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Nat Lipstadt Mar 2020
up at your regularly scheduled night sky patrol,
the colorful clock says 2:47 and
dark skies confirm which 2:47 it is,
for flecks of blackened peppery light exude at this hour,
a time period for former lovers, those old writes enfolded, enveloped,
hiding an active poem volcano spewing bare feet words in clouds of
kidskin soft velveteen cumulus, fleece-comforting slippers of poems

there are half started poems waiting, more than one, triplets in fact,
waiting to be born in the time of pandemic, thinking quietly,
will they emerge healthy and living and grow up to be adults
contributing to society, additives to the engine oil of human living

but the old familiar, dissatisfaction with quality control leaves them
unfinished, poet lurches from dead roses head hanging, a new blues,
disease as an economic and societal differentiation, that you hope,
believe, poems that in due course, all will emerge, for better or for worse,

poetry birthed in the time of pandemic

the city of new york, where I was birthed and will die, a city of
tall buildings, tall tales, short attention spans there is but one nighttime moving automobile observed in a city that never sleeps but now hides blanketed in weariness of trepidation of what are the

well known unknown possibilities in the time of pandemic

and you wonder in this new, different quietude if poems can be born
with birth defects and survive, breathing on a ventilator till they can
breathe by their own lungs, or were they perma-infected on a supermarket trip, a walk by the East River, a pizza delivery man, even

if inspired by a decade-lover, next, in bed, in the time of pandemic

waving to grandchildren in their second story window, you on the street, keeping them safe from you, a modern Auschwitz train station where they separated, the we-useless out, children and their parents, safe in a barbed wire atmosphere, a demarcated world, where some billion of brimming droplets of tears are stillborn

stillborn poems, or perhaps just poems-in-waiting, to still be

born in a time of pandemic


3:29am Sunday March 22, Twenty Twenty
New York City, the epicenter, crossroads
Nat Lipstadt Dec 2014
I can’t help somebody who thinks, or thinks he thinks, that editing a newspaper is censorship, or that throwing bricks is a demonstration while building tower blocks is social violence, or that unpalatable statement is provocation while disrupting the speaker is the exercise of free speech... Words don’t deserve that kind of malarkey. They’re innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they’re no good any more, and Brodie (a character in the play, a would be writer) knocks their corners off. I don’t think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little or make a poem which children will speak for you when you’re dead.
1.2k · Mar 2017
no room in the casket
Nat Lipstadt Mar 2017
this is an excerpt from a very long, (shudder) private poem about a dinner party with visiting friends, up from Memphis to celebrate their birthday in NYC.
Unplanned,  I gave them all gifts without hesitation from an unusual collection of mine that they were admiring.  
When questioning my unexpected generosity, by way of explanation, I jokingly said
"there is no room in my casket."

~

sweetly thanked for the unexpected gift,
the poet replies comically,
"there is no more room in his casket",
for even these, small trifles

later in the quietude of
late night contemplation,
comes a greater realization,
the truth was unseen
in his offhanded remark,
now, gives him pause and cause
to capture a greater  revelation

there is insufficient room indeed,
for accompanying the poet on his finale,
an uncharted encore voyage akin to
Tennyson's poem of
the famed voyage of Ulysses -

thoughts yet unthought,
a few thousand poems,
that time forbade completion,
all must yet reside beside and inside his soul,
timed-released escapees
from the real yet artificial limits of
physical deterioration

these,
be his boon companions in arms,
his banded-brothered company,
purposed for inspiration,
his lasting re-actualization

so plentiful, indeed,
there be no room in the casket,
for the merely beloved,
beautiful physical objets d'art,

they  too must give way
to the natural law of
"unto dust returned"
but poetry

*never dies
Nat Lipstadt Sep 2017
a new poem (words, words, words but another drug), bolt upright, uplight, reattach yourself to the liquid of the music,
soothe the irritation, slowdown the shaking hand,
give god or his creatures, the nocturnes and sonatas,
a chance to restore the pounding of the chest to a leveling
equanimity

to no avail, the sleep angels have fled from the
forest fires in the chest, and the helicopters must quench
with the commence of dropping clouds of wet words,
when, when will I be released from a life that has no
easements

words, words, words but another drug, a habit that gives
everything but a temporary state, every poem nothing but
another her, another lady puncture in my restless body,
another juncture, where all your choices are the way of
error

the high will last, shorter each one, but the track will exist
for all the time, a token of human foolishness, the more is
the inevitability of the ending, writ, drawn a little closer,
and comes with a hand written spongy-apology begging for
existing

in his notes, motes, dust mites of titles, single verses,
elegies, essays half written, passing thots claiming to
want to be wannabes, this appears and it's a perfect
ending

there is no security in poetry, only the unresolvable

man in his perfect certainty, never was, nevermore, n'ere will be never, and one poet walks a razor's edge, that is his three tenses struggling for mutual coexistence, one of
a calming beauty, a dark glory, a perfect closing, choosing
a final solution, a belief in relief, that simultaneously
engraves, erases, and
equates

another new poem fissures to the surface, and the palpable
is a magician's illusion, a trick, a feat of dismemberment,
an excise of a piece, a drink, a Tennessee whiskey of him,
an emission that never gains remission status, all this fakery,
a new poem (words, words, words but another drug),
excellent, worthless and self-
effacing

{|||}

3:48am-5:46am
9/24/17
1.2k · Feb 2014
My favorite poem?
Nat Lipstadt Feb 2014
My favorite poem
is the next one, yet to be,
that I shall write....

Once, I wrote:
a flawless poem
if such there were,
will always be,
the next one^


When asked again,
I still thus answer

For everything I have ever writ,
flawed,
even if the imperfection,
minor,
the clarity, not the pristine perfect
I sought

Digging mining refining...
this process endless,
a life long condition of being
human

It is therefore and ironically godlike,
unchangingly immutable,
this, the divine spark within me,
my nizotz,
unceasingly immutable
in search of the flawless poem,
my favorite-yet-to-be, to be

my favorite poem
is the next one I shall write....
and the one there after,
until the flawless one is either created
or found, bound, full formed

or

until the inkwell empty,
the mind black blot dimmed,
the eyes yellowed-weakened,
the lips, white parched beyond repair,

whichever comes last,
conceding,
the last poem, perforce, must suffice.

Dayenu
http://en.wikipedia.org/wiki/Dayenu

^ see my banner

Nitzotzot (Lit. "sparks"). In Kabbalistic-Chassidic terminology refers to the sparks of holiness or Godliness inherent in all of creation. When something is used in its Divinely intended context, its sparks are said to be ‘liberated’ and re-absorbed into their Source, thus contributing to the establishment of the Divine dwelling on earth which is the ultimate purpose of creation.
Nat Lipstadt Dec 2013
Always!*  
fall in love with a poet,
they cannot disguise the truth,
yet, soften it when needed, somehow,
for the only words they possess
are kindness and kindness...

Should you travel with a poet,
new ways of seeing will they introduce,
delighting you, and for ever in you, delight,
for every word that passes thru their lips,
gifts to keep, for the days of when...

There cannot be always good times,
poets know, so they write today,
for when tomorrow's intrusion is
the other end of life's continuum,
their words recalled, restore, revive...

Poets are the predecessors,
your torment, anguish, they have known,
so when they write today, it is
preparation when the future demands,
changes that require tissues, shoulders, arms...

Worry not about their torment,
t'is a seasonal change, comes and goes,
but in the winters of your life,
yours - warm fire, warm poets, summer kind words,
so, always, always,


Always fall in love with a poet...
A riposte to Mr. Hawkins of Canada
Nat Lipstadt Dec 2024
most of my poems come spontaneous,
dare I say even easy, the composition,
tumbling rumbling usually no fumbling,
this one, the prep commences. a month priority plus, with wellsprings of considerations,
in advance…

’tis Miz Patty’s day of birth,
ah, the feminine mystique
prevents me from revealing
her precessional numerical
decades of decadence,
but adoration of this Magi,
is not so constrained,
so bend my knee to the woman
who writes a
poem’s complexity
as if it were a fine
medieval tapestry,
colors aflaming,
workmanship intricate
intriguing, well deserving
of a place,
in the Metropolitan Museum Cloisters fortress,
that guards
the Hudson River’s Upper Valley’s
verdant stippled wider majesty,
near to where Washington’s
troops fled Manhattan heights
to safety in New Jersey, most
ignominiously

I’m told that tears arose,
then fell, when first she
read  this inattributed essay
on this jubilee day, a clarion
reminder note of her coronation,
to this great green planet,
Missoura Mama as she is
with great affection so known
throughout this glorious land

Ah, wax too eloquent,
never my style,
only my favorite sin,
when one begins
to pray tribute,
to a finer poet…and
mine own heroine

this aperture of insight,
this scrap of script,
why the papyrus turns
pinkish red, as she demurs
this ode of praise,
while the edges crisp
burnt, brown ~black
by the heat of her outraged
enraged protestation
of “way too much,”
a pretense commenced
by my opportuned
impermissioned reveling
revelation of this
datapoints accidental
dislocating disclosure

as is my sin actuelle,
go on too long says
my devil muse,
so a final thought

if this should somehow be,
the first poem you’ve recovered
in this land of words gone mad,
make to hers, and there spend
a day, a lifetime, in a lovely land,
where her words will slip through
your eyes and hands, like fine
grains of sand, each letter,
a pearl in
black and white*…
fair warning: if alerted to the daylight of your arrival, for five bucks we promise not to write
you up or down, cash in advance only…
Nat Lipstadt Jun 2015
for Catherine,
who did not request this,
whose soul prospers, more than survives,
but forced me nonetheless,
this poem~quest to address

~~~~~~~~~~~~~~~~~
do not come,
turn back now,
disjoin from a
voyager to the harshest disheartening,
to the crux,
where essence oils aflame
burn smoke, stymied from being
expulsed, expelled,
through organs that have
no natural orificial cavities
allowing escape

the hell of poetry

no, paeans,
yes, pain swirls,
Greek laurel wrapped headbands
squeezing temples, give no relief,
confusion sewn together,
a mixology cocktail
of the ends and the means,
of giving up yourself
in, and to,
poetry

no tribute,
but only that which,
we must pay,
and pay on
in the coin of the realm,
which expires valueless
at the end of the day,
so you awake,
broke
in every way possible for a human to be
broke

busted bird, wing broke bent,
judiciously waiting for
a capricious time to heal thyself,
but time never healed anything,
where grievous grief knows no horizon,
from the absence of some sounds, voices,
that can never be heard again

toil (a/k/a light),
trouble (a/k/a diamonds)
double that,
then raise it again to the power
of anvil crushed chest compressions
preventing basic breathing

all this to get to
the crux,
that tormenting, familiar place,
where difficulty lives on a
one way street
with a "dead end" sign at the beginning,
a self-mocking "no outlet" at the end

this crux,
inflection point,
****** peak imploding,
*** of brains boiling over,
more crucible,
where molten metal
reformulates into words

why do you want to go there?

the heat of me cannot be measured by
any mortal thermometer,
the pressure of blood cannot be calculated,
the stained consciousness maculated
by past and future sadness

of death, no fear,
writing poetry from the places
where it's well down drawn.
terrifying,
like waking up

this is where one goes,
when your pick up the gun of pen,
in vainglorious hopes of venting
the bullets of gases that seek
an unplanned escape
from a place you have no business
visiting for business,
certainly not,
pleasure

this is here, this right here,
where existence is identified,
where the sun only burns,
word life selection, a humming curse,
and the voracious need to write
boils in your blood,
chokes the throat
with your own two hands


for their is no perfection in poetry,
there is only a voyage to the crux,
the hell of poetry...
where Faustus and I
rue the day we deemed ourselves
more knowledgable than the gods,
selling our souls
for fleeting, human skills


**why do you want to go there?
The only thing you need to know about this poem is
that it's all true...
Nat Lipstadt Sep 2019
Unabashedly Public (return of the babies; my broken ribs, Zenith poem)


~for Sue Huff~

“unabashedly public,” the accusation,
causes me no blushing consternation
for it’s true, no secret kept worse, than this,
my sleeves, all outside-stained, heartfelt red,
the poems hide so little, with exception of my multifarious,
multivariate, semi-secret identities y’all mostly ferret out

“had no plans to look you up,”
but you kept sending selected of the eldest children,
even from 2012, I remember an afternoon well,
the odors, the food, my friend Al, now passed,
who made me think, indeed,
where do the poems come from?

a bequest to my eldest, who still never calls,
never writes, but will call me for help when
he finds himself in jail, or needs my (car) services;
its been a couple of years, but suspect time
is on my side, life makes needs, those **** happenstances,
that are never happy, but require your lawful presence

and on and on,

men & women, discovered, by their poetry reveled, revealed,
in thigh highs and backhoes, keepers of tortuous promises,
doing the quiet way, always asking, what’s the honorable thing,
all uncovered here, and secret sharers, these poets grab a holt
of my eye ducts, gifting insights that my brain tearfully inquires,
how did they know that bout me, these new kin and kindred?

my broken ribs?

the knowers know i am a summertime creature.
What they do not know, that on the last day
on where I summer shelter, a thin ring, a tree ring,
appears around my chest, marking my annualization,
some rings thick, thin, a year of seasons, all at different paces,
a year of rain & pain, thicker, slower did it pass

What they do not know, these fateful poets, all of my one faith,
these rings deep go, beyond the surface, constricting contractions,
they tighten, squeezing the lungs, slowing the breadth of my breath,
breaking ribs, reminder to write better, now that time is shortening,
labored breathing is a breathtaking experience, do, be better, chances for kindnesses lessened, why hide, time to be unashamedly public

had no plans to write today, especially this one, but circumstances
of my added-on circumferential measurement appearing, triggered by y’all sending me my poems of long ago, played mind-gotcha, this rambling emerged, to celebrate my being nearer to thee, thee, my passing, nearer than thee, this, me old-crust pieces, cutting the mouth’s soft-inside, inside softness, place where weeping & writing
leak on the poem tongue directly

to live in harmony with the
unending quests that yet, always need doing,
all in, are you, am I, awaiting your best attentions,
giving you thy own reparations, given to yourself;
if this then be my own equinox, autumnal equinox,

when the sun is at zenith, directly above,
the equator, this then my reparation, my

                                          Zenith poem**


9/24/19 12:15p
Nat Lipstadt Jun 2020
bent Hallmark card (for BJ Donovan)

”I'm a bent Hallmark card with no stamp. It won't reach my love”
                   BJ Donovan (HP gone, Gray Dotted, r.i.p.)


at the drug store, loose poems,
no right-sized envelopes left,
loosie cigs, for newly ‘underemployed’
both, thumbed, finger oil anointed-stained,
and
bent

all available for purchase
24/7, in these United States,
in national drugstores jailed,
kept in “chains” till discarded

therein hides the rub-bled best,^^
great verse writings, deadline-
inspired in a Ohio bullpen office,
@ corp. HQ by an Eng. Lit. major

composed, vetted, approved, yet
marked ‘failure,’ by quality control,
third Tuesday of every month, ritualized,
manager freshens display, victims chosen

Hallmark display, pruning the die-marked,
the no-hope cards, consigned, to a green
in-the-back-garbage dumpster resting place,
where you just may see me climbing-in

(and where America safe keeps its treasures)

droning on, as per usual, I’m kicked away by a
rent-a-cop, muttering insurance assurances, just
business, not personal, grab what cards I can, mine,
stolen pleasures, resending via insertion here ‘n there

my resurrection act, a new business, wife thinks
me stinks, but for me, a perfume of saved  words,
an act of rebirthing, god bless America, making it
great by giving Hallmark poems a second chance

gonna send one of those cards in envelope,
addressed to BJ Donovan U.S.A., no stamp,
inside note, your poems were ordinal, small
plates of sardonic pith, human foibles, on being

old, recalling youth, both celebrated, Icarus and Daedalus

pretty sure this poem may not get there but I believe
in poetry and the US Post Office, who delivers
mail to me, marked “Nat”^ and to Santa Claus,
which impresses, cause I’m mythical, he’s real

your compositions were breathtaking, literally,
miss your hallmarked witticisms, criticisms,
glad you escaped that virus nursing home jail,
if needed, write to “Nat, NYC, living somewhere
in a park, scribbling close by the East River
^

I’ll get it, like I got you, they know my special tree,
and the rock nearby, that too, is a known hideout,
no worries buddy good stuff may perish, but somehow
it gets a second wind, can’t keep a good scrip, down forever...

a very humbled admirer...

NaTTy
^^ https://www.pinterest.com/betteshallmark/hallmark-quotes/

———————-
^emerging from the store, walking home in the
now doubly ***** darkly dusk,
a set of white teeth from a passing shadow-man says to me
“you’re home late and have a great weekend,”

she asks, “who is that?”

“why,” I reply, “that is our very own personal postal carrier’

she says:
“he delivers mail to ten thousand people all in buildings tall,
yet knows your name, your face,
where u buy your lottery tickets,
your coming and going hours,
how came that to be”

but waits not for an answer
she just shakes her head, from side to side

https://hellopoetry.com/poem/2220471/she-just-shakes-her-head/
1.2k · Jan 2015
may poetry be our salvation
Nat Lipstadt Jan 2015
"May poetry be our salvation,
liberation and Nirvana"
Bala

so many ifs* in our daily lives

the ifs that pockmark lives individuation,
look-back crossroad regrets, daily harvested,
road poorly chosen, the kiss not taken,
a brother, for a petty sake, forsaken,
a sister, sea-drowned, left undefended,
by foolish parental expectations

many are the global conjunctions,
commencing and ending with an "if only,"
today's state-of-the-world curse,
uttered when reading the front page's
mayhem and senseless,
never-aging, new and old excuses raging

so many palliatives on offer,
what matters yet one more,
none seem able, none proven capable,
of essencing a humanity so simple basic
when the moment at hand needs a
redirection that a loving rhyme can sway

but in my inbox from India
comes a hope, a wish,
that leads a man to dream,
envision societies that could
surround-sound itself with wisps of words,
in the oddest places,
throwing us offsides,
in a make us see ourselves
in better ways

a morning poem before the TV weather,
a verse insert
tween news reports
of who murdered whom this day,
subway poems, a Super Bowl commercial
recitation that makes us lick our lips,
poetic literacy in small things,
a minister or president's speech
a recitation of a nation's verbal wealth,
instead of rejoinders and accusations

ah just a foolish notion at 4:22am,
there is no money in poetry,
thus its possibilities to soften and stem,
cure and elevate
enhance the perchance
of a different way to,
salvation, liberation, and nirvana,
seems so unlikely

but there is that small step
one could take,
leave a poem on the night table,
a first thought, a morn pill of humankind,
be a softener of a day just begun
Nat Lipstadt Aug 2024
don’t believe in
divine intervention,
but all~so(uls)
don’t believe in the
accidents of coincidence

the Pandora Box gods eavesdrop on my mind,
looking to match the music to my mood,
(box to box, they cruelly smile)
Providentially Provisioning
me with inspirational food.
to collect and let
what’s brewing,
stop stewing,
and come out
in a you know what…

that old song,
500 Miles,
keeps
returning, unplanned,
auto play repeatedly
entirely accidentally,
(U believe that?)
my mind keeps on
knowing
I’m up~blowing,
there’s unfinished business
a-firing, a forest fire
of a 500 miles~s-acred blaze,
the firemen intuit ‘tis
of a kind,
it can’t be stoppered
until you and it,
self extinguish, (ex~sting-you~ish (1))
burn itself,
outside inwards,
reverse phoenix,
not sparks left,
until it’s dead

and the song,
and it’s power o’er me,
** ** **, is un~finished
busine business,
having fun with
my undoing

Lord, I’m Two,
both of us,
in words unspoken,
know that the/a fragmentation
grenade that is my brain,
dancing on the thinner
blackest
red line that asunders me,
twice, into two unequal halves,
is inflamed, infected, dejected

Both of us,
hear that dog whistle
loud blowing
one inch, a salty pinch,
or even
500 hundred miles,
makes no difference,
cause Lord, I’m two

reminding how far I am
from my owning
my very own
personal homeland security,
complete with self-sourced,
sovereign jagged glass pieces,
intended to jag, jog, tear, penetrate, break, annoy, till~this line……ends
,
the errata of this man’s
quasi, semi, repeating
mess-ups, that are
erratically invoking
benedictional confessionals,
of poems unwrit

those I dare not,
until and unlest,
you board a plane
to come to save me

Lord, I’m Disordered,
Lord, I’m Three,
a trinity of Myself & I & Me,
siblings who just
can’t along,
but can’t barely survive,
as separate human beings,
for one cord connects us,
keeps attached like on a bus,
though at a modest
moderating distance,
cause the fights are
frequent

Lord, I’m
(yeah yeah Four, say no more,
just rap it up son,
there’s work to be done!)


am I finished being,
an unfinished being,
will I ever make it to Five,
get home, even barely alive,
Lord, will I ever be One,
just like you,
put together,
a jigsaw complete,
a whiskey neat,
a whiskered gnat,
a graybeard bit
of fluff
with a wide smile of a
Cheshire Cat?

Lord,
give me sleep,
& poems born written
pre~complete,
so alls that required is to just hit
SEND,
a journey shelved,
ended before began,
a pieced together whole man,
give me rest,
eternal and blest,
make me an archaic kept,
in an archive slept,
and end this song,
with a fini
of
quietude & peace?


4:35AM
Sabbath Eve
- Av 12, 5784
- Aug. 16, 2024
predecessor:  https://hellopoetry.com/poem/4861638/lord-im-one/

(1) the proper pronunciation and,
ish is “man” in another tongue
(2) would I be less abnormal if I only wrote during daylight ?
1.2k · Dec 2014
Our Verse into Psalm
Nat Lipstadt Dec 2014
Our Verse into Psalm

"who massages our words
into a masterpiece,
our verse into psalm..."

sourced from a dialogue one year ago: http://hellopoetry.com/poem/548741/the-contriving-is-all-that-remains/

~~~~~~~~~~~~~~~~~~~~
humbling words,
just now discovered,
a reflection invitation,
commenced and ended,
an essay of simple facts

two topics theme,
revealing a man's evolution

a confession oft repeated,
he writes too much, (used to)
a readily apparent truth

but when the self-soul-peering
hits bottom,
forced to reflect
back and up, and around,
acknowledging self is a four letter word,
a poking from reviewing
a year ago gone prior scribbled response,
leads to a conclusion
to answer his puzzlement

easy acknowledges
he has prior peaked,
certified and certifiable,
his best words gone by,
bye and bye,
so how now antiquated,
this tiresome task
of endless interior internal examination,
once more
he asks of himself
the Psalmist's question (121:1)


"I lift my eyes up to the mountains:
From whence shall my help come?


from you,
y'all

my poems are now and will be
just stories told,
stories of you

of a lost wedding ring,
of a young woman's striving
to answer her most essential question,
reflections on being four years old,
on Eastern Seaboard geography
Thanksgiving Day air turbulence,
a young woman's sobriety celebrated,
her poetry, richer and health effused,
of lovers who cannot ever be,
of jobs lost and freedom gained,
physical pain that knows only
the optics of poetic relief to salve,
aching and unrequited awed and flawed love
that has no remedy defusing,
older schemers, puppy love rediscoverers,
of special young men
who see by their nature,
far better into
nature's window that answers the human soul,
children foreign born, here & passed,
whom I have never met, but,
who are poems
dearest in my breast,
as if, no,
as they are mine own...

and on and on

could travel and travail,
but the clickety clock says
bread to be earned,
wistfulness hour over,
all that's need is a conclusive,
one octave,
a summarizing single note,
a lady last rinsing of the soul

your stories are my psalms,
your heartache and triumphs
my masterpieces,
thy foibles are my filament,
your stories, my revelations

turned my eyes to the mountains,
seeing only my own mountains,
that engulf and surround,
hearing a single,
simple voice answering,
it is their mountains
that deserve written attention,
and therein and thereby
can you write humbly
and walk upright
^
^Psalm 37:37
Nat Lipstadt Oct 2024
seethe ~ bubble up as a result of being boiled,

<>
sunrise was 714 am in nyc
this perfect fall day,
chilled to perfection,
a white wine of a day,
so imbibe,
only later does it
heat up up and onwards
to the temp where the
walkers/joggers/runner recite
hallelujahs and hosannas while
moving at their own chosen pace,
in a state of warm southern comfort,
never a racing

lest
the poems
now seething, boiling-burning
bubbling up inside
into the atmosphere explode!

all of these
early warming~warning inspirations,
now~expressed,
realized flickers of
original ex-impressions,
cannot be contained in
an open field unsupported,
these
breech babies each,
in a pediatric ICU,
demanding an
instantaneous airy concoction
to Earth’s atmospheric
literary intoxication

they use:
up hard, a dice roll,
who lives
who wilts,
that docs cannot but
obey
the fetus’s insistence,
many instructions,
push pull breathe,
must the. be given forthwith
through to our
servile waiting
uterine fingertips,
for we human are just be
~ings,
nurturers of
verbal artifacts
that never die

in
an~always~at~the~ready,
in service to
the great conceptual,

poetic in/justice
what happens when I walk the streets
assaulted and assailed
by rapid fire poetic insights
exploring, exploding
inside
Nat Lipstadt Jul 2014
These special summer afternoons
have no time markers,
no human dividers,
no watches watching
or clocks clocking,
just grins and smiles,
divining the divide,
painting lovely
the one canyon
of humanity and nature
attending to each other

These summer afternoons
have no time markers,
but drift perfectly sequentially
from sun to nap to
black striped grilled franks,
and red watermelon,
orange cantaloupe,
cold coronas,
and desserts of
indeterminate beach walks,
and quiet talks

These summer afternoons
are as close
as I remember,
what it was like to
be seven or eight,
years of age,
knowing only
carefree summer months
that were
carelessly treasured,
thinking there is
always another,
looking forward to tomorrow
to do nothing in
exactly, happily,
the same way innocently

I am an adult
and that means,
cares are ever present,
ever fair or fear not,,
they lurk and
attack the goalie,
with noisy or subtle unrelenting attacks

but as I overlook the waters,
scenario soul gentling me
under the cooling coverlet of
the perfect breeze and
what lurks
is the moment
the eyes and heart
are fulfilled,
satisfied by what they see

The bay,
dotted with the boat traffic
not too much,
but just interesting,
a right tiny armada
to entertain,
all of us,
inattentively observing
the submerging
descent of
summer daytime friends,

and I think of you only,
at this perfect second

and I am besotted
with grief
and guilt
why can I not grant you the moment,
that I desperate wish to share

my arm is not, not,
careless slung, but
grasping firm with squeezes tight,
finger under chin chucking,
come friend be with me,
and for just this moment


your anti-toil tool here,
your plight beyond my comprehension,
though I live a life on the unknown edge,
what matters is the relativity of us,
and I relate to your weariness,
I weep with desperate knowledge
transporting you here is still an
impossibility

though my eyes see glory,
though my heart cannot refuse
the scene's peace invading me,
it is not fair, it is not fair
and I want you
to have this more than me
so I can keep it too

until then it is a glaze,
surfacing the coating,
that is me
but substance is untouched
until this guilt morphs into a
shared pleasure
And I mean it...just reread this a few weeks later, and, well, I really like this poem
1.2k · Nov 2016
A Thanksgiving Poke
Nat Lipstadt Nov 2016
the elbow comes to rest in the soft
skin coverage of my essence

in the dark, it's easy and free to weep
but still never cheap

everyday is still a word, an everyday struggle word,
echoing like a scream in a cavernous void

her elbow comes to be buried in my chest,
preference for an unavailable, sleeping soft cheek,
this elbow sharpened from years of work, worry &
baby carrying

on this day, of pointing,
take-a-hint-to-be-remembering,
the simple honors life bestows
comes like a pointy elbow poke,
across vastness of a bed of whiteout cotton,
freshly filling up
as I am writing,
with thankful years and thankful tears,
already recording newbie memories
freshly forming up

welcome this sharp goodness
all the days
of our lives,
even those everydays
of our lives

nothing greater than being grateful,
and the re-gifting to others
the blessings of plentifull*


5:26am Thanksgiving Day 2016
I am particularly grateful for my "posse" of fellow poets who have metamorphosed into
friends
Nat Lipstadt Jun 2014
Like this new day,
there are always
new poems

Like last night's sunset,
day's efforts reviewed,
a special light,
a yellowed marker,
highlighting a few deserving

Take them home,
kiss them goodnight,
rest them in the poetry file
that is no file,
but a large fabric box where
sewing tools once stored

How appropriate and
how happy that makes me


5:30AM
June 11, 2013
Happy first anniversay/ birthday to this poem...
1.2k · Apr 2018
tease (a becoming becoming)
Nat Lipstadt Apr 2018
tease


I love a good tease that
all the possible endings end in
a becoming becoming,
a flashing flash flashing,
pleasing, pleasant, pleasure passing,
a fancy tickled,
an itch scratched, just a crazy little crazed


but to all you
hot married women
who crave my mind

a happy marriage (yours) is a **** rare thing
so no messing about please
but
if I should you in ny sees,
and I get the vision in my scope, the first glimpse,
my open-carry-you-away
big game hunting license is auto-activated

do not hold me responsible for your
wide eyed look

when
I strip you
down to your
poetic essence

when I strip you down to your poetic essence in  

our
single breath
1.2k · Feb 2014
Erase All Brinks
Nat Lipstadt Feb 2014
Erase All Brinks

*The title and the realization of this poem, commissioned unknowingly today by Pradip Chattopadhyay.  This poet's banner is empty, no history, no philosophy of life, no self-aggrandizement. He lets his poems do his walking, share-telling of his steep and steppe plains, journeys through the poetic minutiae of the city street, the hallowed hallways of his plain people who speak in meter and rhyme.  Thankfully, he lets us walk in the footsteps of his eyes, letting us sink into the soft sands of his visionary visions.  As I commence this essay, unknowing where it will begin, nor it's inevitable end, I pray I do his commission, and him, the justice and the honor due them.

~~~~~~~~~


Brink: the edge or margin of a steep place or of land bordering water; any extreme edge; verge;a crucial or critical point, especially of a situation or state beyond which success or catastrophe occurs.

~~~~~~~~~


if we would we could,
erase all the brinks,
write but of the simple,
mysteries of men and their marigolds,
speak only of daily treasures so oft,
overlooked and left unpronounceable
as merely common

if but could, would we not
do away, dull the extremes,
unsharpen the gorges and the verges,
no melodrama, but only mellow,
let life be more than lurching from
success into catastrophe,
the difference tween the two,
only a finale tally

boring?
walk the precise precipices of the daily
with eyes open, there be enough small plates
to satisfy the gourmand's need for beauty,
comedy and tragedy, all well supplied

take the cancer-struck, the love-unrequited,
the grandpa's passing, the joyous adoration of new births,
these hillocks, un-green valleys, mountain ranges of life will
n'ere be ended and will beg us, nay, demand of us
write!

in between, and of the days of in-between,
far the greater, more the numerous,
keen and ken, sift the softer edges of diurnal
takes and tales of simpler majesties,
write me in meter
of the meter man
who totals
your usage of the world,
your measured presence here,
in words of watts and volts

speak to me of a hard week's pay,
the working man's lunchbox,
his rules of thumbs for living clean,
wives, who through endless henpecking,
remind husbands that they are beloved,
endlessly,
of sneezes and mustard fields

Let us erase all the brinks,
scribble me words birthed in everyday
inkblots, mine the veins of the wonders of real life,
put aside the cutting of woeful veins that bleed your
demanding need to be paid attention,
to right now

step back from the brinkmanship of the dramatic,
find the sensitivity of the sensible shoes daily worn,
use your talents to celebrate your talents,
there will be plenty days when the tally ends red,
and you will be more skilled, better comprehending
the special needs of those days,
to speak and tell of the uncommon,
if only we practice to
write, speak well of the common
A Pradip passing comment outs a passable poem...
1.2k · Jan 2014
Ten minutes to write
Nat Lipstadt Jan 2014
ten minutes to write.

score the music,

melancholic
the repetitive phrase,
but
I refuse it.

instead I bathtub splash
hard soft rockin' roll,
the boon dog now soaking,
quizzes my sanity
what does he know?

Score the life times.

five minutes to write.
trite crumpled,
hook-shot into the trash,
but trite costly,
one minute of a lifetime,
scared, sacred, but scored by
ruts, grooves, ex personas in my life,
the black markers of my insane
pushed under the water,
drowned by music.

One minute to write.

Poem:
a good start to the day,
please pass the soap,
shampooed the trash out of my life,
the rest, now to start.
PostScript:
if shampoo or soap not be handy,
that trash when it comes,
just refuse it.
Nat Lipstadt Apr 2016
this one starts where so many have
bed-begun

a weekend morn,
sun flooding the chamber,
we swap YouTube fav's,
over cups of almost
hotter coffee

I ******
with
"Roxanne" by Police;

she subtlety point counterpoints my
unsubtle advances, parrying by
sending me dreams of
the **** promised land of

"El Tango of Roxanne,"
from Moulin Rouge

I concede,
she pleased,
pleases me,
that her triumphed victory came so easy

not realizing my plan all along,
realizing, my all along man plan

ah,
Saturday, Naturday,

making natural spring water
poems
drawn from the saucy source
mother (bed-sun-music) earth

this one ends where so many have
bed-begun
avril 9 2016
7:45am
1.2k · Dec 2013
Quotes from a famous poet
Nat Lipstadt Dec 2013
"I'm enough of an artist
to draw freely on my imagination.
Imagination is more important than knowledge.
Knowledge is limited; imagination encircles the world."

"I live in that solitude which is painful in youth,
but delicious in the years of maturity."

"A happy man is too satisfied with the present
to dwell too much on the future."

"Good acts are like good poems.
One may easily get their drift,
but they are not rationally understood."

"The true value of a human being is determined
primarily by how he has attained liberation from the self."

"Why is it that nobody understands me,
yet everybody likes me."

and lastly,

"With fame I become more and more stupid,
which of course is a very common phenomenon."


Albert Einstein
http://www.asl-associates.com/einsteinquotes.htm
Nat Lipstadt May 2024
happened upon an extravaganza of spring’s hallmark,
the cherry blossoms outing their munificence of color,
I happened to position myself direct below a tree,
the thicket
of blossoms so, well, thick, that sky was obliterated ‘cept
for pointillistic spots of blue sun, yellow sky that poked
through the
few de minimus interstitial spaces permitted, and was
struck silent, by-for-before shimmering eyes that uttered the
requisite oohs and ahhs,

and

words came to me weeks later,
when the memory, now fully decanted,
reappears
courtesy of a giant tech company’s code tinkering,
merging and splurging the combined images in the
photographic memory
of my devices,
as if to say:
your life is
points of light and color and scent
as you write now
amidst the hubbub of jackhammers, raucous horns a blaring,
the homeless screaming on the street at god,
the fatalistic headlines of hate and
the pallor of a low level haze of perp~gray
between you and your true elfin self,
and you are not surprised,
but sadly, but not entirely,
bemused
that the photo’s true utility was to
remind weeks later
that all that my eyes utter
is not just
woe, double trouble and toil, toil,
but to Hey Jude and George,
step out and see the park on a Sunday
in its entirety and to glory in
your being
by being
a point in that tapestry spectacular
of ingestion, digestion and final comprehension and
a happy

exhalation
across the course of
May 2024
Nat Lipstadt Aug 2014
Dog Tired, Bone Tired, Dead Tired.

all in, beat, bored, burned out,
bushed, done in, drained, drooping,
exhausted, ******, fatigued, fed up, flagging,
just about had it, indifferent, knocked out,
out of gas, pooped, punchy,
ready to drop, spent, taxed,
wearied, wearing, wiped out, worn out
plain old zonked.

there are only two words, for which there are no precise, exact, synonyms.  

To mind, they flash instantly,
For they are the constants in the equation of life.

Love

Responsibility

Man, can they make you tired!

But they are constants, so we accept and pray for ourselves
To accept them both with

Equanimity.

5:45am
August 24th 2013
Completely struggling to write, so reposting this on it's first anniversary.
Nat Lipstadt Jul 2017
the sign on the railway station says "Common Destination,"
the ties of our tracks are uniform, creosote covered, splintered,
spaced uniformly as is the wont of the arm-in-arm soldiers,
different regiments in the same army, though as they march,
some on the high, some the low road, in defense of the values,
right, right, right.

no believing in forever land, dreamt of poems forever burning,
real life farenheit bonfires lit by brown uniforms and such, thus,
now, when a poem completed and shared, 
it is instantly disfigured,
by flames harnessed to lick
the slate page clean, immediately, 
presenting yet  another opportunity,
to protest, persistently,
endless be my own turnkey hands renewing,
my write to right.

my write to right,
my pupose; my only intent, even in love poems,
ogdiddy witty ditties, long dialogues with the creator, all purposed,
all written while standing one on left foot, are we not all
poets of the ways to increase the sum total of
righteous and kindness in the world.

'tis right to write,
but go further and farther,
write to right.

to ease, comfort, shoulder and hand extensions, be the lean-to,
the shelter when there is no shelter, for there is no
owning words, and no limitation on clear vision and
the right to write.
https://hellopoetry.com/poem/2022913/the-right-to-write/

The Right To Write
Who remembers the greats,,historians and stars of stage and screen when their lights are extinguished.
All their import diminished in the scheme of things.
What lasts and why do we care when our history is wiped out or rewritten.
Each generation smitten with laying down rules, only to have them overthrown,
a mere stone thrown in an ocean of white noise.
Do we stand poised on the edge, or out on a ledge?.
I shed my own light on a page, waging a war on the world,
a stray curl twisted in deepest thought brings thought unsought,
and soon I'm caught up in a snare.
Who will care if writing becomes restricted
as predicted, the same with books they want them burned
and poetry spurned in an attempt to **** thought?
Who will lead the drive to reach the stars,
and climb the stair to who knows where?
Will our pathway be light or dark, is this our future or merely a lark?  How blighted would life be without written word,
imagination kicked to the curb?
The hell with the planets the moon and the stars
belt out your song in just eight bars,
write your fate on a forbidden page'
sage thoughts in rhyme perhaps in double times
rewinding our history, for one more adept
where the orators spoke and the audiences wept  
when anthems sung rang out so proud
we all stood up and sang aloud in joyful praise
the patriotism of saner days.  
Now all is chaos and we're the pawns
as darkness falls on priceless dawns
no paper, no ink, no sky of pink
no endless tale, no hope at all
the poets all crumble into a heap,
perhaps to sleep an endless sleep.  
Yet days will come when an errant breeze
will stir the cobwebs in the trees
and willful minds will start to think
and shuttered eyes begin to blink
then thoughts will stir with magic flair
until a word appears, then another
and another spinning endless spheres.  
Then up it rises from grave and ground
a surging of an endless sound
one can hear it all around.  
Rhythm and rhyme line after line
sung to a tune in three quarter time  
until people once again take pen in hand
and let their emotion and thought expand.
Perhaps poetry is our forever land
a turnkey that debunks future histories?
Never cease and desist always resist
and persist. insisting on our right to write
be it day or be it night, in war or peace, the least
amongst us has the right, the staid and true or the
fly by night.  Write on my friends and take thee heed
thank God we're such a persistent breed.
Nat Lipstadt May 2017
Oh Sally,
on the day you "disturb me,"
the messiah will, must have come,
anything else, but a minor inconvenience,
a foolish distraction

Lola! Grandmother!

the things we say with out thinking,
quick retorts that boom an
instantaneous, say hey Willie Mays,
mutual concern cognitive proposition,
and you foresee the child conceived within

"should be a poem in there somewhere"

in the handed pen, drawing heated inspiration,
from the confluent patty platelets of the
shared single river
of heart lungs eyes flowing as one into this
busy subgle poetry pointer finger @ 4:18am

your secret safe well hid within this writ,
you, mother laureate to a thousand at minimum
so many secret lovers and children in your posses,
the eloquence of your kindness world renown
your behind the scenes presence,
I am smiling, stupified, amazed discerning,
and stand awed,
the global Amazon store of only good

so late nite/early morn the clarity rises with sun
so many secrets lay before me in plain sight - prior unrecognized,
what was obvious, delayed, as sometimes I hear,
messiahs are

one more, maybe two, perhaps as many/few as a minyan ten
of grandmother queens raising up the children,
poets all, such as yourself
then, Messiah will be choice-less, compulsed, compelled
to return and bless us all

course, even when that happens
you still won't be disturbing me,
for you will be right-sided beside him

but not to worry for at this continental crossover hour,
most are sleeping, others feeding the babes,
some returning from church or mosque,
no one looking here at ShePo,
a secret of glory disclosed,
revealed,
only you will see,
so as promised Lola,
your key to a certain stairway,
safe tween
just us three

no tears please,
for this but just,
a just confession, an overdue library book,
a poem resting on my night table
awaiting reading, composition, completing,
arrival?
and that's between
just us three
5:11 and the orb majestically rises refreshed
from the East Rivet
and the windows reflect its muted irange presence,
but just one window observatory
winks, sparkles,
musr br loose or eyes tearing
1.2k · Jun 2013
The Conditionality of Love
Nat Lipstadt Jun 2013
Conditionality (All love is conditional)

All love is conditional.
Even unconditional, a state in and of itself, is conditional.

So many love in silence, or unrequited,
or fear expressing the finest emotion, less rejected,
And precurse it by commencing with,
If.
And that is the worst condition of all.

When she whispers I love you,
And I ask each time, Why,
She answers me the same,
Just because....

And as I ponder that, I realize,
That is the only answer in the universe of words
that is without even a hint of jasmine, of cinnamon,
or  conditionality.

Happily, I have proven myself wrong, yet once more...

8:48am
June 2
Nat Lipstadt Feb 2014
Before the coma of wings and football,
invades my nation's soul.
by the East River will I perambulate
each figure on the walk drawn, that is me,
chatting to the gulls re the river's latest delicacies,
praying the bicyclists, on my body, have mercies,
but I will all the while be silently recording poems,
to tribute the international nation of poets and poetry
Later.
Nat Lipstadt May 2014
Time to Get Serious: In the Poet's Nook
Originally posted here on
June 9th 2013

Yes it is verifiable, just as prior alluded to,
a few frayed and weathered Adirondack chairs,
wizened gray, like occupant, all seen better days,
overlooking the Peconic Bay,
where inspiration glazes over the water

Despite prodigious production o'er past weeks,
ditties, love laughing tributes, silliness aplenty,
these works of dishes washed, Paul Simon,
what to wear to your funeral, knuckle kissing, etcetera...
Though some contained soft shelled, mints of juleps hints,
little sundries, items for sale re suicidal thoughts,

no one takes-tales you serious

Be it tormented rain, intemperate gusts
whipping lashes of sand
excuses real, manufactured and yet,
despite opportunities always existed,
but you answered the question unasked,
you're unready, more likely, fearful.
to pen in the Inner Temple, in the nook.

In the nook, the poems float by, you need only extend arm and
grab them whole, ripened by the delivering breezes,
If you unmask pretense, and wear a seat belt

But here I am, and the welcome I receive is the one
deserved, for one who has joined the ranks of deniers

Favorable prevailing breezes service the sailboats pleasantly,
turn surly and unmanageable from neglect and disuse poetically,
they mock this coward, taunting:

We have waited, fall and spring, for you, our sacrificial lamb.
Your return we smelled, the odor of barbecue and suntan oil,
We observed your beach touring, your eyes upon the moonlight
Highflying, highlighting the path you follow when walking upon the
Water when nobody knows, nobody sees

You scarce provided the deep reveal that is our woeful provenance,
So, having returned, unleash or leave,  expose your La Mancha countenance,
Fulfill your daddy's curse,#
Portray the siren shriek of our gulls insistent,
the blood cold words, as of now, yet unfastened, un-cast,
the forge lit and fired,
Are you ready, self-appointed, poetry smithy, wright-man?%

On knees bent you should have approached,
For the inspiration, years rendered, unpaid, and unacknowledged
But most of all because of these interlopers attached to you,
So many children, green shoots, babes visiting the bay,
New friends hoisted upon us without permission!

Do they understand despite the solemn serenity
of the place you attend,
This is the observatory
where the stars and scars,
undiscovered and unexposed,
become our property to carry-cross the ocean?

Do they comprehend that black is the only color permitted and the
sunshine coverlet is meant to keep the unmotivated, the uninitiated,
who think that writing poetry is easy,
unaware, and far away from us, the truth purveyors

Nothing produced from this place
where routine means the gorge tastes bile,
When surcease is welcome relief,
Where dancing on ice in bare feet
Is step one to ripping your chest open by your own hands,
The toxins thus released rejuvenated by salted air,
Can be finally be transcribed onto paper
And realized.

Warn them once and then begin, you,
Get serious, delve, with hurricane unambiguity,
to torrential words upon the unsuspecting,
let them taste the rawness, only the truth provides,
let them know salt tears so briney,
They will flee this place, n'er to return.


June 9th
2013
Late afternoon.
#What ya do for a living he asks,
A little of this and a little of that,
All of which, ain't no **** good at!
So I spend my cold, hard time
laying down cold hard verse,
Can't stop, cause it's my daddy's dying curse
Nat Lipstadt May 2019
late May, “sheltering in place,”
the perfection of the day, a descendant
of thousands of years of predecessors,
the elements in concert, expert-wise in the ways
of coordination of sky, wind and ocean caressing
to make poems come so easy, just breeze pluck ‘em

but this heart lies heavy in the noisy stillness,
for one intercept repeats itself,
all ready already, wrote of that, many times prior,
all the parimutuel betting/writing combinations
user exhausted, each one shouting, too late,
you wrote that in such and such a place, in a time,
vague recalled under a name since forgotten

eyes are the poem title generator random,
but all asterisked, seen that, done that,
wrote that, passages that are passengers
trying to hop aboard without paying,
the fare is no fair, and the style gone quaint,
no one wants to read the regurgitated,
my rapacious pen^^^ has stolen them back anyway

my pen now, flat on desk, good only for grocery & scratching off
my countless to-write, to-do lists,
but poem writing conspicuously absent,
this my last until, my corneas transplanted, my heart-ticking
to the beat of someone else’s drumming, but, no wisdom confession,
not what I expected from my retiring “freedom days”

did my share, and periodically one of you reminds me,
of the oldies, and the semi-smile that whispers across my drying lips
says did I write that, see the place + time denoted,
saying yes, here is proof of the when and where, and hints even
of the why, but the whys and wherefores, all crossed off,
the run is over, was a good one, but this time pride will not go
before the fall, for here it is springtime and the spring in the step,
does not launch more than an inch, ground bound, and when,
you no longer can soar, it’s time to say no more

and my old friends come to sing me to rest,
Joni reminds me I have no river to skate away on,^
my feet can no longer fly, lyrics like old honey, stuck no pouring,
Bobby closes my shop, with a young man’s prophecy,
knowing it is the hour that my ship has come in...
and though my moment is in this second, perfection, thinking,
peace to you all, remembering that peace is an unceasing changeling,
my piece is spoken, been trying to leave but this is it,
“it’s all over now baby blue”^^



“Oh, the time will come up
When the winds will stop
And the breeze will cease to be breathin'
Like the stillness in the wind
Before the hurricane begins
The hour that the ship comes in”^^

Shelter Island
Memorial Day Weekend 2019
1.2k · Apr 2014
stepped on a sidewalk crack
Nat Lipstadt Apr 2014
stepped on a sidewalk crack
seven year's bad luck

If it is chasms
Y'all desire...

sidewalk cracks freeze me
in bad luck repose,
firefly-in-a-jar trapped,
hole'd enough to breathe,
but no prison break escape

come to live
in my little space
these chasmic concrete cracks
my enclosure, my true cell immobile,
it is what they mean when they say,
"have you see his pen?"

boundaries man-built
serving a seven year sentence,
bad luck my only laughing friend,
my midnight to moon
fiend~companion boon

washer dryer closet n' bed
all in a three by three metered space,
my sidewalk castle
now a nyc tourist attraction

rain and shiner, the sidewalk cross
mine alone, even the pigeons
stay away, not so stupid as they look,
fair game for dietary consumption

technical setting details of no matter,
but they come by the thousands
not to see, just
snapping tapping taunting the
immobilizing invisible chasm crackled
sidewalk poet,
writing poems by governmental command,
literarily and literally,
for all to see

seven is not eleven and someday
only time will know, and advise
when cursed lifted, then,

he will never have to
write poems for the public's
insatiable need to
mock and ridicule
ever again
8:35am this day
Nat Lipstadt Feb 2016
~~~

Jan 31, 2014

Victuals Victim


There is a contest this day,
that does not involve my P.S.F.
(Preferred Sport Franchise)

truly, don't give a good ****** who wins,
but that is no excuse to deny me
my victim status,
my Sir Sore Loser demeanor,
so poorly,
in season's long suffering
earned,
so richly,
undeserved.

A triumvirate of
Doctor, G.F. and battery
of medically intrusive tests,
have ruled on the field,
that but once a year,
a conjugal visit permitted,
tween my arteries and chicken wings,
is legally permissive.

there will pigs in blankets
oinking, demanding attention,
sliders and mini right sized,
bite sized potato knishes
(at least in New York City)
cole slaw juices,  
even a
foreign dignitary,
Sayyid Cous-Cous,
all lining up along side
the quarterback  
who will be slinging
'winging' honey and spicy passes
to his favorite receiver,
this couch coach
and today's impartial line judge.

This is my Super Sunday fare,
antithesis of a pre-Day of Atonement fasting meal.
where gluttony
is deemed
less than kosher

If insufficiently highbrow,
for all you poetic aesthetes,
have no fear,
this athlete gastronomic,,
victim of his victuals,
will prepare mentally
to reverse course afterwards,
by hanging out
with King Lear yet once more,
sharing a verbal tasting menu fare,
a recollection of a prior years repast,
this King,
an unrepentant Manchester man-fan,
who knew me too well,
and once condemned me,
after an historic NY Giants Super Bowl celebratory,
sadly,
all too many years ago,
as follows:

"A knave; a rascal; an eater of broken meats;
a base, proud, shallow, beggarly, three-suited,
hundred-pound, filthy, worsted-stocking knave;
a lily-livered, action-taking knave, a whoreson,
glass-gazing, super-serviceable finical rogue;
one-trunk-inheriting slave;
one that wouldst be a bawd,
in way of good service, and art nothing but
the composition of a knave, beggar, coward, pandar,
and the son and heir of a mongrel *****:
one whom I
will beat into clamorous whining,
if thou deniest
the least syllable of thy addition.”


― William Shakespeare, King Lear

~~~

Feb. 2, 2014

My leash is on,
I am to be walked


ad melius parare hominem,
to better prepare man,
before the coma of wings and a super sized
spectacle
tackles, invades and overtakes,
his nation's soul.


by the East River
will I be perambulated,
following 
each lying-down,
pedestrian drawning of a chalk figure,
directing the course
of a river walk
drawn and quartered
just for me.

chatting to the gulls
re the river's latest delicacies,

comparing my upcoming menu
for overlapping interest,
while praying the bicyclists,
on my body,
have tender mercies.

because I will,
all the walking while
be silently recording poems,

to tribute the international nation
of poets and the
global sport of
poetry,
that knows no leagues,
or geographic
delineations.

~~~

Feb 5, 2014

leftover chicken wings and other love nonsense

the woman disregards
what's best for me,
instead, gives me with the
kindest of disregards,
what's best for me,
for this is the kindness
that hallmark stamps
upon the softened heart,
the long lasting kind
of kind

before your childlike
tap tap attention away-wains,
bring you this,
a treatise,
on leftover chicken wings
and other nonsensical
finger food additions,
purposed
to inspire, to find innovation,
in expressing, reclaiming and newly exclaiming
that miscreant four letter word,
£0V€
that appears in those unsilent majority,
99% of them, other entrants
the Bohème poèmes,
residing in our Mr. Roger's neighborhood

in some poem writ recent,
poet pontificated,
that the most overused words, yes,
those abused three,
(duh, I love you)
degraded by overuse,
lost their poetic juice
thru constant repetition,
almost being nearly boringly indecent,
even when
boldly italicized

the impact upon the reader
lives in the lies in the realm of
"oh yeah, that's nice"

far, far better
to be best in show,
deduce how renewed,
to meaty demonstrate
rather than
insistently remonstrate,
in newer ways,
every day
that grade A choice
sentiment

to say, par example,
that serving day old chicken wings means,
well,
you know what...

Some get tea and oranges,
me, I get cherished
when our repast is
twice recast,
when she feeds me
leftover chicken wings,
both kinds,
spiced and honey
that come all the way
from her heart

so, now do you know why
Silly
has two L's?

Correct.
(answer: lucky in love)

for the luck-river-runs
lie just neath
the silliness currents swirling,
where kissing knuckles unexpectedly,
******* the exhausted,
tucking them in,
going out for emergency ice cream
in the midst of a
polar vortex,
recording the game to wee hour watch later,
so she may hang with the notorious outlaw
"Downtown Abbey Gang,"
watching at the
proper English place and time,
leaving the celebrating of life's  leftovers,
for the morrow sup,
with chicken wings and 0
other things
reheated,
and other heartfelt,
but unhealthy,
warm heartening
food additions

that folks,
is how you write
a poem in deed,
one that will be returned to you
sevenfold
in reads

when you want to explain how,
you can, truly, sigh,
you know,
love another...
employing with decoying,
sinful, leftover chicken  wings
then you too be mastering,
the poetic life
of sonnet and song

~~~
all three posted here on the specified dates and modestly edited,
on this day,
in anticipation of a winged revival
this hallowed eve of
two seven sixteen
Nat Lipstadt May 2014
-~~~~~~~~~~~~~~~~~~~~~

She puts her hair up in a mop,
loose and tight sweats combined,
that leave everything,
everything,
to imagination mine

except her feet, always bare,
as if she breaths thru her
purple painted toenails,
exhaling her arousal smell

this hydra-headed hairdo mess,
spills up and over, down and under,
**** if it is not the most sexiest
hairdo I ever seen

she catches me staring,
she standing, on the kitchen ladder,
frowns a clowny pretend perturbed,
angry woman little girl pouty look

"what!
what are you looking at?

false exasperation, sighing angry like,
who she kidding....


"me?
nothing!"

"just watching and observing"


and this kids,
is how you write a
******* love poem,
never using
the word love

*******.
12:50am May 8th, 2014
1.2k · Feb 2014
Where all Poets Go
Nat Lipstadt Feb 2014
Heaven, Where all Poets Go

dedicated soully to Kripi Mehra
who unknowingly commissioned this piece
with her love and feeling for those who
dare to fare on just words, only to
sally
forth unafraid and unashamed

~~~~~~~

to the conclusion cut,
not knowing how we know what we know,
       knowing that of this cut,
this one,
as real as anything worth writing about,
not knowing how but demonstrating a modicum of erudition

yet,  
clarity this time no stranger,
no remonstrating, endless debating, easy
come, and even easier go,
all poets (and lost-to-early children) go to heaven,
even the bad ones

stop with the teasing give us the reasoning

nah nah nah always in a hurry to get to the
bottom, move on, write yet another,
restless young'uns, girls and fellows,
even you old, small ones, who still can't spell
your own name
or rhyme, those slow mo yokels, national symbols,
the ones that seem never to ever catch their star,
the mothers across all oceans, who need childlike tendering,
Indian girl chiefs, boat captain historians, word magi-bus-riding hallway eavesdroppers, **** British girls, nurses, wonderers and after-life lusters,
burnt baby healers

learn that this self seal-selected profession
is an endless deal, profession rhymes with heaven,
you need to luxuriate in the long journey,
pink patience before you raise you glass

but OK, just this once,
the secret you have may have already read!
pass it along, as it was given to me
by one of us, poet laureate far better than I ever could be

Down in the sounding foam of primal things I
     reach my hands and play with pebbles of destiny.
I have been to hell and back many times.
I know all about heaven, for I have talked with God.
I dabble in the blood and guts of the terrible.
I know the passionate seizure of beauty
And the marvelous rebellion of man at all signs
     reading "Keep Off."
^

that is what poets do daily with each ecrive,
each line of metered musique mystique,
and with stanzas lighter than air,
a piece of you breaks off, floats upward,
and when the day is done,
the struggling striving breaking apart,
be now over,
all poets go to heaven to collect themselves,
their entire pieces of writings, called their collected works,
all the pieces reassembled,
you are at last, at last, at rest, whole, satisfied and undenied,
where poets, brave soldiers of all ages deserve to be,
heaven resting
Kripi Mehra: "A slogan- Always remain a fool
I wish I could write a poem on the title " Let's Convert Hello Poetry Into Heaven"..."
But you did, you did....

^  see http://hellopoetry.com/poem/600071/the-sounding-foam-of-primal-things/ where Mr. Sandburg is credited in full

"So raise your glass if you are wrong
In all the right ways, all my underdogs
We will never be, never be anything but loud
And nitty, gritty, *****, little freaks
Won't you come on and come on and
Raise your glass!
Just come on and come on and
Raise your glass!"
Lyrics by Pink, "Raise Your Glass"
1.2k · Jan 2014
Can't count your reads? Then
Nat Lipstadt Jan 2014
Count your friends instead.
the one who notify you that
your existence enhances them!

so for those special few,
I will say what ere I promised
Never to Say,

I like you too.

so count me instead,
read me like I read you,
In and Out,
Front and Back,
gotcha coming and going.

I'm notifying you,
You-we, are the best,
of Us,
and count me in
you.
Thank u Elizabeth for the inspiration...
Nat Lipstadt Nov 2015
~~~
Testimony & Majesty: Oh God, Why Do You Inflict Me?
~~~


Morning dawning...

Thickened whitened whipped cumulus
come crossing,
no frenzied froth,
moving slow royal, stately,
as if they are the pride of a
celestial navy,
peaceful ships,
crossing from my portal to your port,
traversing from my shade
of the blues,
over to you, poet,
to your personal  screen-adapted
CinemaScope version sights

This wind buffets,
re-directing my
morning~borning hallelujahs
this wind, nameless,
call it chipper, fulsome and volatile,
a proud pusher selling a waking up
near-chill pill,
to accompany the real+imagined
armada of nature
it, near and nearer
to you,
to the sky we inhabit+share,

its *****, stiffening energy,
makes some
hide inside,

not me,
I'm outed by the
harsh welcome~touch of this
realized reminder -

who is the master,
who is but
an obedient servant,
choicelessly writing his
psalmist morning devotions...

another poem of sky, cloud and wind?

Oh God why do you inflict me?
with this time after time obeisance
when I am
metaphor drained and disabled,
abject of adjectives,
simile frowning upside downing,
have we poets not done our dutiful
illuminating your bountiful works?


yet here I am,
a soul surviving,
incapable of resistance,
your frosted creatures persistent,
wrest my visions into prose,
to add to your overly full Facebook page,
with more fawning praise...

Angered have I, you, for now nowhere,
tropical rain squall tells all,
humans are toys,
born to serve,
silence your complaining~explaining,
and from nowhere with
rapido intensity rising,
down pours drops of scornful
water whippings,
demarcating our
incoming existence inequality...


and yet with your
yang and yang,
a reproach for me,
for as it waterspout pours,
it also pours sunshine,
a mystifying warning
to the put-upon poet,
that in the admixture
of nature and life,
all is conflicted,
all is tremulous beautiful,
and now is the
due time...

due, you,
to complete this treatise as
testimony to majesty...

~~~
Miami dawns
Nov. 24 ~ 25, 2015
1.2k · May 2017
Death's Dominion Overrules
Nat Lipstadt May 2017
~
from the anthology of the unwritten,
from the tombs of the stillborn,
where carcasses of idled titles and orphaned stanzas
do not compete for proof of life,  
and
nameless birth certificates unissued,
yellowing and wasting midst
crumbling aleph bet spawn

here
comes a poem of concession
comes a poem of summation
of a life lived, knotted poorly, not well,
worse cursed as vanilla inadequate

the satisfaction in the writing,
the gleeful breaking of the sac,
the gushing relief giving way to
the childbirth of a new moon-poem,
arrested, wrested

a single plague affliction,
the cancer of weakness,
means Pharaoh wins

the cancer of weakness
no cure, no pharmaceutical poultice,
spreads insidious; one day - pain in the remote,
your big toe, then
next you can only street stagger
begging forgiveness and the kindness of strangers
hoping for the accidental cure of touch,
the miscellany lottery ticket probability of low chance

the visible mark you leave,
a weak indentation upon a pillow,
it is the dented head, cut deep by the shadow,
shake it out and you're a disappeared one,
nothing to show,  
did someone once sleep here?

you were once upon a time
binary
a 1
now a 0 -
flip flop bottom top,
listening to Frank's "That's Life"^

my litany too long;
woeful work this business of flailing,
posting a tired-out self help love poem
ain't no cure for the falling-out-of-love
black and blue, self-inflicted bruising blues,
the wrists ache
the bones don't freak
but squeal, somebody's squeezing me

the alarm clock, a death knell,
everyone saying don't worry  
you got a proven record,
the boss's eyes twinkling
"but what have you done for me lately?"

funny

Death says
Hey, aren't you the boss?
Who shall over rule thy Dominion?
What have thy done to yourself lately?

Answer: never end a poem with a question mark @
3:06am
^"I've been a puppet, a pauper, a pirate
A poet, a pawn and a king
I've been up and down and over and out
And I know one thing
Each time I find myself flat on my face
I pick myself up and get back in the race
That's life (that's life) I tell ya, I can't deny it
I thought of quitting, baby
But my heart just ain't gonna buy it
And if I didn't think it was worth one single try
I'd jump…"

A lyric from "That's Life", Frank Sinatra
1.2k · Dec 2016
one gifted soul
Nat Lipstadt Dec 2016
~

*a secret-possessor, a poetess of riddles,

informs, but my senses don't conform,

claiming that in my possess,

a gift ensconced, a soulfulness harbored,

purportedly outing me as "one gifted soul"

~

this "gift" of cobbled together phrases, on the back of
paper napkins,

words impermanent, undeserving of the firmamen
of cottoned cloth,

they shall not be mourned, when forever lost,

for like my soul, but a fleeting glimpsed visitor,

a 100 year comet, naturally self-destructing,

intended to be witnessed but once in a lifetime

~

wincing at this dear praise, yet it serves me well,

as the sweetest reminder, that we shall all yet meet,

all on that day, all in that place,

from where souls are gifted and returned,

however shopworn

or even disgraced

~

all welcomed upon our inevitable return, no proof of purchase needed,

where, living forever, in such good company is a

certain surety,

knowing this, that we are all certainly possessed with this relief,

easy then, in agreement, every each, born in fluid from the belly of belief,

each of us

"a gifted soul"
November ~ December, 2016
Nat Lipstadt Aug 2017
<•>

blustery company/unexpected costs

rain-all-day, with a heavy creme topping of
blustery wind window rattling, par excellence,
making the houses's insides rumble so much,
the trees fringes bang-pleading to please be allowed in
so loud that you suspect some are already hiding within,
probably, more likely, those leprechaun Elusives,
up to their usual no goofy good

the poet's fellow summer travelers visit, Canadian geese,
clustering by the Adirondacks thrones four,  
who add another weathering to their grayed, somber,
thoughtful demeanor this day,
all in the Poet's Nook, which though forlorn,
surrounded sounded by sixteen! chubby flyers, admirers,
(their ranks expanded from fourteen of yesteryear),
asking where is the poet-boy, and the chairs explain that his
standing in the rain days are now past his prime,
inspiring modalities, so rest easy in the knowing geese lore that,

he,

through those famous civilizing lace curtains,
see-through visors, of  embroidered, embedded flowers,
the poet boy is watching your brood, not being rude,
just dry inside, contemplating their admirable
weather resistance, and writing of them with loyal affection,
his gaggle of friends, **** avians, favorite weekend guests,
not requiring feeding, cleaning up after, or their laundry done

delighted, they edge closer to him, where he, residing/semi-hiding,
in the sunroom where he writes and contemplates the
unexpected costs of human life
that he tries to pays forward so others may never have such a chore

coming ever closer, now nibbling next to the empty
tree swing, used by neighboring kids and in secret,
their parents,
and the wet freshly cut, delivered green grass,
a feast for them, beneath the oak tree

do they have unexpected costs as well, or do they know
all their predators and threats, that may yet diminish the happy sojourning, the tourney of flying south, and its trials/tribulations?


too long, too long I know, the poem,
but to the devil with you
inexperienced, impatient multi-taskers, this, a poem~moment
that would be dishonored by the breech,
needs lengthy fulfillment for the unexpected costs,  
the randomness of events that can't be guarded against,
demand never ending vigilance, and endless imagining

and the geese, saddened by his absence and his travailing
thought patterns, explain, that this is why we geese,
we gaggle travel, why our long necks swoon and swivel,
ever wary of the unexpected surprise dangers,
why we post guards forward and aft,
not to be taken unawares by foxes or men

the human's gaggle is their random, undisciplined,
by their solitary nature,
travailing thoughts
which they they foolish believe they can master,
but cannot, which then, is why, we geese,
we will always annual come to covenant, co-tenant,
visit the poet-boy in his nook, and rest him briefly, from the
terror of unexpected costs, be his inspiration,
for the poets nook, now, by custom,
our refuge, and his, as well, and better together...
Saturday
August 5, 2017
noon

other poems referenced can be found by searching on HP
In the poet's nook, The Elusves, and In the Sunroom
Nat Lipstadt Oct 2015
A reflection on birthdays, friends departing this world, and surveying ones life
~~~

this one poem is not lurking,(1)
turmoiled bursting,
shaking, quaking,
release aching

write it in droplets,
my chest speak squeaks,
each thought, a stanza,
each moment, a bonanza
of  the doled, muddled mix
of tremblings on this my extravaganza,
renaissance day of birth
upon this earth

sixty five calendars,
this space,
so gulf and so narrow, (2)
for what profit this man
for himself, others?

a Judgement Day of sorts,
where the man~poet is efficiently
prosecutor, defender,
judge and jury,
as is he not,
his one true
peer?

let his biases be betrayed,
his fault lines be paraded,
let his deeds be the unlawful legal coda
by which he is remanded

if found guilty of a ledger imbalanced,
more sins than glory,
only one sentence permitted,
life imprisonment

even the NYC weather
clued in and deity cooperative,
wakes me up to this advisory:

Overcast.
Slight chance of a rain shower.
High near 65F.

High near 65.

what portent this oracle,
a warning guide to this morass
of a contradictory, crevassed man
full of mea culpa poetic messes,
his old is his high...
or are these just winking,
birthday instructions from
an observer on high?

this space of years, this life,
so gulf and so narrow,
engulfed, yet so sparse is his barrow,
his first minutes of the day
a lean inventory taking,
for better or worse
as he overcasts a full review,
plus a bonus (!)
a forward progress prognosis

there is a fresh formed
Cain mileage marker upon his brow,
a check-mark scar,
resultant of his self-checkup
upon the tree rings of his tiring body

weeping only because a mistrial is declared
and no verdict returned
and he rises for coffee,
promising himself someday an honest resolution
before...

these the acts of
sixty five calendars,
of this, his-space,
so gulf and so narrow,
subjected to a now daily interrogatory:

for what profit this man,
his actions, his loved words,
for himself, to others,
to this world?


October 1, 2015
~~~
(1)
http://hellopoetry.com/poem/1417203/there-is-a-poem-lurking/
~~~
(2)
but I can't stop
for each hour of the last 72
has witnessed a new poem
in-between
minute one and minute sixty five
written for you,
writing for life,
writing of this moment,

this space so gulf and so narrow
in and between
the unity of
us


http://hellopoetry.com/poem/1413760/for-ernesto-l-gonzales-aka-the-dedpoet-the-in-between/
~~~
Nat Lipstadt Jul 2024
All our senses concatenate, building on each other

<>

this interplay is truly interplanetary,
for each of us a unique solar system,
our brains,
intricacy literally personified,
and our five senses, working
in
concatenation
our long range sensors, busy bees compiling inputs
by the nanosecond second, distilling, integrating.
blending and then reconstructing…into a whole!

a gentle breeze ruffles the hair,
the tree swing rises and flows
of its own accord, no passported
passenger required, and a neighbor’s
American Flag, moves majestically &
impressively, whipping, dancing, yes, prancing
to a tune only it can hear,
the syncopated air currents providing
a rhythmic awesome inspiring beat…


and the brain takes this all in, a momentary
second of a vista that is constantly flexing,
yet remains unchanged, a muscular view
of a real world, living but yet immutable,
and I utter thanks to my motor functions,
that bless me with the eyes to perceive,
the nostrils to smell sea salt flavored air,
the hearing ears that the know the imperceptible
orchestrations of silences by their absence
and their intrusion, and I touch my fingertips
to my tongue, wetted, and hyper sensitized
to that gentle breeze that decorates the
landscapes external,

and the combinatory
addition of the all of it, into a single momentary
poem of recall, what I “knew” yesterday, & will
greet again this coming day, as an old unfamiliar
friend, who grasps me entire, and proclaims:
this is living…and the greatest satisfaction that
a speck of mortal can achieve, retain and
through impoverished words…share


4:14am
Mon Jul 22
2 0 2 4
a single moment recalled… forever
Nat Lipstadt Aug 2013
Three poets were walking down the street
Arm in arm in arm, in a state of grace,
A holy state of silence, all in an entranced embrace.

For as they gazed upon the earth's gifts,
Each called words to the fore, healers of rifts,
Each saw the same bounty, but oh so differently.

Lest their words collide,
They strode the streets smiling, undivided,
Chained by their tripartite touch, speaking nothing.

Smiling quietude at all the blessings observed,
They sensed each others's flow and struggle to serve,
To make the proper précis, of the universe within, without.

One saw thrones and rivers in the sky,
One fed us visions of his gardens, and the bird's tales,
One wrote what he saw, in words plain, as best he could.

What they could not see, not one,
They were a singular trinity, the world better for
Their gracious acceptance of the notion
That each one, saw the other as the poesy superior.

For poetry, if it is anything,
It is humility.


9:24pm
August 27 2013
June 9th

Three poems were walking down the street

A young teenage girl,
A Professional Loser,
but life lessoned, and in possession
Of eagled-claws, and tongue razored sharpened
From gettin/givin acidic high school barbed kisses
(She maintained up to date put down lists),
Swooped them up, hers to imprison,
Framed them to be soully hers,
Purposed for skin restoration
during the wee hours of the
Crying Nights

A middle aged man, tired from failure,
Trapped tween lost rock n' roll dreams and
Unsuccessful retirement planning,
Suffocated by the hands of twixt and tween,
Grabbed the three, like a rock climbing hand-hold to
Take home when his family looks at him
Pathetically.

This grandfather espied them,
Looked liked old familiars, friends maybe,
But eyes/words, dimmed, disparu,
Memories unsorted, disordered, jumble-merged,
Perhaps the words to a song he once knew complete,*
But did he write that phrase, or was he just a poet
Thief?

The three poems went about their business,
Bringing heaven to earth,
FYI, even Angels can't be everywhere, so,
God invented poems to do his ***** work,
Cleansing souls.

They rode in~out of town on a prankster wave,
A cheering throng was not around,
But a singular poet saw, recorded the vision,
And thus, this nameless poet,
Below unmasked, unsealed,
Cleansed one more soul,
And that soul, this soul, as required,
Paid it forward.
Nat Lipstadt Nov 2013
six months to the day,
of treading along.
like many good things,
an Internet accident.

180 days can be converted
to one of these units:
15,552,000 seconds
259,200 minutes
4320 hours
180 days
25 weeks
(rounded down)

six months here,
a fortune of time,
goodly to behold.

new faces
from new places,
now crowd the heart
that has no shape,
for it expands daily,
making room for
more of you.

your welcome
welcomes more than poems.

ces triestes,
ces chansons de mon cœur,
don de la liberté,
doués pour vous,
dans la célébration de mon
Jour de l'Indépendance

some fingernail torn
from darker memories,
from fears of the future.
others from eyes to paper
ink spilled quickly,
lest the letters,
remain among the
stillborn ashes
hid in the caverns
of the man's mouth.

the ink in the bottle,
that spilt,
gotta be drops of
mixed blood.
by anybody's definition.

perhaps you sense the fearful
truths that lie within,
some yet to be invoked,
unvoiced, unyoked,
for which my concealer
in actuality is a
point-the-way revealer.

all in. good time.

Yet, never met a poem
did not like,
for the man in the beast
is just like {you, man}.

my only excuse for
to having not read
all of yours,
is oft thine stop me hot,
diverting me
to spill some more,
oh child of mine.

convinced still,
is the man,
that the secret
to this poetry racket,
is to never ever stop
laughing at yourself,
loving all the parts of you,
secretly and
secretly, as well,
in the open wide.

so you feed the beast
that devours me,
for restless are the
words that need a home.

someone said to me,
you are one of those
who are
nostalgic for
the future.

restless is the man inside
the beast, restless is the
beast that is the man,
who hates the word I.

With this sole exception.

**I thank you.
Actually, 6 months was yesterday.  But I needed time to edit and think. I don't know if the number of reads I have been gifted are quanta timely large, but they are qualitatively so special to me, that i am
humbled down  by the gravity forces  of affection that lifts me up...
Nat Lipstadt Sep 2014
Now an annual autumnal literary festival visit
to our island redoubt,
the snow geese come honking down,
in linear formation
warning itinerant human beachcombers
of their arrival on the beach runways
of our sheltered island

This TripTik recommended diversion,
is a pleasure long anticipated by them,
seen as an intellectual rest stop,
with excellent sea snacks cuisined,
flying down the Eastern Seaboard
keeping Interstate 95 on their right,
an avian version of GPS

Our birds,
follow a minor route,
commencing in Nova Scotia,
the farthest north of all the species,
never making it to Mexico,
ending their travelogue in Georgia,
lest their true species be confused
with other kinds of Floridian snowbirds

Sit by my side they do,
one by one in assigned seats,
on the now scrawny grass blanket,
their attention span famously long,
unless a school of striped bass
seen on radar in the vicinity

I, on my Adirondack throne,
a poetry reading to intone,
with more-than-occasional audience input,
considered their right most fair

Critics one and all,
animated animal devotees of the arts,
unafraid to express their thoughts,
oft in unison or in
unharmonious John Cage
cacophonies of disagreement

Sadly, I only speak local seagull,
thus their effusive exege(e)ses and criticisms,
either damming or acclaim, indistinguishable,
their only "tell" is if
they stick around for
just one more...day...

That my poetry they did favor
was a conceit I feigned to believe,
loving their attention even if not deserved,
for in their service, and nature's too,
I am now trained to sit and wait,
a minor stitch in a famous tapestry,
for well I recall Milton's words:

*"God doth not need
Either man's work or his own gifts: who best
Bear his mild yoke, they serve him best.
His state is kingly;
thousands at his bidding speed
And post o'er land and ocean without rest:
They also serve who only stand and wait."
Sept. 21, 2014
Nat Lipstadt Apr 2016
Ineffable (More Tornado Prayers and Such)*


Ineffable:
Too great or extreme to be expressed or described in words;
Too sacred to be uttered.*
~~~

The whimpered cries of the dying
in the rubble of Bangladeshi avarice,
announcing we were worthy of life,
to which we think to ourselves,
agreed upon
with our,
a whispery, silent
amen.

The still alive cries of children,
tornado-tormented parents screaming unfair,
teachers body shielding their charges, whispering
save us Lord, from your inventive toys,

to which we think to ourselves,
a whispery, silent
amen.

But here comes the Oklahoma tornadoes again,
now four more dead in Houston,
selecting the innocent, the brave,
logic in any of this, none,
nonsensical at its worst

to which we think to ourselves,
a whispery, silent
amen.

~~~~~
The first I-am-alive cries
of new born lungs,
I have grandson, stain-less, perfect,
recovering in the stainless steel delivery room,
I hear the all babies in the neo-natal unit in unison
pronouncing a Hebrew blessing,
the Shecheyanu...

(Blessed are You, Lord our God, Master of the universe, who has kept us alive and sustained us and has brought us to these special moments)

to which we think to ourselves,
a whispery, silent
amen.

These unspoken poem devotions of adoration
of the sleeping chamber, that cannot
be heard or answered for they're dreamt and
perchance in the morning thankfully recalled,
enough to be transcribed,

to which we think to ourselves,
a whispery, silent
amen.

Ineffable.

A day,
just another supplying an average day
to the mass of average.
Birth + Death = an average day.

I thank a God for the
birth of a newborn perfection

On this day the newspapers report
about silence of the God others pray to,
could be the same deity,
reporting that in his holy places,
Jew spits upon Jew,
Muslims usurp Christian lives,
all for none,
all forgetting in
whose image they were created.

to which we cannot say nor think
anything.

Ineffable.

too sacred to be uttered,
so instead of the paucity of these un-uttered words,
know that each tear in
the reservoir of my eyes
is my unspoken poem prayer.,
my amen.

Instead of answering
amen out loud,
wipe my eyes
with your fingertips,
silently.

An ineffable amen
1.2k · May 2024
I under stand!
Nat Lipstadt May 2024
I under stand!
_____

<>

perhaps I do
not fully,
understand,
but nonetheless,

I under stand!

Legs locked,
shoulders set,
eyes ahead straight,  
mouth firmly wavering,
range bound, between
a back n’ forth,
from grimace
to smile resolute,

my support promised,
here beneath,
is where I am,
you, set upon
my frame,
capable~able,
you, for,
to surmount,
overcome,
rise above,
see farther,
vision clearer,
any troubling
fray and say!
I am risen,
with help
of friends,
to place
my reach
never touched,
or exceeded…
until now!


2:34 pm

walking on the beach,
musing, scheming, always,
writing, grabbing words
from sea breezes,
and gusts that
order plain:
now, now,
now!
is the
time,
to share
that load
**

May 26 2024
you have my number
Nat Lipstadt Oct 2016
~

walk with me in the
under-grounded passage ways,
the city veins,
that bring the arterial, variegated subway lines
to a consensual transfer adjoining,
permitting the rhythmic, exchanging flow of
***** for cleansed humans

observe the compost of
plasma and a city's red, bloodied cells,
bleached white by the cells called overnight

I travel in these tunnels, north-south, others, east-west,
like most, to and fro, homeward bound,
just another salmon of human capital,
cursed to swim upstream, always

signs adorn, positing hope,
giving out points, helpful directives -
"this way to"

example: this way to the nucleus, haughtily christened
by deaf and dead mortals as the
Grand Central Station

in one such tunnel, cut from the earth with dynamite and blood,
a busily traversed one,
so busy that no one looks but me,
is carved in grey Vermont granite,
high above the
gum and spit stained, concrete sodden, trodden walkway,
by order of some bureaucratic joker
taunting sandblasted "art"
cut into the taxpayer-paid-for-stone,
some of Ovid's long ago words

"dripping water hollows out stone,
but not through force but persistence"


am I the only to ken,,
this is a subtle mocking,
of the rushing, hasty, daily-making-their-way commuters,
whose sentences persist,
but are never commuted, never paroled,
who pass by as if entering under Auschwitz's gates,
where work made no one free

each of us a hypotenuse sliding,
gliding from to hook up from angle to angle,
work to home, home to work,
drip, drip of life to no life,
needy for an overnight charge,
to enable a once more unto the morning breach

for long time  now, my glide path remarkable,
my hypotenuse swinging wildly, ignoring its proposed flight plan,
that presumably shows a proposed radar course of semi-certainty

know it to be a bright screen flashing light
of yellowed missed forecasts,
on a dark green background

my poetic words longtime set aside,
in the lost and unfounded, though they continue to
Ovid drip and drip, agonizingly, persistently
hollowing this man

this ever deepening, eroded void
more keenly felt now by the irritating granulated pecking,
of residual specks of detritus,
minimalist poetic notions, a phrase, a gleaning, a touch,
caught in the grate of my eyes,
yet that make not a whole poem,
or human

but Ovid mocks me true,
my dripping sentence persists,
but, the hollow is not hallowed

my secondhand superficial skin, worn as worn,
a sensual recording of all mine history,
an oral history that speaks from within

can you read my lengthy, literary tears?

a sham, this art,
this tunnel of no ending,
to/from/form of deception,
recording the millions roaring waterfall drops of
drip, drip, dripping, slapping footfalls  

great shovels dug this tunnel, but
the days of our lives erode it ever deeper,
wearing it into a burial ground,
where the ocean of forever,
persists as we pass by
an artisanal lie

~

postscript

*oh Steve, my Steve, guilty do I plead,
too loon, too long this recapture of a walk in a life,
emblematic that it speaks not of solstices,
but of chapters in an unfinished novel,
some finished and some unwritten,
but the ending fully scripted and the plot's author
foolishly thinking the beginning can be
reverse engineered

this poem comes from where the words drip into a soul,
one-by-one, as if to create a single one-a-day one time whole,
a vitamin-poem emerges as a
child born, greeting clean the world,
in black and white word amnesiac fluidity,
measured as one measures a mighty waterfall's flow,
weighty beyond pounds and ounces,,
busting the trusted butchers white scales,
busting into wearied and busting open,
here, ends, worn now, worn by time and time again,,
written on shredded, softened-skin scales

I could not give you less,
I could not give you more...
written recently
1.2k · Nov 2013
Net Present Value
Nat Lipstadt Nov 2013
Net Present Value

NPV can be described as the “difference amount” between the sums of discounted future inflows and outflows. It compares the present value of something today to the present value of that thing in the future, taking into account, "discounting" for inflation and returns into account.

Something now is more valuable than later on, because it can invested to make more.



the value today of your self,
the future discounted for all
you have
yet to learn,
yet to earn,
the mistakes,
the losses,
yet to be incurred.

netting the modest successes
now past, of long ago,
against the sum of
too many failings as
father and son,
poet and man.

time is short now,
nearer to the end than
many streams of new inflows.

the discount rate:
looking in the mirror,
this presence,
this who I am,
the what I be,
adding in, subtracting out,
the inflation of dreams,
+ / -
the deflation of disappointments.

yet, compelled to do,
iterate daily,
the calculation of who,
never-ending,
continuously solving
for my own
net present value.

http://www.mathsisfun.com/money/net-present-value.html
An old one never before shared. Reworked a little, and now yours, your turn to calculate your own
NPV.

PostScript provoked by Kelly Rose just now:
I am
     philosophical
     mathematical
     metaphysical
And these are the attributes, the skills employed,
To do the calculation of who I am,
Explains my self to myself,
To comprehend my
Emotional truth.
Nat Lipstadt Feb 8
you awake, and your blood
it’s changed, wrong color,

which color matters not, just,
it isn’t what’s supposed to be,

the wound that wasn’t there yesterday,
won’t/isn't being healed, somethings wrong

you don’t need to admit the admission,
no supposition, the truth, it will out you

wearing the weariness in/on your eyes,
your forehead and anywhere it matters

even strangers double take, cross over the
street to avoid visiting your visage

sometimes it can’t be helped, enormity
seems insufficient to redress overwhelming

gonna give up this wretched writing gig,
recording date & time futile & unimportant

the everything everywhere every day is
well past  the Nevery, but specificity is not

yeah gonna take a breather, a whole season,
put aside the reasons, no more deep cuts

when the portico spaces shout, sorry ,closed,
in spades, but you don’t feel it or care

go off and cater to yourself, knowing in
advance, that work won’t advance you past

the point of return, who, you’re too wounded,
no forward, the past is clout clouded, rough

the word some is a totality, what you got,
is something else, & need another something

taking a break from fools and friends, at now,
ain't any difference, gonna lie down, yeah,

lie down or lie up
because


sometimes it helps
1.2k · Jun 2013
Haiku For Long Winded Poets
Nat Lipstadt Jun 2013
Length civilizes.
Brevity immortalized.
Between, a clothesline.
One of the first poems that I posted on the site, that about three people read, so I resubmit for you consideration and my reputation's reparation
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