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Toni Seychelle Feb 2013
The ground beneath the stiff leaves is frozen. The cold, brisk air invades my lungs, I exhale, my breath visible. I step over fallen branches and tugged by thorny vines. A red tail hawk screeches overhead, this is a sign of good luck. There is no path, no trail to mark our way, just an old, flat railroad bed surrounded by walls of shale, blown up for the path of the train so long ago. The only ties to remind of the rail are the rotting, moss covered ties that once were a part of a bridge that would have carried the train over a small creek between two steep hills. I see a fox burrow, and it's escape hatch is one of the hollowed railroad ties. I want to be a fox... The trek down this hill is not easy, thorny blackberry bushes and fallen trees impede progress. At the bottom, the small, bubbly creek is frozen at the edges, traveling under rocks and continuing its ancient path. I look up the hill that I just descended, and wonder how the return will go. Keep moving. The next hill will be easier, there are no thorny tangles, just treacherous leaf litter that will give under my feet if I don't find the right footing. The trick is to dig my boots into the ground as if I'm on steps. These hills are steep. Finally at the top, I look back at this little spring valley, I'm not that high up, but what view. Here, there is a dilapidated tree stand, falling apart from years of neglect and weather. Surrounded by deep leaf litter, there is a patch of rich dark earth, a buck has marked his spot, his round pellets are nearby. The saplings catch my hair as I walk by, and at these moments I am thankful for this cold snap that took care of the ticks. A creepy feeling takes over me, so thankful for this snap. A few feet further, as I watch where I am walking, another tussled bit of earth and I notice some interesting ****. It's furry and light grey; I poke it with my stick and find a small skull when I turn a piece over. Owl. I continue my walk, I didn't come here to play with poo. The last time I took this hike was three years ago, on a similar frigid day. It was a lot easier to make it through the shale valleys. Last summer, a wind storm felled trees and took out power for two weeks. The evidence of that derecho is clear here in this untouched forest. I remembered a tree, which now is a fallen giant, that had lost it's bark. The bark had separated and laid around this tree like a woman's skirt around her ankles. Now the tree lies with it's bark. I pass another tree I recognize whose branch extends out but zig zags up and down, as if it had three elbows. The tree signifies my next move, to descend from the flat railroad bed, down to a creek that flows through the tunnel that would have carried the train. The creek is considerably larger than the last creek I could step across. Descending towards the creek leads me over moss covered rocks and limbs, still bearing snow. Outside the tunnel, the hill walls are large stones, covered in a thick layer of moss, some of which has started to fall off due to heaviness. There's a sort of ice shelf in the creek, it's three layers thick and can support my one hundred and twenty pounds. Laying across the creek is another derecho-felled tree. Some sort of critter has crawled on this, using it to avoid the water below and as a short cut up the hill. His claw marks are covering the the limb, a few are more clear, it looks as if the creature almost slipped off. His claw marks show a desperate cling. I walk through the tunnel, in the mud and water; the creek echoes inside. I look above. There are drainage holes lining the ceiling, one is clogged by a giant icicle. I imagine the train that used to ride over this tunnel, I pretend to hear it and feel the rumbling. The last time we were here, we found cow skeletons. We placed a few heads on branches and one over the tunnel. We stuck a jaw, complete with herbivore teeth, into the mossy wall and a hip bone on a sapling. The hip bone reminded us of Predator's mask in the movie. All these bones are turning green. When I was here before, there was a bone half submerged in the creek; I had taken a picture of it but today, it isn't here. I'm sure it was washed away. After our exploration of the previous visit, we turned back. We are cold again, can't stay in one place too long. I climb through the deep leaf litter and over the rocks back to the railroad bed. Passing all the things I've already seen and spotting things I missed. I find two more fox burrows. They utilized the shale rock and burrowed underneath the jutting formations. Hidden coming from the south, the gaping openings seem welcoming from the north. My friends, the spelunkers and climber, want to descend into the darkness but I remind them, it is an hour to sundown, our trek is hard enough with overcast daylight. Wisdom prevails. We pass a tree, we didn't notice before, that was struck by lightening. The cedar tree was split in two and fell down the shale wall. I see the evidence of the burn and a smoldered residue at the base. Nature has a cruel way of recycling. The downed tree still has snow on it and the path of a raccoon is visible, I like the paws of *****. Though the way is flat, the walls of shale tower above us, limiting routes. At one point I can't see through the fallen trees I have to pass through. I have to crab walk under, crawl over, duck again and find my way around the thorny collections of bare black berry bushes. Finally into a clearing, still surrounded by sharp shale, there is another wall covered in inches of thick, healthy moss. I place my hand, taking time to stroke the furry wall. My hand leaves an imprint. I wonder how long that will last.. Back down the steep hill up and up the thorny tangle. I know I'm on the right path up, I see the fox's hole through the railroad tie, and his entrance burrow up the hill. Going down was definitely easier. The summit is literally overgrown with thorns, there is no clear path through. It is, again, impossible to see through the tangle of limbs and saplings and more thorns. Somehow we make it through. We are close to breaking off this path. We know this by the remains of a cow skeleton that more than likely fell from the top of the shale cliff. Femurs and ribs and jaws abound. On the last trip, we placed a hip bone in the "Y" of a sapling. The young tree has claimed it, growing around it. We add a piece of jaw to the tree's ornamentation and move on. We climb down from the railroad bed to our car - parked on the side of the road with a white towel in the window so that no one suspects a group of people walking through private property, past faded NO TRESPASSING signs.

When I undress for bed later, there are many small scratches up and down my legs from those ****** thorny vines. I'm okay with that, it's better than searching for ticks in my head.
I couldn't write a 'poem' about this hike. It was too full of nature.
AmberLynne  Dec 2014
Camouflage
AmberLynne Dec 2014
No amount of camouflage on my face
or ornamentation upon my skin
can hide the insecurity I attempt
to keep hidden deep within.
12.9.14
Anonymous  Jul 2015
Ornamentation
Anonymous Jul 2015
My heart is a glass ornament,
You are an ice pick.
The shards beneath our feet-
They are the pieces of my fragmented dreams.

I do not know reality,
My silence is my pain.
I find no comfort any longer,
I'd rather sleep again.

Show me ice cold solitude;
A blanket of neutrality.
Pause the sorrow and the ache,
Capture me in one clear burst of illumination!

A foreign land,
A foreign fate-
A catastrophic end.
Poemasabi  Jun 2013
Monuments
Poemasabi Jun 2013
It seems to me that the smaller the monument
the more likely it is to survive
over time
to be passed over by water
or vandals
but with brevity comes the issue of remembrance

Over my father and mother
and dog Chipper
lie several rocks
just rocks without any label or ornamentation

Which begs the question
is a monument a monument if it bears no explanation
and the monument's creators have passed
and with them the knowledge of why it was placed?
Ishita  Mar 2015
Colours
Ishita Mar 2015
How beautiful is the life
With all its vibrant colours
The colours which define its creativity
Life is colour,colour is life
Shades of translucent rainbow
Casting his grace on embellished life
The allured tints of the moring sun
Captivating the vivacity in people's life
How abhorent the nature be
Enchained,restricted without the colours
Blemishing the ornamentation garnished from heaven
But suddenly the grandness breathed for its life
As colours started to play an illusive vibe
Awakening the sluggishness in one's life
Unfolding the colours honesty with ecstasy.
My 2nd poem which was published in a magazine.
Robert McKinlay  Jun 2010
Swirl
Robert McKinlay Jun 2010
Shrill, elegant scales,
swirl to form the mighty beast.
Fire spectacular, crimson sheen
splayed; a dire circumstance,
flowing around the base.

Attempt to merge within the vision,
the whole shape recoils;
not in fear, but in haste,
for the contents under pressure
would destroy,
a perfunctory account,
of the grandeur that must lay beneath.

Away with form to a single point,
free to contemplate the burden...
reduced to the atom, where I split
and split and split,
and swirl in to the mighty beast.

From the vantage, I show my crest,
my tongue a serpent's, my eyes glow
and cut across time, my wings an ornate fusion;
in this context simply ornamentation,
but none have gotten so close as to reduce to
an atom, and follow to a single point...
so I let out a mighty shrill sound and burn my surroundings...
spent and swirled,
a reduction comes after a sword strike,
a critical blow...
pierced heart.

No Matter, I swirl to a single point.
Lay eyes upon me again,
my metamorphosis shall rise,
and for that blow, I shall unleash new form,
and let forth a deafening call
to my ancestors, for the strength to endure.

I swirl,
and swirl,
and swirl.


http://www.robross.ca
(c) Robert W.G. Ross 2010
aar505n Jul 2014
The same old, same old
A story retold
with different settings each time
but ultimately identical
each story indistinguishable
so I'm skeptical
when you say this time will be different
because each time it's the same crime
anger and bitterness entwined
making a swine of you
and I'm pass the point of wanting to rewind
this story does not have a linear start to finish
But rather a never never ending circle
a pattern stuck on repeat
recycling itself on to its circular life
the external of the circle may change but the internal is still the same infernal circle.
immortal in its own way.
yesterday's sad melody,
with new ornamentation
but same motif throughout.
Ergo,
the same sorrow that swallows me up so I may wallow in this hollow feeling,
feasting like a beast on the self pity
that's festering away in the ruins of my broken mind like an unnatural disaster.
and I don't want a plaster to fix it
cause as soon as I put it on it'd only be ripped off again.
Useless and pointless against the repetition of unending pain
the same old, same old
Part one of two. A little personal. Interrupt what you will.
Vivian  Apr 2014
Demi Lovaton
Vivian Apr 2014
you love
oh so many people,
but you only love them
by half-measures.
you've never been able
to be so exposed,
to love someone wholly,
to risk that you would
give someone your
all,
your end-all, be-all,
and find it
unreturned, simply
kept upon the fireplace mantle or
perhaps on the bookshelf,
unimportant ornamentation.
Keith W Fletcher Mar 2017
passing by the roadblocks
of those utterly devoid of inspiration
I grind my gears in frantic agony
through artless days and pastel nites
the last drops of forbidden nectar looms
far back on the parody of my tongue
and I asleep in the drivers seat...listening
to the horrid sound
my gear teeth clinched hard
to placate the need by the promise
of gold plated plastic ornamentation
fulfilling  the impossible climb

the austere instigator of forgotten melodies
slides closed the gateway ahead
in clear violation of the unwritten laws
that govern all worthwhile endeavor
now those gates wreak of cynical deviance
nirvana open to all who seek to reach the peak
so far beyond impossibility ...wide open
by bane of fence.. no recompense for that gate

with my tongue overhung from morose overdose
in failed attempts of finding the trace
of even the most scant memory
now lies frozen in the throes
of twisted convolutions

while my nostrils fill with acrid smoke
as gear teeth commence to melt
suspended halfway up the impossible climb
I am pushing hard the acceleration
aided by the rigor mortis of my seizure

asleep at the wheel with all wheels grinding

while those below the uninspired guardians
stare up in unimpressed confusion
where fire and smoke screams of agony
as the dream possessed begins to melt
reaching critical mass of inevitability
caught between the high mark of false sanction
and a bottom of craggy rock distortion
like a monsters teeth and open maw
awaiting with patient disregard
at the wheel the visionary sleeps
amid symbolic ritualistic boundaries
od'D on the wreckless need
for heights not guaranteed

but out on the windswept plains
of wordless twists and rigid tongue
the flaming mass shudders to that
unrelenting silent rage of aberration
then begins the tumble to the patient maw

the message flashes through
the sudden adrenaline flooded brain cells
like the flashing signs of hiway construction

last message passing by
in bright flashing neon
tomorrow will bring inspired risktakers
who now know the starting pattern
because I can say I made it beyond
all odds where none before have gone
by passing the dreaded roadblocks
at the far end of human imagination.

I od"D on the wreckless need
for heights not guaranteed .
aar505n  Sep 2014
Black & Blue
aar505n Sep 2014
You were the first
without knowing,
burst my balloon
with simple harpoon

And opened my eyes.                          
To a world in disguise.                          
I soon realize the lies told.                    
and began to swoon for thou.             

I let you graffiti my brain
the pretty words like concrete
permanent imprint, dominant in nature
The ornamentation of my determined mind.

Black and Blue,                                      
my undoing                                          
my favourite viewing                            
to which I was glue to                            
            
It was a slow grow
didn't know any better
until the letter came
your name centered in the
middle

Like a benign vine,                              
dining with a glass of wine.                
Sent icy shivers down my spine.          
entwined with flames,                          
sent from cloud nine.                           
                
But that was then.                                
and this is now

I have since moved on.                        
I no longer fawn.                                  

But I can not forget thee.
when you still fill me with glee

So I thank you,                                    
for my change is thy's work.              

For being the first.
and I will never forget you.
Trying something different
Let me know what you think
comments and criticism
welcomed!
Wk kortas Dec 2016
The collie, fur grayed and patchy, lopes away from his house,
Ostensibly bound for nowhere in particular,
Knowing only that it is that time, his time,
And, as he wanders away for to await that last solitary purpose,
Meanders past a pock-marked and rust-patched single-wide,
Occupied by a young woman (a girl, in truth)
Nursing a newborn, child whose father
Is one in a wide range of unpalatable options.
Hallelujah, hallelujah, hallelujah.

They walk, the residue of some boy meets girl,
Along the quiet main street of an equally quiet town,
Utility poles garnished with benign, contented snowmen,
Low-hung five-pointed auguries strung with tinsel,
Brobodingnagian candy canes swaying rhythmically in the wind.
They have arrived at the unspoken yet mutually understood conclusion
That they have taken their particular accident of birth and geography
As far as such a thing may go, yet they walk hand-in-hand,
Fingers intertwined, though tentatively, in some interim rationale.
Hallelujah, hallelujah, hallelujah.

On a hill above town, there is a rambling, low-slung edifice
Multiple-winged single-story octopus of a house
Well appointed though sparsely and diffidently decorated,
More hotel than home, decidedly transitory in form and function.
In one of the rooms, dimly lit with little ornamentation
Save a Charlie Brown-esque tree squatting forlornly on a bureau,
A woman is reading softly, almost mechanically,
As if it is a story she has read out loud countless times before,
To a man who is heeding, perhaps, though it is clear
That the act is more essential than the words on the page.
They have a daughter who would be there,
Sitting in a chair or on the edge of the bed,
Hands clasped, though in service of or supplication to nothing tangible,
But she is home with her toddler, a whirligig of a child
Who has found some hidden presents
And is tearing away the wrapping from the boxes,
Laughing unrestrainedly as he showers himself
In a red-green-gold ticker-tape maelstrom.
Hallelujah, hallelujah, hallelujah.
Chase Graham  Nov 2014
Stocks
Chase Graham Nov 2014
Would he still feel comfortable
in brooks brothers felt trousers or those loafers
with golden ornamentation or with pale white
business cards being traded between moisturized

fingers. With hands clutching a cold metal
pole on the subway and swaying to coltrane
from his headphones would he still trade glances
with the woman in good humor whites with two

black babies and a clear tub of windex and fresheners
and rubber yellow gloves. Or just stand tall and straight
and rigid and lifeless and keep his eyes
on the black floors and the loafers
and the illuminated emails shining from his palm.

With a newer suit and pay raise and the snarling of his new office and the desk with his middle aged secretary, would he still treat her kindly and keep her father's cancer in mind or instead, (next month), ask for a younger blonder girl from a better school (and bigger ****),
after the man finally makes his seven figures.

— The End —