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The realm extols conjugation’s creed,
But I discern a veiled stampede
Of shackled vows in velvet guise,
Where sovereign souls are canonized.

👁️ The Covenant of Clasped Rings
A gilded snare with spectral strings.  
To cede your flame, your soul-scroll’s lore,
To one who claims your inner core.

I’ve charted stars, inscribed my name,
Not to be stitched in someone’s frame.  
Not to be paused, not to be tamed,
Not to be blamed when joy is maimed.

🎭 The Duet of Domestic Grace
A masquerade in tethered lace.  
No one blooms in bridal cage,
They wither slow in silent rage.

And if it’s just for flesh and skin,
Is that the gate where truths begin?  
If passion’s price is self-erasure,
Then let me guard my soul’s own treasure.

💔 Parental love a sanctified flame,
Unbranded, boundless, free of name.  
But this duet of spouse and spouse?  
A staged affection, haunted house.

So let me clutch my soul-scroll tight,
Let me script my own birthright.  
No vows, no veil, no muted scream
Just me, my truth, my sovereign dream.

🌑 The Ceremony Unchosen I defy,
To trade my stars for borrowed sky.  
Let others dance in tethered grace,
I’ll walk alone, but not erase.
This poem challenges the romantic and cultural idealization of marriage, exposing the silent erasures that often accompany conjugal rites. It honors parental love as unconditional and critiques the performative nature of domestic partnerships that demand self-sacrifice. A declaration of self-authorship, this piece refuses to trade celestial becoming for borrowed vows.
I stitched my soul in borrowed thread,
A saree spun from words she said.
She spoke in sequins, smiled in ash
Her promises, a dopamine crash.
I matched her hue, her scripted glee,
While she rehearsed duplicity.
Three days drowned in bridal haze,
My books undone in cosmetic blaze.
No echo came, no tethered grace,
Just phantom friends in photo space.
She played wife to a borrowed man,
While I decayed in waiting’s span.
Her exit plan a lover’s whim,
My day reduced to shadow limb.
Even my blood boiled past its name,
A tongue unleashed in grief and flame.
Better no orbit than one that spins
With hollow crowns and plastic sins.
I learned:
Not all circles are sacred,
And not all smiles are kin.
This poem explores the emotional aftermath of a ceremonial betrayal — where tradition, performance, and borrowed intimacy unravel the speaker’s sense of self. It contrasts the glitter of social rituals with the decay of personal truth, and questions the sanctity of circles that exclude, erase, or commodify connection. A meditation on kinship, grief, and the cost of waiting.
Michael Shave Jul 20
Tap, pause; tap, pause; tap, pause.
A lonely sound which echoes round an ancient hall.
And to its beat In single file emerge a King, as well the Princess Royal,
My lords of York and then of Sussex; peers of the realm, all duty bound
To take their places, which by ceremoniously doing thus evinces
Such enduring continuity when its viewed - that vigil of the princes.

The Royal Standard drapes the coffin
There in which the late Queen lies
Lions, rampart, passant guardant,
And the harp of Ireland, blue;
Scarlet, yellow, such bright colours;
Jewelled the crown which sits there too.

And in the coffin ‘neath that glory
Lies our Queen now stiff, now cold.
Three score years and ten her story,
Three score years and ten which queue
From Southwark Park to Lambeth Bridge,
Just once more their Queen to view.

Just once more their Queen to view,
Patient, waiting through the night.
All walks of life to whisper through
This hall built by the Conqueror’s son.
Mute might it stand yet shout so loud
Of Britain’s past and of its history proud.

Tap, pause; tap, pause; tap, pause.
A lonely sound which echoes round the ancient hall.
And to its beat In single file emerge a King, as well the Princess Royal,
My lords of York and then of Sussex; peers of the realm, all duty bound
To take their places, which by ceremoniously doing thus evinces
That enduring continuity when its viewed - the vigil of the princes.
got married
at twenty-nine.
never planned it,
never wanted to —
until it felt right.

but if i could,
i’d rewind the tape,
strip it all back,
do it differently.

no family
because you’re supposed to,
no friends
because they had us at theirs.

no fortune spent
on a venue,
music and meals,
waiters and bouquet.

we got caught up
in the planning,
caught up in the daze —
the RSVPs,
the website,
the save-the-dates.

if i could do it again,
it would be just you and me,
paperwork signed
in a quiet room,
me wearing my raccoon tee.

don’t get me wrong —
i love the photos.
i loved the dress.
i loved the faces
of everyone there.
but the ceremony,
the nerves,
the performance —
that’s not us.

if i could do it again,
it would be bare,
honest,
without disguise —
just ourselves
when no one’s around.
this one is about how we both wish we had waited, and made it ours instead.
Maria Aug 2
I was open before you,
No passwords, no keys, no locks.
I was unvarnished and credulous -
My heart was out, my soul had no blocks.

I was stark naked before you,
Without shyness and ceremony,
Not covered by lie, off laws and rules,
Either in passion, or in agony.

I was before you all as I am,
Every bit of me, of my body and soul.
I awaited. And I'm really tired.
My body's petrified in whole.
Thank you for reading it! 🙏
Sharon Talbot Mar 17
I was thinking about the blast
of neon colors in a film
and the New Wave Music
and Marie Antoinete pastels

But in my childhood
it was as if we had other hues,
a small box of crayons at hand,
or that the world was seen through
Kodachrome film.

There were lollipop reds and purple
and dungaree blues, lake and skies,
lemon ice yellows, setting suns
and lush summer green.

In scratched lenses, children seemed to play
as if inspired by the living colors,
imagining that their lives would last forever.
And even as they grow, it immortalizes them.

But, like life, the colors decay
and we gaze at scenes of sepia and moss,
with ochre grass and reds turned brown.
We must attune memory to remember more.

And using suspension of disbelief,
Elders, middle-aged and children gather
Like the neolithic ceremonies meant for gods,
But celebrate, not the stars or stones,
Rather the lives we have lived or have yet to taste.
I found the first two stanzas written on an old paper in my journal and decided to finish it.
Aaron Mullin Dec 2023
Here it is ...
My reconciliation statement begins with these questions:
Am I the locus of the problem?
Am I xenophobic?
A supremacist, perhaps?
Certainly neither of those but ...
Am I complicit?
What did I elicit?

Here I am all wrapped up in my trauma bonds
hoping someone will help me to see.
Maybe I am attracted to wounding.
What do I have to do? How am I gonna be?

My pain receptor's cry out:
Feed me!!!
And this is where my attachments are
inflicted
and this is when my attachments are
conflicted

But now I've found some nurturing
and something new is blooming
triggered: guard up
un-triggered: guard down

I am working through my oppressors and
reacquainting myself with allies

It was an invisible war
and it is no more because
my ceremony of innocence
is drowned.
This was written post Emotionally Focused Therapy training in Haines Junction, YT over the ****** Moon, November 2023.
In bitter ink
I dip my feather.
My hands carve out
A weathered letter.
I hold the page
Steady, it hovers
Grazing the flame.
Your name getting hotter,
Til it crumbles to ashes -
Catching fire at my altar.

▪︎ mica light ▪︎
Clive Blake May 2021
We are here today to celebrate the love
You so obviously share,
A love you wish to formalise
And publicly declare.

A couple truly meant for each other,
A couple truly meant to be,
A couple whose friends and family,
We are very proud to be.

We hope your happiness continues,
That you have much more in store,
We hope the memories made today
Will stay with you - forever more.
A poem suitable for reading at a wedding ceremony.
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