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Nat Lipstadt Aug 2013
Caesar Has No Authority Over The Grammarians*
(Caesar non supra grammaticos)*


I am licensed to drive.
I am licensed to broke.
I am licensed to be birthed.
I am licensed to marry, divorce and someday I will be
coroner-permission"end" to die.

If I so choose, I can be state approved to cut your hair,
have my own business, weld, own a dog, panhandle, play tennis in Central Park, dance in my own cabaret, even commit suicide legally.

These United States were a refuge for my foreign born parents,

Bless you both for privileging me such,
you gifted me a country where my voice, clear and unashamedly,
unguarded can speak here unafraid, for our
Caesar has no authority over the grammarians.
Tho the IRS gonna come after me, and king phony Barack,
Gonna eavesdrop on my privacy,

As long as I can write my poetry free and clear, untaxed,
won't ever mortgage my soul to any government hack
I will carry my U.S. passport in my left pocket over my heart,
Till they take my freedom to speak away.

Then I will get a gun for free speech is worth dying for...
Another oldie I found in the sewing box where I keep my poetry, my freedom to speak and my gun.
2.9k · Jan 2014
A Singular Proposition
Nat Lipstadt Jan 2014
Singular

definition:
extraordinary; remarkable; exceptional: a singular success.

unusual or strange; odd; different: singular behavior.

being the only one of its kind; distinctive; unique: a singular example.

separate; individual.

Logic: a proposition containing no quantifiers, as “Socrates was mortal.”
~~~~~~~~~~~~~~~~~~~~~~~~~~~~

A Singular Proposition:

you think you are special, exceptional,
you think you are unusual, odd,
proud of it.

extraordinary, exceptional, unique.

maybe so.

Here then is my Singular Proposition:

On the day that you unconditionally
accept responsibility
for the care and feeding,
for,
yes, the very
survival*
of just
one single
other

on that day,
you may call yourself,
singular,
in every sense of the word.*

Propositions:
I am a singular.
I am mortal.

Affirmed.
Jan. 12, 2014
2.9k · Sep 2013
Partial Poem Pastries
Nat Lipstadt Sep 2013
Half of a stale croissant,
A cupcake with no icing,
Partially consumed slice of cold pizza,
A special computer file,
Called old and cold,
Some files nothing more
Than titles on a snowy screen.
A smorgasbord of delicacies,
A mason jar with a lidded hole
To keep the prisoners alive but in,
The insides of my refrigerator brain.

Where the partial poem pastries reside.

Some jots and dashes get microwaved,
Served up instantly, hot n' piping,
Read me read me now for I am
Ready to be served.

Ah, the others, miserable creatures in a
Special Victims Unit,
In a ward where the doctor has no more
Release forms to sign,
Dream on, awaiting a super nova,
A comet tail, a torn screen window corner,
To engineer an escape.

Kitty, my kitty,
Give me your tired, poor scraps of prose
Yearning to be free,
I have a place for them, where
They will reside unhappy, but free,
In good company,
Waiting for the day they get to see the
Statue of Liberty.

Until that day, when,
Your happy love poems yearning to be whole,
Say, "now I have the ending,"
To let them breathe...
Now I have the closure,
That is the opening,
I will guard them closely,
As if they were fragments of mine own
Blood, sweat and tears.
Kitty Prr · Jul 11
Arrrghhhh!
Arrrghhhh!!!

Sorry just had to get that out.
I have three partial poems,
What the heck am I supposed to do with three partial poems?!?!
2.9k · Jul 2013
Lilt of Life
Nat Lipstadt Jul 2013
Preface:
Even old poets can forget new tricks,
So when toe stubbed and ah ha benedicted,
Causes you to remember what you once knew,
It feels even better, like being crazy
Once in awhile,
Or wearing an untrimmed chest Jason smile.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~



Eons ago converted to a new religion,
The Church of Free Verse.

If life be variable,
Usually unrhymed
A pencil sketch of crisscrossed lines,
No fixed metrical pattern assigned,
Than even more so, my poetry.

Once I regretted that the children,
Crack addicted to rhyming,^
Used nickel bags and ******* lines
At the starting gate where all
Our associative poetry journey begins.

Perhaps, a tad arrogant, that diktat,
Nonetheless, unashamedly, nothing to recant.
Words have utility creative, souls innovative,
Free them guised as global explorers,
Make them up, then unleash them
Upon us, yourself, as detectives investigative.

Unchained myself like Houdini,
From water chambers and locks constraini.
What care I for poetic rules and regulations,^^
Got so many points, they tried to suspend
My government-issued poetic license.

Had myself forgot,
That a poem needs a
Frame of jungle gym sounds,
An aural aura resonance unbound.
Purposed to make the heart lift
Your ears say:

Say what!

It needs a tune,
An internal music,
It needs a lilt!
A cadence, that both
Marches and swings,
Even when'd urgent dirge
grief pours forth.

Yes my darling young ones,
Your writ of screams, like Bob Dylan's occasional schemes,
Celebrations of agonized lives of the criminally-pained,
Songs and cants of victims, love-cancer stained,
Require a whining, singsong beat.

{Poems so rad-sad that it makes this Jew
Genuflect and crisscross himself,
That he was blessed with a few good happy years,
In his reincarnated life of
A few centuries long.}


Learn 'em to sing their cries,
Harmonize the internality of love,
Or, even the infernal loss and lack thereof,
For it is the lilt
That makes, transforms a cry into a
Poem.

Even I on death's last stairway step,
When was called by the name of
Nate Hale,
My dying poem lilted, lifted and metered
"I only regret,
that I have
but one life,
to lose,
for my country."

Now you're thinking he is lost it all,
But you would be incorrect for sure.

He found it.

The lilt of life that makes him rise
And greet each morn,
Even some sorry starless nights
With a First Poem of the Day.

I lilt you, one and all.
If you think this mis-wrote,
My auto correct mentally broke,
Meant to type I love you,
You'd be
Right but wrong,
I just lilt you.
^ "People, Stop Rhyming..."


^^The Rubiyat is not where I'm at,
The Acrostic, amusing, but let it be
Someone else's cross to bear.
That the Cinquain rhymes with pain,
No accident, and Tritina is but half of a Sestina,
But twice as hard, you could look it up.
The Quatorzain another French device inane.
Shakespeare's sonnets, nonpareil,
But, refrained, quatrained, by Iambic pentameter.
Ok! Maybe the meter makes the poem lilt sweeter!

This poem Lilt of Life, I commenced, on June 10th,  when  K Balachandran, Poet Extraordinaire
Wrote me about another poem: Three poems were walking down the street."

"I dig the title, not only the lilt, it sounds esoteric..something more hidden in it,unintentionally!"

I put the word Lilt in a Poem title file, wrote a line or two, then it aged till July 11th, when it just wrote itself. So today Bala corresponded as follows:
"creative instinct, particularly poetic surge has roots in imbalance (though i really don't believe) of the mind. Yes, during the moments poetic urge becomes a sort of agitation,
this may seem true, how can one deny it.."
This agitatation of which he writes, we are all familiar with, I am sure. We emote, we wrote.  Guilty as anyone.  But it took a month of silent, back room, hidden from me,
cogitation,
to complete the poem, when it emerged from gestation period in a few minutes.  I share this with you as a public reminder/chastisement to myself that writing is both push and pull, agitation and reflection, a process,. By way of humor, I wrote Po-hymn, in 20 minutes, threw it out here instantaneously, and then did minor tinkering.  Why? I wrote it with tears in my eyes, agitated, and the only way to stop the emotive upheaval, was share it with the people here ASAP!  So it goes both ways, but net net, write it, then let it age a day or mores, then let it go, give it up, after some:
cogitation
— noun
concerted thought or reflection; meditation; contemplation: After hours of cogitation he came up with a new proposal.

Rambling the point of which is to properly thank him in view of all for reminding me
all poems, must possess some kind of lilt and being the inspiration for this baby.




7/11/2013
Nat Lipstadt Aug 2013
I posted this poem  a few days after I joined HP.  As  is oft the case, poems you are especially proud of, fall to the wayside, under the onslaught of the constant waterfall of new submissions.  With the usual exception of Ms. Lori C., one of the two unofficial High Priestesses of HP, in my estimation, this one, was pretty much overlooked.  Despite some comical jaunts of late re bras and beds, real inspiration has escaped me ever nice I penned "Sittin' On The Dock Of The Bay (Razor Blades, Pills, & Shotguns" last week.  So, with your hoped for solicitude, I resubmit it, hoping it finds a wider audience and dedicate it to those of you who I number as friends (you know who you are!), despite the fact that our only shared embraces have been techno~electronic, and yet the quality of your kindness is beyond measure.


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
The Numerical Quality of Friendship

The quality of friendship is non-quantitative.
Yet, I ask you to number it, and me, this way.

With tape measure, determine that:
The length of my arm's embrace will always be
longer than long enough, and when distance magnifies sorrow's gains,
my shoulders measure wide enough to pillow your wearied head.

The depth of my pocket is finite for by definition,
a pocket is but an open doored, three walled shelter.
My pocket of shelter is forever open, forever deep,
and forever is infinite.

Trust that when bowed and bent,
upon my shoulders climb and together we will be tall enough
to touch the season's new fruit upon the tree of life,
and with one tongue, taste the unimaginable!

Do u think that mercury can measure
the warmth of my tears when love sears my heart,
or the heat of thy skin when it heals and cauterizes
wounds salted by the mistreatment, by the bitters of the weak ones,
who rejoice when they scald others?

Size me up.
What is my volume?
What are the boundaries that
length X depth X height
state must limit my capacity to cherish, to heal,
and even to forgive those who deserve no forgiveness?

If you measure me well and proper,
if I meet the standards that qualify me to be called friend,
then friend me here, friend me now,
friend me for the qualities I posses,
and number us a unity among the few
who are truly blessed
by a quality of friendship that cannot be measured,
for there is no scientific instrument that can quantify
limitless.



March 2012
Nat Lipstadt Aug 20
~for immortality~

well,
wow
"busy with academics."
what an annoying nuisance
this living life's growing up
activities, just to keep you busy,
so much nicer to couch and
read 41 of ole natty's poetry,
in one humongous sitting!

now, take a for real break,
go for a walk, pick five words
a shopping list of five of life's
things that make you smile,
make you weep, and intertwine
them or define them separately,

best to spend your time a-writing,
alighting, upon empty pages that
plead for fufillment, that only
you, you, you, you, you, you
can provide, the data original,
the knowledge keen, the internalities
that you secret within, and spill ever
so carefully, what we await, most anxiously...

the truest path to immortality


nml
6:00 am
Nat Lipstadt Jun 2013
Time to Get Serious: In the Poet's Nook

Yes it is verifiable, just as prior alluded to,
a few frayed and weathered Adirondack chairs,
wizened gray, like occupant, all seen better days,
overlooking the Peconic Bay,
where inspiration glazes over the calmest waters,
your ancestors eyes ere forebear.

Despite prodigious production o'er past weeks,
ditties, love laughing tributes, silliness aplenty,
these works of dishes washed, odes to Paul Simon,
what to wear to your funeral, knuckle kissing, etcetera...
Though some contained soft shelled, mints of juleps hints,
little sundries, items for sale re suicidal thoughts,

no one takes-tales you serious

Be it tormented rain, intemperate gusts
whipping lashes of sand
excuses real, manufactured and yet,
despite opportunities always existed,
but you answered the question unasked,
you're unready, more likely, fearful.
to pen more in the Inner Temple, in the nook.

In the nook, the poems float by,
you need only extend arm and
grab them whole,
ripened by the delivering breezes,
If you unmask pretense, and wear a seat belt

But here I am, and the welcome I receive is the one
deserved, for one who has joined the ranks of deniers

Favorable prevailing breezes service the sailboats pleasantly,
turn surly and unmanageable from neglect and disuse poetically,
this wind mocks this coward, taunting:

We have waited, fall and spring, for you, our sacrificial lamb.
Your return we smelled, the odor of barbecue and suntan oil,
We observed your beach touring, your eyes upon the moonlight
Highflying, highlighting the path you follow
when walking upon the Water,
when nobody knows, nobody sees


You scarce provided the deep reveal
that is our woeful provenance,
So, having returned, unleash or leave,  
expose your La Mancha countenance,
Fulfill your daddy's curse,#
Portray the siren shriek of our gulls insistent,
the blood cold words, as of now,
yet unfastened, un-cast,
the forge lit and fired,

Are you ready, self-appointed, poetry smithy, wright-man?%


On knees bent you should have approached,
For the inspiration, years rendered, unpaid, and unacknowledged,
But most of all because of these interlopers attached to you,
So many children, green shoots, babes visiting the bay,
New friends hoisted upon us without permission!


Do they understand despite the solemn serenity
of the place you attend,
This is the observatory
where the stars and scars,
undiscovered and unexposed,
become our property to carry-cross the ocean?


Do they comprehend that black is the only color permitted
and the sunshine coverlet is meant to keep
the unmotivated, the uninitiated,
who think that writing poetry is easy,
unaware, and far away from us, the truth purveyors


Nothing produced from this place
where routine means the gorge tastes bile,
When surcease is welcome relief,
Where dancing on ice in bare feet
Is step one to ripping your chest open by your own hands,
The toxins thus released rejuvenated by salted air,
Can be finally be transcribed
Onto paper
And by human, realized.


Warn them once and then begin, you,
Get serious, delve, with hurricane unambiguity,
to torrential words upon the unsuspecting,
let them taste the rawness, only the truth provides,
let them know salt tears so briney,
They will flee this place, n'er to return.



June 9th
2013
Late afternoon.
#What ya do for a living he asks,
A little of this and a little of that,
All of which, ain't no **** good at!
So I spend my cold, hard time
laying down cold hard verse,
Can't stop, cause it's my daddy's dying curse

My Night with Paul Simon
~~~~~~~~~~~~~~~~~~~~
This poem is part 1; part 2 is "In the Poet's Nook: Perhaps I should write less"
Nat Lipstadt May 2019
~for Steve Yocum~

if
well you know me, ken the man that has
surf-surrendered before you in one too many visions,
if well you know me, now with solstice summer just to come,
a man ever asking, where’s shelter, returns to the whence and why,
for each year, the summer man (1) was and is reborn to die,
reborn at the whence and where each wave dies storytelling of him

you see him, but do not see-think, the man’s endless wave watching, final resting on a shoreline, think incorrectly, each, just a repetition,
one story come and gone then shattered, busted-blasted,
into sea green glass pieces, then when retold, worn yet further,
into granulated pictures, each a sugary sand speck, a letter-memory, locked, loaded, then hid embedded on an ocean graveyard

no two waves alike, men cannot distinguish, same as humans cells,
the body itself, all its microscopic cells, cosigned and cousin’d,
yet each minutely singularly unique and differentiated,
so the waves as well, of single droplets ribbed, but ocean appearing
as a forestal paradisal garden with trees of life and apples of death,
each customized, but all of one body of blue soil clayed with water

there summer man pilgrimages, on a May to Fall Jerusalem journey,
sits on the sand amidst ocean angels come to grasp dead carcasses,
he observes his summer New Year rituals, the waves grasp his soul,
wrap him in prayer shawl, skin striped by tefillin leather straps,(2)
each wave, a sentencing, a long novel of the loving life, writ by an
infinity of recombo-wakes, some woke/some sunk - all never-ended

I crawl into foamed dreams, the white salt blanches living skin,
swim out to wherever legs and arms have no power of propulsion,
carried and drift but never aimless, never shameless, always endless,
we, all, children of  Israelites, wade on water a 1000 fathoms deep,
soaking in tales of landlocked organisms, all from the water created,
all are sprung, all come, returned, waves speak, histories for retelling

so from now till the fell of fall, the summer man pays obeisance,
his sitting place, his sand markings so well entrenched, waves
leave it untouched, his indentation upon the grains, they go around,
friends, sun wind tide seagull and ospreys, keep their distance, not disturbing his reading, telling, praying, adding his owned/disowned
particle-of-the-day of creation/becoming/diminution,

his poem tales written, then diminished, the man


lost in the waves, found in the waves


~~~~~~~
5/07/2019
writ upon an isle of concrete,
resting upon a bedrock of volcanic schist at 4:24am
before the pilgrimage to a true sandy isle

~~~~~~~~
inspired by a rendition of “Lost in the Waves”

https://youtu.be/MayNMko-e4s


Lost in the Waves, written by Kooman & Dimond

At the edge of the Atlantic,
Can't bring myself to swim.
I choked back the tears for twenty two years,
Drowning in shadows of him.
The waves etch out a pattern
Long after they're gone.
The lines that they trace, they quickly erase,
But something's still lingering on.
Lost in the waves.
I am lost in the waves.
No one but me and the silent black sea;
I am lost in the waves.
A vision in the moonlight:
A family on the beach.
A boy on his own, by the undertow thrown
Far beyond his father's reach.
He's caught in a riptide.
A man has to choose.
There's a race to be won for the life of his son,
But someone has to lose.
Lost in the waves.
He was lost in the waves.
Salt water burns, the tide always turns,
When you're lost in the waves.
Now I'm the one sinking.
There's no solid ground.
And I can't help thinking
I'm the one who has drowned.
Now knee-deep in the water,
I feel my father's touch.
And though fully grown, I've still never known
How to love someone that much.
Lost in the waves.
I am lost in the waves.
No one but me and the silent black sea;
I am lost in the waves.
I am lost in the waves.
I am lost in the waves.

heard last night in a Master Class for actors/singers taught by
Lea Salonga, in Studio 5, City Center,  NYC
(1) https://hellopoetry.com/poem/447181h/i-am-a-summer-man/
(2) https://en.m.wikipedia.org/wiki/Tallit   lookup tefillin
Nat Lipstadt Nov 2013
In Lalitpur, a small city,
a poem in
and of itself,
near to the capital city,
Kathmandu,
in the magic
word-world of
Nepal.

Who in the world is Simrik?

Girl, 15, apologetic,
with the heart of a deer.
who unlike most
kindly requests your criticism.

Ok, here is my criticism.

Your writes are a shotgun blast.
It cannot be that fifteen years
has been granted
a simple eloquence
that writes and feeds
tastes of visions
of a spiced life
far away, but
close by.

winding roads
and the trees,
the train station,
train tracks,
jeeps for taxis.
the market at night.
a few bookstores i wanted
to enter but couldn't/didn't
benches at chowrasta,
aloo chat.
penang momo,
the "aum sweet aum" poster
they had there.
pretty girls in chowrasta.
so well-dressed.


at fifteen I could not
see so well, see so fine.
not I.

i have fallen for boys, and i have fallen for men.
i don't know if it'd still be falling if i only ever
fell for pieces of them. and as for you, you were no
exception. my eyes never knew the ridges on
your body as soft as icing on a cake, or the
veins in your arms and they've only read
your words, your tastes, in pixels, but i
fell anyway, briefly. the heart is a muscle
the size of a fist, an ***** that has nothing to
grow and fit into. you never really know where
exactly in your chest it really is or if it's the right size.
there'll be growing pains in your ventricles and
dislocation to your spine or your stomach to tell you
of that before the cardiologist, and when you find the
cure or place it back to where it was, you'll have
stories written like prescription notes.


One time, when I was fifteen,
(For I have been
fifteen
many times),
I knew that
I didn't know
how to express
the potpourri
of what
was inside
of me,
the desire was
compelling,
the skills lacking,
for I lived in amidst a
family of writers, critics, historians,
and saw the birthmark of my incapabilities
embarrassed rosy red on my face every morning.

my incapabilities.

not Simrik.
oh no.

here's blood clotting where i got bit by a leech at a
monastery, from after the day i told you we needed to drop
to being friends from lovers. deserved it, totally. you had
blisters on your knees, from the day i sent you back.


you said i still had your heart with me.
when i reach the sea in 12 days,
i'll return with the crevices on them
mended with the pieces of
toughest seashells i can find,
wrapped in a sheet of prayer flag
i tore from the monastery,
so that when you place it back
between your ribs,
you'll have prayers
and the sound of the sea
flowing in your veins.


At fifteen, I read Camus
and the sport pages.
At fifteen, I peeked  
at my neighbor's *******
dreamt blonde dreams.
what I knew
was
what I did not know.

so here is my criticism.

you remind me now, this day,
of what
I still do not know
nor can ever hope
to capture as well
as you.
PostScript:

Dear God,
Pray explain to this child, this, baby,
her blessing is that she has the spine of a poet, blood heated by
wisdom and composure.
Remind her daily that her gift is copper colored words that will rust well over time, as she soldiers on in this world, bringing the beauty of words into this world.
NML
Nat Lipstadt Jan 2014
I am circumcised, therefore, I enunciate...

circumcised: to purify spiritually

On the eighth day,
from my nativity,
circumcised,
as is the custom of my
wandering tribe.

marked thusly,
perma-identity carded,
thusly begins the path,
a pink-bricked road this one,
not to the Mighty Oz,
no phony curtain pulled aside,
where anyone goes to get
spiritual purification
for a price

Ah, you suspected something else,
something explicit,
not me~style,
give you honey,
road provisions,
come along for the observing his
clickety clackty clock

Ready?

For where we venture there is only
one exit,
And you are so not ready - I am who I am and I am
not ready too...

every line an enunciation,
every stanza an annunciation,
Angel Gabriel, a solo duo, unlike
Beyoncé and Jesus
we be on our way to any kind of purity,
poetry can buy

who knows what awaits us,
could be catholic, universal,
even the uncircumcised
get a chance to enunciate.

let me offer a clarification.

proclamations and sensations,
conditions and exploitations,
brown eyed girls, and surfer boys,
functions and malfunctions too,
abbreviations or adjudications,
conjugations in the congregation,
exhumation, the final excommunication,
I shun none,

I enunciate this:
false starts and junction boxes,
too many so so tired,
when can I lay down my shovel
and cease the decreasing deceasing of the body

this day nears complete,
and soon to eat
the last meal,
and still I ask

when can I lay down my shovel,
when will purity be mine,
my spirit's circumstances
repeat the commercial,
I am circumcised, therefore, I enunciate...

forgive my abstrusion,
my metaphors always offer perfect laxity,
choose the interpretation that pleases most
and my drift is toward the end of days,
when will my brow be a motif of
anointment and crowning head birth?

This is my Enunciation.

I cannot yet lay down the shovel,
and this writ is as of yet, still uncircumcised -
completely incomplete, it will be finished
when the spirit says
you are the purity,
the trinity of two hands holding two others holding two others holding two others and the chain is perfect because
it is broken perfectly, a forever repetitive respective handle with care
process

Forgive my visionary words that
give little clarity,
so summary due you,
This is my
Pronoun citation
I am
I am circumcised, therefore, I enunciate
on my way to the purity of spirit.
It just happened  on the way to sitting down to supper.
Nat Lipstadt Nov 2023
Write like you have already Run out of time…
(what do you want for breakfast?)


the despair heats my wearied blood to near a freezing temp,
and the Hamilton song lyric, fresh on my mind,
haunts my soul, with a modified tense-ion,
running becomes also~ran, already now, is a past tense,
gonna get me a weapon, other than words
cause I want the
satisfaction of taking some murderer~haters down

anyway, future is now past tense revisiting,
and you think can still make a difference, but
optimism ain’t my forte, could be a
genetic POV curse,
a refresher course

BUT it’s past time,

used to worry, still do, that my grandkids
in a decade or less, would not have running,
potable water, electricity for a couple
hours a day, as we transition to a
new world the visionary~isms haven’t
prepared a **** for

and words are cheaper now
than they have ever been,

and the freedom to hate gonna be
added to the new constitution with a
new Bill of Rights revised, approved list,
got no illusions that ‘no preservation’ of
my kind will be a top ten item item

now I worry about the useful idiots, believers in
“extermination of the vermin”
are revisiting  this world, and laugh at the ‘evidence’
that it can’t happen here, and/or anywhere, because
those who call for my destruction are celebrating in
rallies from sea to shining sea, yeah, not that sea,
not the one they chanting ‘bout, no doubt, they’ll
extend the boundless vision
to get us all,
once and for all,
and  please don’t tell me I’m
overreaching
cause war and organized ****** is ONLY
just the same as
politics by another name,
and. your view, let’s **** a jew,
is protected speech,
and land of the free will soon have a whole
new meaning for political,
as on free of people like me…

so let’s go about our day, intensely discussing the NFL,
and it’s never to early to talk about summer plans and
air plane tickets just so hard to get, forget about getting a plumber,
and a now memory resurfaces
of visiting a synagogue in Rome
in the 1980’s and seeing the machine gun toting carabinieri
standing guard outside and swastikas on Parisian bustops
and what an idiot I’ve been thinking the future will be like
the recent past, but weight of ancient Idée Fixe
of  five thousands years duration
and when asked
what do I want for breakfast,
and other
newly pointless questions,
my response
is on point:


don’t give a ***
8:54am
Mon Nov 13 2023
moving on
Nat Lipstadt Dec 2013
The solitary reminder,
a sole survivor,
hopeful-placed,
forgivingly encased
in little boxes decorative
hidden in plain sight
throughout our home.

Single and incomplete,
the lonesome leftovers,
openly hid upon bookshelf,
desk corners, fireplace mantels,
storage units of the
I am unlost,
I am unfound,

Raise your hand,
stand up and say
that is me,
that is me.

Minor treasure chests,
of carved wood, seashell real,
acquisitions of trips
to faraway places,
these boxes, they themselves,
visible but unremembered,
just there, no cares,
no one knows,
when or why.

that is me,
is that me?

Space fillers, memory taunts,
grandchildren's playthings, delight,
when they someday come visit,
weather and parents permitting,
finding keys for locks, doors,
from three homes ago.

Can they unlock me too?

Boxes hoard the things
we have lost, but cannot discard,
can't sacrifice, gotta keep,
an admixture of buttons,
dried flowers, faded notes that
once upon a time mattered,
shook someone's world...

Some kept in hope,
others, sequestered, lock-up,
jails that we are both
jailor and jailed,
the joke being on me.

Should we, you and I,
exchange these
cases histories of lost hopes, memories,
it would not be surprising,
if when opened,
the contents identical,
even if you are in Manila,
Leeds, places of need,
and yet,
we would be shocked,
asking,

*that is me,
is that me?
If you like this, and as of yet not read
http://hellopoetry.com/poem/always-fall-in-love-with-a-poet/
take a minute, for it the best of me, perhaps,
the best of you too...
2.8k · Jul 20
Pithy #6: Simplicity
Nat Lipstadt Jul 20
~for Rob Rutledge!~
<>
too oft we do not invest
Sensation
in the under-appreciated,
in the singular,
oneword
all that is needed,  all that is required to
freely steal the breath away, and
you stand up and shake your
head, nay,
your entirety,
smiling at the fulsome perfection of

simplicity
(The oneword?)
Beautiful

Sunday
July 20th
6:36 am
In the sunroom
<>
Simplicity
Yup my name is truly nathaniel
Nat Lipstadt Jul 2017
•<>•
the addicted pleasure words granted to we privileged few,
like every enslaved soul to the mind, which I am, I am,
evening dreams, midnight thinkings, sunrise seeings,
how can I infect and thus protect the young to the liberty
to love the crafted content of our human essence to better
comprehend that a moment caught on tape of our shared
words is a holiday, a celebration for the ages,
scar of pleasure, a forehead Cain mark, scarlet letter of pride,
for this reliving of our stories retelling is the skipped beat
of our connection not born from practical reason,
but from truths we own equally and though reason says
mine, it is not, it is only to be yours when the sharing
resonates resonates resonates resonates resonates
and every molecule, becomes a human tuning fork
in concert, in pitch identical, in blood tainted with
the simplicity of we are all the same, only words, this will transmit


                                          July 4th, 2017
                                                •<>•

"If you spend enough time reading or writing, you find a voice, but you also find certain tastes. You find certain writers who when they write, it makes your own brain voice like a tuning fork, and you just resonate with them. And when that happens, reading those writers … becomes a source of unbelievable joy. It’s like eating candy for the soul."
And I sometimes have a hard time understanding how people who don’t have that in their lives make it through the day.
David Foster Wallace
July 4th 2017 10:45am
Shelter Island
2.8k · Jan 2014
"quiver of constant smiles"
Nat Lipstadt Jan 2014
a man gave me that phrase as a gift today.
quiver of constant smiles

for well he could,
yet little did he ken
the nature of the present

because
I read the smiles as the
tween the spaces,
in between the words of
anguish that never goes away

how can this be,
how to make sense of this

well I am a father too,
of words and sobs
and ownership of sins
between sons and fathers,
who inhabit
the unfilled spaces within,
the drawers with their name
on masking tape attached

Your fathers's hell will slowly go by

Show me a man-father
whose lips
have not quiet quivered
when hearing those words sung

we ease the grip of

carrying them on our shoulders
when they are five at the
Macy's day parade,
running alongside their first
solo bicycle ride

we ease the grip of
the vise of

not seeing them for years,
or never again,
cause they hold you guilty,
responsible for their confusion

have too, ease the grip,
cause we got more than one
singular responsibility

so we dad draw,
a smile from the quiver,
that like those of the elves,
replenished magically,
strap it on wide,
mile high and move on

oh you teenage children, you babies,
with your endless angst and bravado
of drunken scar talk,
first love lost
and the hard course
of being sixteen

put down your tiresome blunt pens
that revel only in Self-intensity glorious-galore,
read of the self destruction
of love pains thirty years in the making
and fifty in the undoing

write of ancient inescapable feelings
decades in the vat, aging, but drunk in the
moment quick searing of
every life breath you take

and it's Sunday nite
and the work week hell begins
but it is no compare to the other,
but ****, you can't understand

so chant these words,

reflect on them well,
for soon while you dream sleep,
in clean, dry sheets and safe bed
a man will come for a peep,
to make the checkmark
on the all's well list

so chant these words,
a sad violin melody,
the single sole he ever hears,


**Your fathers's hell will slowly go by
This written unexpectedly, surprising the writer...
2.8k · Nov 2013
Cruel is the God
Nat Lipstadt Nov 2013
that has taken the mantle,
the muse of inspiration,
for she -
(did you think she was a man-god?)
dyes me oft, colors me, ***** me,
loves me with intensity hot
that near to make my heart stop.

poems I did not know,
knew not their name,
would write,
but moments ago,
now are
chicks in the hatchery hatching,
cupcakes in the oven rising,
spit in the mouth *******
so fast a-coming,
the sustained pleasure
the best drug I have designed.

seconds ago there were none,
a lifetime of moments,
now, multitudinous,
molecules of
oxygenated words
flying past my eyes,
purposed for inhalation
through my skin.

all week I have stretched and pecked,
shreds of lettuce un satisfied,
a title, no poem,
a stanza, no poem,
like I need a woman,
need to write,
like I need loving,
desperate and raging,
need to write.

even my alter ego,
the hidden me,
where I write on the other side
of edgy, indie, across border lines,
in a name you do not know,
nothing.

started poems about
being enlightened,
my eldest sin,
my eldest son,
hitting a kid with a car,
reading writing and 'rithmetic,
inch plants,
****,
about the young poets here,
fast track to nowhere.

but at 2:22 am awoke,
my small engine repaired,
the fingers humming flying across the keyboard
so fast broke the 3:50 minute mile,
dear muse,
I hate you with all my love.

would it be so terrible if you gave me
one complete per day,
is that too much to ask?

now I am choking gasping on
****** adrenalin cup overflowing,
now they come like *******
only a women can have,
so many more than one,
long short fast furious
separate but connected.

you make me woman,
just like you.

one day when get up high where you reside,
gonna start a recall petition, and if that don't work,
a revolution, to kick out  the cruelty y'all dish out,
the tornadoes and typhoons,
return the missing to their parents,
and give inspiration, hope
to every human poet upon this
living planet.

now I comprehend why
Shakespeare's theater was called
The Globe.
11/23/13
Nat Lipstadt Jun 2014
http://hellopoetry.com/poem/759808/nat-lipstadts-mood-swings/


'ᏰέƦẙḽԃṏሁ's the most "unappreciated" poet on this site.
Being "misunderstood" is what gets him into a fight.
Now that I'm retired and free,
He's the new "King" of HP ~
Now I hate that Jew because he's better and right.
All words in quotes are Nat's. His changes his opinion of me every second like the eyes on a Felix the Cat clock.
I love him but I've given up on him.

-------------------
Poor man he believes his own totally manufactured press. Oy!

Why does he obsess over me?
Ask him, not me...

Why does write me in pvt messages to tell me I am "delusional" and he is by page view,  the Emperor(!) of HP and that
"you've become an embittered man and can counted yourself among the cursed.
And if you've chosen not to read this, it's because your blinders are still on.I wish you well as a fellow Jew; as a poet I welcome you're  extinction for your inability to adapt."

Whoa! Is he worse than Ormond, who only wanted to "burn" us together!  Extinction now that is  a code word makes  every Jewish person's hair curly,

The humorous answer would have the
Lew I like laughingly say "***** envy!"

adapt to his standards, of ******* up and publishing outrageously bad poems sux times a day - no babe, those things are not standards


instead he is he is committing a error of sinat chinam, empty hatred...

"Sinat chinam means groundless hatred. (The verb soneh means to hate, as in the command lo tisnah at ahicha blevavecha, do not hate your brother in your heart, Leviticus19:17)

Chinam comes from chen, grace. Sinat chinam is therefore hatred that is gratis. It refers to the internecine strife which is unfortunately too common in Jewish communities, whether between Reform and Orthodox, Ashkenazim and Sephardim, the rabbi and the chazan, the president of the shul and the board.

You could charitably ascribe its existence to the high-stakes decisions that Jewish communities have had to make, or to a persecuted people internalising the hatred directed at them, and then projecting it against other groups of Jews. (emphasis mine).  Either way, there is clearly too much of it about.

The Talmud already knew of the phenomenon and its destructive effect on Jewish life. Yoma 9b records that the First Temple was burned down because of idol worship, ****** immorality and bloodshed. At the time of the Second Temples destruction, the Jews were, on the other hand, pious but the Temple was lost because sinat chinam, groundless hatred, was endemic to Jewish national life."

But since he is self acclaimed Shakespeare expert,
I'm sure  he is familiar with this riposte:

The quality of mercy is not strained;
It droppeth as the gentle rain from heaven
Upon the place beneath. It is twice blest;
It blesseth him that gives and him that takes:
‘T is mightiest in the mightiest; it becomes
The throned monarch better than his crown:
His sceptre shows the force of temporal power,
The attribute to awe and majesty,
Wherein doth sit the dread and fear of kings;
But mercy is above this sceptred sway;
It is enthronèd in the hearts of kings,
It is an attribute to God himself;
And earthly power doth then show likest God’s
When mercy seasons justice. Therefore, Jew,
Though justice be thy plea, consider this,
That, in the course of justice, none of us
Should see salvation: we do pray for mercy;
And that same prayer doth teach us all to render
The deeds of mercy. I have spoke thus much
To mitigate the justice of thy plea;
Which if thou follow, this strict court of Venice
Must needs give sentence ‘gainst the merchant there.


Merchant of Venice

More would be superfluous...sure glad he loves me, imagine if he didn't!

what waste of a good poetry skills... this is getting snoring,
boring... So let's bring some appropriate lyrics with which to conclude:

"You're so vain, you probably think this song is about you
You're so vain, I'll bet you think this song is about you
Don't you? don't you?"

Carly Simon - You're So Vain Lyrics
in the movie Patton, there is a scene here,  Patton tells Gen. Omar Bradley (and I am paraphrasing here) in his rivalry with the pompous General Montgomery to get Eisenhower to pick  his  invasion plan,  Patton tell modest Bradley that he knows they are  both arrogant SOB's but what make him crazy is that Montgomery won't admit it...and he can...love you too babe, like I love my BVD's and certain parts of you..which I leave to your lewrid imagination to ascertain...Peace brother! To then own self, be true, you marvelous schmuck!
2.8k · Oct 2013
In My Sweet City
Nat Lipstadt Oct 2013
written on a fall Sunday, many years ago (2010), after attending the New York City Ballet, walking home through Central Park, New York City*

In my sweet city,
city where I bore
my first breath,
city where I'll be laid down
to my perma-rest:

the hues of my life
are city pastels,
colorful shades of asphalt
and concrete gray,
interspersed with the
speckled glitter of
sidewalk fruit refuse and
57 Heinz varieties of the
potpourri of human creation

this color schema
is the coda of my
urbanized DNA,
though product unique of my
Father and Mother,
I have been
genetically modified
in the laboratory
of the streets
of my sweet city

mid-September,
the city's temperature is
unmodulated,
alternating currents of a
tortuous halfway tween
summer's sweaty heat
and winter's capable chill

these concerto variations of
the air outside
depend on the
angle of the sun and
how it penetrates the

individualized charcoal filter
of grit and dirt, that is
a NY city's dweller necessary,
necessary filter to survive,

this filter,
the viewing lens
of the lives surrounding,
is our individualized seal,
displayed upon the shield,
our city passport,
our driving license to live,
the municipality deems
we must carry
with us everywhere

In my sweet city
two rivers(1) in bay meet,
ceding control to the
Atlantic's penultimate ocean's parenting,
but not before,
each river channels deep cuts across the
the city's personality
and mine

city of towers, majestic n' fallen,
city of babbling tongues,
symphony of languages,
your ceaseless movements
are pirouettes of emotions.

your people, my people,
are one people
tous membres de notre
corps de ballet,
see us dancing
upon the rooftops,
in bamboo jungles (2)
on museum roofs
amidst the treetops of our
parks, central to our lives

on this island city,
grew up bounded in physic,
yet unfettered in spirit,
periodically to escape
we took the
train to the plane(3)
across ocean and fruited plain
carrying our peculiar filter,
seeing the world through
our city's eyes

built on volcanic rock and
the timbers of ships discarded,
silt and refuse of Gen's past,
burial grounds n' cemeteries (4)
of slaves and immigrants,
my sweet city was born in
granite gestalt and schist,
paved over with pave tears
of millions of dreams,
some, realized, most defeated,

In my sweet city,
where I'll be laid down
to my perma-rest,
this body and soul,
these poems, these words,
will be one more striated layer
to be torn down, dug up,
built on,

and in this soil
I will attend,
your arrival most welcome,
and in the shade of our hades,
our filters discarded,
our passports unrenewed,
for historical purposes
our bones and papers, reviewed,
each other we will regale,
with our sweet city's tales.

September 2010
(1) the Hudson and the East River
(2) bamboo city exhibition on the roof of the Metropolitan Museum, overlooking the park
http://en.wikipedia.org/wiki/Big_Bambú
(3) "train to the plane" the subway to Kennedy Airport
(4) the city used its refuse, ships timbers, even the cemetery of slaves as filler to build upon
http://en.wikipedia.org/wiki/African_Burial_Ground_National_Monument
please to admit, it is
true & not too deep within,
a scientifically proven and a oddly
curio shop fact,
we are all aliens
to each other, despite,
the overlapping of
a billion permutations
of cellular related associations

our individuating palettes
the diversity of our genetics,
other than the physics of sharing a planet,
simplest put,
no one can ever
be exactly the same,
the precisely of you or me,
doppelgängers notwithstanding,
our individuation, so incredibly due
to our blessed diversification, that to
subdivide ourselves from others,
is a downward
                                                           facing absolutely ridiculous ideation

and thus we reveal here and (n/kn-ow) that the
only reason we aliens unique nonetheless
can communicate with each other,
regardless of alphabet or character of idiom,
(or idiots of character)
is
all alien beings love to breathe and speak
intuitively in a pleasing rhyme and meter,

to the ear of our overlapping physique,
and that is why, every tongue is connectable,
and every alpha produces its own poetic creations,

'tis poetic soundings alliterating glue,
that molds this planet of aliens
from a tower of babel into a
shapely sphere
sat 12:44am
nyc
post an HP  zoom alien convention
2.7k · Sep 2013
The Quantum Poetry Theorem
Nat Lipstadt Sep 2013
The Quantum Poetry Theorem

from a long time ago,
a thousand poems a priori.

Dedicated to you, Albert Einstein and the cast of TBBT, special thanks to the OWS movement.,
But especially to the few, the brave, geeks who write poetry in word and in equations.


Scruffy, yet ennobled,
my own 99% invade and
occupy all my senses,
in my eyesight encamped

sensing opportunity,
the 99 demand
that each shutter eye snap,
all nominal exhalations,
every quantum minutia perception,
be live streamed,
direct tv to you

Everything I witness,
transformed into an
acoustic guitar rocking vision,
a levitation of poetic expression,  
set to a primitive three-chord
rock & roll overture,
and my iPad,
appointed Recording Secretary,
compiles exhalations as ecrivations

a preservation society of the verb,
strings of words emanating non-stop
within my head, from a guitar playing
twenty four seven, ironically,
expressed mathematically

Street strolling,
busy brasserie bar,
a Pinot Noir arrives,
a large pour of
stanzas and a
napkin upon to scribble

mind in ferment but
A Capella smooth cool,
my bossy brain requires
incident reports,
a "write me down, please,"
and

no matter how much I drink,
ain't anti-matter enough to
stop my eyes from seeing
every human interaction
as a poetic, probabilistic,
verbal equation,
quantum expressions of sensory upload

The brain revels and reels from overload,  
no mas, no more,
poetry fatigue incurable,
caplets and ointments,
string theory,
can't cure or explain
the compulsion I feel,
and the 1% of me
protests my
overtaxed mental capacity,
and

hear the, see the, masses,
the shouts, the placards,
outside my home,
shut it down, no one cares,
no one wants your transplanted mechanics
in their eardrums

Huzzah, found in my gut,
a Grand Unifying Theory
to coordinate, gauge  and harmonize
my internal asymmetries,
yes, a coupling factor required,
but still,
one equation that explains everything!

my fatigued, pointy, index finger
refuses to tap any more,
my Theory of Everything,
and my poetry, forgot, overlooked.
in my library buried,
black holed, forever silence-stored
I wish they made cocktail napkins bigger, for this was born on one such white invitation, at
Demarchelier NYC, and finished on the mirrors there
Nat Lipstadt May 2015
I cannot sleep, thinking:

I cannot give you short, bittersweet, sad, delighting, whimsical love poems.

I can give you short, bittersweet, sad, delighting, whimsical life poems.

In cold, rushing spring and river waters,
ash and water-borne soil mix.

A voyage endless.
We too, our voyage.
Endless. End less.

Examine the crevices and ravines that
are the map of your hands.

Your voyage's log, memory storage.

Indestructible.
In the clouds's moisture,
ever recycling, it is all kept, stored.

Your hands well recall
the very first caress,
the softness of the baby skin,
the sweet of the lips,
thirty some long years after.

Dare to dispute?

The original animus,
the anima and the persona combination
the byproduct of blood and tissue,
some call spirit,
some call soul,
is matter that cannot be
destroyed,
nor created.

It only voyages on,
the conservation of mass,
our body, our enlivement,
our spark.

In cold, rushing spring and river waters,
ash and water-borne soil admix.

From this natural brew, renewal.

The voyage is the resurrection
Life ever after.
Life even before.
Life for ever
lasting.

Our voyage is without destination.

Our voyage is our destination.
Our voyage is our resurrection.

Endless. Perpetual.
Eternal.

5:46 AM
written for the one who will recognize it immediately, as theirs...
Nat Lipstadt Jun 2013
Poetry Round (find your self within)

We sit together in spirit, if not in body,
You join me in the Poet's Nook,
A few frayed and weathered Adirondack chairs
Overlooking the Peconic Bay,
Where inspiration glazes over the water,
And we drown happily in a sea of words,
Commencing:

You say unto me, whitecaps, I reply,

"Solitary swimmers, poets, arms crooked over head, in the sea of us"

I say flooded with gratitude, and Stephanie replies,

"Thou art my carved destiny-and the river that permits my blood to flood...And all this noise shall fall into poetry; Which every day grows statelier and comelier.

You say to us Moonlight, and we laugh, delighted, for she has given us

"This love can be ours,
Under the iridescent moonlight
Embraced within one another,
To live for an eternity,
Languid and soft"


Someone calls out Bala,
And Vicarpio Gale favors us with his words,

"a poetic rain, in small print, fills the white sky page"

And we pray nightly, that come next morn, he will rain upon us once again

We pretend it is night and there are
Stars to Touch,  but this poet of pax corrects us and writes, t'is but,

"late afternoon sun slanting
behold, jaune compassion
alfalfa ocherous leans willowy in wind
distance of silence yearns on
afternoon shadows lie within majestic vales"


Who is it that calls out
Have Mercie  B.e  upon us,
for she reminds us of what we B.e tasked individually,

"Provoking ideas and intoxicating imagery overflow from within and yet somehow you can't see.  There are dreams that run wild inside of this heart and there is no way I'll let them be tamed"

Sunshineflowers every where,
But even more beautiful when she coaxes us to laugh
at ourselves
when writing of true love,

"Why don't i have bananas, said the monkey.
The tiger said, because you are my soulmate"


Did you C Holmes reminding us that

"when you're certain you've
painted the next Van Gogh
with the swirls and gusts
of blues so pure,
any mortal would
stop stare & lose track of time?"


Fyi, Fyi,

"Her callous persecution insinuates,
The elusive flaws of humanity and life,
It implicitly elucidates,
The sombre reality"


About certain Angels  was writ, that both in heaven and on earth, she was garbed, for

"She wore an air of mysticism
Her memory bore prophetic visions
From ancient egyptian
And judaic traditions
She knows every star system
And every night is a mission
Where she wishes and wishes
For help from the legends"


Emily  has met an unwanted friend, familiar to all of us,

"Cemented shoes
And silenced talk
It's even hard to describe
Writer's block"


Sara B.  from B'kara, that's in Malta, gives advice most sensible,

"Times they are a changing
make everybody feel blue
just turn up the music
and forget what you're supposed to do"


Victor  claims not to be a

"poet, a musician even less
but I may be kind of a beggar
when I beg of you
don't forget me
or let your music fade out
of my rainy days"


Dare I disagree? **** right I do!

Little RedWritingHood,  from my city hails, so wise, far beyond her years, reveals that,

"people try to
make me see reason
or their definition of it
but reason is relative
as is too much in this world"


Should I go on? Why not!

Something's are ForeverMarvelous,  like

"Hurt is fading
Fists are pumping
Bass is trembling
Some are hating-
But I keep dancing"


mybarefootdrives  me forward because

"every seed of thought
starts itself out like a whisper.
Until weight behind words
allows them to stand on their own merit"


Maria GH  could be an old friend, who

"draws me near,
it's slender form bleeding into
the background.
Slowly, kindly,
it extends a hand and
I take it
as to forever hold comfort
in mine"


Andy from Mombasa, your poetry

"conspires to purge me of my sense of reasoning
Leaving me bare to suffer the perils of an incongruous world"

And I am a better poet for it...

Brendan'  I've watched your words,

"Crack the veil of tired souls
cloaked in lonely sorrows,
broken by faithless wanderings,
and feel the strings course through your veins"


I am blindsided and Blastsided  when I read

"Onomatopoeia
I love words
for their meanings
their woven tapestries
but also
for their taste"

For I know exactly what you mean

I am exhausted. So many gems to decorate
My body, my soul. I must stop here,
So many of you have reached out, none of you overlooked.

Overwhelmed, let us sit together now
And celebrate the silence that comes after the
Gasp, the sigh, that the words have taken from
Our selves, from within.

Once again, in your debt.
If I could do nothing more but write your names, I would be endowed with thousand more poems.
OOPs, occurs to me someone may not like my excerpting their work, so let me know if its a problem and will edit....hopefully not and taken as the compliment it was meant to be!
Nat Lipstadt Sep 2013
I lay with two women.

In an Economy seat,
emblematic nowadays of
the global economy,
"value" disguised as
a shrunken package size,
for which the cost thereof
can hardly be described as
economical.

my extremities are engaged in
extreme sport,
my competition,
my aisle mates,
young ladies both.

In recognition of the
early hour of our departure,
I have been awarded by them,
a singular honor,
a distinguished cross, of sorts,
pinned with a medal,
for gallantry under siege,
the medal is not of
two crisscrossed rifles,
but crisscrossed elbows,
for gallantry
upon the cross
of the middle seat.

Blanketed and hooded,
or should I say "hoodied,"
slumber comes too easily to
my young traveling cellmates,
as does the
flexibility of the body.

They seem to revel in the words,
akimbo and limbo,
upon my adjacent
body parts.

My sides, my shoulders,
my haunches and paunches,
punched, pillowed and pilloried,
summarily donated
(with a consent slip
called an airline ticket),
to scientific research:
"In Furtherance of the Study of
Sleeping on Airplanes."

My lap, however, sacrosanct,
how else could I type,
of heartfelt matters,
read on,
for you have been both
punked and pranked!

My mind freely wanders
while body is
captive and captivated,
(did I mention they were
young and attractive?)
to the manner
in which we
juggle proximity.

My darling:
You lie beside me,
a distance of
but a few inches,
but closer still,
for I am inside you,
I am yours
for your flesh,
I take,
a blood vow,
sealed with divine blessings
of mine own composition.

For the children of my children:
You are crosstown,
but I hardly know ya,
I am of your flesh, your blood,
eternal and immutable,
no poem can be allowed
to reveal what I owe you,
secret debts unpayable
till and after
death us do part.

Proximity in my tears,
proximity in my fears
for all of us,
for thoughts of you,
come regular,
with every breath.

Proximity at the cellular level,
until that day your
words first emerge,
your are of me and my issue,
mine to behold,
mine with which to dream,
mind to mind and mine.

So now there are two,
where speech is not
a viable tool.
Know that when
I no longer compose,
I will still eternal communicate
in ways, beyond belief.

You:
So many we touch, so briefly,
lose and fade from daily sight,
yet, forever, treasured,
measure for measured,
each one of you,
parcel posted upon who I am,
the tick in the tock
of my beating heart's
final prayer,
Grace after the Meal of Life.

At my funeral
please inform the rent-a-rabbi,
that I was this and that,
labels to write on post-its,
to be stuck on my gravestone
that no one will come visit,
but please someone,
tell him to say these words:

Between,
there was no between,
there was
no approximation,
no proximity,
there was no scientific instrument extant,
that could measure
the close love,
the heart and home
in which his faith resided,
for those who touched his life.
Nat Lipstadt Sep 7
For free, but hardly costless,
for you big lollipop suckers,
c a u s e,
every time I breathe in some atmosphere,
outcome these up chucked integers and alphabets to poll-
-ute the remaining "good air," which isn't i know very fait fair,
but would you rather this thin poesy lighter-than-whipped cream and
jello shaking handshaking easy eating than all that other stuff I obsess
about in no particular order, like life and death, counting my re-main-
lining breaths, love 'n like, awesome vs. trite, hot love and cold po-
-tatoe mustardy salad, punch and paunch, my endless declination into febrile old age and the wasting away processes most unfortunate,
that fuels a trillion dollar healthcare IN-dustry (midwest pro-nun-she-ate-sean), vitamins and supplements, manufactured in contaminated
factories in the farout east, that are not usda grade A, unless mixed with good **** and to hell with this graffiti wordley *****, even i'm
fed up from writing all this serious stuff, and Brother Leonard,
who is always very ******, says
fkinA, halle-lou-y'all
the end is near
Nat Lipstadt Jan 2014
the theory of entropy

A doctrine of inevitable social decline and degeneration.
or
A single toss of a fair coin has an entropy of one bit. A series of two fair coin tosses has an entropy of two bits. The number of fair coin tosses is its entropy in bits. This random selection between two outcomes in a sequence over time, whether the outcomes are equally probable or not, is often referred to as a Bernoulli process. The entropy of such a process is given by the binary entropy function. The entropy rate for a fair coin toss is one bit per toss. However, if the coin is not fair, then the uncertainty, and hence the entropy rate, is lower. This is because, if asked to predict the next outcome, we could choose the most frequent result and be right more often than wrong. The difference between what we know, or predict, and the information that the unfair coin toss reveals to us is less than one heads-or-tails "message",
or bit, per toss.[5]
~~~~~
**one bit per toss

one love per life

over time we entropy,
degrade our physic,
even our heart~need,
tho ever burning,
gives off less heat,
as the candle aged-consumed,
the eighth day canister of love oil,
the sole remainder,
slow level diminishes.

we keep on tossing the coin,
and with every failed love,
the need, entropies, declines,
the coin is worn down,
making tails-you-lose
the greater probability.

but then all it probably takes,
just another toss,
and bit you are
by the coin of the realm
that-once-discovered,
from her, this realm,
this woman,
you will never leave,
nor coin-toss ever again
Jan. 26, 2014
For my beloved
Nat Lipstadt Nov 2015
the ****** heart
(if ownership of a poem makes you proud, considered it to be...trending)

~~~

~for PoetryJournal~

~~~

the afterglow of the aftermath,
the chest pounding demanding,
tolerating-no-delay apprehension
of the transcription
of what is

the ****** heart soaring,
the lean-back exhalation,
wet eyes that only you
have secret knowledge thereof

this is why we write,
why we beings believe,
because we ask,
why

by the asking,
we grade ourselves,
both by
our words and deeds

step back and
accept the notion
that feels not wholly right,
for inherently tinged,
streaked with human pride,
that all possess,
and possessive of
our all

you are value,
by the words you have chosen,
by the only human
that can give truth to its essential
value

you poet,
are trending
Miami 7:09 am
Nov. 28,2015
2.7k · Jun 2013
My Night With Paul Simon
Nat Lipstadt Jun 2013
My Night With Paul Simon

On the night train, the red eye plane,
Flying home to NYCeeeeeeeeeeeee,
From the city of Los Angeleeeeeeez

Feeling flush, dropped some cash,
Got me a seat in extra large first class

Seat 2C, plenty of room for my toes,
To wiggle  to dance,
lay down some poetry tracks,
pretending I'm a **** jive,
bad *** from the
make-believe west coast

A short guy, with fedora down low,
An older man,
looking about nine years older
than somebody I might know,
hiding his eyes @ 9pm
neath some excellent Raybans,
slip slides into 2D,
gives me a smile,
And says Hi, I'm Paul

I look once at his face and say,
Listen Rhymin' Simon,
I'd know you any place,
No worries, your secret,
with me is safe,
Cause dudes in row 2,
gottta stick together, be cool,
We're riding first class,
over the land of the free

What ya do for a living he asks,
A little of this and a little of that,
All of which, ain't no **** good at!
So I spend my cold, hard time
laying down cold hard verse,
Can't stop, cause it's my daddy's dying curse

He said that's cool,
I like to do that too.
Guitars on planes
drive passengers insane,
They take up too much
overhead compartment space,
I just scribble me some rhymes and
Let the music come
when I got two feet
on the ground in the city
we both come from.

Paul:  You got any stuff writ
on that yellow sheet,
or just pretty blue lines,
a big pad of nothing?

Dude: Man you may got diamonds
on the soles of your shoes,
But pay me some 'spect,  
you talking to the man who penned
Sad Eyed Teenagers of the Lowland
on Hello Poetry, gad ****!

Paul smiled and said
you can call me Al,
And if you feel like blowing some lines together,
We got five hours till we can see
the house that Ruth built.

Dude: Hit me with your best shot,
I'll show you what I got

Paul: And she said honey take me dancing
But they ended up by sleeping
In a doorway
By the bodegas and the lights on
Upper Broadway
Wearing diamonds on the soles of their shoes

Dude: Just cause the union of the  monkeys
in the Bronx Zoo done gone on strike,
Don't mean the lion ain't
still king of the hill
inside this New York city jail

Paul: And the sign said,
"The words of the prophets are written
on the subway walls
And tenement halls"
And whispered
in the sounds of silence

Dude: A home-grown poet.
I am, Soul enslaved to words.
The alphabet - My oxygen molecules,
I am both, Addict and dealer
A ****** poet ******

Paul: You don't need to be coy, Roy
Just listen to me
Hop on the bus, Gus
You don't need to discuss much
Just drop off the key, Lee
And get yourself free

Dude: Contact with the atmosphere
makes self pity die,
my blue blood turn red,
the TNT tightness in my chest exploded
I got no place  to store these words,
the cops think I'm some kind of Terrorist

On and on thru the night,
Riffing, rapping, rambling, and spitting,
Ditties and darts, couplets and barbs,
Single words and elegies,
Free verse and a lot of fking curse words,
It was a moment, a time
that deserved
to be preserved,
and so this poem got writ

*You may think this story apocryphal
Which is another way of saying untrue,
But I got his boarding pass and it is signed,
To this crazy poetry dude, long may you rasp,
And it is signed by Mr. P. Simon, a big fan,
And it has never since that day,
Left my grasp
2.7k · Sep 2013
Pocketbook
Nat Lipstadt Sep 2013
Pocketbook

Transformational intercepts,
messages to the brain.

Time babe, it's time,
to take a next step.
change the bulb
to a higher power.

100 watts insufficient to light
the forward motion of a
Great Leap Forward,
like in a prior writ, when,
limitation awareness
was a borderline crossed.

Like learning to walk without tottering;
We probably don't know we passed a line,
invisible to ourselves,
but all clear to everybody else,
on that special day, one,
that just came and went:
when you could no longer leave home
without a pocketbook


We were accessorized with body parts
most useful to make our way thru life,
but our exterior-designer
neglected to provide pockets knowing
full well that fashion acessorizing
was more that just a way to carry tools;

Individuation, maturation, needed,
a way to communicate I've arrived

Ain't no child no more,
double negatives
a thing of the past,
cause once you leave the
comfort of the abode with
handbag corpuscles inhaled,
from that day onwards,
you could no longer:

Walk these feminine streets,
leave home,
without a pocketbook,

Judgement day becomes
Every day, nowadays, so,
when from the cave you emerge,
and face the world:

Gonna need what ya gonna need,
to negotiate the way through,
don't matter what's
inside your handbag
or your head,  
if you are eight or
eighty eight,
you know,
you believe, you need
in handbags,
as much as you believe in god

I am incomplete,
my body undressed for all to observe
If I walk down the street
after that day,
that came and went,  
when you could no longer
leave home without a pocketbook


Amusing ditty,
nah that's not my speed,
this is a treatise on
serious matters,
when changes in our lives occur,
when we earn a stripe on our sleeves

Pilgrim progress to
a feeling of vive la difference!
who I am is not who I was,
awoken from a previous dream,  
marks on my body will come,
some wanted,
some unwanted,
some happily dismissed
like the curse of braces

Free at last,
free at last to forget
a painful child's past,
sometime it's losing,
sometimes it's adding on,
but for sure, the day I changed,
was the day,
when you could
no longer leave home
without a pocketbook

Oh boys,
don't think you are excluded
from this rite de passage,
I'm one of you and I know
what we kept secreted
in our over stuffed wallets.

Ain't referring to our student org. card
or the emergency folded twenty
Dad gave you in case,
somehow you got
on the wrong bus and
ended up on the
wrong side of town
where bad things
could be found,
somewhat more easily.

Like the comic book store,
next door to the tattoo parlor,
next to where the
Nice Jewish Boys
where never supposed to go,
and the Stars of David and crosses
were removed discreetly prior to arrival,
like Portnoy foretold in
Technicolor detail.

I know you well recall
that bar mitzvah party, school dance,
When the bottles fell to the floor
unbroken, spinning, pointing to you,
When you realized it was that day,
When you could no longer
leave home without a wallet

Times they don't change
all that much,
and pocketbooks now called
Handbags I am told,
and year old babies play
with iPads like they were
born knowing how!

but I ain't impressed that much,
cause I know that it may  
come sooner as the world changes,
there still,  always be,
a day of  painful,
transformational,
generational passing,
when indelible, invisible
birthmarks somehow
became both visible and erased.

Though they may
come different ways than they use to,
in case new parents need guidance,
**It is still that day when
their little girl,
can no longer leave home
without a pocketbook
An oldie, when I wrote longer than long poems
Nat Lipstadt Jul 2013
Ralph Lauren - Losing My Elastic

Dear Ralph,

A few years ago,
The alone years,
When street strangers I would street stop,
Hoping that ecstasy miracles you-know-what,
I walked endlessly, shopped but never bought,
Selling but never sold,

Standing in line at DD,
Wanting that person in front of me to order
Coffee and a heart, with extra me.

Found myself at 59th and Lex,
Famous department store basement,
Found a room where clothes where kissed away
Prices cheap, styles atrocious,
But I felt home there, understood the milieu.

There is where
You and I met, polo played.

Found a pair of shorts you must have lost,
Cause your name was on them in four places.

Really ugly, army green,
Consigned to be buried,
Or bundled off to Africa.

Assured you didn't want them back,
For five bucks me and you left together
From Emporium Bloomingdales.

We have been together for six years,
Give or take, plenty of giving, some taking,
Sleeping together, you shared some good
Poetry writing and love making.

Ralph! This soft shroud you made, I love it so,
Tumbleweed, tumble dried,
Is now losing its elasticity,
The Band**^^ has recorded its last song.

Taken my beloved to every surgeon,
Doctor, Master Tailor, Plastic Elastic
Specialist on Savile Row and Jermyn Street,
Park Avenue, been up and down,
All say that there is nothing to be done,
Grief counseling maybe,
Causing soon I am going to losing you,
Dead by loss of elasticity.

But here I lie, here I weep,
Thinking of the good years.
Stricken, this will likely be,
The last poem I write inside you,
Our last clinging, cooperative embrace.

Yes, Y'all, I found that special stranger eventually,
On line, not in line,
She liked my profile^ and took me home
For safekeeping.

She don't know about us,
But when she suggests its time for us to
Separate, cause every minute I gotta pull
You back up again and again,
I turn away lest she misunderstand the tears.

Ralph, you let me down,
Why can't you have designed my
Sleeping companion to last as long as
Forever, like in all the love songs?

My darling, soon you will disappear,
To I don't know where,
I'll come home, and tight silences will tell me everything
I don't want to know.

Safe journey my boon, my joy,
Until we meet, cross existences once more,
Gives me comfort some,
Knowing that on journey long to parts unknown,
This token, this little writ will be accompanying you!

Ralph - is there nothing to do?

Silence.

Lest you think this is utter nonsense,
Look closer at your screen, try harder, try again,
Don't you see that single tear in the
Lower corner of my life.

When my body loses its elastic,
Who will,
Will you,
Write me a poem to clutch?
In my casket, scatter the ashes, of my
Loving poetry, I want my life fantastic poetic
Memories next to me, even as we both become dust...


3:47AM
July 2nd, 2013
True story in every detail.
When you got no inspiration, look closer, it is there, waiting for you, on the bathroom floor, in the hamper, or wrapping you up in what clothing disguise you have picked to show yourself in
^ I want to go home thinking, I could drink a case of you...
^^ a double entendre for you who are unfamiliar with older rock n' roll bands
Nat Lipstadt Aug 2023
“and have the richest fluency not only in its words but in the silent lines of its lips and face and between the lashes of your eyes and in every motion and joint of your body.”  

Walt Whitman

<>

having recently been on standby for a permanent-entry residency visa
to over & just beyond death’s door, Walt’s prescient prescription strikes my broken breastbone even harder much, than the persistent
periodic pains confirming the breaking and the healing
of this man’s mending of the human centric poetic *****

for this warped heart mine, now rejoicingly rejiggered with some threads and wires to deliver a new but fresh bloodied wisdom,
begs me, eggs me to torrent word streams, but Whitman’s wisdom cautions a new slowness, the wisdom of mortality’s hot breath urges careful consideration of every letter that my second chance, consignment shop flesh, eagerly embraces, to both prescribe and proscribe inside-insights tween the deafening sounds of eyelashes beating synchronized to the revived heart rates rapid renewal and
last second-chances….

torn tween minute torso sensations and the running silence of
a new battery’s internal rapid intervals, the silent timing gaps tween beats leaves-just-enough-space to ask over and over again,
from whence will come my richest fluency? (1)

at 300am, I lay carefully caressing and chewing well each transitory
thought, absent the former energetic ability to just spill,
though highly desired,
now requires, like me,
steady re-piecing together

the steady drumbeat of now-nearer-my-god-than-thee Titanic reflections
demands a slowing rapidity

this I thought before and now ken, even and ever better, that our primary endeavor shall always be the giving, the disbursement of the act of love…for therein lies the healing of each, and wet eyes,
make necessarily concluding this poem about nothing and everything
and I comprehend Walt’s dictum:

my very flesh is a poem,
every sensation a lyric,
every breath taken and returned to the atmosphere
so unconsciously
are my oldest
and newest
3:00 AM poetry companions
(1) I lift up my eyes to the mountains— where does my help come from?
Psalms 121:1-4
Nat Lipstadt May 2013
Going Off To War (a/k/a Washing The Dishes)

When its time to wash the dishes,
I make proper preparations for this serious business,
I strip down to my skivvies (shorts, in a prior generation)
Cause there will plenty blood and gore afore too long
Soap and water flying about, the ceilings and the walls,
Not to mention big, big puddles on the floor.

Multi-colored sponges of sizes varied,
Some Brillo-sided, like extra armor on a tank,
By Dawn's early light, turn the clear water
Into a heaving, breathing soapy concoction.
Woebegone and woe betide, dried and sticky maple syrup,
You are no match for super-strength orange dishwashing solution,
Of the Greeks did praise, a single dollop packs a mighty wallop!

Ain't afraid of any stain, decomposing, half chewed, culinary rejection.
Don't even bother with rubber gloves, cause that's for sissies.
The dirtier the better, cause I love the sounds of
All out war, the rushing water, the futile screams of
Grease departing this world, down the rabbit hole,
My gleaming, victorious sinking of the enemy shipping

You think I am the first to celebrate in verse
This storied fight of right over dirt?

Recall please this famed couplet, for now be known its true inspiration!

"Oh, say can you see by the Dawn's early light
What so proudly we hailed at the twilight's last gleaming?"

Though Men Like to Load the Dishwasher (You Didn't Know?)
Is another poem of a similar ilk, when technology is unavailable,
It is fact verifiable and unassailable,
That if you give a man some room and some privacy,
Ignore the shouts and war cries from the kitchen emanating,
Male aggression can best be expiated,
When playing war games in the kitchen, a live action movie,
A video game that never grows tiresome,
And violence is necessary, for the enemy's complete annihilation.

Thank you my dear, no medal need be awarded,
Scored this poem as my just reward.
There is no truth
That my name was Dr. Seuss
In a prior life.
Nat Lipstadt Feb 2016
T'is a curious thing,
these verbal peddlers,
these tribal members,
famously well known to no one,
perhaps at best,
a kindred few, fellow-travelers.

Each a troop,
in the army of orphans,
bloodied, purple hearted,
word-wounded,
anonymous unto each other,
yet all bonded intimates,
in solitary struggle united,
yet sea-parted by the very nature
of the solitude of composition.

All poets are Cain scar-marked,
purposed for everyone to see,
a warning to the rabbled boors,
the imagination suppressors!

World:

cherish these flawed ones,
gentle these frail but gritty,
the Lord has tasked them
to be prophets in one tongue untied,
undo the strife of Babel's division.

Poets!

Be the harpooners
of the unexamined life,
with unfettered rhapsody,
comfort caress us,
exhort the loopy
to light their illusionary candles,
turn the sad eyed lowlanders
into crinkly eye-lined smilers.

With clinical observation,
dense and demanding,
make us laugh at
the comedy of our situation,
teach us our free-to-see peep show,
reveal, unseal us
with **** empathy!

For who's who in poetry
is all of us!
saviors and failures,
recorders and decoders,
night writers of the oohs and aahs
of dreams and nightmares.

When this poet cannot,
no longer, anymore,
taste his poems upon your lips,
keep your poems within his heart,
then he breathes no more,
becoming one who was, yet still is,
because of you,

because of poetry.
Nat Lipstadt May 2019
check in at the library, my card scanned,
per the terms of my sentencing agreement

to the poetry shelves dispatched.
row after row, book after book,
all blank awaiting my affections,
all demanding my sensei sensations,
seeking a creme filling of honorations,
words of all shape, roots and origins,
the occasional new combination

some, never heard before, timelessly awaiting expulsion
from the birth-vocal canal where comes origination,
but for me, death by enforced creativity,
that’s what the judgers desired,
a punishment that fits the crime

my misdeed record unsealed, intended for
world envisioning, the ego audacity to imagine
I could write a single good poem,
thus the punishment fits the crime


may1 9:19am ‘19
this for CJ
2.6k · Sep 2017
The Watermarks of My Life
Nat Lipstadt Sep 2017
~for lovejunkie~

"a watermark is a faint design made in some paper
during manufacture, which is visible when held
against the light and typically identifies the maker"

<•>

But you knew that...

in each, and *every
poem,
intentional stains faint revealed

Here,
a 2:03am watermark,
a time stamping of time, place,
a self-notification of "you were here,"
hid under the writing wrist,
or in a favorite verse,
(invisibly interspersed, blinking a winking,)
the very now of this poems
incanting, decanting formation,
by the neo natal baby warmers,
heating filaments of glowing incandescence

Perhaps this one, to be completed, come the sabbath,
when the eastern suns rising glow
over the North Fork must, demands it,
de jure, by natural law,
provoke and parole my soul
unto confession,
ordering a performance review of my
yellowed journalism revelations,
by the halo's fresh sunlight,
revealing all the watermarks
of the scrivener

These words, these toyed crumbs,
these human droppings, what is remaindered,
post ablutions, pre-morning prayers
the washing away of the mid-of-night
cappuccino-colored night frights

To new day light,
hold up my skin to any and all effervescent sources,
even the electronic red light, low resolution room dots,
all to see if still yet,
the coursing river run red beneath the
blue veined body's arterial roadmap,
exposing the rents, the cracks,
where, yes, Rebecca,
"the light gets in,"
fresh tracks, new watermarks

This then,
best viewing time of the
impermeable, impermanent, perpetual moving
below and above watermarked inscriptions,
eclipsing, barely just visible
above the eye lined brow,
etchings upon the forehead,
like my Cousin Cain,
standing out outstandingly,
imprimis:

ex libris (from the library of)
the eyes now reading these verses


One of you a-muse-ds,
gave me this title,
one of you used by me,
you gave me the inspiration,
you undid me into this doing
of my undoing

Connecting the unworthy audience,
that's me,
to the masters of my poor souls survival,
that's you, all,
into admitting, rinsing, repeating,
for have I not once before
affirmed
my scores, my marks,
way back in '13

The heretofore
of all my flaws,
you call them scars,
I call them
my prima facie
needled watermarks,
my poems

When once I wrote:

I am both,
and nothing but,
addict and dealer,
a ****** poet...
a ****** poet ******


<•>
8/17/17 1:49am ~ 9/4/17 5:56am
Manhattan Isle ~ North Fork L.I.

<•>
https://hellopoetry.com/lovejunkie/read


https://hellopoetry.com/poem/392109/yo-yo-my-drug-of-choice-****-poets/
<•>

the sabbath comes
<•>
some members on the site,
give such visceral. detailed, and poetic reactions to my writings that it almost always
provokes, seeds, the next new poem.
This crosses many lives,
the survivors.
LJ- I hope your daughter does read your work someday; on that day, give her this one as a preface, so to speak...<•>
Nat Lipstadt Feb 2016
A Woman's Reflection on Her Reflection (Valence and Value)

one poem, written by two authors


~~~

Ever the analyst,
A mirror functions as surface to
Parse the fleeting constant
Of youth's beauty.

From genetic gift
Of symmetry and bone,
To technological tampering,
Until the equation is solved,
As experience and character
Models and maps the result.

The answer, a reflection,
Of individual valence and value

(written by S.D., a woman)

~~~

(written by N.L., a man)

unbidden and unannounced, a
"not fully formed poem,
but a simple reflection"
inbound missile arrives inbox,
armed with silent power,
the lethality of the
Holy Unexpected

the man reflects
on her mirror-on-the-wall's
fulsome reply,
parsing the words of a
woman's reflection,
while gazing on her own

every human's momentary glass notation,
but an instance of summation,
a human poem, whose editing,
unceasing

a comma here,
a period inserted,
an eye shadowed, an eyebrow tweezed,
a eye dark circle line added,
to tree-mark time's authorship

all  these
but a person's
excerpted extraction,
notarized,
then auto-erased and revised,
as out of date,  
instantaneously compromised

but,

it is upon  the conceptual,
valence and value,
more that the man reflects perpetual,
less on transitory morphing changes of
exterior mortality

while overlooking her
glassine realization from behind,
he concludes:

every reflection,
no matter how oft the snapshot,
the unfleeting constancy
of the combining of the

princes of principles,
valence and value

that he witnesses,
in the calming pool
of her eyes,
(those borrowed windows into her soul's well,)
so well reflect
her unchanging greater finery,

her character

this reflection,
metamorphosis transformed.
into a planetary permanency poem,
high placed in his the firmament
of their conjoined sky
Valence,
as used in psychology, especially in discussing emotions, means the intrinsic attractiveness (positive valence) of an event, object, or situation.

In chemistry, the valence or valency of an element is a measure of its combining power with other atoms when it forms chemical compounds or molecules.

you decide.

hers, two six sixteen,
his, two seven sixteen,
in the wee hours
Nat Lipstadt Jul 2019
I get her, she writes me,
so eloquently,
”the nub of me; gist, manifested poetic”

one of the many poets I have never met,
one of the many poets, by whom,
I have been suchly, justly, richly and correctly
accused

this mesmerizing judgement,
her-over-easy, mini-essay so succinctly
assaying an accidental ability mine

explodes
a happy passageway to my brain,
a new aperture, the neurons firing at will,
the tormented inquisitor’s unasked question,
how did this happen to me?

rocking the Sunday morn cradle’s calm,
ok, ok, write me, write me,
demands my no longer free will,
utilize the free wi-fi of we fidelty

the bay, surgically barely treading water,
its surface of multitude of small waves
but now an entire ****** expression bidding welcome

the breezeways genteel,
smilingly
invites and push us into its
directionless & tideless soothful embrace,
to the shoreline we goeth,
to watch the occasional crossing vessel intruder,
woking the waters gentle

its white path residual wake foam-formed,
then almost instantaneously absorbed, bubbly bursting,
a history of a million moments awakened,
then, instantly returned to restful sleep,
akin to a newborn’s gurgling happy dreaming,
wiped clean away off to
Peter Pan’s it-never-happened-land

this carnival trick sideline of deep tissue knowingness,
sensing the essence of the who and the whom within,
with no data to go on other than their poetic collection,
the hidden meanings of the spaces and places between
the gene sequencing of their wondrous word-fullness
DNA poetic children, freely given,
and well taken
by me

I cannot explain it well enough, but then
a strayer thought breakaway,
a prehensile comprehension insertion
proffers itself as an explanation
intruded,
and here,
extruded

the perfect world exterior before me observable
thrusts itself through picture windows onto my demeanor,
a ****** addiction of mine, my soul enslaved,
cannot bear to be taken away from

this vista,

which begs me,
bring all those you know!
here, to share, this precious precise nook
where eye insightful incisions elicit poems-by-command

but I cannot, bring you here,

so I see~imagine it better through
your eyes, then
your
gist
is in my stubbed pencil nub, it is
your
poem’s destiny manifesting,
penciled through my scruff edged fingertips,
which-when-then transcribed to paper, to history,
‘tis all you
who writes,
not I

for now
you
are the solitary vessel waterborne,
you,
you
are the captain and I

but a
Samson-nite, burdened, baggaged and blinded stowaway,
hopeless, yet still see-worthy,
with your guiding eyes,  
keeping me to keep
your copyright righted,
onto its course true



7-14-19 9:43am
in shelter, on the isle
she’ll ken her authorship by the title
Nat Lipstadt Nov 2023
At What Cost?
This Purchase of Our Future

a thousand answers + variegated shadings, a summation:


of millions layers of our owned chosen complexities,
so many possible outcomes, it makes infinite randomness
seemingly simpler than our googolplex crazy preposterous
notational choosings, our owned decisions which though false,
cause nothing is tandomn random except for love at first sight

it’s all  just *******, we conditioned from pre-birth,
the expectations subtly subsumed into the woman’s womb,
overlaid by the ***** donors whisperings that you will be a
great third baseman, or a great bass player, or both, but
“your” fate, ha!
is anything but yours…
to purchase!

if you were born to live in a home with no heat, and water was
obtainable by walking 100 yards away, you would still be a
pianist, writing notes of plaintive need, grand desires, musical
words of agonizing delight just as when
you first blushed when the brain
connected yellow rays with a word,
sunrise,
and an experience was synapticaly imprinted,
that real things could be defined by an ordering of letters and sounds
and you were tongue burnt by a need so great
to collect these pleasurable things and put them in a right order
of your
peculiar
particular
personal
inherited inputted
design

=
and
you yet debate
what is my instrument,
knowing that the multiples of your fingers
are the engine of your existence,
and on any particular day they, your well connected perma-crew,
will pick which is the chosen one,
and
no matter which,
for you had nothing or little purchase,
it was coded in your pre-history
just as you prepare a transmission list
of your own,
when you daily first touch your face,
closing the sensory sensual connection tween
the ephemeral and the physical
and
the new combinations
that you will imprint upon
someone’s flesh,
that is your right,
that is you write,
that is what you were
predestined,
to
create

but,
(what the heck)
you get
to-pick the instrument of the day…


(
that,
is your purchase, your only cost,
everything else has been
pre-paid
)
Thu Nov. 9 2023
8:51am
ny
Nat Lipstadt Jun 2014
The Real Poets Here

are small craft
sailing between the narrows of crack'd lines,
employ the spyglass and luck to you,
for them to find

their voyages do not widen the chasm of waste,
yawning greater now by propped up boasts of
ugly shipowners who sin by commission,
national ***** crowing of the greatest length of their prow,
thinking that is a measure of prowess,
their tubs,
all but empty wordy new container ships,
that are forever lost at sea,
even before leaving port

they,
the real poets,
are the quiet lost lot,
a troop of forgettable ordinary  Marines,
the sailors in the engine room toiling,
exploring cartographers ***** from the ****** crafting struggle,
looking to discover unmapped,
invisible poles,
East and West

opening up new passages,
within us,
with new passages

when called to arms,
the real poets
spill fresh ***** fluids from within the heart and mind borne,
upon the blank spaces,
they stain us with the grasping gasps of their sight insided

fertile are the pastures
where they lay low modest lay thinking,
amidst the splendor in the grass

of them
I*
proudly will ever boast,
hold them close and ever nameless,
but deep inscribed inside of me

Ah,
the real poets keep me
whole within the
ever smaller white purity of this narrow space
that has lost the struggle
to contains the
unceasing ever spawning black letter'd oceans and navies of
repetitive sad, sadly repetitive,
puerile singsong cant
that never sings,
can't never please,
but trends to the masses madly

dewdrops of tears,
are my own trees felled,
an acknowledgement that
when I read their unintended homages to humankind,
that when realized,
they speak with great respect,
all quietly scream this whisper...

all this,
that I have written,
and will yet to write,
this is all,
to give
greater glory to all human ability
whose
sole purposed to fill us,

wrench us from our lackadaisical comfort,
or  urgently comfort us when none else can,

these are my friends,
the real poets here*

god keep you well

my trite words insufficient
so I gift you
some words worthy from
Wordsworth
"Of splendour in the grass, of glory in the flower;
      We will grieve not, rather find
      Strength in what remains behind;
      In the primal sympathy
      Which having been must ever be;
      In the soothing thoughts that spring
      Out of human suffering;
      In the faith that looks through death,
In years that bring the philosophic mind."

William Wordsworth. 1770–1850

Compose and Posted 3:30am June 12, 2014
2.6k · Feb 2018
the temple of You
Nat Lipstadt Feb 2018
be my therapist

massage both my temples
from whence these poems originate

will your fingertips perform tailored alterations,
will they insert strange spices and your favors,
unfamiliar but imagined overtime desirable flavors,
thus resolving the question that my answers perpetually fail,
to satisfy my unending need to understand:

how do my temples
speed the heart
bring forth whole poem utterances inconceivable,

reminding me to remember what has yet to occur?

she grins, whimsies me and suggests:

that’s why they have been
appointed anointed announced as the
Temples of You

2:19am 2/19/18
2.6k · Apr 8
to love in silence
Nat Lipstadt Apr 8
for she
<>
"I choose to love you in silence, for in silence I find no rejection.
I choose to love you in loneliness, for in loneliness no one owns you but me.
I choose to adore you from a distance, for distance will shield me from pain.
I chose to kiss you in the wind, for the wind is gentler than my lips.
I choose to hold you in my dreams, for in my dreams you have no end"

Rumi
<>

writ in a time, for when
there is never enough,
and yet,
always, waves of too much,
needy for
filling feeling fulfilling

We must learn,
be self taught to:

"Leave a tender moment alone
You got to leave a tender moment alone
Leave a tender moment alone
Leave a tender moment"

ah the tender time is nonetheless
rightly and wrongly
rightly now,

for I have stumbled,
overheated, sweaty, from the night bed,
at 4.30am into another darkened toom,
and I have smacked~stumbled into
Rumi
and her

our paths continuously intersect,
in the same but
in different cities, continents,
and yet,
diffident, differing,
we silently choose
never to close those lady~last few miles
and tie the knot of
eyes, skin, lips
the instruments
that transmit thousands of
neuronal explosions that
seal the deal

so we write in poetry,
in silence broken by the gentility
of fingertips soundlessly
and yet,
boundlessly rocking,
explosively soundings of
tap tap tapping

my music mocks me,
it is definitively god interfering,
advising, conspiring,
wiring into my brain
better lyrics,
idealized notions,
exactly appropriate
and appreciated

with the lyrics urging me on,
and that we must be
self taught to:

"Leave a tender moment alone
You got to leave a tender moment alone
Leave a tender moment alone
Leave a tender moment"

but my heart trembly refuses,
insightful informing
that now,
now! is
the moment to exchange
vows of words,
though un spoke,
they require
written completion
through
& though
apart, alone,
to finally out loud confess
what has always been known, only to each other,
to be
so real

and yet*,

we will never exchange
these sentiments
in out loud words

but though this be lacking,
it will never
diminish
their  ultimate
intimate
truthfulness

and I ask,
is this a poem?

surely
it is that, and
so much more,
an essay, a letter on
invisible NML stationary,
a heart carving in
an oaken barrelling of
ancient vintagery

and that interloper,
Him again,
eavesdropping
on this private communication,
insists that I draw deep
from her favorite
singer~songwriter,
words that say it better,
that for real seal the deal,
in the saddened perfection
of total, enwrapped,
silence:

"Hello darkness, my old friend
I've come to talk with you again
Because a vision softly creeping
Left its seeds while I was sleeping
And the vision that was planted in my brain
Still remains
Within the sound of silence"

and
it is time
to finish this task,
it is exactly one hour,
no time at all,
to complete a love poem that
is/was complete,
even before its
composition
and yet,
is never to be be familiar with
the finality of
completion
<>

postscript:

I taste your private shed tears,
hear the howling sigh,
but most of all,
'tis the explosion of
a deep smiling creasing
your lips,
spreading in all directions
saying and stating:

at last, at last!
a lasting, a confessional to you god,
though,
a through and through
silent
jubilation
                                              ­             nml

April 8, 2025
530am
New  York  City
excerpted lyrics from Billy Joel and
Paul Sumon
2.6k · Sep 2013
The sums, always the sums!
Nat Lipstadt Sep 2013
The TSA won't let me fly
It seems when airplane-jailed,
My muse sneaks aboard
Without paying for a seat.

Another airplane poem like 30B,
From a long ago flight,
Found dusty, in the poetry sewing box


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

with every breathe he tithes
a packet of whispered wishes,
a blended osmosis of
past and future scenes,
reviewed, previewed,
moments in time,
actual and dreamed

some received,
airborne plucked,
in his chest stored,
prepared for future
takeoffs and landings,
for ultimate insertion
in both
your recesses
and
your abscesses

some native,
combobulated, containerized
packets of seconds,
of joyous moments,
bytes of historical
hugs n' kisses,
as a child
to a child
from a child

those are vanilla frosted,
residual payments for the
good done and given,  
forwarded with all clear signals,
to his loved ones,
now resent, to you,
fellow travelers and sojourners,
intersectors of our peculiar
coded dots and dashes

thirty five thousand feet high,
composure lost,
he swoons as
Bocelli's voce del silenzio
releases tears so sweet,
which are by nature,
gravitated and transformed
into snowflakes to decorate
the Sierra Nevada's
breasted peaks and valleys,
over which his physical notion
is at rest, yet in motion,
within a Delta flying ship

Yet his fevered chest
beats rough,
for every flight seems
a time warp interlude,
a forced reflecting rhyme,
not of his choosing,
a lawful, thoughtful, imprisonment

having donated to you
his best, the remainders,
the man tallies, recalls:

ancient slights, scaled heights,
requiems for his forefathers
scored by cantorial choirs,
liberation struggle weariness,
offers taken and refused,
aces in the hole that proved
insufficient to save his soul.

goal line stands made,
onslaughts refused,
true lies and false truths,
moist lips and monster tears,
occasional A's and calcu-hell-us,
hand me downs received,
help me ups got n' given,
buildings pricked by airplanes,
death wishes granted
and nothing thereby gained,
children, found and lost,
mine, yours, ours...

The sums, always the sums!

engine noises and pilfered winds
are dulled and semi-silenced,
yet the silvered chamber prison
resonates from end to end
as each ledgered memory,
each packet of the
hidden whispered poems
he does NOT choose to send,
dents the man,
leaving claw marks,
screaming pay attention to me,
as if they were the priorities
of a six year old child,
refusing to be ignored

he does,
attention, he does pay,  
allowing rocking guitar heroes
to overtake weeping violinists,
just as newer transgressions
surfeit even his
most really *****,
ancient sins

No matter how he counts,
unable to master the additions,
no matter how many times
counts are initiated,
taken and retaken,
the tally's net net is
concluded, numbered
"forsaken"

his life's W-2 is black n' blue,
deductions falsely enumerate
and thereby underestimate
dues he has paid summarily,
earnings, distorted,
taxes paid never enough,
to satisfy the justice scales,
so wearily he
cries and enunciates,

The sums, always the sums!

THEN COMES HIS SHOUT OUT,
at his most vulnerable,
when a thin veneer of alumina
separates him,
from a fall inglorious
to an end most gorious,
a rapping beat moderne
insists that he go all out,
disallowing no
airy fairy poetry
to disguise that:

If the integers are false,
the entries of a life lived,
are sucker lies
black eyed flies
toxic shockers
that bust open
stinko lockers
where the B.S.
mocking stories
are kept

don't look close
at his documents
they ain't exactly
heaven sent
and the government men
be back on his track
their aviator shades
protect them from
burning light of the
man's furnace
where he burns their liens,
and the agent's ear pieces
drown out his screams of

The sums, always the sums!

God bless you,
keep and recall those packets of
whispered wishes, good tithes,
that the man bequeaths,
gift baskets of
expresso essentials
with God's love delivered

Tho his words,
amateurish and unvarnished,
silly and pompous,
nonetheless, they are the
return on his investments,
his yearnings for your happiness
are the savings accumulated,
though meager jewels are they,
they are ad valorem,
mixed into his confused murmurings

here then,
are his summings up,
what he wills you,,
the tally finale
the best wisdom is
found on coffee cups
at 2:47am.

Dance
Love
Sing
Live

to which he respectfully amends with a
Write.
(See banner photo)
See Nat Lipstadt
Juggling Thoughts Re Proximity, in Seat 30B
2.6k · Nov 2015
How Many Calories in a Poem?
Nat Lipstadt Nov 2015
How Many Calories in a Poem?


visualizing the invisible,
we deconstruct the content,
the in-titled label reviewed,
querying,
is this one worth the cost?

looking for true fiber,
then further inquire,
perchance,
are there grams of
kick-starting emotive proteins,
stored and lurking within,
homes for the cells
that will inspire, transform,
mere readers into mountainous writers

lean on those scripts,
injected with just hints,
resting ribbons of flavorful fat equipped,
for there will always be
the tyranny
of the those of the sparse faith,
those writers of haiku brevity,
believers that
fat free,
is the only,
but lonely,
bene of beauty

death from ignorance to those
who would poison the fruit
of the alphabet tree,
coat produce, with glossy chemicals,
that preserve the shiny exteriors,
cooking up false feasts interior,
saturating us with the trans-fats of trite,
oily verbosity and labels of organic,
that conceal the risks of
hyper-pretensivity

an every poem, seasoned for taste,
a dash of diamond sea salts,
scatter on pinches of pearls
of Caribbean cane sugar,
sprinkle human sins and cinnamon
for zest and tang,
for inspiration and flavoring,
for the souls tonguing tastebuds,
needy for reasons
to celebrate  commissioning
the enticing exhalations of appreciative
oohs and ahs!

Warning!
this poem was processed
in a old, out-of-date factory,
that is most assuredly not,
nat-nut free*

but even if allergic,
be unafraid to taste the acerbic,
for there are
poems
suited for everyones, even your
peculiarities

you want your essayed poems
to brim healthy caloric,
grow them as offshoots
of your very own organs

you need not seek anothers certification,
if filled they are
with the mettle of iron,
built to be
calcium-fortified structures,
with the perpetual strong bones
of rhyme and sonnet

let each worded edifice
be the food,
stored to be gifted
to our progeny,
by their ever living on,
marking us,
marking them

omit the trite,
we ken no need,
for it is the false emptiness of
misleading carbohydrates,
that only fatten,
for the briefest satisfaction,
purposed for the killing of fulfilling,
dulling that which only
a well prepared
dish poetic,
can bring to healthy enliven
the human spirit




Nov. 12, 2015
Aboard Delta #2499
5:10 pm
when you are trying to lose weight, you obsess about bad calories
in everything...
2.6k · Jun 2013
just like a woman
Nat Lipstadt Jun 2013
Just Like A Woman

You focus on the act,
The ridiculous derring-do,
Laughing at me
Cause I chased away
In my rumpled ******,
The woodpecker that **convulsed

Our house at 5:00 AM,
With a decorative pillow.

Focus on the results, says the
Results-oriented man.

Has Woody ever returned?
No and his fate is still unknown,
He may fly forever neath our trees,
But now he knows to stay away
From me and the risk of my pillowy pillory!

P.S. I may (or may not)
Choose to disclose
That upon my return
The house still shook,
From someone's uproarious, convulsed
Laughing at a city boys country heroics.


10:30am
June29 2013
Certain people maintain it was the horrific/comedic sight of me that drove him away.  No matter, its the "bottoms"  line that counts
Nat Lipstadt Jan 2014
after five years
when I write her a love poem,
she is always surprised,
her unexpectation
so very pleases me.

after five years
when I write her a love poem,
I am always surprised,
that a new way to say it,
uncovered.

but this I can tell you,
not once
do I ever write
nor will I ever pen
those I love you words.

they are too easy, too cheap,
a dime a dozen,
naked words make me weep,
dress 'em, cloak 'em, try to
Pradip 'em in
mystery, charming humor,
use conjuring spells of
Bala imagery unreal,
Bzynga!

work hard to tell her why,
work hard to guard your originality,
work hard to tell her in ways
that her into me
smiling, crying, punching.

so I write love poems,
every now and then,
special ways recalled,
teasing her about her forgetfulness,
about her teasing me with rhyming
that is less than spectacular,
how my body has
reshaped itself to fit her.

tell her
I love you,
plain,
well that be downright,

pffft.
(an interjection used to express or indicate
a dying or fizzling out)

the key is to tell her
in a fashion original,
personal to us.

that what all these endless
love poems here strive,
but too oft, fail to arrive.
all tricked up, too direct,
passion burnt used up
after but a single read

stroke her cheek
with soft stanzas,
torrential directness,
no subtly,
fizzles.

write for the long haul,
words that five years hence,
words that five hundred years hence,
make her into me
smiling, crying, punching,
like the first time
she read them,
like they did
five years ago.
Jan. 9th, 2013
Nat Lipstadt Jul 2015
~~~

Mouth to Mouth, Chest to Chest



~~~
"Heard the song of a poet,
who died in the gutter"
from Bob Dylan's song,
"It’s a hard rain’s a-gonna fall"
~~~

heard the song of a poet
who died in the gutter,
last verse, last curse,
not a shout, more a mutter,
a question answered in the asking,
mix tape tune of mournful and joy,
a dying man's elixir.

who will me,
anyone recall?

I will.

not each poem, nor stanza,
but more
each hard rooted, weeded
and impossible to remove letter,
will come to be in,
carried and burnt upon my chest,
chiseled, precision hand tooled.

though my body to dusty ash
fated inevitable,
following yours,
those letters of yours,
will not to heaven ascend,
but come to miracle rest
on the skin of another, renewed

for this the way poetry gets
passed on,
a sustainable, renewal
natural resource,

never down,
always, always,
upward

ear to ear,
mouth to mouth,
from chest to chest


~~~

July 10, 2015
2.6k · Dec 2013
The Imprint is The Gift
Nat Lipstadt Dec 2013
where to begin?

let us acknowledge
the responsibility of our actions,
and the titles and duties,
and the unexpected,
thereof.

I was a son, till this year,
still, of sorts, but no longer,
traded it in for
orphan.

are you still a child,
when you have no parents?
are you still a parent,
when a child lost?

I am a father, and grandfather.
this definition of me,
extant, future seeded,
perhaps permanent,
perhaps not.

the product of
actions more than
thirty years ago,
and events yet-to-be thirty years
hence.

titles claimed and granted,
partial, not finite,
not definitive, nor infinite.
partial, but part and parcel,
these titles, of you,
yet
they are not the totality, of you,
but very much part of you,
for you possess precious,
The Imprint - The Gift.

the child lost,
the parent found,
the newest coming,
the oldest gone,
all imprinted on your hands,
just look at them!

there are lines on your palms
you do not know the meaning of,
you do not yet know the ending,
they are in your cells,
as you are and were in theirs.

The Imprint
is The Gift
that is
non returnable,
non refundable,
nor is it
diminished by
any stone marker, measurement
of a day, an uncertain,
certain moment.

Look in the mirror.
see them in you,
as they saw themselves in your
reflection.

ah, reflect.
acknowledge that the
absence is pain,
but look at those hands,
that face, your face,
see the
The Imprint - The Gift
permit yourself an easement,
for it the season of
recollection.

ah, re-collect, recollect.
let the story.
continue, by the retelling.
find that palm line,
find that psalm song,
where the babe lost,
the mother lost
is the babe reborn,
in new faces, forever contained in
The Imprint.

we all ken loss,
we all keen know anguish,
different kinds for different folks.
do we not all have blood?
but are there different types,
and yet,
all still blood related.

prepare yourself
for more sad to come,
and some to never,
woebegone.

but do not forget,
nay, you cannot,
for seared it is,
this imprint,
a two sided copy
of a single document,
you on them,
them on you.
~
an eyelash falls
upon the poem.

a decorative reminder,
a stop sign,
a decorative remainder,
that it is time,
to recall,
to be unafraid.
now, now, right now,
is the time to remember,
that very eyelash,
the cells that are
therein,
the eyes that it has protected,
saw, know, well recall, gave,
gave part of you

and smile,
yes, smile,
for in them,
in the lines around your eyes,
the crisscrossed cell map upon thy hands
is the
The Imprint,
The Gift.

where to end?

This imprint upon your body exterior,
part mark, part stain,
part badge, part medal,
part cain,
part ribbon black pinned.

it is twinned,
for the match, the mate,
of this gift I printed,
is still in your living cells,
and thus knowing
the imprint is yours forever,
they are not lost,
you are not lost,
for Their Imprint
is a gift that
is
never ending
shall eternal be a salve this
happy, sad, melancholy,
holy
morn, day, season.
For you,
for all of us...written in the sky above the Eastern Seaboard on Dec. 24th, 2013
The child is the father, the mother, to the man (BS&Tears;)
2.6k · Jan 2014
R&B: Joe wants to know
Nat Lipstadt Jan 2014
Joe wants to know
how'm I doing?

an innocuous query,
little can he know,
bye bye is my merry,
marooned on a skerry,
noxious fumes in the aerie,
currently inhabiting  my foreheady,
worry waves, rolling thunderous tides,
have myself beside

thus the answer to your toll,
something bad, on me, got a hold

Joe,
life is,
more than a tad
concerting

concerting?

surely you meant
converging, or perhaps,
concatenating, or concaving?
discombobulating, or more likely,
plain ole disconcerting?

indeed, all of the above,
fit like a glove,
but best combinated in steaming mug of
concerting

"to contrive or arrange by agreement: to plan; devise"

the world is secret contriving,
the world is secret devising,
a plan for my demising,
forces are concerting re me...
most concerning,
as trends converging,
concave hollow chains clinking,
a concatenating chorus
voicing their displeasure,
at my happy existence,
which now gone,
its loss, wept for, in great measure

life dissing me, in a manner
concerting and dis-concerting,
my composure,
decomposing,
the ides of depression,
hip hop discombob-
(undu)lating throb
but then again,
what's in a word,
what's in a rhyme,
jes that old timey R&B;,
rhyming and blues,
of a verbal kind

so, Joe, how'm I doing?

now that you are knowing,
as men of distinguished letters,
students of history,
part time poets,
Your Reply
must only be:

"Oh no, Natty,
say it ain't so"
http://www.thisdayinquotes.com/2009/09/it-ain-so-joe-actually-wasnt-so.html
http://en.wikipedia.org/wiki/Shoeless_Joe_Jackson


Skerry: a skerry is a small rocky island, too small for habitation; it may simply be a rocky reef.
Aerie:   any habitation at a high altitude
Concatenating:  to link together; unite in a series or chain.
Combinated: poetic license
Concaving: hollow and curved
Discombobulating: to confuse or disconcert; upset; frustrate
Dissing: to show disrespect for; affront. to disparage; belittle.
2.5k · Sep 2014
The Colors Inconsistent
Nat Lipstadt Sep 2014
The Godfinger has not yet
colored-come this far south
from up in the North,
but soon inexorable, marchingly quietly
to finger paint reds and golds
that are calendar scheduled to arrive

the idea of them, their visual,
burrowed  but easily retrieved,
for in the poet's mind's eye
he foresees their forthcoming blaze,
smells them in the not-quite-autumn
sea breeze

colors welcome for many,
for they serve to awaken and ravish
inattentive-to-nature wooly brains,
distracted by new work projects
diluted multi-tacking senses,
back burnt by responsibilities,
**** deadlines,
term papers, too soon due

full well knowing fall colors incipient,
this summer man piety engorges on
the embering remains of his beloved season,
His Summer Surround Sound Environment,
reflecting on his insignificance,
the seasonality of life,
the sad-always finale for grownups
that is the year ending
December,
no longer a far away,
inconceivable concept

these robust leaf colors, product of
chlorophyll properly chilled,
signal mark
all hope lost for the summer warmth,
the life force of this
poet's body and soul's
his sun tan lotion ****** cleanser, restorative,
all sold out, no longer on the store's shelf,
and a new conceptual,
2015
low growling while on the prowl

but for now,
it's still land-greens and water-blues,
though tarnished are the hues,
the grass, an admixture of
ugly straw yellow and a sickly green,
the bay green blues darker, uninviting,
the surface sun glints duller, less charming,
but close enough to the
real thing
for him to embrace passionately

he thinks bemusedly, out loudly,
writes smilingly, out loudly,
for he is in his trademark chair,
adorned in summer garb,
t-shirt and shorts,
holding on for as long as he can,
grabbing errant sun rays,
breathing salted bay air that's
cleaner now, for the summers sailors
all gone ashore to dry dock ports

while his woman, sensible ever,
acknowledges the frosty wind that
necessitates blanket, a full dress uniform,
complete yoga outfit and anorak,
the dress code de rigeur for combat
against
the September brilliant and undeniable chill

Springsteen and Cassidy hum his
melancholy perfectly and he wonders
about the ifs and of's his chosen life,
about the why's and wherefore
of his poetry that he sometimes writes
under assumed names

these contradictions,
me, summer,
she, cloaked in wool,
these natural nature inconsistencies,
even though unrealized,
the inevitability clashing sounds of vibrant colors
overtaking greens wilting,
all to be winter-denuded,
mark the day,
mark the man,
his poem,
mark this moment of
inconsistent colorations
September 20, 2014
Nat Lipstadt Jul 2019
love between poets: “who will be between the sheets next week
when I’m gone,” she lets sigh-escape,
as she watches the backyard paradise parading landscape
of animals before the bay, perfect day sure to come,
her new pets obeying the early morn sunrising awakening call
to rise, everyone playing~parading, before her royal summons,
no coincidence, finger-of-god, two by two

this while I’m kissing her neck,
my arm around her *******,
and the he-intent on slip sliding down
to the small of her back,
obeying his innate,
worship worshiping and giving up,
all he’s got intense intently contentedly

unfazed, unphased,
non-nonplussed,
he’s been interrogated before,
heart is pure he answers:

next weekend when you are back in situ,
thousands of miles away, airplane housed for hours,
writing poems of love from the lost and found,
recalling this exact moment,
how I worshipped your presence,
and these words:

You will be with me in every breath,
our sheets will radioactively emit
ions and molecules of our scent combined,
and present as present  your perfume can be,
elicited, elixir, you and me combinant

she turns from the bay-view,
the animals who now mutually
worship her adoration,
watching, focused on us as observers,
she lifts me up and smiles,
replying

“oh my lover you’re the cad of cads,
king of the baddest poet-lads,
the gist of what is wrong with the best of men,
her, pressing me hard to her chestnut hair chest,
she, falling down into my eyes

take me back to bed, liar,
let me add to my aroma,
to ensue, to ensure you will miss
the best love
you had partly, insufficiently, and unhinged
completely

I’m your lassie, you my lad,
my king of cads, my lover poet,
thief of my poems and my secret speech spells,
escalating senses of one’s imaginings”


and,
along came the rest
of what was freely given,
for love between poets
man and
a woman,
is a someone, somewhere,
sometime summertime
thing

I will still smell you in my
heart, and send to you ballistic missives,
words to explode your tear ducts
when you rest in sheets that met me,
when you’ll know me by my odors,
cry out loud so that you’ll scare our animals,
no matter how many tides wash away our residue,
you will never unknow and be forever unprepared
for my return,


even though we will be each, a thousand unwritten poems away...
Nat Lipstadt Mar 2015
Aye Aye
(Poetry is the Adhesive of Our Lives)

6:33 am

for Joe*


once again,
in a strange bed,
in a strange city,
left a cold snowed city climate
debtor-in-possession,
owner of a carryover question
of yours,
what was a
winter prior posing,
is now a plane plain ride over
have coming with me
awaking,
by a sun provoking,
the answer,
now strange composing
in a visually warm city where
beautiful tanned bodies
are mined in beach sand

and
this,
my answer,
it too,
mine,
it too
being mined,
subconsciously working, coming,
f o r m I n g
in my always busy,
overthinking,
daily nighttime shift of
repositioning from a
dark night ended reposing,
into a
sunny day answer deposing

t'is a tricky one,
when one poet asks another
straight out,
after the the fashion of the day,

of my poetry,
whattaya think,
whattaya know...

about
my very own
words,
this communal place,
HP,
an open bed,
where we lie down with strangers,
where we lay down our words,
wake up lovers,
or worse,
ignored,
wake up encouraged,
(can one make hallelujah a verb?)
or refuted,
disputed by
the either/or
ignorant silence of the masses,
of what's truly good,
or sunk
under reedy rushes of swamping
despair,
at the ignorant adulation of the
endless trite, puerile

not one
for shooting from the
hip,
on a subject so
delicate,
that my paused,
slow mo response,
to you,
of course,
misunderstood,
as a red badge of no courage,
a refusal to answer
in this demanding age of
virtual, instantaneous any and every
stray dog thought

multiple shades of a Miami sunrise,
burnt oranges and Van Gogh blues,
frosted strawberry internal pink toppings,
whitish cream cappuccino streaks,
makes one wonder about the
creative design team that brought us the
universe and this all over
sunrise,
all natural, organic visual breakfast
that comes to remind me that
your answer,
you...

for all of us,
in our lives
there is always poetry infused,
there for the seeing,
and
for some,
even
adhering to our
private places

for you, Joe,
there is always poetry,

in this work,
is the continuous process,
self-recreating,
and this sir,
aye, aye, sir,
this one writ,
hopefully a satisfactory answer,
perhaps...
one of resolution,
of adhesion,
silicon bonded

for such is the nature of
this particular Joe,
an inquiring soul,
a nurtured one,
another poetry-partial-birth
child of mine,
born on-line

so,
requiring special handling when
creating, crafting,
******* lines of my presumptuous presumptive
"expertise"
in all matters that
our emotional heart
is the make-up-the-rules-as-you-go
rulemaker

thus,
peril,
fraught, and
simplistic excessive
frugality of word/feelings,
dangerous and inappropriate...

I loke (love + like)^
your poetry fine
the slow revolution of the screws
of growth so readily apparent...

But,
always,
a but,
my demands upon you,
so great,
the expectations of expectations,
greater for you than I dare share,
only since your quest
is my bequest
so shockingly that you dare
directly request

herein,
asked and answer attempted,
yet the risks are I lighthouse beacon
angle too high,
becoming too troublesome,
an Excedrin headache

You don't see,
You don't comprehend,
the way I do,
how far you have come,
your train,
upon which
I am a windowed, winnowed,
passenger,
a pseudo parent
in Loco (crazed) HP Parentis

so it breaks my heaVy heart,
that I want burdensome you better,
so much better...

Oh Toolmaker!
from your
as of yet
swelling unrealized
r e a l
blood sweat and
tears

I want to be forced
by you
to shed my own
tears,
gasp, intake my own
bloodied breath,
sweat when reading yours...
hopelessly selfish,
wholly unsatisfied...

I want
your refreshed wit  born in
Whitman
winters

tales of your Connecticut icy hot
Frost
should lay me low by new poems as good as
Lowell's

tease me, seek me
let me beg,
make me yours,
like Sara Teasdale's
"I Am Not
Yours"

I will you!
will you be,
recreate anew
William Carlos Williams

make me gnash my teeth
when you limerick like my first hero
Ogden Nash

moor my heart like
Marianne Moore

be a new American Master
of this awesome trade,
accepting of this modest tirade,
make new tools still invisible
that will become
more powerful than
any man's hand
can mechanical design...

most of all force me to
reside inside your adoms
locked in my soul's firmament,
until you have fashioned me
into
an obedient tool,
forcing me,
to weep my own
r e a l
blood sweat and
tears
that your words
backhoe excavate
from their hidden places

be mine own
GI Joe
poet~hero

hopefully,
this answers your question,
what I think
of your poetry voyage
to levels of heaven
you are yet
unacquainted

looking forward to an
aspiring spring,
a robust salute of
Aye, Aye,

for I  have fixed the spot in the sky
with the adhesive will keep your star aloft
tween you
and the rest of us
plodders

but now be bounded to lift
us to
unbounded highs
on the wings of the highest
expectations*

of all of us who
admire your journey so...
will not e v e r be satisfied,
until
you exceed,
you succeed,
until
we are such
so sated, so satisfied...
that we see the music,
dance to the words,
in places where the silence
of listening
is the greyest gift
one can give...
^Loke - courtesy of Joel Frye

Of course, I  just happened to hear Christine Ebersole sing this tonight...

It seems like happiness is just a thing called Joe
He's got a smile that makes the lilacs want to grow
He's got a way that makes the angels heave a sigh
When they know, little Joe's passin' by

Sometimes the cabin's gloomy and the table's bare
But then he'll kiss me and it's Christmas everywhere
Trouble's fly away and life is easy go
Does he love me good, that's all I need to know

Seems like happiness is just a thing called Joe

Sometimes the cabin's gloomy and the table's bare
But then he'll kiss me and it's Christmas everywhere
Trouble's fly away and life is easy go
Does he love me good, that's all I need to know

Seems like happiness is just a thing called Joe

Little Joe, my little Joe, little Joe
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