Submit your work, meet writers and drop the ads. Become a member
 
Nat Lipstadt Jan 29
“The Weight of the Untold” (Pradip)
<•>
6:55am:  Jan 2 nine twenty twenty five

(read the comments first)

enveloped by the early mix
of morning’s hangover of dark
blue gray, window glints of a
sun playing peekaboo over the
yet there (!) Manhattan skyline,
the utter  “ness” of the stilled,
unwritten, unstirred, uncolored
dim of medium shadowy light,
the quietude is an actual thing,
a warming coverlet of cozy peace

am I not forcibly compelled to
write of the weight of white spaces,
Pradip pokes my curious anxiety,
as I question my own words, that
he tosses back to me, so so oft
he ****** the cells of my fingertips
to peek, to bleed, then peck letters
from within, to comprehend my
museum artifacts of words,
the weight of their panoply
of mystery

How, how can the white weight of
our seemingly empty spaces tween
words, carry this burden on its,
bony shoulders, can’t we just let them
be, like the breaths exhaled, the
disappearing exhaust of being human,

is it necessary to carry knowing knowledge,
of what needs no body, isn’t the inexplicable
better left unimagined, there be so much tolling troubles, let them be left masked, they’ll appear as embodied black letters, of-when, their discord is accorded their moment of due…no  more need to succumb prematurely
to this onerous lighter than air pressurized crushing atmosphere of reused oxygen

did I awake just to prove my existence, to offer up this combination of vocabulary of wondering, one more explication of the unknowns that are visible to the naked eyes, big, hard, factuals better left alone…and suddenly the morning light has arrived,

dear god,it will be a sun-filled sky,
and that weight, is modestly eased,
never fully erased, but you know,
I know, most of its occupants
even those
who won’t show their faces

And perhaps they should remain
hidden in the white spaces
between the letters and the words,

u.  n.  t.  o.  l.  d.
this dialogue never ceases or seizes;
every sentence parsed

Pradip Chattopadhyay › Sunday Scheming: “And his heart was known to none…”
“More is written in the "white spaces" than the words can tell. Possibly for those spaces, we are hardly known in life, carrying on with the weights of the untold”
Nat Lipstadt Oct 2013
Once upon a time
in the Great Hall
of the Metropolitan Museum,
my woman wan~pale,
doozy, woozy, about to grace
the floor marble, with an
undesirably inelegant fall.

Steadied her, a quick diagnose,
Low Blood Sugar + Dehydration,
her condition I pronounced.
The antidote in my possession!

From my pocket left,
withdrew my emergency tangerine.

She looked, quizzically, upon me,
even a bit weirdly,
marveling and marvelous,
as I fed her bite-sized orange curvatures.

Who walks around with a
tangerine in their coat pocket?


I replied, doesn't everyone?

besides, that juicy tangerine looked
mighty good, so I took from
pocket right, another one,
laughingly, which we shared.

Henceforth she has called me,
a partial mocking homage to a former actor,
who should have stayed that way,
the one who was thinking you can always start over,
The Anticipator.

If you ask me what is the secret
to keeping love alive, my answer permanent.

Get thee a coat of many pockets,
like the one Joseph had,
fill them up with with the things
that will shelter her from the storm...^

No longer the season of the tangerine,
In my pocket in the fall,
a Fuji apple and a box of
raisin~poems
^ was searching for the end of this line, when I hear bob dylan singing shelter from the storm, so gotta give a partial credit
1.3k · Apr 2020
the quality of commitment
Nat Lipstadt Apr 2020
~for yocum~
<>

the quality of commitment is not
restrained by quantity, nor by size,
impressed by nylon sheerest volume,
avoirdupois grams, Imperial weight,
steeled feathers, immeasurable, one ton
tips no true scale into red lined sincerity

the necessary respectful silences it requires,
the social nearness of geo-distancing,
all need prodigal acceptance,
like a long lost son, welcomed without questioning

we flawed, banded by many weaknesses, poorly confessed,
yet, no excuses tendered, to it, long ago surrendered,
but understand this, constancy is  not judged
by the frequency of our waves, but by the fervor of an

undertow of unwavering constancy

one that unceasingly rages, beneath superficial, steady waves,
and through the thickened, roughed old skin separating atmospheres,
I have grasped your heartened essence man,
found its depths, blessed it with words, you’ve never fathomed

surely you will growl at this, claiming obfuscation,
excuses not in your vocabulary, nor should it be,
though you require the steady reassurance of frequent brevity

so and yet, but and still,

I deny your claims, what you think, incorrect,
cause I know my heart, and well it kens what lays in thine,
what’s in yours is in mine, deep planted, a full nut grove flowering,
your complaints, mine as well, all part parceled, with grace accepted

for what is friendship but the path
through parted seas, joining two borders,
the best part of that is the landed connectivity,
leading to where we two ends,
meet in laughing two-gether
old fools, younger-then-than-now,
committed, grumpy men.
Nat Lipstadt Jan 2014
How many days left in my body?
How many poems left in my body?
One and the same, one and the sane.
My body is my poems.

You cannot distinguish me
in any other way.

eye-scans, fingerprints, belly buttons,
areolae.

all possess, all differentiate, none suffice,
I say it thrice, still you do not understand,
none not a marker singular,
they are not me,
nor are they you.

so if you read but one of my poems,
my body,
you do not know.

but when I find you perusing, exhuming,
the-ones-that-went-before
then you will, can know as well
as I know myself.

each poem a pore,
each pore a poem.

How many days left in my body?
How many poems left in my body?
one and the same, one and the sane.
my body, my poems.


my body is not episodic.
turn on the tv, no imagination leaps needed,
but each and every contingent on the prior,
each poem a stepping stone to the in side,
insight to the story of the body.

more story than poems,
I began in the beginning,
believe me there are thousands
of writs that lie about, lay about,
that sunshine has n'ere exposed.

but enough survived
enough shared, enough spent,

You have never seen my face,
what matters that,
when you have seen my poems,
my body, more than windows into,
they are the very pores of me.

Jan. 26, 2014
Very very often I will read each and every poem you have written, one after the other. Thus, I am yours, but more importantly, you, are know-now, mine.
Reminded by Gina, to thank those of you who have rode along side me, and stayed.  Though I won't mention your names, I know and therefore each pore is now partly yours, indeed more yours than mine, because into them, the poems and the pores, you bring life, delaying the answer to the questions the poem asks, but does not answer...
1.3k · Sep 2024
The Baffled King
Nat Lipstadt Sep 2024
messing with perfection,
you critique yourself,
why do it yet again,
a single choice, *******

yet every time them words,
penetrate, they instigate,
and you want to let~vent,
burst busting out in glory

bible student, we both. so
understand that titled reference
instantly, the secondary hid, secreted
a hurting with hallelujah familiarity

I weep. missing the singer,
his poetry delights, paralyzes with
a *******, indescribable, ecstaticly
indebted to him, his chosen words

he chose, I chose,
this decision to accept,
the need to expiate, explain, to better
understand our whys,
therby grasp our wherefores,
to give ourselves up entire,

thereby making, giving and even
t a k i n g,
the very chore so human to accept,
that surrendering,
f o r g i v i n g, one
accomplishes a chance to uncover the godliness within

that sparks
our frail humanity
to blossom to fruition, that our
fragility is the thinnest tissue of
diamond iron strength
encasing and encoding us unique
but yet united by
a single commonality,
that we are holy,
born to be
to be celebrated
and to share our voices
so differing
in an
unceasing
harmony
writ 9/11/24
Nat Lipstadt Jul 2013
First impression, first date.

You come late, a major sin in your own lexicon,
tango dancing redesigns your hair to curls atwitter,
despite remedial ministrations in taxi,
you text apologies profuse en route,
but you have been outed, and
I am charmingly amused

A warm December eve,
a local Italian eatery,
table by the window,
red wine floes melt your defenses,
allowances made, you're intrigued,
enjoying  our dinner of
charming amusements

But really you like my understated swagger.
I like that you like my understated swagger.

Walk home armed, arm in arm,
your paintings I must come see,
Immediately (!),
You offered this as  desert, instead  of biscotti,
a tour of your new apartment, sleek/simple,
messaging that this is me,
if you ever want to be invited to stay

Inspection over, my smile is a knowing
that this first foray deserves a concessionary accolade,
So in a mode so gallant at the front door,
Adieu you are bid, and devilishly clever,
I merely shake you hand,
leaving you delighted by this gallant, modern,
charming amusement

Looking at my watch, three and half hours
have passed.

Maintaing that in your ways set,
Early on, I challenge your rigidity,
Turning your hair from curly,
Into spun straight Rapunzel gold liquidity,
By asking politely, humbly, on bended knee,
You give in happily,
Charmed, amused at my ferocious insistence

Looking at my watch,
I too, am delighted, charmed, amused, to discover,
It seems my watch is running slow,
For it is now three and a half years later
Perhaps you saw "First Date"that I dashed off but 2 days ago, then I stumbled on this on written March 24, 2012.   Ah well, too many poems, not enough memory - but thru poetry the key ones preserved in different ways.  Early in our story, she of curly hair came home straight (straightened?) at the whim of her hairdresser.  God strike me down, scout's honor (cub), when she opened the door, I fell to my knees,
begging  her never to be curly again.

And she never has...
Nat Lipstadt Dec 2022
the ink of succinct…

is this a poem?
is it a sufficiency?
it self, itself is in
possess of two f’s,
two i’s and two c’s,
thus, is it necessary?

necessity, a quality qualification?

the moment, this moment
is both over and forever,
a sufficient and a necessary
condition for art, for your art,
think - is your condition,
necessary and sufficient?


then you are an artist and a poem…
Fri Dec  30 2022
1.3k · Sep 2013
Lend me a tune
Nat Lipstadt Sep 2013
Lend me a tune

(For Robert C Howard,
One of the lucky ones)



"But I'll know my song well before I start singing".   Bob Dylan


Some of us poets,
some of us musicians, and a few,
A very blessed few
Songwriters and lyricists,
Poets in sound and words,
Both.

Wish I knew how to
Compose some love song music notes,
But can't carry a tune,
Seems to me,
Comes first the music,
Must music comes first

So with conceit and disbelief,
Wrote words and shot 'em into space,
Hoping they'd pass thru galaxies,
Maybe a comet tail,
Find a Songster who will strum them
Into perfect, into complete

I ain't unhappy that all I got
Was the lesser gift of
Humming words to myself,
Ain't dissatisfied, but wish they
Could be ratified, by the music
Of a voice singing them to me
Or fingers tapping, happening them
Played upon  the ivories upon my chest,
Where the lyrics are aborning,
The chest that needs
Music to be whole, and word-completing

Wish I knew how to
Compose some love notes
But can't carry a tune,
Seems to me
Music,
Must come first

So let's make some music
**** right, together,
Finish these lyrics jointly,
When all finito, pointedly
Needed your music, my darling,
Music to make them soar,
Take our co-sing-song,
Dance to it with our bodies
Sing words the whole night long
Another old one recalled to active duty status to tribute Robert C,
The man who does not . in his name,
For he  c's both music and words simultaneously,  with nothing in between
Nat Lipstadt Jun 2013
This Poem Was Written By Eli, Age 7,
(Assisted By An Ancient Mariner)

Wandering around the house,
Ole Man Nat, I found in bed,
Writing a poem on his tablet.

Invited in by the Ancient Mariner,
He offered me, a rare opportunity,
Join in, he said, two heads in beds
Are always better,
Especially when writing poetry!

The Poem:
The navy- colored deck umbrella,
Rocks back and fro,
Like a big sailboat,
Going in circles

Cloudy Sunday,
Just a pinch of blue,
Not enough to go outside,
So I am writing this bored poem

Glaring seas, small waves moving,
Gazing upon the bay,
Makes me tired and needy for
Body fuel,
It is after ten, and I have not had my
Breakfast yet!

Since I am already in bed,
Bring my breakfast to me,
Since someday I will be a
Father (and CIA agent too)
I might as well get used to it!


**At this point Eli split,
Cause breakfast was clearly
not going to be delivered.
While it was being set up,
Throwing a football to his dad,
Was preferable to completing his
Masterpiece.
Eli is my GF's great nephew, and a poet (father-inspired) I gentle nudged, but the vision was his...and the words too...he is kind, very smart, photogenic mess of black curls, and models...when he was younger (4?), he would visit and run around asking late nite show style, Whereeeeeeees Nat!
Though not of my blood, he numbers among my beloveds
1.3k · Dec 2013
Ison, I, Comet
Nat Lipstadt Dec 2013
Ison,

you who are the sons,
this is addressed to you.

you who are comets,
you who are not,
cannot believe, you are
comet,
but are nonetheless.

You who awake and say,
I, Son
be whom you must,
pretend not to be
the son of...

no matter how many
millions of miles must be
traveled till you are visible,
no matter how brief your life,
you are more than Ison,
your are yourself, part son,
but all man, unique.

set your own course,
if to the sun you must fly,
set the course you choose,
and we will call you by your
name true,
I, Comet.
---------------------------------
http://online.wsj.com/news/articles/SB10001424052702303497804579240290630829078#printMode


Like Icarus, Comet Ison flew too close to the sun and perished. After passing near the solar surface on Thanksgiving Day, Ison vanished in a ghostly puff. Ice and dust proved no match for infernal heat. Next up is Comet Lovejoy, whose close encounter with the sun will take place on Christmas Day.

Here on the island of Nantucket, we know well the heartbreak of comets. In 1847, Maria Mitchell became world famous for discovering a comet from the rooftop of her family's home on this fleck of land 30 miles out to sea, the first comet ever found using a telescope. Mitchell's calculation of the comet's orbit showed that its trajectory would carry it away from the solar system, never to return. Within three months of its discovery, the comet had faded from view, beyond the light-gathering capabilities of even the most powerful telescopes. All that remains today is a memory.

According to Greek legend, when Icarus and his father, Daedalus, were imprisoned by King Minos on the island of Crete, Daedalus built wings of feathers and wax for their escape, cautioning Icarus not to fly too high because the sun would melt the wax. But Icarus was so overjoyed by his ability to soar and swoop like a bird that he forgot his father's warning. As he flew higher and higher, the feathers came loose and he fell to his death in the sea below.

Ison was once a prisoner too, held for billions of years in our solar system's dark netherworld, the Oort cloud, a place so remote it takes a beam of sunlight a year to arrive there. Freed by a sudden gust of gravity from a passing star, the comet began its exhilarating but ill-fated flight to the sun a few million years ago.
1.3k · Oct 2013
Lamentations (a psalm)
Nat Lipstadt Oct 2013
11:00 PM July 7th 2011
Outside Delacorte Theater,
Home of Shakespeare in the Park
Central Park, New York
~~
What wretched wags
we have become,
sold rhyme and couplet
into slavery and meter sacrificed,
upon the altar of expediency.

LOL and BRB, the hallmarks
of our
insincerity,
forgetting that civility
is resurrected when
we employ the poetry of speech
in our plain and
simple communiques,
most especially in the simple,
please let beauty hold sway.

Brutalize our tongues,
thus our lives,
compression of our language
into single words that celebrate
the mundane, as fashionable.

yeah, yeah, yeah...

Our speech, its fragrance lost,
sublimates but does not sublime,
one liners demean our humanity,  
grunts of yeah and cool,
are awesome not,
our future hope is in
the details of our expression,
whereby we inject
into our verbal demeanor
a grace that sets human
above the existence animal.

So touch this screen and
let us begin,
to take our measure
by our measure
of the care we demonstrate
when we communicate.

These words have transversed
from weekday to weekday,
soon at morning prayers
to the gods inside of me,
David's hymns and poems
I'll recite,
a slow eloquence will infuse
my hallelujah eyesight.

Plain truths will be spoke,
in rhyme with
diction apace,
transfuse my soul
elevate us
severally and jointly
above the confused noises of
the prison of nondescript lives,
leaving me a believer that
all's well that begins well.
Digging out the old ones, when all I got is perspiration sans inspiration. See new companion piece, an ordinary word...
Good Morn New Delhi,
Good afternoon, Auckland!
Nat Lipstadt Jan 25
genetic & embedded in both
the left and right brains and
heart muscles, pores and parts
that participate in the body’s
daily ritual colloquium regarding
the necessary amount of magic
needed, upkeep required,
to please the Lord, 
whose designers were
co~missioned,
tasked-to make a self healing
being, with a reasonable shelf
life but with built-in imperfections
and to struggle and to
honor  that idea that we born blind
and our goal is
learning to see,
envision
our better

version

the
correct redirection of
constant course corrections
using the
secret compass chord
playing on the harp of our
heart strings

<•>

903am
1/23/25
on a day of addition and sub traction
Nat Lipstadt Oct 2014
dreams in colors that don't exist,
and 'mares re dear sir, deadlines missed,
wrestle~arrest poet,
instant awake
in the wee time,
pouring liquidity,
fluids and words,
puddling, stinking,
coming,
from the
always dangerous,
always interesting temple inner inside,
sanctimonious no more sanctum

this particular sleep,
shortened, irretrievable,
bookmarked "closed,"
chapters,
hours too soon,
this rest business,
arrested
filed in an ugly
grey metal file cabinet,
in an unfinished manila prison
with your other unimportant poems

the dark room universe
populated by
hints, shadows, voices,
waiting, welcoming,
mirrors on the walls
unified in one voice
deep, obtuse,
demanding recognition
"hither hither come"

forced march
to a visitation,
to the the parition,
of your reflection,
clearest ever seen,
in the black pitch,
uncovered by guise, feathers
the clothes of normative pretenses,
the man-made borderlines of
preservation falsehoods

seen your own semblance,
parts rearranged,
uncanny,
the mirrors are screaming:
shameful lovely,
this, our artistry,
your apparition,
now accurate,
reflecting your under-
lying
condition,
at last,
an accurate portrayal,
of your inaccuracies

do you find yourself attractive?
this new balance,
the unregulated pieces
of you
before your dissembling,
discerning,
dissecting eyes?

feeling the valence,
an introduction,
a physical magnetism
any attraction
any resemblance
to the semblance
that writes
this s.o.s.?

answer us thus,
do you up
and like yourself
unvarnished,
grunge, swag,
truth  trammeled,
don't you want to kiss yourself
goodbye,
or better yet,
fare thee hell?

go ahead,
ask yourself now,
that one question
that prevents conception,
from your inception,
what is it that
makes you exceptional?

don't you realize,
everything about you
ends in a question mark?

how dare you write poetry?
you are the false poet,
you live on the division
tween artifice and self-deception,
this, your only precept,
and now that you are
clarified,
answer this,
knowing you know
nothing
but artifice,

**how dare you write poetry?
valence - the capacity of one person or thing to react with or affect another in some special way, as by attraction or the facilitation of a function or activity.

semblance - an assumed or unreal appearance; show; the slightest appearance or trace; likeness, image, or copy; a spectral appearance; apparition.

10-22-14
Nat Lipstadt Aug 2019
called me in for a consultation,

lean in,” he suggested, with nearly closed eyes,

“see the youthful optimistic predecessor,
the conqueror, who could not be defeated,
his thin images within still resides

the man of firm voice who when he spoke
above the rabble, all fell silent, and when he looked,
all could share his visionary insights and did not hesitate,
saying, we will do and we will listen,
but to follow, just did, wrapped
in your confidence

I want that boy back, smooth skinned, fearless,
do not return him till the shadows have dissipated,
the bruised lines of worry have evaporated,
the hands look unscathed, then raise them in
self-supplication, demanding satisfaction,
then in success, born overhead, marking appreciation,

let us adventure forth, straightening tilting windmills,
punishing renegades and dragons fearful,
saving damsels who waited just for our arrival,
shedding courage upon those who watch us,
cheering and being cheerful

here is your mighty pen,
cut sharp the poems out from the within,
read them slow, winding to now crooked old friends,
who remember everything dear, their youth of no fear,
the best of past, dreaming poems, mist born, fog vapor gone,
of black and waiting white, worthy words all revived

return to me in blazes,
sumptuous colors of derring-do,
I need that child brave, for perhaps
you have not noticed my flaking slivering skin,
the expanding cracks that cross my images,
just like you!

I need you to rebirth you,
I need you to rebirth me!

8/16/19 reflections from a blue glacier
1.3k · Sep 2024
What’s YOUR Water?
Nat Lipstadt Sep 2024
What’s Your Water

If you talk to Wallace J. Nichols, Ph.D., a marine biologist and the author of Blue Mind, a book about the physical and psychological benefits of water, for long enough,
he’ll eventually ask you
,

what’s your water?
And as it turns out, nearly everyone has an answer.


<>

Having lived longer
than I had a right to expect,
through decades of lost years, pain imbued an attitudinal of:
‘I do not ****** care,’

find myself perplexed now by my near
escapes, death misses, graceful landings,
and now,
the fortune tellers ply me with
predictive prescription possibilities
of a good many more!

So I write this missive,
mine own “Guide to the Perplexed.”
for a longest miserable
drove me to deep despair,
and even  the littlest do was a wasn’t undone,
to insure any extension, even hurry up a clusterfk,
and here I am
yet, wander-in-g & wonder-in-g,

Why, what
accidents of fortune reversal,
made my prior life a rehearsal
for a hopeful long end run,
before a Mahomes miracle touchdown

Knowingly
looking for the X Fsctor,
discovered that the solution was

W2
W squared)

where W is a
(Woman,Water) multiplier

Found a woman who
lived by waterways,
upon island bodies and seas of rivers
that led to
this little island that
gave me
the solitude unsolicited
to see inside my
history
leaving me with
no imperative imperial resources to resist,
but to make it
just one day more,
to let the celestial sun
celebrate a new daily saluted calculus,

Of

the sum total of
every grain of water
in this world
evaporated to be rebirthed
in a million raindrops
just like me and
poetry


writ over the spring & summer of 2024
https://getpocket.com/explore/item/why-being-near-water-really-does-make-us-happier?utm_source=pocket-newtab-en-us

“The Guide for the Perplexed”
The Guide for the Perplexed is a work of Jewish theology by Maimonides. It seeks to reconcile Aristotelianism with Rabbinical Jewish theology

writ 4/19/24 ~ 9/9/24
Nat Lipstadt Mar 2024
Tennessee Williams, once said, “The world is violent and mercurial—it will have its way with you. We are saved only by love—love for each other and the love that we pour into the art we feel compelled to share: being a parent; being a writer; being a painter; being a friend. We live in a perpetually burning building, and what we must save from it, all the time, is love.”

<>
how succinct, successful a summary
do we require, nary a word excess,
only love comes at ya slap-dash-
across-the-face, to make the point
its presence in everything and every
human touch point juncture, is a
conjunction,,

be a writer, even when muses en masse
desertion seems overwhelming, query
with love this conundrum and fill the
open yet tiny interstitial space with a
soup of creamy hope, inspiration is ever,
never late, for it runs on its own schedule,
which is forever unpublished and happily
irritating us when we least expect its timely
birthing…

wet the eyes, remove the shadowy slumber
residue, with vigorous water splashes, flying
drops everywhere- is that not a poetic command?

rinse the mouth of the failed taste of insufficient
sleep, or the countervailing dry excess of too much,
when we hide from the challenge of game on,
and the liquid sloppy of the premier
day~light~enunciation…

give birth to conjunctions, attach the independent,
linking the minuscule to the primary, and write of
it as if you were the first, indeed, you are this moments
first…

to exit the permanently burning building…you must
run to it, enter willingly and save it and by dousing
yourself with love, save more than just
thyself

9:11am
3/8/2024
1.3k · Sep 2
Finally: Happy
Nat Lipstadt Sep 2
(from "To: Mimi Romanelli"

~indebted to suggestion of
https://hellopoetry.com/MacGM/
for filling me up one of the trillions of missing datapoints
in my slowly diminishing insights & missing knowledges
<>
"I am happy, Dear, to have walked with steady faith on the waters of our uncertainty all the way to that island which is your heart and where pain blossoms. Finally: happy."

from the poem by Rilke
"To: Mimi Romanelli"
see notes

'~~~'
so worthy of my/our attentions,
his reflections on loss, grief and mortality,
for in the natural course of this poet's story,
the interplay of this shopping list of preoccupations,
foremost on this temporal frontal lobe in these waning days
of my perhaps, last summery summary,
that falls upon your eyes with
my guilt that you have clicked upon
this e~pistle, in and un~
tentionally & tensionally
thus demanding & tendering post-haste
my apology

so be advised, be learned, and query why
an essay on ending mortality should be
be finished with a concluding a
"Finally: happy."
by breaching this poet Rilke essay,
one discovers
this poet sees through the storms of his preoccupations,
"the red of his blood,"
because he loves
another human, being,
so many would agree,
yet so few are so certain,
as Rilke,
and yet,

"It is still always that death which continues inside of me, which works in me, which transforms my heart, which deepens the red of my blood, which weighs down the life that had been ours so that it may become a bittersweet drop coursing through my veins and penetrating everything, and which ought to be mine forever.

And while I am completely engulfed in my sadness, I am happy to sense that you exist,
Beautiful. I am happy to have flung myself
without fear into your beauty just as a bird flings itself into space. I am happy, Dear, to have walked with steady faith on the waters of our uncertainty all the way to that island which is your heart and where pain blossoms.

Finally: happy."


<>
Writ the last week of August,
and the first of September
2025
see https://www.theparisreview.org/blog/2018/09/06/rainer-maria-rilkes-letters-on-grief/
1.3k · Jan 2023
“So Tenderly Put”
Nat Lipstadt Jan 2023
~for Lori Jones McCaffery who wrote me of:
“Her hands lay gently joined”

So tenderly put

<>
So sweet and tenderly put this trilateral phrase, a complement,
So sweet and tenderly put this lovely, geometrical compliment,
thus birthing this missive that was delivered in a mere 9 minutes,
a simple re-tribute to a poem scraped from eyelids, leaked from
my heart  
of what
I Witnessed,
of what
I Emoted

as my woman,
rustled besides me in the early morning sheets,
stirring my heart, as she astirring slowly awake.

love this title Lori has gifted me, for so few and far
are the in-betweens of the people, places and things,
that are so tenderly inserted in this banged up humdrum,
football game of daily living, pierced by primary moments,
even secondary seconds, of heart~glows that pierce the noise,
even-in-silence put a suffusion of the chest, kissing of the brain,
colored kernels that dare not go unnoticed, this eloquent, perfect,
thank you is a whispering tremolo note that

wakes me up again, with scents of gratitude, for those
who take care, those who give care, who value tenderness
in soft spoken gestures, brash and bold, smartly wisdomed,
so to honor her, to honor this moment of grateful inspiration,
I insert the exact moment these senses imploded in my chest,
ordering me to give thanks, take care, validate the valuation of words,

so tenderly put

2:10pm Mon Jan 30 2023
1.3k · Jan 2014
too true
Nat Lipstadt Jan 2014
Somethings false
somethings true
somethings are
too true

the elements looked inside my brain
said this man needs some storm rain wind
to aid and abet his pernicious melancholic

too true

worries list and complain ain't gonna do,
put when a revelation slips out
that touches the highest priority
pain points
writing poetry
can't help
even and especially if

too true

like to tell you I am happy to be alive
but that would be a lie

somewhere behind my forehead is
an amorphous ache that only goes quietude
but Cain marked never disappears.

you can't take it with you,
happiness seems to have a shelf life,
a half life, that cuts the time you get to get it
in half.

but the amorphous ache
you call depression
that I call
desperation
has no life,
it just never dies

Rain, flooding and wind advisories
come to mix and match
the desperation that is
pill-proof

they don't laugh at me,
cause they know
desperation is
too true.
1.3k · Jul 2013
Fresh Direct
Nat Lipstadt Jul 2013
Fresh Direct

Exit

I used to sleep
With pen and paper on my nighttime table.
Nowadays, my iPad tablet rests upon my chest,
Not only does it keep me warn,
It takes my poems from within, Fresh Direct,^
Edits, credits, and delivers them to your door,
While I'm still sleeping.

Which is why they come at all hours.
It is also why they call them,
Love's Labour's Lost saving devices.

Refill

My woman, my number one fan,
Grabs her pillow, mashes her face
Into my iPad warmed chest,
Without asking permission,
Thus fulfilling her mission critical.

Restoring the balance, refilling the tank
With high octane mystical, thru skin umbilical,
A first edition of the day blended mix named,
All's Well That Ends Well.



7:45 am
July 14th, 2013
^www.freshdirect.com/
Online grocer providing high quality fresh foods and popular grocery and household items at incredible prices delivered to your door in the New York area.

Tho I have lived centuries, long and well,
Have no fear, in prior life, my name did not complete with speare.
But t'is not the first time I fiddled and diddled  old *****'s work,
When they called me Nahum Tate, I usurped his tragedies,
Pre-HP, I was one of England's Laureate Dunces.
If thee be of faith little, truths here be spoke,
For it was then David's Psalm 57 I refreshed:

O God, my heart is fixed, 'tis bent,
      its thankful tribute to present;
      And with my heart my voice I'll raise
      to thee, my God, in songs of praise.

Awake, my glory, harp and lute,
      no longer let your strings be mute;
      And I, my tuneful part to take,
      will with the early dawn awake.
Nat Lipstadt Jun 2015
for lovejunkie...amidst this parliament of words,
I am selfish,
but not always blind...

~~~


from our bed, I see witnesses,
a small stand of trees,
no parliament these,
but a scattering of
oak~men and birch~women,
who shade and defend us,
a few good marines on duty,
standing between us and
our beloved but ever
dangerous tempestuous changeling child,
the one we call,
with well-mixed trepidation and affection,
the sea change

this small stand,
throws all caution to the wind,
remnants of a once great army
upon my forested isle,
these proud stragglers,
refuse to desert their
human worshipers and century renters,
giving them aid and comfort,
from the sum of
sun, wind and the
ever encroachment of waves,
who would and
will
own all
eventually

they look out,
this stand of trees,
facing away,
lookouts for us,
watchmen of the day
and still on duty,
even when the day's nethered nemesis
returns

this stand of trees,
they look back as well, upon me,
even as I catalogue them,
distinct even now in the tomb of midnight dark,
facing me simultaneously,
self-appointed witnesses
to a man's thinking
of his:

binding and unbundling,
the tumult of the fusion
of the pros and cons
at the intersection of
love and memories

where ancient needs and memories
clash to rehash past victories and Waterloo,
all the while, the cries of the
perpetuity of future desires,
incessant demanders of
fresh refreshments of love,
shout out
"more, more,"
ever so softly

perhaps this is why they stay...

voyeurs,
to be amused by selfish humans,
denying their very built-in natures,
addicted to the elusiveness of romance,
wearing pretend masques of self-blindness
to the devil-may-care,
unpredictable seasonality of loves
comings and goings

and yet how clear recalled the
unconcealed passion and gleeful gratitude
when we tuck a beloved's locks from
their eyes, to the safety of the
crook of their ears

the stand of trees,
strong tall, plain big,
compare and contrast
to the infinite smallness
of merest seconds
of loving tenderness
etched upon the firmament permanency
of the
mind's eyes

perhaps this is why they stay...

perhaps this is why we cannot renounce
our never wreaking addiction to love
and its cocktail of
torments and fulfillment

trees - perhaps,
they better understand our frailty
than we do,
do trees love humans so much in return
for all this love we give them?

we chop in hurry fury down,
only to repent and replant tenderest of seedlings,
like human love,
we chop in hurry fury down,
only to repent and replant tenderest of seedlings

for are we not all selfish, all blind,
all needy, all defenseless,
all cautiously defensive,
so much
and then again,
not so much
not so blind or selfish,
that we cannot use our word tools
to grant ourselves,
we aching creatures,
grant ourselves
a few small chances,
to pry open both
recollections of our heart's delight
and the seeds
for its
renewal

perhaps we are all witnesses?

~~~~~~~~~~~~~
"but oh if fate threw caution to the wind
giving
this parliament of trees their hearts' delight
how wondrous to these eyes would those boughs be
smashing through that firmament, that light."

"and oh if fate threw caution to the wind
granting
this aching creature just one wish,
i'd be content with much less than your kiss...

for i am selfish, but not always blind;"

**from "wish I may wish I might"
by lovejunkie
You can see my stand,
beside my name,
protecting and surrounding
our little cottage

read lovejunkie on HP!
Why?
for he is among the very few who craft and hew their words
with care and great love...and who writes of the
elements
of love in beauteous ways I can only vague recall, and never hope to ever replicate..

amidst this parliament of words,
I am selfish,
but not always blind...

June 21 2015
2:00am
Nat Lipstadt Jan 2023
It’s only a short straight hill
(First Poem.of the Year)

“I'm 69, newly homeless, and can't wait to start the journey of a creative life after being asleep for so long. It's only a short straight hill and I'll be on a path into a new life.”

Jeremiah B Xxxxxx Jr.

<?>

it is
4:11am
on the
first day
of a new
year.

a year
is a unit;
mathematically
measurable,
defined,
calculable,
divisible
by seconds,
minutes,
hours & days,
all artifices,
mutually
acknowledged.

you,
& others,
remind
me too easily,
that the
creative
is the only
path
to endless,
(a unit immeasurable)
reinvigorating
life.

your fragrant
optimium optimism
is stun
gun overpowering,
the ill defined,
but instantly
understood,
immeasurable
distance,
you foresee
to life better is
conquerable!


”only a short straight hill”

imbues me to lift
head, heart, arm
& unloved dried ink pen,
to pen,
to unpack,
to speak,
of all that
needs climbing,
over the
artificial lines
of the first unit
of time:

a new year.

thank you.

Sun Jan 1 2023
NYC
Nat Lipstadt Aug 2013
It's Been Awhile

since I wrote a love poem.
after all what needs this world
yet another Declaration of Inter-Dependence?


Lazy afternoon, sun kicked out the overcast drizzle,
that made you decide to cook, my heart sizzle.
You bang honey, BBQ sauce, tomato something or other
into one of your own poems, I am a couch potato observer.

Strumming my thoughts, note plucking,
Looking for two or three chords to
Basis-form a shapely container ship
For sharing what I am feeling.

A Dylan-like tune of my own growling,
begins to format, and next,
(you know what's a coming),
start singing my very own verbal song,
Nat-named this lyrical beat,
A Declaration of Inter-Dependence.

If not for you:

I would weep more.

I would weep less,
(so many tears of joy!).

My carousel, horse back riding days,
would be over, ended.

I would never make a bed unasked
(but it gives you so much pleasure).

I would live on Frosted Flakes
and microwaved hot dogs

I would die w/o ever seeing
someone weep after reading my poetry.


For that alone...

I declare my whole state of being
being dependent on another's existence.

Ok. All done. Sneak-peeking in the oven
To see what my love is poeming for our
dinner.

You may now move about the inter-dependent cabins of our
heart.
August 3
And yes, she wept when she read this and yes, she then gave me a taste of what was coming later.
Nat Lipstadt May 2016
~for Marion~

all poets are junkyard scavenger connoisseurs

who wear suits to Manhattan faculty afternoon tea parties,

broken-in jeans to Brooklyn midnite poetry slams,

regalers, tall tale storytellers, subway words pickpockets

of the  extra-ordinary,

claiming innovations but from all saints stolen,

insights inside other's waste,

refusing to acknowledge the true owner's title

by fusing other's refuse.

the original recyclers,

junkyard dog liars,

willful sufferers of the plague of overhearing,

exceptional excerpters of the gems of coal dust noise,

"Connoisseur of old thoughts
Bound in new gilt bindings"*


them's me.


~

12:37am may eighth
Collectors

by Marion Strobel

The barnacle of crowds—
Like a tuck
On a finished skirt, unnoticed—
He collected his material
Covertly:
A ragpicker,
A scavenger of words.

And the gleanings
Of his hearing
He would costume
In his own words,
And parade before
A listener.

So that now,
Across the tea-cup,
He was telling
Of his research,
Of his study,
Of his deep thought-out
Conclusions.

And the lady,
Connoisseur of old thoughts
Bound in new gilt bindings,
Smiled approval
At the finding
Of another curio
To place
In her long gallery.


This poem is in the public domain.



Marion Strobel was born in 1895.
Nat Lipstadt Jul 9
prayer of hope, for young and old, who suffer from the slings and arrows sadness and the loss of love; I offer up this prayer of hope and offer you my hand around your shoulders until you no longer require it

more than once,
for lengthy periods,
by events, other people,
my self was eradicated
and limping from day
to night, and J faced
absolutes, choices choking,
alternating alternatives that
offered zero, or even less
than zero, and the inkwell
wasn't refillable, and I could
point to nothing yet encouraging a mystifying purposed existence

then came a woman

who asked nor proffered
conditionals
pre, prior post or otherwise
and
offered up the miraculous
drink, human kindly notice,
snd it
drained the bitters,
began fluid replacement,
and slow resuscitation

and then
poems rebirthed me,*
 liberated the angry sacred
gory sadness words devoid of glory,
with a reworded score, and
the eyes could write without
a patina filter of jaundiced hatred,
and whispered private internally
many times a beloving
hallelujah

and when ever the remembrance of
the near misses are crackly occasionally appearing, the surge dissipates intact quick
into a netherworld for suppressing
and bid "away with you," and a
thin lipped smile part sneer
for having survived
even
prospered when
                    then came a woman

and the self, the my self,
returned
after an absence of destructed
decades...deadening decades

and I smile when
the grandchildren tell me
knock knock jokes
and gently knock me on the head,
to make sure I'm alert,
                    then came woman
who had already~all ready
knocked me on the
heart
1.3k · May 2014
Hot Days, Cold Hands
Nat Lipstadt May 2014
Hot Days, Cold Hands**


after much negotiation,
the owners of our (her)
west coast gran kids
agree to a meeting
in a neutral city

a day of great joy,
hugs kisses real life unlimited,
playing pool catch, shark,
(Ian is the ball)
and splashing
in Miami pool warmth
and you don't think about
poetry writing cause you are living
it

this morning two icy lumps,
of coals wake me at 6:15 am,
icy understates their arctic nature,
my poor chest burnt
by frost fingered nails

message in a ten fingered bottle,
freshly drawn from the cold Atlantic

Thank you
they say,
and I reply,

Let us
move south to my warmer climes

6:47am
1.3k · Jan 2014
You! Pledge that you will
Nat Lipstadt Jan 2014
Be a harpooner of the unexamined life,
with unfettered rhaposdy,
exhort the loopy
to light candles of illusions,
canonize the nursing mothers to deliver us
the kinder Ishmael's who will revel,
lead us with warmth and apprehension,
with the strength of sinews
fixed and flexible,
we will believe and
they will teach the rest of us
that the first commandment
is to empathize.

with clinical observation,
dense and demanding,
make us laugh at
the comedy of our situation,
the comedy of our conscience,
our free to see,
the peep show of us,
explicate and deconstruct
our unexamined lives,
help us to extend the boundaries,
record the voyages of our timepieces,
declare us all free and victors,
file away the chains of language

**and declare us all poets
A piece cut from an older poem, when I was....a better poet.
1.3k · Jan 2014
Version Two
Nat Lipstadt Jan 2014
in the theater,

(awaiting the curtain rising),
woman looks at me,
(I say)
Tangerines.

punches me
in the arm,
again
(and again)
read her mind,
knowing
silently making
shopping list.

in kitchen,

looking confused,
what the heck
did I come in here for,
surreptitious smiling,
(i suggest)
cuppa tea be nice.

looks at me queer
(and says)
**** it,
stop doing  that!


in car,

home bound,

turns to me
(I say,)
veggie burger,
a great idea for dinner.


can't hit me cause

doing the driving,
makes instead
she-laughing,
teeth gnashing
grunting noises
(most comical)

no Houdini,
(who dat?)
5 years on
read her like
the book.

book of poems

she has
co-authored
entitled
**the mystery of no mystery
6:00 PM
In the sun room, smiling.
May 25, 2013

re used, re vised
Jan. 7, 2014
Nat Lipstadt Aug 2013
If you come to my funeral,
Come by train.
Even if inconvenient.

Take the time
To come slow.

Read my poems,
Read yours,
Mash them up,
So they become better
When joined at the hip.

So be ready,
Be Cub or Girl Scout prepared,
To laugh with crinkly eyes
At private memories,
Recalled stories.

Yes, one can cry and laugh simultaneously,
Perfectly sensible, when on,
Especially when on,
A slow, aglow, train ride,
On the way to a beloved's funeral.

*But this trip don't involve any travels
Its your heart that I am trying to reach
To touch it and fill it with a
Feeling so sweet
Where heartache and pain
Can no longer dwell
So your heart can smile
And only feel well
To find love
For every living thing
And for yourself
And of course for ME
Train Ride (For Lori Callahan).
Dedicated to her, every letter and syllable.

The last stanza in italics, excerpted from Lori's poem,
Without her permission, but with
Loving admiration, openly acknowledged.

Lori Callahan · Jul 31
Pack Your Bags.
1.3k · Apr 2024
A Flawless Poem
Nat Lipstadt Apr 2024
<>>
Jan. 13, 2014
<>

a  flawless poem

if such there were,
will always be,
the next one

my poor soul,
my rag tag heart
has no censor,
so careless, reckless,
as if words were but
frivolous treasures,
easy spent, easy get

if only, how I wish I
could harvest my best,
with golden cutlery excise
the single flawless poem,
that I know is in my possess

lay down this hand so weary
from cupping tears,
be satisfied at long last,
so much so,
that when my casket lowered,
hands in repose companioned,
clutching his best, easing his rest,
a paper record to join his dust
with ash,
his flawless poem,

at longest last
1.3k · Sep 2024
The Dew on Your Hem
Nat Lipstadt Sep 2024
an instant coffee poem scribbled
on the back of an iPhone, and mailed
to the motley crew hanging in these
environs

my request, your bequest
<>

never had an article of clothes
that required a hem to be tailored,
but you my daredevil darlings,
bring me now
you &  yours,
a hem of thy choicest choosing

that I may taste your dew,
this and thus
enlivened,
I will love you,
far more than forever,
beyond my overwhelming
incarcerated capacity
to absorb,
but to exist and seize
the dew of your souls,
each an adrenaline ephedrine
shot to our mutualized brain
~
our soul’s temporal abode

the meaning plain!

you too
will forever be
within
the unlimited scope of this script
on the universe of the internet,
far longer than any intimate moment
we could share ,

a sensory
beyond the physicall

I beg you
please!

9:19 am
Thurs Sept. 12
two thousand and twenty four
paraphrasing a lyric from Cohen’s “Sisters of  Mercy “
1.2k · Feb 2014
Up to you babe, up to you
Nat Lipstadt Feb 2014
Dedicated entirely to and for Marisa White

So many human cells,
trillions, not billions

staying alive, a constant balance
between losing and making more.
when young and growing,
like you babe,
like you babe,
making many more new,
than we lose.

when we "advance"
to advanced ages,
like me babe,
like me babe,
when old sick,
either body or heart,
starting to die,
losing more than we make.
new cells, no more,
past
tense,
yet, still have colorations of all kinds,
streaming residues inside yet thrive.

the youthful biologist,
you, know all this,
yet still needy seemingly,
for gentlest reminding,
by an inexorably dying man,
prime declining,
so care for these words well,
they won't come again.

for you to imagine a grain
inside you,
so wonderful envisioned,
that the yet uncorrected words
limbo, stasis,
are deleted from the textbooks
as yet unwritten,
on and of you,
writ by you.

I
need
but one cell,
of your DNA,
freshly birthed this day,
a canvas of only you,
unsullied by pernicious infected hopelessness,
where, under the microscope electrifying,
I will paint with scalpel and brush,
away the limbo,
injecting the blue dye of
happyness,
to course through your red veins.

how cannot you see,
the potential vastness of the trillions
that awaits, so in need,
needy for coloration by a scientist~poetess,
when a lover good and true appears,
you will birth trillions
new cells in a new body, imagine that,
using only the brightest hues of your untapped potential.

which cell?

so many choices,
so many possibilities,
why that I leave that
up, to you babe,
up up up up up,*
up, to you babe.
------
The science is from:

http://www.madsci.org/posts/archives/2001-02/981770369.An.r.html

The inspiration is from:

http://hellopoetry.com/poem/601246/new-canvas-no-limbo-on-it/
1.2k · Sep 2013
Bring 'em on home
Nat Lipstadt Sep 2013
Bring 'em on home

A long time ago,
A fellow New York Jew,
Happened to be a poet too,
Like someone else I knew,
Wrote some lines
The people of France
Thought were pretty grand.

So they built a statute to,
Her words, realized in copper,
And placed those words on its base,
Where it rests today in the harbor.

Everybody, especially a lady of
A goodly number of years,
Needs an occasional makeover.

A colossal mistake of unbridled arrogance.
Natty, you sure?

For sure, my words to greet, to welcome meet,
A special class of people,
Who come not by sea, but electronically,
Who need a statute of their own!

Give me them again and again,
The sad eyed teenagers of the lowlands,
The cutters, the pill poppers, the heartbroken,
The incomplete poems,
Send them my way
So I can
Bring 'em on home.

I have no lamp just many arms
And a handful of words,
To comfort them tween the lonely hours
From midnight to dawn,
When the ancients are on duty,
On the lookout, on patrol,
For these special many.

My qualifications you ask?
I can read, I can feel, torment, he be,
My right hand man, scars to prove it too.
Do I need more to simple want, please,
Bring 'em on home.

Like scraps of unfinished poems,
I want them all,
My job to complete and send them on their journey,
Back slapped, chin chucked, safe home,
Secured, knowing, that there are many o'me,
Who desire the same.

I cannot give them absolution, or permission
To do what they feat most in their submissions,
Lend them my grays, my ancient perspective,
My heart that has no shape,
But room enough for them all.

Unafraid to cry alongside them,
Unafraid to say it is beyond belief, inconsolable,
That hurt has entered thine bloodstream,
That there is no drug to cure what drugs undone,

But I have intent, I have poetry aplenty,
To assist, write with you, new endings,
For you are but a stanza now,
And someday you will be a
New Colossus...


And I will still be
Here, in case...

--------------------------------------------------
"No­t like the brazen giant of Greek fame,
With conquering limbs astride from land to land;
Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
"Keep, ancient lands, your storied pomp!" cries she
With silent lips. "Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!"


Emma Lazarus
The New Colossus

"The New Colossus" is a sonnet by American poet Emma Lazarus (1849–87), written in 1883. In 1903, the poem was engraved on a bronze plaque and mounted inside the lower level of the pedestal of the Statue of Liberty.
She asks me what's wrong, and I say I made the coffee too strong, too hot.
1.2k · Mar 2014
See Sia Run
Nat Lipstadt Mar 2014
For Sia

wake up unscrubbed,
sleep still in the eyes,
dream crusted,
probably unaware, child,
that you are a poem
sleeping

when a little girl,
reverting, designing
real from dreams,
processing, reforming,
the dreams lusting
to be poems
to go awandering

no wonder you have
more first names
than the rest of the world
combined

who you gonna be
this day?
undecided?
a new name adopted?
why not...

did you think I didn't notice?

the degree of yours ungranted,
I favor most is the one
you
never take
unless given
but always only
offer all:
friend

escapade thy 'they' thru
their assorted flavors,
nose rings, tongue piercings,
take 'em all, on the train ride to

see Sia run
see Sia play
see Sia read

see Sia lead
her troupe known only to me as the
Sherwood Forest Baker Street Irregulars
on adventures all over the U.K.

someday you will get a degree
from Peter Pan in
all grown-up-ness,
settling down,
but I surely hope not,
for I will then be sadder,
way sadder than I am
even now,
a different generation man,
when
forgone, missing,
the little dream crusted girl
Nat Lipstadt Nov 2023
'In the city of slaughter' ('B'ir Haharegah"), 1904, Excerpt

<~>

Arise and go now to the city of slaughter;
Into its courtyard wind thy way;
There with thine own hand touch, and with the eyes of thine head,
Behold on tree, on stone, on fence, on mural clay,
The spattered blood and dried brains of the dead.
Proceed thence to the ruins, the split walls reach,
Where wider grows the hollow, and greater grows the breach …

The spirits of the martyrs are these souls,
Gathered together, at long last,
Beneath these rafters and in these ignoble holes.
The hatchet found them here, and hither do they come

To seal with a last look, as with their final breath,
The agony of their lives, the terror of their death. …
Question the spider in his lair!
His eyes beheld these things; and with his web he can
A tale unfold horrific to the ear of man:
A tale of cloven belly, feather-filled;
Of nostrils nailed, of skull-bones bashed and spilled;
Of murdered men who from the beams were hung,
And of a babe beside its mother flung,
Its mother speared, the poor chick finding rest
Upon its mother’s cold and milkless breast;
Of how a dagger halved an infant’s word,
Its ma was heard, its mama never heard. …

Descend then, to the cellars of the town,
There where the virginal daughters of thy folk were fouled,
Where seven heathen flung a woman down,
The daughter in the presence of her mother,
The mother in the presence of her daughter,
Before slaughter, during slaughter and after slaughter! …

Turn, then, thy gaze from the dead, and I will lead
Thee from the graveyard to thy living brothers,
And thou wilt come, with those of thine own breed,
Into the synagogue, and on a day of fasting,
To hear the cry of their agony,
Their weeping everlasting.
Thy skin will grow cold, the hair on thy skin stand up,
And thou wilt be by fear and trembling tossed;
Thus groans a people which is lost.
Look in their hearts, behold a dreary waste,
Where even vengeance can revive no growth,
And yet upon their lips no mighty malediction
Rises, no blasphemous oath. …

Speak to them, bid them rage!
Let them against me raise the outraged hand,
Let them demand!
Demand the retribution for the shamed
Of all the centuries and every age!
Let fists be flung like stone
Against the heavens and the heavenly Throne! …

Take thou thy soul, rend it in many a shred!
With impotent rage, thy heart deform!
Thy tear upon the barren boulders shed
And send thy bitter cry into the storm!
The Hebrew-language poet Hayim Nahman Bialik was the great-great-great-granduncle. of actress Mayim Bialik.
1.2k · May 2013
In Orange County
Nat Lipstadt May 2013
In Orange County


In Orange County, Californiyay,
When you arrive at John Wayne Airport,
No need to show driver license or passport,
But be prepared for inspection to gain entry.

Are your teeth white enough to light the roads?
Is your navel hairless and clean enough to be licked?
Do you have two tats, if not, get going back
to whatever!
If your not blonde, produce pictures of your parents,
In any event, law demands, go directly to the colorist!

At the John Wayne Airport,
Religion is everywhere,
Who says God is illegal
In the great state of California-yay?

A flimsy dress, no room to guess,
Sashays slowly before the lines of the waiting,
If you are a believer, all is revealed,
A thong is the path to the Promised Land,
All you do is silent pray, Good God,
Mine eyes have seen the coming of The Lord!

A middle aged woman with many large bags
Dances a pas de deux with the luggage carousel,
Wrestling those black devils to the ground,
Her less than flat physique is displayed,
All you do is silent pray, Good God,
Please tell me she is pregnant!

Everybody smiles and says hello, so friendly,
But having mastered the technique of doing so
While looking over and past you, rest assured,
Your New York sensibilities of ignoring the movie star
Sitting next to you on the subway feels like the ultimate,
True cool.

In this place the sun never sets, which is why the citizens
Have sunglasses surgically attached to their heads.
Have not seen a big nose 'cept mine
Being looked down on from people who by law
Must be a minimum of six feet tall.

Need my gritty, need my cabbies giving me the finger,
Need the senior citizens fighting tooth and elbow for anything on sale,
Need my rivers, need to bleed orange and blue,
Need my ballet, my museums, my rude compatriots,
Who rush to your side when you sidewalk stumble,
Who never judge a book by its cover,
Cause the **** next to you is likely the author.
Who open their pockets and hearts to every needy person,
Hand extended, give 'em a buck, genuinely wish 'em God Bless,
They who let us share the fabric, woof and weave of our
City streets, their homes...

I got beach, I got mountains,
So maybe they're not visible from my living room,
But I got more living in the hearts of my fellow Yorkers,
Than there are grains of sands on the beaches of
Orange County.
1.2k · Mar 2015
Hardly Hidden
Nat Lipstadt Mar 2015
Hardly Hidden

for Helen,
the High Definition brunette momma among us


there are tracks in your arm
ready visible
to all those
with a personal microscope
if one
optically
examines the empty spaces
tween your poem-words....

the exterior all smiles,
whooping it up,
children, all smiles,
tumbling, breaking things,
ceilings collapsing, winters arriving,
as is the way of the kids
and nature,
inexorable,
occasionally
breaking you to
smile too

Abut to all this
is the contentiousness,
the aboriginal sense of loss
for what once was,
plain out in
in the secret messages sent
and
you know
you own
my all
unuttered utter devotion

we need no qualification
of what we are

we are friends,
not drinking buddies,
the straight out
semi-secret fans
of each other

thousands of miles apart
of simple purity borne,
you warm me
with endless jokes
and familial tales

and I thank you
for sharing, for trusting,
me with that troubling notion
that I am missing
a sorrowful deepening
that is
after a wellness examination

hardly hidden**

but t'is heard around the world,
gunshot to my heart,
come to me when
ever
is understood that this
paean ~ pain ~ poem
is a simple wayfarer's way
of declaring
forever

I know you are sleeping now,
but when  the fall sun breaks,
here is hoping me that you
break into private tears
in private places
like the ones decorating me,
celebrating
the best of what
humans
can be
Nat Lipstadt Mar 2014
for my friend, the artist,
Ayesha Joy Burkey

the answer simplest,
is there any other way?

we paint, fashion jewelry,
even human beings,
for and from
wire, stone, DNA,
and paint

our harshest critics,
ourselves,
always we busy saying,
not good enough

so South Dakota,
breathe release,
let one whom,
you have never
in flesh seen,
see you through
the ten plagues,
to a promised
answer~land

long have I searched for my
flawless poem,
knowing it my be
my next one,
each a doorway
to the next

this one,
and the
one before,
never good enough,
keep the essay going,
in fourth gear

so South Dakota,
in hot springs,
salve and be saved,
rapid city breaths exhaled,
in Jerusalem,
see the deal sealed

breathe release,
read out loud,
for hereby,
and nearby,
your voice must join me,
in this semi-silent
collaboration to make
this solo poem
into a
partnered painting
all yours,
your very own

can't you believe,
the mere question
you posing,
within,
the answer,
reposing...

The creation act,
frailties fraught,
what we design,
never good enough

but we paint on,
for the paint,
when eyes embraced,
says
a piece of my grief
herein encapsulated,
and so on and on,
to the next,
thus it's entirety
lessened,
one step closer
to diminished

you, grief painter
right hand cunning,
me, grief writer,
lest we forget,
through our art,
that even if our
words fail
our tongue, the ears,
to comprehend,
to communicate,
to convey,

but the eyes
they,
cannot be denied,
eyes,
that have gazed upon your
painting prayer

Of course you heal,
tikun (repair) of your world,
in every brush stroke,
you answer,
sufficient,
dayenu,

and then you
Restless Painter,
ask again, and answer,
af p'aam lo maspiq,
never good enough,

and I say it once more:

can't you believe
the mere question
posing,
within, the answer,
reposing...


~~~~~~~~~~~~~~~~~~~

"Two small paintings are part of a number
I did as an assignment
when I went to stay with my son.
One of his OCD symptoms  
is seen in a difficulty to get through doorways.  

When I showed the collection of work
to my teacher she said  
"do you realize you are painting open doorways?"  
And indeed, the motif was there
whether abstract or realist.  

Can one heal a child through paintings?
Or one's grief at being helpless to change things?"

A.J. Burkey
1.2k · Nov 2016
healing from the inside out
Nat Lipstadt Nov 2016
~

~ for my knowing friends~





~~~
so simple the notion,
that healing's potent potions
are non-directional portents
coming at you
like a Bob Dylan, Avettt Brothers,
rhythm and rhyme,
tunes injected from the outside knowing,
from the first time
that they were residing inside,
all the time

in, on and under the skin

the conflicted battle rages between the
coursing forces of

I believe

and the low grade infection, incurable return of

faithless disbelief and irreconcilability

a parental entry knowing,
despite different routes of administration,
there is no pharmacology for a limb lost,
any prosthesis healing supplanted
from without,
never achieves
anything approaching next to normal

but from within,
the heart can heal itself,
trying a natural bypass,
doing its imperfect best
to correct the uncorrectable,
resigned to accept the unacceptable

the slight edge felt from
cutting a garden's new growth for replanting
an act of belief in the future,
witnessing a sunset's nightly color sky's return rebirthing,
knowing, admitting to oneself,
that miraculously better than all ever seen prior are

medicines that come from the outside,
and inward bound daily injections,
they are:

"healing, from the inside out...
just as it was meant to be!"
Warning:
any message you send
can and will
be turned into a poem

"this healing, from the inside out...
just as it was meant to be!"
SE Reimer
Nat Lipstadt Mar 2024
“This Insubstantial Pageant Faded”
(spoke by Prospero, The Tempest, by W. Shakespeare)^

<>
Our words are all actors,

a long run, run its course,
our long playing record,
scratched, love~worn to
worn out extremity, yet
yeoman service did offer,
extreme only in magical
transforming plain sight
into visions, a legacy,
bent gray, tarnished by
weary wearing aging,
their brief sparks now
but reclamation flares of
burst lights of waning days
in short lived tastings of what
was and can be nevermore

everyone’s magic has its preset
timed timing, and with
every day, each a concentric
ring marked and hallowed,
a heartbeat ring narrower
than its predecessor,
a shallower hollow,
a fair represent of both
all that came our way, and that
we resent with no resentment
into a cloud capped atmosphere
for all to ****** from a flailing,
flying breeze, their brief gleam,
multiplying, thus envisaging,
illuminating the manuscript of our
hinted future forward’s next percept


“And like
this insubstantial pageant faded
Leave not a rack behind. We are such stuff
As dreams are made on, and our little life
Is rounded with a sleep”
^
Prospero’s speech at the end of
, The Tempest, by William Shakespeare

Sabbath
March 2 2024
8:22am
Nat Lipstadt Sep 1
its birthplace, its origins, the where the whence,
these clues are inclusive of
sources of inspiration which
are like handholds,

Even,

"incidents and accidents /
There were hints and allegations"
but you knew, you knew in advance,
you,
Can Call Me Al"

eye easing offerings, kindly giving kindling,
to the overwhelmed reader burning eyes,
ease the struggle, hire/higher the insights,
just hints of the wherefores, if the whys so
desperate must remain secreted in your heart alone

you are so right!
the greatest poems ever
go oft,  without stepping stones,
why not mine?

If you anticipate scholars centuries later
explicating your poems, well then, they
most of all, will  need a leg up about your
disco~

graphy
Labor Day ~Sunroom- inspired by conversations with new poets
Nat Lipstadt Feb 2016
•••

"on some days, I love you more than others,"
an early morning uh oh
IROLO
(instantly regretted out loud observation),
of the potentially ruinous kind,
spoken with malice towards none,
and obviously,
no forethought,

firmly but modestly muttered
over the modestly rumpled
courtroom battlefield
of sheets, newsprint, mugs
and Bocelli on low

smockingly,
(a slow spreading smile of mock),
she turns her gaze upon
the presumed guilty, querulous,
soon-to-be-ruined ruminator (me),
and asks with
disdainful derisive decisiveness

is your first cuppa too hot darling?
has your uncommon sense of non-sense been burnt?

t'is true I reply,
I feel the burn!

for am I not sworn
to tell the whole heated truth
and nothing but?

my love for you is simply
a mathematical additive,
progression series

every new day I love you
is forever
a mighty mite more
than the prior,
a smudged smidge of a penciled line,
taller than the
higher higher notated
upon ancient yesterday's doorpost

ergo,
ip so factoid,
and therefore,
by definition

on some days I love you more than others
    •••


p.s. never have conversations like this in the presence of within-reach newspapers,
for they be
easy rolled and revised
into fearsome weaponry,
suitably for handy smacking"
two six sixteen
eight fifty one am
1.2k · Sep 2013
Dear Pres. Obama
Nat Lipstadt Sep 2013
Dear Pres. Obama,


Need a favor!

My business is falling apart.
Pretty sure, I'm going to get fired.

Can I borrow your
"I blame the Republicans for everything" speech?
Don't worry, I took a poll first.
Your approval ratings won't be hurt, cause they can't go any lower.

Yours truly,
A registered Democrat.
Can we get a leader whatever party, to accept responsibility.
Nat Lipstadt Mar 2014
between poems,
an old curmudgeon,
am me-he,
thorny gray stubbled face
available for
knife sharpening and
tongue lashing

cranky and cantankerous,
bad tempered,
ill mannered, me-he,
until they slip me a
paper aspirin

place before me a clean sheet
Presto Chango,
the ole man displaced,
(the boy who remembers to forget,)
in his heart~place, installed,
though the
briar and the thorn
never from his visage depart,
just briefly, Red Sea parted

kiss me surprised,
stumbling about in the
wee of the rambunctious hours,
stubbing me eyes upon
a poetess, a kindred soul
who claims my pointy moniker that
earned I,
only after years
of indentured servitude,
Briar Thornly,
so unnaturally misnamed,
yet she of but,
few and the tenderest years
rights me up
with young words

her poems sweet treats, sweet eats,
departing me delightfully unfairly from
my grumpy good graces,
look below if you dare risking,
a hazardous glancing upon her works,
if you like to, grrrrr, smile

Déjà vu
Oh to write or not to write.
My mind says I don't have a choice.
Love has made a home in my heart.
I suffer not being able to
open the door to my inspiration.
I toss a paper ball into the trash.
Chapters of my life turn into dust.
I bury those words in my mind.
Words that I used to think
were wrapped up in true meaning.
A break could **** my block but
my pencil spins out of control.
I'll conquer all of those lost attempts.
Piano's and violins phase in and out.
Wheels of creativity turning in caution.
The clock sounds gong,gong,gone.
Inspiration died at the start of a vacation.
On the page there was the suicide of passion.
The ghost of my muse will soon reappear.
My emotions need to break free from
the shelter of my imagination.
I"ll write till the dawn of poetry.^



read her poetry till dawn
or face my thorny faced
muse,
and perhaps now you understand,
at last comprehend,

**a rose by any other name
would smell as sweet as a
thorn
Read her.  Please.  
http://hellopoetry.com/briar-thornly/

One of many done, and plenty yet to come, in my "read the young poets" series.  The list is long....

^ http://hellopoetry.com/poem/612091/deja-vu/
1.2k · Jun 2014
Tell me a story, Dad
Nat Lipstadt Jun 2014
June 11, 2011
Updated on Father's Day 2013


Father's Way: Tell me a story, Dad

what power we possess,
when the innocent demand,
at the time of cozy bed and
sandman,
"Tell me a story,"

to gentle the monsters
in the closet of their heads,
grant them a peace naive that's lost after
they learn the words that start with D,
(disappointment, death),
till then,
promises unfettered,
the best yet to come.

the story,
you, grantor,
they, grantees.

scent their dreams,
perfume their dreams,
sprinkle their safety net, blanky, rag doll:
- scent with mom's hairspray and
dad's special smell,
musk, balsam, gasoline and body odor

- scent with cherrywood falsehoods to caress,
till morning's burnished glory ascends,
thru window, tenderize the cheeks of my babes,
prep them for the truths
to be learned that day.

in tones most imploring,
glances fawning,
t'is us, we,
them do deceive,    
for adult arrogance demands
in God we Trust,
that they,
will believe our words,
will indeed,
make them rest
till new day's slow and subtle dawning

t'is the same tomfoolery that leads us
to drink repeatedly
from the trough of
best laid plans and self-deception

you believed your own narrative
would be the one he,
your dad scripted,
while standing day-dreaming,
sweating on subway platform,
admiring beaches and beauties,
from station walls lifted,
waiting for the train
that only eventually comes

that train, that station,
whose smell reminds you
of mom's hairspray and dad's special smell,
(musk, balsam and motor oil, and body odor),
a ******* reminder of dreams yet uncrystallized,
and stories your father told,
unrealized,
tho train has come,
they have not

write me a narrative, Dad,
and please advise
if tinker or tailor will be my trade,
fix my details, dear pater,
par example,
pick my institution of higher learning,
my future alma mater,
on my day of birth,
promise me gentility,
no harm no foul,  and mirth,
all the days of my life.

please advise
if I shall be a
wife abuser, communist, or
a **** vanilla
****** poet/user

word rich and pocket poor,
stealing ideas from everyone,
red blooded or blue~green,
a true believer, a born again,
an agnostic, my own truths,
to disabuse

tell me father,

will I die warmed,
surrounded by generations of my progeny
or in pauper's grave,
a life long ward of
a one true mate,
it,
in loco parentis all of my days,
making me a child, a dependent,
of casa noster paternal state?

Please Pop,
pick wise,
the life and lies,
the faces and disguises,
I will need employ to
achieve success
in the eyes of my reading beholders,
who own the liens on my soul
because of the promises I believed,
when you sang me
glowing lullabies of my future days,
how everyone would
love my stories,
my poems,
someday...
Reposting - first posted here 366 days ago...
1.2k · Jun 2013
How Much Do I Owe You?
Nat Lipstadt Jun 2013
This title, this challenge,
Has rested uncomfortably in IPad memory,
Storage unit for Poems Needing Composition,
Unwritten, unanswered, needy for resolution.

Today is a good day to answer.

You are the pause between my breaths,
A ledge to rest on, a stepping stone,
Without you, there is no next one.

You are audience faithful,
Scribbles, wordplay, jokes horrible,
Official Storer/Inspiration Sorcerer of my unending script.

You are shy critic, unwavering,
Deft, with feminine oversight,
Knowledgable proven, when silence, best.

You overfill my AM coffee cup,
The mug that advises sagely,
Be calm in you heart.

You overfill my PM  cup nightly,
Knowing that even tho, can't sing or dance,
I need to, can do, can't do w/o you.

So lest, mistaken grievous,
You think, highly erroneous,
This poem is NOT about me babe,

This poem is entitled,
You,
How Much, Owed,
You.

Lest the answer be poetically muddled,
On this day, perfect weather, perfect clarity,
Unashamedly Everything.


Sept. 15th 2012
In bed, 8:22 am
NYC

---------------
Addendum June 29th 2012
This old soul loves you more. He cannot believe his good fortune,
This June, this one more perfect afternoon, my heart importunes,
Love my poetry like I love thee, and we will have the most
Perfect Union
1.2k · Dec 2013
In conclusion
Nat Lipstadt Dec 2013
In conclusion

in between a busy life living,
I write.
to nite, in the early morning night,
for the first time in a long time,
I put myself on the shelf, and just read,
I read.

in conclusion came to me
after two hours of loving your written word,
that I am temerity, audaciousness 100 proof 
to think that I am worthy
of  sharing this space with you.
I am ashamed that I ever called myself
poet.
I am ashamed at the paucity, the poverty of my words
Nat Lipstadt Jun 2013
The First Poem of the Day: Thou are not Nameless

I shall call you
Lovely,
for unenumerated reasons.
Yet you may account, accept, number,
my unseen caring, daren't to disbelieve,
as reason number
One.

Naming you is a perk,
Awarded to myself by myself
For somethings are too
Marvelous,
Like those words that are
my principled friends,
Principals and principles, not or,
These words, like you, you, you, like Lovely and

Goodness,
   All the days of your life,
   even tho so many are devoid thereof.

I tender to you. To myself. This
First poem of the day.

Screen name only protects so much,
You can't screen, veil out the
Brutal and the ugly, the dread of
Just Another Day.
The shrieking silence from the pretend friends,
The holy dark inside that we born with.
Hurt, you think you know only, best,

So Here is this something  you can rely on,
Something you count on as reason number
One.

Amazing that with words,
really each a miracle,
Stop, think upon it,
You understand me
because of the uncommon commonality,
the community of words,
A universe of words shared,
Principal words are principles.

So empowered are we,
I cannot leave you Nameless,
How could I,
Oh I cannot alone save you,
Tho I desperately want to
Because we share
principal words that are principles.

I name you lovely and goodness,
Could not leave you ever Nameless
Here now and in this, the
First poem of the day.
If I could do nothing more but write your names, I would be endowed with a thousand more poems.
Nat Lipstadt Oct 2013
Dear God, The Boston  Red Sox Win The World Series?

My congratulations to themselves from Bahstom,
I am sure you will wear your crown with classy
NY Yankee Pride and not riot in the streets
As has been known to happen in Beantown.

But I though I would let you know,
Having spoken to god on Yom Kippur,
He confessed it was a typing mistake.
He meant for the Chicago White Sox
To be resurrected and to win,
Not noticing he was auto-incorrected,
Reassuring me that he was
Installing IOS7, so it won't happen again.

Pride goeth before the fall of 2014.
Congrats to the Bostonian Lipstadts.
Given all that Boston has gone through  the world's balance restored.


Grrrrr.
1.2k · Feb 2015
Fond
Nat Lipstadt Feb 2015
the woman surprises,
bids me an eye~closing adieu
just a tad differently,
as I fall off into easy street,
the "sleep perchance to dream" place

she whispers a parting thought,
a quiet shot cross the brow
marking up my transference,
a hole-punched in my
departure and entrance ticket,
a line crossing, a seed freshly buried,
for my sub-mind to ruminate upon

"I am very fond of you"

puzzling this, for is this
as good as,
the pro forma
"love you"?
a lesser conditional,
a solutional mystery?

a diminution, a new dialect,
a dialectical proposition,
a homework assignment,
needy for exposition, exploration,
what means this phrase,
tween long time lovers?

I have written love poems, t'is true,
but never audacious enough
to market them as
true love poems,
too many, done before, no need,
trite indeedy, what sonnet expertise
had long ago,
youth lost


but here comes a
commentaire, remarque,
answered though unasked,
on the subject of

true fond

there are many you love
just because,
just cause,
just the effect,
of being
blood kith and kin,
or kindnesses memories from long ago,
that cannot be pushed aside,
buried in fogged cemetery dirt forgetfulness

but by now,
know clear,
just where,
I'm going here...

you can be fond of someone,
and bon mot, sweet,
need not love them,
but you, hero,
stand back and
grasp this commotional notion

you can't just love,
cross over the river
from like to can do,
that other thing,
until, unless, you
ease onto the vessel of you
into the deeps of
true fond
and take away with you,
until heart and soul now veneered,
a no rust
coating,
impenetrable

that place, that feel
where and when
the affection is infectious,
the tender is unreasonable,
the cherishing downright excessive,
the savor is a favor to oneself,
the giving instinctual,
the taking victuals
not so tasty or important

where you feel
way past the point of foolishness...
and then and only then,
with this
necessary condition,
take the rudder
be the pilot

do/if you think you can  
goodnight say,
get off/get away
with the perfunctory
eroded by time,
"whatever"

then kid,
you don't ken
true fond,
the  cornerstone, the found base,
the reality of where edges blur,
where what you feel
is like first bite of
tea and morning-warm buttered toast,
making one think
this is the way it
ought to feel...every moment,
salty n' sweet, smiley-face grinning
heat,
true fondness
a true story, of course...
Next page