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2.6k · Sep 2013
The sums, always the sums!
Nat Lipstadt Sep 2013
The TSA won't let me fly
It seems when airplane-jailed,
My muse sneaks aboard
Without paying for a seat.

Another airplane poem like 30B,
From a long ago flight,
Found dusty, in the poetry sewing box


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

with every breathe he tithes
a packet of whispered wishes,
a blended osmosis of
past and future scenes,
reviewed, previewed,
moments in time,
actual and dreamed

some received,
airborne plucked,
in his chest stored,
prepared for future
takeoffs and landings,
for ultimate insertion
in both
your recesses
and
your abscesses

some native,
combobulated, containerized
packets of seconds,
of joyous moments,
bytes of historical
hugs n' kisses,
as a child
to a child
from a child

those are vanilla frosted,
residual payments for the
good done and given,  
forwarded with all clear signals,
to his loved ones,
now resent, to you,
fellow travelers and sojourners,
intersectors of our peculiar
coded dots and dashes

thirty five thousand feet high,
composure lost,
he swoons as
Bocelli's voce del silenzio
releases tears so sweet,
which are by nature,
gravitated and transformed
into snowflakes to decorate
the Sierra Nevada's
breasted peaks and valleys,
over which his physical notion
is at rest, yet in motion,
within a Delta flying ship

Yet his fevered chest
beats rough,
for every flight seems
a time warp interlude,
a forced reflecting rhyme,
not of his choosing,
a lawful, thoughtful, imprisonment

having donated to you
his best, the remainders,
the man tallies, recalls:

ancient slights, scaled heights,
requiems for his forefathers
scored by cantorial choirs,
liberation struggle weariness,
offers taken and refused,
aces in the hole that proved
insufficient to save his soul.

goal line stands made,
onslaughts refused,
true lies and false truths,
moist lips and monster tears,
occasional A's and calcu-hell-us,
hand me downs received,
help me ups got n' given,
buildings pricked by airplanes,
death wishes granted
and nothing thereby gained,
children, found and lost,
mine, yours, ours...

The sums, always the sums!

engine noises and pilfered winds
are dulled and semi-silenced,
yet the silvered chamber prison
resonates from end to end
as each ledgered memory,
each packet of the
hidden whispered poems
he does NOT choose to send,
dents the man,
leaving claw marks,
screaming pay attention to me,
as if they were the priorities
of a six year old child,
refusing to be ignored

he does,
attention, he does pay,  
allowing rocking guitar heroes
to overtake weeping violinists,
just as newer transgressions
surfeit even his
most really *****,
ancient sins

No matter how he counts,
unable to master the additions,
no matter how many times
counts are initiated,
taken and retaken,
the tally's net net is
concluded, numbered
"forsaken"

his life's W-2 is black n' blue,
deductions falsely enumerate
and thereby underestimate
dues he has paid summarily,
earnings, distorted,
taxes paid never enough,
to satisfy the justice scales,
so wearily he
cries and enunciates,

The sums, always the sums!

THEN COMES HIS SHOUT OUT,
at his most vulnerable,
when a thin veneer of alumina
separates him,
from a fall inglorious
to an end most gorious,
a rapping beat moderne
insists that he go all out,
disallowing no
airy fairy poetry
to disguise that:

If the integers are false,
the entries of a life lived,
are sucker lies
black eyed flies
toxic shockers
that bust open
stinko lockers
where the B.S.
mocking stories
are kept

don't look close
at his documents
they ain't exactly
heaven sent
and the government men
be back on his track
their aviator shades
protect them from
burning light of the
man's furnace
where he burns their liens,
and the agent's ear pieces
drown out his screams of

The sums, always the sums!

God bless you,
keep and recall those packets of
whispered wishes, good tithes,
that the man bequeaths,
gift baskets of
expresso essentials
with God's love delivered

Tho his words,
amateurish and unvarnished,
silly and pompous,
nonetheless, they are the
return on his investments,
his yearnings for your happiness
are the savings accumulated,
though meager jewels are they,
they are ad valorem,
mixed into his confused murmurings

here then,
are his summings up,
what he wills you,,
the tally finale
the best wisdom is
found on coffee cups
at 2:47am.

Dance
Love
Sing
Live

to which he respectfully amends with a
Write.
(See banner photo)
See Nat Lipstadt
Juggling Thoughts Re Proximity, in Seat 30B
Nat Lipstadt Jul 2019
I get her, she writes me,
so eloquently,
”the nub of me; gist, manifested poetic”

one of the many poets I have never met,
one of the many poets, by whom,
I have been suchly, justly, richly and correctly
accused

this mesmerizing judgement,
her-over-easy, mini-essay so succinctly
assaying an accidental ability mine

explodes
a happy passageway to my brain,
a new aperture, the neurons firing at will,
the tormented inquisitor’s unasked question,
how did this happen to me?

rocking the Sunday morn cradle’s calm,
ok, ok, write me, write me,
demands my no longer free will,
utilize the free wi-fi of we fidelty

the bay, surgically barely treading water,
its surface of multitude of small waves
but now an entire ****** expression bidding welcome

the breezeways genteel,
smilingly
invites and push us into its
directionless & tideless soothful embrace,
to the shoreline we goeth,
to watch the occasional crossing vessel intruder,
woking the waters gentle

its white path residual wake foam-formed,
then almost instantaneously absorbed, bubbly bursting,
a history of a million moments awakened,
then, instantly returned to restful sleep,
akin to a newborn’s gurgling happy dreaming,
wiped clean away off to
Peter Pan’s it-never-happened-land

this carnival trick sideline of deep tissue knowingness,
sensing the essence of the who and the whom within,
with no data to go on other than their poetic collection,
the hidden meanings of the spaces and places between
the gene sequencing of their wondrous word-fullness
DNA poetic children, freely given,
and well taken
by me

I cannot explain it well enough, but then
a strayer thought breakaway,
a prehensile comprehension insertion
proffers itself as an explanation
intruded,
and here,
extruded

the perfect world exterior before me observable
thrusts itself through picture windows onto my demeanor,
a ****** addiction of mine, my soul enslaved,
cannot bear to be taken away from

this vista,

which begs me,
bring all those you know!
here, to share, this precious precise nook
where eye insightful incisions elicit poems-by-command

but I cannot, bring you here,

so I see~imagine it better through
your eyes, then
your
gist
is in my stubbed pencil nub, it is
your
poem’s destiny manifesting,
penciled through my scruff edged fingertips,
which-when-then transcribed to paper, to history,
‘tis all you
who writes,
not I

for now
you
are the solitary vessel waterborne,
you,
you
are the captain and I

but a
Samson-nite, burdened, baggaged and blinded stowaway,
hopeless, yet still see-worthy,
with your guiding eyes,  
keeping me to keep
your copyright righted,
onto its course true



7-14-19 9:43am
in shelter, on the isle
she’ll ken her authorship by the title
2.6k · Jun 2013
just like a woman
Nat Lipstadt Jun 2013
Just Like A Woman

You focus on the act,
The ridiculous derring-do,
Laughing at me
Cause I chased away
In my rumpled ******,
The woodpecker that **convulsed

Our house at 5:00 AM,
With a decorative pillow.

Focus on the results, says the
Results-oriented man.

Has Woody ever returned?
No and his fate is still unknown,
He may fly forever neath our trees,
But now he knows to stay away
From me and the risk of my pillowy pillory!

P.S. I may (or may not)
Choose to disclose
That upon my return
The house still shook,
From someone's uproarious, convulsed
Laughing at a city boys country heroics.


10:30am
June29 2013
Certain people maintain it was the horrific/comedic sight of me that drove him away.  No matter, its the "bottoms"  line that counts
Nat Lipstadt Jan 2014
after five years
when I write her a love poem,
she is always surprised,
her unexpectation
so very pleases me.

after five years
when I write her a love poem,
I am always surprised,
that a new way to say it,
uncovered.

but this I can tell you,
not once
do I ever write
nor will I ever pen
those I love you words.

they are too easy, too cheap,
a dime a dozen,
naked words make me weep,
dress 'em, cloak 'em, try to
Pradip 'em in
mystery, charming humor,
use conjuring spells of
Bala imagery unreal,
Bzynga!

work hard to tell her why,
work hard to guard your originality,
work hard to tell her in ways
that her into me
smiling, crying, punching.

so I write love poems,
every now and then,
special ways recalled,
teasing her about her forgetfulness,
about her teasing me with rhyming
that is less than spectacular,
how my body has
reshaped itself to fit her.

tell her
I love you,
plain,
well that be downright,

pffft.
(an interjection used to express or indicate
a dying or fizzling out)

the key is to tell her
in a fashion original,
personal to us.

that what all these endless
love poems here strive,
but too oft, fail to arrive.
all tricked up, too direct,
passion burnt used up
after but a single read

stroke her cheek
with soft stanzas,
torrential directness,
no subtly,
fizzles.

write for the long haul,
words that five years hence,
words that five hundred years hence,
make her into me
smiling, crying, punching,
like the first time
she read them,
like they did
five years ago.
Jan. 9th, 2013
2.5k · Nov 2015
How Many Calories in a Poem?
Nat Lipstadt Nov 2015
How Many Calories in a Poem?


visualizing the invisible,
we deconstruct the content,
the in-titled label reviewed,
querying,
is this one worth the cost?

looking for true fiber,
then further inquire,
perchance,
are there grams of
kick-starting emotive proteins,
stored and lurking within,
homes for the cells
that will inspire, transform,
mere readers into mountainous writers

lean on those scripts,
injected with just hints,
resting ribbons of flavorful fat equipped,
for there will always be
the tyranny
of the those of the sparse faith,
those writers of haiku brevity,
believers that
fat free,
is the only,
but lonely,
bene of beauty

death from ignorance to those
who would poison the fruit
of the alphabet tree,
coat produce, with glossy chemicals,
that preserve the shiny exteriors,
cooking up false feasts interior,
saturating us with the trans-fats of trite,
oily verbosity and labels of organic,
that conceal the risks of
hyper-pretensivity

an every poem, seasoned for taste,
a dash of diamond sea salts,
scatter on pinches of pearls
of Caribbean cane sugar,
sprinkle human sins and cinnamon
for zest and tang,
for inspiration and flavoring,
for the souls tonguing tastebuds,
needy for reasons
to celebrate  commissioning
the enticing exhalations of appreciative
oohs and ahs!

Warning!
this poem was processed
in a old, out-of-date factory,
that is most assuredly not,
nat-nut free*

but even if allergic,
be unafraid to taste the acerbic,
for there are
poems
suited for everyones, even your
peculiarities

you want your essayed poems
to brim healthy caloric,
grow them as offshoots
of your very own organs

you need not seek anothers certification,
if filled they are
with the mettle of iron,
built to be
calcium-fortified structures,
with the perpetual strong bones
of rhyme and sonnet

let each worded edifice
be the food,
stored to be gifted
to our progeny,
by their ever living on,
marking us,
marking them

omit the trite,
we ken no need,
for it is the false emptiness of
misleading carbohydrates,
that only fatten,
for the briefest satisfaction,
purposed for the killing of fulfilling,
dulling that which only
a well prepared
dish poetic,
can bring to healthy enliven
the human spirit




Nov. 12, 2015
Aboard Delta #2499
5:10 pm
when you are trying to lose weight, you obsess about bad calories
in everything...
Nat Lipstadt Jul 2015
~~~

Mouth to Mouth, Chest to Chest



~~~
"Heard the song of a poet,
who died in the gutter"
from Bob Dylan's song,
"It’s a hard rain’s a-gonna fall"
~~~

heard the song of a poet
who died in the gutter,
last verse, last curse,
not a shout, more a mutter,
a question answered in the asking,
mix tape tune of mournful and joy,
a dying man's elixir.

who will me,
anyone recall?

I will.

not each poem, nor stanza,
but more
each hard rooted, weeded
and impossible to remove letter,
will come to be in,
carried and burnt upon my chest,
chiseled, precision hand tooled.

though my body to dusty ash
fated inevitable,
following yours,
those letters of yours,
will not to heaven ascend,
but come to miracle rest
on the skin of another, renewed

for this the way poetry gets
passed on,
a sustainable, renewal
natural resource,

never down,
always, always,
upward

ear to ear,
mouth to mouth,
from chest to chest


~~~

July 10, 2015
2.5k · Dec 2013
The Imprint is The Gift
Nat Lipstadt Dec 2013
where to begin?

let us acknowledge
the responsibility of our actions,
and the titles and duties,
and the unexpected,
thereof.

I was a son, till this year,
still, of sorts, but no longer,
traded it in for
orphan.

are you still a child,
when you have no parents?
are you still a parent,
when a child lost?

I am a father, and grandfather.
this definition of me,
extant, future seeded,
perhaps permanent,
perhaps not.

the product of
actions more than
thirty years ago,
and events yet-to-be thirty years
hence.

titles claimed and granted,
partial, not finite,
not definitive, nor infinite.
partial, but part and parcel,
these titles, of you,
yet
they are not the totality, of you,
but very much part of you,
for you possess precious,
The Imprint - The Gift.

the child lost,
the parent found,
the newest coming,
the oldest gone,
all imprinted on your hands,
just look at them!

there are lines on your palms
you do not know the meaning of,
you do not yet know the ending,
they are in your cells,
as you are and were in theirs.

The Imprint
is The Gift
that is
non returnable,
non refundable,
nor is it
diminished by
any stone marker, measurement
of a day, an uncertain,
certain moment.

Look in the mirror.
see them in you,
as they saw themselves in your
reflection.

ah, reflect.
acknowledge that the
absence is pain,
but look at those hands,
that face, your face,
see the
The Imprint - The Gift
permit yourself an easement,
for it the season of
recollection.

ah, re-collect, recollect.
let the story.
continue, by the retelling.
find that palm line,
find that psalm song,
where the babe lost,
the mother lost
is the babe reborn,
in new faces, forever contained in
The Imprint.

we all ken loss,
we all keen know anguish,
different kinds for different folks.
do we not all have blood?
but are there different types,
and yet,
all still blood related.

prepare yourself
for more sad to come,
and some to never,
woebegone.

but do not forget,
nay, you cannot,
for seared it is,
this imprint,
a two sided copy
of a single document,
you on them,
them on you.
~
an eyelash falls
upon the poem.

a decorative reminder,
a stop sign,
a decorative remainder,
that it is time,
to recall,
to be unafraid.
now, now, right now,
is the time to remember,
that very eyelash,
the cells that are
therein,
the eyes that it has protected,
saw, know, well recall, gave,
gave part of you

and smile,
yes, smile,
for in them,
in the lines around your eyes,
the crisscrossed cell map upon thy hands
is the
The Imprint,
The Gift.

where to end?

This imprint upon your body exterior,
part mark, part stain,
part badge, part medal,
part cain,
part ribbon black pinned.

it is twinned,
for the match, the mate,
of this gift I printed,
is still in your living cells,
and thus knowing
the imprint is yours forever,
they are not lost,
you are not lost,
for Their Imprint
is a gift that
is
never ending
shall eternal be a salve this
happy, sad, melancholy,
holy
morn, day, season.
For you,
for all of us...written in the sky above the Eastern Seaboard on Dec. 24th, 2013
The child is the father, the mother, to the man (BS&Tears;)
2.5k · Sep 2014
The Colors Inconsistent
Nat Lipstadt Sep 2014
The Godfinger has not yet
colored-come this far south
from up in the North,
but soon inexorable, marchingly quietly
to finger paint reds and golds
that are calendar scheduled to arrive

the idea of them, their visual,
burrowed  but easily retrieved,
for in the poet's mind's eye
he foresees their forthcoming blaze,
smells them in the not-quite-autumn
sea breeze

colors welcome for many,
for they serve to awaken and ravish
inattentive-to-nature wooly brains,
distracted by new work projects
diluted multi-tacking senses,
back burnt by responsibilities,
**** deadlines,
term papers, too soon due

full well knowing fall colors incipient,
this summer man piety engorges on
the embering remains of his beloved season,
His Summer Surround Sound Environment,
reflecting on his insignificance,
the seasonality of life,
the sad-always finale for grownups
that is the year ending
December,
no longer a far away,
inconceivable concept

these robust leaf colors, product of
chlorophyll properly chilled,
signal mark
all hope lost for the summer warmth,
the life force of this
poet's body and soul's
his sun tan lotion ****** cleanser, restorative,
all sold out, no longer on the store's shelf,
and a new conceptual,
2015
low growling while on the prowl

but for now,
it's still land-greens and water-blues,
though tarnished are the hues,
the grass, an admixture of
ugly straw yellow and a sickly green,
the bay green blues darker, uninviting,
the surface sun glints duller, less charming,
but close enough to the
real thing
for him to embrace passionately

he thinks bemusedly, out loudly,
writes smilingly, out loudly,
for he is in his trademark chair,
adorned in summer garb,
t-shirt and shorts,
holding on for as long as he can,
grabbing errant sun rays,
breathing salted bay air that's
cleaner now, for the summers sailors
all gone ashore to dry dock ports

while his woman, sensible ever,
acknowledges the frosty wind that
necessitates blanket, a full dress uniform,
complete yoga outfit and anorak,
the dress code de rigeur for combat
against
the September brilliant and undeniable chill

Springsteen and Cassidy hum his
melancholy perfectly and he wonders
about the ifs and of's his chosen life,
about the why's and wherefore
of his poetry that he sometimes writes
under assumed names

these contradictions,
me, summer,
she, cloaked in wool,
these natural nature inconsistencies,
even though unrealized,
the inevitability clashing sounds of vibrant colors
overtaking greens wilting,
all to be winter-denuded,
mark the day,
mark the man,
his poem,
mark this moment of
inconsistent colorations
September 20, 2014
2.5k · Jan 2014
R&B: Joe wants to know
Nat Lipstadt Jan 2014
Joe wants to know
how'm I doing?

an innocuous query,
little can he know,
bye bye is my merry,
marooned on a skerry,
noxious fumes in the aerie,
currently inhabiting  my foreheady,
worry waves, rolling thunderous tides,
have myself beside

thus the answer to your toll,
something bad, on me, got a hold

Joe,
life is,
more than a tad
concerting

concerting?

surely you meant
converging, or perhaps,
concatenating, or concaving?
discombobulating, or more likely,
plain ole disconcerting?

indeed, all of the above,
fit like a glove,
but best combinated in steaming mug of
concerting

"to contrive or arrange by agreement: to plan; devise"

the world is secret contriving,
the world is secret devising,
a plan for my demising,
forces are concerting re me...
most concerning,
as trends converging,
concave hollow chains clinking,
a concatenating chorus
voicing their displeasure,
at my happy existence,
which now gone,
its loss, wept for, in great measure

life dissing me, in a manner
concerting and dis-concerting,
my composure,
decomposing,
the ides of depression,
hip hop discombob-
(undu)lating throb
but then again,
what's in a word,
what's in a rhyme,
jes that old timey R&B;,
rhyming and blues,
of a verbal kind

so, Joe, how'm I doing?

now that you are knowing,
as men of distinguished letters,
students of history,
part time poets,
Your Reply
must only be:

"Oh no, Natty,
say it ain't so"
http://www.thisdayinquotes.com/2009/09/it-ain-so-joe-actually-wasnt-so.html
http://en.wikipedia.org/wiki/Shoeless_Joe_Jackson


Skerry: a skerry is a small rocky island, too small for habitation; it may simply be a rocky reef.
Aerie:   any habitation at a high altitude
Concatenating:  to link together; unite in a series or chain.
Combinated: poetic license
Concaving: hollow and curved
Discombobulating: to confuse or disconcert; upset; frustrate
Dissing: to show disrespect for; affront. to disparage; belittle.
Nat Lipstadt Nov 2023
At What Cost?
This Purchase of Our Future

a thousand answers + variegated shadings, a summation:


of millions layers of our owned chosen complexities,
so many possible outcomes, it makes infinite randomness
seemingly simpler than our googolplex crazy preposterous
notational choosings, our owned decisions which though false,
cause nothing is tandomn random except for love at first sight

it’s all  just *******, we conditioned from pre-birth,
the expectations subtly subsumed into the woman’s womb,
overlaid by the ***** donors whisperings that you will be a
great third baseman, or a great bass player, or both, but
“your” fate, ha!
is anything but yours…
to purchase!

if you were born to live in a home with no heat, and water was
obtainable by walking 100 yards away, you would still be a
pianist, writing notes of plaintive need, grand desires, musical
words of agonizing delight just as when
you first blushed when the brain
connected yellow rays with a word,
sunrise,
and an experience was synapticaly imprinted,
that real things could be defined by an ordering of letters and sounds
and you were tongue burnt by a need so great
to collect these pleasurable things and put them in a right order
of your
peculiar
particular
personal
inherited inputted
design

=
and
you yet debate
what is my instrument,
knowing that the multiples of your fingers
are the engine of your existence,
and on any particular day they, your well connected perma-crew,
will pick which is the chosen one,
and
no matter which,
for you had nothing or little purchase,
it was coded in your pre-history
just as you prepare a transmission list
of your own,
when you daily first touch your face,
closing the sensory sensual connection tween
the ephemeral and the physical
and
the new combinations
that you will imprint upon
someone’s flesh,
that is your right,
that is you write,
that is what you were
predestined,
to
create

but,
(what the heck)
you get
to-pick the instrument of the day…


(
that,
is your purchase, your only cost,
everything else has been
pre-paid
)
Thu Nov. 9 2023
8:51am
ny
Nat Lipstadt Mar 2014
a fair question, deserving of thought,
goodly soft care and hard consideration,
strangely, instantly and undeniable,
one worldly, word achieves *******

whether first or foremost,
après ma raison d'être,
cannot list, nor rank or certain state,
yet my heart repeats, nation, nation,
my understanding, instant and complete

worthy journey to self-fulfillment,
contentedly unhappy to be permanently,
one poem short on the one continuum,
the-road-trip to salvation,
my end, my finality / our self-acualization

aking pagtatapos, ang aking katotohanan
my einde, my realiteit
fen m 'yo, reyalite mwen
akhir saya, realiti saya
ma fin, ma réalité
M
write of the ifs of a man's life,
and come aboutface to conclusions,
instant and long in the making,
there are willing ears on this globe,
welcoming me open armed, opened lipped,
knowing firstly this open-eyed greeting,
welcome poet, tell us

for we are one nation, everywhere invisible,
indivisible with liberty and justice inherent,
creation our common good, in fact it is our
lifelong wares and goods, letter by letter composing,
we sell for the price of free

This then single common currency,
our ouro, derivation of
languages multi and mellifluous here spoke,
this my/our nation where birthright and
citizenship ego-and-geo boundless,
my loves, continentally arrayed,
to whom I pledge until last breath
utter all, guttural devotion

when one of us creates,
good manifests, I care not
in what tongue,
for our tongues
intertwine and intertaste
this one flavor,
communitas,
meine gemeinschaft, meine gesellschaft
where spoken
goodness all the days of life,
it has goodly gotten me to you...
inspired by an overheard conversation on Facebook between two poets, and this article about Robert Frost asking, can bad people write poetry.

This poem is dedicated to the so, so many good friends, in my life now attained, on continents near and so far away, of you I thought first, first, when this question, self-imposed interrogatory,  demanded answers.

http://online.wsj.com/news/articles/SB10001424052702303650204579376813629376986?KEYWORDS=Robert+frost&mg;=reno64-wsj

if you cannot open the article, I will send if one asks..

Filipino, Afrikaans, Haitian Creole, Malay, French
Nat Lipstadt Mar 2015
Aye Aye
(Poetry is the Adhesive of Our Lives)

6:33 am

for Joe*


once again,
in a strange bed,
in a strange city,
left a cold snowed city climate
debtor-in-possession,
owner of a carryover question
of yours,
what was a
winter prior posing,
is now a plane plain ride over
have coming with me
awaking,
by a sun provoking,
the answer,
now strange composing
in a visually warm city where
beautiful tanned bodies
are mined in beach sand

and
this,
my answer,
it too,
mine,
it too
being mined,
subconsciously working, coming,
f o r m I n g
in my always busy,
overthinking,
daily nighttime shift of
repositioning from a
dark night ended reposing,
into a
sunny day answer deposing

t'is a tricky one,
when one poet asks another
straight out,
after the the fashion of the day,

of my poetry,
whattaya think,
whattaya know...

about
my very own
words,
this communal place,
HP,
an open bed,
where we lie down with strangers,
where we lay down our words,
wake up lovers,
or worse,
ignored,
wake up encouraged,
(can one make hallelujah a verb?)
or refuted,
disputed by
the either/or
ignorant silence of the masses,
of what's truly good,
or sunk
under reedy rushes of swamping
despair,
at the ignorant adulation of the
endless trite, puerile

not one
for shooting from the
hip,
on a subject so
delicate,
that my paused,
slow mo response,
to you,
of course,
misunderstood,
as a red badge of no courage,
a refusal to answer
in this demanding age of
virtual, instantaneous any and every
stray dog thought

multiple shades of a Miami sunrise,
burnt oranges and Van Gogh blues,
frosted strawberry internal pink toppings,
whitish cream cappuccino streaks,
makes one wonder about the
creative design team that brought us the
universe and this all over
sunrise,
all natural, organic visual breakfast
that comes to remind me that
your answer,
you...

for all of us,
in our lives
there is always poetry infused,
there for the seeing,
and
for some,
even
adhering to our
private places

for you, Joe,
there is always poetry,

in this work,
is the continuous process,
self-recreating,
and this sir,
aye, aye, sir,
this one writ,
hopefully a satisfactory answer,
perhaps...
one of resolution,
of adhesion,
silicon bonded

for such is the nature of
this particular Joe,
an inquiring soul,
a nurtured one,
another poetry-partial-birth
child of mine,
born on-line

so,
requiring special handling when
creating, crafting,
******* lines of my presumptuous presumptive
"expertise"
in all matters that
our emotional heart
is the make-up-the-rules-as-you-go
rulemaker

thus,
peril,
fraught, and
simplistic excessive
frugality of word/feelings,
dangerous and inappropriate...

I loke (love + like)^
your poetry fine
the slow revolution of the screws
of growth so readily apparent...

But,
always,
a but,
my demands upon you,
so great,
the expectations of expectations,
greater for you than I dare share,
only since your quest
is my bequest
so shockingly that you dare
directly request

herein,
asked and answer attempted,
yet the risks are I lighthouse beacon
angle too high,
becoming too troublesome,
an Excedrin headache

You don't see,
You don't comprehend,
the way I do,
how far you have come,
your train,
upon which
I am a windowed, winnowed,
passenger,
a pseudo parent
in Loco (crazed) HP Parentis

so it breaks my heaVy heart,
that I want burdensome you better,
so much better...

Oh Toolmaker!
from your
as of yet
swelling unrealized
r e a l
blood sweat and
tears

I want to be forced
by you
to shed my own
tears,
gasp, intake my own
bloodied breath,
sweat when reading yours...
hopelessly selfish,
wholly unsatisfied...

I want
your refreshed wit  born in
Whitman
winters

tales of your Connecticut icy hot
Frost
should lay me low by new poems as good as
Lowell's

tease me, seek me
let me beg,
make me yours,
like Sara Teasdale's
"I Am Not
Yours"

I will you!
will you be,
recreate anew
William Carlos Williams

make me gnash my teeth
when you limerick like my first hero
Ogden Nash

moor my heart like
Marianne Moore

be a new American Master
of this awesome trade,
accepting of this modest tirade,
make new tools still invisible
that will become
more powerful than
any man's hand
can mechanical design...

most of all force me to
reside inside your adoms
locked in my soul's firmament,
until you have fashioned me
into
an obedient tool,
forcing me,
to weep my own
r e a l
blood sweat and
tears
that your words
backhoe excavate
from their hidden places

be mine own
GI Joe
poet~hero

hopefully,
this answers your question,
what I think
of your poetry voyage
to levels of heaven
you are yet
unacquainted

looking forward to an
aspiring spring,
a robust salute of
Aye, Aye,

for I  have fixed the spot in the sky
with the adhesive will keep your star aloft
tween you
and the rest of us
plodders

but now be bounded to lift
us to
unbounded highs
on the wings of the highest
expectations*

of all of us who
admire your journey so...
will not e v e r be satisfied,
until
you exceed,
you succeed,
until
we are such
so sated, so satisfied...
that we see the music,
dance to the words,
in places where the silence
of listening
is the greyest gift
one can give...
^Loke - courtesy of Joel Frye

Of course, I  just happened to hear Christine Ebersole sing this tonight...

It seems like happiness is just a thing called Joe
He's got a smile that makes the lilacs want to grow
He's got a way that makes the angels heave a sigh
When they know, little Joe's passin' by

Sometimes the cabin's gloomy and the table's bare
But then he'll kiss me and it's Christmas everywhere
Trouble's fly away and life is easy go
Does he love me good, that's all I need to know

Seems like happiness is just a thing called Joe

Sometimes the cabin's gloomy and the table's bare
But then he'll kiss me and it's Christmas everywhere
Trouble's fly away and life is easy go
Does he love me good, that's all I need to know

Seems like happiness is just a thing called Joe

Little Joe, my little Joe, little Joe
Nat Lipstadt Jul 2019
love between poets: “who will be between the sheets next week
when I’m gone,” she lets sigh-escape,
as she watches the backyard paradise parading landscape
of animals before the bay, perfect day sure to come,
her new pets obeying the early morn sunrising awakening call
to rise, everyone playing~parading, before her royal summons,
no coincidence, finger-of-god, two by two

this while I’m kissing her neck,
my arm around her *******,
and the he-intent on slip sliding down
to the small of her back,
obeying his innate,
worship worshiping and giving up,
all he’s got intense intently contentedly

unfazed, unphased,
non-nonplussed,
he’s been interrogated before,
heart is pure he answers:

next weekend when you are back in situ,
thousands of miles away, airplane housed for hours,
writing poems of love from the lost and found,
recalling this exact moment,
how I worshipped your presence,
and these words:

You will be with me in every breath,
our sheets will radioactively emit
ions and molecules of our scent combined,
and present as present  your perfume can be,
elicited, elixir, you and me combinant

she turns from the bay-view,
the animals who now mutually
worship her adoration,
watching, focused on us as observers,
she lifts me up and smiles,
replying

“oh my lover you’re the cad of cads,
king of the baddest poet-lads,
the gist of what is wrong with the best of men,
her, pressing me hard to her chestnut hair chest,
she, falling down into my eyes

take me back to bed, liar,
let me add to my aroma,
to ensue, to ensure you will miss
the best love
you had partly, insufficiently, and unhinged
completely

I’m your lassie, you my lad,
my king of cads, my lover poet,
thief of my poems and my secret speech spells,
escalating senses of one’s imaginings”


and,
along came the rest
of what was freely given,
for love between poets
man and
a woman,
is a someone, somewhere,
sometime summertime
thing

I will still smell you in my
heart, and send to you ballistic missives,
words to explode your tear ducts
when you rest in sheets that met me,
when you’ll know me by my odors,
cry out loud so that you’ll scare our animals,
no matter how many tides wash away our residue,
you will never unknow and be forever unprepared
for my return,


even though we will be each, a thousand unwritten poems away...
Nat Lipstadt Apr 2016
a quote from the movie "The Big Short"

~

*a screen provocation,
you laugh out loud,
mime hating yourself
that you are joiining in
tacitly acknowledges the truth
of abbreviated wisdom

you,
disguised minority of
modest disagreers,
c'mon, admission submission,
more truth in it
than deserving of argumentation

a one liner throwaway,
neatly designed,
leaves you disturbingly
probed,
thoughtfully tormented and
aroused

poetry just a vehicle,
your vice for revelation,
the critical door to open is this:

do people hate the truth?

inescapable reality
ironical probability,
truth well disguised,
in plastic shell of lying
from the Hollywood's would be poets,
an escapade from the escapists

let us not pretend
that you and I
uncaring, for by virtue of
your reading this, you are
poetry aficionado,
required to deny the lie,
and yet,
accept
the
granular view
that we are rising writing thru the wronged end of
a telescoping microscope

so I scare scar a tissue sample from my tongue
and the cells spell
this rejoinder:

all your lies are poems,
incomplete truths,
and that's why people hate poetry
fallow lain since
Jan . 2,
2016
until today
2.5k · Aug 2013
Spanish Guitars
Nat Lipstadt Aug 2013
Spanish Guitars

A few years ago, in 2011, I went to a concert of young classical guitarists.  Just before or after, I don't recall, I saw an exhibition of Picasso's guitars at the Museum of Modern Art in NYC (http://www.moma.org/visit/calendar/exhibitions/1101).
This poem ensued.  This is one of the lost poems I mentioned, recently rediscovered on an archaeological dig.


Spanish Guitars

two weeks pass.

I have seen
two guitars
one of wood,
one of sheet metal.

both were alive,
both were inanimate
both birthed for display,
useful for granting pleasure and
heating up le jus d'creation

products of a tradesman's craft,
animated to pierce my brain and
pleasure me with the realization
that when you see
what I see
When you,
you hear,
What I see
we all perforce speak but one language,
an alphabet of music, art and love

A young,
oh so most beautiful
Croat guitarist girl,
Ana, coaxes an urgency
from her love, the blonde wood,
she takes Piazzola's notes,
as if they were Picasso's thoughts
and set them within so
days later, the resonance plucks
at my temples

Picasso, like a little boy,
collects collaged bits and pieces of
life's stuff most ordinary,
postage stamps, playing cards,
wallpaper, pieces of cardboard,
cutouts from Le Journal,

and with fingers delicate
sticks and glues discrete notes,
individually nothing
but pieces of this and that,
bits and bobs
superimposed on faux woodwork,
presenting an instrument tooled to

conjures up a milonga^,
the sounds of angels dying,
a fandango of trembling tones
a sonnet of sounds,
celebrating human touch
upon animal, strings taut,

feasts both, a banquet,
a  triomphe of sounds
that tutors my senses
to hear sheet metal guitars
imprisoned in museum glass
gush sounds of parallel lines
and delicate contrasts,
A duet of animate, inanimate
Virtuosity

All is clarified.
One language.
Many dialects.
Both, Spanish guitars.


^ a milonga has many meanings, but here, refers to a Argentine tango dance party
2.5k · Oct 2013
Those words, they say
Nat Lipstadt Oct 2013
They say
Words can leap off the page.
They say
Words can cut like a knife.

Come home from watching Lubovitch's dancers
Doing crazy eights upon the Joyce stage,
Rat-a-tat and seconds to bed tablet two-handed,
Some of thy words to keep, relish and visualize.
Tongue-taste delights, imagery dreamed, conceive'd!

Read four or five and I am
Crucified.

Anguish
Unrelenting - knocks planet Earth
Off its axis.
Star watching observatories call
NASA
"What's going on?"
But hey, they don't take the
Call
I don't make
Explaining soular word flares.

Anguish
Black and bold apropos.
Its asexual attendants,
Greet me, as I lay me down to sleep,
Souls inferno'd true confessions slap
Reality TV down to a pathetic joke.
Words, thorns without roses,
Bodies ready for extreme unction,
Punks puncturing peace with no punctuation,
Respite, none,
Spite, aplenty.

Google "sayings about words," thousands exist, pithy.
Amusing, insightful, but can't uncover any that relieve
Anguish,
the way needed now, for this crisis state.

Anguish.
Say it slow with your hands clasping your head,
The electric **** stabs connect your ears, but
Like water seeking release, head southbound to test the
Cavities of the heart's boundaries, probe for the
Satisfying silent ******* screaming weak spots.

Anguish.
Say it     r  e  a  l     slow,
feel the sounds of a summary of
Many other words, subsets of misery etc. etc.

The Aingsound,
Reminder of the dinging ringing stinking stingers,
Happy in their ***** work,
Here a hurt, there a hurt,
Everywhere a hurt hurt.

The shhh sound,
Is the bitter taste residue down sinister,
Ends in it,
No wash of the body or the mouth
Removes the endless shhh sound that is the exact
Opposite of a silencing hush.

I say,
I have words too.

Though I am not now,
Next to you,
You will hear my voice,
Out loud, out now, speaking
My words, recite or
Stop.

My words:

Feel just like those squeezing hugs parents
Give their kids when they are six seven and eight.
Hugs so tight the breath stops, but no minded,
For the message well received,
You are mine, my always, unencumbered,
Safely will this hugging touch see you through the night.

Foolish parents thinking those hugs unnecessary,
When children are "old," you know, like
Sixteen, seventeen, eighteen, when
Anguish
Needs defeating then, needs them hugs,
Now more than ever.

My words:

Are the arm unexpected slung fastball of simple affection,
Over and around a shoulder sent and spent,
A best friend's gesture that says, I know, I care.
A costless measure that measures in caring
What no precious metal could dare contend.

My words:

Are hands, a corps, a division of single soldiers,
Stroking thy cheek, caressing thy forehead,
Corpsmen coming for the wounded with comfort,
Antiseptic syringes, stretchers to take away
What needs taking away.

My words:

Are a neck architecturally designed to take your
Head, be a pillow resting place, your bird house to
Shelter or hide, as you need, see fit.
There is no rent charged,
Except for what I pay you in the coin of comfort.

My words:

Drum beating chest for your rest, each beat a
Message of connection, my beats purposed to
Remind you that thousands beats more yours,
So look up raise up refreshed head, to listen
For it's the song of steady, a reminder, a remainder,
So many much chances yet.

My words:

The drowning pools where anguish suffocates,
For it cannot breathe in a world of words of
Pure oxygen that resuscitate, filter, restore.
Each breath a clarification, each one  word speaking,
No more, no mas, done, enough,
Anguish
Extinguished, banished.

They say,
Words can leap off the page,
They say.

No, you try, you hear it, the voice clarion,
These new words that travel up thine arms
Holding until the until, no end demanded,
Awe and then some,
Some more,
Healing words, meant to be read back to me,
So I can rest knowing you've lesson-learned,
Homework done, cause it is your words speaking,
Out Loud!
My words,
Become words of yours,

Your words.
Created October 17th, 2013, written on October 19th, 2013
Said and sung, simpler and better...a fav tune of mine...

Falling Slowly Lyrics  
by Glen Hansard.,
From Once.


I don't know you
But I want you
All the more for that
Words fall through me
And always fool me
And I can't react
And games that never amount
To more than they're meant
Will play themselves out

Take this sinking boat and point it home
We've still got time
Raise your hopeful voice you have a choice
You'll make it now

Falling slowly, eyes that know me
And I can't go back
Moods that take me and erase me
And I'm painted black
You have suffered enough
And warred with yourself
It's time that you won

Take this sinking boat and point it home
We've still got time
Raise your hopeful voice you have a choice

You've made it now
Falling slowly sing your melody
I'll sing it loud
Nat Lipstadt Jun 2018
dedicated to E.B.
a man of faith
~

the-third-of-three-of-thee queries,
ask this poet anything variety pack,
3 permission-granted non-deniable answers,
though somewhat unsurprisingly,
the demands are the common deeper commonality,
yet finds the poet
flat footed, tongue raveled, searching
repeatedly for le mot juste, answers he doesn’t prefer to task,
by asking himself ever
directly

fingers and tips knotted,
their cooperative sensation severed,
unprepared to answer
deferring, with a weakish,
“it’s buried in plain sight in the
thousand + poem answers resting here
for a someday funeral oratory anticipatory”

all the tired, tried and refried and endless recycled responsa tossed into a barrel of formaldehyde;

in dissolution, perhaps the solution?

numerous are my recorded “dialogues,”
verbal battles with spirit authorities,
plenty of cursing and finger pointing
and not of the Sistine Chapel variety;
mutual forgiveness for human and supreme  errors,
not always, hardly ever,
on the tabula rasa menu

but you think
a principle, responsum est constituta
(from the principal, the answer can be derived)
therefore, yes, he must be...

but
the poet replies faith in what,
meaning he has the surety of none

then!
the phone rings and the poem begins:
in a voice of heretofore unknown register,

<•>


“I am the highest authority
none greater

I am but and only the first creator;
my touch operates at the spiderweb level,
the muse of muses,
present in the first grazing garden of lips,
the cacophony clarity of the avians swapping stories
in the early morn,
my worldwide alarm clock,
the wafted word,
breeze born when any poet stumbles on what comes next,
I am scented cherry blossoms, the breath in the iris newly come, and quickly gone,
the spiders web
where there yesterday there was none,
I am the first poem,
and will be the last

the new skin neath the scab,
the cooing of a grandchild that
sun melts hardy men grizzled who think
there is nothing new under the sun

the counter movement of every wave that shushes,
requesting global silence,
even when no human present to applaud

I am the smile upon the surgeon exiting
the operating room,
his right hand of confidence,
the arm draped upon a strangers shoulder
who weeps unabashedly for
undisclosed reasons that do not matter

you ask the poet
is he a man of faith
a bewildering query that obtains
diffident daily responsa, for the very question
is an ever changing variable

easy come and easy go
for what is faith but a traveling circus,
a summer day, forgot as it melds with next,
faith in?
me? hardly...

who could sustain a belief in the invisible hand that is the breeze between blades of grasses where the snowflakes will later accumulate as if nesting

even faith in himself
is a passing cloud,
a short term rental

but in that instance
he is faithful personified
for he “discovered”
the next word to close and complete,
the poem that did not exist prior

thus faith stored and restored
he believes once more if but for
a seconds-long knowing a defining of
faith

  thus he is neither solved or dissolved;
yet, is resolved to keep getting
closer to that completion
that affords him, or any poet,
to own the faith that affords belief
Nat Lipstadt May 2016
~~~*

this old man's tiddlywink, land-locked words,
runted, blunted instruments,
needy for release, the balm of salvation,
woods, neither silvered or exacting,
more a spit stain polish for a dulled, tarnished brass spittoon,
smoothed 'cept for the brute brunted bunting
of christ-crossing railroad tie lines,
all across his roughened terrain'd face,
a black and a white Degas
pen and ink etched illustration
of howling agitation.

the concrete moonscape
racked upon his soul and face,
mapped remembrances of variegated Judas kisses
each left in a pockmarked hidey place,
tired principles bent, bent from sacrificing oneself,
a rockstar burnt offering,
to any deity that promises illusions that time,
can be healed, all its cursed residues & sins sealed,
in locked antechambers, fully furnished rooms,
rentable for perpetuity if so desired,
but irony dictums diktat says you've locked yourself in,
in circular spaces where every angle stab-states:

yo, there are no unpainted corners for escape,
no day of atonement on your petite universe's calendar,
nor a host of worthy words that can e're suffice,
so howling makes perfect sense

inventory the wasted errors accumulated, accentuated,
uncovered by the howling of only "I'd known better,"
his accountants all jolly rip roar laugh,
when you beg them to ******~reduce jail time of
ancient leaden bulletpoints from the taxes future payable,
they profess there is no statue of limitation from any authority's press
for dues owed arising from your own imitations,
they mock me by howling in poe-ing unison,
"nevermore, nevermore...forevermore"

the contradiction of those criss#crossed fine lines,
each pointing in no direction, a trap of inaction,
fie, fie, on the double dealing hand you have dealt yourself
in the game of liar's poker, where all the face cards curse with smiles,
pretend portents portrait paintings of only rosy outcomes,
each a one way sign,  each pointing to a different,
magnetic compass course in a world
where all polarity confused, reversed,
so wayward, the only direction home

before Rembrandt's self-portrait @  Met Musée, he worships,
the painter's hipster jaunty hat pouty-pointy stating,
"what me worry,"
but the cracked crevices, whisper even louder,
"nothing left to lose,"
in the gallery, all stare, misunderstanding why,
why you weep profuse in perfect recognition at the
mirroring witness testifying, from whose pixels you cannot be protected,
each agitated paint pore shouts words of 
"j'accuse, j'accuse"
in a dulcet howling harmony

words lip locked, no exit, traffic jammed inside squirrelly cheeks,
scabs form, mortar and pestle a pus paste of
jumbled sounds and tongued blood,
a delicacy of swoosh and swish spit,
ugly kept behind prison bars of yellowed teeth,
a vile concoction of glorious bile of new combinations,
destined to die unuttered,
the howling all internal, becomes silence,
and yet, here,
here lies buried proof positive,
"even silence finds a tongue,"^
even words, unspoken,
yet, mind-reader read quietly,
permits the howling agitation exorcise and surcease,
rein to escape
inspired by David Hare's  play about Oscar Wilde,
The Judas Kiss

^John Clare (English Poet, 1793 - 1864)

composed April 30 ~ May 15, 2016

this will likely be my last poem for awhile
2.5k · Jan 2014
A Poet's Anthem
Nat Lipstadt Jan 2014
Reworked and resubmitted, and this time to stay.
Anything you say can and will be used...


excited utterances,
acerbic witticisms,
utter stupidities,
elegant inanities

can and most assuredly
will be used
evidentially, eventually,
about you
in the court of poetic
justice

as inspiration,
original source material,
proofs of our collaboration
with the enemy,
whom Pogo
fathomed long ago, is
us

a Vermeer-vectored light ray
will reveal with luminous clarity,
all that you have spoken,
been secret-thinking,
template of colors for
future etch-a-sketchers,
inspiration for future poets,
far, far better than
me

this dishonorable, low repute,
poetic eavesdropper,
poet-as-recorder:
revels in the smoke and ash of
absurd, common sensible
trash,

the trite and tragic,
the pith and prissy,
the calm and hissy

all your lovely revelations
of human frailty
and asininity,
most adorable,
(except for those scarface
treatises I despise as
never justified
self-pity)

that you n' I are blessed
to have combinated
in a manner most
curiously original,
now recorded in my
digital memory,
proving positive the unique,
discreet charmes de notre
humanité

Even your silences are
most curious fodder,  
the sighs you sigh
so hard
and yet again, even
harder

unfair game, mined as
veins of golden material
for my aquatic scribblings,
as I float downriver on
currents of compulsion
to promote vicariously,
our joint disjointedness,
our grade A, prime choice,
recombinant and genetically improved
absurdities

Rembrandt will honor us,
we as the Comedic Elders of the City,
paint us upright
avec expressions most suitably gravitas,
but see the poetic jester,
funning underneath the table,
in manner most levitas,
out-sticking his
protubered tongue,
like a common geni-***,
a la maniere de
Einsteiny
and he will be
the one
future generations recall

when I cross over the Styx,
limbs turned to
potash, dust and trash,
my blush transferred to earth,
to color the good earth red,
my body eradicated yet,
our body of work extant
a written record of us,
our very own
Dead See Scrolls,
shall be an amuse bouche
for our loyal satrapped
retainers

Let the scholars

dicker and obfusicate,
delve and explicate,
each turn of phrase

write tomes on the
catacombs, where in
jar and cracked vessel discarded,
these Poems and Catechisms,
the collected processes
of our mutualism,
your edicts,
pronouncements and verdicts
captured as
dots and dashes,
zeroes and ones,
wait most patiently
for shepard boys to find  
in the year 2300

you err most grievously,
if you relegate
this note
to the dustbin of
simple ditties.

take these words
at plain face,
and
look not askance
at this fair warning,
for I am
but a tragic,
empty vessel
for you to fill,
you are the raconteur,
me, just a  
poet poseur~extraordinaire,
street urchin,
word merchant,
all my verbally,
wordly goods expropriated
from the wind,  
where your scattered thoughts
lie about, carelessly
unattended

Mock me not,
for anything
you say to our chagrin,
will be fully attributed
and recorded on the Web
of long-lived
embarrassments

A fevered dream
you might say,
rumors and excuses of a
vision of drug induced haze?

a theorem most plausible,
but the redacted versions
will not conceal
that all my words
were Indo-rooted in
a dialect called
collaborative

this I pen
partly as apology,
partly thank you note,
written notice,
subpoena served,
for as long
as you emote,
my fingertips
will gleefully record
with love abundant
in their artful device,
your mutterings, putterings,
and in-cahooting

right here, shall be,
wrought and wrote,
treasured and kept
anything you say
that can and will be used...
to express our communitas

Written June 1, 2011
Nat Lipstadt Sep 2013
He taught them well
~for all the teachers here~

He cared enough,
So much so,  
Reasoned with them.
Never diminishing their simplest prose,
Even if it rhymed with rose....

He loved them in his way,
Once his student,
This year, then forever.

Their woes he read,
In every submission,
No threat treated idly,
He knew but one grade,
Caring.

One rule strictly observed,
No touching,
In this sad age, a crime without
Any absolution.

Then came a day.
School arrived, pre-bell by ten minuets,
His customary arrival time.

This day different.

The long corridor to the classroom entree,
Lined like Noah's ark, two by two,
On each side,
His students past and present aligned,
They would not let him pass,
Till he hugged each and everyone.

Thus, they taught him well the meaning of

Just rewards

For they were his,
Yes, they were his,
Not for the taking,
But for the giving.

His subject,
Creative writing,
of course!
Wrote this just now, 517am,  just fell out of me from absolutely no-idea-where-from. A dream for my next life, perhaps?
Nat Lipstadt Jul 2023
are the strongest muscle one needs to exercise daily in order to

live not only a longer life,

but a better one too!
<>
2.4k · Oct 2023
“What can a poem do?”
Nat Lipstadt Oct 2023
“What can a poem do?”
—————————-


”A poem
is a not a tourniquet
when you’re bleeding.
It’s not water when you’re thirsty
or food when you’re hungry.
A poem can’t protect you from an airstrike,
or from abduction, or from hate.
It’s hard to write when our words feel
like they’re not enough—they can’t do
the real, tangible work of saving lives,
or making people safer.”

(see (1) Maggie Smith)

<~>

as is my wont,
I write,
as is my Natted~inhabited,
retiring to the local watering holes of
Cerebrum & Cerebellum,
them regular haunts,
where all requests are mailed, processed, satisfied & marked;
‘return & render to the sender, who’s on a cerebral ******!’
and that request?

‘give me the words’ (2)

those ‘to do’ words, floaters, direct to top of list,
those ‘can do’ words, that can effect the affect,
spare the despair, realize the fungible, concretize cures,
soften hard waters, giving a worsening worn life fabric a
curated baby blanket feel, a 4-ply human tissue of

‘words that tell me everything’ (2)

salve solution verbs that bounty-wipe spills in entirety,
vacuum up spillage spoiling of 17 days of terrible nouns,
uncovered-unknown rages caused by inflicting prepositions
released a hatred rising,
safety rebury it deeper, drug & destruct the sleeper agents,
and let me start over again with

‘telling me everything by saying nothing’ (2)

the pausal silence, the quieted spaces tween the heartbeats,
where ‘reflection,’
the noun,
and its world of alternations,
reflection,
the noun,
look inwards, but shining outward,
this, this!
is where the poem goes to do!
enervating & arresting

its contradictory powers
rock you into wild docility,
possessive and submissive,
contradictory interferences,
smoothing the roughness,
closing the gaps it opens,
healing the caused truthful cuts,
with words that tell you
everything and nothing,
open the holes, filling the gaps,
that is what a
poem do,
in and by
the manner it is spoken…

<~>

“Sometimes a poem is the stone you carry in your pocket—the one you rub when you’re worried.  Let’s fill our pockets with poems.”
(see (1) Maggie Smith)
(1) Maggie Smith Oct. 24
(see link https://open.substack.com/pub/maggiesmith/p/what-can-a-poem-do

(2) see the lyrics  to”In a  Manner of Speaking”
2.4k · Oct 2014
For TM: What Would Eryc Do?
Nat Lipstadt Oct 2014
<> for the love of friends<>


How does one write
of one he knew not?

the ancillary evidence
mounts relentlessly,
the double toil and trouble moments
edged now, slow vanquished by
steady accumulation
of the evidentiary

a man who lived his life well,
will be inevitably,
nay, justifiably, deservedly
be well remembered...

one examines the evidence with
eyepiece lenses calibrated
to one's own soul,
for this is the natural condition
of humanity

yet wonder,
what manner, what scale,
does one rightly employ
to judge another's  
plantings in the soil?

rightly judge another?

then you hear
a woman say,
she knew not knew
this man Eryc,
revealing an honest tertiary,
even cursory knowledge
of an anecdotal life well lived

our shared quandary,
yet she solves
this judicial issue
by asking of herself
a question
so stunningly elementary,
which both
asks and answers
the double risk
you have imposed,
to write of one you can never behold,
and in doing so,
judge thyself...

What Would Eryc Do?*

this crystal rapid current question
erodes doubt, the fear to tread
where one knows not
when a stranger says to another,
indeed to many others:

heard tell of this young man,
and know now to ask myself
when I too am junctured, in doubt,
What Would Eryc Do?

there is no doubt, no juncture,
just a provident question
a makers's mark
of and upon a man,
whose future shortened,
will live far, far longer than most,
if one simple applies
a standard to one's own life of

What Would Eryc Do?
Heard a woman who knew of this man,
from family and his character.

And began to ask herself in troubling situations,
What Would Eryc Do?




for my dear friend
Nat Lipstadt Dec 2015
~~
Dialogue and Oratory Between
SPT and Nat:

~
At the Intersection of
Perfection & Beauty,
By Blue Candlight


~~~


come let us by and by,
soon meet,
under blue moon candle lit sky,
at this worthy intersection of
beauty and perfection,

be together,
contained,
yet unconstrained

let us speak of what
we see and sense,
come to come
to know,
of what does not appear
in this world easy readily,
what lies between
two points,
sharing,
needy of,
crossing destination revelations

It's said of beauty,
once uncovered and
gazed upon whole,
be visible only at the
bottom of the bin of the
picked-threw,
it was here, where, perfection
once was lost
and may yet now be found,
where souls,
singled and singed,
seek to find of,
the perfection lost,
the untarnished beauty
within ones self

from the meadow can be seen
The Field Where Wonderment  Grows,
wild is the bounty of colored beauty
then
and only there,
can oan one,
locate, judge and
accept
what never departs
a self


at the road'meeting point,
at our time and place
appointed,
arrived but come
disappointed,
crossed and creased
by the journeys
travels and travails,
burnt blind,
eyes by life's headwinds,
singled and singed,
and the mind disbelieves, doubts,
the existence verily,
of the locale,
beauty & perfection
from Feb. 21, 2015

Spontaneously combusted; collaboration by, SPT /Nat Lipstadt
'Twas for the first kiss
Reconnecting steps
Together filling spaces
A hallmark of events
Crossing bridges burning touches
Lacing fingers enhanced
A finality
Of our final descent

our smiles
connected,
a pathway molecular
a synapse over distance
thru mindfulness,
two poets embrace
their eyes closed
while opening for the last of the
first times

It was then
she embraced his voice
For not reading his words
For the first of the last time
Tracing his lips
Embarking eternal

lastly the first
was the best,
the fluids tasted
for the first time
we're the most pleasant
scars upon lips
that never forgot nor ever
obtain the same
sense of greatness,
though not for wont,
though not for want,
for such is nature,
Tis the first
that is the most
lasting

Please come back
I'll miss you ever more
It was just like that
I turned to look
And you were gone
Leave but don't leave me
I'll be here when you tire
On bended knee
Like pillars of strength
Surmounted by you
Together we shall
Be the bridge
That together bond
What could never be gapped
You and I
By time and space
Please, I beg you
Look back

look back, an impossibility,
the ******* word lock that joins two poets
at the lips, the hips, at the places
light never sees,
defies atom splitting,
defines the fire pillars
leading us through the dessert

No leaving what is yourself
Physics denies as a first principle,
the circularity of spontaneous combustion
cannot be severed ever,
and he lover/loved her from the first
teasing message, and the last
first poem kiss,
that closed their
sensual space

For they were each others first
And last
To leave
With a kiss
What words could never express
Spontaneously combusted
Nat Lipstadt May 2013
As long as there are teenagers extant,
Anomie and alienation of
an unripened generation
Shall spill upon this site in cliched cries,
Dabbling with threats of pills and lies,
The endless pain felt gives one fright.
To this old soul who wonders silently,
Will these thousands of pained children
Make it through to their next incarnation

So much angst, so much anger,
I wonder if God created poetry
To salve their wounds

Their unknown futures loom,
But all I read is  hurt and doom.
You shall survive, children.
Awful poetry, some good,
you will write.
But write and write
till your heart be calmed

For even ancient kings felt the anguish  of the soul,
And we profit even today by King David's psalms.

This wizened fool has his hands full,
Mouths to feed, bread to earn and bake,
As midnight is almost nigh,
He rests prone and adds a verse to this old poem
He long ago scribbled down, grimace-smiles now,
Realizing there is little difference tween him and the
Sad Eyed Teenagers of the Lowland.

For poetry salves his wounds still, even now,
Unashamedly, he thinks, quiet like, praying,
Hallelujah, spoken in the original,
The tongue of his ancestors
May 2013
Nat Lipstadt Nov 2013
Consanguinity: A Commissioned Poem
(How Well Do
You
Know Me?)


This request, from wolf spirit aka quinfinn, accidentally hit the spot of what was foremost on my mind.

Cosanguinity:  A relationship by descent from a common ancestor; kinship (distinguished from affinity).  A close relationship or connection.

Poetry, mine, yours,
Ours,
Invades my consciousness.

We write poems on the same subject,
Even the same title,
But a few days apart.

Insanity,
Coincidence,
or
Consanguinity?

Perhaps we are reading each other's stuff
Too much.

But that's crazy,
Or
Consanguinity?

Yet,
And yet,
We see the same things
So incredibly different.

That is the answer.
We see the same thing and I am
Struck down.

A billion sights.
A billion words.
Yet, the human computer,
Sorts, collates, and generates
A billion different writes
In a similar spirit,
Employing the same phraseology.

All right.

Alright.

Malaysia.
Minnesota.
East Coast.
West Coast.
Geographical differences.
Time differences.

No difference.
A billion differences.
The stylistic differences enable,
No, correction,
Ennobles us to coexist,
Value each other,
Learn.

Observable differences.
But more interesting,
More pleasurable,
are the incredible, visible, signs of
Consanguinity.
Mere affinity?
Kinship.

A poem?
Nah.
But at 1:11am in my location,
It's what's on my mind.
Now that I know the meaning of
Consanguinity.
Somehow in my mind these two poems are linked.


Place your ****** hands upon thy chest.
Let them melt thru and come to rest,
Inside, the battle ongoing, under thy breast.
Watch, eyes open, knowing, fearful.
Swiftly, with no hesitation, from within,
Rip open your body, exhaling the best,
And the worst of what you got.

The cool air rushes in,
Stirring the inside stew of:
Infected grime, shameful desires,
Secrets that should not have been exposed,
The ***** stuff that you alone know exists.

Contact with the atmosphere makes
Self-pity dies, blue blood turn red,
The TNT tightness explodes,
Ashamed, you have only one escape hatch.

Now, you are ready to write.
June 18
2.4k · Aug 2013
The Blue Men of the Minch
Nat Lipstadt Aug 2013
The Blue Men of the Minch



It is told that In poor weather or big seas, the Blue Men would come for you.  They would haul themselves—embodiments of storm and high water, malicious mermen—onto the deck, ready to pull you down. But then, they would  give you a single chance. The leader will throw you a line of verse and, one by one, everyone on board, from the skipper down, needs to offer a reply in like rhythm and meter. If by some chance all can answer poetically, the ship is freed and the Blue Men, those slimy *******, slide away to find another victim.

http://celticqueens.blogspot.com/2011/02/blue-men-of-minch.html

----------------------------------------­----------------------------------------------------------

Sept.­ 25th, 2012
2:51 AM

Thus it is in the real world.
Cancer, death, betrayal, disillusionment,
("Whatever," he snickers)
Rises up quick, bitterly blatant and obvious,
Pulls you down slow, enhanced by a phony lover/friends in disguise,
Eager, learned, in the ways of drowning you,
Testing you all, all of us poets,
Under fire, under siege, facing inevitable defeat.

Yes, you too, a poet.

You misheard.
It's not the poetry in motion,
But in emotion, where you too can win
A noble peace prize.

On certain days,
In uncertain times,
We are all Olympic athletes, poet laureates.
Some train all their lives for the seminal,
Most of us, wholly unprepared for the eventful,
Or worse, the tempered draining of the uneventful.

In the place where anger and fear commingle,
When the battery is dead, the only pole negative,
When sounds of life energy discharging skin-tingle,
In the hour, when the unemployed wake and walk,
Their past and future human debts crowding all other thoughts,
When the parent-less child cries out to the sound of no answer,
When we ask, why is my bed empty of love,
The Blue Merman are visiting and vesting,
Recruiting on your campus for new graduates.

Small, half consolations is all that's left on the table,
Single words, trite phrases of repetition,
why me,
Yield no comfort,
sate not, deafen and infect ache.

So commandeer the words hidden within,
Sort them by rhyme and meter,
Answer the critics, bend them over to your way,
Write your own poetry, fearing no ones judgement,
Put your self out there,
I have so many times.
Death, betrayal, disillusionment,
Regular visitors in the upstate prison cell of my head,
Are all greeted with new poems of old words,
Sent packing, but confident in their inevitable return,
I write defensively between their visits,
Best prepared, a good offense is eloquent literacy.

You offer me Xanax,
I offer you this.

Your endless supplies of potent, bitter pills,
No match for recombinations of Webster's diction,
All of us lesser poets of a higher degree.
Fresh out of inspiration so I dug this one out of the sewing box. Understanding takes work, time, reflection, most I suspect will read and discard....not bother to chew on it....I write defensively between their visits. Best prepared, a good offense is eloquent literacy.
Nat Lipstadt Sep 2017
for Jul
<•>
your style, it is who you are

some can dance only to the music of haiku,
some, in anger birthed, can only call out, cursing the world,
with poems beginning and ending with a rousing fk you

your style, it is who you are

most guilty of only perspective inward,
micro-scoping to the cellar cellular level
where in glass stained slides everything revealed, criticized,
the tissues of selfish, the cancerous fears, the shocking
discovery that we are mostly mineral water of kindness galore glory

your style, it is who you are

a few see a solitary leaf,
gravity kissed, flutter to mother earth,
and write of a voyage re-versed,
life in ascendancy,
upward bound, and cyclically, seasonally hopeful,
a reminder that the straightest lives are but a composition,
a series of rainbow colored curved lines,
connected dots on an arc of two by two,
say it's so, Noah!

your style, it is who you are

a handful see the morning daily in their first cuppa,
thinking
"when I look up it is quite possible,
will see the moon and the sun simultaneous occupying
a sunrise and surely more miracles
are possible, unseen, unnoticed, god bless"

your style, it is who you are

some will have their inscribed words endure as long
as the Georgia granite, their retainer, resists the elements,
overlooking the marks left on the human brain that
are a poetic monument invisible but far more
everlasting

your style, it is who you are

one or three, will write daily, chasing music, trying to forget
what just cannot be, and the abased case, there is no
The End
when offered a choice
to chase reborn every time, or not, always choose,
just another photo or poem continuum
for memories are multi-generational in both

your style, it is who you are

are you the one who loves to write, but more so,
writes of love over over repeatedly, for the words
exotic, ******, poetic and ultimately infinitely~intimately,
one and the same?

are you the young one who needs to expiate the sin
of a broken heart, a broken home, a brokenness so
persuasive there will be no relief until someone
person n e w will be a stumbled-on, and the earth will be
torridly recreated and the prior ache just a discarded bandaid,
come the go-morrow

your style, it is who you are

some write to heal, just to feel, to be sure,
they are who they claim to be, wise old young men who've seen too many big rivers that cannot be man-made dammed,
and even the tiny eddy flows of their skin will generate electricity
in praise of nature, never realizing that the human kind is
always the ever greater

your style, it is who you are,

those who are confined by the ropes of rhyme,
or to a script pentameter beaten and measured,
to you, gift the freedom to scream any way, any time,
that pleasures us all with words jointly treasured

your style, it is who you are

some in their garden write in both wistful
contentment and dissatisfaction of things
never to be crossed off, sallied forth, on the list,
but no mind, no matter, the generational ladder climbed,
looking ahead is a looking back of a life richly deployed,
and even the many...in between the poetic words,
and the poetic days, when one day, will be filled in,
these...
will be will be the pits, the seeds bearing still
more of the ripened fruit of that tree

your style, it is who you are

me?
as if me mattered, the littlest bit,
surely the o'clock nearest,
a boundary that cuckoo states
like a good ole friend,
dummy, as usual, you've gone on too long,
but that's your style, it is who you are, so leave some choice,
Grade A, poetic cavalcade of noises for the better poets,
who come everyday, new babies for a better day,
leaving me behind, so happily contented, to be just another scribbler

in my style, it is who I am
  
<•>

September 3rd, 2017
2:01am ~ 3:01am
the message I guess is best
to stick to who you are,
especially in our writings


"keep me where the light is"
John Mayer
2.4k · Jan 2014
Mystique
Nat Lipstadt Jan 2014
Mystique

- a framework of doctrines, ideas, beliefs, or the like, constructed around a person or object, endowing the person or object with enhanced value or profound meaning: "the mystique of Poe."

- an aura of mystery or mystical power surrounding a particular occupation or pursuit: "the mystique of nuclear science."

the mystique of Poe,
the mystique of nuclear science,

don't you see the irony extraordinaire,
the perfect intersection of
human and science?

atoms of a poet.

what, who better to
radiate
the profound complex meaning of
mystique

smile while
commencing the
delving, inhaling,
comprehending,
subsuming the
aura of human cells
odors of the atomizer
flavors mellifluous
chain reacting

the set theory of all my senses,
at the ultimate overlapping
of the primordial intersection
of the nucleus.

I am the living scientific proof,
the written poem,
the
realization of mystique,
the enhanced value
of the human you.
Written to Copeland's Variations on a Shaker Melody

For she who knows where the inspiration came from...
Nat Lipstadt Aug 2023
~for Isabel, Alex & Wendy, Theo & Rose~

be reading Whitman and Hafiz,
adding some Shelley and Frost,
for (no salt) seasoning, might add in
a biblical, King Solomon’s be-loved,
sugared Song of Songs…

won’t need to go far, on my nightstand,
search & reach, to love and preach to
generations next, a lesson last & simple:

read, read, read there by learning,
how to first define, then preserve the
variety of feelings rising from within!

here’s a starter morsel from Walt,
sort of a summary of how to do it,
all well and proper…
poppy

”This is what you shall do; Love the earth and sun and the animals, despise riches, give alms to every one that asks, stand up for the stupid and crazy, devote your income and labor to others, hate tyrants, argue not concerning God, have patience and indulgence toward the people, take off your hat to nothing known or unknown or to any man or number of men, go freely with powerful uneducated persons and with the young and with the mothers of families,
read these leaves in the open air every season of every year of your life,. re-examine all you have been told at school or church or in any book, dismiss whatever insults your own soul, and your very flesh shall be a great poem and have the richest fluency not only in its words but in the silent lines of its lips and face and between the lashes of your eyes and in every motion and joint of your body.”

Walt Whitman

Preface to Leaves of Grass, 1855.
Walt Whitman, c.1887.
August 2 2023
readying for surgery
Nat Lipstadt Jun 2013
Scattered Thunderstorms

The radar shows a band of multi-green storms,
Parallel running to the East Coast,
Stretching from So. Florida to Falmouth, Rhode Island.

Path-dependent, the edges skirt my present location,
Instrumented, but not weather resistant,
Water teases, invites me to a head clearing session.

Breezy gusts of overcast, caramel salty bay waters,
(weirdly calm),
Spray sprites whisper, scattered thunderstorms, starboard side

I am the only boat out, especially,
The only one going for sure aimlessly,
Radar non-discriminatory, stupidity legal,
So fools like me go out alone.

Scattered Thunderstorms,
Unavoidable, summer's favored annoyance of choice.

The melancholic platelets budding off my bone's marrow,
Forming wondrous clots of sadness,
Running strong in the currents of my veins,
Downtempo'd, there is no relief for
Inside of my radar scanned brain, the scattered thunderstorms,
Have arrived much earlier today.

What sourced this elegiac distich,
Too many poets, fully disclosing their downbeat, aroma of defeat?

The world is in a **** mood, not one of us, got nothing
Good to say, seems that love storms ripping hearts
With no trace of mercy, the radio has elected nonstop
Taylor Swift and Jonas Bro's
Just to make the point!

It is so easy to feel ******,
When the sun is unshining, elegant distich, **** me.

Thinking back, getting a good idea,
Found some long necked Corona overlooked,
Turn on the tv, pretend I'm a real cowboy,
And for god's sake, shut down poetry,
Good Bye Poetry, for the rest of the day

Value you more than me, but you've worn me down
My blood streams your anguished distress,
I cannot survive these scattered revolver-repeating
Anguish-Cries-For-Relief from the Thunderstorms,
That now having reached, breached,
That now, having infected my heart which started
This day brow beaten,
First poem of the day, already shell-shellacked,
Now, I must shut me, batten me, down.


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
The average lifespan of a platelet is normally just 5 to 9 days. Platelets are a natural source of growth factors. They circulate in the blood of mammals and are involved in hemostasis, leading to the formation of blood clots.
2.4k · Aug 2023
The Fatigue
Nat Lipstadt Aug 2023
The Fatigue

is newly familiar, but familiarity breeds
surrender, not contempt, for its powers
are overwhelmingly secretive, coming anew,
stealthy like evening fog, all encompassing,
departing when it chooses, only by choice,
fearing not day or brighter burn of sunlight,
or even the insistent rules
of the mathematics of a timepiece


it hides within the ordinary, the mundane,
the onerous lifting of the fork, the exhausting
chewing, chewing until sleep offers distraction,
but not necessarily relief, for the chores of
living, are an endless looping, and the fatigue

does not recognize the clock, the body’s rhythm,
only its own schedule, I proud man, am but its
vessel and vassal…
Aug 22 2023 11:03pm
2.4k · Mar 2014
easy like Sunday morning
Nat Lipstadt Mar 2014
for Joe A., who wishes me that
"may your best days be in love's sight"

your kindness in words,
over the top,
unduly undue

"my best days"
très charmant,
mais aujourd'hui

students surpass
the teachers,
cause
sad, bad and life
tag trending
and we~me,
are simply
Sunday~done
with those

nowadays,
grandpa's tools
outdated, shelved,
in their final
resting place,
blades dulled,
the technology
of his verbiage,
rusted by old age

the reads diminishing,
his touch, antiquated,
his best days, resting on top of
the ocean internet waves
his summertime buddies,
sand sun grass and sea air perfumes,
singing, awe we got ya,
cosy and comforted,
awaiting you in your chair,
overlooking our truest
sheltered applause

my best words
turned inwards,
collecting recollections,
rereading my solaces,
and content that

my body,
still stirs,
when joined by
Barry White and Lionel,
forgot like me,
yet happy, in bed
with us

so you see,
Joe,
you are half right,
the right half

on my bare chest,
blonde tresses,
blanket, keeping me warm,
easy like a Sunday morning

so turns come and go,
no more down the slide,
running to the back of the line,
up and down again and again

time of the tool and die maker,
to cut loose,
learn by crafting daily,
and not from the books


Ooh, that's why I'm easy
I'm easy like Sunday morning
That's why I'm easy
I'm easy like Sunday morning^


write for me, write for her,
for with her,
in love's sight,
life is
easy like Sunday morning,
and
that's why I'm easy,
like Sunday morning
I find inspiration in the private words y'all send me, your messages,
become your poems

Sunday morning, in bed, March 23rd, 2014

^ lyrics by Lionel Ritchie, "Easy Like Sunday Morning"
Nat Lipstadt Nov 2013
I sorta sleep in my underwear.

Another lie.

I sleep in the ****,
when I have the energy
to remove the day's toil off of my
skin, which is not so easy.

No special creme, cleanser.
too tired to tirade, living life,
fall in to bed worn,
shoes et. al., the ones that need soles.
you already knew that.

wake up in the dark.
start to disrobe,
and soon enough, *******,
another poem done.

the poem of course is me ****,
so you get to see what
is under what I wear.

So I sorta sleep in my under-what-I-wear,
is not exactly a lie,
just me dissembling^
and/or disassembling
another day in this life.
^ dissemble verb, dis·sem·bled, dis·sem·bling.
— verb (used with object)

to give a false or misleading appearance to; conceal the truth or real nature of: to dissemble one's incompetence in business.
to put on the appearance of; feign: to dissemble innocence.
Obsolete . to let pass unnoticed; ignore.

A humorous adjunct to this
Nat Lipstadt · Jun 15
How I Defrosted My Woman
Or
Nat Lipstadt · Sep 8
I don't sleep in p.j's
Nat Lipstadt Apr 2015
"I suffered, so, I learned, so, I changed"

her pale white arm,
back and forth,
flashes before my eyes face,
cutting my few blonde many grays,
she tumbles pieces of
now dead me,
to the floor,
in cut wet clumps

there, across her underarm,
placed there to be but
half-hid,
my Bostonian via Albania haircutter,
(I am a human explorer)
reveals a tattoo uttering
in Arabic
that cuts me
deeper
then any scissored blade
she metal possessed


I suffered, so,  I learned, so, I changed

revelations daily granted me,
this one,
incomprehensible,
as she cuts,
I imagine,
my mused blood superheated,
clotting this poem

oh the words are readily understood,
but unknown is
the inspiration,
the event
so formative
it was deserving of being
transcribed, inked,
permanence earned by,
recording pon human flesh,
exposed
yet hidden

and I dare not inquire...even I...

who among us dare say
that they have not
suffered?

yet, you,
say the word slow
suf-fer,
hiss* it
in two parts,
then ask yourself again,
have you experienced
the unimaginable
as real?
and needy to record it upon thy own
human flesh?

I have walked
empty mirrored hallways unending,
stood by rivers imploring,
begging me to join their current,
sleepwalked for days without count,
punishing penance for
acts of commission,
acts of fearful cowardice

I learned
I changed

better
for the betterment
of my united untied
bodied bloodied soul

where?
my tattoo?
readily visible!

*
in every word I ever wrote
See
https://s-media-cache-ak0.pinimg.com/236x/fe/eb/98/feeb98fc879f599be507983bebe64e5c.jpg
Nat Lipstadt Jun 2015
Preface

(not even 9:00 am and
I've wet myself

this was my to be
my Poet Palm Sunday,
when my pen is in
some room,
by other's well hidden,
and composition is a prohibition,
the hours yet to come,
come negligently but happily,
whiled and whittled,
reading the better poetry of others,
on this, a day of rest for the
body's satisfaction
and the body of the soul's,
even greater

yet a day of rest,
be not South Pole opposite
from a day of no North Pole work

this early I-am-risen Sunday dawn,
finds me focused, two dog ears alert,
forty one poems in descending order,
read and wept over and upon,
a real, not a faux Bush,
"mission accomplished"

lived long and occasionally prospered,
of poets, I am familiar some,
of writing poetry,
have learned my sums,
know what is likeable
love what is
loving and loveable

it is the poetry of every day life

of strange noises of strangers
in the mid of night,
dogs rhythmically snoring,
while you curse/overcome
the bright eyed, darkened alertness of insomnia
by word whittling yourself,
by the softness of skin of a grand kid
that momentarily manages to convince,
it was indeed,
all worth it

the zoo animals of the lawn and trees,
singing concertos in any minor they please,
as long as it's major enough
to command the world's attention

six stanzas and yet have not commenced,
the task God gave me this sabbath morn,
for the problem with seeing the world,
thru the filter of aging eyes,
is you grow vulnerable, wistful,
distracted by your own ancient feeling streams
that lie too deep in the Manhattan schist
of what others call, your heart,
but somehow still manage
to bubble up and geyser out your eyes)

~~~

Joe Cottonwood

as Patton said to Rommel,
"I've read your book"

the book of forty one poems
that are the products of
years in the making, with tools
that hang upon the belt of yourself,
that you acquired long before
the leathered and weathered
tool belt of four decades of you daily dress,
was first ever worn

you tell us of your ancestry,
thus reveal your story simple intimate,
and by the fourth or fifth essay,
our poetic ancestor,
Walt Whitman,
was readily apparent,
in the little life things
the American and all families  
celebrate

of my six decades,
I yet
still struggle for a summary definition
of who I am,
what I'm worth,
yet weep at your simple eloquence,
self described scribe and man
detailing a life well lived

Hammer nails. Write poems. Bake bread. Shake hands.

is that all there is?
Oh god there are veins
in this poet run deeper than the
iron ore that makes his nails,
the sun ray mines that electric heat
his bread oven

they are mined by me this morning

he does not write of
anguish, blood, love or scars,
that are newly born on a
summer's day youthful blush,
no, he writes of
anguish, blood, love or scars
that humans accumulate,
and in poetry encapsulate
of a life very well lived

I know you Joe,
and apologize for the
paucity of mine,
in honoring yours...


~~~
Postface**

the coffee beans grinding,
the pots banging,
the music suddenly turned softer,
surely constellation cosmic signs
that a lover's breakfast soon to arrive

so I away, but in earnest plead,
share the simple joyousness
of his poetry,
and our communal Sunday
and everyday lives
will be indeed come
as a day of comfort blessed,
the only toil,
tear removal...
If your value a skill and love
that captures more of life and love,
please read
http://hellopoetry.com/joe-cottonwood/

a single excerpt,
no two, a sampler
~
Coffee and corn bread.
They putter about with weekend chores:
she waters plants; he snakes the cursed toilet.
They take turns riding the exercise bike.
He cleans the hot tub filter;
she stretches yoga-like while listening to an audiobook.
He makes a wooden toy, gift for a grandchild;
she prepares chicken burgers and salad.
They watch a movie from Netflix
about Miss Potter, Beatrix
a rebel of another century.
In the dark, outdoors, scarred bodies
water-slick in the moonlight,
they soak in the hot tub
while a dog guards, sphinx position, ears *****
to the rustle of raccoons in the underbrush.
At fifteen minutes to midnight
as steam wafts in moonbeams
she says, “Hey — it’s our anniversary.”
Almost forgotten. The forty-sixth. Or fifty-first
in a different calculus, because at the wedding
they’d already been lovers five years. He sings
     Oh my love is a wallflower
     so pretty and so shy
She answers:
     No boy I’d ever marry
     until you gave me a try.
Under water, their toes touch.

~

old bronze
your cheek, so brown
old bronze
brushed with down
shekels of freckles
over a dusky moon

bronze is an alloy
forged in heat
shaped in art
durable as stone
darkens with age
glows when rubbed
still warm
against my lips
2.4k · Aug 2013
Slide to Unlock!
Nat Lipstadt Aug 2013
Slide to Unlock

When inspiration is imprisoned,
insight,
a crime-of-no-passion victim,
strangled by codification,
clothed in a prison uniform,
where *uniform
be another word for a
poet's death sentence.

When dream interruptus,
is a nightly altercation,
a hellacious sensation,,
rolling of the dice,
rewarding the dreamer
with an not-so-good ending to his
falling sensation,
or, for an old school type (me),
the nightmare worst:

A world sans punctuation!

The truth about what haunts you,
in the valley of dried bones grows whiter,
even Vishvaksena and his armies
helpless, cannot eradicate.

Then, your  iPad reminds:

"Sir, sometimes you have to
Slide to Unlock!"

Slide to unlock the aggravations,
Let it out with disregard,
Let us know how you feel
When the constriction in the throat
From the things you can't say
Stops making you choke.

Truth is out of style,
common decency is a phrase
unused
or just abused.

The only difference between liar and fair,
a single letter and a
rearrangement of the facts
to suit yourself.

So I like you fine,
I like you better even,
now that it's ok to slide
beneath the fielder's tag
and get in your face and
unlock what rumbling around
in the ruins of my psyche,
ruminations about this and that,
released with a flourish and a rich
***** you!

But I like it, like you best
when in the pursuit of life, liberty and happiness,
it's ok for me to politely inform you
to fk off!

So,
I do declare myself
unlocked
and in your face
booked!
Still uninspired...dug out another old one....bit of a mess, I agree
2.4k · Sep 2013
Ferry Me
Nat Lipstadt Sep 2013
Ferry Me

Ferry me, but once more.

The last ferry rides of Indian Summer,
Always arrives on schedule which is
Always and precisely, too soon.

Then, the imprisonment months,
Sentence, indeterminate.

A Grand Jury trial of months,
I, and my co-defendant,
My sanity, this time, the Oddsmakers say,
Won't survive the lockup.

The source perfume of driftwood words,
Very ferry distinguishing marks,
Sails and seagulls, diesel fumes and saltwater,
Sunsets and seagrass, flying fish and multi-mollusks,
The stuffing of my summer turkey, the currants of
Poems and dreams, sad-eyed longings...

Now,
Evidence used by prosecution,
Confession freely uncoerced,
I Am A Summer Man
Adjudged and convicted,
Guilty of Winter's Discontent.


But it is these last few passages,
Not of words, but over water,
The absence thereof, crush, ravage,
Worse than any grey calendar captivity,
Forlornly, I mouth silently, repeatedly,
Ferry me, but once more.

The course, straightforward,
Voyager, but a few minutes, but long enough to
Love it deeply, need it like a fix,
The mania of the mainland left behind,
The island, thinly lit, more shadow than real,
The approaching dark, shelters, comforts, embraces.

Perhaps, likely, I deceive myself.
No matter how the island comforts,
The brain always rumbling,
Can never make stop questioning,
Prisoner of 24/7,
But it is lessened, left behind,
As I am ferried away both,
In body and in mind.
Nat Lipstadt Sep 2018
~for she who knows whom I mean~

do not beg to differ
just do

she is progressing true,
but the process is foretold
three generations of tracks
the line is map drawn

she and the generations before
and the generations to follow are
a work in process

the process is forever foretold
the genes are in control


do you ken the difference?
do you ken the compliment?
and the complement...clear
mother daughter mother
2.4k · Nov 2013
Short Shorts
Nat Lipstadt Nov 2013
No,
not short poems.
honest to goodness
short shorts,
jean-like short shorts.

No,
not those kinds that
the young girls wear,
jean lookalike stretch fabric,
skin so tight it makes
their ole daddies' faces
wince the same color blue.

in the middle muddle of fall,
now you write of short shorts?

Well, I was told I could not write this
till after the summer was final gone
from the rear view mirror glass.

Once I wrote/imagined about
a woman of a certain age,
who emptied her armoire drawers,
time to transition and take things
that could no longer be,
to the thrift shop,
for others to be
thrifty in.

Except for one bathing suit,
a two piece back from the days,
when two pieces meant
you were proud
of what you had and
what you didn't have -

the same suit she was
wearing grabbing her little son,
then a man of six or seven,
(now a dad with a son,
of three or six or seven),
in the photo on the night table,
some thirty dreams ago.

Man you take a long time to make a point!
what's all this got to do with short shorts?

one summer day,
a woman I know,
an actual
fire-breathing dragon,
went thru the drawers
of her ***** blonde armoire.
there she "found" a pair of
shorts shorts, from some
thirty dreams ago.

it did not take
too much encouragement,
just a little courage
to try them on,
thirty dreams later.

now these short shorts
were the old fashioned kind,
they look liked cut off jeans
but were not, they had rolled up
cuffed bottoms to increase the illusion.

They no longer fit!
Yup.

******* short shorts were


loose


around that curvaceous waist,
known as my favorite place.,
where I rested my head once again,
after,
we celebrated.

that is my poem about short shorts
that I've been carrying round
until the curfew was lifted.

but even tho I like short shorts,
I'll never ask someone to wear them,
risking scorn and mockery,
but I know for a fact,
those short shorts did not



**get thrown out.
Nat Lipstadt Oct 2013
There is a song, each of has one.
It is that song that you listen to not once, not twice,
but over and over again.
This song I loved, and put it aside, 'lost' it,
and this afternoon, on a drive to Monterey a year ago,
it found me again.
Below are the words.
Find a video of Richie Havens (see the notes) singing it.
It is a song that you will listen to not once, not twice,
but over and over again, for when he cries out
follow, you will.

Why today?
For a number of reasons.  Primarily, because the first rock festival to change the nation was the 1967 10th Anniversary of the Monterey Jazz Festival, a crossover, because, Richie and Janis Joplin were included and exploded the world, paving the way for Woodstock, the festival heard round the world, where Richie was the opening act!

The headliners were: T-Bone Walker, B. B. King, Richie Havens, the Clara Ward Singers, Dizzy Gillespie Quintet, Modern Jazz Quartet, Ornette Coleman Quartet, Carmen McRae, Earl "Fatha" Hines, Richie Havens, and Big Brother & The Holding Company w/Janis Joplin.

Teach your children well, their father's hell will slowly go by...Crosby Stills and Nash

Soon it will be six months since Richie passed (April 22, 2014).
Patty M. reminded of Van Morrison today, and it in turn, brought me to this place, where my heart resided a year ago today.


*FOLLOW
(Words by Jerry Merrick)

Let the river rock you like a cradle
Climb to the treetops, child, if you’re able
Let your hands tie a knot across the table.
Come and touch the things you cannot feel.
And close your fingertips and fly where I can’t hold you
Let the sun-rain fall and let the dewy clouds enfold you
And maybe you can sing to me the words I just told you,
If all the things you feel ain’t what they seem.
And don’t mind me 'cos I ain't nothin' but a dream.

The mocking bird sings each different song
Each song has wings - they won’t stay long.
Do those who hear think he's doing wrong?
While the church bell tolls its one-note song
And the school bell is tinkling to the throng.
Come here where your ears cannot hear.
And close your eyes, child, and listen to what I’ll tell you
Follow in the darkest night the sounds that may impel you
And the song that I am singing may disturb or serve to quell you
If all the sounds you hear ain’t what they seem,
Then don’t mind me ‘cos I ain’t nothin’ but a dream.

The rising smell of fresh-cut grass,
Smothered cities choke and yell with fuming gas;
I hold some grapes up to the sun
And their flavour breaks upon my tongue.
With eager tongues we taste our strife
And fill our lungs with seas of life.
Come taste and smell the waters of our time.
And close your lips, child, so softly I might kiss you,
Let your flower perfume out and let the winds caress you.
As I walk on through the garden, I am hoping I don’t miss you
If all the things you taste ain’t what they seem,
Then don’t mind me ‘cos I ain’t nothin’ but a dream.

The sun and moon both are right,
And we’ll see them soon through days of night
But now silver leaves on mirrors bring delight.
And the colours of your eyes are fiery bright,
While darkness blinds the skies with all its light.
Come see where your eyes cannot see.
And close your eyes, child, and look at what I’ll show you;
Let your mind go reeling out and let the breezes blow you,
Then maybe, when we meet, suddenly I will know you.
If all the things you see ain't what they seem,
Then don’t mind me ‘cos I ain’t nothin’ but a dream .
And you can follow; And you can follow; follow…
Try

http://vimeo.com/37671417

The last time I saw Richie A-live, of all places, a poetic place perfect,, where we keep our treasures.



http://www.last.fm/event/588961+Richie+Havens+at+The+Metropolitan+Museum+of+Art+on+2+May+2008
Nat Lipstadt Jun 2013
In the Poet's Nook: Perhaps I should write less

Surrounded by a movie set of waves,
A just stiff enough, warm-to the-wet-finger breeze,
Temperature just touches 80 Fahrenheit,
Our shirts wind-ripple, the sun rays tipple
Our minds into a clarity of euphoria dots of surreal stipple,  
One would never think to drink or smoke again.
Surround-sounded by waves rapping,
Pushed~pulled by the gusts, delivery messengers of
Air bearing, air aborning, of every flavored life's seedling needed,
We would freeze life as is, forever, unhesitatingly.

A cool woman from whom I sip, rip, and to her,
Tender my life, comes to kiss-visit me in the nookery,
Feeds me peaches, cherries, and a fruit as yet unnamed.
Called by some my muse, I call her my fuse,
For the disparities, the troubles I but hint at,
And all that is life-good under her roof,
Comes together here where there is only
Cerebral and sensual, for there is nothing else of import,
Even the not-good, tempered gently, and put aside.

You and I,
We know but small of each other,
Yet we reveal so much -
If I could summon you here right now,
All would be clarified,
No request denied,
Yes, every tear, every tear, would dry itself,
Promise.  From experience, promise.

Wish we could compose side by side.
My perfection would be made more perfect
By its sharing, especially with those
So hurting-pained, suffering, I cannot all absorb it,
No longer stand this influenza wave of affliction,
Especially when I.Am.Blessed.

Come here, where I can promise slow and steady healing.

How can I make you understand what I write,
Where,  here, I write, all comes so easy,
Every glance a poem formed,
Every phrase a title to a poem to be served,
Every conversation overheard, wind-lifted brought,
A seed, a germ, a word~worm hooked to the pole crook of
My finger saying,
See man, time to get more
Rod and reel, ink and paper,
Go, and catch us a few poems for dinner.


The snapper weakfish word colors are
Running past my-by the thousands,
We will need a woven basket to catch but a fraction,
Of what you see, more than more enough to share,
Only Happy Poems for all.

It is in this rhyming way, I view the world,
That is my freedom, my-present essence,
How the poems come, how thy flow,
Peaking, I cannot berate, rarely eat,
Sleep a thing of the past (as you be aware, beware)
There is poetry in simply everything.
                                                     ­     
A long time ago, I wrote a long poem that began like this:

Excited utterances, acerbic witticisms, utter stupidities,
elegant inanities, can and most assuredly will be used,
both evidentially, and eventually, about you
in the court of poetic justice,
as inspiration, original source material,
proofs of our collaboration with the enemy,
whom Pogo fathomed long ago is...Us

As I drink in my good fortune,
The enemy is clearly just me, overwhelmed,
Unable to choose, unable to distinguish,
Unable stop, out of control, I need perspective,
Both the scars and the successes, scar-e me

Perhaps I should write less,
Or take a mental rest,
Is not brevity what's in this year?*

But in this *not-half-but-all-the-way
house by the bay,
Where lying about, in the Poets Nook, is the souls cure,
There is inspiration ammunition galore,
Brevity is but a demoted D list celebrity.

I need you to be at ease,
So my happy days can be full completed,
Meantime the pen is grounded,
I should put-poetry-writing aside and just think,
Read~Rocking the writs those little babies you send to me,
For my mouth to mouth inhaltion and
Return to them, children, the elements of a
Nook's Recitation of Resuscitation.

June 2013
To better understand this poem, see: https://hellopoetry.com/poem/390340/time-to-get-serious-in-the-poets-nook and also,
https://hellopoetry.com/search/poems/?q=a+man+in+search+of+his+style..

early poems on HP when I knew how to write. As many of your know, the Poet's Nook is a real place;  three old and weathered Adirondack Chairs, overlooking the
bay, the beach, and serenity;
All invited to compose alongside, even the old grouchies who complain correctly, I wright too long(ly)
Nat Lipstadt Jul 2023
“I will always remember you”

raise you hand if honesty
yet lives inside your muscle
memory of brain, of heart,
there is no one here who hasn’t
uttered them fool lying words

with difficulty we struggle to up
raise faces and places, moments
and images no longer mirrored
within the frontmost places of
our recollection, that searing then,
itself scorched, lichen+moss covered,
our greatest pains, pleasures sworn
allegiances to these razored inflection
points, now scoured by rusty hazes,
and we wonder what has become
of us, what we valued so to savor
as forever memories, their names
gray lady shrouded, and there is
no internet site to aid in self-recovery,
for our selfish selves have been altered,
time, new loves, guilt and other stuff
intersect with mind’s eyes and no mas-
more synapses paths instant linkages

I know you will vociferously argue but
it is almost physical, our shame at losing
them and ourselves, in the morass that
time digs daily deeper for what grieves
us is that losing as the end rushes to close
our story, makes us pick up pen and finger
scratch as best we can inside the lines on
our faces that are/had proofs, witnesses,
that once, we were there at the places,
whose names are no longer mapped any

where, so deep, no archivist’s submersible dare
fathom those fathom’s darkest we would need
to explore without the possibility that we
might implode if we sunk so far to rip apart sea
forests we knowingly, secret-planted to coverup
her memory, the words spoken, the oaths
and promises, we swore, for instance, simply
by saying, “I will always remember you”

p.s. and my self-shaming so great, that my
asking for forgiveness is buried so fast, it
may, not ever been real, just another fiction


Jul  6th, 8:36 AM,
inspired by one of those poems by r.
2.4k · Jul 2013
FPotD: The Morning Smells
Nat Lipstadt Jul 2013
My eyes smell sleepy, he, refusing to depart,
But there is coffee on the nightstand,
The odor, infiltrating the dozy brain's heart.

Annoyed with each other,
They shout and fight
Like teenage siblings Commissioners at the SEC,
Arguing over bathroom monopolization,
The tongue stays sidelined, feigning net neutrality.

The bed smells empty,
For the **** has crowed,
Yogi David commands your presence
At Saturday morning Eight O'clock yoga services.

To get to his Sinai on time,
Early departure, an FAA requirement,
Car, ferry and foot you will deploy,
In the winter, special skis and snowshoes,
That blessed by his mantra,
Enable you to walk on water.

In the kitchen there is sisterly conversation,
Yes, puttering and muttering and discussing,
Sister's grown child texting, he's making the pilgrimage
To see Mama, alone, unexpectedly,
Six hours driving.

Friends and countryman,
That is how you spell t-r-o-u-b-l-e

Sleepy master dwarf refuses to concede,
Says when kitchen noises retreat,
Back to him you will supplicate,
They (the other dwarfs and body parts),
Have a big convention to better communicate..

Departure comes without a kiss,
But not without complaint,
She always says I love you first,
Which is natural,
She being a girl.

Now the bladder starts to whiny~chatter,
What about me, what about me,
Don't you love me, and me rhymes with P!
While the stomach quietly snores
Have been well-fed
but a few hours before,
He dreams of some more....macadamia crusted s'mores...

I could verse you more,
No problem that's for sure,
But you got the point:
**The morning smells.
This recording of my life, sometimes fun, sometimes poetry, trouble-getting-me-into.  Which can be inspiring as well. Good Morning!

Someday I hope add a stanza about grandchildren, cartoons and monsoons, but the parents say they're too young, to endure us, the G parents, for a whole weekend. They are  referring to themselves of course, not the little ones.
2.4k · Nov 2016
Ilion gray
Nat Lipstadt Nov 2016
soul brothers from other mothers,
fellow city dwellers,
one up downtown
one down uptown,
fellow riders,
of the underground
of the by-NY-ways
of America

we met years ago ruminating on poetry,
late one night/early one morn,
just like us,
there is no difference,
call the hour what you want,
we spoke one language,
long long ago
in the early days here at HP

the I, lion of gray stumbled on me,
with a smiling, stunning midnight crosstown compliment,
kindred instant

he stole
my breath, with work that..
declaimed notions of
quiet unshouted artistry excellent
and a new appetite was birthed
in my head, in my bed
one night

the young black man-father and the
aging white-grandfather
so little in common,
but in the early morn,
we both haunt the hallways
of the city of poetry,
speaking the poetry of the city,
where blood is but
two colors

black and white,

like the poem words we share
that you are now eye-reading

and

in our torn,
but not yet shredded country,
we find ways to speak

I am long done, past being the past,
he is the dapper father of the future
and the river boundaries we share,
on different sides
are lines of connection
not demarcation
hellopoetry.com/poem/466149/i-am-unafraid-tonight/

Sept 2013

I am unafraid tonight

To write and sign my real name.

To like what I read which is almost everything here
For the sake, for the pain, for the unashamed, for just
Celebrating those who breathe life for the just
Trying.

I am unafraid tonight

To disclose that I live as an
Agonist
In a city that ghost taps on my windows,
( thank you Ilion gray for that),
When the quiet is pockmarked by so many crying the
Loudest tears.

I am unafraid tonight
To express my dissatisfaction with you.

I am unafraid tonight
To express the miracle of those across oceans,
And across town,
Welcoming me into their hearts and wonder
Where else do the wayfarers gather

I am I am
unafraid tonight
To curry your favor,
Despise your silence
Expose corners of me
That should be buried
Before my body later follows

I am unafraid tonight
To use or abuse punctuation
For their are spaces and ,
Between us that can and cannot be closed
But I am compelled to try to narrow the differences
For
I am unafraid tonight

Tomorrow, we shall see,
If the shale within can yet be fractured,
Brought to the surface
To be consumed,
Or the fractures spread
Destructing the whole.

But tonight,
I am unafraid.
2.4k · May 2014
She Decooped and Decamped
Nat Lipstadt May 2014
Everything thing you are about to read is the whole truth, and nothing but...

she flew
via jet blue,
da coop

decamped urban lands,
leaving poet producing this
piece de (at-the-door poem-de crap) resistance:

Sad mad bad

where I asked?

a mountain in Mexico,
where purpled pink wild flowers decorate,
and the yoga mat is never rolled up
and post pampering included!

harrumph,
and worse,
exclaimed

NYC got florists
and yogi masters
for hire


with my sisters,
will commune,
hike by dawn light,
eat veggies day and night
and bone my body
with exercise

Manhattan got veggies, central parks,
and occasionally a pretty dawn,
bone doctors extraordinaire,
don't you know the best veggies,
grown in Whole Foods in the
Time Warner Center?

go then, leaving poet,
sad mad bad

to salve my soul,
know this!

I am eating
a tuna Swiss melt,
French Fries and ketchup,
Danish made with Danish cheese,
drinking my fatte latte.

This my stress,
so well expressed,
but baby, be advised,

I am doing it,
in our bed!

all day tv watching,
crushed neath an inconsolable need
to do all those spiritual things
of which you disapprove!


you went down the long hallway
at 6am,
you thot you heard me say,

Leila, you got me on my knees!

what was said but this:

*Save me babe,
from doing as I please!
See the banner photo of Mexico

tonite, by candlelight,
with white linen napkins,
frosted flakes and juiced hot dogs
in relish, relished,
on white mans bread,
sliced on the top...and that's just
for my
just deserts
2.4k · Feb 2015
pen-is envy
Nat Lipstadt Feb 2015
winter's after-the-noon shadow lights,
fused-tinged with early-onset grays,
harbinger of one for whom death
detaches the answer from that question
too soon asked, so long unanswered,
why me?

those gray lights, a violin accompaniment,
mourning pitched wailings unasked for,
yet always in attendance, court courtiers,
feelings of insufficiency, angry angst insects

envy days when simplistic unknown fears
were the worst enemy, never lingering,
for unknowns have no answers and
cannot obtain permanent resident visas

but reality, another matter, mad hatter,
asking repeating what is this, why is this,
even comprehension partial gives
no comforting answer satisfactory logical

envy innocence past, for newer questions now *****,
comfort by the lies in the essaying, trialling,
if, but, for, the distractions most affordable,
so grasp the pen that is the envy of thy companions

let the ink wail louder than you,
make paper shed what you have used up,
let envy of lost and found, found, yet still lost,
salve, but not solve, soothe, but not save

in the winter afternoons, those shortest days
of indeterminable longevity, words received,
offer little, but words self-conscripted,
a mortal transcript of pain immortalized by pen, relief will yet be,

for the pen is the envy of all
>~~~~~~~~<
For my friends who suffer in silence
Nat Lipstadt Jul 2017
<•>
  For A:

The Pleasure of Infection

10:53 pm

our all about
is to be the whittler of our personage,
to both hold the knife with care,
but with risky, reckless artistry,
as we shape of what raw materials we are possessed,
into our own reshaped, reformed
most prized bejeweled possession

never mind the shavings and cutaways fallen,
they are fast away, castaway choices made and cannot be retrieved,
for when we whittle, whether our shape desired
which may be prior envisioned or a vision
from the discovery of performing,
they matter no more,
let them go, in their absence too,
they are part and a whit of you,
but not of you, no longer

our commonality in this: everything,
in everything else, so little

but your honesty and crafted, almost dishonesty both ring true,
and infect us with pleasure of recalling
when we
being cut designed and preparing our statue for
an unveiling, but with no date yet set,
and the loveliness of our mistakes,
were precious do-over opportunities

seek out the infection, the infection of discovery,
the risk of pleasure exposed and
your poetry may be either  
the antibiotics
when the result is red and unpleasant,
or a celebration,
an invitation to us to be a
semi-silent beholder of your artistry

infections heal after pain and discoloration
but new skin always forms,
but at a different pace for each of us

I see the faces in my carpet nodding agreement,
"always new skin"

oh boy. time to go to bed

go seek out the pleasure of infection,
sadly, happily, it is the only way

good night
from an old man who dreams and schemes of
new skin nightly
but never mind me,
my piece long ago writ
and in need of just a tweak here and there,
call it one too many close shavings,
his poem's treasure trove,
a list
of life's minor irritations
and major lifts

<•>

11:16pm
sanuel barber and aaron copeland
are calling ne to bed
2.3k · Apr 2015
She-Poet: The Southern Way
Nat Lipstadt Apr 2015
for T.M.R.
our "fellow" southern friend*

the southern way,
she-poet
teaches me
via long distance
breaking of the
braking neural inhibitions of
the loudest silences
that only humans can
mistress

photos, stories,
Facebook posts
how the earth rebirths
taking unasked
unwitting but wisely
both of us
to be refreshed,
so verily
the southern way

sharing worldly  
southern words
betraying a
more than
passing
(how I hate that word)
expertise
in spring colors
glorious to every sense,
best described
as nature's way to humanize what we wordily call
hopeful,
self-betraying herself by the
she -poets
innate
southern ways

calls me
northern boy
in a
true voice,
raconteuring,
quick retorting
always in the midst of
d r a wling stories,
about all crazy frogs
of Columbia County,
jumping multiple courses

all about
she-poets navigating
life erratic,
half ecstatic
yet singularity colored,
characteristic of a  
ninety percent southern
Tennessee whiskey blues

hear clear
she-poets
welcoming swirling
undertow undertones
lying just above the calmest
morning water surface glistening
words betraying nothing,
yet saying
all in
between, in
pauses of
speckling sun drops spectacular

she-poet
has her places
in woods, knolls and
rarely visited mountains
where cold brooks and cold beers
southern sooth
in ways
I will likely,
wanting but unable,
never learn
to hear clear

the southern way
is never flex,
nerve never
never bend, smile,
still fighting
the prior lost cause
ignore the
cracks coverup

until and when
the afternoon sun
ceases to warm
the orchard porch
daylighting no longer
when no one is around
she-poet
weeps out loud alone
in the
southern way

and I,
northern boy,
student witness,
having obtained
a learner's permit
for her teachings
re
the southern wayfaring ways
of living life

weep along side
in my unsatisfactory
northern way,
learning that,
who knew,
tears are also
glue
anywhere
For Tonya Maria
Nat Lipstadt Nov 2015
~for Steve R. & Stephen Y.~

"two regrets are mine -
not finding you earlier in life when...words would have carved for me a better road, and...not hand-ing you a touch, the perfect tightness-shake of one's hand reserved for fondest friends and the light press on one's back deserved for dearest brothers!"
~~~

the light press surety of five fingers on one,
oh, what messages it composes, oh, what duty weighty it transmits

dear brothers:

tho this hands-on handoff, this fly-over, is still a  
mission unaccomplished,
yet no regrets, please!

men don't overuse superlatives,
what you lovingly uncover in my rocket-verbal Mars probes,
is more telling, more revealing of  who you are,
than any hand-tightness shake,
any touching grasp, could e'er convey

yet I promise, forsworn upon the cross
of the north west Pacifico latitude and longitude
a latitude that just happens to intersect
my olden, new english state,
knowing that Interstate 90
a straight transcontinental shot,
and the car keys just an impulse grab away

to tell your arms, your face, your back, our hands,
that when you love my poetry,
you love me,
you friends,
are an affirmation of  Pablo Neruda's words:

"whoever discovers who I am
discovers who you are"


fondness is not distance constrained,
touching grasps pay no obeisance to time,
the honor of your affection permanent
affirmed and enflamed,
all mine, sublime, to lead my heart,
where to lay hands upon your back,
to realize even more
our single united rhyme
November 7, 2015
4:50 pm
nyc/nl
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