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Nat Lipstadt Dec 2013
In my real life,
not a poet,
just an astronomer,
an observer of
universes, bodies,
places, faces,
visited, discovered,
named and oft,
best forgot.

I observe:

Some never find true love.
Some never fly first class.
Some of us
never see the
South of France.

Some of us wear
hand-me-down pants,
white lined creases when “let down,”
mocked, we never forgive ourselves
the shame of it.

Some never experience
reckless abandon.

Yet, some of us are
recklessly abandoned,
and never forget,
and never forgive.

Some of us lose
children, husbands,
avanti nel tempo,
before their time,
the anger is
forever, palpable,

Some of us
were raised by
someone else's parents,
and never rest easy,
the abandoned taste
always nearby,
a cruel living, breathing
teasing wasting

Some we can pass over
with ease,
as new tissue grows,
those cuts marked -
emotionally healed.

But the ones that scar,
the ones that visible scar
permanent reddened,
are the
holocaust deniers
that there is a real
promised land of
peace of mind.

Peace of mind -
not even for a second,
foretold but
a biblical myth,
a promised land,
a capitalist paradisal hoax.

Some never feel
public victory,
adulation, adoration,
always wearing the T-shirt labeled
Property of Someone Else.

Most of us remain
unpublished, undiscovered,
unremarked, blanketed,
cloaked in bills to pay;

Living a triumvirate of
heart ache, loneliness, worry,
our normal table fare
of hand to hand
into the mouth
combat MRE's,
we engage,
to survive,
just stay alive.

We are not digitalized,
we are
but digits,
our faces hidden, and
in no one's heart book
are we recorded,
yet our viewing habits,
purchases, secret sites
are enumerated, captured.

Some of us live
in the real life,
never to escape to the
province of Wifi,
in the landscape
of the electronic mind,
an option for which
we are

Perhaps sanctity of separation,
safety of text, email,
avec the ******* intrusion
of tweets are
the real life today,
games are always won,
and what we don't enjoy,
we just delete away

But In My Real Life
getting up is trying,
the trying is trying,
delete buttons don't exist      
in the keyboard
of our brains,
all we have is a
measly twenty six aleph bets
to find new ways to say
that living is striving and
what we feel is
oh so real,
not digital

when I laugh out loud,
the neighbors
beat the walls,
registering their feelings
in my face,
in my book,
so to speak.

I got a friend,
maybe two,
all I need,
voices to help soften
the 400 blows of RL.

Their synthesized silence
of their breathing
on the phone
is precious unto me.

limp from Friday
night to
a bottle of Medoc
my weekend reward,
my bedrock cushion
in order to sleep.

After all these years,
gains and losses,
conversations with God,
I look up,
see the risk,
the slightest breeze
is a
hurricane wind.

The shaft,
of the
the sword
hanging above me
the hilt,
swaying in living color,
is no legend.

But what I have is
the ability
and maybe
the responsibility
to let anyone know
in my real life
anyone who touches me
with fine and good intent,
a momentary glancing blow
or a gunshot to the ventricle,
is part and parcel of
my real life.

This makes you real too,
savior, and hereby notified,
that you are not
just an observer, but
a poet of me,
an astronomer of my heart,
and namer of
a secret universe
inside of me.

Sept. 1, 2010

US Army jargon: meals ready to eat
nine  years ago I wrote like this.
Anais Vionet  Nov 2021
out there
Anais Vionet Nov 2021
He puts it out there, the Schrödinger’s cat of invitations.

Now, I’m irritated. “I TOLD you I don’t have time for.. involvement.”

“But you have to eat - so eat with ME,” he shrugs. “You can build a friendship with someone and still have freedom.” His observation was casual, as though it were unrelated to anything between us. He seemed to have the intuition that I’d balk if pressed.

“You’re subversive.” I said. “Why me? There are prettier girls, more agreeable, fun girls. I feel like I’m on the edge here,” I look around to indicate the room, the environment, the university. “And I can be a complete as-hole.”

He looked a little offended, “You’re interesting, I like what I know about you and, yeah, we can all be as-holes - we’re in a pool of “A” types, in case you haven’t noticed.”

“What do you KNOW about me?” I ask.

“I’ve read some of your writings,” he looked thoughtful, “I may know a little about how you think, It’s unusual.. interesting.”

I’m shocked and I squirm, “You looked me up?”

“I looked you up.” he nodded, “to be sure you’re not an axe murderer.”

“How much did you read?” I asked, wheedling, my inner-writer engaging.

“Tell you at dinner - YOU name the date and time,” he smiled.

“My idea of “dinner” is walking to a dining hall, picking up a bag of food, bringing it back here and taking ten minutes to eat it between chapters,” I warned.

“I have a meal card,” he says, jiggling his student lanyard.

“We’ll see.” I said. “Have you talked to anyone else about my writing?”

“No,” he answered, “Why?”

“Please don’t, I have to think about it.” I say. As far as I know, no one I know in RL has read me - it’s an odd feeling - like maybe he got ahold of my diary. I haven’t worried over the fact that someone I’m in physical proximity to could look me up. That all this stuff is actually out there.

“Don’t think my misgivings can be cajoled away,” I say, “no more talking.”

He chucked but we got back to studying.
RL Canoy Nov 2020
Sariwa pa sa aking gunita,
ang unang araw na ikaw ay aking masilayan.

Mga sandaling kung saan ikaw ay pinangarap na habang buhay kong paghahandugan.

Naaaninag ko pa rin ang iyong pagngiting kaakit-akit,
na lalong nagpapasingkit sa iyong mga mata.

Kung saan sa kabilang banda'y munting lungkot ang nanahan niring puso.

Pagkat di tiyak kong sa susunod na bukang-liwayway ay magiging dahilan ba ako sa iyong saya.

Ramdam ko pa rin ang kabog ng aking dibdib,
na tila ay sumasaliw sa yapak mo sa tuwing ikaw ay dadaan.

Habang ikaw ay maamong naglalakad,
Pinapangarap ko nama'y balang araw magkahawak ang ating mga kamay sa bawat paghakbang.

O kay sayang balikan ang mga gunita,
Kung saan nakikita ko ang iyong nakakabighaning wangis sa mga bituin ng sangkalangitan.

Mga panahong hinihiling kong nawa'y makapiling ka kahit sa panaginip lamang.

Minsan rin na sinasamo ko sa Poong Maykapal,
na harinawa'y pagtatagpuin ang ating mga landas.

At doon ay aking ipapabatid ang mga damdaming sa panulat ko lamang naipahayag.

© RL Canoy |November, 2020 |
It started with a phone call.

Sweat drips down my forehead
my mind is jumbled
pulse races
irr  e  gu  l  a  rl  y
and my heart is
its competitor.

The room feels smaller
and the faces around me
into nothing.

What is happening?
Why can’t I breathe?

I can’t stand up right,
my palms too sweaty
to grasp

It started with a phone call,
and it ended with a hard
to the floor.
Copyright 10-19-2014 Elizabeth Lawrence ©
Aiden  Oct 2017
Dear Friend,
Aiden Oct 2017
Dear RL,
I regret to inform you
that I have moved on.
I have found others,
that will respect me
more than you ever will.
You won’t like me
if I tell you the truth.
It’s not me,
it’s definitely you.

Dear MH,
When I moved,
why didn’t you keep in touch?
Was I even your friend,
or just your puppet?
So bossy and controlling,
what did I ever do?
It’s not me,
it’s definitely you.

Dear CG,
Why did you only ever
start drama?
Trying to turn me
against my friends.
Have me for yourself.
You stuck to me like glue.
It’s not me,
it’s definitely you.

Dear RS,
All you ever wanted
was for us to be friends.
I cut you out of my life,
and I’m trying to bring you back in,
but I keep on making stupid mistakes.
I’m sorry, for everything,
and I think you would agree,
it’s not you,
it’s definitely me.
notes to my past friends
Anais Vionet Feb 2023
It was Monday, June 20th, 2022. My roommates and I are in Paris to see Olivia Rodrigo (in two days). But tonight, I was doing a favor for my great uncle Remy. Taking my elderly great-aunt Yvonne to the airport.

In RL this all happened in French but I wouldn’t do that to you - but just so you know.

“I’ve always thought of Anais as a granddaughter,” Yvonne said too loudly into my phone, which she had picked up and I was afraid she’d drop. She kept trying to hold it to her ear.

She smiled at me with her old lady dimples. “That’s sweet of you to say,” I lied. She doesn’t fool me. She’s not innocuous. She’s as mean as a snake and she doesn’t like ME at all. How did I end up doing this? I asked myself.

“No Aunt Yvonne,” I said as I gently moved the phone away from her ear. “This is a CAMERA call. Hold it out so they can SEE you.” She’s saying a final goodbye to Remy and letting a cousin know her arrival time. As the Facetime call ends, I pocket my phone with relief.

Lisa’s with us (I told her not to come) and she doesn’t speak French. So for her, this whole task is an awkward pantomime. Charles, our escort, drove us to Orly airport and he’s circling in wait to pick us up.

Yvonne walks at a glacial pace, and it took forever to clear security. Lisa and I have special tags allowing us to escort Yvonne to her gate. I offered to get her a wheelchair, but NOOOOO.
“We need to hurry –,” I began, but she interrupted me.
“Why are you wearing that skintight nothing?” she barked loudly, irritatedly, “if I had YOUR figure, I’d hide those tiny *******” (“minuscules seins,” in French, loudly). Heads turned. As I flushed with irritation, she cackled like a witch.

It’s 8pm in Paris and 30.5°C (87°F). I’m wearing a sports bra and two tank tops. Sue me. I wasn’t planning on doing this at all. We were staggering slowly through the terminal when, like a gift from God, an Air France courtesy tram pulled up next to us.
“Get on,” I demanded, “or we’ll miss your flight.” She did - as slowly as humanly possible.

When we finally got seated at the gate, she sent me for bottled water, a sleep mask, a neck pillow, sugarless lemon drops and a Paris Match magazine. “Thank you, my dear,” she said upon my return, baring her teeth at me in what I suppose was meant to be a smile.

“You should come and visit me (in Libreville, Gabon, Africa),” she suggested, “I think there are things I could teach you.” This is like that gingerbread-house invitation we read about as children.

“I can’t,” I said, with feigned regret, "I'm in school,” (I wouldn’t go there if she lived with Timothée Chalamet).

I heard a familiar voice, and I looked up to see my Grandmèr arriving with her usual entourage of 7 or 8 lackeys, a couple of frazzled Air France employees and two gendarmes.
“Yvonne,” she said, pointing to the two Air France employees, “these people will see to you. Say goodbye to Anais.”

“Goodbye dear,” Yvonne said in a fake, fragile voice. I gave Yvonne a half-hearted Paris bises (two kisses on each side) and my Grandmèr shooed me away with a hand gesture and an impatient, “Go, GO.” I’m afraid uncle Remy’s in trouble.

Yvonne and her branch of the family are the slimiest people you could ever meet. They’re billion-heirs (not billionaires - billion-heirs) who (theoretically) stand to inherit handsomely when my Grandmèr dies (I am NOT in that grubby lineup). They’re liars, cheaters and scoundrels who’d stab you in the face for an olive to put in their martinis. They're legal reasons my Grandmèr has to put up with them from time to time - but every interaction is fraught with phoniness.

About fifteen minutes later, Lisa and I are in the car with Charles racing back to Paris for dinner with our roommates. As I texted them to expect us in 20 minutes, Lisa said, “I got bad vibes from that old lady - the way she LOOKED at you when you weren’t watching..”

“YOU,” I said with a chuckle, “are very perceptive!”
BLT Marriam Webster word of the day challenge: Fraught: “causing emotional stress or something bad.”
Anais Vionet Apr 2022
The Batman Movie (a review). The clues part was cool, but the end of it got boring. I liked that Batman kept a journal - I like the idea of men keeping journals, because, do men have many thoughts they share? Men’s thinking seems so ephemeral.

In this Batman resurrection, Pattinson’s Bruce Wayne & Batman are Kurt-Cobain-like emo and that seemed to work. Didn’t you just want to take your hand and get his hair out of his eyes? I think guys should have hair - I like hair on guys, not buzz cuts. I liked the muscle-car Batmobile.

I liked Zoey Kravitz, she was girl power, but not in a hot girl way, she had her own motivations, she wasn’t just in danger and served up to fuel Batman.

The movie is too long though. They need to bring back movie intermissions - I’d vote for that. As usual, I drank my giant slurpee and ate ½ my popcorn before the twenty minutes of previews were finished.

It’s a three hour movie. I had to *** so bad by the time the movie was ¾ over that I was grinding on my popcorn bucket to keep it in. I finally had to make a dash for the bathroom - I was afraid I’d miss the KISS scene. Argh!

Let’s talk about Robert Pattinson, the actor, and his arch from Twilight to Batman. Of course, doesn’t every vampire turn into a bat? (joke) but it’s always Pattinson being moody, being hot, figuring himself out and the introspective man - the broody man.

Are broody men ****? I don’t like broody men in real life - I feel that only one of us gets to be moody in a relationship - and it’s going to be me. Pattinson seems almost zany and cheeky in RL so the brood is his method act. I Like that Pattinson didn’t buff-up for the role - I think the buffed-up muscle-man as superhero perfection somehow relates to capitalism. Pattinson’s American accent was good.

What was missing from the movie was horniness. Batman didn’t seem HOT for Cat-girl - he just stood there for her to kiss. What’s boy-girl attraction if it’s not horniness? Where has the horniness gone in movies? Sexiness is missing from ALL the superhero movies - I guess the age demo is too young.

I give it three out of five stars
BLT Marriam Webster word of the day challenge: Resurrection: means "revival, resurgence rebirth”
The Good Pussy  Apr 2016
The Good Pussy Apr 2016
                   ­              R     RL     R
                               L        IR        L
                              I           I.           I
                              R      I     R        R
                              L       L    I         L
                               I        R  L         I
                                R        I          R
                                   l       R       I
                                      R   L   R
                 ­                           L

— The End —