Submit your work, meet writers and drop the ads. Become a member
Jeff Gaines Mar 2018
OK Reader, I'm going to tell you a tale … with great trepidation. You see, this tale, well, it's kind of like telling someone that you've seen a UFO. They want to believe you, but … it's never really been proven scientifically. Not to mention the fact that most folks who believe in such things are often the tin-hat wearing types, written off as … lets be nice and call them “odd”. And, of course, the more you swear to it, the crazier you appear. It's an epic tale, spanning 30 years of my crazy life.

  But, It's a story I want to tell, because it happened to me. I can barely understand it myself, let alone explain it. So … I'm just going to launch into it and you take it any way you wish.

*  *  
Where Can You Be?

Where can you be?
Where can you be, my love?
Oh, can't you see?
You're not with me!

I'll search with gazes and I'll search with cars,
I'll search the cities and I'll search the stars, well …
I'm gonna find you, oh, wherever you are,
I'm gonna find you baby …  near or far, but …

Where can you be?
Where can you be, my love?
Oh, can't you see?
You're not with me!

I thought I'd found ya, but she wasn't you,
that girl she left alone and blue, well …
I know that's something that you'd never do,
your love has always been strong and true, but …

Where can you be?
Where can you be, my love?
Oh, can't you see?
You're not with me!

If you must settle for some other man
and deviate from our immortal plan, well …
I hope you realize I will understand
and I'll try and do the best that I can, but …

Where will I be?
Where will I be, my love?
Hoping the next life sees …
our destiny!


Where can you be?
Where can you be, my love?
Oh, can't you see?
You're not with me!

~Wednesday, April 1st, 1987
10:30 P.M.



  I was singing in a band back in those days and, as it happened, this was the last song I'd ever write for it. Just after this, as it does, it all came crashing down and the band was finished. But in those last days, they pondered this song, with great puzzlement. You see, it was unlike anything I'd brought them before. It wasn't rock … It wasn't a ballad … it wasn't even structured like a “normal” 80's rock song.
  
  No bridge, no solo, no loud grinding guitars, etc. It even had bits where I hummed, yes hummed, the melody, like a lullaby. As they read the lyrics and I described how it went, they all looked at me like I had three heads and asked where this had come from. It was nothing like anything I'd written before. I could only tell them when and where I'd written it, but had no explanation of what inspired it. It had just came to me, so I wrote it down. They didn't know what to make of it, or even what to do with it.

  One of them said it sounded like a late 70's or early 80's adult contemporary song or even in the vein of The Eagles. Another asked if it was about reincarnation … And I honestly, until that moment, hadn't thought of it that way, I didn't think like that at 24 … but then, one of them said it was “Haunting” …

  “Haunting”?

  “Wow”, I thought, I'd never had anything I'd written described as that before. When I asked him what he meant by that, he told me that it was haunting to think that this poor guy is desperately seeking a girl, that may or may not even know that he exists … in a world with billions of people in it. To top that off, he fears that she may off and marry someone else if he doesn't find her in time.

  This, along with the suggestion of it being about reincarnation made me rethink and rewrite the song. Well, a few lines in the last verse and chorus anyways. It actually made the song flow better and seem more complete. In a way, it actually made the song make more sense … to me and them. Sadly, we never did anything with it. There wouldn't be time. Ha … Time … how ironic. Over 10 years later, came this …


For Someone I've Never Met

Please save a place for me,
deep inside your heart.
Always know that I think of you,
as we both practice our arts.

Our worlds are full of temptations,
so very hard to resist …
and the good Lord knows
we're both far from,
sixteen and never been kissed.

Wealthy men with jaws divine …
Temptresses with looks so fine …
Paths that lead our hearts away …
Paths that surely lead astray …

They'll lead us there every time.
They'll leave us there … so  unkind.
Our hearts must shine,
night and day.
Through any darkness … they'll light our way.

If you never touch my face …
If I never look into your eyes …
We'll always have the comfort of sharing
the same
big, blue sky.

If I never smell your hair …
If you never kiss my lips …
Always know the search for your smile
has launched a thousand ships.

So, I hope you save a place for me
in your heart so sweet and kind.
Please, save a place for me …
Heaven knows you've one in mine.

~Thursday, September 9th, 1999
9 A.M.



“For Someone I've Never Met ” poured out of me in the midst of another breakup from the second, and last, girl that I wanted to marry. That emotion, never found me again. I looked at it on my computer screen and smiled, seeing “Where Can You Be”, in my mind, on my tattered old note pad that I called my “Song Book”. The memory of me writing it while sitting in my Z-28, looking out over the Gulf of Mexico as a beautiful heat lighting storm sent bolts across the sky, came flooding back; as did the debate of reincarnation I'd had with my pals in the rehearsal room all those years before. Here I was, again, writing about “someone” that I sensed, for lack of a better term, was out there … somewhere.

  Well Reader, do you believe in reincarnation? I was never really certain, but, as you can see, I had twice written pieces to someone I wasn't completely sure existed. I had always “sensed” someone out there beginning with the period after I wrote “Where Can You Be?” and thereafter. So, there they were, each written after losing someone I was deeply in love with. Each came out of nowhere, as they usually do. By the time I was in my 40's, I began to think I was either imagining it all (a side effect of being a hopeless romantic) or that I had just somehow missed this person and our “moment”.

  And then …



Epiphany

There was a place.
There was a time …
There, I stood … still unknowing
and everything seemed fine.

But there in that place …
at that moment in time …
the moment I saw the eyes,
I'd never believed I'd find.

Well, what could I say?
What could I do?
In a world filled with billions …
and there … was a you.

I'd always known you were out there …
even written of something amiss.
I never, ever stopped looking for you …
because my heart always said you exist.

My breezy Fall became harshest Winter.
My crazy life left my health running out.
I'd resigned myself that our moment had passed …
but this moment … it removed all doubt.

Well, what could I say?
Tell me, what could I do?
There we stood, staring … alone … in a city of millions …
yes, there … there was a you.

Oh, that mistress fate, she is just so cruel.
Frustration, a curse to be mine.
   I'd searched for you my entire life …
but now … my clock … knows a limit of time.

You see, I would never venture a love with you,
while knowing I'd have to leave you … hurt and alone.
I could only admire from afar … stoic and aloof …
while turning my heart into stone.

Nothing I could ever say and nothing I could ever do …
But now, at long last … at least I finally knew.

There, you stood … green seas, gazing up … into skies of blue.
My long-awaited revelation … become sorrow-laced realization.
There really is … a you.

~August 12th, 2009
  

  Typical of my life-long Charlie Brown syndrome … After being told in 2005 that I had “the lungs of an eighty-year-old man” and that I had “Six to Ten years” to live, I made a conscious decision in that Doctor's parking lot that I could never have another girlfriend and that I must face this alone. I don't see woman as objects. They are glorious creatures that are here to be our partners and friends and to make our lives amazing. I could never, ever knowingly let a woman fall in love with me, all the while knowing I was going to die and leave her. It's not in me to do such a thing, lonely or not.

  Yes, I'm still alive, I'm stubborn like that. But, some days are better than others and my new doctors say that they don't give people “time limits” anymore … because of people like me. I can't afford the lung transplant. So, as Bono so aptly put in one of his songs: “The rich stay healthy, while the sick stay poor”. It is what it is … and like the energizer bunny, I'm still going. Good for me.

  In the moment that I met her, the morning that followed, and the amazing speed of our nexus over the next several months combined with a string of synchronicities (Coincidences? Did I mention that she too, was a poet and writer?) that not only came after I met her on the sidewalk in front of the publisher we shared, but in those pieces I had written before and in several after; I was pretty much convinced I had actually found her. I have NEVER experienced anything like this, or her, in my entire life.

  So, after all this time, here she was … and there wasn't a **** thing that I could do about it. Besides, she was much younger than I and it probably would never have worked anyways. ****, the universe is rotten sometimes, huh? Maybe, if I'm lucky, things will balance out better in the next life. I can only hope. But I'm reminded, worryingly so, of the **** The Alarm song: “Collide”:

“All of these thoughts pounding in my head …
with the words I've wrote, in the letters I've never sent.
The distance in our lives may change …
Times that you can never erase …
But will our worlds collide?
Will our worlds collide, the next time?”



  Only time will tell.



  “Colors”, and a few others, were written about/for her. But, I could never show them to her. I would never endanger my friendship with her. I just wanted to keep her in my life. That, and that alone, was the only motive I'd ever had with her. I looked forward to seeing her marry, hearing her stories of her three kid's adventures; Hubby, all greasy, working on the car in the driveway, rabbits in her garden at night, eating her precious organic veggies or even about her new curtains. Just to know that she was alive, happy and doing well. I found a solace in her voice I could never describe and I was completely content to just have her in my life and watch hers unfold. Only I could end up in this odd position.

  I feared that she might get weird-ed out because I'd never displayed any romantic inklings toward her, so, to suddenly read these might make her feel a bit, lets say: uncomfortable. Actually, I didn't write them with any romantic intentions, per se; I just did what I always do … write what comes out. Still, there's no denying that they come across romantic. Again, so, so Charlie Brown. (long sigh)
  
  It is what it is. I also have to ponder the fact that maybe all those Charlie Brown moments in my life were preparing me for this one big, painful one. That does makes sense … ******' Universe.


Colors

Well when you're Green, I'll be your Brown.
Like the earth that loves the flowers,
I'll will be your solid ground.

And I'll be your Azure, when you are Verdigris.
We'll be thee most beautiful ocean
that eyes have ever seen.

And when you're Black, I'll be your White.
Mixing all of the colors … I'll make everything alright.

Now when you're Blue, I'll be you're Red.
If something should make you wanna cry,
I will feel your pain instead.

And I'll be your Orange, whenever you are Pink.
We'll be thee most amazing sunset,
that the sky could ever ink.

And when you're Black, I'll be your White.
I'll mix all of your colors … and make everything alright.

Should you be Violet, I will be your Beige.
Like a sleepy moonlit desert,
pasteled in dunes and sage.

And when you're Grey, I will be your Rainbow.
We'll be thee most soothing rainstorm
the world has ever known.

And when you're Black, I'll be your White.
I'll mix all of your colors … yes, I'll make everything alright.

With love on my palette, painting a glorious sunrise …
I'll color all your mornings with a smile and brighten up your skies.
If you should find yourself in sorrow from someones hate or lies …
I'll take the stars down from the heavens … and paint them in your eyes.

So whenever you are Black, I will always be your White.
I'll mix all your colors with a promise … everything will be alright.

Yes, I'll mix all of your colors with a promise … Everything's gonna be alright.

~  Winter 2012



  I wrote this after she had rang me up one afternoon lamenting about her life at the moment, troubled that her latest novel hadn't done as well as she'd hoped and now she had to be waitressing to make ends meet. I tried my best to cheer her up and assured her that she was strong enough to handle anything and that she must keep chasing her dreams. I wrote it as a poem, but I can't help but notice it looks like a song, though I've never heard music for it. Those repeated verses look just like choruses to me.

  Earlier in the day, I had been looking at a booklet of paint swatches. I guess, up there on my roof looking at the Manhattan skyline, her sadness and me looking at all those colors melted together somehow and, as happens, out came this piece. Even this, became another synchronicity as she would name her next novel “Show Me All Your Colors”. I remember seeing it in the bookstore and looking straight up … shaking my head at the sky. Was this the universe telling me to show and tell her all this?

  Well, if it was, I stuck with my gut and kept it to myself. My God, if you only knew how many of these synchronicities there were between her and I. It simply boggles my mind. I wanted to call them “coincidences”, but there were just so **** many of them … Each so unique, they just couldn't be called that. I don't want to tell them all here, because like I said, the more you swear to it, the crazier you sound. And I'm sure your questioning my sanity by now, aren't you? (Smirk)


  OK, OK … this one is definitely romantic. I wrote it one night, drunk to the bejeezus. I'd done what we called “The Crosstown Crawl” with my pal Tristan and a gaggle of assorted waitresses we knew. This involved starting at Brass Monkey on the west side highway in the Gansevoort District and ending at my favorite hookah bar, Karma, on the Lower East Side … Drinking in, and often being “asked to leave” (Read: Kicked out of) every bar that took our interest as we walked (Read: staggered) west to east, staying below 14th St.

  On my way home from the city on the J train, I thought about all the phone conversations we'd had while I was on this train crossing the Williamsburg Bridge. Being drunk, I guess, I caught a bout of sadness that I'd never get to tell her any of this or even how I felt about it all. Before I hit my elevator, this piece was swimming in my head. It's about as mushy a piece as I've ever written … if not thee most! Not the norm for me, but this is, after all, a lot to keep pent up inside you. I wouldn't wish this predicament on anyone.


For My Little Red-Haired Girl …


You …

My Love.
My Queen.
This Shining Light in my eyes.

My Laughs.
My Dreams.
My Soft, Contented Sighs.

My *****.
My Lavender.
My Dew Covered Rose.

My Smile.
My Cinnamon.
The Joy in my heart … ever inspiring my prose.

My Best Friend.
My Co-Star.
My Fearless Partner in Crime.

My Breath.
My Cohort.
My Side-kick throughout time.

My Snow-capped Mountain.
The Wind caressing my face.
My Vast Green Field.

The Ivy Covered Wall
that harbors my soul … ever refusing to yield.

In a different time ...

You … would have been my Life.

You … would have been my World.

You … would have been my Everything

and I will always love you for my own special reasons.

It is just a shame … and I'm so, so sorry … that you … must never, ever know.

Maybe next time.


~Charlie Brown




   When I came-to in the morning and read what I had wrote, I had to laugh a bit. It is borderline corny, very beautiful, very telling and very sad … all at once. I shook my head, laughing and told myself :

  “*******, Sam … yer losin' it. Get your **** together, will ya?”

  I guess in my stupor, I was imagining what it would have been like to write something for her. I don't know … There it was and I was stuck with it. I almost deleted it, but, my finger wouldn't press the key. As I told you before … I'd NEVER show this to her. She'd probably never speak to me again.

   As a sadder epilogue, that eventually happened. I still don't know why, but we haven't spoken in years. Maybe she sensed this emotion in me and ran away. Or maybe, just maybe … she thought I'd pushed her away somehow … but for whatever reason, we drifted apart. I guess I'll never know.  As you can see by reading this, that was never my intention. But, like I keep reiterating … It is what it is.

  One day, I called her number to catch up and shoot the breeze. I hadn't spoken to her in a few months as she'd been busy promoting her new novel and I didn't want to pester her. But … it was disconnected … I checked my emails … nothing. I'd never been so confused, she just closed me out. I didn't want to bother her. I was sure she had her reasons and if she wanted to reach out to me again, she would. She had my email and my phone number. But, for now … she was gone … and that was that.

  So, what do you think, Reader? Do I get the Tin hat … or a Badge of courage? Am I bat-**** crazy … or just eccentric? I'll leave it up to you to decide, because as I said, this all happened to me and there isn't a thing I can do about any of it. I just had to get it off of my chest. Thanks for letting me vent.

  Wherever she is … she will always mean the world to me. I can see her green eyes if I close my mine and look for them. Sometimes, on occasion, her face haunts my sleep. Still, I like to picture her, kids playing in a sprinkler behind her, digging in her garden, wearing gloves too big for her hands and a smudge of fresh dirt on her cheek … it makes me smile.


-Sam Webster
Brooklyn, New York
2013
OK, you can stop scratching your head. I'm sorry if you feel like I tricked you or was playing a prank … That was not my intention. This piece is experimental writing, of sorts. If you are wondering, it's titled “Somewhere … Out There”. But I didn't want to put a title at the head of the page, as that might have clued you in too early.

I also confess that “Sam” the narrator is, on no uncertain terms, based loosely on myself. But hey, what better way to string you along? Besides, as Stephen King said, you “Write what you know”. As far as I 'm aware, using poetry within a short story like this, or in this manner, has never been done before. Welcome to the future!

It really belongs in my “From Thee Edge” Collection with the rest of my Twilight-Zone-esque short stories. (You can now read some of these fiction short stories here, posted in my "NoPo@HePo" posts, along with some non-fiction essays. I hope you enjoy them.) But, because I pieced together several of my poems to not only tell the story, but as a vehicle to carry it along as part of it; I wanted to put it here on Hello Poetry just to see if I could convince you long enough to get you through the story … while having you believe it was me speaking to you and that it was all very real to me. Thus, making it feel real to you as you read it.

Was I having you along right up until it was signed by someone else? Or, at least until the narrator addressed himself as “Sam”?

If so, then I accomplished my mission. I'd love to hear your comments on it. If you've been reading any of my other posts, I'm sure you've figured out that I like to run wildly outside of the box sometimes. This was just, as I said, an experiment in a different way to tell a story … fiction or otherwise. As always, I hope that I took you on a journey and, more importantly, that you enjoyed it.

~Jeff Gaines
L.A.
(Lower Alabama)
2015
alaistair Oct 2013
i have not spoken to you in

four or six years but

the hex code for the color of your eyes

i could determine from:

strawberry-kiwi juice, thumb tacks

CD rainbows

softball (

and kickball, hours of it)

chicago in 2007, white pebbles like teeth, and converse shoes—
Jeff Gaines Mar 2018
Well when you're Green, I will be your Brown.
Like the earth that loves the flowers,
I'll will be your solid ground.

And I'll be your Azure, when you are Verdigris.
We'll be thee most beautiful ocean
that eyes have ever seen.

And when you're Black, I'll be your White.
Mixing all of the colors … I'll make everything alright.

Now when you're Blue, I'll be your Red.
If something should make you wanna cry,
I will feel your pain instead.

And I'll be your Orange, whenever you are Pink.
We'll be thee most amazing sunset,
that the sky could ever ink.

And when you're Black, I'll be your White.
I'll mix all of your colors … and make everything alright.

Should you be Violet, I will be your Beige.
Like a sleepy moonlit desert,
pastelled in dunes and Sage.

And when you're Gray, I will be your Rainbow.
We'll be thee most soothing rainstorm
the world has ever known.

And when you're Black, I'll be your White.
I'll mix all of your colors … yes, I'll make everything alright.

With love on my palette, painting a glorious sunrise …
I'll color all your mornings with a smile and brighten up your skies.
If you should find yourself in sorrow from someones hate or lies …
I'll take the stars down from the heavens … and paint them in your eyes.

So whenever you are Black, I will always be your White.
I'll mix all your colors with a promise … everything will be alright.

Yes, I'll mix all of your colors with a promise …
Everything's gonna be alright.
I was looking through some swatches of color gel samples, picking new colors for my lighting rig at Highline Ballroom. A dear, dear friend of mine called me up feeling frustrated about her life at that moment. She is a proud and brave girl. So, she didn't call just crying and whining. But as the conversation progressed, I could feel her tension ... her frustration ... even her sadness. I felt really bad for her and wished that I could make all her problems go away and help her achieve her lofty goals a little more quickly.

I did the best that I could to console her without sounding as such ... remember, she is a really proud person. I reminded her of how brave and strong I knew she was and told her that she just needed to keep pushing on and that she would see it all through eventually, it just takes time.

After we'd hung up, I was up on my roof, yelling silent profanity's and threats at the Manhattan skyline (as I often did), and I guess all the colors mixed up in my head with her call and how badly I wanted to make things good for her because she meant so much to me. I hated to think she was suffering in any way.

This poem started coming to me and I raced downstairs to drop it on my computer. When I read it over, I couldn't help but notice it was in the form of a song. The repeated verse a chorus and the last verse, a bridge. But ... I have never, ever heard a tune, melody or any kind of music for it.

Also, I had to notice the romance laced through it. That wasn't my intention, she was my dear, dear friend. So, I wasn't even sure I'd truly written it for her. With that in mind, I've never shown it to her.
Shashank Virkud Aug 2013
It's been one boring, restless, ***** of a drive through this sunken state. I click the windshield wipers off as they smear verdigris across my polarized vision, the FM stereo crackles and hisses in dissonance
with moaning, squealing brakes. My four cylinder fishtails ever so slightly as tattered tires nick and skid through puddles of *** the cumulus left behind after ******* the sun, which is crying now as it falls to sleep. Driving mechanically, I let my thoughts wander as I meander along I-4.

*You and I, we've never known what it means to perfect our chapters, to get into each little cavity, or between two immaculate ribs. We'd like to simplify all of that to one line, to reduce the dimensions rather than revel in their story. To see with six eyes or live as a termite within the wood grain is really all the same. But you know, we haven't finished yet simply because we are not finished yet. Some of us yet insist they hold on to the rotting shreds of a dying breed, a generation gone gangrene, their fingers in their feces.

But we know how we want it to be. Humanity will be different for you kids, we promise.
Mel Holmes Feb 2012
five pm, mid-winter

i thank Sky for taking sweet time.
Sky sets her thumb on the light-switch of the land.
she stands still, she waits.
for the hour, she meditates
on her day.
Sky hopes her skin
becomes verdigris the next day, not grey, but
verdigris to clothe **** trees. Or perhaps she will
hurt soon— Sky scars in
rainbows. Her change of thought: the small folks who have traveled
through her this day. She wonders where
they all
        go.

Open your eyes,
do you hear Sky’s mute call?
in her meditation, hour of magic, all
wakes.

on the earth, photographers peer from their windows,
then rush through their doors to catch Sky’s dancing gleams,
beams flash through the tip-top’s of the Sugar Maple family,
their shadows splatter onto ***-hole streets.
Sky brushes her grass and her roads with paint of a gold hue,
fresh Rorschach tests while her thoughts try to rest.

i spot a leaf sleeping in the street, deep wine and apricot,
twisted from months away from its Mother
the wind levitates the leaf—lightly—and the sun
creates a squirrel of it, he climbs the tree, and scrambles over
to me. in short squeaks, he explains his political theory,
“why do you let your peep el let a few rich folks control
all others? why don’t you follow me
into the woods?”

he grabs my skirt with his sweet little paws
but i look up and notice the darkness,
i look down and see only a leaf again.
Sky’s savasana has ended,
candles ignite in the houses, Sky and Sun crawl into bed.

i’ll wait now for the selenian Sun, but i can’t rest my eyes. soon
i will escape with my new friend.
bittersweet magic: “the moment” lost in the sock drawer.

five pm, midwinter


the afternoon is reaching an end,
Lady Sky decides when she wants to change for us.
as the sun sets, she meditates.

some call it the “magic hour”
but how can you truly tell magic from reality?
go outside and see.

radiant beams do the tango on the trees
(a leaf in the street becomes a squirrel as my eye blinks)
a squirrel who runs straight up to me.

“get outta the system while you can!”
he squeaks, then nods at me to follow his path, another blink



the sky darkens, the squirrel disappears.
Two, of course there are two.
It seems perfectly natural now——
The one who never looks up, whose eyes are lidded
And balled¸ like Blake's.
Who exhibits

The birthmarks that are his trademark——
The scald scar of water,
The ****
Verdigris of the condor.
I am red meat. His beak

Claps sidewise: I am not his yet.
He tells me how badly I photograph.
He tells me how sweet
The babies look in their hospital
Icebox, a simple

Frill at the neck
Then the flutings of their Ionian
Death-gowns.
Then two little feet.
He does not smile or smoke.

The other does that
His hair long and plausive
*******
******* a glitter
He wants to be loved.

I do not stir.
The frost makes a flower,
The dew makes a star,
The dead bell,
The dead bell.

Somebody's done for.
Joan Karcher Jul 2012
emerald, olive, viridian
oh how you perplex me
forest, jade, chartreuse
why do you tease me so
cyan, verdigris, moss
such excitement arises
to be a word
to be a meaning
is there such a thing,
to have a feeling
to see a vision,
phthalo, pine, teal
are you the same
mint, myrtle, laurel
you make me envious
to be blooming, to be healthy
to be young, to be clumsy
are you callow, how about credulous?
but such a conservationist
unquestioning, so trustful,
tenderfoot and common
the tree, the lawn, the willow
though ecological and crude
a sage in all but name
apple, spinach, pea
aren't you scrumptious,
lime, kelly, bice
are you nature, how about luck
you're pungently rotten
though with such dark beauty and hope,
love and lust ensues
you're the jolliness of balance
and the creative intelligence;
of evil, and decay of money and safety,
will you resurrect me, are you immortality?
such jealousy arises
high goals and honor
so so allusive
healing and vitality
you're calming though fast
lush spring stability,
abundant generosity,
vert vegetation; witchcraft
an aphrodisiac I hear,
are you youth or fading youth?
sunrise and life, growth and fertility
sacred ideology,
eroticized though shameful
so romantic and humble
I see the third ray
or is the the fifth ray, the third eye
are you truth, are you vision
it's becoming a science,
so much compassion
the fourth chakra, the heart,
the centre of us all
a higher consciousness
such a harmonious aura
a hunter, a nurse, a solider, an outdoorsman
villains and superstition
misfortune and prosperity
with toxicity, sickness and death,
recycle and reuse
oh so powerful
you exude auspiciousness
just a holiday
mystical fairies and spirits
though also devilish,
cancer in the stars
a renewal of paradise,
biliously tranquil
are you refreshingly soothing,
peacefully restful,
a naive novice,
very understanding,
is there truly a term for you?
what do you really convey,
countless representations
a definition of name,
or do you signify the feeling, the specimen
the aspect?
though some have no locution for you

here I am,
stepping around the issue
you are you, in any word
yet with a different meaning
Every word in this poem describes or is described by one thematic morpheme
xyloolyx Dec 2014
yet another year zero
reinventing the squeaky wheel
constrained writing just for kicks
reviving a tragic hero
tabula rasa and leaky spiel
trained for fighting prickly ******
hollowing future and reticulating splines
swallowing nature then duplicating rhymes
only a blank drawing
at a bank withdrawing
funds splashing down like acid rain
workers trashing town with great disdain
fluxing bureaucracy
with ad hoc hypocrisy
go country for old zen
and then
shot glass shopping sprees
statues with haunting verdigris
from target to target
the stupid (never forget)
airport shuttles and toxic puddles
epic riddles while popping bottles
thrusting bodies and a fruity box
alternating current and topic drift
trusting hotties with shuttlecocks
baiting adherent with basic *****
eating that dog in a bar by the ditch
bar all rowdy with many shots taken
beer hall drowsy as closing time looms
far too loudly with identity mistaken
the band had us frankly and amply forsaken
awakening in a ditch as the a-bomb booms
a thousand soldiers ready for battle
at town's end with less depleted morals
worried about the deleted portals
we buried hell well without the cattle
no more long weeks of slicing ****** meat
origins about which they should not care
oh to sell knockoffs to the rich elite
hear their yells and use an odd nom de guerre
the profit and the revenue forecast
**** on the new road
the prophet and the parvenue act fast
pill for the wet load
he had dropped the load leaving pungent smells
in the dark it glowed and lit the deep wells
launching a rocket every four hours
we encounter yet more perplexing times
measuring success with fewer metrics
punching the clocks in tall black towers
changing the locks and the warning signs
altering quarters with newer ethics
cannibals watched while we profusely bled
fine forget it forget it forget it
ingest the capsule to induce the sweat
just relieve don't botch
figure figure figure
don't bereave think scotch
ticker ticker ticker
sounded like it came from someone shady
getting beat to end with some other blend
year to date murders now about eighty
yet today's statistics lie and pretend
fudging the digits to fake the assent
so what happened last week stays in last week
all of those painful jarring sights and sounds
making it all seem to look rather bleak
kept sly with pennies and kept shrewd with pounds
on alibaba we will not delete
separated heads from dark desert towns
metropolis with millions of dark souls
lighting up papers for a rapid trip
necropolis with brilliant harkening trolls
fighting the power in order to strip
their medals that they never earned at all
writing this line here and ******* the fall
straightforward message from a plain green rod
a photographer in obscure disguise
throw him into the main canal and nod
the coffee shop looks banal with just guys
losing interest quick and wanting to dip
touching that shiny pink wide-open clip
unknown underground studded with diamonds
mind-blowing trap sounds burst from the caliph
volume gets higher and heads start to ring
they came in sequence and then came silence
waking up confused in a condo lift
taking refuge in an ugly building
just invited myself into your home timeline
somewhat sublime reciting trifling rhymes
alter rhyming scheme to eschew couplets
now fully mobile and automatic
pentameter schemes and android tablets
tents and suburbs that look quite nomadic
recruited minions for the rebellions
human microphones sans inhibitions
quicken resistance to the man's big plan
invoking the crowd to buck traditions
spell that with an accent with great élan
broken mobile phone texting hexagram
a rapid drop in communication
a postal service mailing vexing spam
token for transit lost at the station
we can no longer go back to the farm
here in the city living these last days
sounding the airhorn and the fire alarm
seahorses as fish and whales as mammals
hard to keep track here of various things
went to the desert and smoked some camels
patient zero died sounding the alert
some will paint dark scenes with exigent themes
paintings so dire that your eyes avert
inverse distance decay in the network
old flags questing through the flood and tumult
of course these rhymes make them go **** berserk
losing sight of sites that house the occult
refusing to eat and wanting to drink
these words resonate with all those who think
utopia fell soon after completion
never understood humanity well
rationality ends with deletion
all the fine stuff just goes to *******
humans emitting alienating vibes
they form foul cliques like pups from putrid tribes
three ships all wrecked up in some unknown land
divulging harsh things and eating raw food
far too many times getting shunned and booed
had all my writings fully blocked and banned
still no dumb luck yet after x decades
recalled old friendships that have long decayed
more constrained writing that will make them groan
some will even see the trail left behind
writing all of this mostly in e-prime
punctuation-free zone made just for fun
lighting dark alleys with a mobile phone
some get all the love while others get none
***** ***** ***** ***** ***** ***** ***** ***** ***** *****
ditch ditch ditch ditch ditch ditch ditch ditch ditch ditch
glitch glitch glitch glitch glitch glitch glitch glitch glitch glitch
kitsch kitsch kitsch kitsch kitsch kitsch kitsch kitsch kitsch kitsch
stitch stitch stitch stitch stitch stitch stitch stitch stitch stitch
twitch twitch twitch twitch twitch twitch twitch twitch twitch twitch
yesterday's blunt stunt went to the gutter
no regrets no threats no whatever man
just like autechre and that song flutter
forget the police just rave on til dawn
**** how darkness has lasted this **** long
ominous songs here still pumping along
exponential sneers and the obscene scene
existential fears lit up with benzine
socially-accepted narcissism
honest thoughts here treated with cynicism
forget all -isms / go back to the scheme
spending days like these sniffing naphthalene
won't dwank to the masses or kiss *****
temperamental peers can go live that myth
experimental stage done and over with
(pause)
*
* *
*

✝ gone to a higher place ✝
alxndra Jan 2015
I almost forgot all about you
I really wish I did because
there's nothing you can bring back
that doesn't make me cringe
at the same time I know I'm feigning
for the feeling you once gave me
seemed so standard then,
so simple to call an enemy a friend
your verdigris blue eyes were a weapon
that I surrendered to all together
kept me mystified by those exquisite lies
each pretended endeavor
was just a matter of whether or not
you could get your next pleasure
never considering the tender hearts
or sunken souls you ripped apart
i.
the Hibiscus is the paradisiacal
armistice of quagmire and wind:
leave it there anchored to Earth.

ii
when it rains, it bows to no one;
when it genuflects to no bird,
  it trills on the red of the moseying hour—
nobody sees the Hibiscus.
  only the children of the vandal.

iii.
last summer we had makeshift
bubble machines and in the high-rise
  of the twilight's cradle, we ran
viciously against the humdrum town
  blowing bushels of laughter at
the dreary populace — the brooms
  to a sweeping rustle, unsettled dust
mounting the ether.
         we hurtled across the
infantile roads like they owed us something finitely attributed
     to our locomotives.

iv.
  the Semana Santa had gone by
and the season, no matter how promisingly redolent with emollient brush
   of wind and laboring silence, held
no reprise — the Hibiscus,
   it is not alone in the quiet verdigris.

v.
  somewhere amid the hubbub of city,
there is a pendulum of line biting
   the shore of waiting repeatedly.
only steel scaffolds erected and no
   flagrant scent aroused. peregrinating
in the haloed hour, the nascent furl of
    belch from vociferous iron-clad beasts
in all of EDSA

   and when i look at people around me
they look like gumamelas, finally,
    yet i am

        not coming home.
it was like waking up to all white fume
or a long washline — masturbatory, feeling something stiff like a hand gliding
over a monsoon of emotions, the affect
   jazz and the crunch of fragrance
forever like sandalwood;

on my way to Dumandan, i conjure an inward miasma of thrill, unfurled yesterday, today, or was it before when our eyes were fixated on the passing of things in myriad ways without any relevance to what has died, say wilted,

like a flower going away in closing seasons,
children in hurtling speeds at twilight,
gates welcoming a resounding sound of
rusting hinges,
slow rise of night, its vertical climb,
  shadows collapsing on the Hibiscus
and the Poinsettia from the Cordillera,

   dreary men taking out *******, throwing
them into metalloid beasts, verdigris
   painted, grisly caravan of steel and
      worthless scraps —

past neighborhoods thinking about
the simmer of onion and the hustle of
the feral over rooftops, clinking wine bottles undulating full to empty — both
unaware of acumen and only dizzying
ourselves mirroring each other eye
  to eye and bridging this unclose-enough
    a gap in between,

    because you need it,
    and i want it, or simply in reverse,
a sidewinding thought through dunes
    of afterthought.

   because you have to walk my side
    of the Earth and I have to meet you
somewhere halfway where we can both
   lounge at each other's steady presence
while the flyblown dry air ravishes
      the piquant morning, all-telling what
this distance meant from its
                peak up to the very last
   traceable steps where i found you
      and you found me, trilling in the neighborhood like how void
    stills itself into all the mood of the     Earth:

    all moony and
                 fretting in the disquiet.
alaistair Nov 2013
quand je porte mes chaussures rouges converse
comme si j'étais de nouveau un jeune garçon
à l'école
avec
nos
amis
je veux être dans une aéroplane
au-dessus de chicago
mais
seulement
avec
toi
zut, je ne parle même pas français !
Jude kyrie Oct 2015
The man with green hair and green hands.

A long long time ago
When army’s wore uniforms.
We were khaki they were grey.
My grandfather was fire warden
In WW2 he had seven sons
And three daughters .
You could say he was
a bit of a pacifist.
Make love not war
Was his mantra.
He married my Grandma
when she was seventeen.
They were to stay married
for over sixty five years.
And produce  tribe of ten children.
He had spent his whole life
Working as a coppersmith
For the same company.

His hair and hands tinted green
From the metals Verdigris.
My father was a baby just born
In the middle of the war.
We lived in Manchester.
Money was always tight.
But we were happy.
Just as Herr ****** invaded Poland
My grandad bought our first house.
We always rented until then.
It was a large town home.
The six older boys
All joined the marines
At the outbreak of the war.
They did one act of preparation
That ultimately saved the family.
They took down an old barn for a farmer
And used the beams to shore up the stone cellar
of the house.
When the air raids came later.
We would all huddle under the stair well
Until the all clear sirens sounded.
When the bad raid came
It was the early hours of the night.
Grandad was out on fire watch.
Six of the sons were on ships
In Europe and the far east.
My aunty told me much later.
When the war was long over.
She heard the bomb falling
It screamed as it fell.
Exploding just outside our house
the house caved in and they
were all buried under the rubble
in total darkness.
She said grandma was
breastfeeding the baby my dad.
Grandad was busy the raid was a hard one.
A friend said Frank your house has been hit
It’s bad.
He dropped everything and ran and ran
Breathless he reached the fallen house.
In his heart he thought we were all dead.
It took ten neighbors four hours to reach us.
They pulled the girls out first
Then the baby my dad.
And finally the dimutive figure of my grandma.
She was weeping.
She said Frank we’ve lost everything.
There’s nothing left.
He held her in his big arms
Tears flowing from the eyes of a man
Who had had a hard life.
Who never cried.
He kisses her full on her lips
A single sign of public affection
That was out of his character.
He whispered to grandma.
That odd Mary
Because I just found
Everything I ever wanted or needed.
alaistair Oct 2013
hey,
peter pan, you
come in through my window and cast your shadow across my bedroom
and i trip over it
every time,
so maybe i should tidy up
around here.
Paul Cochrane Feb 2017
The green handbag,
Clutched close,
Constant companion,
Matching clothes?
Not always.
Where did you go today?
The green handbag,
Loose change,

And pension book.
Made up?
Take a look!

Where did you go today?

The green handbag,
Memory sac of
Nooks and crannies,
Papa, Grandkids,

Aunts and Grannies.
Where did you go today?

The green handbag,
Held to heart,

Perched on knees,

A medicine chest,

With pain to ease.
Where did you go today?
The green handbag,
Where did you go today?
Pointless question, Usual answer.

As ever ­ ‘Up the Toon!’

Too soon,
Not today.

The green handbag,

Not clutched,

Nor held,

But at the foot of your bed,
A reminder of hope,
Where did you go?

Today,
The Green Handbag,
Sits at my Dad’s feet.
A monument to love,
In fading verdigris.
The green handbag was my mother's constant companion in the last years of her life.
alaistair Nov 2013
you could be my time machine.
i think of you and
i am instantly transported to another time
and
place.

if i think about it hard enough,
i start to think about how,
once upon a time,
our shadows were practically sewn together.

we could have been lost boys.
alaistair Oct 2013
the last poem i wrote was about you
do you ever
write about me or think about me at all i wonder ?
do you still listen to
the bands i fell in love with because of you ?
are your
eyes still green and
do you remember the color of lake michigan with the navy pier right there and
how i wouldn’t go on the ferris wheel
(even with you) ?
i think i am in love with my memory of you
would i
be in love with you proper i wonder ?
would i go up high with you (even though i’m scared) and
would we talk about how that band
changed our lives together until three in the morning

(and remember
how we were both terrified of growing up and
in my mind you never did) ?
Andres Hernandez Mar 2013
Ferryman, will I rest in the white roses
that can nevermore grow infirm-
where the rivers from the deep blue forest
are joined by currents of blood and ink?

Ferryman, the forest of the sky is beautiful
like blue bitumen, verdigris life moves, expires and is
reborn between the plane of those who do not die
and above the garden of grief

"Come brother, let us sleep" the phantom says
"One-Hundred and Fifty cuts cover me from head to waist-
old and beautiful tears that keep me from sleep
The heat of my lamp is ready to fade"

Ferryman,where in the house of shade shall I finally rest?
The voice of my lord is broken and dried
In the glade of cedar trees, air flushes and suffocates
The blushing of the moonlight fades and the snowy stars elude her

Make me know the ways of righteousness
The ferryman leads me down the tremulous waters
his words have escaped me like the fearful night's eyes
and in the distance the sudden emptiness of the roses
Laying naked on the chaise longue
and the artist's taking so long
to get the colours mixed.
I have fixed myself a pose
looking quite good
without wearing any clothes
then Picasso starts to paint.

The lights are strong
I perspire
the artist murmurs
'I'm on fire'

and late so very late Picasso takes a break
and I can stand and stretch
I fetch a cup of water
take one crafty look behind the canvas
and I am slaughtered.
I thought this guy could paint
but that ain't me
he's painted monsters rising from a sea
with blackened eyes
and skin of verdigris.

If this guy could paint by numbers
he wouldn't get past number three.
Look at what he's done to me.
I'm getting dressed and going home.
Tomorrow
I shall have a bone
to pick with him.
vast, wide, broad
boundless, limitless

Infinite
         
aquamarine, turquoise, verdigris
     blue sapphire, bondi blue
                                            
Exotic

silent,­ hushed, tranquil
wordless, peaceful,

Secret
                       
   It takes two to keep a secret,

                                                        ­                             
*the Sea and I
Another collaboration, with shades of blue as the themes :) It may make no sense at all, but we tried our best at this.. The Ocean, Sea, and Us! :')
goaded by a stereophonic monotone:
a flumine voice waxes with lovelorn dregs.

i heard the plump word of rescue
dangle from the heady decibel of song,
winterward, blue-veined and stillicide.

no more, shall the wind traverse the impasse of the verdigris. the incertitude
of beginnings sigh ultimately.

o people, your darling children soldered
to your denims. o rosefrail and sightless
bannerets — we mourn such coming.
it sleuths with a tangle of fingers
underneath fringes of flesh-warmed
draperies with a different temperament
as moderate as climates in squandered tropics, flows with a truth wishing it
more of the untruth:

never shall return, in faraway lands,
never shall look back and lay in prairies
attenuated, continue to sing oblivion.
A W Bullen May 2016
The time of the shining of
Wind-summered grasses, has passed,
-To the lark-breast mottle-
The harvested skin of the
Senescent land

The candle-****** gutter of
Hurrying wing sees
The last of the coin
That was minted in thatches
Of deepwood
Of latticing bramble
Of crumbling eve.

The mourn of the Moorland
Has  feathered a will
With the clot of the Ash,
Where a heather of cinnabar
Freckles the splash of
a simmering tarn

As gravelling Easterlies
Peel the cling of
The verdigris fades,
Some twilight of sepia
Musters the pastel
of Wintering calm.
After a day birding in Brecon with a friend, I wrote a verse of the experience  ( Ravens were there -again!- you have to ****** love those critters, though!), at the time , it was late summer, but  the change was already upon the Uplands. The insidious fading of leaf and grass, the brittle petals of wind-burnt flower, all murmours and rumour of the levelling cold to come.
Jake Danby May 2015
The winter trees stand unclothed,
branches reaching for each other with woody empathy
craving their lovers touch, naked bodies of passion,
their children lie red and amber,
setting ablaze the verdigris blades,
that hold them kindly,
when their mothers can no longer carry them,
the embrace breaks them down,
allowing their earthy scent to creep to the nostrils of those who come to think a while,
enjoying the fleeting sun on their backs for a time,
on this frosty winter day,

The traffic seems obsolete,
if the whispering birds can learn,
to ignore the engine rumbles as can I,
the obsidian asphalt path carves delicately through this city sanctuary,
like an old english dance,
where courters would not touch their partner,
but embrace the sweet proximity,
and cherish the fire in their beloved's eyes,
and soul.

Water lies abandoned in the path,
reflecting the eternal blue of the afternoon sky,
an embodiment of tranquility,
a connection that can never be consummated,
a longing to be together again,
the water envies the whisp of cloud that has retained the skies clinch,
a ripple destroys the perfect portrayal,
but to give way to two Blue ****,
absorbing its love,
and releasing it to one another,
as they speak to each other,
and elope toward the emerging pearl moon.

I brush my feet amongst the wood chip beds,
mere remnants of once great trees,
still huddling together in solidarity,
as though trying to reform what once was,
it makes me ponder of soul mates lost,
clutching at the memories that once were,
and pursuing to reforge a love that refuses to be broken,
adoration manifest as young sapplings reach upward,
sprouting from the shallow chippings,
ready to blossom with memories once more.
Light unloosens itself. Space slackens.
A figure of a shadow I have conjured before
anonymous eyes. Lapping up the waiflike bleakness
of their elliptical faces.

                               I must teach the trees to let go
of autumn, and relegate spryness to the hearth
of cold without merit, this slow, claiming mutiny
with its face-oval peering through windows multiplying
lovelessly, a crunch of a leaf, suchlike, flourishing
in peerless company. Before me, the sound of footfall
preparing to make sense, a rotunda of bell – that movement
of somebody done for, so ****** the scald welt of ******,
the belch of the world like a pore clearing its squalor.
Or the toppled verdigris of gull.

    Autumn’s greater extension, the abeyance, smilingly
a facsimile of crowds – its roads adorned with laburnum
singeing through the morning’s cauldron, a waft of bald terrain
inflamed, drawing with absence
      a crippled drip of rain back into the world’s dim address.
It is June. Plaridel is in sepia, or leaden – whichever,
  this is the leitmotif.

Soon clouds with jettison a plodding swathe of
  water. You will wear the petrichor,

While a ramshackle of a passing tricycle
  whelms a throbbing orchestra of junk.

Here is the hearth that rears no fire:
   a mother, children in tow – a troika,
   on a cart not even close to ease of
   a hurtling thing.     Trees naked in vulnerable
   green – the verdigris carried by a
   miniscule Maya.

Here comes again, the neighbor peering through
   the nuisance, is alarmed, eyes like a fugitive,
   curses my mother – I grab the nearest, sharpest
   object available that was my own hand.

Ingrained deep within, a root – or a stone, among many
  other stones in me, this salt-well, a savingslight of turning wave
   that is almost an approximate oceanview in me.

Gnarled over the longest time. In here we soothe by
    gin, passing out in front of our gated homes,
    singing whatever was available, close to our pitch.

Somewhere, Windsor has lost the poem / critiqued by
  a mirror fecundating a smeared image, a blot.
   A Rorschach was it, or just a day dazed they did.
Somewhere, this is scattered. Uncollected. To make remnants
  of as evidence, not to investigate if true.

The 6th body of this is what I am speaking of in glossolalia.
   A requiem leaves it stark and cold in this consummate weather.

Another piercing salvage of metal cuts the humdrum town
and unlike the sturdy mango tree, this is a collective of secret
  encrypted lasting more than a life.

It is June. Plaridel has ripened from the expired summer.
   Perchance the exquisite promise is sweet, holding all the bitterness together,
    ready to fall, at last.
A colour of the spectrum
Located between blue and yellow

Poor, green, not as fresh as blue
Or as pretty and bright as yellow

Yet, it's the colour associated with
Springtime, youth, hope and envy.

Ahh, beware the green eyed monster
Jealousy, verdant grows within.

Green the most important colour of Islam
Celtic Ireland, verdant paradise

Camouflage, hide, conceal, all green
Youth hides it's innocence

Innocence, shaken on the boughs
Malachite, verdant, verdigris

How odd this colour means so much to so many
Europe and the US attributes the colour to the Devil sickness & death

But spring is life
Not death

Green for go, green for environment,for
Death, malaise, poison, British racing green

Such a small colour
Such large meaning

Beware the colour green
It has too many meanings, to many connotations
© JLB
A  lead glass sieve. I can’t put my heart into a poem. Emptiness is not an emotion.

Standing alone in the shadow of the house, I wait while he plays, remembering to breath.

The air tonight smells with the bitter sweetness of decaying earth…warm.  Pensive wetness clings to the curling vapors, on the coat tails of rogue angels, drifting out into a darkness that beckons lost souls. Threadbare branches cut a deep shadow against a color-drained sky.

If I make it over that vine covered fence I could go on forever. Says the scarecrow, “go back to where you came from”.  And I’ll keep walking. Faded pieces of me dropping like stale breadcrumbs among the rotting apples.  If the Earth is round, I’ll follow the path you’ve laid, in cracked ruby slippers, down the verdigris brick road. Walk, until I’ve walked back to you.

All living creatures die alone. I don’t want to die alone.
Ad infinitum*

embroiled       in another
waking            moment with
a bated            breath nothing like
this day           inclined only to obfuscate
its meaningless      joy of seeing yourself

in a pond        swimmingly doubling the inertia
of the koi       the day constricting within the verdigris
ready to          seal shut in hermetic   this vermillion eye
to wake up     into a long-held confrontation

       of   what this system closes in a document
       why bother this validation when valedictory


Ad nauseam

why bother     this   confrontation
when disappearance     this  space much like a long-held performance
   if concert is hermetic     in front   of a nonchalant audience

laudable     with  no sound,  an untranslatable music
      unhinged from the inherent risk of felling

an    inert   day   struggling   like    koi   trapped
  in a    pond    seeking  what it is   to transcend
   or   the  multiplied   joy   of seeing  yourself  meaningless

   ready   for   an  eye to   be   caught in  a  monotonously
     claustrophobic      *****   of    a   tremulous   middleground
   with   no   possible  agreement   other   than:

   this    potentially   demands   an  end
       when  beginning   you   are   lionized

  to    a   fault,   repeated,    trite:    *what for?
air pours alive in stringencies,
fall of tor and expanse.

mazy-eyed,
casts a syncopated hook
amongst tulips beheaded

by the toppling of a leaf
bracing for departures,
something else holds back,

furrow—
the thatched morning's serious mien,
the arrow, whirling in trajectories

one with the dive into red cauldron
of infinite scar of water,
Śiva, sighted footfall of the condor's

verdigris, this simple rustle
of your scourge-gowns
insists cadence of flutings;

i am one with beginnings.
swarming poultice of the inflamed grass,
obscene lines of shore in twilight

unfazed virulence spreads
like an epidemic of kisses against the
pulsing loam, cries like breakwater

lorn the fault of men, death at one's
trembling hand — sound the tribulation
of slender bells to a gather of pallors.

it is a stopping in-placeness
like crests of *******, a beautiful woman,
shiftless weight of light on glazed    collarbone, Śiva, the enigmatical paradox

beleaguers a concatenation of
unloose chandeliers of appurtenances,
the unblinking aperture, widening in sky.
Rory Nunn Jan 2017
Where sunset copperplates the sea
With flecks of gold and Verdigris
And down below, the ghosts of ships do battle in the bay
Where in the morning, rising scents of sea salt and of sage
Drift up the hill on gifted wings to greet the kids that come of age
On dry stone walls in olive groves
Beneath the strident sun

Sharp shadows cast by old scrub oaks
Where once young shepherds flung their cloaks
Resist the timeless tug of war of brash Etesian winds
Where goats' bells bounce off whitewashed walls, with each staccato leap
And black-wrapped widows spin their webs to catch what precious dream-filled sleep
They might ‘neath watch of leaning, still
Centurions of stone

To soothe the white heat of the sun
We dived and left our limbs undone
In ocean coolness, born again - and flushed, we struck for shore
With towels held high above our heads
we tiptoed onto land
And broke from canvas rare delights to share upon the sand
The day we lunched on Ithaca
Two thousand orbits turned

Content, we hung in listless sleep
As painted ladies traced our shape
Until the lure of barefoot expeditions brought me round
I picked my steps with casual ease through shade of salt-dried driftwood trees
And swore I’d found the very glade where hung the Golden Fleece
I turned to share my thrill with you
But chose instead to spare your peace

Soon after came the faithful sound
Of bells that haul the Earth around
Each chime remarking loud and clear its moment’s fading grace
And deep within you as you slept, inaudible at first,
The beating of a second drum began to be rehearsed
The day we lunched on Ithaca
Life’s liquor quenched our thirst
brooke Apr 2016
we're whipping through the backroads
without seat belts, kicking up the dust--
the Sangre De Cristos looming with chalky
crowns above the hills, riddled with fence
posts and battered lean-tos, homes with
green shingles and matching john deere
tractors--the mountains, the mountains.

you go around every corner like it's a straightaway
I still see you smiling at me through locked doors
cradling me like a baby bird and hoping I might
throw caution out when all around your heart
there's these warning signs on big yellow placards
glinting in the night.

there are a dozen thoughts, all equally crippling--
staggered images of you squinting up at me on
the hill above the barn in that wrinkled white t-shirt,
a gray murdoch's hat pushed high up on your forehead,
hip cocked out with your hands twitching at your sides
rubbing brake fluid between your fingers

brooke, it is pointless to you. That's so obvious to me.
they tell you to stay down when shot, play dead when
in danger, but i've been seeking solace in your neck
trying to keep myself from telling you that  I love you, feeling
it at the back of my lips ready to spill over, overcome
by your gentleness, asking God why, why can't I just
love him?



it's so obvious to you? that i've spent a  month telling myself that it's okay, that you're right, that you're harmless, that things can work
out, so pointless goes on ringing in my ears, clattering down the
airways into my heart where i love you still hangs loosely by a
thread, or maybe a rope, maybe an industrial wire ready to bring
the house down with its weight, a marble for each day, a stone, a
boulder.

county road 255 seems a whole lot shorter,
I'm preoccupied with the dry shrubs the color of verdigris, the color
of your laugh,  how i can't see through the tangle of my own emotions, how i really do want you to be the one, the one person that just happens to be right--it's so obvious, you said.

so obvious.
Saudade: (portuguese)  a deep emotional state of melancholic longing for a person or thing that is absent, or soon will be.

(c) Brooke Otto 2016


today really ******.
brooke Jun 2016
to the man who loves me next and last

at some point i'll have to tell you that I've
been waiting for you for years, and that in
the hearts of every passer-by I saw bits and
pieces of who i thought you'd be, half-truths
and mostly lies, fantasies and countless scenarios
buried in an inch of sand at the bottom of a flower
vase

that at one point you were a Chris or a Chaz and several
other men who never even made it past the door, sometimes
tall and usually short and even missing half of your pinky
in 2013--

but as it turns out, I always kept walking, and sometimes the
ground shifted forward and carried me away-- there were a
few detours and places where I'd be standing beneath a swinging
stoplight for an indeterminate amount of time, where I sent a hundred
postcards to friends and family in riddles and broken
seashells, roots still damp and undeveloped strips of film

And there were many days where I sat staring out the window
at the storm clouds rolling over the arkansas river, carving another
man's name into a birch tree dug into the shore, nestled into a hundred
other initials-- wondering if his hands were yours or yours his and if he'd be you or you'd be him--quit smiling like that, i mean it.

But if you count the number of days I work throughout the year and
realize that for all of those I twisted an apple stem and always came up
on a different letter, you might think I was a little bit obsessive about
my dreams which is probably why you never showed up--
when I was deep in between the mountains, trekking in the tall grass where the cicadas vibrated the muggy august air--

I'll have to admit these things to you, divulge the secrets to my fridge
and buy new perfume to christen you with the seasons, share the passwords for my wifi and clear playlists filled with memories of other people, but if you can believe it--I think we're a little bit closer.

things are moving pretty fast and I'm being shoved along as if by wind or flood or corn plow, scooped up and cultivated, i've been having dreams of multitudes, of wading out into the ocean to scoop up fish
and sea glass with silver flecks, old flattened coins with thick films of
verdigris--

I'll be sitting at work completely disgusted by myself--and that's how I'm sure. That I am becoming less of who I was and more of who you'll know, less of a thought and more of a concrete idea, a person, someone
worthy. Everything used to be discussed based on how worthy it was of me, but maybe I need to be
worthy of
you.


I'll have to tell you these things.
What a mess of a poem.

(c) Brooke Otto 2016
Taylor Webb Jul 2014
somewhere in the desert, on a road with a speed limit no one ever knew,
you drive straight and fast towards a horizon verdigris with storm clouds, and the only reason you can guess why your foot is magnetized to the gentle resistance of the pedal is because some sorry and broken-down corner of the world, speared through by the highway, has to be better than where you are now.
it seems to me that the child is beheaded –
there is not much to look at in this paling weather.
moderate climates douse their bleak, blank face-ovals,

their frigidity has no relation to stone,
their silence, loveless as a fabric is torn wild
by a rabid dog, dragging it senselessly against the furniture.

outside, the whiteness bears no reputation of laundry
impaled to clotheslines: frilling at the collarbones,
fringing at the high afternoon, distinct flutings
of iridescent night-gowns,

they want the life of some lovelorn progeny.
the scald of water is his trademark – it seems innately natural,
those who, someone else lauds the **** verdigris
  of trees, able to tell how immense the stasis
  of the darkness is, outside when all homes bellow
a concatenation of absences:

  it seems to me the child is guillotined at this
moment, verily, in moderate climates.
Mark Penfold Jul 2016
What wondrous sights are these?
As yawning fauna wake from peaceful sleep and greet the morning breeze.
To fleeting birdsong rising up, which floats and bloats the air with ease,
Then escapes the canopies of ancient trees so tender, into rising Verdigris of splendour.
Upon a lazy English meadow scene, in summer time.
staring into the warm void this evening
i take my place within jarring volitions.

thought is volatile. a mason strikes
metal, revealing its malleability.

there is treason in thought of geography;
i will shatter the mooring and find myself

something the fluting wind is the muse
and echoing quiet, a ripple from stone-skip.

the next place to go is the beginning
stemming from a concatenation of ruins.

the thinning visage of masses crossing
the streets wary of collisions

is something realer than the wounded glaze
of asphalt and the mirage that goes along

tiptoeing like a danseuse through shards
of incandescent figures. fumes. sprawls.

untouched virgins. tacit stones. doves
perching on powerlines nestled like youth

suckling mothers. fathers facing telegraphs
and the sure machine of dearth.

stasis of peregrinations. peripatetic
crush of imminent homes.

this is to assuage its call, from nowhere
arrives the next train to Kamuning,

disappearing in a plethora of arms
sequined by sweat under the swelter of planets

unfurling a bent axis of tragedies. we are
fraternized to tracks, unyielding distances,

makeshift solaces serial, benign, tenured.
   belonging. unbelonging.

our destination: an impending sojourn,
   the verdigris taking form.
Jai Rho Nov 2015
The vintage patina
of green verdigris
melts from her eyes

and turns to brown
as salty tears are shed
like streaks of rain
from darkened skies

No room here for
the tired
the poor
the huddled masses

yearning to breathe free

as bricks build walls
to shut out refugees
and armor borders
that extinguish

what once was
liberty

— The End —