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Slime-God Sep 2020
Life became frigid
Like a world of permafrost
or a soldier's stare
Ken Pepiton Sep 2020
Aristotle at my fingertips,
not locked in soliloquies I may perform,
but heard from an Oxford don I have
in my pocket,
as I lean into each lesson and trudge
up and down my morning
constitutional,
where the firebreak meets
chaparral alive with cottontail
this morning, when I almost said, "it's too hot."

C'mon, walk a mile with me… like
on the road to Emmaus, but Christ, no;
this character,
a soldier in me, about to salt out, bids me,
walk a mile, "not two, one
does the trick."
The thought comes
as a dare from the Ralston Purina guy,
and I stepped onto my trail.
I dare think Aristotle's thoughts after Plato's,
thinking
I could have known this when I was younger,
but not to this degree,

if I had not dropped out, and never knew,
by rote,
to pass a test, that
"All men by nature desire to know."
This is
Curiosity, right? I suspect it is a gift.

The joy we find in sensation, proof
offered the gainsayer,
I say again, that which is good for nothing
never
never
naturally exists, so
what tool forms an eye to notice that…

see, through the window
of my poetic-pathetic e-thoughtic soul
a feathery
family of phoebe birds, flits by,
if that is the proper name
{Tufted-Titmouse, my AI replies},
tails reflecting a smokey blue hue,
they swoop and flutter past;
I see
in a non-imaged flashpast pattern
from a time in the summer of 1969…

Disneyfied trails
from Cinderella's dressing room
scene, not seen, but reminded of seeing,
the pattern, in this phantomind dance,
being witnessed now, as
this old soldier once saw it
performed by bluer birds than these…

Time skipper
shifts to another bubble intersecting mine
and

I hear a worried neighbor fret about the fire.
I almost say,
"One of the benefits of being
backedup to the cloud,

nothing to lose."

But I remember, she collects purses and shoes.
Ah, I share an edge dwellers accent if I talk about tech to myself. I suspect I always have sounded like Little Luke McCoy, and now I hear Walter Brennan.
Max Neumann Sep 2020
since tizzops knows half of the world, there are
blue birds painting his name in the sky, formation
for the throne, lead her up, your queen
uniquely dressed in all-white, all guests fully covered in snow

everybody waited for that day, until tizzop & marissa, being in
a blossom-white garden happily said yes to each other
sparklingly white ravens, everything only this one color
the magical gift, like jeezy's magic city

marissa: come with me now, we're flying over continents

thousands of miles, first and tender kisses
and soldiers are firing into the air, under the
violins we are watching the world like drones
kings and emperors, in order to reward our people

i need me some bread and beans, proteinshakes
bodybuilding, this song fits into the first take
we are fate: tizzops & marissa, like vocals
and basslines, violins and piano

burner beats and our voices, all goes together
baby, come home with me, be at home with me
cause at home is the best and cosiest place
decorate my room, fill it up with blaze

give me your female touch, i am and remain an ox
when i spot you on a snowy path, as you're standing
in front of an ipod-white foal, babe, i stole that for you
like i'll be heisting mars, moon and venus, i become

calm and laid back, turn into what i will be and i am sure
that marissa got my back, and that she loves me
she is good, how i am enjoying this, we're like malibu
firing up waves on the rocks like cocktails

and the shiningly white swoosh of the ocean
is our carpet, and stars bet on our fate now, my babe
Today is a swooshy day.
kiran goswami Aug 2020
I walked down the snow-covered land.
It was windy but I could not breathe.

As I walked, the snow under my feet whispered,
'there are lovers more in love than about who Shakespeare wrote,
but such stories once heard get stuck in the throat'.

So, there I lay down on the snow,
the snow felt warm.
It narrated the story of a man and a land.
How the land love the man and the man loved the land.

The man's love was the one that would last forever.
It was not the kind that would sink into your heart
but float right through it so your waves long for more.

The man loved so much that,
the cold snow on the land made the man's blood boil
and the land stayed warm.
The land loved the man so much that,
her rocks became his stage
and he acted his last act with love.

The man love the land and so much that,
his breath made her tricolour hair fly.
The land loved the man so much that,
her shrieks turned him into an artist
and he painted it all red.

The man loved the land so much that,
his blood left his body to embrace her
just the way Bhagirathi descended on mother Earth.
The land loved the man so much that,
she embraced him tight under her snow blanket to protect him.

The man loved the land so much that
his body lay on the land
while their stories loved each other.
The land loved the man so much that
she let the man lie on her
while she was crushed under all the weight she held.

His body was still holding the land,
the snow was still red.

The man loved the land so much that he died for her.
The land loved the land so much that she lived for him.
Nolan Willett Jul 2020
Ask yourself why you doubt,
Why you fear and cast about.
You are heading the right way,
Who cares what others say?
You have no concerns to allay.

What will be will be,
All wisdoms do agree;
Like a lion and a roar,
A soldier in a war,
You will do what you are made for.

“I am not afraid; I was born to do this”,
Your actions are not remiss,
Nor for nothing,
But for everything:
A singular meaning.

Write, and do it well,
And love until your death knell.
Mind your well-being,
Bitterness is unbecoming,
The world is on the upswing.
Marco Jul 2020
A song of shell and thunder whistles past my ear
the crack of distant laughter, empty and hollow,
your voice amid the terror stands out to me so clear
while heavy shrapnel nestles between my ribs.

"Mother of God!" one cries out in horror -
and clammy hands reaching for the collar of my shirt,
tugging, ripping, sending buttons flying steep as bullets,
for  frightened boys to burrow into my chest and pull out the lead.

Your eyes are focused in the blur, a raging sea of darkest green
bewildered at the sight of a deep red river
pouring towards the valley of my hip, the small dip between
bone and muscle, obscenely pooling like a strange lake;

Inviting you for a swim, had the barrel of a German gun then
missed its mark and pointed left; alas, I sit
and bleed to death underneath your fear-stained gaze; I apologize
and in the haze I lift my arm to gently graze the dried mud on your cheek.

The trench has lost another light, or what was left of its sorry embers;
I pray you will sleep sound tonight, ears shut tight from
screaming, laughing, crying, dying - just think,
if it bears not too much pain, of my love, and speak my name when

My mother asks about her son - with steady voice you tell her
that with a smile on my lips and a warmth in my breast
I thought of her, and passed on.
This is inspired by poetry emerging from WWI / the battle of Dunkirk.
A gambler on the road
His crooked smile for the night
The pubs his home
A drunk not worth saving

Alcohol his best friend
Cigarette, a calming for his soul
Brothels his place of solace

A ranking for atrocities
Born throwaway his calling
A mistake for the day

The dumps his dinning table
Under the bridges,
A home for the cold.

A soldier losing his soul at war
A forgotten veteran,
Leaving his shadow as he goes by.

Written by Tosan Oluwakemi Thompson
This poem tells the story of a war veteran who life has hit hard after the war.
Sharon Talbot Jul 2020
The former Chilean soldier,
sits with a straight back,
eating Paila marina,
the same thing he makes
every Sunday, although
his wife and children are gone.
He delights in the long-ago flavors,
the rich swirl of saffron fire,
the unlocked mussel shells,
ginger-skinned shrimp
and floating onion slivers.
"Served without pretension,"
the saying rings in his memory,
the deep voice of his abuela,
as she stirs the liquid gems
in her wide, copper ***,
shining on a darkened stove.
“Only some things really matter,”
She often explains.

He always waits silently,
squatting nearby, inhaling the scent,
mouth watering, eyes catching
the lift of her great ladle.
She will turn and smile at him,
the way no one ever has.
He is warmed and fed already,
before even tasting the meal.

Now he is rich, wanting nothing,
sitting in his well-appointed house,
sipping the best wine
and listening to soft music.
Yet he sees and hears none of it.
Only the world in his bowl
is real to him now.
Tom Salter Jul 2020
And now come the other men,
The figurines, the foragers
And those who marched
Onward
By the failed evergreen. They
Speak of war grown days,
And times before the land
Was tore. Their voices
Shrouded
By one anothers’ patience, and
Each man carried his scars,
Cradled,
In their shadowed
Limblike arms, they bore
Tear marks
Printed
On their gormless
Salty cheeks, and
Under their heavy
Sullen eyes
Paraded gashes
And stains
Of crimson and bleak.

And now come the other men,
Out of the ovens, rushing
For some safer housing.
It’s all a conundrum, this
Waiting and wavering, an
Uncertainty
Mounted across a ditch
Of slightly burnt
Flesh, men mashed
Into one.

And now come the other men,
An identity shared
Between friends, who bask
In the untimely forgery
Of their postured
end.
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