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These strange fellows
Still record on videotape
Abroad an outdated
Insufficient spacecraft
The shape of
An interstellar bowling alley

By night they hunt for
New age wine
Radio waves
And a slew of hitchhikers

Some they greet
Some they cheat
Some they mistreat
Some they eat

Convenient store gangbusters
Crop circling has seen its better day
Soundtrack enthusiasts
They've a score to settle
With John Williams

They came from a fruitless world
In search of pomegranate skies
And the Big Apple
Even from the far flung
Reaches of space
Everyone's an actor

Some they unseat
Some they beat
Some they reheat
Some they eat

We're odd to them
Because they're gods to us
In a technologically challenged
Unidentified flying object

It's not war they want
Nor invasion
Just dinner theatre
And a reliable map
Inspired by the poem "If This Beauty Shall Be My Final Curtain, Let It Be Dropped Slowly," by fellow HP writer Mark S.

https://hellopoetry.com/poem/3705158/if-this-beauty-shall-be-my-final-curtain-let-it-be-dropped-slowly/
Sad reflections from
donated dreams.
Charity's
fallen embers.
Like a high UV index
they burn right into
your skin.
Freckling
your thoughts with a bit of compromise.

Close your eyes
to the possibility
inertia
has made itself at home.
You'll feel it, feel it
right to the bone.
But you crossed that bridge
long ago.
In the time of
tranquil misgivings.
You gave consent to
sin by offering up
your sons and daughters.
Drowning them
in the shallow end of dissipated water.

Sing hymns
all you like.
Piety
is not for sale.
And the angel light
that hits the wall
is not in the shape of Mary.
Evil always figures into
these things.
Don't you know? Heat rises. Blood falls.

So burn your prayers
on a stick. Roast them
in the campfire. You'll never turn
to God until you lie
dying. Broken and heaving.
Asking for forgiveness.
Which a man of cloth
will grant.
Such a charmed life to leave.

Only it's a cheat.
A spoonful
of circumvention.
Making you feel
warm and clever
as you bleed out. Regrettably,
your vacuous heart
sailed off on the Greta Garbo
and mortgaged
your future for such marquee.
Banking on the
here and now.
From this there can be no redemption.
We live on the dark street at night,
Rows of old houses huddled in the cold.
Only one small door has a hesitant light
Glowing yellow against wooden gold.

Flowers and weeds are crushed and dry,
Wreathing withered, brown, grass yards.
Frozen blades crack as feet walk by,
Only wild things cross the hay-like swards.

Old people huddle near the wood stove
Or bake bread and pies in the oven.
Their little dogs are let out for a minute’s rove.
Even they shy away from a world so frozen.

The world of black and white
Dims sight and stultifies the senses
It dulls imagination.
So one goes to sleep and waits.

Waits for morning and
The first ray of sun
Reminding one of spring
And the light, warming the street.

December 2020
This was my impression when glancing out the front door late at night. I was cold and seemed much darker than usual, which was fitting.
I don't know who she is
but she turns me on.
I love this siren calling me
from rocky shores to
this brave Ulysses
dancing more naked
than my eyes can stand.
She rises from the sea
upon a giant shell. I swim
to her light and my grave.
the clock
is ticking
and i
still wear
this jacket
from school

outerwear
in the season of otherness

the girls have already grown up
behind us traces in the snow
i come out of it all the time
Él,
Que se lo cruza, que se lo llama,
del mar que viene pero él
que se queda,
y forma todas las playas
de verdades, turbulencias,
¡que sólo los barcos de dignidad
alcáncenlo, ellas!

Yes, surely I am deplored by
the beauty of destructions’ marking, holding dear
what’s longingly perverted
through the lost.
Ravens’ repulsing cries
are the needed on the shores,
not just on the autumn,
the rotting of the sea tales
their voices hold,
the selection of exquisite
that my preference twisted wants.
And so much else I daze over,
that overlay of the Emerald Land’s
waves and beats that
my distant to the south shore pleads,
that jade,
that shock,
that valiancy of the Scots
which in our sands
and crashing skies
should be,
lusts
to be.

The awaiting
for that dripping glory
in a mellowed casing of a wrecking ship,
it’s in a waiting room
made from a lone standing rock
that carries myths and ventures
to fulfill,
the Young Verter’s
everlasting,
tinting
moment.

Show up on our silver days
at the bays,
El Acantilado,
del Norte, caro,
The Cliff, The Cliff,
Ese Acantilado!
Presenting the longing yet sensing a fulfilment
At a sanded scorched but finally in the mist beach
Where I started calling for the British shores
To come to us,
To fill the southern water lands
With a valiant storytelling, storms and grandiosity
Ours seem to have not in calm relax.
Envisioning it.
I expect
the day when
Poetry is no
longer forcefully
mulled
over
words,
when we commit
it
as of
us,
when we
reek
of it,
or rather
Poetry
reeks
of us,
not shunned or shunning by
the traps in
word-ings.
We Poets then
will truly spurt
and raise an elegy
off
the skin.

That one faithful day
libraries and others will shed
books,
letters and papers,
like finally autumn
leaves,
our chips into small
encasings
like pearls with shells
their.

And
those who choose us
on the shelves will
receive the reward
of our dragging
into
our depths like
persistent algae,
for
a while,
or forevermore.

And I’ll finally be
able to unveil to them:

“I am one of Poetry’s
revelations.”

For now/
pay the lyrical’s heed/
in its written ways/
by the respect of every/
blank space ending/
before each and every verse/
it brings/
Expectations towards the way Poetry’s sharpened, like earth to metal clustered,
for vending mists.
I wait for the lip-like, felt transfer.
I wait to for the first time under
standing customers on the sale
for our chippings made easy.
I wait for my affection’s freedom from
paper, pen, glue and shopping stink.
I make an everlasting patient boycott
On a bench clear.
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