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M G Hsieh Mar 2016
It was the kind of day
to visit a fortune teller.

Your faint smile remains a mystery,
because you preserve yourself
more than anything.
You prophesy at will and turn wheels.
That is what you do best.
Candle wax dare not scald you.
Strings are woven long.

The day I cut my hair was a cool summer,
two weeks before my birthday.
I left town never to come back.
Your daughters laughed so hard
at the money you threw their way they
probably had spit coming out of their eyes.
That was what they wanted.
It was simple, clean.

The child is young,
he won't know the difference,
convinced yourself thus,
but young 'uns do. They know more
than you ever let on, and they remember,
not the glaring presents or permission to speak moments,
it's the little things, the lilt in your voice
the brush aside look, the pursed lips,
the endless drone of the television
and ipad volume turned up max.

Allow me to demonstrate.*
The sky before and after a thunderstorm is the same shade,
but the land changes,
and the air that breathes in it.
The slight rustle in the trees could mean anything.

Indian spirits once danced around the flames
summoning blessings and visions
that may never come.
Yet, in my dreams were two apples --
green and red, both eaten by worms.
They grew voracious in my hands.

I bathe in heated waters and scrub
lavender and chamomile.
The stew left in the pressure cooker was soft and fell apart,
little droplets of oil cling to me,
I am scented thus.

On a footbridge, I see
the once pristine ground muddied and stars
replaced by fireworks.
Couples hold hands
and smile for any reason.
Taxis come and go, foraging
the next big opportunity.

My flipflops are fine
but my feet are freezing.
I can order coffee
with what I have left
but don't.
Mikaila May 2015
I love your hands. I know it's a strange thing to say, but I really do. You were leaning back, drumming your fingers on the stage and I caught myself thinking how perfectly made they were, how every line was so important, so lovely and smooth. Long fingers, and surprisingly graceful in their movements, at odds with the rest of you at times. They are hands I could picture cupping clear water from a pure stream, holding that kind of liquid light in a very natural way. I could picture them parting velvety soil to coax young green sprouts from it, lines and creases made more bold by the clinging love the earth would show you. I could picture them, too, gliding along piano keys, although I know you don't play. I think you could. I think those keys would love your fingertips. They'd sing for you. In the safety of my mind, I sometimes long to hold them, turn them over and learn the valleys of your palms like braille, follow the paths the years have carved in them. Not in a covetous way, but in a soft, gentle way. Those are the thoughts that make me blush, that make me keep my distance.
I did try so hard.
Mikaila May 2015
I want you to know that
The time I get with you
I treasure.
Whether we are lifelong friends
Or you leave tomorrow
The time I get with you
I treasure.
We are transient by nature.
I could have a hundred years to know you
And it would not be enough.
I could have a hundred years to feel the rain and watch the sun rise and laugh and cry and love
And it would not be enough.
It is not nearly enough
And so I
Treasure it.
I want you to know that
Any moment I spend with you
Any art I make with you in mind,
I am giving you a piece of my life,
The most precious thing I have,
Slipping through a sieve
More each day.
And I give it to you because
I know that yours will someday run out as well.
(And the thought lances through me,
And no wonder the sky weeps rain
With such a loss hurtling toward it
So inevitably.)
The time I get with you
I treasure
Because beautiful things
Are always transient
And I mean to love them all
While I still can.
Mikaila May 2015
I am fragile as glass, fragile as silk.
You could but look at me
And I might crumble, a sculpture made of sugar.
And yet I have stripped away the layers of myself
Going on, always going on
Trusting you
To foolishness, to distraction, (to destruction?)

And I keep on shedding my disguises.
I keep tearing them down
Each after each and /oh!/
I am so small inside,
The universe pressed into a pebble
And trembling with its unresolved might.
And what if you touch me
And I shatter?
And what if you touch me
And find I'm not what you were hoping
You would hold in your palm?
(And what if
You recoil
And don't touch me at all?)

What if
My shivering gravity
Meets your soft light
And muddies it somehow, makes it less?

Sometimes I fear I am
Untouchable
By nature.
At once delicate
(the way a butterfly's wing will crumple and wilt
If your fingers touch it)
And devastating,
For there is so MUCH in here
So much that wants out.

So much that /bends/ toward you when you come too close
Like glass heated to smooth billows
Where once it was sharp and brittle
(and will be
Again.)
Don't you see?
You could take me in your hands and shape me,
Make me different forever,
And walk away to leave me cold and cutting again.
You could,
And I would leave such burns on your palms
And you would create
Such edges in me
Such fingerprints
Such caverns of space where the light gets in and won't leave, trapped and pressing and empty,
Unfillable.
You could do all of that.
And I could let you.
And I could let you close, knowing this
And... I /do/
I do and it amazes me.
I do, I tear off my many masks with eager hands
And smash them at your feet.
And I don't know
Why.
Mikaila May 2015
I move through the world
And I want to give
Like a soft rain.
Quiet and gentle,
Never demanding, never harsh, never desperate.
Like breathing
I want to give
And it falls over everything like a shimmering veil.
It is unhurried and strangely detached,
A love that floats lazily down to alight wherever it may.
Most of the time
My need to give is like that.
I have made it so.
But
Every so often I turn and see someone.
I trip and fall and quite by accident I SEE.
And suddenly it courses through me like lightning.
Suddenly the earth cannot accept the light that roots me to it,
Reaching its crackling fingers outward for ANYTHING that will survive its touch.
Unsatisfied and violent with motion, it doubles back and sears through me
Filling my veins with molten silver.
Do you know what it is to love something so completely
That if you were to ever touch it it would powder to ash in seconds
And everything you saw to love
Would catch the wind like cinders?
When I read as a child
That at the smallest level we never TRULY touch-
Our atoms repelling one another by magnetism-
I wept.
And I could still weep
For I have always known the excruciating sensation of "so close",
I was born of it
And the sobering understanding that to touch
Destroys.
Oil paintings, butterfly wings, tearstained cheeks-
My fingertips are weapons.
I have been kissed and thought,
"Unmake me."
I have loved so hard that,
Desperate,
I held my smoldering hands against my stomach,
Willing to burn to keep my arms from seeking purchase.
Oh, all hands are weapons!
And I have held them,
Felt the heat.
I have kissed palms,
Clutched them to my chest and tried to burn away the space
The maddening space
Between my skin and theirs.
If I had my way
If I knew I wouldn't leave equal scars
I would cover myself with the handprints of people I love,
Let them change me.
Let them make me.
I am gentle
Because inside I am chaos.
I am soft
Because inside I burn.
And every time I
Don't
Brush my fingers along the cheek of someone I worship,
I count it as an act
Of unutterable love,
To hold back such tender violence.
Mikaila May 2015
Antigone, the heroine.
I am proud for you,
With your high cheekbones
And your straight spine
And your low, ringing voice.
I am proud for you,
With tears in my eyes-
"Antigone, the heroine,"
He said, holding an exquisite, strong-featured mask
With delicate fingers,
And I saw your face in its sharp lines,
And I thought,
"It's true.
How saved I feel,
Knowing you."
Mikaila May 2015
I can't make you anything beautiful enough.
Don't you understand?
I can't make something
Say something
Think something
That will speak of beauty the way you echo in my head.
That is what pushes me to the edge of madness late at night
And forces me to sit in stillness
Frozen by the idea that

No movement that could leave my bones in tact would possibly suffice,

No song that could escape without taking my lungs with it could match the tones that rip through my soul,

No art, painted with blood or dragged from the silver tangles of my mind, could glow with the pain and passion I feel
In reflection of you.

Don't you know that to see you, even glimpses,
Even fractures images,
Is a terrible, exquisite privilege
So present, so unbearably alkce, so vast that
It cannot be contained within a single, passionate soul like mine?
It is too enormous to be intimate
And far to close to be
Simply divine.
And I shake with it,
With the power of it and the helplessness it creates within me-
A craving, never sated,
To show you what you are.
Mikaila May 2015
I don't know when I started loving you.
I know when I realized
I could.
I knew when I first spoke with you that you
Were someone I could love
Devastatingly.
And since I have studiously looked past that knowledge,
Ignored it even though it sat beside me at the dinner table
And put its cold arms around my waist in bed.
I protected you from it,
Keeping it a ghost for as long as I possibly could,
Even as it gained substance at my side
Pulling at my sleeves and tangling its soft fingers in my hair--
"Look at me."
"No.
No I will not see you."
But one night, some night,
I must have been tired and weak,
I must have been raw
And, having heard another of your shocking tendernesses
Reaching through space to tug at my heart,
I must have turned
And seen it in full-
My loving you-
And since
I have been gorgonized, stone,
Unable to look away.
PrttyBrd Apr 2015
A worst-case-scenario mentality
Breeds emotional nightmares of what-ifs
Methodically feeling the pain in each possibility
Preparing for Hell, knowing it is impractical, improbable, and unkind
Each reaction gauged
Smiles erupt in each better choice
A familiar road traveled often
Lead only by a history of pain
It ebbs and flows, bobs and weaves at will
This reality is organized, easy to understand

Random thought of an unlikely, unfathomable future
Vivid like a film
Unwavering, persistent
There is no control
ling its outcome
Forced to watch the images forged in a broken mind
Tears burn flesh and a naked heart bleeds
Stop rolling, just...stop
No amount of pleading slows the images
The pain is overwhelming
Far beyond self-inflicted, torturous, methodical thoughts
Uncontrollable, inconsolable
True and real
So very real

There is but one way to stop that future
The one shown in visions of just deserts
The future that smolders through present joy
Preemptive pain is just not an option

I've seen the future my heart has built
The shards of a shattered soul
Offer no comfort


My worst-case-scenario was but a benign freckle on the elbow of a body invaded by metastatic melanoma
4315
spoken word, haibun
Anthony Williams Jul 2014
I draw on lilac cigars
through my mask
so her journey in neon stays
safely as a highlight
in gas filtered clouds

the faulty starter judders the light
flora scented
and in the flickering clouds
an attempt at landing
reveals her girdle red
in a flash of steely eyes
and suddenly mine were blinded
just as she rubbed against the dark

combing her strands wildly apart
she shook blonde roots and brunettes alike
I'm a sucker for hair turned hydrogen
peroxide mixed with air to make stars
startling amidst malefactory dye

metal booms swung away at each other
in the distance
building her model oxygen tanks
for pin up flower cuttings
and garlands on picket fences

she kissed the ground
and I gas peddled
a stomp on the glowing end
to the stub

only to drop like a skeleton
with lead hands
to follow any seeds
******* burnt rain
my father smoked heavily
as he described this dream to me
a premonition he said
from a night before the disaster
when he awoke still at home
Acknowledgement to the Hello poet Chloe whose mention of the Hindenburg in Counterbalance reminded me of his experience.

The Hindenburg disaster took place on Thursday, May 6, 1937, as the German passenger airship LZ 129 Hindenburg caught fire and was destroyed during its attempt to dock with its mooring mast at the Lakehurst Naval Air Station, New Jersey. Of the 97 people on board, there were 35 fatalities.
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