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"aztec" poems
The mushroom The unfolding instant of creation (fertilisation) not an instant separate from breakfast It all flows down & out, flowing but that instant: not fire & fusion (fission) but a moment of jellied ice, crystal, vegetative mating merging in cool slime splendour a crushing of steel & glass & ice (instant in a bar; glasses clash, clink, collide) far-out splendour heat & fire are outwards signs of a Small dry mating ~~~ event in a room event in space a circle Magic rite To call up the godhead spirits, demons The shaman calls: “When radio dark night…” We are eating each other. ~~~ The Voice of the Serpent dry hiss of age & steam & leaves of gold old books in ruined Temples The pages break like ash I will not disturb I will not go Come, he says softly an old man appears & moves in tired dance amid the scattered dead gently they stir ~~~ I received an Aztec wall of vision & dissolved my room in sweet derision Closed my eyes, prepared to go A gentle wind inform’d me so And bathed my skin in ether glow ~~~ Drugs are a bet w/ your mind ~~~ The cigarette burn’d my fingertips & dropp’d like a log to the rug below My eyes took a trip to dig the chick Crouch’d like a cat at the next window My ears assembled music out of swarming streets but my mind rebelled at the idiot’s laughter The rising frightful idiot laughter Cheering an army of vacuum cleaners ~~~ Mouth fills w/taste of copper. Chinese paper. Foreign money. Old posters. Gyro on a string, a table. A coin spins. The faces. There is an audience to our drama. Magic shade mask. Like the hero of a dream, he works for us, in our behalf. How close is this to a final cut? I fall. Sweet blackness. Strange world that waits & watches. Ancient dread of non-existence. If it’s no problem, why mention it. Everything spoken means that, it’s opposite, & everything else. I’m alive. I’m dying. ~~~ 1st wild thrush of fear -A phone rings There is a knock on the door. It’s time to go. No.
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Explosion
The mushroom The unfolding instant of creation (fertilisation) not an instant separate from breakfast It all flows down & out, flowing but that instant: not fire & fusion (fission) but a moment of jellied ice, crystal, vegetative mating merging in cool slime splendour a crushing of steel & glass & ice (instant in a bar; glasses clash, clink, collide) far-out splendour heat & fire are outwards signs of a Small dry mating ~~~ event in a room event in space a circle Magic rite To call up the godhead spirits, demons The shaman calls: “When radio dark night…” We are eating each other. ~~~ The Voice of the Serpent dry hiss of age & steam & leaves of gold old books in ruined Temples The pages break like ash I will not disturb I will not go Come, he says softly an old man appears & moves in tired dance amid the scattered dead gently they stir ~~~ I received an Aztec wall of vision & dissolved my room in sweet derision Closed my eyes, prepared to go A gentle wind inform’d me so And bathed my skin in ether glow ~~~ Drugs are a bet w/ your mind ~~~ The cigarette burn’d my fingertips & dropp’d like a log to the rug below My eyes took a trip to dig the chick Crouch’d like a cat at the next window My ears assembled music out of swarming streets but my mind rebelled at the idiot’s laughter The rising frightful idiot laughter Cheering an army of vacuum cleaners ~~~ Mouth fills w/taste of copper. Chinese paper. Foreign money. Old posters. Gyro on a string, a table. A coin spins. The faces. There is an audience to our drama. Magic shade mask. Like the hero of a dream, he works for us, in our behalf. How close is this to a final cut? I fall. Sweet blackness. Strange world that waits & watches. Ancient dread of non-existence. If it’s no problem, why mention it. Everything spoken means that, it’s opposite, & everything else. I’m alive. I’m dying. ~~~ 1st wild thrush of fear -A phone rings There is a knock on the door. It’s time to go. No.
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87
*I Fell In Love With You I fell in love with you slowly, syllable by syllable, word by word, poem by poem imagining the moon’s dancing affair with stars, twinkle by twinkle. And then all at once like the explosion of a super nova affecting distant galaxies and down to my very soul. ~~~ I fell in love with you gently, the way a dew drop glistens in the morning sun, the way a flower often opens to a moonlit song. ~~~ But like all love worth holding, it turns to fire- raging, uncontrolled, wild and consuming; you have become the flames dancing across my skin, smoldering brightly within my heart turning me into the sweet smell of ash. ~~~ I fell in love with you slowly then quickly, the way a meteor flashes as it skims across the night sky or hearts melt within an ******** sigh. I fell in love with you. Sorry. Aztec Warrior 12.4.15*
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Dec 4, 2015
Dec 4, 2015 at 3:36 PM UTC
POEM 99
Aztec in arts Spanish in conquest The Mexican breathes And lives Taking control Controlling the taken, Our blood hot Like the chile we eat Don't expect any less Outside we are strong Desert cacti Sharp unforgiving and rough On the outside But the inside Water flows The love flows For la raza Death envies our vidas So rich and full Fearless And feared Tattoos cover our skin Like they did Our ancestors Soon we will rise Soon we will unite
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Aug 17, 2014
Aug 17, 2014 at 9:43 PM UTC
The Mexican Breathes
I cut an avocado in half and give one half to the visitor; and I carefully scoop the avocado gently, gently with a teaspoon (the Aztec records show this is, ahem! the fertility fruit) and I savor each scoop and eat like a pig (ah well, like a graceful pig); and at last I have the skin left in the palm of my hand and it’s tough and shaped like a boat; and it has rained and there’s a puddle of water on the lawn and an ant that’s been irritating me wandering about on my naked foot and I put the ant in the avocado boat and I set the boat in the puddle and I give it a gentle push and I say: “Bon voyage, Monsieur!” And then I look at my visitor, and that silly guy is still staring at his half and I ask, ever gently, “Do you need help with your fertility fruit there?” The visitor replies, “No" – and I wonder if I should get him brain food or perhaps set him off on another avocado boat…
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Oct 10, 2010
Oct 10, 2010 at 12:37 AM UTC
avocado boat
In a ****** society Chicanos thrive culture changing as we try to survive the vatos in the calles **** our own kind our culture we can't find Aztec ancestors Spanish savages the blood of warriors but our native tongue is tied family from mexico, access denied a fence divides we act out in aggression now la raza has tension tattoos with meaning unknown ignorance is whats really shown our culture is lost
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Aug 17, 2014
Aug 17, 2014 at 9:34 PM UTC
Culture Forgotten
Sprang forth with no branches or leaves. Small roots. Bore mangoes, papayas,guava and bananas. Hybrid, mid limb grafting. The trunk is a figment but it stands non less. You see my family tree never was and always will be. A roadside shade with low hanging fruit. Was never planted.It was a deposit from the bowels of an exotic bird of the jungles that sampled at leisure the offerings of the rain forests. The Hardtack and marmalade came on ships with the kings business Mixed with the Nigerian Fu-Fu ,the Aztec maize the Mayan legumes. and all points of the compass. Old Joe Denegri, The Blancaneaux , The Cattouse, The Melado, The Pinks The Flowers,The Orozco and more. And boundless from the ***** of opportunity. Piecemeal and untethered. But it is the tree that I must cling to. However rough the bark. The sap runs heavy and slow in the humid Belizean heat.To meet the earth. Cool breezes blow a haunting disharmony. A sweet unity in chaos. The soil is rich,pungent and forgiving. Soon, A bell tolls in the distance. The Sea mists my dreams. A stairway of coconut fronds to azure skies. Nighttime smells like creation. The still slackened pace. The small rat race. Tempest in a teapot. Urban-rural. Coolie gal. Creole boy. New Chinese. Old African. Ubiquitous Espania. Garinagu. Mosquito coast. Children of Mennon. Old Basque faces. Things we call races left with small traces of what? My tree, her tree, histree. I am you and you are me. I see me in your face and you see me. We are and will continue to be. Blended. a hybrid. An orchid wild.
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Feb 22, 2013
Feb 22, 2013 at 5:02 AM UTC
My Family Tree
Sprang forth with no branches or leaves. Small roots. Bore mangoes, papayas,guava and bananas. Hybrid, mid limb grafting. The trunk is a figment but it stands non less. You see my family tree never was and always will be. A roadside shade with low hanging fruit. Was never planted.It was a deposit from the bowels of an exotic bird of the jungles that sampled at leisure the offerings of the rain forests. The Hardtack and marmalade came on ships with the kings business Mixed with the Nigerian Fu-Fu ,the Aztec maize the Mayan legumes. and all points of the compass. Old Joe Denegri, The Blancaneaux , The Cattouse, The Melado, The Pinks The Flowers,The Orozco and more. And boundless from the ***** of opportunity. Piecemeal and untethered. But it is the tree that I must cling to. However rough the bark. The sap runs heavy and slow in the humid Belizean heat.To meet the earth. Cool breezes blow a haunting disharmony. A sweet unity in chaos. The soil is rich,pungent and forgiving. Soon, A bell tolls in the distance. The Sea mists my dreams. A stairway of coconut fronds to azure skies. Nighttime smells like creation. The still slackened pace. The small rat race. Tempest in a teapot. Urban-rural. Coolie gal. Creole boy. New Chinese. Old African. Ubiquitous Espania. Garinagu. Mosquito coast. Children of Mennon. Old Basque faces. Things we call races left with small traces of what? My tree, her tree, histree. I am you and you are me. I see me in your face and you see me. We are and will continue to be. Blended. a hybrid. An orchid wild.
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40
~~~^¡^~~~ she comes for water from the wild dove of desert nature's child she of sweetness plumage neat buff and ecru to my feet she is pure sleek of line her's perfection in design she's so close I see her eyes she's not afraid of my great size curious she looks at me a wild thing completely free what have her ancients done and seen? Manchu Pichu Inca kings? missionaries born in Spain conquistadors who've come for gain ****** men so brutal, bold slaughter natives for their gold ****** in "marriage" Aztec queens so now their bloodlines are rarely seen i think on this Oh! Poorest love! so much like them my Inca dove soulsurvivor (C) 6/14/2015
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Jun 14, 2015
Jun 14, 2015 at 5:14 PM UTC
inca dove
Mayan Poetry Translations The Receiving of the Flower excerpt from a Mayan love poem loose translation/interpretation by Michael R. Burch Let us sing overflowing with joy as we observe the Receiving of the Flower. The lovely maidens beam; their hearts leap in their ******* Why? Because they will soon yield their virginity to the men they love! ### The Deflowering excerpt from a Mayan love poem loose translation/interpretation by Michael R. Burch Remove your clothes; let down your hair; become as naked as the day you were born— virgins! ### Prelude to ********** excerpt from a Mayan love poem loose translation/interpretation by Michael R. Burch Lay out your most beautiful clothes, maidens! The day of happiness has arrived! Grab your combs, detangle your hair, adorn your earlobes with gaudy pendants. Dress in white as becomes maidens ... Then go, give your lovers the happiness of your laughter! And all the village will rejoice with you, for the day of happiness has arrived! ### The Flower-Strewn Pool excerpt from a Mayan love poem loose translation/interpretation by Michael R. Burch You have arrived at last in the woods where no one can see what you do at the flower-strewn pool ... Remove your clothes, unbraid your hair, become as you were when you first arrived here, virgins, maidens! These are my modern English translations of ancient Mayan love poems. Native Americans were creating poems and songs in pre-Columbian days; Mayan and Aztec literature may date back to the first millennium BCE. Unfortunately the Spanish conquerors of South America destroyed all but four of the thousands of pre-Columbian books that probably once existed (according to translator Michael Coe). Mayan hieroglyphs remain far from fully understood and dating what remains is difficult. However, the best poetry is timeless and I believe we can know our Mayan brothers and sisters a little better through their poems.—Michael R. Burch These are my modern English translations of ancient Mayan love poems. Native Americans were creating poems and songs in pre-Columbian days; Mayan and Aztec literature may date back to the first millennium BCE. Unfortunately the Spanish conquerors of South America destroyed all but four of the thousands of pre-Columbian books that probably once existed (according to translator Michael Coe). Mayan hieroglyphs remain far from fully understood and dating what remains is difficult. However, the best poetry is timeless and I believe we can know our Mayan brothers and sisters a little better through their poems.—Michael R. Burch Keywords/Tags: ancient, Mayan, poetry, translation, translations, love, virginity, *** marriage, joy, happiness, flower, flowers, deflowering, clothes, hair, ****** nakedness
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May 5, 2020
May 5, 2020 at 4:54 AM UTC
Mayan Poetry Translations
Mayan Poetry Translations The Receiving of the Flower excerpt from a Mayan love poem loose translation/interpretation by Michael R. Burch Let us sing overflowing with joy as we observe the Receiving of the Flower. The lovely maidens beam; their hearts leap in their ******* Why? Because they will soon yield their virginity to the men they love! ### The Deflowering excerpt from a Mayan love poem loose translation/interpretation by Michael R. Burch Remove your clothes; let down your hair; become as naked as the day you were born— virgins! ### Prelude to ********** excerpt from a Mayan love poem loose translation/interpretation by Michael R. Burch Lay out your most beautiful clothes, maidens! The day of happiness has arrived! Grab your combs, detangle your hair, adorn your earlobes with gaudy pendants. Dress in white as becomes maidens ... Then go, give your lovers the happiness of your laughter! And all the village will rejoice with you, for the day of happiness has arrived! ### The Flower-Strewn Pool excerpt from a Mayan love poem loose translation/interpretation by Michael R. Burch You have arrived at last in the woods where no one can see what you do at the flower-strewn pool ... Remove your clothes, unbraid your hair, become as you were when you first arrived here, virgins, maidens! These are my modern English translations of ancient Mayan love poems. Native Americans were creating poems and songs in pre-Columbian days; Mayan and Aztec literature may date back to the first millennium BCE. Unfortunately the Spanish conquerors of South America destroyed all but four of the thousands of pre-Columbian books that probably once existed (according to translator Michael Coe). Mayan hieroglyphs remain far from fully understood and dating what remains is difficult. However, the best poetry is timeless and I believe we can know our Mayan brothers and sisters a little better through their poems.—Michael R. Burch These are my modern English translations of ancient Mayan love poems. Native Americans were creating poems and songs in pre-Columbian days; Mayan and Aztec literature may date back to the first millennium BCE. Unfortunately the Spanish conquerors of South America destroyed all but four of the thousands of pre-Columbian books that probably once existed (according to translator Michael Coe). Mayan hieroglyphs remain far from fully understood and dating what remains is difficult. However, the best poetry is timeless and I believe we can know our Mayan brothers and sisters a little better through their poems.—Michael R. Burch Keywords/Tags: ancient, Mayan, poetry, translation, translations, love, virginity, *** marriage, joy, happiness, flower, flowers, deflowering, clothes, hair, ****** nakedness
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46
every time I speak to your best friend I pray to every Aztec God and once holy Pharaohs and stones worshiped on this planet that he tell me you are nearby, or that this was all a big sad joke, or a prank or that you would come back but no.
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Jun 2, 2014
Jun 2, 2014 at 7:47 AM UTC
two
*Piano Cello Interludes I am listening to music, piano with cello interludes, thinking about you. I hear the passionate sadness mourning from the cello as the piano weaves hollowness and melancholy from black and white minor keys. I feel the disconnect between the requiem’s movements and the reality of an alive, beating but confused, sullen heart fighting to be free. ~~~ It always amazes me to hear the bow guiding the strings in pulsing tempo to the fingers caressing ivory in such a way that only a smile can answer in return, allowing for a kiss of life in the midst of chaos and death. ~~ In moments like this I want to sit beside you, place your hand in mine and tell you all I have learned and know; all the secrets that wander through my mind; even those held in dark recesses, cobwebcluttered and filled with spent emotions. ~~~ But I know I can’t. Not because I don’t want to, nor from fear, though, to do so is scary since it would mean giving you my heart. No, not because of this. Rather, cause I don’t think this is what you need or want. ~~~ Life is complicated, complex in its existence and it is this contradiction between desire’s want and equality’s need; between what’s flesh and what’s fantasy; between art, aesthetics and reality, that guides my choices. It’s how this contradiction interpenetrates, thereby shaping and changing reality. It is this contradiction I hear, feel and taste in the weaving of piano and cello. Music living with us in the gutter, while enticing us to look at the stars. ~~~ I am listening to music, piano and cello interludes, I see vast galaxies, nebulae, and shooting stars, Knowing this, this music of you, will last a lifetime. ~~~ ~~Aztec Warrior/redzone 2.24.14* enjoy the music that goes with this poem https://youtu.be/QgaTQ5-XfMM
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Jan 29, 2016
Jan 29, 2016 at 4:41 PM UTC
POEM 119
*Piano Cello Interludes I am listening to music, piano with cello interludes, thinking about you. I hear the passionate sadness mourning from the cello as the piano weaves hollowness and melancholy from black and white minor keys. I feel the disconnect between the requiem’s movements and the reality of an alive, beating but confused, sullen heart fighting to be free. ~~~ It always amazes me to hear the bow guiding the strings in pulsing tempo to the fingers caressing ivory in such a way that only a smile can answer in return, allowing for a kiss of life in the midst of chaos and death. ~~ In moments like this I want to sit beside you, place your hand in mine and tell you all I have learned and know; all the secrets that wander through my mind; even those held in dark recesses, cobwebcluttered and filled with spent emotions. ~~~ But I know I can’t. Not because I don’t want to, nor from fear, though, to do so is scary since it would mean giving you my heart. No, not because of this. Rather, cause I don’t think this is what you need or want. ~~~ Life is complicated, complex in its existence and it is this contradiction between desire’s want and equality’s need; between what’s flesh and what’s fantasy; between art, aesthetics and reality, that guides my choices. It’s how this contradiction interpenetrates, thereby shaping and changing reality. It is this contradiction I hear, feel and taste in the weaving of piano and cello. Music living with us in the gutter, while enticing us to look at the stars. ~~~ I am listening to music, piano and cello interludes, I see vast galaxies, nebulae, and shooting stars, Knowing this, this music of you, will last a lifetime. ~~~ ~~Aztec Warrior/redzone 2.24.14* enjoy the music that goes with this poem https://youtu.be/QgaTQ5-XfMM
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84
I drink in the sweet light Of the honey coloured moon as it floats high at midnight hoping it doesn't leave soon As I stare at the full moon The world falls away and I lose my peripheral vision bathing in the moon's rays Sliver beams of light That reflects off the ocean And seem to be too bright to be moonshine I began to see now understand how myths and legends of the moon began Egyptian, Aztec, Celtic and Greek Khonsu, Metzli, Elatha and Artemis And even poor Starveling with his dog and thorn bush All trying to capture the raw beauty that is the moon and it's light The rarest jewel of them all Shining bright through out the night But all attempts of personification contain to much complication to represent to simplicity of the moon So I'll stop trying to convey what I can see because no matter what I say will not match what floats above the sea
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Jun 14, 2014
Jun 14, 2014 at 7:26 PM UTC
Moon
At Summer Solstice, the Sun is far distant from the celestial equator and that day is the longest of the year. From Khufu’s Great Pyramid at Giza the scarlet Phoenix with the golden crest swoops silent and low across the Delta. Only half a millennium of life before it passes to the flames of fire and is reborn again from charred ashes. This yang bird, fiery and blood cardinal a solar flare blazing incandescent pumps joy from the igneous heart of earth erupts red hot energy volcanic exciting and swirling the power of Qi. Sun’s light and heat brings universal life, and worshipped as Samash, Mithras and Ra, Aztec God Tezcatlipoca, Greek Helios, Phoebus and Apollo. Now comes the agile Phoenix, sunset-stained Broad-winged and gliding in the cloudless skies Certain source of abundance and plenty Plump-rich each berry, mango, peach, pear, plum. Squeeze juicy sweet and succulent to taste Summer full blown, mature and glorious. © M.L.Emmett
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Aug 28, 2014
Aug 28, 2014 at 1:28 PM UTC
The Element of Fire
Alice and I were fudged fruiting inside Falstaffian freakish fleur–de–lys: She inside a quack–aztec–tattooed tank, Me inside a pendulous magenta harness with polydactyl–perverted plumes bespattered into it. In the ****** **** of that kaput flophouse We creosoted our conks all the cockatrices of the gorge–de–pigeon, Inside crotches, Jacuzzis and homocentric Action Men. Alice, with the pornographic bend sinisters in the teeth of her poltergeistish fajita crocodile, Smacked of the plug–ugly poofter of a south–south–west by south sackful sandbank. I cemented the jaundiced dangler of an ostrich to my prick. With that and my uncut fiddlestick of knobs I was the idiosyncratic and wholehogging sadomasochistic slapper! We banged the bush streaming proboscis in tentacle Through smorgasbords of hermaphrodites and high muck–a–mucks While Ravi Shankar’s idioglossias and cockchafers juddered our titbits. Our Moonies were classically cracked flabelliform by the time we disinterred them. Alice managed to fornicate incognito white elephant on behalf of myself And we were passionately on the back of the dingdong, naked as our Moonies. We kept one’s pecker up wrapped up in the shadowgraph Athwart ever-strangling girdles of formaldehyde, ozone, fomenter and widow’s weeds, Athwart polytetrafluoroethylene–pricked precipices and then down to the butts Where we both came to a sticky end on our jockstraps and leered at the ballet dancers That we then penetrated rhythmically by elongating tumescent our gang banging tentacles. Through comfortable French knickers I burped, “Thank you for ****** me everywhere, Alice”. In the soporific honeypotspunk, aped on the ooze, I could smell that her **** had made her ******* type soap flakes break the sound barrier, Splashing out a ***** whale seed skirting her jowls. “You’re fragrant, flypaper”, she rapped. The Government gabble that little green men who hammer out the sexagenarians weren’t on board. Inside spleen of the spliffs, inside spleen of my gangrenous Pollyanna, I will over one’s dead body evacuate. I will over one’s dead body evacuate.
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Mar 22, 2010
Mar 22, 2010 at 4:09 PM UTC
San Francisco
Alice and I were fudged fruiting inside Falstaffian freakish fleur–de–lys: She inside a quack–aztec–tattooed tank, Me inside a pendulous magenta harness with polydactyl–perverted plumes bespattered into it. In the ****** **** of that kaput flophouse We creosoted our conks all the cockatrices of the gorge–de–pigeon, Inside crotches, Jacuzzis and homocentric Action Men. Alice, with the pornographic bend sinisters in the teeth of her poltergeistish fajita crocodile, Smacked of the plug–ugly poofter of a south–south–west by south sackful sandbank. I cemented the jaundiced dangler of an ostrich to my prick. With that and my uncut fiddlestick of knobs I was the idiosyncratic and wholehogging sadomasochistic slapper! We banged the bush streaming proboscis in tentacle Through smorgasbords of hermaphrodites and high muck–a–mucks While Ravi Shankar’s idioglossias and cockchafers juddered our titbits. Our Moonies were classically cracked flabelliform by the time we disinterred them. Alice managed to fornicate incognito white elephant on behalf of myself And we were passionately on the back of the dingdong, naked as our Moonies. We kept one’s pecker up wrapped up in the shadowgraph Athwart ever-strangling girdles of formaldehyde, ozone, fomenter and widow’s weeds, Athwart polytetrafluoroethylene–pricked precipices and then down to the butts Where we both came to a sticky end on our jockstraps and leered at the ballet dancers That we then penetrated rhythmically by elongating tumescent our gang banging tentacles. Through comfortable French knickers I burped, “Thank you for ****** me everywhere, Alice”. In the soporific honeypotspunk, aped on the ooze, I could smell that her **** had made her ******* type soap flakes break the sound barrier, Splashing out a ***** whale seed skirting her jowls. “You’re fragrant, flypaper”, she rapped. The Government gabble that little green men who hammer out the sexagenarians weren’t on board. Inside spleen of the spliffs, inside spleen of my gangrenous Pollyanna, I will over one’s dead body evacuate. I will over one’s dead body evacuate.
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30
Consisting of grown, persisting as shown and unknown. Insisting entities, rivalries and sworn enemies! Deformed, forewarned, formed, informed, mourned, performed, reformed and scorned. Dates of great storms! Family tree of hate, horns and thorns. My family tree of gore, horror, more, poor and sore. Perhaps of mishaps galore. Briefly sit back! I’ll roughly take you back… Heck! Back to a time of attack, blacks, slacks and whacks. My family tree of practical, tactical, methodical Aztec. Some beckon and reckon in seconds. A family tree of crime, grime and rhyme. A nation of communication, dedication, dissemination, motivation and procrastination. The splendor of sin of my corruptive, disruptive kin. They rely more on the color of one’s skin. My family tree of abuse and misuse that misuses and seduces! Family tree of warfare and welfare legalities, moralities and family-prodigies. Picture this scriptural twist! Some assist on a kiss. I insist some are idealities in social technicalities. Alcoholics, diabetics, ****** exotic, fantastic, Catholics, eccentric, horrific and poetic. I persist… some gnomes, some roam, some in poems, some with no homes. My family tree of adventuresome, awesome, handsome and troublesome. My family tree of beautiful and bountiful! Some are a handful some handicap some locally and vocally-rap. Some slap, gift-wrap and yap! Some are snuggly, pretty, witty or ugly. In my family tree, some crippled, some with pimples, some with freckles and some that heckle. Some belittle and little, some wrinkled and old. Some are bold and pray to the lord! Some are Frio, meaning cold we were told. Some I say, are poor with no Amor. Some are here no more, in my family tree of Amor.
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Mar 29, 2012
Mar 29, 2012 at 9:37 PM UTC
POEM ENTITLED: “MY FAMILY TREE OF AMOR”
Consisting of grown, persisting as shown and unknown. Insisting entities, rivalries and sworn enemies! Deformed, forewarned, formed, informed, mourned, performed, reformed and scorned. Dates of great storms! Family tree of hate, horns and thorns. My family tree of gore, horror, more, poor and sore. Perhaps of mishaps galore. Briefly sit back! I’ll roughly take you back… Heck! Back to a time of attack, blacks, slacks and whacks. My family tree of practical, tactical, methodical Aztec. Some beckon and reckon in seconds. A family tree of crime, grime and rhyme. A nation of communication, dedication, dissemination, motivation and procrastination. The splendor of sin of my corruptive, disruptive kin. They rely more on the color of one’s skin. My family tree of abuse and misuse that misuses and seduces! Family tree of warfare and welfare legalities, moralities and family-prodigies. Picture this scriptural twist! Some assist on a kiss. I insist some are idealities in social technicalities. Alcoholics, diabetics, ****** exotic, fantastic, Catholics, eccentric, horrific and poetic. I persist… some gnomes, some roam, some in poems, some with no homes. My family tree of adventuresome, awesome, handsome and troublesome. My family tree of beautiful and bountiful! Some are a handful some handicap some locally and vocally-rap. Some slap, gift-wrap and yap! Some are snuggly, pretty, witty or ugly. In my family tree, some crippled, some with pimples, some with freckles and some that heckle. Some belittle and little, some wrinkled and old. Some are bold and pray to the lord! Some are Frio, meaning cold we were told. Some I say, are poor with no Amor. Some are here no more, in my family tree of Amor.
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12
Crumble brothels sprout flesh peddlers collect their fees selling daughters in twos and threes Lopez or Diaz lazy or defiant escaped in polluted lagoons the virus spreads Dancing with the dead priests absolve the devils in their mist Pilar sold her virginity for a few bars of gold wrapped in an old ladies hatred she murdered her vows Mexico is a land of smiles the knife only glints in the Aztec sun as they bury you after eating your heart
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Oct 6, 2018
Oct 6, 2018 at 3:38 AM UTC
Pillars of Mexico
Yo soy Guanajuatense Nacida en una sociedad de Mexicanos Born in a society of Mexicans were everyone is accepted by who they are Not trapped as a slave or treated different The American society can’t be compare to a Mexican society Los mexicanos somos unicos tenemos caminos hechos por padres mexicanos Somo bautisados catholicos   nuestra madre es La Virgen De Guadalupe la cual Juan Diego vio y lo combertio en un santo Penjamo is city full of colors visible as the rainbow Our flag known as the tri color is a important figure in Mexico green signifies hope, joy, and love white represents peace and honesty red stands for hardiness, bravery, strength, and valor the eagle was found by Aztec people where they would see an eagle on a cactus eating a snake Tenochtitlan was founded by Aztec people Which is now call Mexico City As we believe the history we also believe what The bible tells us it’s a precious thing for us Mexicans We tend to speak with god to find solution to problems Not all cultures have a belief in god I also find myself in a world full of pain a contradiction to war Not knowing whether anything could be done People are dead here and their Everywhere there is war Veniendo de México a un mundo con nuevas reglas saviendo que tu vida a cambiado y estas evolucrado/a en una cultura que quisas no aceptes como dise un dicho mas vale ser aceptado/a por quien eres que por quien te cres all cultures judge others by the way they are but we are all humans and have the right to be who we are only God could judge when people say you're brown I said I’m proud When they say I’ll never learn English Look at me know your reading my words Soy 100% Mexicana con educacion Americana pero echa y derecha con cultura Mexicana
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Sep 1, 2013
Sep 1, 2013 at 3:21 PM UTC
I'm Guanajuatense
Yo soy Guanajuatense Nacida en una sociedad de Mexicanos Born in a society of Mexicans were everyone is accepted by who they are Not trapped as a slave or treated different The American society can’t be compare to a Mexican society Los mexicanos somos unicos tenemos caminos hechos por padres mexicanos Somo bautisados catholicos   nuestra madre es La Virgen De Guadalupe la cual Juan Diego vio y lo combertio en un santo Penjamo is city full of colors visible as the rainbow Our flag known as the tri color is a important figure in Mexico green signifies hope, joy, and love white represents peace and honesty red stands for hardiness, bravery, strength, and valor the eagle was found by Aztec people where they would see an eagle on a cactus eating a snake Tenochtitlan was founded by Aztec people Which is now call Mexico City As we believe the history we also believe what The bible tells us it’s a precious thing for us Mexicans We tend to speak with god to find solution to problems Not all cultures have a belief in god I also find myself in a world full of pain a contradiction to war Not knowing whether anything could be done People are dead here and their Everywhere there is war Veniendo de México a un mundo con nuevas reglas saviendo que tu vida a cambiado y estas evolucrado/a en una cultura que quisas no aceptes como dise un dicho mas vale ser aceptado/a por quien eres que por quien te cres all cultures judge others by the way they are but we are all humans and have the right to be who we are only God could judge when people say you're brown I said I’m proud When they say I’ll never learn English Look at me know your reading my words Soy 100% Mexicana con educacion Americana pero echa y derecha con cultura Mexicana
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I wanted a man's face looking into the jaws and throat of life With something proud on his face, so proud no smash of the jaws, No gulp of the throat leaves the face in the end With anything else than the old proud look: Even to the finish, dumped in the dust, Lost among the used-up cinders, This face, men would say, is a flash, Is laid on bones taken from the ribs of the earth, Ready for the hammers of changing, changing years, Ready for the sleeping, sleeping years of silence. Ready for the dust and fire and wind. I wanted this face and I saw it today in an Aztec mask. A cry out of storm and dark, a red yell and a purple prayer, A beaten shape of ashes waiting the sunrise or night, something or nothing, proud-mouthed, proud-eyed gambler.
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Aztec Mask
*Fire & Rain Several mornings ago I woke up to a rainy tomorrow, today though was a raging fire. It singed all my thoughts of you, burnt the marrow you placed in my bones leaving me painfully hollow. Rain and fire, rainy fire and acidic spit; how foolish to think I would see you again... ~~~ Woke up tomorrow, wrote down this poem with the pieces of me lying around cause I never could find a friend. Sweet dreams have disappeared in a long and lonely day where the sun shines on a Winter’s wind and icicles form on my shriveled skin. “Yet I always thought I would see you again” ~~~ Fire, spit, and lonely rainy days, though this is the end of those foolish thoughts of seeing you again. Aztec Warrior/redzone 7.19.16 (Note: the quoted line is from James Taylor’s song, “Fire & Rain”; as is the inspiration for this poem)*
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Aug 6, 2016
Aug 6, 2016 at 12:08 PM UTC
Fire & Rain
Southwestern Dis-United States of Memory Piñon smoke and sagebrush, voice of New Mexico night driving into an Arizona dawn rising over dreaming pueblos, low-ridden plazas, kivas and ruined cities’ rubble traced and highlighted by sunlight, Anglo angling into Aztec toward Zuni over arid zones… A to Z to El Dorado; a voice covers the high hills with a dusting of snow—every word hangs in the notes of the song: music to fall apart to, breakdown to, hurling the soul  into the bottomless well of psychotic nostalgia: música de cavanga, falling into the depths. Melody pushing to the threshold of a bar and leaving you there with cash in your pocket and no ride home. The warmth inside beckons—you step across as the song fills, swells, intoxicates, then excavates the wall of the dam until it collapses. The fatal mistake: you read too much into the lyrics of shallow love songs. The deathwish beast of despair arises, the flooded plains dazzle your eyes, the Indian girl smiles on the rim of the grand canyon, the tattooed cholo pulls a knife in the trailer park, the dark waters under the bridge murmur and surge with regret; el río de Las Animas, Durango CO, Aztec calligraphy on the wall: Las Cruces, NM; Clifton, Morenci, Globe, AZ: stepped pyramids of copper tailings, gang-warred walls in fallen barrios covered in Chicano hieroglyphics, the ruined huts of shepherds and cowboys, pit-house dwellings’ flaked arrowheads and pottery fragments scattered forever in the coyote laugh of desert dusk. Crepuscular colors on the names of mountain ranges: Santa Catalina, Sangre de Cristo, Sandia, each one a separate sunset delirium—then you ride through the night to the city of palm trees and the orange-lined boulevards of Heaven. The singer herself grew old but her YouTubes live forever.
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Feb 23, 2017
Feb 23, 2017 at 9:37 PM UTC
Lindísima
Southwestern Dis-United States of Memory Piñon smoke and sagebrush, voice of New Mexico night driving into an Arizona dawn rising over dreaming pueblos, low-ridden plazas, kivas and ruined cities’ rubble traced and highlighted by sunlight, Anglo angling into Aztec toward Zuni over arid zones… A to Z to El Dorado; a voice covers the high hills with a dusting of snow—every word hangs in the notes of the song: music to fall apart to, breakdown to, hurling the soul  into the bottomless well of psychotic nostalgia: música de cavanga, falling into the depths. Melody pushing to the threshold of a bar and leaving you there with cash in your pocket and no ride home. The warmth inside beckons—you step across as the song fills, swells, intoxicates, then excavates the wall of the dam until it collapses. The fatal mistake: you read too much into the lyrics of shallow love songs. The deathwish beast of despair arises, the flooded plains dazzle your eyes, the Indian girl smiles on the rim of the grand canyon, the tattooed cholo pulls a knife in the trailer park, the dark waters under the bridge murmur and surge with regret; el río de Las Animas, Durango CO, Aztec calligraphy on the wall: Las Cruces, NM; Clifton, Morenci, Globe, AZ: stepped pyramids of copper tailings, gang-warred walls in fallen barrios covered in Chicano hieroglyphics, the ruined huts of shepherds and cowboys, pit-house dwellings’ flaked arrowheads and pottery fragments scattered forever in the coyote laugh of desert dusk. Crepuscular colors on the names of mountain ranges: Santa Catalina, Sangre de Cristo, Sandia, each one a separate sunset delirium—then you ride through the night to the city of palm trees and the orange-lined boulevards of Heaven. The singer herself grew old but her YouTubes live forever.
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*Snow Falling On Cedars The Dream: Death 1 snow, falling on Cedars, soft and gentle, is like your whisper’d breath spoken in silent wisps of warmth felt seductively on my ears. Each flake a kiss, a thought of lavender and honey’d dew drops caressing my lips. It’s a sensual touch the way my face curves into your fingers; into the smile of your eyes finding the sparkle of mine. The Reality: Death 2 snow falling on Cedars is a Winter’s kiss; the emptiness of white, of hard pack’d earth and its message of death. Your fingers are cold, your lips frozen, lifeless and wrinkl’d with the too sweet taste of rancid fruit. It is a brittle, cruel love that mingles in this wasteland, infecting and influencing hope and the dreams of light with the bleak melancholy of despair. The Finale: snow falling on Cedars, the darkness of vengeful breath covers everything with the emptiness of white; softly gently like whispers of silent death. Aztec Warrior/redzone 8.13.16*
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Aug 14, 2016
Aug 14, 2016 at 8:08 AM UTC
Snow Falling On Cedars
Solving every problem With a belly full of tea And your feet Hitting the treadmill Shoulders taking on The rowing machine When dreams of mom dying Keep you up at night Who made the molecules Behind your eyes That shine And glitter like Aztec gold Through the green foliage The right angles of your face Looming like the himalayas Annapurna and Everest In the minds Of mountaineers And ex-boyfriends who can't forget Your perfect china doll complexion Rosy cheeks A fake shade of delicate You could hold up a bank with those eyelashes Reaching for the sky No time to call the police Just put your hearts in my hands boys And no one gets hurts Put your toes on my shoulders Sister I'm always here for a boost Take that leap sister The world was Made for you
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Mar 9, 2013
Mar 9, 2013 at 6:09 PM UTC
Sister
*Butterfly Flutterby The music swirls Cherry Blossoms, pink petals fluttering in the air as if plucked by morning notes and you glide in dawn’s sweet touch like a slow butterfly song. Break down: hey hey baby come come my lady are you a butterfly all fluttery sweet and crazy down, maybe you’ll dance with me tonight. Flip side: this fusion, hard rock and hip-hop swirls cherry blossom petals fluttering in your crazy breeze of sweet tasting butterfly notes. Baby baby you are a sweet butterfly song playing dancing in my heart... Come come my lady and I will help you sing. Aztec Warrior/redzone 8.27.16 Note: I drew heavily on the song by Crazy Town, “Butterfly” the song embedded below.*
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Sep 19, 2016
Sep 19, 2016 at 2:47 PM UTC
Butterfly Flutterby
Sound the horn of the Maroon, My people have lost their voices, Bring Jesus back to walk on water, The bricks crushed my people’s legs. Get a cup of water from River Babylon, The dirt is biting my people’s faces, Let Mohammed ascend to Heaven once more, It’s dark, my people need His blessings. Tell *Ceres to come plant a seed, My people are starving, no food to eat, Tell *Tlaloc to please shake the skies, Rain drops, my people are thirsty. Go tell this to the world, send them our cries- The Earth has turned on their sister, little Haiti. *Ceres-goddess of agriculture *Tlaloc- Aztec rain god
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Jul 7, 2010
Jul 7, 2010 at 1:47 PM UTC
Letter from little Haiti
My name is stolen like a Spaniard Inquisition, My heritage barely a patch of fog, What is the truth of myself unwritten?    " Your name is....You shall be called" My father once said, But I sign this name at the end of no poem, Are you sure this is my name? Have you navigated the flows Of lava in my bloodstreams, My geographical mind that beckons A deep bitter valley, Dark beautiful mountains that have Reclaimed by nature what my people Claimed her? Can you see my subterranean pyramids, My great moist jungles, Gutting out advanced mathematical models, Bleeding precise positions of stars, I can cry the Winter Solstice, Oh my proud heart pounds Through my chest with dreams of then, When the Coyote was sacred and the Nature of all things was balanced Even in the darkest days. Am I Gonzales from the old Spaniard name? Does my brown skin and hairless Arms not cry for the Aztec of my ancient Fathers? The root of my root, The flesh of my flesh, The veiny branches of a family tree Where wild flowers grow in The words of the Aztec bark, Bleeding its sap through me, Is this Spaniard to you? (I know the difference) Let me ask my blood: Do you not see the fire in my eyes? Don't you see the fire raining tears Of embers onto paper, Every word a burnt offering? Maybe one does not know of my Great grandfather in the valley Of Mixcoatl, there he lived as the last Nocturne, his great scar along his back, The last of a warrior Where he died among the stars of his fathers, The scar from a knife, a knife that Stole his true name! Has Olin and Ehecatl taken it With a breath of wind? I will take the Sun Stone with you Octavio! Take me home..... And I can see it! The noble people forgotten As time forgets all, My voice of the Warrior grateful And speaking like a shiny tip of Spear piercing the night wolf! I am no longer a riddle in the water, But a pure flow of immenseness, A profound respected beast, I feel the purity of ancient things, I dissolve into memory's ink, My combatant blood boils, The land flames of my fire, The people of the Sun! My ancestral blood with calloused feet, My ancient jungles, Tamers of beasts, Oh the Aztec Dream, Yes, I am what my blood says I am, What's in a name? The identity misidentified.
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Feb 23, 2016
Feb 23, 2016 at 11:22 AM UTC
Aztec Dreams
My name is stolen like a Spaniard Inquisition, My heritage barely a patch of fog, What is the truth of myself unwritten?    " Your name is....You shall be called" My father once said, But I sign this name at the end of no poem, Are you sure this is my name? Have you navigated the flows Of lava in my bloodstreams, My geographical mind that beckons A deep bitter valley, Dark beautiful mountains that have Reclaimed by nature what my people Claimed her? Can you see my subterranean pyramids, My great moist jungles, Gutting out advanced mathematical models, Bleeding precise positions of stars, I can cry the Winter Solstice, Oh my proud heart pounds Through my chest with dreams of then, When the Coyote was sacred and the Nature of all things was balanced Even in the darkest days. Am I Gonzales from the old Spaniard name? Does my brown skin and hairless Arms not cry for the Aztec of my ancient Fathers? The root of my root, The flesh of my flesh, The veiny branches of a family tree Where wild flowers grow in The words of the Aztec bark, Bleeding its sap through me, Is this Spaniard to you? (I know the difference) Let me ask my blood: Do you not see the fire in my eyes? Don't you see the fire raining tears Of embers onto paper, Every word a burnt offering? Maybe one does not know of my Great grandfather in the valley Of Mixcoatl, there he lived as the last Nocturne, his great scar along his back, The last of a warrior Where he died among the stars of his fathers, The scar from a knife, a knife that Stole his true name! Has Olin and Ehecatl taken it With a breath of wind? I will take the Sun Stone with you Octavio! Take me home..... And I can see it! The noble people forgotten As time forgets all, My voice of the Warrior grateful And speaking like a shiny tip of Spear piercing the night wolf! I am no longer a riddle in the water, But a pure flow of immenseness, A profound respected beast, I feel the purity of ancient things, I dissolve into memory's ink, My combatant blood boils, The land flames of my fire, The people of the Sun! My ancestral blood with calloused feet, My ancient jungles, Tamers of beasts, Oh the Aztec Dream, Yes, I am what my blood says I am, What's in a name? The identity misidentified.
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Oh Aztec watching from your Rustic home, for my dignity Do you have any advice? For my poor state of being,any riches? No wisdom for my inexperience? Oh Aztec warrior who lays brick For homes he will never own, Don't you understand by right of Superiority and sweat and blood And tears from tyranny this should Be your dream as well?! Don't you see the Spaniards robbed You once and the Europeans once again Stole what is rightfully yours? Don't you know you are Aztec? Aztec, mighty spear in hand, Or is that a shovel? Your eyes with proud gleam in them, Or is that a tear of despair? What are you here for Aztec? Why have you silenced the dreams? Oh race of my forefathers, Bring about the impenetrable heart, The joy with pleasure, The suffering with grief; Tears of the Aztec sun! Yours is the blood in my veins, By that blood blank stares at the Liquor stores, I swear by that blood that I will Rise once again and once more Into the day of my life and fill My song with a forgotten pride, I will wonder where the Aztec Has gone, though his dream Remains unseen, his people Remain in shards.
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Jan 16, 2016
Jan 16, 2016 at 3:38 PM UTC
Aztec Dreams