1748

The reticent volcano keeps
His never slumbering plan—
Confided are his projects pink
To no precarious man.

If nature will not tell the tale
Jehovah told to her
Can human nature not survive
Without a listener?

Admonished by her buckled lips
Let every babbler be
The only secret people keep
Is Immortality.

perchance an epic was necessary, to consolidate the scattered thinking, and indeed, once a certain life, and was lived with a cherishing heart, the heart broke, and life turned from adventures to a more studious approach, and in here, a comfort was found, never before imagined explorations - of course sometime a tourist in the arts does come, but such tourists quickly fade, and the pursuit becomes more enshrined - to levitated towards epics is perhaps the sole reason for the cherished memory of some - and how quickly all can revolve around a searched for theme, after many incorporations were minded - as one to have travelled the Mediterranean, another to have been eaten by the great mandarin silkworm of the library of Kangxi - heading along the silk route with spices - indeed the great mandarin silkworm of the library of emperor Kangxi; as i too needed a bearing - to inspect the trickster of lore and the godly blacksmith of the north.

by instruction - an accumulation of the the zephyrs
into a vector, headed north,
toward the gluttonous murk of ice, jesting
with aches to the bulging and mesmerised crescendo
of adrift stars captured in the tilting away -
to think of an epic, to keep out-of-time of
spontaneity and thistle like swiftness in the last
days of summer, that Mercury brings the new
tides of the tetravivaldis -
   brought by the λoγος of a γoλας -
for reasons that satisfy the suntan copper of
the ***** - the λoγος of a γoλας - yet not toward
Monte Carlo or any hideout of money well invested
and greedily spent for a charm -
no, north bids me welcome from afar -
this norðri fløkja, this    ᚾᛟᚱᛞᚱᛁ       ᚠᛚᚢᚲᛃᚨ -
by my estimate, i could not take the nonsense
of numerology of a certain specialisation,
i took what was necessary, i pillaged the temple
of Solomon, perhaps that the dome of the rock
might stand - with its glistening dome and
its sapphire mosaics - i don't belong among
palm trees and date trees - hence i turned to
deciphering and subsequently encrypting -
as i have already with *ᚱᚨᛒᛖ:
the journey of an Æsir through a birch forest
on a horse.
                    with this method in mind:
(a) ᚾᛟᚱᛞᚱᛁ       (b) ᚠᛚᚢᚲᛃᚨ:

(a)
the need to acquire possessions accumulating
into an estate, is a journey encountered
day by day, although a journey on ice

(b)
cattle only thrive near water,
auruchs did not, and hence illuminated
their way to extinction,
         by way of the Æsirs' harvest
(to eat up diversity of life, and create
a godless world of man).

my escape route came from ᚠ - mirroring שִׂ
although the former standing, the latter sitting
down, although the former fathomable
to my pleasure, the latter unfathomable
to ascribe numbers to letters for patterns -
i seek no patterns, hence my sight turned to
the northern sights, and meanings amplified.
                
the greeks were intended to explore abstracts,
having stated a triangle
they invented the ² symbol and what not,
it was because
they didn't bother extracting a phonetic unit
from something definite,
they classified such endeavours barbarian,
what reasonable greek of 13% reason and
87% reality would extract alpha from
the sound you made when
saying ansur (ᚨᚾᛋᚢᚱ) - i.e. attention -
i.e. deriving a definite sound differentiation
for alphabetical rubrics from a definite thing
(in whatever classification that might be)?
the greeks used the alphabetical rubric of
crafting a definite sound from an indefinite thing,
so they said: acronym, aardvark, assumption,
                       α                 α      α     α,
then they said α² - there are no antonyms -
but indeed there were, hence the Trojan nation
settling in the boot, that's Italy,
the Romans escalated the greek theory
beyond taking out a definite sound distinguished
from other distinguishable sounds,
abstracting what the alphabetic sound assured
a list under alpha: assumption, advantage,
acorn, etc. -
the latins were the first atomist after the greeks,
the greeks believed in atoms, but had no
microscopes to prove atoms existed,
such scientific faith found no parallel;
the latins ensured this was true,
ending with castrato sing-along -
the latins furthered abstracting sounds from
definite orientation which the greeks did
working from ice into iota,
the latins just sang i, i, i -
of course chiral behaviourism of such dissection
emerged - hatch a plan, plan a chisel -
it's very piquant i mind to let you know -
the greeks abstracted nouns in order to create
the alphabet, the barbarians still used
proper nouns to speak proper, the greeks
thus created synonyms and antonyms to add
to the spice of life - after all,
not deriving definite alphas from
cursors that acknowledged points of origins
created diacritical stressing like comma and
semis of colon and macron, not deriving them
from definite things, shunning a helpful
vocabulary bank to an unhelpful vocabulary
banked: synonyms and antonyms the Gemini's
birth of rhetoric;
but the latins were rejected with their atomic theory
of pronunciation, since they became laden
with diacritics - punctuation marks of a different sort,
you can measure a man sprint one hundred metres,
but is that also measuring a man to say
mān or män or mán? i know that the slavic ó = u
given the scalpel opening the ensō to craft a parabola -
but it's not necessarily an accent debate
but a punctuation debate... the emergence of
the diacritic symbols above the letters is due
partly to their joy of the popes listening to
castrato operas and the fact that the romans
went too far... hence the chiral nature of certain
symbols when dittoing - the barbarians used
definite things to assert definite sounds -
the greeks used indefinite things to assert definite
sounds - mind you, if the romans became too
abstract with their little units that became engraved
with punctual accenting, then the greek letters
became laden with scientific constants as necessarily
fathered, unchanging in the pursuit of Heraclitus' flux -
for example... Pythagoras and the hypotenuse:
                            σ / κ² = α² + β² -
           or?
                             c² (ć) = a² (ą) + b² / š (bubble beep
                                                           bop barman backup hop
                                                           of shackled kakah
                                                           or systematic oscillation
                                                           for bzz via burp);
πρ² is still more stable
                                 than what the latin alphabet allows -
hence why greek phonetic encoding was used in
science, and latin phonetic encoding was used in music,
can't be one or the other - added to the fact that
latin encoding had too many spare holes with
the evolution of numbers, and greek didn't have them,
hence β-reduction in lambda calculus and F-dur and A#

the one variant of the grapheme (æ) they didn't include
among expressions: graphite and grapheme
was the variant - gravitating to an entombing
of the excess aesthetic - geresh stress -
somehow the twins match-up to a single womb:
àé vs. áè: V vs. Λ - Copernicus wrote over all
of this with the flat earth uselessness
in terms of navigation - flat earth is useless...
huh? flat earth is the only system that gave
Columbus the chance to explore the new world -
no flat earth no Columbus -
that satellite named Luna was no tool
in navigating across the Atlantic - believe me
i'm sure -
                  or that grapheme (æ) varied like statistics
or like the characters in the book of genesis
that famous adam und eve (kim and kanye):
chances came, chances went:
it was still a draw on the tongue tied decipher:
àè and áé proved another notation for plurality
was necessary, not at the beginning of the word,
but after, hence the possessive article 's,
we could have parallelism, there was a crux,
how once the chiselling of letters came about,
more economic to chisel in a V than a U,
both the same, much easier though...
almost barbaric i might say...
sigma (Σ) enigma rune e (ᛖ) - this compass
is a ******* berserker, god knows if it's
mount Everest or the Bermuda Δ

but one thing is for certain, never you mind how
a language is taught unless you mind it,
not that conversational athenian is really what
i'm aiming at - but a lesson is a lesson nonetheless,
out of interest something new,
richard von Coudenhove-Kalergi,
and what preceded him, namely pan-slavism,
just when the polish-lithuanian commonwealth
did a little Judaic trick of its own,
although snorkelling in the waters of not writing
history for less a time than israel -
you can't beat ~2000 under water - although
you could if your little tribe had an einstein
among them, or proust or spinoza, then
you could effectively become a whale, popping
an individual out from the rubble to say a polite
'hello' and 'when will the dessert be served?'
but indeed, learning a language on your own,
how to learn from scratch, the greek orthography,
and why omicron and not omega,
the give-away? sigma - purely aesthetic reason,
                             νoμισματων

                             nomismaton

omicron                                                 omega

                 you write omicron at the front
                 and omega at the back
                 pivot letter? two: σ     μ &
                 νoμι-                                -ατων
                      ­                     |
                 anything here  
                 will use o            and anything
                                              here uses ω

alike to sigma:
                          χωρας (choras, i.e. country)

sigma (ς) not sigma (σ), i.e. digitalising languages
without a clear connectivity of letters,
block-a-brick-block-a-brick-digit-digit-digit
you learn that handwriting is gone,
two options, your own aesthetic reasons now,
remember, some paired for the ease of handwritten
flow - digitalised language changes the aesthetics,
you make your own rules (considering exceptions
of oh mega mega, ergo revision -

                                       χoρας,

but still the sigma rule, others esp. o mega
you stamp on them like βλαττια, i.e. cockroaches -
κατσαρίδα                 not         κατςαρίδα

all perfectly clear when you explore plato's
dialogue from the book Θηαετητυς (as you might
have noticed, the epsilon-eta project is still
in the storage room of my imagination) -
but indeed in the dialogue, between socrates
and the "hero" of the book theaetetus -
a sample, without an essay on the theory
of knowledge -
socrates: ...'tell me theaetesus, what is Σ O?'
theaetetus: yes, my reply would be that it is
                    Σ and O.
socrates: so there's your account of the syllable,
                isn't it?
theaetetus: yes.
socrates: all right, then: tell me also what your
                  account of Σ is.
                                                             ­   (etc.
or as some might say, a shrug of the shoulders,
a hmmpf huff puff of hot air, impractical interests
and concerns - well, better the impractical
problems than practical problems, less feet
shuffling and nail-biting moments with your
tail between your legs and an army of
intellectuals working out what went wrong
and how history will solve everything by
the practical problems repeating themselves) -
you know that inane reaction - others would just say
Humphrey Bogart and nonetheless get on with it.

some would claim i was begot a second time,
not in the sixth month period of the aqua-flesh,
how did i actually related to the life aquatic,
for nine months i was taught to hold my breath,
however did this happen?
a miracle of birth? ah indeed the miracle of
a crutch for a woman - spinal deformities -
9 months, sort to speak, in water or some other
fluid - merman - a beastly innovation -
next you'll be telling me beyond this life
we turn into centaurs, given the Koran's promise -
you'd need the appetite of a breeding horse
to satiate the 72 - or thereabouts - martyr or
no martyr - 72? that's pushing it -
or as they say among children - a chance playground
without swings or sandpits, but very careless
gravitational pulling toward a certain direction;
nonetheless, they might have that i did indeed
settle of a sáttmáli                  ᛋᚨᛏᛏᛗᚨᛚᛁ
                  við         ­                  Vᛁᛞ
                  tann                         ᛏᚨᚾᚾ
                  djevul                      ᛞᛃᛖVᚢᛚ -
the hands you see, fidgety -
     hond handa grammur burtur    úr   steðgur
     ᚻᛟᚾᛞ  ᚻᚨᚾᛞᚨ  ᚷᚱᚨᛗᛗᚢᚱ   ᛒᚢᚱᛏᚢᚱ  ᚢᚱ   ᛋᛏᛖᛞᚷᚢᚱ
         the hands give an ardent pursuit
                                                 away from rest -
well not that my poems will ever reach
the islands in question - and indeed an
uneducated guess propels me - what does it matter,
λαλος babbler meant anything, indeed λαλος,
language as my own, is a language that i can
understand - and should anyone omit
disparities - a welcome revision would never tease
nor burn my eyes - but the phonetic omission
peeved me off: woad in water, ventricles in a
variety of entanglements - it's just not there -
and indeed, orthographically, if there are no more
optometric involvements of omicron's twin -
then the stance is with you to use whichever pleases,
i can't tell the difference, unless i was a pedantic
student, aged 70, with a granddaughter i wanted
to be wed teasing a millimetre's worth of
phonetic differentiation between the two -
POTATO PA'H'TAYTOE TOMATO TA'H'MAYTOE -
linguistically one's american and the other
is british, which looks like greek and latin
upside-down and in a mirror: pəˈteɪtəʊ, təˈmɑːtəʊ;
or as the spaghetti gobblers would put it:
the tetragrammaton is working on their
texan drawl (dwah! ripples in china) -
or the high-society new england ******* *******
coo with a cuckoo's load of clocks -
before being sent off to england for a respectable
education, something en route Sylvia Plath -
but not to ol' wee scoot land - ah nay - well
perhaps for a year and then talk of north european
barbarism of a deep friend pizza and mars bar.

and when descartes finished with christina
queen of sweden, she became an animate portrait
of feminine attempts at philosophising,
she was basically ostracised from society,
well, not society per se, she didn't become a stray
dog, but she forgot certain functions of
the upper tier - lazily modern man decides
to hide phenomena from understanding
individual instances, with the kantian guise
of a noumenon, hence cutting his efforts short -
indeed queen christina of sweden was ostracised
by society - only after descartes finished educating her;
and indeed to most people a little bit of sloth
equates to an amputation of some sort -
yet only with the x-files' season 2 episode 2
i've learned of the effects of prolonged alcohol
"misuse", that little boxing match in my liver?
it's not a pain as such, it's actually a hardening
of soft tissue - with prolonged alcohol exposure
soft tissue organs harden, notably the liver -
and it's not a pain, it's a hardening.
but indeed queen christina of sweden was ostracised
by her tier of socialites - i'm glad diogenes
didn't get to her, but then again a bit of cloth
goes a long way this far north -
yet unlike the encounter with napoleon by hegel
diogenes' encounter with alexander lasted longer -
which tells you the old method does no service
to a little bit of material accumulation -
but perhaps the acumen was briefer when you were
ably living in a barrel - and to think, as only
that being the sole expression, not so much
a body without organs as stated in the thesis
of anti-oedipus by deleuze and guattari -
a consideration for a body without limbs - prior
to a footprint an imprint on the mind -
carelessly now, a diarrhoea of narration -
how rare to find it - perhaps this idea of epic
poetry is a default of writing per se -
with this my whatever numbered entry i seize
to find escape in it - a lack of ambition -
a loss of spontaneity that's a demanded mechanisation -
by volume, by inaneness - to reach a single
technique accumulative zenith, and then back
into the ploughing, rustic scenery and the
never-bored animals - i rather forget such escapades -
and there i was dreaming of a grand
runic exploration - some imitable game -
some scenic routes - yet again -

Bus-riding, crumb-counting hand wringers
Bibble-babbler, channel-flipper slogan slingers
Keep the volume loud enough to drown out the machines
That fill their cupped hands daily with excrement and dreams
These are the ****** of the canon

Button-pushing, lever-pulling product users
Wife-buying, tax-paying alcohol abusers
Emasculated monkeys done up in black and white
Clock in in the morning and flock home late at night
These are the ****** of the canon

Train-conducting, ring-leading hand shakers
String-fingered, queue-cutting, man makers
Drive home, cursing, lonely, breaking bones beneath their wheels
Without the time to diagnose that emptiness they feel
These are the ****** of the canon

He shuffles his muffled way through cardboard aisles,
Oblivious, sheltered, speaking in a mumble of tongues,
His piecemeal truths search for all that is meaningless,
Where he carves a gravestone—arguments in the rows.

543

I fear a Man of frugal Speech—
I fear a Silent Man—
Haranguer—I can overtake—
Or Babbler—entertain—

But He who weigheth—While the Rest—
Expend their furthest pound—
Of this Man—I am wary—
I fear that He is Grand—

He shuffles his muffled way through cardboard aisles,
Oblivious, sheltered, speaking in a mumble of tongues,
His piecemeal truths search for all that is meaningless,
Where he carves a gravestone—arguments in the rows.

He shuffles his muffled way through cardboard aisles,
Oblivious, sheltered, speaking in a mumble of tongues,
His piecemeal truths search for all that is meaningless,
Where he carves a gravestone—arguments in the rows.

Brownish grey yellow billed
Babbling beaks joyous filled
With them around silence is gone
Have never seen them coming alone.

To pep up the world sent by heaven
They forage in flock of six seven
Never they break the brotherly band
Hence seven brothers called in my land.

In my surround they sprinkle joys
Prance and dance make cheery noise
When spring comes these feathered guests
In mango tree build chaotic nests.

I love to see their mock war game
Two males fighting for winning dame
I welcome them so long they stay
Give me good times a brighter day.

He shuffles his muffled way through cardboard aisles,
Oblivious, sheltered, speaking in a mumble of tongues,
His piecemeal truths search for all that is meaningless,
Where he carves a gravestone—arguments in the rows.

He shuffles his muffled way through cardboard aisles,
Oblivious, sheltered, speaking in a mumble of tongues,
His piecemeal truths search for all that is meaningless,
Where he carves a gravestone—arguments in the rows.

He shuffles his muffled way through cardboard aisles,
Oblivious, sheltered, speaking in a mumble of tongues,
His piecemeal truths search for all that is meaningless,
Where he carves a gravestone—arguments in the rows.

Resting the mind is not easy
it dances like a sparrow
and speaks like a babbler
seeking the minutest grain
from the jungle of weeds
tweeting what it has to say
from one perch to the other
in all weather.

Then the aching wings falling slow
by the cold north wind
find no worth in the haste
seek a rest
perching upon some heart.

When unbroken silence is all it has
the mind rests easy in peace.

408

Unit, like Death, for Whom?
True, like the Tomb,
Who tells no secret
Told to Him—
The Grave is strict—
Tickets admit
Just two—the Bearer—
And the Borne—
And seat—just One—
The Living—tell—
The Dying—but a Syllable—
The Coy Dead—None—
No Chatter—here—no tea—
So Babbler, and Bohea—stay there—
But Gravity—and Expectation—and Fear—
A tremor just, that All’s not sure.

Incantation
Strange was the night the harvest moon would serve as the pumpkin dark foreboding grips his heart as he walked what evil brewed
There were those recurring stories they were filled with mist had a groggy affect you slipped between the calm to the terrifying
Was it true did it really happen he was set to find out he always fancied himself as an investigator one who could probe the stewed
First he must find his way into the incandescing glow there he would separate fact from fiction at the very door of Haitian voodoo

He was set to meet Papa Legba he was in the form of an old man the gate keeper to the spirits and their world nonsense or truth
An old grass shack was where he had been instructed to go he entered saw a few ceremonial items setting on a crude altar
One thing for sure this god was not rich but devilment requires not earthen wealth but the souls of it followers behold the sooth
This babbler this one who transfixes minds on moon lit nights weaves the web no one will ever escape from and why would they

Come to this foreign chasm an opening that invites ever yawning behold its misteh mysteries dare not be afraid you will be wise
Here the weak are made strong the dead assist the living feel the cold clammy hand that desires to engulf you just surrender
The candles they will bring bondje or bon diea French for good god see him coming from the water under the sea oh great one rise
Tell us your humble servant what to do to own the night never to be frightened again by any circumstance you are foresworn as victor

Get on with it face your enemies send forth the vestiges of confusion the essence of delusion they will unknowingly do your bidding
It comes like a tidal wave the power oh what sway it holds you in its dark embrace moods enliven oh how it pervades stunning
There are no bounds no end this was what you were created for rifle the world all contents of moral chains forgotten are you kidding
One small thing our agreement has a catch put forth your hand the ceremonial knife must sacrifice tonight I’m the only one here nooo

Voodoo has mystery one to die for look well into your own soul on this evil Halloween night

Broken vows,
Sounds of bellowing cows,
No wedding bells
A broken heart tells no tales

Nonsense in my sense
Calculating emotional expenses
Excuses for a lost moment
Fragrance without a scent

A heart grieving in silence
With walls shedding tears of innocence
Rage of innocence I guess
The fight of a bleeding heart- one in rags

Naked and vulnerable like a mother less toddler
Speech turned sour- now a babbler
Blah-blah, tongue twisting tale
Hailing hot from hell

Promises fallen on thorns
Pierced to the bones
Wilted words on dry ground
Salted seeds don’t count

No harvest this summer
Extract the pain in my grammar
And it will narrate my mistakes
Mistaken for forgiveness, commitment crucified on the stakes

This is the thesis
Thesis of a broken heart
Broken into many pieces
Smudged art…

Broken vows
Sounds of bellowing cows,
No wedding bells
A broken heart tells no tales

I am God
I AM WHO I AM
There are none like Me
The strength of My might is immeasurable
The breadth of My knowledge unknowable
My children I protect
My followers I love
None whom I take into My hand I forsake
Selah!
Blessed are those, O Lord, who hear Your voice!
Be not absent from my mind!
But have patience and be of slow words
For Your servant, Lord, can only write haltingly
I give the dumb speech
To the blind I give sight
The deaf hear again with My touch
My children pass like breaths
But I am eternal
Speak to the God who listens
Oh merciful God, blessed be Your name!
Holy are You that takes the time to listen to my speech
My enemies are forfeit, my mockers destroyed
The God of Abraham, of Isaac, of Jacob, of Moses, of Noah
Graciously, mercifully listens to a babbler, a fool
Humble my heart O Lord
That my words might be pleasing to You
Speak**
Listen to my prayer, O God
And hide Yourself not from my supplication!
Attend to me and answer me;
I am restless and distraught in my complaint
And must moan
Lord to Your servant David You would answer
Answer now my pleas, though my heart be crude and unfit
Lord do You see Your child?
He is tormented day and night by thoughts of You
Your hands molded him into being
His heart You placed in his chest and it was made to worship You
But he is attacked and harassed
Lord how he despairs so unjustly!
Deep into the mire has he sunk
He is trapped there in agony
And the prince of lies is his companion
Into his ears demons whisper day and night
Lord, do not abandon him!
You made him to love, to worship You!
His heart You love, his mind You made
What gifts You have blessed him with!
Then how now does he suffer?
Forsake me not, O Lord!
O my God, be not far from me!
Make haste to help me, O Lord!  My salvation!
This heart bleeds and weeps at his suffering
In my insolence I thought it was I who could free him from his pain
But no, it is You!
Selah!
God will you crush him too?
Destroy his oppressors and free his soul
He would worship and love You God, this I swear:
These eyes have seen, these ears have heard
All is in alignment, he is made to be your most devoted follower
Let him worship You Lord, for this is right
Forgive him his tresspasses, forgive him his sins
Let him not weep in despair
As he feels Your absence and is tortured still
Are You not his savior?
Are You not his redemption, his healer?
God, Your lover, Your bride weeps to see Your abandonment
She cries to see Your glory
Her pleading will never cease
Till Your mercy is shown
And he is freed from his suffering
And back into the tender care of Your loving arms
Selah.
She will plead until You are glorified
And Your children love You as one
Hold back not Your glory
Love Your children
Forget them not in Your wrath, o Lord
May Your mercy come down like a cloud
And Your love as a rain
Amen and amen
Glory to You forever and ever, o God

Unit, like Death for Whom?
True, like the Tomb,
Who tells  no secret
Told him-
The Grave is strict-
Tickets admit
Just two-the  Bearer-
And the Borne-
And seat- Just One-
The Living- tell-
The Dying- but a Syllable
The Coy Dead-None
No chatter-here- no tea
so Babbler, and Bohea- stay there
But Gravity-and Expectation-and Fear
a tremor just, that All's not sure.

Some dying wish
Flew from him
As he babbled with
The clink clink clink
Of coins.

Nickel tongue
Plated with all the
'How else'
And icy tang of inadequacy
What could he be
But a shaking
Taking
Babbler?

But there was something,
Some gritted tooth of a word
Biting into my ear
With all the froth and rage of
Rabid animals held on tight leads,

And that word?
Money
Money
Money

ocean waves moved,
motion with moods of the wind,
exampling emotions beneath the dust of past,

coarse sand evoked poignant presence,
like the babbler among the quiet,
quick to know but fast to forget,

crashes casually calmed,
broken forms fallen into foam,
distilling between a silent, dual partnership,

cascading hues of purple and tangerine,
a canvas painting leading into infinite of today,
blended hints tomorrow should never come,

the parent of such art,
dried streams lain below now closed eyes,
smells of the air tranquilized pain in loss…

as the fold of her memory hugged his mind.

You’re a good friend and a great liar
Your confidence is a fickle ceasefire
You give others the benefit of the doubt
But you doubt yourself, inside and out
You can dish it, but certainly can’t take it
Mindlessly spitting words of wisdom, your latest smash hit
Words that have weight for other people
But never for you or your clan of Sheeple

You’re a blind babbler, a social shambler
Combatting the voice inside you
This incessant, never ending mind chew
It’s galloping through La-La Land
Thought after thought to beat the band
If you deserve the best, then why don’t you think you do?

You wince at every word that comes out of your mouth.
This journey that inevitably leads south
You’re the envy of everyone else. Can’t you see?
So confident, footloose and fancy free
You have great willpower in the presence of your friends.
On your own, you have none.
Some things are easier said than done

Do
      Do.....doo.....doo-dooooo I, I, I...... have a
d
     r
       i
         n  
            k....
                drink....dri--nk
                                            king.....drink....
                                                                      dri-nk.....king
                                                                                                 prob,  pro-b..
lem... prob...prob... pro-blem?

   ......spew......
                               you,  you,  bug..bug  bug---gers
why, why.... should you care?     You aren't...aren't my fa---fa--father!

Officer-on-duty to subordinate:  LOCK THIS BABBLER UP!

there shall be moments when happiness
is not your state,

however in ever that happens,

it is, virtually, bound to happen,

but
in a literal existence of mere words, happiness

occurs ever after. You may be a

babbler wisher-for-happenstance to pirrouette on a pen
and whisper deep insights locked in hap

pens powered by magi-tech i-magined manufactured in mortal minds,

as it hapt.

---
the grip slips, words cease clinging to meanings and mean

- as in evil, mean people, mean words, mean spirited
things

arize to ****** the tiny hap...

which happens not to wish
to vanish
like a thought from a dream, but but

but re
mains, takes priority, exalts itself above the heard news,

you/me/we are irrelevant to, non-integrail to maintaining the flow of

peace that happiness always leaves in it's wake,

ah, always, we re
call the dry place, where we made no wake, no waves
to propagate

ripples, in time, near the nearest shore,

then, in time, near the farthest shore; nay,

in those dry places,

no such woken waves foam, dust rises as one step,

is taken by faith, no reason, save war is wrong so find some peace,

take a step, you might have to live like a refugee,

that's the story of confusion being unsnarled to reuse the meaning
in messengers going up and down,

and to and fro -- all balanced in the mix, a step taken to see from far away,

what if, another,

then one more, re becomes the rythm mmm re mmm re

call the idea, hap. Many haps must be that plenty state, happy,

plenely, right, plenty clear see happy is sufficiency of hap.

That is so simple, a child could be saved, if

it be possible, to live at peace, among all men. If ye say?

If? What, when ever what ever crisis of existance takes peace from the

dust,
breathe,  we left pure whist in the wind as we passed Kansas, in the spring

back when there was no morning dew,
any more...

and the farm blew into the Bermuda Triangle, by all accounts extant.

Considerated galactic storms were aitia-tic tic tict off, like war in

the heavens,

{ sloow read, while breathing aware, software in the air, just there}

the whole, integral system of life on an orbit around Sirius,

undeniable by flat earth witnesses all over the globe,
they admit. Sol is ellipticating pro

cessionally toward Sirius, the freakin' dog star. So,

we could make up a reason for war, with this much knowledge.

... but we can't tell the worker ants, those used to believe the six o'clock news.
For their own good,

suffice it to say, war makes money. Loving money, what makes that?

Lack of haps.

So simple, a five year old child can comprehend,
nothing beats money in the bank,

for giving a whole family that feeling of safety and security,
so much so
amen
that now the usage fee to the usery class, the tax-collectors and money-lenders, lets them lend to themselves at no interest.

No, child, not tree climbing tax collector
Zachias,
but he was a fanatic,
so don't take him for a role model... there were Mithraic bankers under the sign
of the Red Shield, in the Ghetto, about which Elvis sang,

Amazing-ly, from Graceland, in 1968, as an old idle word winks in passing,

I'm okeh, howeryew?

who converted then reverted, then, with riches in faith past Midas, one man, changed
ever after that,
says the story, Walt Disney

erected an image of a national pride,

The happiest place on earth, there where oranges grew, in Anaheim.

Golden apples, is what oranges were called, where oranges never grew, long ago,
in the realm of Asgard, where ever held cold hope, for mortals and gods,

Did you know?

Selah. I read the news today,  oh boy...

now, the peace I made is splashing as my cup runs over with love, as sung

by the guy who played the Tonto role to the official American hero history
Dan'l Boone or Davy Crockett,
Fess Parker - the official Disney-ify version,

American frontiersman model for boys, {a message from the sponsor}

with telescopic sight... see threads of star stuff swooshed before fore words in books

we read, we learn, we live and all we leave behind is the meaning intended unattended,

-so say the happy Sisyphus culties,

once a word loses meaning, each time you utter nonsense saying it, just take note,
give account.

What does that happen to do? How do you do? What's up?

Well, as it hapt,
I was odd. When asked, I answered true to how did I do, well,

i said, my side is winning. How are you? How do you exist at all, if

you choose to oppose me in this, your side lost when the referee

declared at all the crossings where choices are made  for patterns
in happenstances,
bliebe doch-- said Faustus now
now, ever never allows meaningless beyond

{slow- breathe}

good and evil, belief and dignity, dasein design,

oh-- a gleam, see, in the smile, tooth paste ads say that's *** appeal.

That's how boomer kids got *** ed... freeze, mind of a child, or you can't see

heaven is Disneyland. -- hush grandpa, don't spoil the fun...

Closed? There's no closing in Happiest Places on Earth, said Forrest Gump...

no
frozen statues query sphinxy riddles - with only old boomer stories left to hold

an eye for the needle all camels pass through,

if you get the tip of this thread,
wet,
and aim, steady, straight, miss, try again, we got all the monosylables in time

to find and redeem worthy of rereading for the possible metaphor left sealed.

And then you get a Corona, on the beach, it's a lifestyle.

It is true, its walls are heftier than I feel.
Its map appears when good self disappears
Away from the cosmos,
Than Einstein’s formula could reach.
Lighted up by Him who made it so.

Its track thereof, on the path of good deeds.
Gold slabbed roads starring the carpeted ground
And crystal streams snaking by healing trees.
The one who had gone before
was nailed before He could speak.

Lover of strange books,
Spoke thus in nasal flow:
'Tell me you babbler boy
Where does this lie lie,
Its geography and its scape?'

And the wise sayer spoke thus:
'Every night the eye’s shuttles are drawn short
For the mind to practice its end.
Then, distance between seconds,
He works in York and parades in Paris.

When the nights are dark and thick,
He knocks the memory still.
By moving through black holes
To unminuted meetings,
Returning in the mornings
To sit by sanctuary’s hope'.

That “you” in you knows his path
And by riddles describe his home.
When he is finally free,
He shall tell you where it be.
But this earthy ear may not be
To hear it in this realm.

late lunch and photos of Istanbul
but today no plane train traveler

sleeping long, fighting fear
and the Presidential buffoon boy babbler

ambiguous is my devolving life
and all those who live around me

is it eternal, this clueless strife?
Alas! the Thermians have not yet found me.