'In the city of slaughter' ('B'ir Haharegah"), 1904, Excerpt

<~>

Arise and go now to the city of slaughter;
Into its courtyard wind thy way;
There with thine own hand touch, and with the eyes of thine head,
Behold on tree, on stone, on fence, on mural clay,
The spattered blood and dried brains of the dead.
Proceed thence to the ruins, the split walls reach,
Where wider grows the hollow, and greater grows the breach …

The spirits of the martyrs are these souls,
Gathered together, at long last,
Beneath these rafters and in these ignoble holes.
The hatchet found them here, and hither do they come

To seal with a last look, as with their final breath,
The agony of their lives, the terror of their death. …
Question the spider in his lair!
His eyes beheld these things; and with his web he can
A tale unfold horrific to the ear of man:
A tale of cloven belly, feather-filled;
Of nostrils nailed, of skull-bones bashed and spilled;
Of murdered men who from the beams were hung,
And of a babe beside its mother flung,
Its mother speared, the poor chick finding rest
Upon its mother’s cold and milkless breast;
Of how a dagger halved an infant’s word,
Its ma was heard, its mama never heard. …

Descend then, to the cellars of the town,
There where the virginal daughters of thy folk were fouled,
Where seven heathen flung a woman down,
The daughter in the presence of her mother,
The mother in the presence of her daughter,
Before slaughter, during slaughter and after slaughter! …

Turn, then, thy gaze from the dead, and I will lead
Thee from the graveyard to thy living brothers,
And thou wilt come, with those of thine own breed,
Into the synagogue, and on a day of fasting,
To hear the cry of their agony,
Their weeping everlasting.
Thy skin will grow cold, the hair on thy skin stand up,
And thou wilt be by fear and trembling tossed;
Thus groans a people which is lost.
Look in their hearts, behold a dreary waste,
Where even vengeance can revive no growth,
And yet upon their lips no mighty malediction
Rises, no blasphemous oath. …

Speak to them, bid them rage!
Let them against me raise the outraged hand,
Let them demand!
Demand the retribution for the shamed
Of all the centuries and every age!
Let fists be flung like stone
Against the heavens and the heavenly Throne! …

Take thou thy soul, rend it in many a shred!
With impotent rage, thy heart deform!
Thy tear upon the barren boulders shed
And send thy bitter cry into the storm!

After My Death
by Chaim Nachman Bialik
loose translation/interpretation by Michael R. Burch

Say this when you eulogize me:
Here was a man — now, ****, he's gone!
He died before his time.
The music of his life suddenly ground to a halt...
Such a pity! There was another song in him, somewhere,
but now it's been lost,
forever.
What a pity! He had a violin,
a living, eloquent soul
to which he uttered
the secrets of his heart,
setting its strings vibrating,
save the one he kept inviolate.
Back and forth his supple fingers twirled;
one string alone remained mesmerized,
yet unheard.
Such a pity!
All his life the string quivered,
quavering silently,
yearning for its song, its mate,
as a heart falters before its departure.
Despite constant delays it waited daily,
mutely beseeching its savior, Love,
who lingered, loitered, tarried incessantly
and never came.
Great was the pain!
There was a man — now, ****, he's gone!
The music of his life was suddenly interrupted.
There was another song in him, somewhere,
but now it is lost
forever.

Chaim Nachman Bialik (1873-1934), first name also Hayim or Haim, was a Jewish Holocaust poet who wrote in Hebrew. Bialik was one of the pioneers of modern Hebrew poetry; he came to be recognized as Israel's national poet and the foremost modern Hebrew poet.

Keywords/Tags: Chaim Nachman Bialik, Hebrew, translation, Israel, life, music, violin, song, string, strings, heart, mate, love, pain, lost, forever