Oh transient theater,
adorned with perfect
voice and script.
Why do eyelids chase you
night after night,
only to dismiss you
in the light of day?
Or mumble disquiet
at your imperfection?
If only the day
and night were lovers;
two plots embracing
in flawless script.
The perfect act,
on the perfect stage.

In an imperfect world.

Japanese temple trees no longer line the way home.
I left them behind.
But my mind still strolls that avenue,
and I still see
the light catching on the bare branches
and the sparse leaves of Autumn in The Grove.

The Woodhoopoes are still nesting
in the temple trees next to the gate
I don't enter anymore.
Their iridescent plumes
still shimmer green and blue
as their vermilion scimitar bills chatter
in the to-and-fro, to-and-fro
sway of their familial ritual.
What cacophony when one has won
itself a fat gecko—the chicks won't go hungry.

I left the haphazardly arranged feathers
in the wooden frame of the French doors
I no longer unlock and enter.

The two cereal bowls
left on the table
where we did everything
have been reduced
to one.
And the table simply is.  

Now I work among veteran soldiers—
Old Pigeons with crooked feet
caused by all the lines
they've crossed, all the twines
they've tangled with, but Pigeons,
they survive without their feet.

And instead of temple trees,
buildings line the way home—
concrete and steel constructions
among long ribbons of asphalt and . . .

From a distance,
up on the third storey,
it looks like a jungle out there,
but no, on the ground,
up close, it is just human.

I still keep the Owl's feather away from the day-birds',
but I no longer collect more feathers.

No, instead, I tuck symbolic quills behind my ear.

Sagittarius serpentarius

The image of the Secretarybird towers
over the rest of the symbols
on the Official Documents I peruse.
Contracts.
I walk away, tucking the quill.

In the land of the blind, there is a one-eyed rule:
close the other eye.  

I feel the rhythm of keys beneath icy fingers,
eyes tearing from the glare of the monitor,
retracted quills rising—  
unseen antennae erected on the back of my neck—
a human lie detector.

Type, type, type:
repudiation,
subrogation,
violation . . .

Hit the letters with the power of the word.

Noisy little twitter-bird to my left,
on top of her office chair,
she’s raucous like a hysterical Mynah:

"****-****-****-****...**** everything!!!"

Absconding the scene,
I stamp, stamp, stamp
AR numbers, CAS numbers, verified.

The African masks behind my workstation:
ugly metaphors for who I really am.

Sagittarius serpentarius

A Marching Eagle,
the Devil's Horse,
the Secretarybird;
sitting in a concrete cage,
my youngest would've died of starvation,
so I let her fly a long way from home,
but nonetheless home
with her Lily-Pad-Walker father.

Jesus-bird,

With legs like a crane but scalier,
a Marching Eagle doesn't walk on water.
It stands close to the grassland fire,
waiting for its prey.
Then stomping.
Then crushing bones.
Then swallowing whole.

Balance is unnecessary.
Just bend and kick,

backwards.

Saqr-et-tair: hawk-bird, hunter-bird.

He said his heart was a dreaming Red Hawk
whose eyes he wouldn't let me see,
and Bukowski's heart was a Blue Bird of pain.
I said I didn't know
what sort of bird lived in mine,
but it dreamt the same dream:
giant wings
breaking out of its ribbed cage . . .
long runway . . .
long runway. . .
then slow, deep *****
of----------of-----------of------------of----------------of
bad weather and . . .

I fear the day it tires of dreaming.

Offices. Soldiers. Pigeons.

I slip gunpowder pillulets under my tongue:
Homeopathic medicine for this virus.

There is a Barn Owl in my mirror,
steamed up. I dream
a ****** of Crows
alights on my brow,
but I am too feverish to catch them.
Too weak.
I dream a ****** of Crows
rising from the loquat tree
where my eldest was born,

across the road . . .

I watch them
from the third storey of a collection of cages,
and I know
this building
is a cold-hearted-thirty-three-eyed-soldier
with a dog tag for a tongue,
and a contract
bound to the crooked feet of the Pigeons I didn't feed.

I used to soar high above the skies
Taking flight to anywhere in sight
Grazed upon lighting that almost killed me
My wings deigned in defeat as I bleed
But this heart are my wings of steel
Mettle armored with my will
To never giving up
And to fly again


Erennwrites

The tragedy of technology
The power of the written word
We're all just writing our thoughts
Waiting for our minds to be heard

Many emotions, fears and horrid dreams
Our deepest secrets exposed in a few lines
Never getting the rhymes right, or so it seems
Life, love and the future we see in our minds

Though the words may be small
Poetry says it all.

the sensation of
wet hair
in my teeth
pretty much your touch
your loving so heavy
words - a safe hell
in the soul's cavities
I'd recklessly counted
the fork's teeth
till my bones were spread
in the cemetery of years
no one confiscated
our competition for enduring
the snow of silence
finally bears some fruit
the impossible breath
urged me to save
some cement smile
till I can separate loneliness
from fresh dust
in my tired eyes

I must have been practicing
the patience of wood
the strife-wife
the brutal lemonade
on empty stomach

Hey Mom?
I miss you.
Like a lot.
I miss dancing in the kitchen
To Madonna and Meatloaf.
I remember singing under the paper lantern
From the dollar store.
You bought it just for me.
I miss your strong, muscular embrace
And your scent of cloves and earl grey and earth.
I miss your long, silky hair
Just like mine.
I cut it all off last week.

Some days,
I just wish I could talk to you,
Talk to you about what hurts
But you hurt.
Just to remember hurts.
You're gone.

Hey Mom?
If you're still in there,
Beneath all the alcohol-infused blood
At the bottom of the cavity in your soul maybe,
Could you peek out from behind the curtain?
If only for a moment.
Could you give me some signal
Some kind of hope
That beneath it all
My mother is still here
On this earth
That she isn't lost to me forever.
That the woman who cherished me in her lap
Swaying me back and forth while I cried
From bad dreams or heartache
The woman who taped up my broken arm
And taught me how to make the best spaghetti
My mommy,
Who taught me to sing with beauty
And shared her green thumb secrets.
Please.
Please.
Don't be lost to me entirely.
Please come back.

Hey Mom?