through the prism of an Instagram filter, the spectrum's overshadowed by black and white vignettes. brick-by-brick you build that wall around yourself, closed off to the plight of every one else. who needs borders when you refuse to see beyond the periphery of your iPhone's screen? refugees? border patrol? endless war? merely fragmentary snapshots in off-kilter snapchats casting grim light on contemporary outcasts, rebels built to outlast the vitriol leveled at modern-day martyrs by tyrants and overlords. 'cause when you neglect to read the passages of history, you scapegoat the brave, can't see the forest for the trees, reduce the complex to Manichean binaries of Good vs. Evil, Left vs. Right, an infinite etcetera of demagoguery. noses glued to illuminated screens, ignoring the visionaries for illusionary fantasies: one-click—purchased happiness, bread and circus. advertising has us chasing a feeling fleeting as a riptide when we ought to be rallying on the front lines, punching Nazis. a black bloc tossing bricks into storefront windows.
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Apr 1, 2017
Apr 1, 2017 at 12:46 AM UTC
bricks
the donkeys bray and panic when bricks fly through bank windows. gobsmacked, the ***** ogle the trashed Starbucks and ask, "but...who will serve us cappuccinos?" the elephants intone, "violence is never the answer" and neglect to add that's why they pilot remote-operated predator drones: you won't see those stomped in the elephants' stampede. their ***** wars are covert. peace cannot interrupt the cash-flow. as pigs fit armor over bellies buttressed by doughnuts, they stare down the wolf pack—a bloc awash in black— and slap their sticks in primitive percussion shouting, "do not resist," punctuating the order with concussion grenades and tear gas. the wolves howl back, "no cops, no KKK, no fascist USA!" equal parts bark and bite in the fight for humanity, solidarity with the least of these, laughing in the face of the State. each time the wolves show their teeth, the pigs shrink back and quiver in fear, while the wolves roar, "refugees are welcome here!" we will make racists afraid again. antifa, here to stay so long as there remain Nazis to punch in the face.
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Feb 2, 2017
Feb 2, 2017 at 9:25 PM UTC
punch
rows of two!-three!-four!-boys-bloc-king-the-cor-rid-or will soon be gone and the RHYTH-mic-tick-tock-of-my-leg-BOUN-cing-on-the-floor will be no more it's fresh cadavers wrapped in string it is a joyful gospel hymn mourning the best and worst of youth (those shiny kids who'd first walked in with all the grace and all the poise of hatched arachnids missing limbs) but what of "her" – you know her name – that overfed, reptilian thing who shed her hair and scratched her skin, cursing the odds at Him upstairs, demanding He re-shape her? some say she cried herself into extinction – sailed away on a crimson tide – balking at the trauma of being seen (enforced, cursed vulnerability in being known to man). the rest knew better; they were voyeurs in this fruit-carving tutorial on 'how to grow up': STEP 1) consider all other alternatives 2) take the scalpel and initiative 3) before adrenaline gives way to doubt, turn the flesh-vessel inside out in a cocoon of your own creation! while organs may rupture and it aches like you've skinned yourself alive (good for her, setting herself free!) you'll look cuter in the class photos and has you-know-who... finally... shifted the weight? 4) breathe through the blood loss and searing pain 5) notice            you                 can                      breathe again.                      at this point, does it matter that it aches?
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May 10, 2019
May 10, 2019 at 9:50 AM UTC
class of 2019
In Randy Pausch’s last lecture there is space Left briefly to be occupied en bloc- The space that will exist, lacking, always, In substance like quarry in a hillock. You imagine a quarry filled with dark space Stand on the rim of the hole that exists In presence of time and absence of space. Follow the last lecture to clear its mists. You don’t get into his circle really Of an inspiring cancer death suffering The circle of dark humour surreally But as a tangent on its outer ring. Stand on the rim and into the dark lean Strain eyes to see own reflection keen.
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Feb 10, 2011
Feb 10, 2011 at 7:01 AM UTC
The last lecture
I arrived at my station in Kaliningrad as if posted there by an army of desires entering through the gate with a firm set jaw into the guarding teeth of iron girders driven into the soft soul of the soil by hammering heels as bold as yours approaching a fateful encounter quite naughty amidst ghosts in an Eastern European night its sights built when all roads led to Königsberg city taking pretty daughters of frightening Prussian knights to a military parade past the rust of heavy industry a call to arms wrapped tight up against youthful skin dark forces dressed in lace trimmed girdles of passion its secret codes covered by accents slightly Russian sounding like love slipping into a cold war assignation you were too beautiful by half too perfect to wear jeans so like the uniform concrete paths abandoned to such ghastly stains they attract me like works of art that someone envious of being outlasted had to spray with swirling tattoo paint yet the matt camouflage fades fast while your beauty is chiseled into my days its ageless gloss defying the wind and dust whipping across the wonderful blocks called home built by socialist bloc labourers whose ***** hands must have toiled for the day you were born and set free the naked ambition of men that yearn for a dessert of finely moulded vision beyond the blue vein cheese and a little wine into warm baths steaming away the tension which had crossed our paths with precise chains snapped together in a demand for attention “stop - no tourism beyond here after 5pm” but you knew diversions locked in 'till round 2am a stress release submitting to the pull of a comforter gentle in the peace of the goose-down we slept in the softness of the rattles the worst of your corrupters
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Jul 13, 2014
Jul 13, 2014 at 9:18 PM UTC
Wrapped up against the Cold War thaw
I arrived at my station in Kaliningrad as if posted there by an army of desires entering through the gate with a firm set jaw into the guarding teeth of iron girders driven into the soft soul of the soil by hammering heels as bold as yours approaching a fateful encounter quite naughty amidst ghosts in an Eastern European night its sights built when all roads led to Königsberg city taking pretty daughters of frightening Prussian knights to a military parade past the rust of heavy industry a call to arms wrapped tight up against youthful skin dark forces dressed in lace trimmed girdles of passion its secret codes covered by accents slightly Russian sounding like love slipping into a cold war assignation you were too beautiful by half too perfect to wear jeans so like the uniform concrete paths abandoned to such ghastly stains they attract me like works of art that someone envious of being outlasted had to spray with swirling tattoo paint yet the matt camouflage fades fast while your beauty is chiseled into my days its ageless gloss defying the wind and dust whipping across the wonderful blocks called home built by socialist bloc labourers whose ***** hands must have toiled for the day you were born and set free the naked ambition of men that yearn for a dessert of finely moulded vision beyond the blue vein cheese and a little wine into warm baths steaming away the tension which had crossed our paths with precise chains snapped together in a demand for attention “stop - no tourism beyond here after 5pm” but you knew diversions locked in 'till round 2am a stress release submitting to the pull of a comforter gentle in the peace of the goose-down we slept in the softness of the rattles the worst of your corrupters
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41
Your brain is plugged and foggy; Your mind is on the freaking fritz; The poetry is lost and boggy; You hold your pen in woolen mitts. Try a senryu about your life Or a haiku on the froggy pond; Cut through bloc de l'auter with a knife, And slog out of the slough, Despond. Sometimes it helps to focus long On a single spot on the wall of life And see what image comes along... (I like to think of my pretty wife). This writer's block's a funny thing Tied somehow to the lives we lead, And sterile writers need a fling To let their stubborn poems breed. So walk a while, or take a Jeep; Visit the county fair... Milk a cow or shear a sheep; Wear flowers in your hair. Or be like me and go take a nap; Read a good book, or call an old friend; Some poems are babies not yet in the lap, Developing elsewhere, somewhere in the When.... Be sure they'll show up when they're ready to shine; They'll trip off your fingers; they'll flow like red wine; They'll sparkle or spark, or they'll whimper and cry, But your poems will arrive, and I'm telling no lie. Be patient, Good Allys..., the block's not an end, Your poems are waiting ahead, 'round the bend.
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Sep 5, 2016
Sep 5, 2016 at 11:36 AM UTC
bloc de l'auteur (for Allyson)
We’ve got sweat-slicked brows, tuffs of loose, knotted hair Our limbs dumbly droop and we stand on the roof Of a three story flat up in Prenzlauerberg Near five a.m. when the night’s at its end When we shuffle our shoes and sometimes tip the ***** From the bottles that we’ve all left scattered around Then the beer trickles down and it spreads on the ground And turns the rooftop tar a shimmering black I feel through my shirt the thick summer heat The hairs on my arm, the trees in the street Are bathing alike in a warm morning dew And the cigarette smoke we let slip from our throats Catches the first red rays as the sun shows its face Through the chemical haze out in east Lichtenberg We face the source of the light as it floods through Berlin Not the city we know in this tangerine glow In this rich warming shine that is washing our eyes Black industrial pipes start to wiggle and writhe And their steam hits the scaffolds, whose Metal fingers grow limber as they stretch through the street To shake the red trees from their lumbering sleep Then the leaves that they drop start to flee and get caught In the stares of facades in the communist bloc With the refusal of death on their hot, heaving breath The parks are all built out of paper and gold With fountains that spew streams of molten stone Our apartment stands firm in the boiling sea Of the scars of old days which swell, throbbing like waves It’s the city lain out, moving, alive, and just like that A light, filmy rain sprays a sheet on the town We try to claw it away, but the curtain stays down Then we stir, soaked in the sun and the rain It’s the start of the day And we can go home to sleep and dream of sunlit Berlin
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Feb 1, 2010
Feb 1, 2010 at 9:08 PM UTC
Pop Song #4 (Berlin Aubade)
We’ve got sweat-slicked brows, tuffs of loose, knotted hair Our limbs dumbly droop and we stand on the roof Of a three story flat up in Prenzlauerberg Near five a.m. when the night’s at its end When we shuffle our shoes and sometimes tip the ***** From the bottles that we’ve all left scattered around Then the beer trickles down and it spreads on the ground And turns the rooftop tar a shimmering black I feel through my shirt the thick summer heat The hairs on my arm, the trees in the street Are bathing alike in a warm morning dew And the cigarette smoke we let slip from our throats Catches the first red rays as the sun shows its face Through the chemical haze out in east Lichtenberg We face the source of the light as it floods through Berlin Not the city we know in this tangerine glow In this rich warming shine that is washing our eyes Black industrial pipes start to wiggle and writhe And their steam hits the scaffolds, whose Metal fingers grow limber as they stretch through the street To shake the red trees from their lumbering sleep Then the leaves that they drop start to flee and get caught In the stares of facades in the communist bloc With the refusal of death on their hot, heaving breath The parks are all built out of paper and gold With fountains that spew streams of molten stone Our apartment stands firm in the boiling sea Of the scars of old days which swell, throbbing like waves It’s the city lain out, moving, alive, and just like that A light, filmy rain sprays a sheet on the town We try to claw it away, but the curtain stays down Then we stir, soaked in the sun and the rain It’s the start of the day And we can go home to sleep and dream of sunlit Berlin
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34
Uniform- Bloc Party "There was a sinking disappointment as we left the mall-- all the young people looked the same" Bought for a Song All we could ever buy was bought by someone from something An apparatus of production so maniacal; how could we know what made our fingers bleed? It was the sewing and the apprehension our hands holding string we sat down in the factory but shortly stood up to sing something forced us, past the window, it was still early our minds returned to our benches our selves were in the seams and we laughed, when we died, but it was all in jest we knew someday we'd give our lives so your dog could own a sequined vest. The Dog Your dog's a personality, it's so lovely I'm impressed It looks so jaunty prancing there, alive its sparkling vest. Now tell me Baps, who made it? However did you find a sequined silver vest to fit on your canine? It's really rather simple--it's not even that smart I bought my dog this lovely vest at the giant mart. The giant mart? How daring! How intriguing, I declare! It contrasts very vibrantly with his top hat and black hair. I tell you Baps, he's precious, look at him standing there! I can imagine him singing show tunes like the late great Fred Astaire! "Yeah, you're right" Baps said, the conversation lingered there. And I'd like to say what else was said, but frankly I don't care. I hate these bitches' feelings, I don't resemble Fred Astaire. I wish they take these things off of me. Dogs don't wear underwear.
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Mar 27, 2012
Mar 27, 2012 at 12:07 AM UTC
For the Archives
Uniform- Bloc Party "There was a sinking disappointment as we left the mall-- all the young people looked the same" Bought for a Song All we could ever buy was bought by someone from something An apparatus of production so maniacal; how could we know what made our fingers bleed? It was the sewing and the apprehension our hands holding string we sat down in the factory but shortly stood up to sing something forced us, past the window, it was still early our minds returned to our benches our selves were in the seams and we laughed, when we died, but it was all in jest we knew someday we'd give our lives so your dog could own a sequined vest. The Dog Your dog's a personality, it's so lovely I'm impressed It looks so jaunty prancing there, alive its sparkling vest. Now tell me Baps, who made it? However did you find a sequined silver vest to fit on your canine? It's really rather simple--it's not even that smart I bought my dog this lovely vest at the giant mart. The giant mart? How daring! How intriguing, I declare! It contrasts very vibrantly with his top hat and black hair. I tell you Baps, he's precious, look at him standing there! I can imagine him singing show tunes like the late great Fred Astaire! "Yeah, you're right" Baps said, the conversation lingered there. And I'd like to say what else was said, but frankly I don't care. I hate these bitches' feelings, I don't resemble Fred Astaire. I wish they take these things off of me. Dogs don't wear underwear.
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28
Harmless showery harming Drove of peddling mongers. Harmless harming torrent Harming horde of hucksters. Humming a melody of venting       distraction. Pouring brimful harmless rain       like glacier racing across the       cliff of rocks. Shutting doors of coop out of       the sphere of ataraxis. Watching helplessly from the       refuge of dislocation for       receding arms of a       tyrannical torrent. But spitting fire produced no       venom of fire. Heralding floods of occupation Colonising footway of the bloc. Emissaries of fertility from the       sky hoarding tranquillity. Marking time out of attention. Rain no more !
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Jan 27, 2019
Jan 27, 2019 at 1:18 PM UTC
SPITTING FIRE OF TORRENT
Heavy black clouds darken the entire sky an imposing dictator now rules the horizons pertinent petulant grinning seditious clouds mercilessly grinding devouring cotton candy clouds silky satin clouds. Bright heady clouds now smothered, abused all conceding they themselves are now transformed en bloc! oh great one allow me to intercede so all bow low below Allow me to bellow Wasteful wistful wisps Of white fluffy bits into – A war cloud! One that gets respect A heavy dark full-bloodied cloud Into a real cloud A cloud to die for So gallant brave foot soldiers beat the war drums with whittled willow sticks thunder-bolt strikes  that invoke the terrain spirits alert the earth sprites enlighten all mankind so sombre September skies may weep woefully for all the living, the departed, too. . lightning strikes faces flash-overed frying flesh fresh weeping unpeeling crawling exposing feeble fibia bones splendid rip raw effect lightning sheets that reflect vivid vibrant violence inflicted on hapless victims. Therefore ... I propose simply do not court disaster Serve but one Lord and Master Oh menial lowly caste civil clouds Pay homage to your Ruler Recognize and realize – CUMULONIMBUS!
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Mar 14, 2014
Mar 14, 2014 at 11:09 PM UTC
Cumulonimbus
We call it the Bloc Aint free to live our lives the streets steady patrolled by the cops living in the clouds Wiz Kahlifa dreams this is a duck hunt prepared to get shot every day children's names forever lost.
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Sep 12, 2012
Sep 12, 2012 at 7:31 PM UTC
West Bloc
I'm so sorry to have loved you this much.
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Nov 9, 2013
Nov 9, 2013 at 12:45 PM UTC
en bloc
- What are you doing here? - I wanted to see a writer at work. (So you came to watch me stare at empty spaces the empty promises I keep breaking to myself. So many days hidden in a blank page until I run away again hoping and pretending I’ll find myself somewhere to fill a page. So…) - What am I doing here? - You wanted to be a writer at work.
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Dec 2, 2010
Dec 2, 2010 at 1:30 AM UTC
Bloc
There is a blockage of ink It forms a clot Which gets thicker and thicker Until my heart stops
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Jul 17, 2014
Jul 17, 2014 at 2:00 PM UTC
Writers bloc
A lady stares blankly ahead: Ignoring everything in her stead, Inhaling the adulterated room air, Taciturn, stiff, certain, or maybe scared. Still as a rock – Calm as a lake – Strong as a dock – But those are all fake. Inside her, a war is waging. Beasts, monsters, and heroes – all fighting. For the longest time, Her mind has been running wild. Her clock is ticking Yet no one is winning. Not one bloc is determined to fall Because all she does is feed them all. /pc
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Oct 1, 2018
Oct 1, 2018 at 9:37 AM UTC
beasts. monsters. heroes.
the first time i choked on tear-gas, we were standing in the heart of the Empire. the scent of capsaicin still smarted as we fished our medic bags for water-bottles to flush our comrades’ eyes. we did not weep for the revolt. we were at peace even as we knew, beyond a shadow of a doubt, we were ****** the black bloc, three thousand strong, had raged through the streets of D.C. overturning dumpsters, torching limos, taking hammers and crowbars to Bank of America windows with gleeful abandon, a sense of endless, militant joy. it would be anarchy or annihilation. the spontaneous insurrection of the antifascist demonstration was an inferno hotter than the dumpster-fires we’d left like signal-flares in our wake. for a moment, there, we could feel the ******** quaking as our feet shook the Earth, stepping in-and-out of Lovecraftian shadows, eldritch horrors of doom gloating over us. but we’d been kettled, cordoned by cops in riot gear, cut-off from all possible routes of escape. faceless phantoms clutching cudgels to bludgeon our conflagration into submission. and then the call came. “this way! this way! we found an exit!” immediately, the cops swarmed in, their momentarily vindictive arrogance shattered by the freedom that rang like church-bells in a half-a-hundred voices. “this way! this way! we found an exit!” motorcycles turned down the alleyway, sirens screaming, echoing off the tenement halls and only one of us possessed the sense to intervene. for a moment, she stood alone. a single figure, holding up her hands and shaking her head, refusing to let the ******** advance. but courage is infectious. a moment later, another joined her, then another, until all of a sudden a half-a-dozen of us stood shoulder-to-shoulder, shouting, “no pasaran! you shall not pass!” we waited for the billy-clubs to rain hell upon our shoulders, but still we remained steadfast, anchored by the weight of our conviction and the hope that even if we fell the rest of the bloc would escape to wreak havoc another day.
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May 31, 2019
May 31, 2019 at 12:33 PM UTC
courage
the first time i choked on tear-gas, we were standing in the heart of the Empire. the scent of capsaicin still smarted as we fished our medic bags for water-bottles to flush our comrades’ eyes. we did not weep for the revolt. we were at peace even as we knew, beyond a shadow of a doubt, we were ****** the black bloc, three thousand strong, had raged through the streets of D.C. overturning dumpsters, torching limos, taking hammers and crowbars to Bank of America windows with gleeful abandon, a sense of endless, militant joy. it would be anarchy or annihilation. the spontaneous insurrection of the antifascist demonstration was an inferno hotter than the dumpster-fires we’d left like signal-flares in our wake. for a moment, there, we could feel the ******** quaking as our feet shook the Earth, stepping in-and-out of Lovecraftian shadows, eldritch horrors of doom gloating over us. but we’d been kettled, cordoned by cops in riot gear, cut-off from all possible routes of escape. faceless phantoms clutching cudgels to bludgeon our conflagration into submission. and then the call came. “this way! this way! we found an exit!” immediately, the cops swarmed in, their momentarily vindictive arrogance shattered by the freedom that rang like church-bells in a half-a-hundred voices. “this way! this way! we found an exit!” motorcycles turned down the alleyway, sirens screaming, echoing off the tenement halls and only one of us possessed the sense to intervene. for a moment, she stood alone. a single figure, holding up her hands and shaking her head, refusing to let the ******** advance. but courage is infectious. a moment later, another joined her, then another, until all of a sudden a half-a-dozen of us stood shoulder-to-shoulder, shouting, “no pasaran! you shall not pass!” we waited for the billy-clubs to rain hell upon our shoulders, but still we remained steadfast, anchored by the weight of our conviction and the hope that even if we fell the rest of the bloc would escape to wreak havoc another day.
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57
Strangers stare and question her sanity although she pleads her case on something else the bags under her eyes everyday remind you of yourself; Sunrises were your reluctant goodnight to a drug fueled night alone again. Back when your forehead was too big so you cut your bangs yourself. Back when Bloc Party, no matter the song, brought you to your knees to plead and facebook stalking was reasonable considering; Tell them the honest to goodness truth it hurts for a while but then you'll love again. That special someones right under you nose even as we speak. Something they never wanted isn't worth the blood sweat and tears, so breathe babygirl because your second coming is now.
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Jun 16, 2015
Jun 16, 2015 at 5:57 AM UTC
If they asked me if I'd take you back after all of this I'd be safe to say no; You're not welcome in my life anymore anyways
Fable XIII, Livre III. L'autre hiver, des badauds attroupés dans ma rue S'extasiaient devant une statue : C'était la reine de Paphos, Chef-d'œuvre qu'un artiste échappé du collège Avait tiré... - D'un marbre de Paros ? Non, lecteur ; mais d'un tas de neige. Le ciseau de Chaudet n'aurait pas excité Plus d'admiration dans la foule ébahie. « - Voilà ce qui s'appelle une œuvre de génie, « Un morceau vraiment fait pour la postérité ! « Que cette tête est noble et belle ! « Disaient, en soufflant dans leurs doigts, « Trois amateurs transis ; l'antiquité, je crois, « N'a rien à mettre en parallèle. « - Rien ! dit un antiquaire indigné du propos ; « Rien ! puis-je entendre un tel blasphème ? « Rien ! ne craignez-vous point de passer pour des sots ? « - Des sots ! nous, monsieur ? Sot vous-même, Si vous n'admirez pas ces formes, ces contours, « Cette pose à la fois sublime et naturelle, « Ce sourire où l'on voit se jouer les Amours : « Non, la Vénus de Praxitèle « N'est qu'un bloc en comparaison. « - Qu'un bloc ! » dit l'érudit étouffant de colère, Comme s'il n'avait pas raison, « J'espère aux ignorants démontrer le contraire ; « Je ne veux rien qu'un mois. » Et s'échappant soudain, Il grimpe à son taudis, s'enferme, prend la plume, Compulse maint et maint volume, Cite maint Grec et maint Romain ; Se fatigue la tête, et plus encor la main. Que d'encre prodiguée, et que d'encre perdue ! Non qu'au jour dit l'erreur n'eût été confondue, Et le goût rétabli dans son honneur vengé ; Mais, tandis qu'il grimpait, le temps avait changé, Et la Vénus était fondue.
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718
La statue de neige
Fable XIII, Livre III. L'autre hiver, des badauds attroupés dans ma rue S'extasiaient devant une statue : C'était la reine de Paphos, Chef-d'œuvre qu'un artiste échappé du collège Avait tiré... - D'un marbre de Paros ? Non, lecteur ; mais d'un tas de neige. Le ciseau de Chaudet n'aurait pas excité Plus d'admiration dans la foule ébahie. « - Voilà ce qui s'appelle une œuvre de génie, « Un morceau vraiment fait pour la postérité ! « Que cette tête est noble et belle ! « Disaient, en soufflant dans leurs doigts, « Trois amateurs transis ; l'antiquité, je crois, « N'a rien à mettre en parallèle. « - Rien ! dit un antiquaire indigné du propos ; « Rien ! puis-je entendre un tel blasphème ? « Rien ! ne craignez-vous point de passer pour des sots ? « - Des sots ! nous, monsieur ? Sot vous-même, Si vous n'admirez pas ces formes, ces contours, « Cette pose à la fois sublime et naturelle, « Ce sourire où l'on voit se jouer les Amours : « Non, la Vénus de Praxitèle « N'est qu'un bloc en comparaison. « - Qu'un bloc ! » dit l'érudit étouffant de colère, Comme s'il n'avait pas raison, « J'espère aux ignorants démontrer le contraire ; « Je ne veux rien qu'un mois. » Et s'échappant soudain, Il grimpe à son taudis, s'enferme, prend la plume, Compulse maint et maint volume, Cite maint Grec et maint Romain ; Se fatigue la tête, et plus encor la main. Que d'encre prodiguée, et que d'encre perdue ! Non qu'au jour dit l'erreur n'eût été confondue, Et le goût rétabli dans son honneur vengé ; Mais, tandis qu'il grimpait, le temps avait changé, Et la Vénus était fondue.
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37
Oui, l'oeuvre sort plus belle D'une forme au travail Rebelle, Vers, marbre, onyx, émail. Point de contraintes fausses ! Mais que pour marcher droit Tu chausses, Muse, un cothurne étroit. Fi du rythme commode, Comme un soulier trop grand, Du mode Que tout pied quitte et prend ! Statuaire, repousse L'argile que pétrit Le pouce Quand flotte ailleurs l'esprit : Lutte avec le carrare, Avec le paros dur Et rare, Gardiens du contour pur ; Emprunte à Syracuse Son bronze où fermement S'accuse Le trait fier et charmant ; D'une main délicate Poursuis dans un filon D'agate Le profil d'Apollon. Peintre, fuis l'aquarelle, Et fixe la couleur Trop frêle Au four de l'émailleur. Fais les sirènes bleues, Tordant de cent façons Leurs queues, Les monstres des blasons ; Dans son nimbe trilobe La Vierge et son Jésus, Le globe Avec la croix dessus. Tout passe. - L'art robuste Seul a l'éternité. Le buste Survit à la cité. Et la médaille austère Que trouve un laboureur Sous terre Révèle un empereur. Les dieux eux-mêmes meurent, Mais les vers souverains Demeurent Plus forts que les airains. Sculpte, lime, cisèle ; Que ton rêve flottant Se scelle Dans le bloc résistant !
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422
L'art
At 6 A.M. the day started with an obscure Eastern Bloc animation of sad animals finding the spirit of the season through solidarity, then by running fingers down the listed joys of the Radio Times I found it perfectly possible to navigate a day from a hole in the sofa, subsisting on nuts, as familiar celebrities made Christmas **** of themselves
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Dec 20, 2020
Dec 20, 2020 at 3:56 AM UTC
20th
Nous sommes frères : la fleur Par deux arts peut être faite. Le poète est ciseleur ; Le ciseleur est poète. Poètes ou ciseleurs, Par nous l'esprit se révèle. Nous rendons les bons meilleurs, Tu rends la beauté plus belle. Sur son bras ou sur son cou, Tu fais de tes rêveries, Statuaire du bijou, Des palais de pierreries ! Ne dis pas : « Mon art n'est rien... » Sors de la route tracée, Ouvrier magicien, Et mêle à l'or la pensée ! Tous les penseurs, sans chercher Qui finit ou qui commence, Sculptent le même rocher : Ce rocher, c'est l'art immense. Michel-Ange, grand vieillard, En larges blocs qu'il nous jette, Le fait jaillir au hasard ; Benvenuto nous l'émiette. Et, devant l'art infini, Dont jamais la loi ne change, La miette de Cellini Vaut le bloc de Michel-Ange. Tout est grand ; sombre ou vermeil, Tout feu qui brille est une âme. L'étoile vaut le soleil ; L'étincelle vaut la flamme. Paris, octobre 1841.
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À M. Froment Meurice
Un grand bloc de grès ; quatre noms : mon père Et ma mère et moi, puis mon fils bien **** Dans l'étroite paix du plat cimetière Blanc et noir et vert, au long du rempart. Cinq tables de grès ; le tombeau nu, fruste, En un carré long, haut d'un mètre et plus, Qu'une chaîne entoure et décore juste, Au bas du faubourg qui ne bruit plus. C'est de là que la trompette de l'ange Fera se dresser nos corps ranimés Pour la vie enfin qui jamais ne change, Ô vous, père et mère et fils bien-aimés.
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259
Batignolles