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Nat Lipstadt May 2015
I cannot sleep, thinking:

I cannot give you short, bittersweet, sad, delighting, whimsical love poems.

I can give you short, bittersweet, sad, delighting, whimsical life poems.

In cold, rushing spring and river waters,
ash and water-borne soil mix.

A voyage endless.
We too, our voyage.
Endless. End less.

Examine the crevices and ravines that
are the map of your hands.

Your voyage's log, memory storage.

Indestructible.
In the clouds's moisture,
ever recycling, it is all kept, stored.

Your hands well recall
the very first caress,
the softness of the baby skin,
the sweet of the lips,
thirty some long years after.

Dare to dispute?

The original animus,
the anima and the persona combination
the byproduct of blood and tissue,
some call spirit,
some call soul,
is matter that cannot be
destroyed,
nor created.

It only voyages on,
the conservation of mass,
our body, our enlivement,
our spark.

In cold, rushing spring and river waters,
ash and water-borne soil admix.

From this natural brew, renewal.

The voyage is the resurrection
Life ever after.
Life even before.
Life for ever
lasting.

Our voyage is without destination.

Our voyage is our destination.
Our voyage is our resurrection.

Endless. Perpetual.
Eternal.

5:46 AM
written for the one who will recognize it immediately, as theirs...
Nat Lipstadt May 2019
~for Steve Yocum~

if
well you know me, ken the man that has
surf-surrendered before you in one too many visions,
if well you know me, now with solstice summer just to come,
a man ever asking, where’s shelter, returns to the whence and why,
for each year, the summer man (1) was and is reborn to die,
reborn at the whence and where each wave dies storytelling of him

you see him, but do not see-think, the man’s endless wave watching, final resting on a shoreline, think incorrectly, each, just a repetition,
one story come and gone then shattered, busted-blasted,
into sea green glass pieces, then when retold, worn yet further,
into granulated pictures, each a sugary sand speck, a letter-memory, locked, loaded, then hid embedded on an ocean graveyard

no two waves alike, men cannot distinguish, same as humans cells,
the body itself, all its microscopic cells, cosigned and cousin’d,
yet each minutely singularly unique and differentiated,
so the waves as well, of single droplets ribbed, but ocean appearing
as a forestal paradisal garden with trees of life and apples of death,
each customized, but all of one body of blue soil clayed with water

there summer man pilgrimages, on a May to Fall Jerusalem journey,
sits on the sand amidst ocean angels come to grasp dead carcasses,
he observes his summer New Year rituals, the waves grasp his soul,
wrap him in prayer shawl, skin striped by tefillin leather straps,(2)
each wave, a sentencing, a long novel of the loving life, writ by an
infinity of recombo-wakes, some woke/some sunk - all never-ended

I crawl into foamed dreams, the white salt blanches living skin,
swim out to wherever legs and arms have no power of propulsion,
carried and drift but never aimless, never shameless, always endless,
we, all, children of  Israelites, wade on water a 1000 fathoms deep,
soaking in tales of landlocked organisms, all from the water created,
all are sprung, all come, returned, waves speak, histories for retelling

so from now till the fell of fall, the summer man pays obeisance,
his sitting place, his sand markings so well entrenched, waves
leave it untouched, his indentation upon the grains, they go around,
friends, sun wind tide seagull and ospreys, keep their distance, not disturbing his reading, telling, praying, adding his owned/disowned
particle-of-the-day of creation/becoming/diminution,

his poem tales written, then diminished, the man


lost in the waves, found in the waves


~~~~~~~
5/07/2019
writ upon an isle of concrete,
resting upon a bedrock of volcanic schist at 4:24am
before the pilgrimage to a true sandy isle

~~~~~~~~
inspired by a rendition of “Lost in the Waves”

https://youtu.be/MayNMko-e4s


Lost in the Waves, written by Kooman & Dimond

At the edge of the Atlantic,
Can't bring myself to swim.
I choked back the tears for twenty two years,
Drowning in shadows of him.
The waves etch out a pattern
Long after they're gone.
The lines that they trace, they quickly erase,
But something's still lingering on.
Lost in the waves.
I am lost in the waves.
No one but me and the silent black sea;
I am lost in the waves.
A vision in the moonlight:
A family on the beach.
A boy on his own, by the undertow thrown
Far beyond his father's reach.
He's caught in a riptide.
A man has to choose.
There's a race to be won for the life of his son,
But someone has to lose.
Lost in the waves.
He was lost in the waves.
Salt water burns, the tide always turns,
When you're lost in the waves.
Now I'm the one sinking.
There's no solid ground.
And I can't help thinking
I'm the one who has drowned.
Now knee-deep in the water,
I feel my father's touch.
And though fully grown, I've still never known
How to love someone that much.
Lost in the waves.
I am lost in the waves.
No one but me and the silent black sea;
I am lost in the waves.
I am lost in the waves.
I am lost in the waves.

heard last night in a Master Class for actors/singers taught by
Lea Salonga, in Studio 5, City Center,  NYC
(1) https://hellopoetry.com/poem/447181h/i-am-a-summer-man/
(2) https://en.m.wikipedia.org/wiki/Tallit   lookup tefillin
2.7k · May 2014
Wrestling With God
Nat Lipstadt May 2014
an old familiar,
an adversary of the first degree,
when we wrestle,
me and this god
disguised as an angel disguised as man,
the door to where we tangle,
clicks shut with a perceptible oval sounding,
a trumpet announcing commencement of the festivities,
that we are
Occupado

no stray observers permitted in,
the room entrances locked,
someone's two hands upon each temple,
(cannot be mine, for)
inside we combat literally,
"mano-a-mano"
hand to hand,
word to word,
gradually, continuously,
up close and personally,
one on
One

over the course of a lifetime,
each battle named,
famously borrowed and thus recorded,
Agincourt, Waterloo, Gettysburg, Leningrad, Ðiên Biên Phú,
for the record keeping purposes of our unforgiving ******-
historian

the rules of engagement somewhat flexible,
biting, choking, eye gouging,
kicking when down, not just legal,
encouraged, no holds barred,
when we wrestle,
the dirtier the
better

take turns declaring a victor,
for that matters little, truly,
just a record keeping notation,
the battle and its aftermath,
the waves of pain inflicted,
the casualty count engorged,
is the greatest glory,
dans une manière de
parler

though sent away the children,
our earthly goods,
designating them purportedly,
non-combatants observers,
yet 'no rules' meant
they could be accidentally drawn in,
non-combatant status does not prevent them
from being freely captured or
killed

the conflict ongoing,
no one ever calls for a truce,
for both unequal adversaries know,
no quarter will ere be given,
and though the tide shifts,
each individual battle produces as always,
a winner and a
loser

noisy affairs,
long after the battle,
the slain yet scream,
perhaps I am confused,
perhaps it is the day's survivors,
announcing that sadly,
they are still
alive

it must be the latter,
for here I am writing and recording,
and though alone,
I hear an ever growing louder,
gouging sine wave scream piercing,
daring my soul to leave my wracked
body
for though mortal wounded,
I am therefore
both dead and alive,
but which more so,
none can surely
say

this conflict remains
unconcluded
the pain in my hip, now
everywhere,
my Jacob, now, Israel,
marker
so visible even if itself,
unseen

3:59am
"The same night Jacob arose and took his two wives, his two female servants, and his eleven children, and crossed the ford of the Jabbok. He took them and sent them across the stream, and everything else that he had. And Jacob was left alone. And a man wrestled with him until the breaking of the day. When the man saw that he did not prevail against Jacob, he touched his hip socket, and Jacob's hip was put out of joint as he wrestled with him. Then he said, “Let me go, for the day has broken.” But Jacob said, “I will not let you go unless you bless me.” And he said to him, “What is your name?” And he said, “Jacob.” Then he said, “Your name shall no longer be called Jacob, but Israel, for you have striven with God and with men, and have prevailed.” Then Jacob asked him, “Please tell me your name.” But he said, “Why is it that you ask my name?” And there he blessed him. So Jacob called the name of the place Peniel, saying, “For I have seen God face to face, and yet my life has been delivered.” The sun rose upon him as he passed Penuel, limping because of his hip. Therefore to this day the people of Israel do not eat the sinew of the thigh that is on the hip socket, because he touched the socket of Jacob's hip on the sinew of the thigh."
—Genesis 32:22-32

For Maria, in her voice...
Nat Lipstadt Jan 2016
the surprisingly sweetest clementine

amidst the marble and stone pillars
of the museum's fifth avenue grand hall,
a woman grows faint and woozy,
and the Egyptian artifacts five thousand years old,
re-proved as reusable, sustainable,
as leaning-against-posts
for the dizzy

the boyfriend well familiar
with dehydration side effects,
from pocket pulls a natural pill of
a sweet clementine,
restoring the well
to the good

she marvels at
how came I
to place a survival kit in my
coat pocket?

smiling, he confesses
his fondness for
providing
for all her needs,
known and unknown

even carries an inventory,
with back ups to back ups,
assorted sundries,
he calls it,
proving his point too well,
reaching into the other
pocket and offering
yet another,
a second helping
for his,
oh my darling,
sweetest clementine

she, undecided,
laugh or cry,
both equally attractive amazement solutions,
says only:

I love you for reasons,
known and unknown,
now,
take me home
for reasons
now known,
and others,
as of yet,
most happily,


unknown
a  true story.

P.S. he hates carrying anything
2.6k · Oct 2013
In My Sweet City
Nat Lipstadt Oct 2013
written on a fall Sunday, many years ago (2010), after attending the New York City Ballet, walking home through Central Park, New York City*

In my sweet city,
city where I bore
my first breath,
city where I'll be laid down
to my perma-rest:

the hues of my life
are city pastels,
colorful shades of asphalt
and concrete gray,
interspersed with the
speckled glitter of
sidewalk fruit refuse and
57 Heinz varieties of the
potpourri of human creation

this color schema
is the coda of my
urbanized DNA,
though product unique of my
Father and Mother,
I have been
genetically modified
in the laboratory
of the streets
of my sweet city

mid-September,
the city's temperature is
unmodulated,
alternating currents of a
tortuous halfway tween
summer's sweaty heat
and winter's capable chill

these concerto variations of
the air outside
depend on the
angle of the sun and
how it penetrates the

individualized charcoal filter
of grit and dirt, that is
a NY city's dweller necessary,
necessary filter to survive,

this filter,
the viewing lens
of the lives surrounding,
is our individualized seal,
displayed upon the shield,
our city passport,
our driving license to live,
the municipality deems
we must carry
with us everywhere

In my sweet city
two rivers(1) in bay meet,
ceding control to the
Atlantic's penultimate ocean's parenting,
but not before,
each river channels deep cuts across the
the city's personality
and mine

city of towers, majestic n' fallen,
city of babbling tongues,
symphony of languages,
your ceaseless movements
are pirouettes of emotions.

your people, my people,
are one people
tous membres de notre
corps de ballet,
see us dancing
upon the rooftops,
in bamboo jungles (2)
on museum roofs
amidst the treetops of our
parks, central to our lives

on this island city,
grew up bounded in physic,
yet unfettered in spirit,
periodically to escape
we took the
train to the plane(3)
across ocean and fruited plain
carrying our peculiar filter,
seeing the world through
our city's eyes

built on volcanic rock and
the timbers of ships discarded,
silt and refuse of Gen's past,
burial grounds n' cemeteries (4)
of slaves and immigrants,
my sweet city was born in
granite gestalt and schist,
paved over with pave tears
of millions of dreams,
some, realized, most defeated,

In my sweet city,
where I'll be laid down
to my perma-rest,
this body and soul,
these poems, these words,
will be one more striated layer
to be torn down, dug up,
built on,

and in this soil
I will attend,
your arrival most welcome,
and in the shade of our hades,
our filters discarded,
our passports unrenewed,
for historical purposes
our bones and papers, reviewed,
each other we will regale,
with our sweet city's tales.

September 2010
(1) the Hudson and the East River
(2) bamboo city exhibition on the roof of the Metropolitan Museum, overlooking the park
http://en.wikipedia.org/wiki/Big_Bambú
(3) "train to the plane" the subway to Kennedy Airport
(4) the city used its refuse, ships timbers, even the cemetery of slaves as filler to build upon
http://en.wikipedia.org/wiki/African_Burial_Ground_National_Monument
Nat Lipstadt Nov 2013
In Lalitpur, a small city,
a poem in
and of itself,
near to the capital city,
Kathmandu,
in the magic
word-world of
Nepal.

Who in the world is Simrik?

Girl, 15, apologetic,
with the heart of a deer.
who unlike most
kindly requests your criticism.

Ok, here is my criticism.

Your writes are a shotgun blast.
It cannot be that fifteen years
has been granted
a simple eloquence
that writes and feeds
tastes of visions
of a spiced life
far away, but
close by.

winding roads
and the trees,
the train station,
train tracks,
jeeps for taxis.
the market at night.
a few bookstores i wanted
to enter but couldn't/didn't
benches at chowrasta,
aloo chat.
penang momo,
the "aum sweet aum" poster
they had there.
pretty girls in chowrasta.
so well-dressed.


at fifteen I could not
see so well, see so fine.
not I.

i have fallen for boys, and i have fallen for men.
i don't know if it'd still be falling if i only ever
fell for pieces of them. and as for you, you were no
exception. my eyes never knew the ridges on
your body as soft as icing on a cake, or the
veins in your arms and they've only read
your words, your tastes, in pixels, but i
fell anyway, briefly. the heart is a muscle
the size of a fist, an ***** that has nothing to
grow and fit into. you never really know where
exactly in your chest it really is or if it's the right size.
there'll be growing pains in your ventricles and
dislocation to your spine or your stomach to tell you
of that before the cardiologist, and when you find the
cure or place it back to where it was, you'll have
stories written like prescription notes.


One time, when I was fifteen,
(For I have been
fifteen
many times),
I knew that
I didn't know
how to express
the potpourri
of what
was inside
of me,
the desire was
compelling,
the skills lacking,
for I lived in amidst a
family of writers, critics, historians,
and saw the birthmark of my incapabilities
embarrassed rosy red on my face every morning.

my incapabilities.

not Simrik.
oh no.

here's blood clotting where i got bit by a leech at a
monastery, from after the day i told you we needed to drop
to being friends from lovers. deserved it, totally. you had
blisters on your knees, from the day i sent you back.


you said i still had your heart with me.
when i reach the sea in 12 days,
i'll return with the crevices on them
mended with the pieces of
toughest seashells i can find,
wrapped in a sheet of prayer flag
i tore from the monastery,
so that when you place it back
between your ribs,
you'll have prayers
and the sound of the sea
flowing in your veins.


At fifteen, I read Camus
and the sport pages.
At fifteen, I peeked  
at my neighbor's *******
dreamt blonde dreams.
what I knew
was
what I did not know.

so here is my criticism.

you remind me now, this day,
of what
I still do not know
nor can ever hope
to capture as well
as you.
PostScript:

Dear God,
Pray explain to this child, this, baby,
her blessing is that she has the spine of a poet, blood heated by
wisdom and composure.
Remind her daily that her gift is copper colored words that will rust well over time, as she soldiers on in this world, bringing the beauty of words into this world.
NML
Nat Lipstadt Jan 2014
I am circumcised, therefore, I enunciate...

circumcised: to purify spiritually

On the eighth day,
from my nativity,
circumcised,
as is the custom of my
wandering tribe.

marked thusly,
perma-identity carded,
thusly begins the path,
a pink-bricked road this one,
not to the Mighty Oz,
no phony curtain pulled aside,
where anyone goes to get
spiritual purification
for a price

Ah, you suspected something else,
something explicit,
not me~style,
give you honey,
road provisions,
come along for the observing his
clickety clackty clock

Ready?

For where we venture there is only
one exit,
And you are so not ready - I am who I am and I am
not ready too...

every line an enunciation,
every stanza an annunciation,
Angel Gabriel, a solo duo, unlike
Beyoncé and Jesus
we be on our way to any kind of purity,
poetry can buy

who knows what awaits us,
could be catholic, universal,
even the uncircumcised
get a chance to enunciate.

let me offer a clarification.

proclamations and sensations,
conditions and exploitations,
brown eyed girls, and surfer boys,
functions and malfunctions too,
abbreviations or adjudications,
conjugations in the congregation,
exhumation, the final excommunication,
I shun none,

I enunciate this:
false starts and junction boxes,
too many so so tired,
when can I lay down my shovel
and cease the decreasing deceasing of the body

this day nears complete,
and soon to eat
the last meal,
and still I ask

when can I lay down my shovel,
when will purity be mine,
my spirit's circumstances
repeat the commercial,
I am circumcised, therefore, I enunciate...

forgive my abstrusion,
my metaphors always offer perfect laxity,
choose the interpretation that pleases most
and my drift is toward the end of days,
when will my brow be a motif of
anointment and crowning head birth?

This is my Enunciation.

I cannot yet lay down the shovel,
and this writ is as of yet, still uncircumcised -
completely incomplete, it will be finished
when the spirit says
you are the purity,
the trinity of two hands holding two others holding two others holding two others and the chain is perfect because
it is broken perfectly, a forever repetitive respective handle with care
process

Forgive my visionary words that
give little clarity,
so summary due you,
This is my
Pronoun citation
I am
I am circumcised, therefore, I enunciate
on my way to the purity of spirit.
It just happened  on the way to sitting down to supper.
Nat Lipstadt Dec 2021
Mark Twain to Helen Keller


“Oh, dear me, how unspeakably funny and owlishly idiotic and grotesque was that “plagiarism” farce! As if there was much of anything in any human utterance, oral or written, except plagiarism! The kernel, the soul—let us go farther and say the substance, the bulk, the actual and valuable material of all human utterances in plagiarism.

For substantially all ideas are second hand, consciously or unconsciously drawn from a million outside sources and daily use by the garnerer with a pride and satisfaction born of the superstition that he originated them; whereas there is not a rag of originality about them any where except the little discoloration they get from his mental and moral calibre and his temperament, which is revealed in characteristics of phrasing.”

Mark Twain
Nat Lipstadt Jun 2013
Time to Get Serious: In the Poet's Nook

Yes it is verifiable, just as prior alluded to,
a few frayed and weathered Adirondack chairs,
wizened gray, like occupant, all seen better days,
overlooking the Peconic Bay,
where inspiration glazes over the calmest waters,
your ancestors eyes ere forebear.

Despite prodigious production o'er past weeks,
ditties, love laughing tributes, silliness aplenty,
these works of dishes washed, odes to Paul Simon,
what to wear to your funeral, knuckle kissing, etcetera...
Though some contained soft shelled, mints of juleps hints,
little sundries, items for sale re suicidal thoughts,

no one takes-tales you serious

Be it tormented rain, intemperate gusts
whipping lashes of sand
excuses real, manufactured and yet,
despite opportunities always existed,
but you answered the question unasked,
you're unready, more likely, fearful.
to pen more in the Inner Temple, in the nook.

In the nook, the poems float by,
you need only extend arm and
grab them whole,
ripened by the delivering breezes,
If you unmask pretense, and wear a seat belt

But here I am, and the welcome I receive is the one
deserved, for one who has joined the ranks of deniers

Favorable prevailing breezes service the sailboats pleasantly,
turn surly and unmanageable from neglect and disuse poetically,
this wind mocks this coward, taunting:

We have waited, fall and spring, for you, our sacrificial lamb.
Your return we smelled, the odor of barbecue and suntan oil,
We observed your beach touring, your eyes upon the moonlight
Highflying, highlighting the path you follow
when walking upon the Water,
when nobody knows, nobody sees


You scarce provided the deep reveal
that is our woeful provenance,
So, having returned, unleash or leave,  
expose your La Mancha countenance,
Fulfill your daddy's curse,#
Portray the siren shriek of our gulls insistent,
the blood cold words, as of now,
yet unfastened, un-cast,
the forge lit and fired,

Are you ready, self-appointed, poetry smithy, wright-man?%


On knees bent you should have approached,
For the inspiration, years rendered, unpaid, and unacknowledged,
But most of all because of these interlopers attached to you,
So many children, green shoots, babes visiting the bay,
New friends hoisted upon us without permission!


Do they understand despite the solemn serenity
of the place you attend,
This is the observatory
where the stars and scars,
undiscovered and unexposed,
become our property to carry-cross the ocean?


Do they comprehend that black is the only color permitted
and the sunshine coverlet is meant to keep
the unmotivated, the uninitiated,
who think that writing poetry is easy,
unaware, and far away from us, the truth purveyors


Nothing produced from this place
where routine means the gorge tastes bile,
When surcease is welcome relief,
Where dancing on ice in bare feet
Is step one to ripping your chest open by your own hands,
The toxins thus released rejuvenated by salted air,
Can be finally be transcribed
Onto paper
And by human, realized.


Warn them once and then begin, you,
Get serious, delve, with hurricane unambiguity,
to torrential words upon the unsuspecting,
let them taste the rawness, only the truth provides,
let them know salt tears so briney,
They will flee this place, n'er to return.



June 9th
2013
Late afternoon.
#What ya do for a living he asks,
A little of this and a little of that,
All of which, ain't no **** good at!
So I spend my cold, hard time
laying down cold hard verse,
Can't stop, cause it's my daddy's dying curse

My Night with Paul Simon
~~~~~~~~~~~~~~~~~~~~
This poem is part 1; part 2 is "In the Poet's Nook: Perhaps I should write less"
2.6k · Nov 2013
Cruel is the God
Nat Lipstadt Nov 2013
that has taken the mantle,
the muse of inspiration,
for she -
(did you think she was a man-god?)
dyes me oft, colors me, ***** me,
loves me with intensity hot
that near to make my heart stop.

poems I did not know,
knew not their name,
would write,
but moments ago,
now are
chicks in the hatchery hatching,
cupcakes in the oven rising,
spit in the mouth *******
so fast a-coming,
the sustained pleasure
the best drug I have designed.

seconds ago there were none,
a lifetime of moments,
now, multitudinous,
molecules of
oxygenated words
flying past my eyes,
purposed for inhalation
through my skin.

all week I have stretched and pecked,
shreds of lettuce un satisfied,
a title, no poem,
a stanza, no poem,
like I need a woman,
need to write,
like I need loving,
desperate and raging,
need to write.

even my alter ego,
the hidden me,
where I write on the other side
of edgy, indie, across border lines,
in a name you do not know,
nothing.

started poems about
being enlightened,
my eldest sin,
my eldest son,
hitting a kid with a car,
reading writing and 'rithmetic,
inch plants,
****,
about the young poets here,
fast track to nowhere.

but at 2:22 am awoke,
my small engine repaired,
the fingers humming flying across the keyboard
so fast broke the 3:50 minute mile,
dear muse,
I hate you with all my love.

would it be so terrible if you gave me
one complete per day,
is that too much to ask?

now I am choking gasping on
****** adrenalin cup overflowing,
now they come like *******
only a women can have,
so many more than one,
long short fast furious
separate but connected.

you make me woman,
just like you.

one day when get up high where you reside,
gonna start a recall petition, and if that don't work,
a revolution, to kick out  the cruelty y'all dish out,
the tornadoes and typhoons,
return the missing to their parents,
and give inspiration, hope
to every human poet upon this
living planet.

now I comprehend why
Shakespeare's theater was called
The Globe.
11/23/13
Nat Lipstadt Sep 2013
I lay with two women.

In an Economy seat,
emblematic nowadays of
the global economy,
"value" disguised as
a shrunken package size,
for which the cost thereof
can hardly be described as
economical.

my extremities are engaged in
extreme sport,
my competition,
my aisle mates,
young ladies both.

In recognition of the
early hour of our departure,
I have been awarded by them,
a singular honor,
a distinguished cross, of sorts,
pinned with a medal,
for gallantry under siege,
the medal is not of
two crisscrossed rifles,
but crisscrossed elbows,
for gallantry
upon the cross
of the middle seat.

Blanketed and hooded,
or should I say "hoodied,"
slumber comes too easily to
my young traveling cellmates,
as does the
flexibility of the body.

They seem to revel in the words,
akimbo and limbo,
upon my adjacent
body parts.

My sides, my shoulders,
my haunches and paunches,
punched, pillowed and pilloried,
summarily donated
(with a consent slip
called an airline ticket),
to scientific research:
"In Furtherance of the Study of
Sleeping on Airplanes."

My lap, however, sacrosanct,
how else could I type,
of heartfelt matters,
read on,
for you have been both
punked and pranked!

My mind freely wanders
while body is
captive and captivated,
(did I mention they were
young and attractive?)
to the manner
in which we
juggle proximity.

My darling:
You lie beside me,
a distance of
but a few inches,
but closer still,
for I am inside you,
I am yours
for your flesh,
I take,
a blood vow,
sealed with divine blessings
of mine own composition.

For the children of my children:
You are crosstown,
but I hardly know ya,
I am of your flesh, your blood,
eternal and immutable,
no poem can be allowed
to reveal what I owe you,
secret debts unpayable
till and after
death us do part.

Proximity in my tears,
proximity in my fears
for all of us,
for thoughts of you,
come regular,
with every breath.

Proximity at the cellular level,
until that day your
words first emerge,
your are of me and my issue,
mine to behold,
mine with which to dream,
mind to mind and mine.

So now there are two,
where speech is not
a viable tool.
Know that when
I no longer compose,
I will still eternal communicate
in ways, beyond belief.

You:
So many we touch, so briefly,
lose and fade from daily sight,
yet, forever, treasured,
measure for measured,
each one of you,
parcel posted upon who I am,
the tick in the tock
of my beating heart's
final prayer,
Grace after the Meal of Life.

At my funeral
please inform the rent-a-rabbi,
that I was this and that,
labels to write on post-its,
to be stuck on my gravestone
that no one will come visit,
but please someone,
tell him to say these words:

Between,
there was no between,
there was
no approximation,
no proximity,
there was no scientific instrument extant,
that could measure
the close love,
the heart and home
in which his faith resided,
for those who touched his life.
Nat Lipstadt Jul 2017
•<>•
the addicted pleasure words granted to we privileged few,
like every enslaved soul to the mind, which I am, I am,
evening dreams, midnight thinkings, sunrise seeings,
how can I infect and thus protect the young to the liberty
to love the crafted content of our human essence to better
comprehend that a moment caught on tape of our shared
words is a holiday, a celebration for the ages,
scar of pleasure, a forehead Cain mark, scarlet letter of pride,
for this reliving of our stories retelling is the skipped beat
of our connection not born from practical reason,
but from truths we own equally and though reason says
mine, it is not, it is only to be yours when the sharing
resonates resonates resonates resonates resonates
and every molecule, becomes a human tuning fork
in concert, in pitch identical, in blood tainted with
the simplicity of we are all the same, only words, this will transmit


                                          July 4th, 2017
                                                •<>•

"If you spend enough time reading or writing, you find a voice, but you also find certain tastes. You find certain writers who when they write, it makes your own brain voice like a tuning fork, and you just resonate with them. And when that happens, reading those writers … becomes a source of unbelievable joy. It’s like eating candy for the soul."
And I sometimes have a hard time understanding how people who don’t have that in their lives make it through the day.
David Foster Wallace
July 4th 2017 10:45am
Shelter Island
2.6k · Sep 2013
The Quantum Poetry Theorem
Nat Lipstadt Sep 2013
The Quantum Poetry Theorem

from a long time ago,
a thousand poems a priori.

Dedicated to you, Albert Einstein and the cast of TBBT, special thanks to the OWS movement.,
But especially to the few, the brave, geeks who write poetry in word and in equations.


Scruffy, yet ennobled,
my own 99% invade and
occupy all my senses,
in my eyesight encamped

sensing opportunity,
the 99 demand
that each shutter eye snap,
all nominal exhalations,
every quantum minutia perception,
be live streamed,
direct tv to you

Everything I witness,
transformed into an
acoustic guitar rocking vision,
a levitation of poetic expression,  
set to a primitive three-chord
rock & roll overture,
and my iPad,
appointed Recording Secretary,
compiles exhalations as ecrivations

a preservation society of the verb,
strings of words emanating non-stop
within my head, from a guitar playing
twenty four seven, ironically,
expressed mathematically

Street strolling,
busy brasserie bar,
a Pinot Noir arrives,
a large pour of
stanzas and a
napkin upon to scribble

mind in ferment but
A Capella smooth cool,
my bossy brain requires
incident reports,
a "write me down, please,"
and

no matter how much I drink,
ain't anti-matter enough to
stop my eyes from seeing
every human interaction
as a poetic, probabilistic,
verbal equation,
quantum expressions of sensory upload

The brain revels and reels from overload,  
no mas, no more,
poetry fatigue incurable,
caplets and ointments,
string theory,
can't cure or explain
the compulsion I feel,
and the 1% of me
protests my
overtaxed mental capacity,
and

hear the, see the, masses,
the shouts, the placards,
outside my home,
shut it down, no one cares,
no one wants your transplanted mechanics
in their eardrums

Huzzah, found in my gut,
a Grand Unifying Theory
to coordinate, gauge  and harmonize
my internal asymmetries,
yes, a coupling factor required,
but still,
one equation that explains everything!

my fatigued, pointy, index finger
refuses to tap any more,
my Theory of Everything,
and my poetry, forgot, overlooked.
in my library buried,
black holed, forever silence-stored
I wish they made cocktail napkins bigger, for this was born on one such white invitation, at
Demarchelier NYC, and finished on the mirrors there
Nat Lipstadt Jun 2014
http://hellopoetry.com/poem/759808/nat-lipstadts-mood-swings/


'ᏰέƦẙḽԃṏሁ's the most "unappreciated" poet on this site.
Being "misunderstood" is what gets him into a fight.
Now that I'm retired and free,
He's the new "King" of HP ~
Now I hate that Jew because he's better and right.
All words in quotes are Nat's. His changes his opinion of me every second like the eyes on a Felix the Cat clock.
I love him but I've given up on him.

-------------------
Poor man he believes his own totally manufactured press. Oy!

Why does he obsess over me?
Ask him, not me...

Why does write me in pvt messages to tell me I am "delusional" and he is by page view,  the Emperor(!) of HP and that
"you've become an embittered man and can counted yourself among the cursed.
And if you've chosen not to read this, it's because your blinders are still on.I wish you well as a fellow Jew; as a poet I welcome you're  extinction for your inability to adapt."

Whoa! Is he worse than Ormond, who only wanted to "burn" us together!  Extinction now that is  a code word makes  every Jewish person's hair curly,

The humorous answer would have the
Lew I like laughingly say "***** envy!"

adapt to his standards, of ******* up and publishing outrageously bad poems sux times a day - no babe, those things are not standards


instead he is he is committing a error of sinat chinam, empty hatred...

"Sinat chinam means groundless hatred. (The verb soneh means to hate, as in the command lo tisnah at ahicha blevavecha, do not hate your brother in your heart, Leviticus19:17)

Chinam comes from chen, grace. Sinat chinam is therefore hatred that is gratis. It refers to the internecine strife which is unfortunately too common in Jewish communities, whether between Reform and Orthodox, Ashkenazim and Sephardim, the rabbi and the chazan, the president of the shul and the board.

You could charitably ascribe its existence to the high-stakes decisions that Jewish communities have had to make, or to a persecuted people internalising the hatred directed at them, and then projecting it against other groups of Jews. (emphasis mine).  Either way, there is clearly too much of it about.

The Talmud already knew of the phenomenon and its destructive effect on Jewish life. Yoma 9b records that the First Temple was burned down because of idol worship, ****** immorality and bloodshed. At the time of the Second Temples destruction, the Jews were, on the other hand, pious but the Temple was lost because sinat chinam, groundless hatred, was endemic to Jewish national life."

But since he is self acclaimed Shakespeare expert,
I'm sure  he is familiar with this riposte:

The quality of mercy is not strained;
It droppeth as the gentle rain from heaven
Upon the place beneath. It is twice blest;
It blesseth him that gives and him that takes:
‘T is mightiest in the mightiest; it becomes
The throned monarch better than his crown:
His sceptre shows the force of temporal power,
The attribute to awe and majesty,
Wherein doth sit the dread and fear of kings;
But mercy is above this sceptred sway;
It is enthronèd in the hearts of kings,
It is an attribute to God himself;
And earthly power doth then show likest God’s
When mercy seasons justice. Therefore, Jew,
Though justice be thy plea, consider this,
That, in the course of justice, none of us
Should see salvation: we do pray for mercy;
And that same prayer doth teach us all to render
The deeds of mercy. I have spoke thus much
To mitigate the justice of thy plea;
Which if thou follow, this strict court of Venice
Must needs give sentence ‘gainst the merchant there.


Merchant of Venice

More would be superfluous...sure glad he loves me, imagine if he didn't!

what waste of a good poetry skills... this is getting snoring,
boring... So let's bring some appropriate lyrics with which to conclude:

"You're so vain, you probably think this song is about you
You're so vain, I'll bet you think this song is about you
Don't you? don't you?"

Carly Simon - You're So Vain Lyrics
in the movie Patton, there is a scene here,  Patton tells Gen. Omar Bradley (and I am paraphrasing here) in his rivalry with the pompous General Montgomery to get Eisenhower to pick  his  invasion plan,  Patton tell modest Bradley that he knows they are  both arrogant SOB's but what make him crazy is that Montgomery won't admit it...and he can...love you too babe, like I love my BVD's and certain parts of you..which I leave to your lewrid imagination to ascertain...Peace brother! To then own self, be true, you marvelous schmuck!
Nat Lipstadt Nov 2015
the ****** heart
(if ownership of a poem makes you proud, considered it to be...trending)

~~~

~for PoetryJournal~

~~~

the afterglow of the aftermath,
the chest pounding demanding,
tolerating-no-delay apprehension
of the transcription
of what is

the ****** heart soaring,
the lean-back exhalation,
wet eyes that only you
have secret knowledge thereof

this is why we write,
why we beings believe,
because we ask,
why

by the asking,
we grade ourselves,
both by
our words and deeds

step back and
accept the notion
that feels not wholly right,
for inherently tinged,
streaked with human pride,
that all possess,
and possessive of
our all

you are value,
by the words you have chosen,
by the only human
that can give truth to its essential
value

you poet,
are trending
Miami 7:09 am
Nov. 28,2015
Nat Lipstadt Jun 2013
Poetry Round (find your self within)

We sit together in spirit, if not in body,
You join me in the Poet's Nook,
A few frayed and weathered Adirondack chairs
Overlooking the Peconic Bay,
Where inspiration glazes over the water,
And we drown happily in a sea of words,
Commencing:

You say unto me, whitecaps, I reply,

"Solitary swimmers, poets, arms crooked over head, in the sea of us"

I say flooded with gratitude, and Stephanie replies,

"Thou art my carved destiny-and the river that permits my blood to flood...And all this noise shall fall into poetry; Which every day grows statelier and comelier.

You say to us Moonlight, and we laugh, delighted, for she has given us

"This love can be ours,
Under the iridescent moonlight
Embraced within one another,
To live for an eternity,
Languid and soft"


Someone calls out Bala,
And Vicarpio Gale favors us with his words,

"a poetic rain, in small print, fills the white sky page"

And we pray nightly, that come next morn, he will rain upon us once again

We pretend it is night and there are
Stars to Touch,  but this poet of pax corrects us and writes, t'is but,

"late afternoon sun slanting
behold, jaune compassion
alfalfa ocherous leans willowy in wind
distance of silence yearns on
afternoon shadows lie within majestic vales"


Who is it that calls out
Have Mercie  B.e  upon us,
for she reminds us of what we B.e tasked individually,

"Provoking ideas and intoxicating imagery overflow from within and yet somehow you can't see.  There are dreams that run wild inside of this heart and there is no way I'll let them be tamed"

Sunshineflowers every where,
But even more beautiful when she coaxes us to laugh
at ourselves
when writing of true love,

"Why don't i have bananas, said the monkey.
The tiger said, because you are my soulmate"


Did you C Holmes reminding us that

"when you're certain you've
painted the next Van Gogh
with the swirls and gusts
of blues so pure,
any mortal would
stop stare & lose track of time?"


Fyi, Fyi,

"Her callous persecution insinuates,
The elusive flaws of humanity and life,
It implicitly elucidates,
The sombre reality"


About certain Angels  was writ, that both in heaven and on earth, she was garbed, for

"She wore an air of mysticism
Her memory bore prophetic visions
From ancient egyptian
And judaic traditions
She knows every star system
And every night is a mission
Where she wishes and wishes
For help from the legends"


Emily  has met an unwanted friend, familiar to all of us,

"Cemented shoes
And silenced talk
It's even hard to describe
Writer's block"


Sara B.  from B'kara, that's in Malta, gives advice most sensible,

"Times they are a changing
make everybody feel blue
just turn up the music
and forget what you're supposed to do"


Victor  claims not to be a

"poet, a musician even less
but I may be kind of a beggar
when I beg of you
don't forget me
or let your music fade out
of my rainy days"


Dare I disagree? **** right I do!

Little RedWritingHood,  from my city hails, so wise, far beyond her years, reveals that,

"people try to
make me see reason
or their definition of it
but reason is relative
as is too much in this world"


Should I go on? Why not!

Something's are ForeverMarvelous,  like

"Hurt is fading
Fists are pumping
Bass is trembling
Some are hating-
But I keep dancing"


mybarefootdrives  me forward because

"every seed of thought
starts itself out like a whisper.
Until weight behind words
allows them to stand on their own merit"


Maria GH  could be an old friend, who

"draws me near,
it's slender form bleeding into
the background.
Slowly, kindly,
it extends a hand and
I take it
as to forever hold comfort
in mine"


Andy from Mombasa, your poetry

"conspires to purge me of my sense of reasoning
Leaving me bare to suffer the perils of an incongruous world"

And I am a better poet for it...

Brendan'  I've watched your words,

"Crack the veil of tired souls
cloaked in lonely sorrows,
broken by faithless wanderings,
and feel the strings course through your veins"


I am blindsided and Blastsided  when I read

"Onomatopoeia
I love words
for their meanings
their woven tapestries
but also
for their taste"

For I know exactly what you mean

I am exhausted. So many gems to decorate
My body, my soul. I must stop here,
So many of you have reached out, none of you overlooked.

Overwhelmed, let us sit together now
And celebrate the silence that comes after the
Gasp, the sigh, that the words have taken from
Our selves, from within.

Once again, in your debt.
If I could do nothing more but write your names, I would be endowed with thousand more poems.
OOPs, occurs to me someone may not like my excerpting their work, so let me know if its a problem and will edit....hopefully not and taken as the compliment it was meant to be!
2.5k · Jun 2013
My Night With Paul Simon
Nat Lipstadt Jun 2013
My Night With Paul Simon

On the night train, the red eye plane,
Flying home to NYCeeeeeeeeeeeee,
From the city of Los Angeleeeeeeez

Feeling flush, dropped some cash,
Got me a seat in extra large first class

Seat 2C, plenty of room for my toes,
To wiggle  to dance,
lay down some poetry tracks,
pretending I'm a **** jive,
bad *** from the
make-believe west coast

A short guy, with fedora down low,
An older man,
looking about nine years older
than somebody I might know,
hiding his eyes @ 9pm
neath some excellent Raybans,
slip slides into 2D,
gives me a smile,
And says Hi, I'm Paul

I look once at his face and say,
Listen Rhymin' Simon,
I'd know you any place,
No worries, your secret,
with me is safe,
Cause dudes in row 2,
gottta stick together, be cool,
We're riding first class,
over the land of the free

What ya do for a living he asks,
A little of this and a little of that,
All of which, ain't no **** good at!
So I spend my cold, hard time
laying down cold hard verse,
Can't stop, cause it's my daddy's dying curse

He said that's cool,
I like to do that too.
Guitars on planes
drive passengers insane,
They take up too much
overhead compartment space,
I just scribble me some rhymes and
Let the music come
when I got two feet
on the ground in the city
we both come from.

Paul:  You got any stuff writ
on that yellow sheet,
or just pretty blue lines,
a big pad of nothing?

Dude: Man you may got diamonds
on the soles of your shoes,
But pay me some 'spect,  
you talking to the man who penned
Sad Eyed Teenagers of the Lowland
on Hello Poetry, gad ****!

Paul smiled and said
you can call me Al,
And if you feel like blowing some lines together,
We got five hours till we can see
the house that Ruth built.

Dude: Hit me with your best shot,
I'll show you what I got

Paul: And she said honey take me dancing
But they ended up by sleeping
In a doorway
By the bodegas and the lights on
Upper Broadway
Wearing diamonds on the soles of their shoes

Dude: Just cause the union of the  monkeys
in the Bronx Zoo done gone on strike,
Don't mean the lion ain't
still king of the hill
inside this New York city jail

Paul: And the sign said,
"The words of the prophets are written
on the subway walls
And tenement halls"
And whispered
in the sounds of silence

Dude: A home-grown poet.
I am, Soul enslaved to words.
The alphabet - My oxygen molecules,
I am both, Addict and dealer
A ****** poet ******

Paul: You don't need to be coy, Roy
Just listen to me
Hop on the bus, Gus
You don't need to discuss much
Just drop off the key, Lee
And get yourself free

Dude: Contact with the atmosphere
makes self pity die,
my blue blood turn red,
the TNT tightness in my chest exploded
I got no place  to store these words,
the cops think I'm some kind of Terrorist

On and on thru the night,
Riffing, rapping, rambling, and spitting,
Ditties and darts, couplets and barbs,
Single words and elegies,
Free verse and a lot of fking curse words,
It was a moment, a time
that deserved
to be preserved,
and so this poem got writ

*You may think this story apocryphal
Which is another way of saying untrue,
But I got his boarding pass and it is signed,
To this crazy poetry dude, long may you rasp,
And it is signed by Mr. P. Simon, a big fan,
And it has never since that day,
Left my grasp
Nat Lipstadt Nov 2023
Write like you have already Run out of time…
(what do you want for breakfast?)


the despair heats my wearied blood to near a freezing temp,
and the Hamilton song lyric, fresh on my mind,
haunts my soul, with a modified tense-ion,
running becomes also~ran, already now, is a past tense,
gonna get me a weapon, other than words
cause I want the
satisfaction of taking some murderer~haters down

anyway, future is now past tense revisiting,
and you think can still make a difference, but
optimism ain’t my forte, could be a
genetic POV curse,
a refresher course

BUT it’s past time,

used to worry, still do, that my grandkids
in a decade or less, would not have running,
potable water, electricity for a couple
hours a day, as we transition to a
new world the visionary~isms haven’t
prepared a **** for

and words are cheaper now
than they have ever been,

and the freedom to hate gonna be
added to the new constitution with a
new Bill of Rights revised, approved list,
got no illusions that ‘no preservation’ of
my kind will be a top ten item item

now I worry about the useful idiots, believers in
“extermination of the vermin”
are revisiting  this world, and laugh at the ‘evidence’
that it can’t happen here, and/or anywhere, because
those who call for my destruction are celebrating in
rallies from sea to shining sea, yeah, not that sea,
not the one they chanting ‘bout, no doubt, they’ll
extend the boundless vision
to get us all,
once and for all,
and  please don’t tell me I’m
overreaching
cause war and organized ****** is ONLY
just the same as
politics by another name,
and. your view, let’s **** a jew,
is protected speech,
and land of the free will soon have a whole
new meaning for political,
as on free of people like me…

so let’s go about our day, intensely discussing the NFL,
and it’s never to early to talk about summer plans and
air plane tickets just so hard to get, forget about getting a plumber,
and a now memory resurfaces
of visiting a synagogue in Rome
in the 1980’s and seeing the machine gun toting carabinieri
standing guard outside and swastikas on Parisian bustops
and what an idiot I’ve been thinking the future will be like
the recent past, but weight of ancient Idée Fixe
of  five thousands years duration
and when asked
what do I want for breakfast,
and other
newly pointless questions,
my response
is on point:


don’t give a ***
8:54am
Mon Nov 13 2023
moving on
2.5k · Feb 2015
Pen Man Ship
Nat Lipstadt Feb 2015
Feb. 2015

this writ,
content so obvious,
it begs,
why even bother...

Pen Man Ship

this is who you are,
this is your scent, scripted,
the parfume that memory triggers
declarative self-examination passing grades

if pen and paper
are your skin and blood,
then you, man,
ship to shore,
skinned alive,
in poems verbose spill all

ship in ship out,
the glories and the dreads,
expel ink oceans glorious India blue,
rivulets of tributaries,
spillages of what~where,

you are pen
you are man
you are ship

where intersect these routed things,
one is voyage~bound
for parts unknown

the pen be the oar,
and the man, the ship,
and when the sails raised,
the wind never fails,
only there is no
dead reckoning -

for there are no
landmarks observable
when sit~stand
to commence sail~writing

each writ a latitude recorded,
each poem a longitude drawn,
all together, a
body of work,
all together,
your life's coursework
is the captain's log

Pen is the Man is the Ship

in everyday words
he answers
the questions life poses,
in everyday words,
he realizes
the answers he (doesn't) posses,
with each passing poem
the ship, righted,
though the heading
remans unknown
2.5k · Feb 2018
the temple of You
Nat Lipstadt Feb 2018
be my therapist

massage both my temples
from whence these poems originate

will your fingertips perform tailored alterations,
will they insert strange spices and your favors,
unfamiliar but imagined overtime desirable flavors,
thus resolving the question that my answers perpetually fail,
to satisfy my unending need to understand:

how do my temples
speed the heart
bring forth whole poem utterances inconceivable,

reminding me to remember what has yet to occur?

she grins, whimsies me and suggests:

that’s why they have been
appointed anointed announced as the
Temples of You

2:19am 2/19/18
2.5k · Jun 2013
just like a woman
Nat Lipstadt Jun 2013
Just Like A Woman

You focus on the act,
The ridiculous derring-do,
Laughing at me
Cause I chased away
In my rumpled ******,
The woodpecker that **convulsed

Our house at 5:00 AM,
With a decorative pillow.

Focus on the results, says the
Results-oriented man.

Has Woody ever returned?
No and his fate is still unknown,
He may fly forever neath our trees,
But now he knows to stay away
From me and the risk of my pillowy pillory!

P.S. I may (or may not)
Choose to disclose
That upon my return
The house still shook,
From someone's uproarious, convulsed
Laughing at a city boys country heroics.


10:30am
June29 2013
Certain people maintain it was the horrific/comedic sight of me that drove him away.  No matter, its the "bottoms"  line that counts
Nat Lipstadt May 2019
check in at the library, my card scanned,
per the terms of my sentencing agreement

to the poetry shelves dispatched.
row after row, book after book,
all blank awaiting my affections,
all demanding my sensei sensations,
seeking a creme filling of honorations,
words of all shape, roots and origins,
the occasional new combination

some, never heard before, timelessly awaiting expulsion
from the birth-vocal canal where comes origination,
but for me, death by enforced creativity,
that’s what the judgers desired,
a punishment that fits the crime

my misdeed record unsealed, intended for
world envisioning, the ego audacity to imagine
I could write a single good poem,
thus the punishment fits the crime


may1 9:19am ‘19
this for CJ
2.5k · Sep 2013
Pocketbook
Nat Lipstadt Sep 2013
Pocketbook

Transformational intercepts,
messages to the brain.

Time babe, it's time,
to take a next step.
change the bulb
to a higher power.

100 watts insufficient to light
the forward motion of a
Great Leap Forward,
like in a prior writ, when,
limitation awareness
was a borderline crossed.

Like learning to walk without tottering;
We probably don't know we passed a line,
invisible to ourselves,
but all clear to everybody else,
on that special day, one,
that just came and went:
when you could no longer leave home
without a pocketbook


We were accessorized with body parts
most useful to make our way thru life,
but our exterior-designer
neglected to provide pockets knowing
full well that fashion acessorizing
was more that just a way to carry tools;

Individuation, maturation, needed,
a way to communicate I've arrived

Ain't no child no more,
double negatives
a thing of the past,
cause once you leave the
comfort of the abode with
handbag corpuscles inhaled,
from that day onwards,
you could no longer:

Walk these feminine streets,
leave home,
without a pocketbook,

Judgement day becomes
Every day, nowadays, so,
when from the cave you emerge,
and face the world:

Gonna need what ya gonna need,
to negotiate the way through,
don't matter what's
inside your handbag
or your head,  
if you are eight or
eighty eight,
you know,
you believe, you need
in handbags,
as much as you believe in god

I am incomplete,
my body undressed for all to observe
If I walk down the street
after that day,
that came and went,  
when you could no longer
leave home without a pocketbook


Amusing ditty,
nah that's not my speed,
this is a treatise on
serious matters,
when changes in our lives occur,
when we earn a stripe on our sleeves

Pilgrim progress to
a feeling of vive la difference!
who I am is not who I was,
awoken from a previous dream,  
marks on my body will come,
some wanted,
some unwanted,
some happily dismissed
like the curse of braces

Free at last,
free at last to forget
a painful child's past,
sometime it's losing,
sometimes it's adding on,
but for sure, the day I changed,
was the day,
when you could
no longer leave home
without a pocketbook

Oh boys,
don't think you are excluded
from this rite de passage,
I'm one of you and I know
what we kept secreted
in our over stuffed wallets.

Ain't referring to our student org. card
or the emergency folded twenty
Dad gave you in case,
somehow you got
on the wrong bus and
ended up on the
wrong side of town
where bad things
could be found,
somewhat more easily.

Like the comic book store,
next door to the tattoo parlor,
next to where the
Nice Jewish Boys
where never supposed to go,
and the Stars of David and crosses
were removed discreetly prior to arrival,
like Portnoy foretold in
Technicolor detail.

I know you well recall
that bar mitzvah party, school dance,
When the bottles fell to the floor
unbroken, spinning, pointing to you,
When you realized it was that day,
When you could no longer
leave home without a wallet

Times they don't change
all that much,
and pocketbooks now called
Handbags I am told,
and year old babies play
with iPads like they were
born knowing how!

but I ain't impressed that much,
cause I know that it may  
come sooner as the world changes,
there still,  always be,
a day of  painful,
transformational,
generational passing,
when indelible, invisible
birthmarks somehow
became both visible and erased.

Though they may
come different ways than they use to,
in case new parents need guidance,
**It is still that day when
their little girl,
can no longer leave home
without a pocketbook
An oldie, when I wrote longer than long poems
Nat Lipstadt Jul 2013
Ralph Lauren - Losing My Elastic

Dear Ralph,

A few years ago,
The alone years,
When street strangers I would street stop,
Hoping that ecstasy miracles you-know-what,
I walked endlessly, shopped but never bought,
Selling but never sold,

Standing in line at DD,
Wanting that person in front of me to order
Coffee and a heart, with extra me.

Found myself at 59th and Lex,
Famous department store basement,
Found a room where clothes where kissed away
Prices cheap, styles atrocious,
But I felt home there, understood the milieu.

There is where
You and I met, polo played.

Found a pair of shorts you must have lost,
Cause your name was on them in four places.

Really ugly, army green,
Consigned to be buried,
Or bundled off to Africa.

Assured you didn't want them back,
For five bucks me and you left together
From Emporium Bloomingdales.

We have been together for six years,
Give or take, plenty of giving, some taking,
Sleeping together, you shared some good
Poetry writing and love making.

Ralph! This soft shroud you made, I love it so,
Tumbleweed, tumble dried,
Is now losing its elasticity,
The Band**^^ has recorded its last song.

Taken my beloved to every surgeon,
Doctor, Master Tailor, Plastic Elastic
Specialist on Savile Row and Jermyn Street,
Park Avenue, been up and down,
All say that there is nothing to be done,
Grief counseling maybe,
Causing soon I am going to losing you,
Dead by loss of elasticity.

But here I lie, here I weep,
Thinking of the good years.
Stricken, this will likely be,
The last poem I write inside you,
Our last clinging, cooperative embrace.

Yes, Y'all, I found that special stranger eventually,
On line, not in line,
She liked my profile^ and took me home
For safekeeping.

She don't know about us,
But when she suggests its time for us to
Separate, cause every minute I gotta pull
You back up again and again,
I turn away lest she misunderstand the tears.

Ralph, you let me down,
Why can't you have designed my
Sleeping companion to last as long as
Forever, like in all the love songs?

My darling, soon you will disappear,
To I don't know where,
I'll come home, and tight silences will tell me everything
I don't want to know.

Safe journey my boon, my joy,
Until we meet, cross existences once more,
Gives me comfort some,
Knowing that on journey long to parts unknown,
This token, this little writ will be accompanying you!

Ralph - is there nothing to do?

Silence.

Lest you think this is utter nonsense,
Look closer at your screen, try harder, try again,
Don't you see that single tear in the
Lower corner of my life.

When my body loses its elastic,
Who will,
Will you,
Write me a poem to clutch?
In my casket, scatter the ashes, of my
Loving poetry, I want my life fantastic poetic
Memories next to me, even as we both become dust...


3:47AM
July 2nd, 2013
True story in every detail.
When you got no inspiration, look closer, it is there, waiting for you, on the bathroom floor, in the hamper, or wrapping you up in what clothing disguise you have picked to show yourself in
^ I want to go home thinking, I could drink a case of you...
^^ a double entendre for you who are unfamiliar with older rock n' roll bands
Nat Lipstadt Jun 2014
The Real Poets Here

are small craft
sailing between the narrows of crack'd lines,
employ the spyglass and luck to you,
for them to find

their voyages do not widen the chasm of waste,
yawning greater now by propped up boasts of
ugly shipowners who sin by commission,
national ***** crowing of the greatest length of their prow,
thinking that is a measure of prowess,
their tubs,
all but empty wordy new container ships,
that are forever lost at sea,
even before leaving port

they,
the real poets,
are the quiet lost lot,
a troop of forgettable ordinary  Marines,
the sailors in the engine room toiling,
exploring cartographers ***** from the ****** crafting struggle,
looking to discover unmapped,
invisible poles,
East and West

opening up new passages,
within us,
with new passages

when called to arms,
the real poets
spill fresh ***** fluids from within the heart and mind borne,
upon the blank spaces,
they stain us with the grasping gasps of their sight insided

fertile are the pastures
where they lay low modest lay thinking,
amidst the splendor in the grass

of them
I*
proudly will ever boast,
hold them close and ever nameless,
but deep inscribed inside of me

Ah,
the real poets keep me
whole within the
ever smaller white purity of this narrow space
that has lost the struggle
to contains the
unceasing ever spawning black letter'd oceans and navies of
repetitive sad, sadly repetitive,
puerile singsong cant
that never sings,
can't never please,
but trends to the masses madly

dewdrops of tears,
are my own trees felled,
an acknowledgement that
when I read their unintended homages to humankind,
that when realized,
they speak with great respect,
all quietly scream this whisper...

all this,
that I have written,
and will yet to write,
this is all,
to give
greater glory to all human ability
whose
sole purposed to fill us,

wrench us from our lackadaisical comfort,
or  urgently comfort us when none else can,

these are my friends,
the real poets here*

god keep you well

my trite words insufficient
so I gift you
some words worthy from
Wordsworth
"Of splendour in the grass, of glory in the flower;
      We will grieve not, rather find
      Strength in what remains behind;
      In the primal sympathy
      Which having been must ever be;
      In the soothing thoughts that spring
      Out of human suffering;
      In the faith that looks through death,
In years that bring the philosophic mind."

William Wordsworth. 1770–1850

Compose and Posted 3:30am June 12, 2014
Nat Lipstadt Jan 2014
after five years
when I write her a love poem,
she is always surprised,
her unexpectation
so very pleases me.

after five years
when I write her a love poem,
I am always surprised,
that a new way to say it,
uncovered.

but this I can tell you,
not once
do I ever write
nor will I ever pen
those I love you words.

they are too easy, too cheap,
a dime a dozen,
naked words make me weep,
dress 'em, cloak 'em, try to
Pradip 'em in
mystery, charming humor,
use conjuring spells of
Bala imagery unreal,
Bzynga!

work hard to tell her why,
work hard to guard your originality,
work hard to tell her in ways
that her into me
smiling, crying, punching.

so I write love poems,
every now and then,
special ways recalled,
teasing her about her forgetfulness,
about her teasing me with rhyming
that is less than spectacular,
how my body has
reshaped itself to fit her.

tell her
I love you,
plain,
well that be downright,

pffft.
(an interjection used to express or indicate
a dying or fizzling out)

the key is to tell her
in a fashion original,
personal to us.

that what all these endless
love poems here strive,
but too oft, fail to arrive.
all tricked up, too direct,
passion burnt used up
after but a single read

stroke her cheek
with soft stanzas,
torrential directness,
no subtly,
fizzles.

write for the long haul,
words that five years hence,
words that five hundred years hence,
make her into me
smiling, crying, punching,
like the first time
she read them,
like they did
five years ago.
Jan. 9th, 2013
2.4k · Jan 2023
when does the poem end?
Nat Lipstadt Jan 2023
when does the poem end?


creation is never ending,
the earth is endlessly morphing

but you lean back and say
enough
not because the poem
is finished,
for it is never finished,
because an exhalation feels
satisfying, releasing

but the poem never ends,
nor does the need to

exhale

not with the final .


the next poem is

but a

continuation

of the previous poem;

a continuation

of you~poem,

inhaling

and

exhaling

& morphing.

Sat Jan 7
7:57am
Go into the arts. I'm not kidding. The arts are not a way to make a living. They are a very human way of making life more bearable. Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven's sake. Sing in the shower. Dance to the radio. Tell stories. Write a poem to a friend, even a lousy poem. Do it as well as you possibly can. You will get an enormous reward. You will have created something. ~Kurt Vonnegut
2.4k · Sep 2013
The sums, always the sums!
Nat Lipstadt Sep 2013
The TSA won't let me fly
It seems when airplane-jailed,
My muse sneaks aboard
Without paying for a seat.

Another airplane poem like 30B,
From a long ago flight,
Found dusty, in the poetry sewing box


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

with every breathe he tithes
a packet of whispered wishes,
a blended osmosis of
past and future scenes,
reviewed, previewed,
moments in time,
actual and dreamed

some received,
airborne plucked,
in his chest stored,
prepared for future
takeoffs and landings,
for ultimate insertion
in both
your recesses
and
your abscesses

some native,
combobulated, containerized
packets of seconds,
of joyous moments,
bytes of historical
hugs n' kisses,
as a child
to a child
from a child

those are vanilla frosted,
residual payments for the
good done and given,  
forwarded with all clear signals,
to his loved ones,
now resent, to you,
fellow travelers and sojourners,
intersectors of our peculiar
coded dots and dashes

thirty five thousand feet high,
composure lost,
he swoons as
Bocelli's voce del silenzio
releases tears so sweet,
which are by nature,
gravitated and transformed
into snowflakes to decorate
the Sierra Nevada's
breasted peaks and valleys,
over which his physical notion
is at rest, yet in motion,
within a Delta flying ship

Yet his fevered chest
beats rough,
for every flight seems
a time warp interlude,
a forced reflecting rhyme,
not of his choosing,
a lawful, thoughtful, imprisonment

having donated to you
his best, the remainders,
the man tallies, recalls:

ancient slights, scaled heights,
requiems for his forefathers
scored by cantorial choirs,
liberation struggle weariness,
offers taken and refused,
aces in the hole that proved
insufficient to save his soul.

goal line stands made,
onslaughts refused,
true lies and false truths,
moist lips and monster tears,
occasional A's and calcu-hell-us,
hand me downs received,
help me ups got n' given,
buildings pricked by airplanes,
death wishes granted
and nothing thereby gained,
children, found and lost,
mine, yours, ours...

The sums, always the sums!

engine noises and pilfered winds
are dulled and semi-silenced,
yet the silvered chamber prison
resonates from end to end
as each ledgered memory,
each packet of the
hidden whispered poems
he does NOT choose to send,
dents the man,
leaving claw marks,
screaming pay attention to me,
as if they were the priorities
of a six year old child,
refusing to be ignored

he does,
attention, he does pay,  
allowing rocking guitar heroes
to overtake weeping violinists,
just as newer transgressions
surfeit even his
most really *****,
ancient sins

No matter how he counts,
unable to master the additions,
no matter how many times
counts are initiated,
taken and retaken,
the tally's net net is
concluded, numbered
"forsaken"

his life's W-2 is black n' blue,
deductions falsely enumerate
and thereby underestimate
dues he has paid summarily,
earnings, distorted,
taxes paid never enough,
to satisfy the justice scales,
so wearily he
cries and enunciates,

The sums, always the sums!

THEN COMES HIS SHOUT OUT,
at his most vulnerable,
when a thin veneer of alumina
separates him,
from a fall inglorious
to an end most gorious,
a rapping beat moderne
insists that he go all out,
disallowing no
airy fairy poetry
to disguise that:

If the integers are false,
the entries of a life lived,
are sucker lies
black eyed flies
toxic shockers
that bust open
stinko lockers
where the B.S.
mocking stories
are kept

don't look close
at his documents
they ain't exactly
heaven sent
and the government men
be back on his track
their aviator shades
protect them from
burning light of the
man's furnace
where he burns their liens,
and the agent's ear pieces
drown out his screams of

The sums, always the sums!

God bless you,
keep and recall those packets of
whispered wishes, good tithes,
that the man bequeaths,
gift baskets of
expresso essentials
with God's love delivered

Tho his words,
amateurish and unvarnished,
silly and pompous,
nonetheless, they are the
return on his investments,
his yearnings for your happiness
are the savings accumulated,
though meager jewels are they,
they are ad valorem,
mixed into his confused murmurings

here then,
are his summings up,
what he wills you,,
the tally finale
the best wisdom is
found on coffee cups
at 2:47am.

Dance
Love
Sing
Live

to which he respectfully amends with a
Write.
(See banner photo)
See Nat Lipstadt
Juggling Thoughts Re Proximity, in Seat 30B
Nat Lipstadt Jul 2023
are the strongest muscle one needs to exercise daily in order to

live not only a longer life,

but a better one too!
<>
2.4k · Sep 2017
The Watermarks of My Life
Nat Lipstadt Sep 2017
~for lovejunkie~

"a watermark is a faint design made in some paper
during manufacture, which is visible when held
against the light and typically identifies the maker"

<•>

But you knew that...

in each, and *every
poem,
intentional stains faint revealed

Here,
a 2:03am watermark,
a time stamping of time, place,
a self-notification of "you were here,"
hid under the writing wrist,
or in a favorite verse,
(invisibly interspersed, blinking a winking,)
the very now of this poems
incanting, decanting formation,
by the neo natal baby warmers,
heating filaments of glowing incandescence

Perhaps this one, to be completed, come the sabbath,
when the eastern suns rising glow
over the North Fork must, demands it,
de jure, by natural law,
provoke and parole my soul
unto confession,
ordering a performance review of my
yellowed journalism revelations,
by the halo's fresh sunlight,
revealing all the watermarks
of the scrivener

These words, these toyed crumbs,
these human droppings, what is remaindered,
post ablutions, pre-morning prayers
the washing away of the mid-of-night
cappuccino-colored night frights

To new day light,
hold up my skin to any and all effervescent sources,
even the electronic red light, low resolution room dots,
all to see if still yet,
the coursing river run red beneath the
blue veined body's arterial roadmap,
exposing the rents, the cracks,
where, yes, Rebecca,
"the light gets in,"
fresh tracks, new watermarks

This then,
best viewing time of the
impermeable, impermanent, perpetual moving
below and above watermarked inscriptions,
eclipsing, barely just visible
above the eye lined brow,
etchings upon the forehead,
like my Cousin Cain,
standing out outstandingly,
imprimis:

ex libris (from the library of)
the eyes now reading these verses


One of you a-muse-ds,
gave me this title,
one of you used by me,
you gave me the inspiration,
you undid me into this doing
of my undoing

Connecting the unworthy audience,
that's me,
to the masters of my poor souls survival,
that's you, all,
into admitting, rinsing, repeating,
for have I not once before
affirmed
my scores, my marks,
way back in '13

The heretofore
of all my flaws,
you call them scars,
I call them
my prima facie
needled watermarks,
my poems

When once I wrote:

I am both,
and nothing but,
addict and dealer,
a ****** poet...
a ****** poet ******


<•>
8/17/17 1:49am ~ 9/4/17 5:56am
Manhattan Isle ~ North Fork L.I.

<•>
https://hellopoetry.com/lovejunkie/read


https://hellopoetry.com/poem/392109/yo-yo-my-drug-of-choice-****-poets/
<•>

the sabbath comes
<•>
some members on the site,
give such visceral. detailed, and poetic reactions to my writings that it almost always
provokes, seeds, the next new poem.
This crosses many lives,
the survivors.
LJ- I hope your daughter does read your work someday; on that day, give her this one as a preface, so to speak...<•>
Nat Lipstadt May 2013
Going Off To War (a/k/a Washing The Dishes)

When its time to wash the dishes,
I make proper preparations for this serious business,
I strip down to my skivvies (shorts, in a prior generation)
Cause there will plenty blood and gore afore too long
Soap and water flying about, the ceilings and the walls,
Not to mention big, big puddles on the floor.

Multi-colored sponges of sizes varied,
Some Brillo-sided, like extra armor on a tank,
By Dawn's early light, turn the clear water
Into a heaving, breathing soapy concoction.
Woebegone and woe betide, dried and sticky maple syrup,
You are no match for super-strength orange dishwashing solution,
Of the Greeks did praise, a single dollop packs a mighty wallop!

Ain't afraid of any stain, decomposing, half chewed, culinary rejection.
Don't even bother with rubber gloves, cause that's for sissies.
The dirtier the better, cause I love the sounds of
All out war, the rushing water, the futile screams of
Grease departing this world, down the rabbit hole,
My gleaming, victorious sinking of the enemy shipping

You think I am the first to celebrate in verse
This storied fight of right over dirt?

Recall please this famed couplet, for now be known its true inspiration!

"Oh, say can you see by the Dawn's early light
What so proudly we hailed at the twilight's last gleaming?"

Though Men Like to Load the Dishwasher (You Didn't Know?)
Is another poem of a similar ilk, when technology is unavailable,
It is fact verifiable and unassailable,
That if you give a man some room and some privacy,
Ignore the shouts and war cries from the kitchen emanating,
Male aggression can best be expiated,
When playing war games in the kitchen, a live action movie,
A video game that never grows tiresome,
And violence is necessary, for the enemy's complete annihilation.

Thank you my dear, no medal need be awarded,
Scored this poem as my just reward.
There is no truth
That my name was Dr. Seuss
In a prior life.
2.4k · Jan 2014
R&B: Joe wants to know
Nat Lipstadt Jan 2014
Joe wants to know
how'm I doing?

an innocuous query,
little can he know,
bye bye is my merry,
marooned on a skerry,
noxious fumes in the aerie,
currently inhabiting  my foreheady,
worry waves, rolling thunderous tides,
have myself beside

thus the answer to your toll,
something bad, on me, got a hold

Joe,
life is,
more than a tad
concerting

concerting?

surely you meant
converging, or perhaps,
concatenating, or concaving?
discombobulating, or more likely,
plain ole disconcerting?

indeed, all of the above,
fit like a glove,
but best combinated in steaming mug of
concerting

"to contrive or arrange by agreement: to plan; devise"

the world is secret contriving,
the world is secret devising,
a plan for my demising,
forces are concerting re me...
most concerning,
as trends converging,
concave hollow chains clinking,
a concatenating chorus
voicing their displeasure,
at my happy existence,
which now gone,
its loss, wept for, in great measure

life dissing me, in a manner
concerting and dis-concerting,
my composure,
decomposing,
the ides of depression,
hip hop discombob-
(undu)lating throb
but then again,
what's in a word,
what's in a rhyme,
jes that old timey R&B;,
rhyming and blues,
of a verbal kind

so, Joe, how'm I doing?

now that you are knowing,
as men of distinguished letters,
students of history,
part time poets,
Your Reply
must only be:

"Oh no, Natty,
say it ain't so"
http://www.thisdayinquotes.com/2009/09/it-ain-so-joe-actually-wasnt-so.html
http://en.wikipedia.org/wiki/Shoeless_Joe_Jackson


Skerry: a skerry is a small rocky island, too small for habitation; it may simply be a rocky reef.
Aerie:   any habitation at a high altitude
Concatenating:  to link together; unite in a series or chain.
Combinated: poetic license
Concaving: hollow and curved
Discombobulating: to confuse or disconcert; upset; frustrate
Dissing: to show disrespect for; affront. to disparage; belittle.
Nat Lipstadt Mar 2014
a fair question, deserving of thought,
goodly soft care and hard consideration,
strangely, instantly and undeniable,
one worldly, word achieves *******

whether first or foremost,
après ma raison d'être,
cannot list, nor rank or certain state,
yet my heart repeats, nation, nation,
my understanding, instant and complete

worthy journey to self-fulfillment,
contentedly unhappy to be permanently,
one poem short on the one continuum,
the-road-trip to salvation,
my end, my finality / our self-acualization

aking pagtatapos, ang aking katotohanan
my einde, my realiteit
fen m 'yo, reyalite mwen
akhir saya, realiti saya
ma fin, ma réalité
M
write of the ifs of a man's life,
and come aboutface to conclusions,
instant and long in the making,
there are willing ears on this globe,
welcoming me open armed, opened lipped,
knowing firstly this open-eyed greeting,
welcome poet, tell us

for we are one nation, everywhere invisible,
indivisible with liberty and justice inherent,
creation our common good, in fact it is our
lifelong wares and goods, letter by letter composing,
we sell for the price of free

This then single common currency,
our ouro, derivation of
languages multi and mellifluous here spoke,
this my/our nation where birthright and
citizenship ego-and-geo boundless,
my loves, continentally arrayed,
to whom I pledge until last breath
utter all, guttural devotion

when one of us creates,
good manifests, I care not
in what tongue,
for our tongues
intertwine and intertaste
this one flavor,
communitas,
meine gemeinschaft, meine gesellschaft
where spoken
goodness all the days of life,
it has goodly gotten me to you...
inspired by an overheard conversation on Facebook between two poets, and this article about Robert Frost asking, can bad people write poetry.

This poem is dedicated to the so, so many good friends, in my life now attained, on continents near and so far away, of you I thought first, first, when this question, self-imposed interrogatory,  demanded answers.

http://online.wsj.com/news/articles/SB10001424052702303650204579376813629376986?KEYWORDS=Robert+frost&mg;=reno64-wsj

if you cannot open the article, I will send if one asks..

Filipino, Afrikaans, Haitian Creole, Malay, French
Nat Lipstadt Aug 2023
“and have the richest fluency not only in its words but in the silent lines of its lips and face and between the lashes of your eyes and in every motion and joint of your body.”  

Walt Whitman

<>

having recently been on standby for a permanent-entry residency visa
to over & just beyond death’s door, Walt’s prescient prescription strikes my broken breastbone even harder much, than the persistent
periodic pains confirming the breaking and the healing
of this man’s mending of the human centric poetic *****

for this warped heart mine, now rejoicingly rejiggered with some threads and wires to deliver a new but fresh bloodied wisdom,
begs me, eggs me to torrent word streams, but Whitman’s wisdom cautions a new slowness, the wisdom of mortality’s hot breath urges careful consideration of every letter that my second chance, consignment shop flesh, eagerly embraces, to both prescribe and proscribe inside-insights tween the deafening sounds of eyelashes beating synchronized to the revived heart rates rapid renewal and
last second-chances….

torn tween minute torso sensations and the running silence of
a new battery’s internal rapid intervals, the silent timing gaps tween beats leaves-just-enough-space to ask over and over again,
from whence will come my richest fluency? (1)

at 300am, I lay carefully caressing and chewing well each transitory
thought, absent the former energetic ability to just spill,
though highly desired,
now requires, like me,
steady re-piecing together

the steady drumbeat of now-nearer-my-god-than-thee Titanic reflections
demands a slowing rapidity

this I thought before and now ken, even and ever better, that our primary endeavor shall always be the giving, the disbursement of the act of love…for therein lies the healing of each, and wet eyes,
make necessarily concluding this poem about nothing and everything
and I comprehend Walt’s dictum:

my very flesh is a poem,
every sensation a lyric,
every breath taken and returned to the atmosphere
so unconsciously
are my oldest
and newest
3:00 AM poetry companions
(1) I lift up my eyes to the mountains— where does my help come from?
Psalms 121:1-4
2.4k · Sep 2013
Two men, one poem
Nat Lipstadt Sep 2013
Two men, one poem.

This day, on this site.
Two men wrote to me.
One called me brother.
The other, an arrogant *****,
Called me little.

One shared his life,
With humility and gratitude,
That I lost it. Wept. Baby like.
Honored me with trust.
Swapped spit stories
That bled into my brain,
And a tattoo appeared on my
Writing arm, one word,
Humility.

One boasted of his beans.
His bean counting reads.
Analyzed his trends,
Predicting by Christmas (!),
He would have this many.

His **** poems he informed,
Would be published.
What need did he have
For punk-u-ation,
His rants, his **** stream of words.
Better than mine,
Just cause his stuff I said,
Not my cup of tea.

What a crazy place this place.
Holy and *******, sided.
Humble humble, always humble.

He invoked, this arrogant one,
God's name.
Not knowing I talk to Him.

So I rang Him up and said,
How did a little peenus-genius
Find his way onto this
Holy Place, HP, of kindness.

He smiled in brevity.
Did I not create both,
Angels and devils?

I love God's brevity.
His commas, his question marks,
His pointed punctuation.

I love that He could create
A man whose sight of
Me, unseen, but found capacity
To love me in ways
Undreamed.

Because I peered in to the man's reveal,
Saw quality, value,
Saw humility.

So of arrogance, I said,
I would write.
But it is of humility
I will sing,
Of loving human kindness extraordinaire.

Of weeping endless.
At the joy afforded me
To read so many lovely poems,
Here.

If my poems never see the
Imprimatur of a publishing house,
It matters not,
For I have seen a human being
Weep real tears reading mine.

I have shed rivers of my own
Upon discovering yours.

Humble, humble.

If it is glory you seek,
You will find it,
All alone. Mastur-bating.

Me, I live here, in the midst of a
Good Company.


Sept. 7th, 2013
Nat Lipstadt  
I appreciate this, but it does not connect for me...many beautiful phrases and images, but I am left confused other than the general tenor...just not my cup of tea. Sorry


Unnamed:

Well friend I guess I will take comfort in my writing being published through the University of Arizonian and being invited out to the winter and spring release parties. Then I have two hundred and thirty eight thousand reads on my two writing sites that will reach three hundred thousand by Christmas I will try to go on God bless you.
Nat Lipstadt Jul 2021
Of ***** roasting pans and racks and island fog!

if you love me, then you know poems wright themselves when standing, driving, bus riding, love-making and especially when
doing manly battle, ******* ***** dishwashing midst island fog

a passing remark goes noticed and summoned to a
Friday night feast, roasted fowl, wild rice with golden raisins and mushrooms, English spring peas, was it a Montrachet?

for dessert the washing up is obligation mine, a traditional desertion,
separation of church and state, her cooking a church  in which I worship, she states eloquently:
“Unto Caesaria , Render Her the cleanup”

this is hand to hand combat, no dishwasher mechanical
can scrub like the human hand, and with body english,
water hot, but no gloves employed for this is ***** man’s work,
not for sissies, cleaning roasting pans and roasting racks
that are at least twenty years burnt and crusted with a blackened
finish, residue of other lovers and dinners P.N. (pre-nat)

array three kinds of sponges and some human & metallic *****,
no one asking which came first,
the scrubbing away of life feasting residues,
or the poem writing that comes with pre & postscript sleepiness

when I say the dark stains and the grease buildup are
flavor enhancers, am beknighted with starry stares of
“how stupid do you think I am?” and sadly return to the
Battle of Agincourt, the one the American lost….



but they do source poems that flavor life

2020
*sometime last year?
Nat Lipstadt Feb 2016
A Woman's Reflection on Her Reflection (Valence and Value)

one poem, written by two authors


~~~

Ever the analyst,
A mirror functions as surface to
Parse the fleeting constant
Of youth's beauty.

From genetic gift
Of symmetry and bone,
To technological tampering,
Until the equation is solved,
As experience and character
Models and maps the result.

The answer, a reflection,
Of individual valence and value

(written by S.D., a woman)

~~~

(written by N.L., a man)

unbidden and unannounced, a
"not fully formed poem,
but a simple reflection"
inbound missile arrives inbox,
armed with silent power,
the lethality of the
Holy Unexpected

the man reflects
on her mirror-on-the-wall's
fulsome reply,
parsing the words of a
woman's reflection,
while gazing on her own

every human's momentary glass notation,
but an instance of summation,
a human poem, whose editing,
unceasing

a comma here,
a period inserted,
an eye shadowed, an eyebrow tweezed,
a eye dark circle line added,
to tree-mark time's authorship

all  these
but a person's
excerpted extraction,
notarized,
then auto-erased and revised,
as out of date,  
instantaneously compromised

but,

it is upon  the conceptual,
valence and value,
more that the man reflects perpetual,
less on transitory morphing changes of
exterior mortality

while overlooking her
glassine realization from behind,
he concludes:

every reflection,
no matter how oft the snapshot,
the unfleeting constancy
of the combining of the

princes of principles,
valence and value

that he witnesses,
in the calming pool
of her eyes,
(those borrowed windows into her soul's well,)
so well reflect
her unchanging greater finery,

her character

this reflection,
metamorphosis transformed.
into a planetary permanency poem,
high placed in his the firmament
of their conjoined sky
Valence,
as used in psychology, especially in discussing emotions, means the intrinsic attractiveness (positive valence) of an event, object, or situation.

In chemistry, the valence or valency of an element is a measure of its combining power with other atoms when it forms chemical compounds or molecules.

you decide.

hers, two six sixteen,
his, two seven sixteen,
in the wee hours
Nat Lipstadt Aug 2015
Oliver Sacks passed away today, August 30, 2015
He asked the best questions
and never stopped seeking ever better answers.
Perhaps now, richer, he has them,
but this world is surely a poorer place indeed.
~~~

"And now, weak, short of breath, my once-firm muscles melted away by cancer, I find my thoughts, increasingly, not on the supernatural or spiritual, but on what is meant by living a good and worthwhile life — achieving a sense of peace within oneself. I find my thoughts drifting to the Sabbath, the day of rest, the seventh day of the week, and perhaps the seventh day of one’s life as well, when one can feel that one’s work is done, and one may, in good conscience, rest."

Oliver Sacks


I hope you read the entire essay at the URL below.

~~~
humble humble,
mine own own muse~jester
self-mocking, calling me out,
giving oneself the *******,
who you?

indeed,
you, the greater fool,
utilizing, thriving on self-contemptuous thoughts,
you are no Oliver Sacks,
what are you doing
messing with his essaying?

go back to being
a standardized human,
spilling the detritus of thine mortal coil,
that employs you as a full time slave,
a scab-working seven day affair,
is that not sufficient?

you,
in your sixth
decaying-decades-day,
forsook the ancient Sabbath long ago,
keeping it for ****** rest,
cheaply tired from the liturgy of
straitjacketing of do's and dont's
of excruciating detail,
that put only distance tween
you and your
essential spiritual oils

Sacks invades directly my eye's clouded storage,
now, two brains cross-wired,
histories,
his story, my story,
all too familiar,
almost indecently similar

here I am,
nearer my god than thee,
on this Sabbath day
of my ancestors,
(a hand-me-down gift to the world's conceptual heritage sites)
working hard,
as an everyday day laborer,
looking for work on street corners,
busy busy searching my conscience,
angel wrestling,
sacked
by questions -

when is
one’s work done,
and when,
when may one,
in good conscience,
rest?


this poetry writing, is it not work too?

work,
a violation of the Sabbath commandment,^
even if it is of no great matter,
for by now,
this lifelong dialogue internal
this contradictory poetic dialectic
which has yet to justify the emotive words
final or finished,
is a seven days of the week affair,
undeserving of a day of rest

~~~

as I essay out this Sabbath working poem,
in a place of beauteous, natural calm,
it's so easy to agree with the
passing schooners,
all whispering,
via genteel southern breezes,

later, not sooner,

no need to decide, let it ride,
answers will come,
perhaps, all on their own,
perhaps, all on that day
when you're within
hailing distance,
in a flailing,
failing-voice-recognition way,
of the shores of the
Isle of Surcease

the answers will come
contemporaneously,
when you have leave to
exorcise from your calendar,
Siri's spouting, inexorable,
pop-up perpetual reminder
that today's first thing
on your
to do list is:

"live a life  of
good and worthwhile"
**

for then,
you will have all the answers
for the Oliver questions
that need perpetual asking



Finis
~~~

^ "Remember the Sabbath day, to keep it holy. Six days you shall labor, and do all your work, but the seventh day is a Sabbath to the LORD your God. On it you shall not do any work, you, or your son, or your daughter, your male servant, or your female servant, or your livestock, or the sojourner who is within your gates."
~~~

http://www.nytimes.com/2015/08/16/opinion/sunday/ol­iver-sacks-sabbath.html

~~~
Aug. 15, 2015
Shelter Island
for Ursula,
who I think of whenever
I read this
Nat Lipstadt Sep 2013
He taught them well
~for all the teachers here~

He cared enough,
So much so,  
Reasoned with them.
Never diminishing their simplest prose,
Even if it rhymed with rose....

He loved them in his way,
Once his student,
This year, then forever.

Their woes he read,
In every submission,
No threat treated idly,
He knew but one grade,
Caring.

One rule strictly observed,
No touching,
In this sad age, a crime without
Any absolution.

Then came a day.
School arrived, pre-bell by ten minuets,
His customary arrival time.

This day different.

The long corridor to the classroom entree,
Lined like Noah's ark, two by two,
On each side,
His students past and present aligned,
They would not let him pass,
Till he hugged each and everyone.

Thus, they taught him well the meaning of

Just rewards

For they were his,
Yes, they were his,
Not for the taking,
But for the giving.

His subject,
Creative writing,
of course!
Wrote this just now, 517am,  just fell out of me from absolutely no-idea-where-from. A dream for my next life, perhaps?
2.4k · Dec 2013
The Imprint is The Gift
Nat Lipstadt Dec 2013
where to begin?

let us acknowledge
the responsibility of our actions,
and the titles and duties,
and the unexpected,
thereof.

I was a son, till this year,
still, of sorts, but no longer,
traded it in for
orphan.

are you still a child,
when you have no parents?
are you still a parent,
when a child lost?

I am a father, and grandfather.
this definition of me,
extant, future seeded,
perhaps permanent,
perhaps not.

the product of
actions more than
thirty years ago,
and events yet-to-be thirty years
hence.

titles claimed and granted,
partial, not finite,
not definitive, nor infinite.
partial, but part and parcel,
these titles, of you,
yet
they are not the totality, of you,
but very much part of you,
for you possess precious,
The Imprint - The Gift.

the child lost,
the parent found,
the newest coming,
the oldest gone,
all imprinted on your hands,
just look at them!

there are lines on your palms
you do not know the meaning of,
you do not yet know the ending,
they are in your cells,
as you are and were in theirs.

The Imprint
is The Gift
that is
non returnable,
non refundable,
nor is it
diminished by
any stone marker, measurement
of a day, an uncertain,
certain moment.

Look in the mirror.
see them in you,
as they saw themselves in your
reflection.

ah, reflect.
acknowledge that the
absence is pain,
but look at those hands,
that face, your face,
see the
The Imprint - The Gift
permit yourself an easement,
for it the season of
recollection.

ah, re-collect, recollect.
let the story.
continue, by the retelling.
find that palm line,
find that psalm song,
where the babe lost,
the mother lost
is the babe reborn,
in new faces, forever contained in
The Imprint.

we all ken loss,
we all keen know anguish,
different kinds for different folks.
do we not all have blood?
but are there different types,
and yet,
all still blood related.

prepare yourself
for more sad to come,
and some to never,
woebegone.

but do not forget,
nay, you cannot,
for seared it is,
this imprint,
a two sided copy
of a single document,
you on them,
them on you.
~
an eyelash falls
upon the poem.

a decorative reminder,
a stop sign,
a decorative remainder,
that it is time,
to recall,
to be unafraid.
now, now, right now,
is the time to remember,
that very eyelash,
the cells that are
therein,
the eyes that it has protected,
saw, know, well recall, gave,
gave part of you

and smile,
yes, smile,
for in them,
in the lines around your eyes,
the crisscrossed cell map upon thy hands
is the
The Imprint,
The Gift.

where to end?

This imprint upon your body exterior,
part mark, part stain,
part badge, part medal,
part cain,
part ribbon black pinned.

it is twinned,
for the match, the mate,
of this gift I printed,
is still in your living cells,
and thus knowing
the imprint is yours forever,
they are not lost,
you are not lost,
for Their Imprint
is a gift that
is
never ending
shall eternal be a salve this
happy, sad, melancholy,
holy
morn, day, season.
For you,
for all of us...written in the sky above the Eastern Seaboard on Dec. 24th, 2013
The child is the father, the mother, to the man (BS&Tears;)
Nat Lipstadt Jul 2019
I get her, she writes me,
so eloquently,
”the nub of me; gist, manifested poetic”

one of the many poets I have never met,
one of the many poets, by whom,
I have been suchly, justly, richly and correctly
accused

this mesmerizing judgement,
her-over-easy, mini-essay so succinctly
assaying an accidental ability mine

explodes
a happy passageway to my brain,
a new aperture, the neurons firing at will,
the tormented inquisitor’s unasked question,
how did this happen to me?

rocking the Sunday morn cradle’s calm,
ok, ok, write me, write me,
demands my no longer free will,
utilize the free wi-fi of we fidelty

the bay, surgically barely treading water,
its surface of multitude of small waves
but now an entire ****** expression bidding welcome

the breezeways genteel,
smilingly
invites and push us into its
directionless & tideless soothful embrace,
to the shoreline we goeth,
to watch the occasional crossing vessel intruder,
woking the waters gentle

its white path residual wake foam-formed,
then almost instantaneously absorbed, bubbly bursting,
a history of a million moments awakened,
then, instantly returned to restful sleep,
akin to a newborn’s gurgling happy dreaming,
wiped clean away off to
Peter Pan’s it-never-happened-land

this carnival trick sideline of deep tissue knowingness,
sensing the essence of the who and the whom within,
with no data to go on other than their poetic collection,
the hidden meanings of the spaces and places between
the gene sequencing of their wondrous word-fullness
DNA poetic children, freely given,
and well taken
by me

I cannot explain it well enough, but then
a strayer thought breakaway,
a prehensile comprehension insertion
proffers itself as an explanation
intruded,
and here,
extruded

the perfect world exterior before me observable
thrusts itself through picture windows onto my demeanor,
a ****** addiction of mine, my soul enslaved,
cannot bear to be taken away from

this vista,

which begs me,
bring all those you know!
here, to share, this precious precise nook
where eye insightful incisions elicit poems-by-command

but I cannot, bring you here,

so I see~imagine it better through
your eyes, then
your
gist
is in my stubbed pencil nub, it is
your
poem’s destiny manifesting,
penciled through my scruff edged fingertips,
which-when-then transcribed to paper, to history,
‘tis all you
who writes,
not I

for now
you
are the solitary vessel waterborne,
you,
you
are the captain and I

but a
Samson-nite, burdened, baggaged and blinded stowaway,
hopeless, yet still see-worthy,
with your guiding eyes,  
keeping me to keep
your copyright righted,
onto its course true



7-14-19 9:43am
in shelter, on the isle
she’ll ken her authorship by the title
Nat Lipstadt Mar 2015
Aye Aye
(Poetry is the Adhesive of Our Lives)

6:33 am

for Joe*


once again,
in a strange bed,
in a strange city,
left a cold snowed city climate
debtor-in-possession,
owner of a carryover question
of yours,
what was a
winter prior posing,
is now a plane plain ride over
have coming with me
awaking,
by a sun provoking,
the answer,
now strange composing
in a visually warm city where
beautiful tanned bodies
are mined in beach sand

and
this,
my answer,
it too,
mine,
it too
being mined,
subconsciously working, coming,
f o r m I n g
in my always busy,
overthinking,
daily nighttime shift of
repositioning from a
dark night ended reposing,
into a
sunny day answer deposing

t'is a tricky one,
when one poet asks another
straight out,
after the the fashion of the day,

of my poetry,
whattaya think,
whattaya know...

about
my very own
words,
this communal place,
HP,
an open bed,
where we lie down with strangers,
where we lay down our words,
wake up lovers,
or worse,
ignored,
wake up encouraged,
(can one make hallelujah a verb?)
or refuted,
disputed by
the either/or
ignorant silence of the masses,
of what's truly good,
or sunk
under reedy rushes of swamping
despair,
at the ignorant adulation of the
endless trite, puerile

not one
for shooting from the
hip,
on a subject so
delicate,
that my paused,
slow mo response,
to you,
of course,
misunderstood,
as a red badge of no courage,
a refusal to answer
in this demanding age of
virtual, instantaneous any and every
stray dog thought

multiple shades of a Miami sunrise,
burnt oranges and Van Gogh blues,
frosted strawberry internal pink toppings,
whitish cream cappuccino streaks,
makes one wonder about the
creative design team that brought us the
universe and this all over
sunrise,
all natural, organic visual breakfast
that comes to remind me that
your answer,
you...

for all of us,
in our lives
there is always poetry infused,
there for the seeing,
and
for some,
even
adhering to our
private places

for you, Joe,
there is always poetry,

in this work,
is the continuous process,
self-recreating,
and this sir,
aye, aye, sir,
this one writ,
hopefully a satisfactory answer,
perhaps...
one of resolution,
of adhesion,
silicon bonded

for such is the nature of
this particular Joe,
an inquiring soul,
a nurtured one,
another poetry-partial-birth
child of mine,
born on-line

so,
requiring special handling when
creating, crafting,
******* lines of my presumptuous presumptive
"expertise"
in all matters that
our emotional heart
is the make-up-the-rules-as-you-go
rulemaker

thus,
peril,
fraught, and
simplistic excessive
frugality of word/feelings,
dangerous and inappropriate...

I loke (love + like)^
your poetry fine
the slow revolution of the screws
of growth so readily apparent...

But,
always,
a but,
my demands upon you,
so great,
the expectations of expectations,
greater for you than I dare share,
only since your quest
is my bequest
so shockingly that you dare
directly request

herein,
asked and answer attempted,
yet the risks are I lighthouse beacon
angle too high,
becoming too troublesome,
an Excedrin headache

You don't see,
You don't comprehend,
the way I do,
how far you have come,
your train,
upon which
I am a windowed, winnowed,
passenger,
a pseudo parent
in Loco (crazed) HP Parentis

so it breaks my heaVy heart,
that I want burdensome you better,
so much better...

Oh Toolmaker!
from your
as of yet
swelling unrealized
r e a l
blood sweat and
tears

I want to be forced
by you
to shed my own
tears,
gasp, intake my own
bloodied breath,
sweat when reading yours...
hopelessly selfish,
wholly unsatisfied...

I want
your refreshed wit  born in
Whitman
winters

tales of your Connecticut icy hot
Frost
should lay me low by new poems as good as
Lowell's

tease me, seek me
let me beg,
make me yours,
like Sara Teasdale's
"I Am Not
Yours"

I will you!
will you be,
recreate anew
William Carlos Williams

make me gnash my teeth
when you limerick like my first hero
Ogden Nash

moor my heart like
Marianne Moore

be a new American Master
of this awesome trade,
accepting of this modest tirade,
make new tools still invisible
that will become
more powerful than
any man's hand
can mechanical design...

most of all force me to
reside inside your adoms
locked in my soul's firmament,
until you have fashioned me
into
an obedient tool,
forcing me,
to weep my own
r e a l
blood sweat and
tears
that your words
backhoe excavate
from their hidden places

be mine own
GI Joe
poet~hero

hopefully,
this answers your question,
what I think
of your poetry voyage
to levels of heaven
you are yet
unacquainted

looking forward to an
aspiring spring,
a robust salute of
Aye, Aye,

for I  have fixed the spot in the sky
with the adhesive will keep your star aloft
tween you
and the rest of us
plodders

but now be bounded to lift
us to
unbounded highs
on the wings of the highest
expectations*

of all of us who
admire your journey so...
will not e v e r be satisfied,
until
you exceed,
you succeed,
until
we are such
so sated, so satisfied...
that we see the music,
dance to the words,
in places where the silence
of listening
is the greyest gift
one can give...
^Loke - courtesy of Joel Frye

Of course, I  just happened to hear Christine Ebersole sing this tonight...

It seems like happiness is just a thing called Joe
He's got a smile that makes the lilacs want to grow
He's got a way that makes the angels heave a sigh
When they know, little Joe's passin' by

Sometimes the cabin's gloomy and the table's bare
But then he'll kiss me and it's Christmas everywhere
Trouble's fly away and life is easy go
Does he love me good, that's all I need to know

Seems like happiness is just a thing called Joe

Sometimes the cabin's gloomy and the table's bare
But then he'll kiss me and it's Christmas everywhere
Trouble's fly away and life is easy go
Does he love me good, that's all I need to know

Seems like happiness is just a thing called Joe

Little Joe, my little Joe, little Joe
2.4k · Nov 2015
How Many Calories in a Poem?
Nat Lipstadt Nov 2015
How Many Calories in a Poem?


visualizing the invisible,
we deconstruct the content,
the in-titled label reviewed,
querying,
is this one worth the cost?

looking for true fiber,
then further inquire,
perchance,
are there grams of
kick-starting emotive proteins,
stored and lurking within,
homes for the cells
that will inspire, transform,
mere readers into mountainous writers

lean on those scripts,
injected with just hints,
resting ribbons of flavorful fat equipped,
for there will always be
the tyranny
of the those of the sparse faith,
those writers of haiku brevity,
believers that
fat free,
is the only,
but lonely,
bene of beauty

death from ignorance to those
who would poison the fruit
of the alphabet tree,
coat produce, with glossy chemicals,
that preserve the shiny exteriors,
cooking up false feasts interior,
saturating us with the trans-fats of trite,
oily verbosity and labels of organic,
that conceal the risks of
hyper-pretensivity

an every poem, seasoned for taste,
a dash of diamond sea salts,
scatter on pinches of pearls
of Caribbean cane sugar,
sprinkle human sins and cinnamon
for zest and tang,
for inspiration and flavoring,
for the souls tonguing tastebuds,
needy for reasons
to celebrate  commissioning
the enticing exhalations of appreciative
oohs and ahs!

Warning!
this poem was processed
in a old, out-of-date factory,
that is most assuredly not,
nat-nut free*

but even if allergic,
be unafraid to taste the acerbic,
for there are
poems
suited for everyones, even your
peculiarities

you want your essayed poems
to brim healthy caloric,
grow them as offshoots
of your very own organs

you need not seek anothers certification,
if filled they are
with the mettle of iron,
built to be
calcium-fortified structures,
with the perpetual strong bones
of rhyme and sonnet

let each worded edifice
be the food,
stored to be gifted
to our progeny,
by their ever living on,
marking us,
marking them

omit the trite,
we ken no need,
for it is the false emptiness of
misleading carbohydrates,
that only fatten,
for the briefest satisfaction,
purposed for the killing of fulfilling,
dulling that which only
a well prepared
dish poetic,
can bring to healthy enliven
the human spirit




Nov. 12, 2015
Aboard Delta #2499
5:10 pm
when you are trying to lose weight, you obsess about bad calories
in everything...
Nat Lipstadt Jul 2015
~~~

Mouth to Mouth, Chest to Chest



~~~
"Heard the song of a poet,
who died in the gutter"
from Bob Dylan's song,
"It’s a hard rain’s a-gonna fall"
~~~

heard the song of a poet
who died in the gutter,
last verse, last curse,
not a shout, more a mutter,
a question answered in the asking,
mix tape tune of mournful and joy,
a dying man's elixir.

who will me,
anyone recall?

I will.

not each poem, nor stanza,
but more
each hard rooted, weeded
and impossible to remove letter,
will come to be in,
carried and burnt upon my chest,
chiseled, precision hand tooled.

though my body to dusty ash
fated inevitable,
following yours,
those letters of yours,
will not to heaven ascend,
but come to miracle rest
on the skin of another, renewed

for this the way poetry gets
passed on,
a sustainable, renewal
natural resource,

never down,
always, always,
upward

ear to ear,
mouth to mouth,
from chest to chest


~~~

July 10, 2015
Nat Lipstadt Jul 2019
love between poets: “who will be between the sheets next week
when I’m gone,” she lets sigh-escape,
as she watches the backyard paradise parading landscape
of animals before the bay, perfect day sure to come,
her new pets obeying the early morn sunrising awakening call
to rise, everyone playing~parading, before her royal summons,
no coincidence, finger-of-god, two by two

this while I’m kissing her neck,
my arm around her *******,
and the he-intent on slip sliding down
to the small of her back,
obeying his innate,
worship worshiping and giving up,
all he’s got intense intently contentedly

unfazed, unphased,
non-nonplussed,
he’s been interrogated before,
heart is pure he answers:

next weekend when you are back in situ,
thousands of miles away, airplane housed for hours,
writing poems of love from the lost and found,
recalling this exact moment,
how I worshipped your presence,
and these words:

You will be with me in every breath,
our sheets will radioactively emit
ions and molecules of our scent combined,
and present as present  your perfume can be,
elicited, elixir, you and me combinant

she turns from the bay-view,
the animals who now mutually
worship her adoration,
watching, focused on us as observers,
she lifts me up and smiles,
replying

“oh my lover you’re the cad of cads,
king of the baddest poet-lads,
the gist of what is wrong with the best of men,
her, pressing me hard to her chestnut hair chest,
she, falling down into my eyes

take me back to bed, liar,
let me add to my aroma,
to ensue, to ensure you will miss
the best love
you had partly, insufficiently, and unhinged
completely

I’m your lassie, you my lad,
my king of cads, my lover poet,
thief of my poems and my secret speech spells,
escalating senses of one’s imaginings”


and,
along came the rest
of what was freely given,
for love between poets
man and
a woman,
is a someone, somewhere,
sometime summertime
thing

I will still smell you in my
heart, and send to you ballistic missives,
words to explode your tear ducts
when you rest in sheets that met me,
when you’ll know me by my odors,
cry out loud so that you’ll scare our animals,
no matter how many tides wash away our residue,
you will never unknow and be forever unprepared
for my return,


even though we will be each, a thousand unwritten poems away...
Nat Lipstadt Feb 2016
T'is a curious thing,
these verbal peddlers,
these tribal members,
famously well known to no one,
perhaps at best,
a kindred few, fellow-travelers.

Each a troop,
in the army of orphans,
bloodied, purple hearted,
word-wounded,
anonymous unto each other,
yet all bonded intimates,
in solitary struggle united,
yet sea-parted by the very nature
of the solitude of composition.

All poets are Cain scar-marked,
purposed for everyone to see,
a warning to the rabbled boors,
the imagination suppressors!

World:

cherish these flawed ones,
gentle these frail but gritty,
the Lord has tasked them
to be prophets in one tongue untied,
undo the strife of Babel's division.

Poets!

Be the harpooners
of the unexamined life,
with unfettered rhapsody,
comfort caress us,
exhort the loopy
to light their illusionary candles,
turn the sad eyed lowlanders
into crinkly eye-lined smilers.

With clinical observation,
dense and demanding,
make us laugh at
the comedy of our situation,
teach us our free-to-see peep show,
reveal, unseal us
with **** empathy!

For who's who in poetry
is all of us!
saviors and failures,
recorders and decoders,
night writers of the oohs and aahs
of dreams and nightmares.

When this poet cannot,
no longer, anymore,
taste his poems upon your lips,
keep your poems within his heart,
then he breathes no more,
becoming one who was, yet still is,
because of you,

because of poetry.
2.4k · Sep 2014
The Colors Inconsistent
Nat Lipstadt Sep 2014
The Godfinger has not yet
colored-come this far south
from up in the North,
but soon inexorable, marchingly quietly
to finger paint reds and golds
that are calendar scheduled to arrive

the idea of them, their visual,
burrowed  but easily retrieved,
for in the poet's mind's eye
he foresees their forthcoming blaze,
smells them in the not-quite-autumn
sea breeze

colors welcome for many,
for they serve to awaken and ravish
inattentive-to-nature wooly brains,
distracted by new work projects
diluted multi-tacking senses,
back burnt by responsibilities,
**** deadlines,
term papers, too soon due

full well knowing fall colors incipient,
this summer man piety engorges on
the embering remains of his beloved season,
His Summer Surround Sound Environment,
reflecting on his insignificance,
the seasonality of life,
the sad-always finale for grownups
that is the year ending
December,
no longer a far away,
inconceivable concept

these robust leaf colors, product of
chlorophyll properly chilled,
signal mark
all hope lost for the summer warmth,
the life force of this
poet's body and soul's
his sun tan lotion ****** cleanser, restorative,
all sold out, no longer on the store's shelf,
and a new conceptual,
2015
low growling while on the prowl

but for now,
it's still land-greens and water-blues,
though tarnished are the hues,
the grass, an admixture of
ugly straw yellow and a sickly green,
the bay green blues darker, uninviting,
the surface sun glints duller, less charming,
but close enough to the
real thing
for him to embrace passionately

he thinks bemusedly, out loudly,
writes smilingly, out loudly,
for he is in his trademark chair,
adorned in summer garb,
t-shirt and shorts,
holding on for as long as he can,
grabbing errant sun rays,
breathing salted bay air that's
cleaner now, for the summers sailors
all gone ashore to dry dock ports

while his woman, sensible ever,
acknowledges the frosty wind that
necessitates blanket, a full dress uniform,
complete yoga outfit and anorak,
the dress code de rigeur for combat
against
the September brilliant and undeniable chill

Springsteen and Cassidy hum his
melancholy perfectly and he wonders
about the ifs and of's his chosen life,
about the why's and wherefore
of his poetry that he sometimes writes
under assumed names

these contradictions,
me, summer,
she, cloaked in wool,
these natural nature inconsistencies,
even though unrealized,
the inevitability clashing sounds of vibrant colors
overtaking greens wilting,
all to be winter-denuded,
mark the day,
mark the man,
his poem,
mark this moment of
inconsistent colorations
September 20, 2014
Nat Lipstadt Jun 2018
dedicated to E.B.
a man of faith
~

the-third-of-three-of-thee queries,
ask this poet anything variety pack,
3 permission-granted non-deniable answers,
though somewhat unsurprisingly,
the demands are the common deeper commonality,
yet finds the poet
flat footed, tongue raveled, searching
repeatedly for le mot juste, answers he doesn’t prefer to task,
by asking himself ever
directly

fingers and tips knotted,
their cooperative sensation severed,
unprepared to answer
deferring, with a weakish,
“it’s buried in plain sight in the
thousand + poem answers resting here
for a someday funeral oratory anticipatory”

all the tired, tried and refried and endless recycled responsa tossed into a barrel of formaldehyde;

in dissolution, perhaps the solution?

numerous are my recorded “dialogues,”
verbal battles with spirit authorities,
plenty of cursing and finger pointing
and not of the Sistine Chapel variety;
mutual forgiveness for human and supreme  errors,
not always, hardly ever,
on the tabula rasa menu

but you think
a principle, responsum est constituta
(from the principal, the answer can be derived)
therefore, yes, he must be...

but
the poet replies faith in what,
meaning he has the surety of none

then!
the phone rings and the poem begins:
in a voice of heretofore unknown register,

<•>


“I am the highest authority
none greater

I am but and only the first creator;
my touch operates at the spiderweb level,
the muse of muses,
present in the first grazing garden of lips,
the cacophony clarity of the avians swapping stories
in the early morn,
my worldwide alarm clock,
the wafted word,
breeze born when any poet stumbles on what comes next,
I am scented cherry blossoms, the breath in the iris newly come, and quickly gone,
the spiders web
where there yesterday there was none,
I am the first poem,
and will be the last

the new skin neath the scab,
the cooing of a grandchild that
sun melts hardy men grizzled who think
there is nothing new under the sun

the counter movement of every wave that shushes,
requesting global silence,
even when no human present to applaud

I am the smile upon the surgeon exiting
the operating room,
his right hand of confidence,
the arm draped upon a strangers shoulder
who weeps unabashedly for
undisclosed reasons that do not matter

you ask the poet
is he a man of faith
a bewildering query that obtains
diffident daily responsa, for the very question
is an ever changing variable

easy come and easy go
for what is faith but a traveling circus,
a summer day, forgot as it melds with next,
faith in?
me? hardly...

who could sustain a belief in the invisible hand that is the breeze between blades of grasses where the snowflakes will later accumulate as if nesting

even faith in himself
is a passing cloud,
a short term rental

but in that instance
he is faithful personified
for he “discovered”
the next word to close and complete,
the poem that did not exist prior

thus faith stored and restored
he believes once more if but for
a seconds-long knowing a defining of
faith

  thus he is neither solved or dissolved;
yet, is resolved to keep getting
closer to that completion
that affords him, or any poet,
to own the faith that affords belief
2.4k · Jan 2014
A Poet's Anthem
Nat Lipstadt Jan 2014
Reworked and resubmitted, and this time to stay.
Anything you say can and will be used...


excited utterances,
acerbic witticisms,
utter stupidities,
elegant inanities

can and most assuredly
will be used
evidentially, eventually,
about you
in the court of poetic
justice

as inspiration,
original source material,
proofs of our collaboration
with the enemy,
whom Pogo
fathomed long ago, is
us

a Vermeer-vectored light ray
will reveal with luminous clarity,
all that you have spoken,
been secret-thinking,
template of colors for
future etch-a-sketchers,
inspiration for future poets,
far, far better than
me

this dishonorable, low repute,
poetic eavesdropper,
poet-as-recorder:
revels in the smoke and ash of
absurd, common sensible
trash,

the trite and tragic,
the pith and prissy,
the calm and hissy

all your lovely revelations
of human frailty
and asininity,
most adorable,
(except for those scarface
treatises I despise as
never justified
self-pity)

that you n' I are blessed
to have combinated
in a manner most
curiously original,
now recorded in my
digital memory,
proving positive the unique,
discreet charmes de notre
humanité

Even your silences are
most curious fodder,  
the sighs you sigh
so hard
and yet again, even
harder

unfair game, mined as
veins of golden material
for my aquatic scribblings,
as I float downriver on
currents of compulsion
to promote vicariously,
our joint disjointedness,
our grade A, prime choice,
recombinant and genetically improved
absurdities

Rembrandt will honor us,
we as the Comedic Elders of the City,
paint us upright
avec expressions most suitably gravitas,
but see the poetic jester,
funning underneath the table,
in manner most levitas,
out-sticking his
protubered tongue,
like a common geni-***,
a la maniere de
Einsteiny
and he will be
the one
future generations recall

when I cross over the Styx,
limbs turned to
potash, dust and trash,
my blush transferred to earth,
to color the good earth red,
my body eradicated yet,
our body of work extant
a written record of us,
our very own
Dead See Scrolls,
shall be an amuse bouche
for our loyal satrapped
retainers

Let the scholars

dicker and obfusicate,
delve and explicate,
each turn of phrase

write tomes on the
catacombs, where in
jar and cracked vessel discarded,
these Poems and Catechisms,
the collected processes
of our mutualism,
your edicts,
pronouncements and verdicts
captured as
dots and dashes,
zeroes and ones,
wait most patiently
for shepard boys to find  
in the year 2300

you err most grievously,
if you relegate
this note
to the dustbin of
simple ditties.

take these words
at plain face,
and
look not askance
at this fair warning,
for I am
but a tragic,
empty vessel
for you to fill,
you are the raconteur,
me, just a  
poet poseur~extraordinaire,
street urchin,
word merchant,
all my verbally,
wordly goods expropriated
from the wind,  
where your scattered thoughts
lie about, carelessly
unattended

Mock me not,
for anything
you say to our chagrin,
will be fully attributed
and recorded on the Web
of long-lived
embarrassments

A fevered dream
you might say,
rumors and excuses of a
vision of drug induced haze?

a theorem most plausible,
but the redacted versions
will not conceal
that all my words
were Indo-rooted in
a dialect called
collaborative

this I pen
partly as apology,
partly thank you note,
written notice,
subpoena served,
for as long
as you emote,
my fingertips
will gleefully record
with love abundant
in their artful device,
your mutterings, putterings,
and in-cahooting

right here, shall be,
wrought and wrote,
treasured and kept
anything you say
that can and will be used...
to express our communitas

Written June 1, 2011
Nat Lipstadt Nov 2013
Consanguinity: A Commissioned Poem
(How Well Do
You
Know Me?)


This request, from wolf spirit aka quinfinn, accidentally hit the spot of what was foremost on my mind.

Cosanguinity:  A relationship by descent from a common ancestor; kinship (distinguished from affinity).  A close relationship or connection.

Poetry, mine, yours,
Ours,
Invades my consciousness.

We write poems on the same subject,
Even the same title,
But a few days apart.

Insanity,
Coincidence,
or
Consanguinity?

Perhaps we are reading each other's stuff
Too much.

But that's crazy,
Or
Consanguinity?

Yet,
And yet,
We see the same things
So incredibly different.

That is the answer.
We see the same thing and I am
Struck down.

A billion sights.
A billion words.
Yet, the human computer,
Sorts, collates, and generates
A billion different writes
In a similar spirit,
Employing the same phraseology.

All right.

Alright.

Malaysia.
Minnesota.
East Coast.
West Coast.
Geographical differences.
Time differences.

No difference.
A billion differences.
The stylistic differences enable,
No, correction,
Ennobles us to coexist,
Value each other,
Learn.

Observable differences.
But more interesting,
More pleasurable,
are the incredible, visible, signs of
Consanguinity.
Mere affinity?
Kinship.

A poem?
Nah.
But at 1:11am in my location,
It's what's on my mind.
Now that I know the meaning of
Consanguinity.
Somehow in my mind these two poems are linked.


Place your ****** hands upon thy chest.
Let them melt thru and come to rest,
Inside, the battle ongoing, under thy breast.
Watch, eyes open, knowing, fearful.
Swiftly, with no hesitation, from within,
Rip open your body, exhaling the best,
And the worst of what you got.

The cool air rushes in,
Stirring the inside stew of:
Infected grime, shameful desires,
Secrets that should not have been exposed,
The ***** stuff that you alone know exists.

Contact with the atmosphere makes
Self-pity dies, blue blood turn red,
The TNT tightness explodes,
Ashamed, you have only one escape hatch.

Now, you are ready to write.
June 18
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