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James Gable Jun 2016
|PART THREE|
THE EMPTY SECOND
BECOMES AN
EMPTY SPACE

When it’s all over
forget about courtesy,
grab hold off a shooting star
and ride it all the way
until the photons say the
last word with a pulse of light



The man is no longer doubled over and
Observable from the window
As a result of his fifty-eight years
the equation of his life
All comes to zero
Whilst the mocking ticking and tocking
Of an old clock knocking minutes like
Nails into the wall—

He disappeared in a puff of smoke,
The ice in his glass melted and the woman picked it up,
Drinking it in a single gulp, the glass comes down as if
Magnetically drawn to the floor, the floor,
Where she lies silently and stretches her body
To get some release, she rubs her face against
The carpet, nothing matters except the next second,
Eyes, behind a blink or two, dart to another part of the empty room
She couldn’t think any further ahead than a second at all

And the zodiac crashed open
the ram sent stars flying
the crab snipped the string that suspended the stars
mars took some flak
and finally the sun was burst
by the horned goat
and aquarius held it
like the final fluid sphere

Stars, burning across the sky like the striking of a match
Those wishing on shooting stars
couldn’t decide what they wanted
many of them flying as there were

As well-known monsters
Weighed down by human hope,
clear out our night sky,
Leaving not a freckle to observe
Telescopes now point into bedroom windows
Shadows portray a sort of life,
Shadow puppets depict death through
Tragedy and lapses in timekeeping and
Obsessions with vanity

Life spends some empty second
Inside your lungs,
Continues on it’s way
To resuscitate a slowly fading knife attack victim
Or shake the hand of a minute,
Time is ticking laboriously by

The light, motherless and lost,
Spat out at as the sun was burst,
It looks up to see
the unveiling of the universe,
Finally,

the oyster swallowed the sea.




*—I didn’t want to be a poet by any means. After what happened working on the lifeboats I couldn’t go near the sea, so in a way I chose which parts of it I wanted and wrote about them. It terrifies me and fascinates me at the same time. I fully believe I will return to it only as ash...
Part Nine (3) of The Man Who Longed to be an Oyster
Addie D Apr 2016
Monologue
I started tonight;
Monologue -
it was alright.
I knew I was right
to want to
**** the light.

Dialogue -
the peak of the night.
I saw you on the coast,
Delight
it brought to you
to sit and watch me
suffer as I ignite.

Epilogue
had been brought.
But what
epilogue
to the tragedy?
Epilogue
of mine, ended that night.
Dawn of Lighten Feb 2016
He stood on the "Endless Bridge" in Guthrie Theater,
And looked onward at the old abandon mill district of Minneapolis.

The crescent moon ascended to the glimmer of the city lights
As the nature of the wind pulled his hair back to shed his hidden soul.

The Mississippi River clash against the pavements of the dam,
And the moist from the river felt through the air on the pours of the skin.

Neon lights of the 35W reminded the contemporary architect of modern city,
But the old mill district had it's ever so present among the modern buildings.

In that silence she walked down the aisle from the theater entry onto the balcony,
The silent graceful walk even in heels like a prey of the jungle,
There she stood next to him to reach her arm around his.

He glanced onto her face matching his eyes to her's,
And she pulled the most warm honest smile of innocence.

Upon his gaze upon her dark glistened navy blue dress,
With golden neckless he gave her as their anniversary gift,
And pearl earring illuminated the moon light of nightly beauty.

"You look majestic," barely able to mutter as he faced her side by side,
And his back against the solid balcony wall.
As title implies, this is the scene in screen write's epilogue.
To those people who are new to Minneapolis area, here is bit of description from a well known news source.   http://twincitiestourguide.com/2008/09/20/stop-4-the-guthrie-theater-innovative-exciting-blue/
Emma Hill Feb 2016
Tripping over his feet like so many shoelaces he danced clumsily
Calloused hands holding loosely onto the featherweight of my neglected body
Breath
alcohol tainted and stained with years of nicotine inhalation
raises goose flesh on the whole of my being
My vision is doubling
the dogeared books decorating the walls of his room
pristine white candles glowing hot and soft on the altar
wine glasses silently radiating with a deep maroon
He spins me slowly round
I imagine I look like the ceramic dancer
inside a music box
Inside a fantasy world all my own
My head is getting dizzy from the alcohol from the smokes from the movement
and I stumble
Everything round me slows to an unsure crawl as the world shifts horizontally
Hands grasp the air as my feet pinwheel
Flowing fabric floats away from my body
an angel falling
Mouth opens and a soft gasp is allowed
This happens within the seemingly unending seconds
between leaving the relative and drunken safety of his arms and
Cracking my skull upon the altar adorned in so much white flame
Everything stills and again
There is silence
I do not
hear his screams as my heartbeat matches that of a hymnal I used to sing in church and
I overflow with the memory
As my blood pools beautifully
Complimenting the darkness of the wine stained crystal
I imagine
The altar had been built for me
The corners of books folded to please my eye
The drinks the music the melancholy all exist for
My epilogue
My epitaph
My eternity
All of my poetry is about death
SM May 2014
The world
is too big
and life
is too short

What now.

— The End —