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Zeeb Jul 2015
Hotrod
Verse I

Wrenches clanging, knuckles banging
A drop of blood the young man spilt
A new part here, and old part… there
A hotrod had been built!
A patchwork, mechanical, quilt

Feeling good.  Head under a raised hood, hands occupied, the job nearing completion.  Sometimes the good feelings would dissipate though, as quickly as they came, as he cursed himself for stripping a bolt, or cursed someone else for selling him the wrong part, or the engineer whose design goals obviously did not consider “remove and replace”.
He cursed the “gorilla” that never heard of a torque-wrench, the glowing particle of **** that popped on to the top of his head as he welded, the metal chip he flushed from his eye, and even himself for the burn he received by impatiently touching something too soon after grinding. 
 He, and his type, cursed a lot, but mostly to their selves as they battled-on with things oily, hot, bolted, welded, and rusty – in cramped spaces. One day it was choice words for an “easy-out” that broke off next to a broken drill bit that had broken off in a broken bolt, that was being drilled for an easy-out. 
  Despite the swearing, the good and special feelings would always return, generally of a magnitude that exceeded the physical pain and mental frustration of the day, by a large margin.  
Certifiably obsessive, the young man continued to toil dutifully, soulfully, occasionally gleefully, sometimes even expertly, in his most loved and familiar place, his sanctuary, laboratory… the family garage.

And tomorrow would be the day.
With hard learned, hard earned expertise and confidence - in this special small place, a supremely happy and excited young man commanded his creation to life.

Threw a toggle, pressed a switch
Woke up the neighbors with that *******

The heart of his machine was a stroked Chevy engine that everyone had just grown sick hearing about.  Even the local machine shop to which the boy nervously entrusted his most prized possession had had enough.  “Sir, I don’t want to seem disrespectful, but from what I’ve read in Hot Rod Magazine, you might be suggesting a clearance too tight for forged pistons…” then it would be something else the next day.  
One must always speak politely to the machinist, and even though he always had, the usual allotment of contradictions and arguments afforded to each customer had long run out – and although the shop owner took a special liking to the boy because, as he liked to say, “he reminds me of me”, well, that man was done too.  But in the end, the mill was dead-on.  Of course from the start, the shop knew it would be; that’s almost always the case; it’s how they stay in business - simply doing good work.  Bad shops fall out quickly, but this place had the look of times gone by.  Good times. 
 Old porcelain signs, here and there were to be found, all original to the shop and revered by the older workers in honored nostalgia.  The younger workers get it too; they can tell from the co-workers they respect and learn from, there is something special about this past.  One sign advertises Carter Carburetors and the artwork depicts “three deuces”, model 97’s, sitting proudly atop a flathead engine, all speeding along in a red, open roadster.  Its occupants, a blond haired boy with slight freckles (driver), and a brunette girl passenger, bright white blouse, full and buttoned low. They are in the wind-blown cool, their excited expressions proclaim… "we have escaped and are free!" (and all you need is a Carter, or three).  How uniquely American.

The seasoned old engine block the boy entrusted to the shop cost him $120-even from the boneyard.  Not a bad deal for a good high-nickel content block that had never had its first 0.030”overbore.  In the shop, it was cleaned, checked for cracks by "magnafluxing", measured and re-measured, inspected and re-inspected.  It was shaped and cut in a special way that would allow the stroker crankshaft, that was to be the special part of this build, to have all the clearance it would need.  The engine block was fitted with temporary stress plates that mimic the presence of cylinder heads,  then the cylinders were bored to “first oversize”,  providing fresh metal for new piston rings to work against.  New bearings were installed everywhere bearings are required.  Parts were smoothed here and there.  Some surfaces were roughened just so, to allow new parts to “work-into each other” when things are finally brought together.  All of this was done with a level of precision and attention far, far greater than the old “4- bolt” had ever received at the factory on its way to a life of labor in the ¾ ton work van from which it came, and for which it had served so dutifully.  They called this painstaking dedication to precision measurement and fit, to hitting all specifications on the mark, “blueprinting”, and it would continue throughout the entire build of this engine.  The boy remained worried, but the shop had done it a million times.

After machining, the block was filled with new and strong parts that cost the young man everything he had.   Parts selected with the greatest of effort, decision, and debate.   You can compromise on paint and live with some rust,  he would say, wait for good tires, but never scrimp on the engine.  Right on.  Someone taught the boy right, regardless of whether or not he fully understood the importance of the words he parroted.  His accurate proclamation  also provided ample excuse for the rough, unfinished, underfunded look of the rest of his machine.  But it was just a look, his car was, in fact, “right”.   And its power plant?  Well the machine shop had talked their customer into letting them do the final engine assembly - even cut their price to do it.  To make that go down easy, they asked to have two of their shop decals affixed to the rod on race-days.  The young man thought that was a fair deal, but the shop was really just looking out for the boy, with their herring of sorts.  
The mill in its final form was the proper balance of performance and durability; and with its camshaft so carefully selected, the engine's “personality” was perfectly matched to the work at hand.   It would produce adequate torque in the low RPM range to get whole rig moving quickly, yet deliver enough horsepower near and at red-line to pile on the MPH, fast.  No longer a polite-natured workhorse, this engine, this engine is impatient now.  High compression, a rapid, choppy idle - it seems to be biting at the bit to be released.  On command, it gulps its mixture and screams angrily, and often those standing around have a reflexive jump - the louder, the better - the more angry, the better.  If it hurts your ears, that’s a good feeling.  If its bark startles, that’s a good startle.  A cacophony?  No, the “music” of controlled explosions, capable of thrusting everything and everyone attached, forward, impolitely, on a rapid run to the freedom so well depicted in the ad.  

This is the addictive sound and feel that has appealed to a certain type of person since engines replaced horses, and why?  A surrogate voice for those who are otherwise quiet?  A visceral celebration of accomplishment?    Who cares.  Shift once, then again - speed quickly makes its appearance.  It appears as a loud, rushing wind and a visually striking, unnatural view of the surrounding scenery.  At some point, in the sane, it triggers a natural response - better slow down.    

He uncorked the headers, bought gasoline, dropped her in gear, tore off to the scene
Camaros and Mustangs, an old ‘55
Obediently lined-up, to get skinned alive!

Verse II (1st person)

I drove past the banner that said “Welcome race fans” took a new route, behind the grandstands
And through my chipped window, I thought I could see
Some of the racers were laughing at me

I guess rust and primer are not to their taste
But I put my bucks mister in the right place

I chugged/popped past cars that dealers had sold
Swung into a spot, next to something old

Emerging with interest from under his hood
My neighbor said two words, he said, “sounds good”

The Nova I parked next to was “classic rodding” in its outward appearance.  The much overused “primer paint job”.  The hood and front fenders a fiberglass clamshell, pinned affair.  Dice hanging from the mirror paid homage to days its driver never knew, but wished he had.  He removed them before he drove, always.

If you know how to peel the onion, secrets are revealed.  Wilwood brake calipers can be a dead giveaway. Someone needs serious stopping power - maybe.  Generally, owners who have sprung the bucks for this type gear let the calipers show off in bright red, to make a statement, and sometimes, these days, it’s just a fashion statement.  Expensive calipers, as eye candy, seem to be all the rage.  What is true, however, is very few guys spend big money on brakes only to render them inglorious and seemingly common with a shot of silver paint from a rattle can - and the owner of this half fiberglass racer that poses as a street car had done just that.  I'll glean two things from this observation. One, he needs those heavy brakes because he’s fast, and two, hiding them fits his style.  
Really, the message to be found in the silver paint, so cleverly applied to make your eyes simply slide across on their way to more interesting things, was “sleeper”.   And sleeper really means, he’s one of those guys with a score to settle - with everyone perhaps.   The list of “real parts” grew, if you knew where to look.  Looking was something I had unofficial permission to do since my rod was undergoing a similar scrutiny.  
“Stroked?”, I asked.  That’s something you can’t see from the outside. “ No”, my racer friend replied.  
“Hundred shot?”  (If engines have their language, so do the people who love them).   Despite the owner’s great efforts to conceal braided fuel and nitrous lines, electrical solenoids and switches, I spied his system.  The chunks of aluminum posing as ordinary spacers under his two Holly's were anything but.   “No”, was his one-word reply to my 100- shot question.  I tried again; “Your nitrous system is cleanly installed, how much are you spraying?”  “Two hundred fifty” in two stages, he said.  That’s more like it, I thought, and I then figured, he too had budgeted well for the machine shop – if not, he was gambling in a game that if lost, would soon fly parts in all directions.   Based on the overall neat work on display, I believed his build was up to the punishment planned. 
  I knew exactly what this tight-lipped guy was about, seeing someone very familiar in him as it were, and that made the “sounds good” complement I received upon my arrival all the more valuable.  I liked my neighbor.  And I liked the fact of our scratch-built rods having found each other - and I looked forward to us both dusting off the factory jobs.  It was going to be a good day.

The voice on the loudspeaker tells us we’re up.

Pre-staged, staged, then given the green
The line becomes blurred between man and machine

Bones become linkage
Muscle, spring
Fear, excitement

Time distorts ….
Color disappears …
Vision narrows…
Noise ---  becomes music
Speed, satisfaction

End
Sam Winter  May 2013
Heartfelt
Sam Winter May 2013
So, this was written to an unnamed ex a while ago. I ran across it the other day, and I might publish it in the collection I'm currently working on. To me, this is more than just a letter, it's a piece of prose. It's a pouring out of the soul in a way that few people take the time to do. Obviously written at a very rocky time in a previous relationship, I enjoy the clarity of thought that's displayed (not as an egotist, but as a stylist), and I enjoy the allusions and illustration. I'm proud of it, if not for the source or the outcome, then for the product of my turmoil. If I were to classify it? I'd label it, now, as a study of the mind. Enjoy it, and, as always, I welcome your comments and criticisms!

-###-

                Before I say anything else, I want you to know that I love you deeply, and truly. I would give anything to make you happy, and I'd do anything you ever asked me to. I don't ever want to hurt you, and I don't ever want you to be unhappy.
                But I am unhappy. I sleep next to a woman I can't touch until she won't notice, who won't - or can't, I still can't figure out which - show me the affection I crave; and when I try to explain to her the physical and mental stress this puts me through, she doesn't understand or doesn't care (still can't pin that one, either).
                I once took a "Psychology of Affection" class. Evidently, the emotion we call "love" is a conglomeration of a number of different, smaller emotions. Chiefly among them are attention and affection. Attention was always defined by my professor as "the willingness of one to give their focus in degrees, and the blatantness with which they are willing to display that focus." He went on to explain that when one is willing to give their focus but not to display it, or willing to make a display but not to give it, then an imbalance is affected, and either one or both members of a relationship become unhappy. And degrees of happiness become apparent when degrees of willingness are shown.
                In our case, I think, I am both willing to give you my attention, and unafraid to do it regardless of place or time; therefore, I think I give you a very high degree of attention. How do you think you score? How do you think I'd score you?
                Affection works on the same principle: willingness to give, and the ability to do so in a way that is apparent to the other party. Along with these two, though, Affection has a third variable: frequency. The combination of these three and the balance that must be kept determines the amount of affection given, and received at an intellectual level.
                I am entirely certain that I have been willing to show you ample affection in any venue, I am quite capable of showing you my affection in a plethora of ways, and I have done so (in innumerable combinations) with staggering frequency, despite the lack of reciprocation that should have left me hopeless.
                Well, right about now, I'm starting to feel hopeless. Any relationship requires two very basic things, hon: cerebral and physical interaction. An intimate relationship, therefore, requires an amount of intimacy in both cerebral and physical interactions. In addition, any relationship, intimate or otherwise, requires equal participation in all areas to continue over any extended period of time.
                I have been trying for God knows how long, to make this explicitly clear to you: I do not receive enough affection or attention from you for me to stay happy.
                I've laid a foundation in a universal truth for you; you have the science of our interaction at your fingertips, now. You understand what I understand, so I'm going to be as forward as I can in addressing this situation.
                In order for me to stay satisfied with our relationship, the amount of affection and attention I get HAS to change. I am, currently, both mentally and physically distressed, and I am at a breaking point. I have tried multiple times to get you to change: I've tried being subtle and hinting at things I like you to do - things I'd like to see more frequently from you; I've tried being abrasive, being a **** - telling you what I don't like, and why; I've tried being manipulative - guilt-tripping you into thinking or acting differently; I've tried (God, have I tried!) to be truthful and sweet and kind - to tell you, up front, what pleases me and what doesn't in the un-charged air of plain discussion. Any, and all (!), of these methods have been met with selfish stubbornness. I have tried, very hard, to convince myself that it's just been me. That it's something I have, or haven't, been doing. That me flipping out so often is just me freaking out. That none of my state of mind has anything to do with you. I dread putting any of the blame on you because...I worship you, I don't want your flawless image tainted by these things! But, at this point, I've done so much, and tried so hard to get you to change, to open up to me, to act (just act!) like you want me in your head and heart and *****. But you've been stubborn and you refuse to change...and it is driving me away.
                I don't want you to drive me away. I know you love me; I'm convinced you think I improve your life. And I'm convinced you improve mine in so many ways. But there is an imbalance.... I've done as much as any man can be asked: I have been kind, gentle, sweet, gracious, caring, selfless, and loving; but I cannot be these things when you will neither receive them nor give them back. My emotion, my spirit, and my love are being swallowed up in a void, and I can feel the light in this relationship fading. I can't stay in this if I'm the only one showing how I feel. If you don't love me, anymore, tell me. But I can't stay here and not know. I can't give you so much of my heart, and not get anything in return. It's my turn to be selfish.
                I am banking on the hope that you want this to work, honey. I am praying to God, Almighty that you would rather change how you act than give me up.
                I have never given anyone I've been in a relationship with an ultimatum before. Maybe that's why I've been hurt so badly before. But I'm not going to sink this ship myself. I'm giving you an honest chance. I want this, more than anything. I want you more than anything! I don't care that we don't earn enough for food, yet. I don't care that you spend oodles of time with your friends; I don't care about anything you do with your life except this. This one thing will solve so many of our problems, you don't even realize!
                My peace...my serenity with our relationship and with you as my partner in life, depends, solely, on how you behave towards me. There aren't enough Josephine Collective concerts or pills, or parties in all the world that will make me feel like you love me more than you showing me your **** self. I NEED this. It is essential to my functioning as your lover and your friend; I can't love a stone. And I can guarantee you, right now, that if you can put aside your insecurities, put aside your "awkwardness" argument, put aside your doubt that I would ever, EVER, turn you away or leave you alone, and just show me every minute of every day that you love me, I would never worry again. Reassure me with a kiss. Say "hello" with a kiss. Warm up by scooting closer. Cool down by throwing off a blanket - not pushing me away. Act like you can't keep your hands off me. There will be no nights where I ask you distressing questions; there won't be times when I'm offended by your going somewhere without me; I will not get upset when plans get upset. If I knew in my heart of hearts that you loved me and you'd make sure I knew it when you saw me, then there wouldn't be room for doubt.
                But right now...I don't know whether you love me or whether you're just going through the motions. My thinking is "if she loved me, she'd show me." But you don't show me. You know this as well as I do! One passionate kiss every couple of weeks is not showing me. A wag of the hips a couple times a month doesn't show me. Part of the psychological validation for committing to a relationship is the fact that your partner's body is yours to use. And it should be a willing use! I am a male. Three-fourths of my interaction with society is conducted physically, or visually. I need to see and feel that you love me. And that's not very much to ask from you, is it? And it's not awkwardness. You've shown me plenty of times that you're not abnormally awkward. And it's not shyness; you've been perfectly happy to make a scene in front of others before. It's not ***, either. *** isn't what trips me up. I'm fine without *** as long as I know you'd give it if you could. If I was confident that you'd jump my bones before I ever suggested it, then it wouldn't be an issue. But I'm not confident. Hell, I could go another three months if I got a BJ now and then.... I'm tempted to say it's pure selfish stubbornness, but I know that's not true. I think you're afraid of something. Maybe of opening up - spilling your guts - for me. Maybe you've been hurt a lot worse than I realize? There are so many possibilities. But you're the only one that can let me in, baby.
                I know it's not your way. That's evident enough from all my failures. But this is beyond "my way versus your way," now. This is essential to our being together. I love you, selflessly and shamelessly; but if I am going to be happy with you, I need to know you love me back. This isn't an option, anymore, dearest. You have to change. I need to know on a daily, hourly, moment-to-moment basis that you prefer me over anything else...period. My heart is breaking because I can't tell if you love me back. So, I'm going to make this easy on you. I've brought this up to you before - multiple times, actually. Each one just as memorable as the next. Each one serious enough to tell you that something has to change. But you don't seem to get it. You don't understand that this is paramount to my happiness...essential to my functioning; and you don't get that yet. You've asked me to do multiple things differently; I have changed how I act - who I am - to cater to your peace and happiness, and I am happy to do so. I have asked this one thing of you and you won't do it? I have asked this one thing because it is the one thing that I need to change. I've told you that. But the day after, and the week after, and the month after I bring this up, nothing changes. I can't handle that. I can't handle that I can be so willing to make you happy...to change my thoughts and actions through my own will to make your life simpler, less worrisome, happier and easier; yet you are so unwilling to grab your own mind and make it behave as you choose to ease my mind and my heart and give me that little validation I need from you so I can tell myself that I am your whole world the way you're mine!
                I will always love you. Always.
                But I can't be with someone who can't show me they love me.
                This is your ultimatum: Change. Put me in your mind. Think about the things you do that make me happy, and do them. Physically connect with me. Touch me on a regular basis. Visually connect with me. Get my attention, and hold it every day. Act like you are my woman the way I try to be your man. And do it now. You do not get a week or a month or a year. I am out of time. I can't wait on this any longer. If you want me here, hold me here with your own two arms.
                If you can't hold me, then I won't stay.

-###-
mEb  Nov 2010
Visually ILL
mEb Nov 2010
To rivit and gaze abrrantly
Your visually sick behind retina
Processing on whimsical stammor
Docket’s of false telltale pouring from hundreds of mouths
All while one gamming sheray from your eyes says enough
Those worn graying-blued bags underneath;
They show a hard working bluff
Devised; let’s embellish our stares of evil on outward crowds
Let us pick out other bagged eye crevices, and not moving blabbers’
Nothing but the time they’ve gave; those wise ******* dabblers’
We glance the demon out for thrill
We are the visually ill.
Poetry by MAN  Mar 2014
Body
Poetry by MAN Mar 2014
A Beauty you are out and within
I have an insatiable desire to write poetry on your skin
Your body my canvas feel my gentle brush
Writing ******* with my ****** touch
Cinnamon lips I love your tone
Soft and silky to the bone
Finding words..be my guide
As we connect I come inside
Filling each other..there's no strain
Steady my thoughts I must maintain
Watching my penmanship using a steady stroke
I start hallucinating from my mental smoke
Sends me into a frenzied flow
I'll find my pace..go on a roll
My words soak in as you taste
My emotions invade your inner space
Down from your toes..Up to your eyes
Writing Haikus between your thighs
Poetry on your body every inch
You start writhing from my Scorpion pinch
Sinfully venomous my words forever sink
Into your skin my poetic tattoo ink
As you lay naked I visually feast
Every line of your body a masterpiece..
M.A.N 3-7-14 One of my favorites I really enjoyed writing this poem..^_*  ♏
LN  May 2014
Admiration
LN May 2014
I hesitate to show him the truth.
The words I write may never reach his eyes
I am afraid of the torture after rejection.

These feelings cannot be denied,
my poems will never cease to exist
even if i erased these heavy thoughts I typed
burned them alive
the memories of us will float around endlessly
somewhere, out of my reach.

If he sees himself in mirrors
in a monotone and meaningless way
he will not anymore
because reflections of him
lie not only visually in images,
such as projections on clear glass
but in others who admire him too.

We become who we love eventually
Admiration for someone else
makes us melt
covering past pages of who were before.
Dead Rose One Jun 2015
Lush is the quietude
of the late Saturday afternoon,
rich are the silencing sounds,
as variegated as the shades of greens
of a man-seeded, nature-patchworked lawn

rays reveal some bright,
some yellowed spots,
all a potent color palette

resting worry wearied eyes,
untroubled by the gentle fading light's illumination,
that soon will disappear and seal officially,
another week gone by

the lawn,
acting as an ceiling acoustic tile,
absorbing and reflecting
the varied din of disharmonious
natural sounds orchestrated,
an ever present reminder
     that true quiet
is not the absence of noise

I hear
the chill in the air,
insects debating vociferously
their Saturday evening plans,
the waves broom-swishing beach debris,
pretending to be young parents
putting away the children's toys for the eve

the birds speak in Babel multitudes of tongues,
chirps, whistles, clicks and clacks,
then going strangely silent as if all were
praying collectively the afternoon sabbath service,
with an intensity of the silent devotion

this moment, i cannot
well enough communicate,
this trump of light absolutes,
and animal maybes,
that are visually and aurally
presented  in a living surround sound screen,
Dolby, of course,
all a plot of
ease and gentility,
in toto,
sweet serenity

here to cease,
no more tinkering,
leave well enough,
plenty well enough
for Sally and Rebecca, who love the lushness best....

JUNE 2015
A Writer Feb 2015
To cook something beautiful
You need a few unsightly ingredients.
Like to make a cake
You need flour and baking soda
Baking powder, sugar, and a hint of salt
Water and eggs.
They aren't appealing to look at
By themselves
Or even when mixed together.
But when handled right,
And with a little time
Love and care
An oven and a spatula
You conform them into exactly the right shape
And those unsightly ingredients become
A tasty treat,
But what's a cake without frosting?
It's something bigger than what it was.
It's a combination
The frosting makes it more
Visually appealing,
It masks the overly cooked
Side.
Some air pockets from
An inexperienced
Or careless chef.
It's masks imperfections.
You can't force a cake to become perfect.
It needs time,
it needs love,
it needs care.
Dare I say it again,
It needs time,
It needs love,
It needs care.
When the cake
Gets those, and is left alone
To bake,
To think about what it's job is,
To not just be beautiful
Covered in frosting
But without it as well,
You'll have the best ****
Cake you've ever made.
It won't be over done on one side
Or the other,
It won't have air bubbles,
It'll glisten and gleam,
And be pristine.
You'll have a cake
Beautiful
On the inside and out.
People are like cakes
Fritzi Melendez Nov 2017
I am tired with the feeling of being dismissed, criticized as to what I'm going to do next.
I am tired of forcing myself to choke back the tears, hide my barb-wired stained arms behind a long sleeve sweater.
I am tired of fidgeting to keep my sleeves past mid fingers, because my knuckles are swollen and bruised green and purple from yesterday's misdemeanor.
I am tired of insomnia always wanting to be held by me, being woken every 2 hours as if I was tending to a crying baby.
I am tired of running around and around my brain, always overthinking until I go past insane.
I am tired of how my energy stops out of the blue, leaving me nothing but to stare into the wall dazed and confused.
I am tired of making people run away from my presence, love and hurt and leave me until I'm left too sick to keep myself barely on balance.
I am tired of walking with wobbly and scraped knees, my palms are bleeding with skin peeling off, barely able to write more sad poetry.
I am tired of being hurt by everything and everyone, they say my heart is a blessing, but it has cursed my life since the day I was born.
I am tired of the cruel criticism towards me, years upon years of insecure comments that developed into PTSD.  
I am tired of having to rely on someone else's heart just to make myself feel worthy and complete, I can't help sharing my entire heart just to get it back again obsolete.
I am tired of the sickness that tells me good morning each day, opening my mouth to cleanse my body of the food from yesterday.
I am tired of looking at my skin in the mirror, as my rib cage becomes more visually clearer.
I am tired of breathing in the oxygen plagued with depression, opening my eyes to a vast blur in my vision.
I am tired of smelling the fear raid out of my body, their eyes watch as I shake and choke on my spit as I drown in the sweat caused by my anxiety.
I am tired of feeling incomplete, my hollow heart filled with thoughts of the night my soul fell to my feet.
I am tired of crying on the bathroom floor alone, shaking with ***** dripping from my mouth whilst trying to type for help on my phone.
I am tired of wanting to be loved and adored, knowing full well they'll leave me when they get bored.
I am tired of scrolling through my phone to fill the space of pleasure, because his name is screamed to me until not my legs, but my brain makes me shake as if I was having a seizure.
I am tired of being vocal about my mental illness, if it only brings me back into a bigger mess.
I am tired of ruining everything I touch, shattering like a fallen sculpture, not being able to fix it much.
I am tired of thinking until I get ******, screaming with every  punch on the wall because I'm alone and won't be missed.
I am tired of dreaming what could have been between him and I, instead I begin to think of different ways to die.
I am tired of seeing my window sill every morning, thinking about how I can just jump from it so I can avoid today's daily dooming.
I am tired of talking without words to speak, instead they're drowned out by wails until everything turns bleak.
I am tired of being told I'm going to be a failure, only because my suicidal thoughts have made me unsure.
I am tired of the pressure for me to do better in school, knowing they are just going to insult me for being an emotionally unstable fool.
I am tired of the tears kissing my cheeks goodnight, only to knock me out with the help of the looming monster that is impossible for me to fight.
I am tired of feeling and being weak and fragile, telling myself I'm strong are only words filled with false hope dripping with vile.
I am tired of the days I feel happy and alive, whilst also telling myself this is temporary and will soon deprive.
I am tired of my mouth being sewn shut as to not mutter a single word, trailed off when it finally unravels to people who refuse to have me heard.
I am tired of the numbness in my body after I break down, realizing the man-made tornado had once again ripped into my lonesome town.
I am tired of being alone and having no friends, because I'm still trying to heal from the knife twisted deep into my spine from the last person that wanted my life to end.
I am tired of keeping myself in captivity, when I know that I can free myself to feel amenity.
I am tired of the bipolarity in my decisions, always asking to be left alone but cry when I'm not given attention.
I am tired of being the family burden, an annoyance who can never do right with flaws that can not be undone.
I am tired of getting tangled into the constant mess I put myself in, they say I keep doing this to myself as I place my problems on my head with a pin.
I am tired of being ******* to the strings, in which exhaustion plays and moves me like a puppet's unescapable fling.
I am tired of being tired all the time, it's becoming so hard to find words that rhyme.
I am tired, I am just so
Tired.
Lately has been nothing but terrible outcomes and I feel worn out and exhausted. I don't know how much longer I can keep these shallow breaths going.
Music provides a blanket of background noise,
As you sit, in a velveteen chair, legs parted, hands on your knees,
I stand between them, silhouetted against flashing gold lights,
I stare down into your upturned face & slowly begin to undress.
Piece by piece my clothing drops to the floor at your feet,
Pooling around my clear, stiletto heels.
Your eyes too drop down, lingering on my *******,
My skin, soft & sun kissed, shimmers golden in the soft light.
I turn slowly, allowing every curve of my body to be illuminated,
The arch of my back, the contour of my hip & the arc of my buttocks
Your eyes trace down my thighs, now spread & back up,
As I bend, & reveal my inner most secrets to you.
My sweet opening that promises so much pleasure,
Just inches from your lips & your tongue & your pleasure.
Slowly I slide to my knees, down on all fours, face to the floor,
Inviting you to enter me, visually, take me with your eyes,
I turn to meet your groin & I watch with interest,
As I play with my ******, at the stirring that may come.
I rise up instead, to my knees, cupping my *******, blowing,
On my now ***** ******* & my eyes reach yours,
And time & space hold for us, as we join together, for a second,
Before I lean in, my breath on your cheek & I whisper,
That's £20 please.
Grant Mailo Nov 2012
I can be you, or I can be them
I can be she, or I can be him
but why be a con artist of someone else
like a shadow to my best friend, when I
can be my own person, a unique creation
created in the image of God but representin my own reflection
because I don't wanna see you, them, she, or him in the mirror
I wanna see me through my own eyes, 20/20 vision, but clearer
but the more I conform, the image of someone else draws nearer
and I begin to lose sight of myself, look back in the mirror, and see myself in the rear
a shadow to another figure, a copy of a personality
livin' out another person's dreamed out reality
copying what they think, and succumbing to conformity
but that ain't me....
what you see visually and how I appear physically
is what makes me comfortable, that's why I'm an independent, politically
I don't follow the norms and rules of what's most accepted socially
the only commandments I live by are the ones given Biblically
I ain't  the best saint though, I mean I do sin every day
but the only one I wanna copy is Jesus Christ, in every possible way
on the other hand, Satan is out there,
trynna tempt me on how to act and even what words I say
he's out offering me drinks, but I reply, "I'm okay"
cause I don't care if "everyone else is doin' it"
I just live how I like to live, that's what makes me a true non-conformist

I dress how I wish and not because it's in style
I keep my hair big, I do whatever makes me smile
I'm not trynna impress you or fit into your clique
I don't give women pick-up lines and act like I'm slick
I'm me, just me, no facades, just real
and if you can't accept that, then move forward but don't steal
the things that make me special, from my poems to my appeal
so don't try to change me and keep my uniqueness concealed
I could care less about your thoughts and any of your judgements
I refuse to give your words power, I can make your points become pointless
I'm not trynna be harsh, I just love to be different
I wanna be an original and keep my vibe realistic
not a second you, but a first me, no counterfeit
I try to keep up with what God said in Matt 26
verse 41, the spirit is willing, but the flesh is weak
so pray not to give into temptation and stay on your feet
I encourage us to keep our standards and what makes us unique
and accept anyone else who doesn't wanna repeat
everything you say, and everything you do
sometimes it's the people that are different that come off the most true
because they're not sayin or actin' in ways that you approve
they're given you their honest opinion, you should keep them closest to you
don't conform, forget what people want you to be
just be yourself, not a copy of reality TV.
spoken word piece I wrote for an event called "speak on, speak on it". the event was put on by 2 organizations I'm involved in at ASU, B.A.D. [black artists and designers] club and ASU NAACP. the topic was conformity. this is a piece I started and wrote just a couple hours before the event. I really procrastinated on this one. what I'm basically trying to say is this poem is a rushed job. please don't judge me too hard lol this isn't me at 100%! constructive criticism is more than welcome though.
Just Melz Nov 2014
My tongue is
       dripping
             with honey
     and gold,
        my voice is
   even sweeter
        and richer.






*Just imagine my lips.

— The End —