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Nathan Squiers Jul 2014
A tortured killer and his guilty victim strode into the ravine.
A single shot disturbed the calmness of their scene.
Now, both dead, a killer's slain and a victim's hands: unclean.
Just a little ditty inspired by my favorite poet, Stephen Crane.
Nathan Squiers Jul 2014
Look, I was gonna go easy on you not to hurt your feelings, but I’m only going to get this one chance!
Something’s wrong… I can feel it.
Just a feeling I got, like something’s about to happen… but I don’t know what.
If that means what I think it means, we’re in trouble—big trouble—and if he’s as bananas as you say I’m not taking any chances!

(You are just what the doc ordered)

I’m beginning to feel like a write god (write god).
Can all the readers out there who think I’m right nod, right nod.
Now here I am again for another rap talk, rap talk…
They said I write like a monster, so call me scribe-star,
But for me to write like a beast means I’m a demon at least;
I got a devil kept in my pocket,
On my shoulder’s when I rock it.
Talkin’ of killin’ and of thrillin’; won’t stop it!
Write a demon doorway, now knock on it!
Ever since the dark days when I’d just lost it,
Way back when the world would pace and chant “Nutcase!”
I’m a ******, but I’m charming;
Yes, a crude, rude dude, but I’m still disarming.
Using syllables to **** ‘em all with this
empowering empire of powerful vampires.
The writer-type clackin’ back with typewriters, like way back, right?
Clackity-clack!
Rockin’ stack after stack, clackin’ out more attacks,
Ideas tacked out while hacks hack out their crap (but ******* spew **** all the time),
so I perform written parkour tricks so you’re not bored; strike a chord.
Show you Stryker’s tortured life of suicide ‘n strife turnin’
to strength and a fiery passion burnin’ while readers’ guts are churnin’—
teary eyes all burnin’.
Their fears are returnin’ from a story I turned out when I got turned on
to my own life.
Now I drop F-bombs;
exploding real-life scenes—
these ain’t your G-rated dreams, so take your outdated themes—
It’s the **** I’ve seen; don’t make me obscene.
I’m mean, I mean, it’s my means to screen a scene between a matte sheen.

‘Cause I’m beginning to feel like a write god (write god).
Can all the readers out there who think I’m right nod, right nod.
Now here I am again for another rap talk, rap talk…
They ask me to thaw out these oily blocks called ink-wads, ink-wads.
There’s a body in everybody , but not all bodies have a brain that makes them feel sane.
Like a train—just the same—
Might be runnin’ but we still cast blame,
The loading docks of our thoughts; they’re locked-up in a box,
And they’re stackin’ up like blocks
That turn the stacks to empty tracks (****!)
Trainees blame their brainees when it’s not easy training brains, see?
But the boarding isn’t boring—training brains; not trading pains—
Remember: the station’s self-exploration!
Me? I’m a hodgepodge! From train station to abandoned lodge;
Bully dodgin’, fully locked-in when I freaked out, fattened-up and then I geeked out,
Told “keep it down” but then peaked when I peeked deep down.
Creepin’ up, now, and keepin’ up (WOW!)
I swear it up and tear it up scribbled swords,
And now I wear awards for slingin’ words;
Offered praise; a chance to forget about the craze that once darkened all my days,
But I write that way—say “that’s okay ‘cuz it helps me write this way—each and every day!
And hacks think I act this way just to seem this way, ‘til come the day when the cray-cray takes the doubt away.
Demon obsessed? I’m possessed! Can’t own what you don’t possess!
“Hey, devil-lookin’ boy!”
So ***** for my honey I’m rockin’ horns, look here boy!
A Literary Dark Mass-acre,
Like the devil laid waste to a church on the page, looker boy!
They got a gold star, and a high five,
Felt so alive to see their own scribes make it to Momma’s fridge, ****** boy!
Hey, schnook-ah boy, looky here, looker boy,
I’m held up by The Legion, book-it boy!
Had to push for every word—every page—had to swallow all the rage,
Now you want out of your cage, schnook-ah boy?
I’m legendary—literary—and you’re literally just a *****, little boy!
So sell out while I’m bought out, ******-boy!

‘Cause I’m beginning to feel like a write god (write god).
Can all the readers out there who think I’m right nod, right nod.
The way I’m burnin’ through these pages, call me Dark Lord, Dark Lord!
But they’d rather burn my books, so start a fire war, fire war!
Can’t get it through your head? Words are more than Edward! He’s dead! WORD!
Let me drag you off to meet Dracula; take you back to the dawn of the dark lord, yea?
Fast forward to the foreword where the F-word’s “fangs” (you’re welcome);
This is my Hell, come! Be free!
Part Morningstar; part Morpheus! I throw up a kiss and jot down the kills like they’re red-apple pills.
Go ask Alice back at my palace what you should read to feed your head.
Sentence structure so smooth they call me FE-line, and my cat’s got better plot lines,
That the hacks will all call “sublime” (it’s “sub-fine”)
But me?
My **** scenes are brutal,
And my romance? Not frugal. I don’t saturate—I arrogate—
But I don’t condemn my characters to *******!
I wanna make readers care—if readers dare—
To connect and feel and follow where they can find some hope and power there.
While also giving them a place somewhere that isn’t here—though filled with fear—
A place where they don’t feel jeered or feel weird.
Horror ain’t just movie monsters, or gore-****** scopin’ sponsors!
You speak French? C’est de la merde, monsieur!
You look unsure! But I have the cure in the written word!
And though you once were achin’ for a rockstar author cravin’ bacon,
The role has since been taken by your man, Squiers.
And like a pair of pliers, I can reach into readers’ brains and cross all sorts of wires!
I’m settin’ cranial fires behind the eyes of all my buyers!
And while I’m growing Ghost Riders—ridin’ shotgun on the bullet-train ‘tween the pages—
There’s a horde of haters harboring growing rages
With a narrow gaze of who scribes pages.
They say I can’t write ‘cuz of my tattoos or my gauges
So allow me to assuage this: y’all can’t cage this!
If you don’t like it, let me show you where the grave is!
You’re well-aged, but I’m ageless!
Like the undead through the ages!
And like Shakespeare took to stages you can find me where the page is:
I’m hip to a script, I’m at home with a poem and feeling groovy writin’ movies; and I’ll be EZ on your TV.
You write normal? **** being normal!
What a novel theory! So very dreary!
Why the **** are they so leery, they say “Writing fear? We don’t want to hurt no feelings.”
Feelings? Setting up ceilings! Just more limits! It’s life! Live it!
Set the roof on fire!
Plot is getting hotter than a 24/7 squatter on a ***** channel!
So what if some **** gets a hair up ‘er ****? Don’t make it ****!
They wanna say “Hey you, we’re here to stifle!”
‘Cuz I mentioned rifles? Do they really want to trifle?
So I say:
“Better bring a sweater ‘cuz this thriller’s gonna chill ya—sure hope it doesn’t **** ya—and ya gonna get’a fill o’ all the ***** that I don’t give, ‘cuz I don’t live to let ******* quip or give me lip about my lit.
I’m entertaining and elating and also demonstrating how devastating a stream of escalating scenes can be so penetrating—although frustrating—to a mind that’s celebrating what it means to be vacationing between the pages; wading through the stages of a war that forever wages; meditating through the escalations now that they know what TRUE rage is!
“Oh, he’s too ******!”
That’s right! Ain’t right. That’s life: not nice; it’s strife.
It’s not just me; it’s we.
I just found a better way to show it:
Monsters that aren’t monsters;
Abuse put to good use; bred virtues!
“I don’t know how to plot plots like that;
I don’t know what words to use.”
Did it really never occur to them that to read a book—just to take a look—and THEN take up the pen?
You read King if you want to be king, strictly speaking.
A writing mind that isn’t a reading mind is a weakling; a weak link.
I’m a scholar—not a bawler—so I’m a flyer where there’s fallers;
Raised on Goosebumps and Creepy Crawlers so I’d Stine while others whined.
Got a dark side, but that’s The Dark Side on my side; counter haters with my Vader:
“I would be your father… but your dog beat me over the fence.”
No offense. Pretense: incorporate comedy and film; common sense.
Suicide pushed aside, though I still burn inside. **** myself on
the page each day so my readers can feel what it’s like to be alive.
It’s okay to hide.
Only your own devil knows what’s inside.
I own mine; he’s my co-pilot when I write. My demonic side; my demonic scribe.
Flipping my words to the birds—‘cuz, you see, that’s how I wing it—and flipping the bird while I throw down and sing it:
“Tiger, Tiger, burning bright,
My words are my roar and tonight I write!”
The fights are in your sights like you were seated inside a movie theater;
You’d see Xander and Estella—wouldn’t you want to meet her—
Have a front row to the creatures in a feature presentation…
But ‘til then
Eat some Rice An’ read a piece by a man who
Had an “Interview with a Vampire”—
I’m a fiction author, why would I lie to ya?
Prince of lies? I ain’t Satan!
Close friends, but I’m Nathan.
Judged for appraisal—I’m priceless—I’m  nice: no; charming: yes.
Got a razor-sharp and Shining wit like a crown left
on a King… but not.
Why be a left king, when I’m a write god.
So I did a lyrical re-write of Eminem's "Just Lose It" that wound up being pretty popular, so when I heard "Rap God" for the first time I knew I had to do the same. While I hope it's entertaining on its own, I think those who have heard the song will enjoy that I remained true to the source material in terms of flow, rhythm, and syllable count (Marshall Mathers is really quite an astounding wordsmith in his lyrical writings).

Hope you enjoy ^_^
Nathan Squiers Jun 2014
The air was thick with rancid hate as we squared off in the mist of night.
There was no words--no grunts nor groans--that oozed past sneering
lips. It was a rustic sort of torture; the time slithering between you
and I, as we each came to grips that only one could anticipate the
dawn. Oil stained the rain-soaked way; the alley shimmered in
the moon. I couldn't recall what had brought us there; what
ill-will we shared. And though your eyes shone with scorn,
I swear you felt the same. It was then the hatred started
rolling like a current 'cross my back; as though the
energy inside of me was fighting to break free.
I watched with eyes uncaring as the glass
began to break, and scattered bits of this
and that began to whip about! You had
never known me well enough to truly
know what lurked within, and as
your startled eyes betrayed your
fear I knew that I'd already won.
So much viscous agony--such a
glorious defeat--a body left in
ruin. I stared at what I had
done, awash in a morbid
optimism, and I saw the
shards of glass twinkle
under a cracked light.
Consumed by the
sight, I saw you
sink into a sky
of oil and filth
and eternal
blackness.
Your
own  
urban
starlight.
I was inspired by some busted beer bottles that sparkled on the side of the street like stars when I was driving one night. The irony of a beautiful night sky replicated in such a violent way got me to thinking of how I, myself, could create such a replication while paying homage to the inspiration. Because of the death theme, I wanted to start with a very broad, wordy "life" and slowly dwindle it away. Submitted for your approval, ladies and gentlemen, I give you "Urban Starlight."
Nathan Squiers Jun 2014
They flap in the breeze just like streamers:
The strips of flesh and ribbons of guts.
All the residual chunks of the screamers;
All the bits of the ******* and *****.

They flap in the breeze just like streamers:
The memories of all that they said.
They crushed all the hopes of the dreamers,
So who cares that they ended up dead?

They flap in the breeze just like streamers:
The lingering shreds of remorse.
A legacy built atop skulls, ribs, and femurs;
A mission of evil I've come to enforce.

I, like mankind, have lost all control.
I now side with the sinners and schemers.
You ask of the tattered remains of my soul?
Why, they flap in the breeze just like streamers.
A little diddy 'bout a dark & demented anti-hero. Found myself contemplating a new comic book series as I jotted this. Let's see what comes of it ^_^
Nathan Squiers Jun 2014
With slink-and-slide, they wink and glide,
But offer not a growl or purr.
The shift and sift of stripes alight,
As sinewy grace takes to the night,
And all the forest dares not stir.
All that's left to do is hide.

It's a matter of pride that carries the stride;
There's more to the fury than just the fur.
It's not just of claw or of jaw that leaves us in awe,
It's the grace and the pace that they carry their paw.
That, while there's power enough to be but a blur,
It's with a stoic grace that these creatures betide.

You can call me a dreamer--that I pine for their life--
But I'm not the only one who seeks freedom from strife.
And while they're out there, burning bright,
There's no shame shared in the forests of the night.
So call me crazy for wanting to be free,
But I'll say with pride, "A tiger's life for me!"
In "celebration" of getting the second half of my dual tiger head tattoo (making that three tigers I have tattooed on me... thus far), I wanted to do a little something-something in the marvelous creature's honor. There's a few references that I'm guessing a few of you will pick up on (no harm/foul if you don't), but--all-in-all--I'm just hoping it's enjoyed.
Nathan Squiers Jun 2014
Between you and I: eternity,
An empty space that weighed a ton;
The silence howled like a banshee.
I had hoped that you might run--
Might sacrifice your dignity--
But you stood firm; what's done is done,
And we held tight our weaponry;
My grip was white around the gun.
We couldn't bring ourselves to see,
There there was only room for none;
That was the end of you and me.
Nathan Squiers Jun 2014
She was pale--
So much so that it hurt to stare--
And her hair
Cascaded like a fluid curtain over her slim shoulders.
Her eyes
Were large and brought about memories of childhood wonder,
But with a darkness that sent a cold shiver down one's spine.
Her lips,
Seemingly the only part of her that was still alive and vital,
Were the color of overripe raspberries,
And as they peeled back one witnessed their doom...
Ancient (and, by that, I mean about 4-5 years old) poem that I dredged up from the deepest darkest regions of cyberspace from way back when. Really had no idea what to do with it or whether it was worth anything more than sentimental nostalgia, but here it is :-p
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