’Twas in the nineteen-twenties, when young people were bright and gay,
A flapper left Southampton, on a cruiser bound for Bombay.
Her fiancé was a subaltern, in India, in the cavalry,
And she had taken passage there, intending, him to marry.

She shared a cabin with a girl, ’cause money was quite tight,
And though they had met as strangers, they were getting on all right.
The flapper had met some nice people, and things were going fine,
Until they reached the equator, and had to ‘cross the line’.

People who before, had never the equator crossed,
Paraded around in fancy dress, and some into the pool were tossed.
The crew were dressed as pirates, and one as King Neptune,
And some of the passengers ‘walked the plank’, it was all done in fun.

During the proceedings, cocktails and champagne were drunk,
And the pirates, lots of passengers, into the pool did dunk.
The flapper’s chosen costume was that of a mermaid,
And with her legs placed in the tail, she hopped in the parade.

Because of her restricting costume, she hadn’t been tossed in the pool,
Now eventime was coming on, the air was turning cool.
She thought she’d look at the wake of the ship, so she hopped to the after-rail,
And stood there drinking a Planter’s Punch, whilst balancing on her tail.

Standing there, under the stars, she gazed down at the sea,
And saw something jump out of the water and wondered what it could be.
Then, leaning over further, to try to make it out,
She lost her balance and fell overboard, no time to even shout.

She crashed to the water on her front, and couldn’t clearly think.
She was winded and rather drunk, because of all the drink.
She struggled hard to keep afloat, her arms were all a-flail,
And for a time she was helped by air trapped in the tail.

Back on board the ship, her cabin-mate was drunk,
And didn’t think that she’d be able to get back to her bunk.
She went to a saloon, and stretched out on a sofa,
Then closed her eyes and went to sleep, the drunken little loafer.

In the morning she awoke and staggered to her berth,
With a frightful headache, no longer full of mirth.
She took some Alka Seltzer, in a glass of water,
Then slept again, not missing the flapper, although she should have ought to.

In the sea the flapper was floundering and thought that drowned she’d be.
The ship showed no sign of turning back, and went on its way steadily.
Her tail was slowly losing air and filling up with sea,
Her last thoughts, as she started to sink, were, “Why is this happening to me?”

Her past life flashed before her eyes, it didn’t take too long.
She’d really led a quiet life, and had done nothing wrong.
“That, I’ll rectify,” she thought, “if ever I get back.”
Then the air bubbled out of her lungs, and everything went black.

“Am I in heaven?” were her first thoughts, assuming she was dead.
When she heard a quiet voice, which unto her, it said
“I thought you were a mermaid, now I think you’re a mortal,
If I’d known, I never would have brought you through my portal.”

The flapper struggled to sit up straight, ’cause her legs were still in the tail.
She opened her eyes, tried to see in the gloom, and then she started to wail.
“Please tell me just where I am, whatever is this place?”
Then she tried hard not to scream, when in front of her eyes loomed a face.

In the dark it seemed to glow with a phosphorescent light,
And this was the reason it had given her such an awful fright.
Then, as she scrutinised it, she thought it did look kind,
So asked, “Why did you think me a mermaid? Are you out of your mind?”

The face moved back and regarded her, and then to her it said,
“Aren’t you at all curious to find you are not dead?
Luckily for you I was on the surface, looking at your ship,
When I saw you standing staring down, and then I saw you slip.”

“I swam back under the water, so I would not be seen,
And heard you splashing in the water, and wondered what it did mean.
Then, looking at you from beneath, as you your arms did flail,
I saw to my surprise, that instead of legs, you’d a tail!”

“I could not work out why a mermaid was on that boat,
Nor why you seemed to not be able to swim or even float.
Then you started sinking and your gills I couldn’t see,
And you obviously weren’t breathing, so you needed help from me.”

“Then I thought of the quickest way that your life I could save.
I towed you to the sea-bed, and brought you to my cave.
There is lots of air in here and I saw to my relief,
When I laid you on my bed, you started then to breathe.”

The flapper was quite shocked at this and couldn’t believe her ears.
She thought she was trapped with a lunatic and her mind was filled with fears.
So sitting up, she undid the belt that held her tail on tight,
Then wiggled a bit and pulled it off so her legs were now in sight.

“There are no such things as mermaids!” the flapper then did shout.
“Why are you keeping me captive? Oh won’t you let me out?”
“You really are then human,” the mermaid, startled, said,
“And I brought you here inside my home! I really feel afraid.”

“I don’t believe in mermaids,” the flapper again did wail.
“So far I’ve only seen your face, I haven’t seen a tail.”
The mermaid said, with trembling voice, “If that is what you wish.”
She then lay back upon the bed, and gave her tail a swish.

“No, no, it’s just your fancy dress, like mine for the parade,”
The flapper said, and like the mermaid, she was sore afraid.
They both sat up and looked at each other,  tears running down their faces,
And each, feeling sorry for the other, each, the other embraces.

As they hugged together, they started to calm down,
And the flapper said to the mermaid, “I think that you have shown
Great compassion in saving me and bringing me safely here.”
And though overcome by emotion, she managed to sound sincere.

The mermaid said, “You’re trembling, may I be so bold
As to ask if you’re still frightened?” The flapper said, “I’m cold.
I’m shivering to warm myself, my clothes are chilly and wet.”
The mermaid told her, “I know what, some dry clothes I will get.”

Sliding down from off the bed, into a pool she slipped,
And swam to the far side of the cave, and there a case she gripped.
Rolling over onto her back, she balanced it on her chest,
Then swam back to the flapper, who hoped it hadn’t squashed her breast.

The flapper helped to lift the heavy case onto the bed.
“I hope you haven’t hurt yourself bringing it here,” she said.
“Oh no,” replied the mermaid, “I’m stronger than I look,”
Then she opened it, and from the inside, several garments took.

The flapper then looked thoughtful and said, with a little frown,
“I hope this case hasn’t come from someone who did drown.”
“Oh no!” said the mermaid, as she that thought abhored,
“I often find stuff from ships that has fallen overboard.”

The flapper quickly then took off all her sodden clothes,
And picked up a lace hankie, and on it blew her nose.
She dried herself upon a towel, and sorting out clothes to wear,
Picked out some silken knickers and a strapless brassiere.

Then the flapper noticed that the mermaid was quite bare.
She obviously wouldn’t wear knickers, so she held out the brassiere.
“What is that?” the mermaid asked, “Do you wear it on your head?”
“Turn around, lift up your arms and I’ll show you,” the flapper said.

The mermaid swivelled round and raised her arms up high,
While the flapper knelt behind her, putting her arms round her to try
To fit her with the brassiere, and though she did her best,
She managed, inadvertently, in each hand to clasp a breast.

The flapper and the mermaid both froze there in that place.
The flapper felt a crimson flush, blush across her face.
The mermaid slowly lowered her arms, each covered a flapper’s hand,
And she murmured, “What are you doing? I just don’t understand.”

The flapper’s arms were locked in place and the mermaid she leant back.
The flapper felt her ***** flattened as the mermaid squashed her rack.
The mermaid muttered, “Don’t get dressed, I’ve a better idea instead.
Why don’t we lie down together? I’ll warm you up in bed.”

The mermaid released the flapper’s hands and slowly turned around.
Then she saw the flapper’s eyes looking down upon the ground.
The flapper spoke. “I know you meant the offer kindly, though
While I’m really flattered, in India, I’ve a beau.”

“I was on my way to meet him at Bombay, to be married.
I’d still be on my way there, if the cruise had not miscarried.
You have been so kind to me and managed to save my life,
Now will you help me on my way so I can be a wife?”

The mermaid looked unhappy, however, she concurred,
Albeit quite reluctantly, and then spoke so she’d be heard,
“I will try to help you, though yet we must delay.
There will be many sharks outside at this time of day.”

“If I take you outside now, to try to get you back,
There’s a real chance that the sharks they will attack.
Why don’t you finish drying yourself and find clothes to get dressed,
Then lie back down upon the bed and try to get some rest?”

The flapper started dressing and put on the brassiere,
And helped the mermaid put one on, who felt awkward not being bare.
When the flapper stood up, and stepped into the knickers,
The mermaid couldn’t help but stare, her eyes made up-and-down flickers.

“Please show me how you use your legs,” the mermaid did implore,
“It’s strange to see you standing up,  not lying on the floor.”
The flapper bent and stretched her knees to show how they did work.
Then turned around and squatted down and got her *** to twerk.

Then as the flapper, legs apart, upon the bed did kneel,
The mermaid, stretching out her arm, between those legs did feel.
And then very slowly, rubbed her hand forth and back,
And murmured, “It must feel very strange, because a tail you lack.”

The flapper, with a quavering voice, said, “It’s quite normal for me.
Now, though, what about you? May I your tail closely see?”
And with that, the flapper stretched out flat upon the bed,
Then on the mermaid’s tail, gently rested her head.

She put her hand upon the tail and stroked it up and down,
And feeling it crissate, gave a little frown.
It felt smooth when caressed downwards and rough the other way,
And then the mermaid arched her back and suddenly did spray.

From somewhere at the tail’s front squirted forth a spout.
That the mermaid did enjoy it, the flapper was not in doubt.
The liquid jet subsided and the mermaid gave a moan,
And a quite delightful odour suffused throughout the room.

The fluid showered the flapper, who wasn’t sure what to do.
Though when she wiped her hair, it foamed up like shampoo.
She rubbed it to a lather, and washed her body too,
And felt totally refreshed, as though she had washed in dew.

She stood, removed her underwear, because she thought she ought to
Rinse off the mermaid’s glorious shower by washing in some water.
She walked to a fissure in the cave where the water ran down in rills,
And as she rinsed her face and neck, she felt a pair of gills.

In shock she stumbled backwards and fell upon the floor,
Where her legs fused into a tail, which wasn’t there before.
She looked at it in horror and then with fear she cried,
When instantly, the mermaid lay down by her side.

The mermaid clasped her in her arms and rolling across the floor,
Pulled the flapper to the edge of the pool and pushed her in, before
Sliding in to the water herself, and pulling the flapper under,
Where, to her surprise, the flapper could breathe, it really was a wonder.

The flapper hung suspended, floating there in shock,
Then gradually realising she was all right, started to take stock.
Thinking that now, perhaps, she could swim just like a fish,
She gathered up her strength, and gave her tail a swish.

Unwittingly, she flapped her tail with all the strength she’d got,
And happening to be facing the cave door, right through it she shot.
Then coming out in daylight, she stared in disbelief
At all the spectacular marine life round about the reef.

There was coral in profusion, as far as the eye could see,
Of many shapes and colours, like a garden beautifully
Laid out on the sea-bed, with fishes swimming round,
Each of them making it their home; the sea-life did really abound.

The mermaid caught up with the flapper and took her by the hand,
Then said to her, “I’m confused, I just don’t understand
How you became a mermaid, then I saw you couldn’t breathe,
So I pushed you underwater, to try to give you ease.”

“I realised that you’d grown gills and couldn’t breathe in air,
So I thought that being in water was best, because it’s where
We mermaids live, so that is the place you had better be.”
“Thank you, you’ve saved my life again,” said the flapper gratefully.

Then, although still puzzled, they swam on, hand-in-hand,
The mermaid helping the flapper, ’til she could understand
How to use her tail well, to control where she did swim,
And to make fine adjustments, by using the tail’s fin.

Eventually the flapper grew tired, so to the cave they both swam back,
The flapper taking the lead, because she’d got the knack
Of how to control her tail, and adjust direction and speed,
Then a thought suddenly struck her, in air, her lungs she would need.

They reached the cave and while in the pool, the flapper to the mermaid said,
“How am I going to breathe back in air? I can’t get it into my head.”
The mermaid replied, “I think you should try, we mermaids can manage ok.
Just try to do what comes naturally, that will be the best way.”

“In for a penny, in for a pound,” bravely declared the flapper.
She hauled herself out, then she choked, the mermaid, on her back did slap her.
The flapper coughed, and gave a gasp, then shouted in relief,
“I think I’m going to be all right, my lungs have started to breathe.”

They both lay there in silence, thinking of what had passed.
Then the flapper turned to the mermaid, and she said, “These last
Few hours I’ve spent with you have been just like a dream.
Now I’m tired, shall we go to bed? I think you know what I mean!”

They pulled themselves into the bed, and together they did huddle.
The mermaid put her arms round the flapper and together they did cuddle.
And this time, as the two of them laid together in rest,
It was now the mermaid who cupped the flapper’s breast.

The mermaid asked, “Remember when you stroked my tail and I gushed?”
The flapper felt embarrassed and again on her face she blushed.
The mermaid said, “It was really nice, wouldn’t you like to try?”
The flapper replied, “I’m afraid it’s too late, and here’s the reason why.”

“That would be an experience I’d really like to try.
However, it is too late now, ’cause as my tail got dry,
I felt it metamorphosise, have a feel, I beg.”
The mermaid reached down with her hand, and felt the flapper’s leg.

Nevertheless, she stroked it, and rubbed it up and down,
And accidentally touched some hair, which caused her then to frown.
“I think you’ve got a problem, you’d best hear it from me.
Stuck between your legs, I think there’s a sea anemone.”

The flapper remembered the last time that the mermaid there had felt.
She’d had on silken *******, so had seemed smooth and svelte.
Now, she’d got her legs back which were absolutely bare,
And of course, instead of feeling silk, the mermaid felt her hair.

“That’s not an anemone, in fact, it is my......frizz.
I am used to it being there, that’s just the way it is.
I try to keep it neatly trimmed, so there is not a lot,
Besides, I think it’s there to protect the entrance of my grot.”

“When you say you’ve got a grot, I assume you mean a cave.
Is it as big as this one, holding all the treasures you have?”
The flapper answered the mermaid, “Oh no, it’s very small,
And held safe within it is my most precious possession of all.”

“I have carefully guarded it so that it won’t get lost.
I expect my husband to have it soon, a few weeks at the most.
And so, my dearest mermaid, until I am a bride,
Nobody will ever know just what I keep inside.”

The mermaid gently smoothed the ‘frizz’, and said, “I understand.
Now, don’t you think it’s time we got you back to land?”
I would like to help you, and I think I know a way
Of quickly getting you safely all the way to Bombay.”

“Thank you,” responded the flapper, “however, if we may,
I’d like to go to another port, one before Bombay.
Then, if at all possible, I can rejoin my cruise ship there,
And may I take some of your clothes, so I’m not on

Here in this rich suburb
of a city which is perceived
as dangerous,
the squirrels run
right in front
of the speeding cars,
and some of the squirrels
stop in time, turn around,
and go back to the safe side,
but some keep running
and get squashed by the speeding cars.
So one day
I was driving
and a squirrel
ran under my car
and as I drove on
I looked back
to see him writhing in agony,
so the next car
put him out of his misery
by running over his dying body.
I have not gotten past
being a squirrel myself
facing such an end.

I am thankful for the mountains
I am thankful for the music that comes from the mountains
I am thankful for every fire that is lit by nothing more than the embers of a fire that raged before it
Only these fires can truly comprehend what it is like to suffer and be born again
I am thankful for the knowledge that every human being has in them a true spark
Only some don't care or are too busy
Or let their dreams be squashed or didn't have the fuel to burn in the first place
I am thankful for the holy beat poets
Kerouac and Ginsberg
I am thankful for the poet saints
Rimbaud and Lorca
And I am thankful for my saints of folk music
Bob Dylan and Woody Guthrie shaped me long before any of this
But all in all I am thankful for the holy ghost of Carl Sandburg
Without him I would not be writing this poem or any
I am thankful that these poems allow me to say what I need to
I don't expect my words to be recited at weddings or funerals
But I don't mind because both atmospheres depress me just the same
I am thankful for every trail I have walked
I am thankful for every breath of Rocky or Appalachian air ever to enter my tragic lungs
I am thankful for the bonfires I have lit
I am thankful for the sticks that snap in my hands and leave scrapes that bleed only enough to remind me that I'm alive
I do not need such reminders but it's always a nice thing to have
I am thankful for every lost love
Whether I disappointed them or ****** them off is no matter
All that matters is that there is humility
I am thankful for the fact that these lost loves are leading
Completely happy lives with or without me
Knowing someone's happiness is dependent on me is a responsibility I cannot bear
I am thankful for this typewriter
It was my grandfather's when he was my age
He passed away two years ago on the week of Thanksgiving
He was born that week too
And it isn't pilgrims or stuffing that help me to feel thankful
It's the people like him

And a dilemma is?  Fixing the cafe while preparing your breakfast shake so elegantly. Hurriedly to turn on the news upon the squashed HD  as you settle down on the white roundy, the sound turned down just enough not to wake the neighbors. Where has this life taken me?
Dark dank daily routines...

The three stood listening to a fresh access
Of wind that caught against the house a moment,
Gulped snow, and then blew free again—the Coles
Dressed, but dishevelled from some hours of sleep,
Meserve belittled in the great skin coat he wore.

Meserve was first to speak. He pointed backward
Over his shoulder with his pipe-stem, saying,
“You can just see it glancing off the roof
Making a great scroll upward toward the sky,
Long enough for recording all our names on.—
I think I’ll just call up my wife and tell her
I’m here—so far—and starting on again.
I’ll call her softly so that if she’s wise
And gone to sleep, she needn’t wake to answer.”
Three times he barely stirred the bell, then listened.
“Why, Lett, still up? Lett, I’m at Cole’s. I’m late.
I called you up to say Good-night from here
Before I went to say Good-morning there.—
I thought I would.— I know, but, Lett—I know—
I could, but what’s the sense? The rest won’t be
So bad.— Give me an hour for it.— **, **,
Three hours to here! But that was all up hill;
The rest is down.— Why no, no, not a wallow:
They kept their heads and took their time to it
Like darlings, both of them. They’re in the barn.—
My dear, I’m coming just the same. I didn’t
Call you to ask you to invite me home.—”
He lingered for some word she wouldn’t say,
Said it at last himself, “Good-night,” and then,
Getting no answer, closed the telephone.
The three stood in the lamplight round the table
With lowered eyes a moment till he said,
“I’ll just see how the horses are.”

“Yes, do,”
Both the Coles said together. Mrs. Cole
Added: “You can judge better after seeing.—
I want you here with me, Fred. Leave him here,
Brother Meserve. You know to find your way
Out through the shed.”

“I guess I know my way,
I guess I know where I can find my name
Carved in the shed to tell me who I am
If it don’t tell me where I am. I used
To play—”

“You tend your horses and come back.
Fred Cole, you’re going to let him!”

“Well, aren’t you?
How can you help yourself?”

“I called him Brother.
Why did I call him that?”

“It’s right enough.
That’s all you ever heard him called round here.
He seems to have lost off his Christian name.”

“Christian enough I should call that myself.
He took no notice, did he? Well, at least
I didn’t use it out of love of him,
The dear knows. I detest the thought of him
With his ten children under ten years old.
I hate his wretched little Racker Sect,
All’s ever I heard of it, which isn’t much.
But that’s not saying—Look, Fred Cole, it’s twelve,
Isn’t it, now? He’s been here half an hour.
He says he left the village store at nine.
Three hours to do four miles—a mile an hour
Or not much better. Why, it doesn’t seem
As if a man could move that slow and move.
Try to think what he did with all that time.
And three miles more to go!”
“Don’t let him go.
Stick to him, Helen. Make him answer you.
That sort of man talks straight on all his life
From the last thing he said himself, stone deaf
To anything anyone else may say.
I should have thought, though, you could make him hear you.”

“What is he doing out a night like this?
Why can’t he stay at home?”

“He had to preach.”

“It’s no night to be out.”

“He may be small,
He may be good, but one thing’s sure, he’s tough.”

“And strong of stale tobacco.”

“He’ll pull through.’
“You only say so. Not another house
Or shelter to put into from this place
To theirs. I’m going to call his wife again.”

“Wait and he may. Let’s see what he will do.
Let’s see if he will think of her again.
But then I doubt he’s thinking of himself
He doesn’t look on it as anything.”

“He shan’t go—there!”

“It is a night, my dear.”

“One thing: he didn’t drag God into it.”

“He don’t consider it a case for God.”

“You think so, do you? You don’t know the kind.
He’s getting up a miracle this minute.
Privately—to himself, right now, he’s thinking
He’ll make a case of it if he succeeds,
But keep still if he fails.”

“Keep still all over.
He’ll be dead—dead and buried.”

“Such a trouble!
Not but I’ve every reason not to care
What happens to him if it only takes
Some of the sanctimonious conceit
Out of one of those pious scalawags.”

“Nonsense to that! You want to see him safe.”

“You like the runt.”

“Don’t you a little?”

“Well,
I don’t like what he’s doing, which is what
You like, and like him for.”

“Oh, yes you do.
You like your fun as well as anyone;
Only you women have to put these airs on
To impress men. You’ve got us so ashamed
Of being men we can’t look at a good fight
Between two boys and not feel bound to stop it.
Let the man freeze an ear or two, I say.—
He’s here. I leave him all to you. Go in
And save his life.— All right, come in, Meserve.
Sit down, sit down. How did you find the horses?”

“Fine, fine.”

“And ready for some more? My wife here
Says it won’t do. You’ve got to give it up.”

“Won’t you to please me? Please! If I say please?
Mr. Meserve, I’ll leave it to your wife.
What did your wife say on the telephone?”

Meserve seemed to heed nothing but the lamp
Or something not far from it on the table.
By straightening out and lifting a forefinger,
He pointed with his hand from where it lay
Like a white crumpled spider on his knee:
“That leaf there in your open book! It moved
Just then, I thought. It’s stood ***** like that,
There on the table, ever since I came,
Trying to turn itself backward or forward,
I’ve had my eye on it to make out which;
If forward, then it’s with a friend’s impatience—
You see I know—to get you on to things
It wants to see how you will take, if backward
It’s from regret for something you have passed
And failed to see the good of. Never mind,
Things must expect to come in front of us
A many times—I don’t say just how many—
That varies with the things—before we see them.
One of the lies would make it out that nothing
Ever presents itself before us twice.
Where would we be at last if that were so?
Our very life depends on everything’s
Recurring till we answer from within.
The thousandth time may prove the charm.— That leaf!
It can’t turn either way. It needs the wind’s help.
But the wind didn’t move it if it moved.
It moved itself. The wind’s at naught in here.
It couldn’t stir so sensitively poised
A thing as that. It couldn’t reach the lamp
To get a puff of black smoke from the flame,
Or blow a rumple in the collie’s coat.
You make a little foursquare block of air,
Quiet and light and warm, in spite of all
The illimitable dark and cold and storm,
And by so doing give these three, lamp, dog,
And book-leaf, that keep near you, their repose;
Though for all anyone can tell, repose
May be the thing you haven’t, yet you give it.
So false it is that what we haven’t we can’t give;
So false, that what we always say is true.
I’ll have to turn the leaf if no one else will.
It won’t lie down. Then let it stand. Who cares?”

“I shouldn’t want to hurry you, Meserve,
But if you’re going— Say you’ll stay, you know?
But let me raise this curtain on a scene,
And show you how it’s piling up against you.
You see the snow-white through the white of frost?
Ask Helen how far up the sash it’s climbed
Since last we read the gage.”

“It looks as if
Some pallid thing had squashed its features flat
And its eyes shut with overeagerness
To see what people found so interesting
In one another, and had gone to sleep
Of its own stupid lack of understanding,
Or broken its white neck of mushroom stuff
Short off, and died against the window-pane.”

“Brother Meserve, take care, you’ll scare yourself
More than you will us with such nightmare talk.
It’s you it matters to, because it’s you
Who have to go out into it alone.”

“Let him talk, Helen, and perhaps he’ll stay.”

“Before you drop the curtain—I’m reminded:
You recollect the boy who came out here
To breathe the air one winter—had a room
Down at the Averys’? Well, one sunny morning
After a downy storm, he passed our place
And found me banking up the house with snow.
And I was burrowing in deep for warmth,
Piling it well above the window-sills.
The snow against the window caught his eye.
‘Hey, that’s a pretty thought’—those were his words.
‘So you can think it’s six feet deep outside,
While you sit warm and read up balanced rations.
You can’t get too much winter in the winter.’
Those were his words. And he went home and all
But banked the daylight out of Avery’s windows.
Now you and I would go to no such length.
At the same time you can’t deny it makes
It not a mite worse, sitting here, we three,
Playing our fancy, to have the snowline run
So high across the pane outside. There where
There is a sort of tunnel in the frost
More like a tunnel than a hole—way down
At the far end of it you see a stir
And quiver like the frayed edge of the drift
Blown in the wind. I like that—I like that.
Well, now I leave you, people.”

“Come, Meserve,
We thought you were deciding not to go—
The ways you found to say the praise of comfort
And being where you are. You want to stay.”

“I’ll own it’s cold for such a fall of snow.
This house is frozen brittle, all except
This room you sit in. If you think the wind
Sounds further off, it’s not because it’s dying;
You’re further under in the snow—that’s all—
And feel it less. Hear the soft bombs of dust
It bursts against us at the chimney mouth,
And at the eaves. I like it from inside
More than I shall out in it. But the horses
Are rested and it’s time to say good-night,
And let you get to bed again. Good-night,
Sorry I had to break in on your sleep.”

“Lucky for you you did. Lucky for you
You had us for a half-way station
To stop at. If you were the kind of man
Paid heed to women, you’d take my advice
And for your family’s sake stay where you are.
But what good is my saying it over and over?
You’ve done more than you had a right to think
You could do—now. You know the risk you take
In going on.”

“Our snow-storms as a rule
Aren’t looked on as man-killers, and although
I’d rather be the beast that sleeps the sleep
Under it all, his door sealed up and lost,
Than the man fighting it to keep above it,
Yet think of the small birds at roost and not
In nests. Shall I be counted less than they are?
Their bulk in water would be frozen rock
In no time out to-night. And yet to-morrow
They will come budding boughs from tree to tree
Flirting their wings and saying Chickadee,
As if not knowing what you meant by the word storm.”

“But why when no one wants you to go on?
Your wife—she doesn’t want you to. We don’t,
And you yourself don’t want to. Who else is there?”

“Save us from being cornered by a woman.
Well, there’s”—She told Fred afterward that in
The pause right there, she thought the dreaded word
Was coming, “God.” But no, he only said
“Well, there’s—the storm. That says I must go on.
That wants me as a war might if it came.
Ask any man.”

He threw her that as something
To last her till he got outside the door.
He had Cole with him to the barn to see him off.
When Cole returned he found his wife still standing
Beside the table near the open book,
Not reading it.

“Well, what kind of a man
Do you call that?” she said.

“He had the gift
Of words, or is it tongues, I ought to say?”

“Was ever such a man for seeing likeness?”

“Or disregarding people’s civil questions—
What? We’ve found out in one hour more about him
Than we had seeing him pass by in the road
A thousand times. If that’s the way he preaches!
You didn’t think you’d keep him after all.
Oh, I’m not blaming you. He didn’t leave you
Much say in the matter, and I’m just as glad
We’re not in for a night of him. No sleep
If he had stayed. The least thing set him going.
It’s quiet as an empty church without him.”

“But how much better off are we as it is?
We’ll have to sit here till we know he’s safe.”

“Yes, I suppose you’ll want to, but I shouldn’t.
He knows what he can do, or he wouldn’t try.
Get into bed I say, and get some rest.
He won’t come back, and if he telephones,
It won’t be for an hour or two.”

“Well then.
We can’t be any help by sitting here
And living his fight through with him, I suppose.”


*****************

­
Cole had been telephoning in the dark.
Mrs. Cole’s voice came from an inner room:
“Did she call you or you call her?”

“She me.
You’d better dress: you won’t go back to bed.
We must have been asleep: it’s three and after.”

“Had she been ringing long? I’ll get my wrapper.
I want to speak to her.”

“All she said was,
He hadn’t come and had he really started.”

“She knew he had, poor thing, two hours ago.”

“He had the shovel. He’ll have made a fight.”

“Why did I ever let him leave this house!”

“Don’t begin that. You did the best you could
To keep him—though perhaps you didn’t quite
Conceal a wish to see him show the *****
To disobey you. Much his wife’ll thank you.”

“Fred, after all I said! You shan’t make out
That it was any way but what it was.
Did she let on by any word she said
She didn’t thank me?”

“When I told her ‘Gone,’
‘Well then,’ she said, and ‘Well then’—like a threat.
And then her voice came scraping slow: ‘Oh, you,
Why did you let him go’?”

“Asked why we let him?
You let me there. I’ll ask her why she let him.
She didn’t dare to speak when he was here.

Their number’s—twenty-one? The thing won’t work.
Someone’s receiver’s down. The handle stumbles.

The stubborn thing, the way it jars your arm!
It’s theirs. She’s dropped it from her hand and gone.”

“Try speaking. Say ‘Hello’!”

“Hello. Hello.”

“What do you hear?”

“I hear an empty room—
You know—it sounds that way. And yes, I hear—
I think I hear a clock—and windows rattling.
No step though. If she’s there she’s sitting down.”

“Shout, she may hear you.”

“Shouting is no good.”

“Keep speaking then.”

“Hello. Hello. Hello.
You don’t suppose—? She wouldn’t go out doors?”

“I’m half afraid that’s just what she might do.”

“And leave the children?”

“Wait and call again.
You can’t hear whether she has left the door
Wide open and the wind’s blown out the lamp
And the fire’s died and the room’s dark and cold?”

“One of two things, either she’s gone to bed
Or gone out doors.”

“In which case both are lost.
Do you know what she’s like? Have you ever met her?
It’s strange she doesn’t want to speak to us.”

“Fred, see if you can hear what I hear. Come.”

“A clock maybe.”

“Don’t you hear something else?”

“Not talking.”
“No.”

“Why, yes, I hear—what is it?”

“What do you say it is?”

“A baby’s crying!
Frantic it sounds, though muffled and far off.”

“Its mother wouldn’t let it cry like that,
Not if she’s there.”

“What do you make of it?”

“There’s only one thing possible to make,
That is, assuming—that she has gone out.
Of course she hasn’t though.” They both sat down
Helpless. “There’s nothing we can do till morning.”

“Fred, I shan’t let you think of going out.”

“Hold on.” The double bell began to chirp.
They started up. Fred took the telephone.
“Hello, Meserve. You’re there, then!—And your wife?

Good! Why I asked—she didn’t seem to answer.
He says she went to let him in the barn.—
We’re glad. Oh, say no more about it, man.
Drop in and see us when you’re passing.”

“Well,
She has him then, though what she wants him for
I don’t see.”
“Possibly not for herself.
Maybe she only wants him for the children.”

“The whole to-do seems to have been for nothing.
What spoiled our night was to him just his fun.
What did he come in for?—To talk and visit?
Thought he’d just call to tell us it was snowing.
If he thinks he is going to make our house
A halfway coffee house ‘twixt town and nowhere——”

“I thought you’d feel you’d been too much concerned.”

“You think you haven’t been concerned yourself.”

“If you mean he was inconsiderate
To rout us out to think for him at midnight
And then take our advice no more than nothing,
Why, I agree with you. But let’s forgive him.
We’ve had a share in one night of his life.
What’ll you bet he ever calls again?”

Susie gazed out at the atlantic. Great waves crashed against the cliffs . A gust of wind caught the girl almost knocking her off her feet. She seemed not to notice, her eyes remained fixed on the wild sea. Unbidden the words came to her
“Till the slow sea rise and the sheer cliff crumble,
    Till terrace and meadow the deep gulfs drink,
Till the strength of the waves of the high tides humble
     The fields that lessen, the rocks that shrink,
Here now in his triumph where all things falter,
     Stretched out on the spoils that his own hand spread,
As a god self-slain on his own strange altar,
                      Death lies dead.”
Susie’s salty tears mingled with the sea water which the ever increasing wind blew into her eyes.
“I’m not crying, it’s the sea water making my eyes sting” So what if I am crying? All this will pass and go. Long after I am dead this will remain, the uncaring ocean buffeting the cliffs as it has for millennia. Eventually the cliffs and the surrounding habitations will be claimed by the sea. Out of the sea life came and to the ocean humanity will return.
But I’m 20, I don’t want to die”.
All flesh is dust a mocking voice intoned. Susie whirled around. There was no one save for the gulls which wheeled and screeched overhead.
“Yes I will die but please god not yet. I have my whole life to look forward to” Susie said burying her face in her hands.  
“Stupid girl” the voice, like some  insidious demon crept into her brain.
“Shut up, shut up” the girl wept sticking her fingers into her ears attempting to silence the tormentor.
“Stupid slapper. Silly *****” the voice said undaunted by Susie’s attempts to silence it.
Doing her best to ignore whatever devil was taunting her Susie reached into her coat pocket. She felt the plain brown official envelope.
“I can’t, I won’t open it. I’ll throw it away. Better not to know”.
“Ignorance is bliss, little miss a coward is” the voice sneered.
“*******, *******” Susie screamed. Her words where lost in the howling of the wind and the crashing of the waves. Susie became aware of the crumpled envelope in her hands. In her agitation she had ******* it into a ball. How easy it would be to rid herself of the thing. One flick of her wrist and the letter would be lost forever in the depths of the Atlantic.
“Coward, coward” the voice taunted.
With a supreme effort Susie unscrewed the envelope and with trembling hands opened it. Reluctantly the girl extracted a crumpled letter.
“I can’t read it, I can’t” Susie wept. “Why did I do it? God let it be good news. Please, oh Christ I can’t bare it”.

Susie’s mind went back 4 months. She was drunk. She had never been so drunk in her entire life. The thump, thump of the music transported the girl into a world where only she and the beat, beat of the bass existed. She danced wildly letting herself be taken by the music to another realm.
Susie didn’t remember him arriving. One moment she was dancing alone, the next Susie was spinning around in the arms of a total stranger. Later that evening Susie recalled having *** in a cubicle in the gents toilets. Susie thought that she had consented but she had been so drunk she wasn’t sure.
“Christ, no ******. How could I have been so ****** stupid. I went to a good school, got all the right exams and I’m now at uni. I should have known better”.
Susie had gon to the hospital on the following day and had been tested for sexually transmitted diseases.
“You have ****** but that can easily be dealt with by antibiotics” the nurse had said.
Susie breathed a sigh of relief.
“You will, however need to come back in 3 months time for a *** test”.
“Can’t I have that today?”
“The *** virus can take upto 3 months to manifest itself so any test conducted today would be extremely unlikely to show whether you are, or are not carrying the virus”.
Susie had thrown herself into her studies for the next 3 months. When not studying she partied hard. Alcohol helped her to forget for some of the time but, in the early hours of the morning she would wake up sweating.
“What if I am infected? Christ only knows how many other girls that bloke slept with before we had ***”.
Eventually the 3 months passed and Susie returned to the hospital for her *** test.
“You can call in for your results in a few days time or, if you prefer just telephone the number on your card quoting your clinic number” the nurse said handing Susie a small slip of paper.
Susie had meant to call. She really had. However there always seemed to be something preventing her from making that call. There had been her friend’s wedding, her mum’s birthday and so, so many other things.
“Don’t make excuses. Of course you could have found a few minutes to make such an important telephone call” the insidious voice whispered in her ear.
“Yes, OK, I could. now ******* back to whatever rock you crawled out from under” Susie shouted.
Slowly Susie raised the paper to her face.
“Dear Miss Armstrong,
I refer to your visit of 4 July and the test conducted on that date. We have, unsuccessfully attempted to contact you on several occasions. Having been unable to do so I am writing to inform you of the result of your test for ***. I am pleased to advise that the test is negative (I.E. you are not *** positive).
Should you have any queries regarding this letter please call the number above and quote your clinic number to the health adviser.

Yours Sincerely “.
Susie wondered idly why doctors signatures almost always resembled squashed spiders. For the first time in many hours she smiled.
“Thank you god. Thank you”.
The gulls screeched overhead, the icey wind buffeted the girl and the great waves continued to crash against the crumbling cliffs. Susie no longer cared. She embraced the storm for it represented nature of which she was an integral part. It felt good to be alive. Susie took deep breaths.  The touch of the wind on her face  was wonderful. She smiled as her long black hair blew wildly in the sea breeze.  
“If you exist god, thank you, thank you” Susie said.

Wee Angus McSporran, the world's most accurate marksman, is deployed  to Afghanistan and Iraq as a ****** in the Royal Scots Guards. In spite of his diminutive stature (4ft 8in), we see him skilfully shooting men, women and children by the score, convinced they are terrorists and a threat to our freedoms in the West. He becomes emotionally involved with the gigantic ginger-haired Pipe Sergeant-Major **** McKnob, the loudest piper in the British Army and a famous poofter. We see Angus and **** in some of the most explicit ******* love scenes ever shown in a mainstream movie (tastefully filmed in soft focus and sponsored by KY-Jelly).

When **** is blown to smithereens by a roadside bomb planted by American freelancers in order to implicate the Taliban, Wee Angus goes into deep depression and becomes obsessed with his skill as a ******, often shooting "allied" soldiers in so-called "blue on blue" friendly fire. After each shooting we see the image of the ghostly dead Sergeant-Major appear as in a dream, his kilt a-swirl and his pipes wailing a tragic dirge in scenes reminiscent of Braveheart.

When Wee Angus triumphantly notches up his 500th **** (including over 75 US military personnel and several important Afghan politicians), the British government decide it is time to withdraw him from active service. In order to gain patriotic press coverage in the run-up to a General Election in Britain, it is agreed that Wee Angus shall be awarded the Victoria Cross by HM the Queen.

We see Wee Angus, in full regimental uniform, marching up the Mall to Buckingham Palace to receive his medal, his telescopic-sighted ******'s rifle looming heavily on his childlike shoulder, being cheered on by crowds of thousands of wellwishers. Tragically, when he is crossing the road in front of the Palace, he does not hear a new environmentally friendly eco-diesel double-decker London Transport bus approaching (his hearing has been seriously impaired by the noise of battle) and he is mown down, his scream being amplified to eardrum-splitting levels of horror. The camera lingers lovingly on his crushed body and we see scenes of unimaginable grief in the crowds who have taken Wee Angus to their hearts. His lover, the strapping Pipe Sergeant-Major **** McKnob, appears as an angel and weeps by Wee Angus's squashed corpse.

In the final scene, reminiscent of the closing minutes of Slumdog Millionaire, the massed marching pipe bands of the Assembled Scots, Irish and Welsh Guards appear as if by magic and the entire crowd cast all inhibitions to the wind and indulge in a life-enhancing Highland Dance and Ceili around the Victoria Memorial facing Buckingham Palace. The film ends with a heart-breaking shot of the Queen coming out on the balcony in front of the Palace and having a fatal heart attack with the shock of what she sees before her. Prince Charles is seen gleefully rubbing his hands together in the background: at long last, he is King! *(end titles shown over a shot of him groping Camilla's naked sagging ****)

The birthday song is not a song it's not even a small ditty
As it is only four lines long it's really rather ******
There isn't a good chorus so isn't that a pity
A catchy tune it has not got and the lyrics are not witty

This song's lyrics are so short and there all the ****** same
Apart from the 3rd line down when you substitute a name
Okay you say "Dear" instead of "To", but its still a basic frame
So this is not a song at all so why has it got the fame

It's no wonder people alter the words with monkeys in the zoo
And looking like these critters and smelling like them too
Or changed to bread and butter in the gutter or squashed tomatoes and stew
Because the song is so boring so what else can you do

Who the hell wrote this song was it someone who's autistic
Come on now lets be frank and a bit more realistic
If I where to write this song producers would go ballistic
I'd get thrown out of the biz and become a lost statistic

Just because it's your birthday I'm not singing about happy
People are compelled to sing when really its just ******
It's not the best song in the world I don't want to sound so snappy
The birthday song is full of crap just like a soiled *****

It's like we are pre programmed even Marilyn Monroe
To sing the ****** birthday song just for ****** show
But honestly this song is crap and it can surely go
And we can stop with the pretence and cease going with the flow

When your birthday does arrive and your expecting a big day
The time will come when you know your ears are going to pay
Cos someone's bound to start it with or without your say
Why does it have to be sung does it have to be this way

Singing the birthday song should not be a life compulsion
Don't succumb to the trend and quash your minds impulsion  
Stamp down on the process and enforce a song expulsion
Do away with this song and all of its revulsion

The birthday song is not a song when it's sixteen words long
Half of them are happy birthday that doesn't constitute a song
The wording is so ****** thin as thin as a snapped thong
And the musical arrangement isn't even strong

People should not sing this song not even a small bit
Why is it classed as a song we should stop singing it
Most of the words are the same and there is a lack of wit
So don't sing the birthday song cos it's not a song it's ****

If I were a cup of black coffee you take me just the way I am.
If this were a thanksgiving dinner you'd be the turkey and I'd be the ham.

I'm the water and you're the sea
I'm the sailor and what I really mean is; you complete me. 

If this were a battery you'd be the positives and I'd be the negatives.
If I were a holiday you'd be the festive's.

If this were space you'd be the stars that form my galaxy.
If I were a driver in New York, you'd be my taxi.
If I a flower and you the bee, then it's clear to see that what I really mean is; you complete me.

One ways, u-turns, dead ends and yields, green lights, left lane merge and a squashed bug on my windshields.

If I were a Bic ballpoint pen then you would write out every sin.
If this were it, it would be the greatest love there has ever been.

Road signs and paper, fantasies and nature cannot help to say in such a little way that all I try to convey that what I really mean is; you complete me.

If I were a song you'd memorize my lyrics 
If this were February 1990 it would be Hold On by Wilson Phillips

If I were a comic book, you'd be my nerd.
If you were a photographer I'd be your bird. 

If I a cold night and you the book by a fire, then I'd be the Hobbit and you'd be my Shire.
If I a cup and you the tea then all there is left to say is...

The hands of the clock were reaching high
In an old midtown hotel;
I name no name, but its sordid fame
Is table talk in hell.
I name no name, but hell's own flame
Illumes the lobby garish,
A gilded snare just off Times Square
For the maidens of the parish.

The revolving door swept the grimy floor
Like a crinoline grotesque,
And a lowly *** from an ancient slum
Crept furtively past the desk.
His footsteps sift into the lift
As a knife in the sheath is slipped,
Stealthy and swift into the lift
As a vampire into a crypt.

Old Maxie, the elevator boy,
Was reading an ode by Shelley,
But he dropped the ode as it were a toad
When the gun jammed into his belly.
There came a whisper as soft as mud
In the bed of an old canal:
"Take me up to the suite of Pinball Pete,
The rat who betrayed my gal."

The lift doth rise with groans and sighs
Like a duchess for the waltz,
Then in middle shaft, like a duchess daft,
It changes its mind and halts.
The *** bites lip as the landlocked ship
Doth neither fall nor rise,
But Maxie the elevator boy
Regards him with burning eyes.
"First, to explore the thirteenth floor,"
Says Maxie, "would be wise."

Quoth the ***, "There is moss on your double cross,
I have been this way before,
I have cased the joint at every point,
And there is no thirteenth floor.
The architect he skipped direct
From twelve unto fourteen,
There is twelve below and fourteen above,
And nothing in between,
For the vermin who dwell in this hotel
Could never abide thirteen."

Said Max, "Thirteen, that floor obscene,
Is hidden from human sight;
But once a year it doth appear,
On this Walpurgis Night.
Ere you peril your soul in murderer's role,
Heed those who sinned of yore;
The path they trod led away from God,
And onto the thirteenth floor,
Where those they slew, a grisly crew,
Reproach them forevermore.

"We are higher than twelve and below fourteen,"
Said Maxie to the ***,
"And the sickening draft that taints the shaft
Is a whiff of kingdom come.
The sickening draft that taints the shaft
Blows through the devil's door!"
And he squashed the latch like a fungus patch,
And revealed the thirteenth floor.

It was cheap cigars like lurid scars
That glowed in the rancid gloom,
The murk was a-boil with fusel oil
And the reek of stale perfume.
And round and round there dragged and wound
A loathsome conga chain,
The square and the hep in slow lock step,
The slayer and the slain.
(For the souls of the victims ascend on high,
But their bodies below remain.)

The clean souls fly to their home in the sky,
But their bodies remain below
To pursue the Cain who each has slain
And harry him to and fro.
When life is extinct each corpse is linked
To its gibbering murderer,
As a chicken is bound with wire around
The neck of a killer cur.

Handcuffed to Hate come Doctor Waite
(He tastes the poison now),
And Ruth and Judd and a head of blood
With horns upon its brow.
Up sashays Nan with her feathery fan
From Floradora bright;
She never hung for Caesar Young
But she's dancing with him tonight.

Here's the bulging hip and the foam-flecked lip
Of the mad dog, Vincent Coll,
And over there that ill-met pair,
Becker and Rosenthal,
Here's Legs and Dutch and a dozen such
Of braggart bullies and brutes,
And each one bends 'neath the weight of friends
Who are wearing concrete suits.

Now the ****** make way for the double-******
Who emerge with shuffling pace
From the nightmare zone of persons unknown,
With neither name nor face.
And poor Dot King to one doth cling,
Joined in a ghastly jig,
While Elwell doth jape at a goblin shape
And tickle it with his wig.

See Rothstein pass like breath on a glass,
The original Black Sox kid;
He riffles the pack, riding piggyback
On the killer whose name he hid.
And smeared like brine on a slavering swine,
Starr Faithful, once so fair,
Drawn from the sea to her debauchee,
With the salt sand in her hair.

And still they come, and from the ***
The icy sweat doth spray;
His white lips scream as in a dream,
"For God's sake, let's away!
If ever I meet with Pinball Pete
I will not seek his gore,
Lest a treadmill grim I must trudge with him
On the hideous thirteenth floor."

"For you I rejoice," said Maxie's voice,
"And I bid you go in peace,
But I am late for a dancing date
That nevermore will cease.
So remember, friend, as your way you wend,
That it would have happened to you,
But I turned the heat on Pinball Pete;
You see - I had a daughter, too!"

The *** reached out and he tried to shout,
But the door in his face was slammed,
And silent as stone he rode down alone
From the floor of the double-******.

If I ever see you again
I'll spat insults and hope they
Spray on your aviators
like the bugs that squashed against
my windshield the last time
I drove away from you

If fate destroys me
and I am in the same pub one night
as your wormy self
I'll tell you how you're the most
arrogant, vapid, shallow, womanizing,
******* male mascot
I've ever had the disgust to know

I'll slap you hard across the face
Oh and not like Scarlett O'Hara,
you demon darling
No crushing kiss will follow
and I'll mean vengence
vile will seep through my mouth
instead of the sweet saliva
I let you taste
long ago

If I ever hear your voice
or see your mocking manequin
among my tele again
With disgraceful force
I will lift that 50 lb set
and propel that ******* screen
across the state
The way your black static apology
shattered the brightness
that used to reside
within
me

If I hear of you
one more dispicable time
I'll grow bombs maticulously
within my empty core
and time them so perfectly
that all of your dysfunctional doormat
confidants
will explode the second they come near me
and their manipulative cells
will burst
and be burried among the soil
of ***** words
you whispered in my ears

****, if I ever see you again
I'll shatter every martini glass around me
and down a fifth of fireball
and breath venomous fire
and burn you, you beastly boy
And I'll pretend beauty amongst you
and walk away, a tall glass of water
That could diffuse
that angry licking fire
that is swallowing you up

When I see you again
I won't acknowledge your existence
and I'll be dressed to the nines
and I won't do a ******* thing about it
Because you aren't worth a sentence within this stanza

But I know I am.

You can tell a lot about
A person by the ones he admires.
Another telling factor is
The people whom he inspires.

Donald Trump, for example,
Praises Putin, a leader who
Has jailed dissenters, squashed human rights,
And done away with opponents, too.

After a questionable referendum,
Which restricts in many ways
Civil rights, the leader of Turkey,
Erdoğan, received Trump's praise.

Duterte of the Philippines--
Authoritarian and leading official--
Has had thousands of people killed
In a manner blatantly extrajudicial.

So that's his way of solving the problem
Of drugs in the Philippines is it?
And guess who wants the blood-thirsty,
Despotic leader to come for a visit?

And then there's the leader of North Korea,
Kim Jong Un. Only a rookie
Would say that the mad, unhinged and murderous
Leader was a "pretty smart cookie."

Trump's had business ties with three
Of the above countries. There's no mistaking.
But does this mean that a Trump Tower
In Pyongyang is in the making?

-by Bob B (5-3-17)

somewhere
in this vast oasis of home
party streamers of the heart
faded stuck to the walls
pale pinks like the sinking sun
drowning in it’s own image
below the horizon
i feel that’s us
where we belong
laughing through our shame
the night calls without names
into the last party of the decades
rushed into goodtimes and struggles
flushed away into pollution
tv  static    nuclear radiation
here on this couch of your parents
orange and yellow
brown
from some era I can never understand
or touch
as with each moment some new invention is formed
the past  is squashed
we strum along to the hum
of a world
never quite ours
but here we are


5/27/11
1258pm fri

I squashed a cockroach the other day.

A big, Fat, Cockroach.

It was trying to get away and I squashed it.

Not that I had anything against that, Particular cockroach but, I was bare-foot.

I had tea, And biscuits, And was bare-foot when he made his dash across the corridor.

It took some time to calm down and, Fetch another tray.

When I returned, The cockroach had moved.

A thick, white streak, Of substantial viscosity, Ran right across the floor and, Straight under my door.

Her gartered leg was up on the table.

She removed a delicate silver pistol and, With his back turned, Fired a single shot.

I used a shoe this time, Like a maniac,

And then, Framed by a single, Swinging light-bulb, Waited for the detective.

The Sun is eclipsed, for how long? I do not know
It used to be warm, cheery and a source of energy
Now, just blackness, bitterness, and an ugly taste in my mouth

The darkness has been my enemy for most of my life
Unable to share the reasons this is for fear of it taking over
My dreams try to clean my mind as the inky black eats away at me

Praise, compliments, hope, prayers, and well wishes work against the eclipse
Honestly they just don't break through that evil and vile black
You might wonder why, but it is something that must be felt not told

It is soo dark the ring around the outside is blinding but it lights up nothing
Self-doubt, Self-worth, Self-esteem, feelings of being ****, desireable, all being slurped up with the thick dark energy
Words, words, words, and more words they don't begin to help

The glimmer of hope is squashed with one word from him
I have become a married girlfriend as she becomes a girlfriend wife
How ****** up is that?  Do you not see?  I cannot breathe as it suffocates me

The eclipse is not an eclipse at all it is him cuttting off all light that makes me thrive
He makes sure I am helpless to fight by making sure I am numb
It is a mind **** for sure that I cannot see

I work hard to push the thick indigo away
It is brought back with one word, or one look
Offering help with one hand as the other stabs my heart

I pray and show strength for our child
Needless to say she knows the truth and says I am not hiding it well
What the hell am I supposed to say when he leaves to go out with friends?

Her tears feed the beast that burdens me
The fears make it stronger and more overwhelming each day
It is winning can't you see?  Taking over with each passing hour

The nights I turn and reach out for him
Night after night the rock always there
Now it feels like quicksand ******* me down

I am numb, why can't I fight?  What is stopping me?
Tell him to get out they say, Make him leave
If I do that the murkiness will turn to something worse

The cimmerian shade looms day by day
His words are from a serpant's tongue trying to have it both ways
I am being consumed by something worse than incurable cancer
It is taking all of my independence and ****** self confidence away

SMACK
Yes that would sound good, as my hand met her face
I ask myself what has this world come to when a young woman's parents think it is ok for her to break up a solid family

You ******* ***** Jennifer
STOP
Tell Him to go to her and learn that the grass is always greener when all you do is play, no responsibility, no bills to pay
He is the idiot not you
He is the one breaking the vow said before God and all
Let the darkness consume him and chase it away from me*

If only I could say all of that but I love far to much
Crazy I know, as I watch the concealing darkness consume me*

Don't let this happen to you, hold on tightly and keep faith in your heart

_______________

I realize this poem does not make a lot of sense.  It is very cathartic for me.  I don't expect anyone to like it or say it is any good.  It was just something I needed to write and get out of my mind.  Thank you everyone.

My shattered life is like the forsaken Black Widow spider.
The victim's detestation does not even show passion to me.
I bit my victim in two and also hurt them in the process.
The more I hurt my victim in the process, the more woe I have
and hope they are still my friend tomorrow.
The deeper I sink my teeth into my victim,
the more fatal my poisonous venom becomes and hope the fatal
poison doesn't execute them.
I think of all the hard times I've had, just by being nice and
friendly, but it does not work.
When I let go of my victim and hope they do not smash me,
But have the time, I get squashed and hope my sin are forgiven.
Then time was wasted for unanswered dreams and in the process
making new friends.
But I never did.
Life has gone without a prayer, without friends and for someone
to love me.
The next time you see a Black Widow spider, ask yourself,
"Could my life be like a Black Widow spider's?"

Why’d you get locked up then lad?
Oh. I’m locked up?
I know you. You won’t escape lad
Escape from where?

(Jackie Wilson at her majesties pleasure 1884, West Denton, Newcastle)

The sweat rolled off Dominic’s nose.

Its ‘movement’

movement

movement

Uniting.

Meditation takes a person out
from themselves
so far out, without any need
for any additional charge, toll, or need, that when you come back,
even if it’s within
the same body,
you feel

and the glow comes back
on-coming traffic smiles, dead less grace
the worst, and 7am

chess
without a game.
a drool.
an intricacy within
mirage.
hope in the sorry soft gas explosions
and death was heavy enough to fly and give
But not in the normal way
one second, and even joy spills
and the cabbies have begun to scream and break down at each other
even though it’s not a full moon
too many people squashed on a tight balcony
drinking us all away
too many hands
not dancing
it all away


Slugs emigrate across concrete when the soil is wet.
When you wonder why they’ve left.
Its pouring
and you think you recognise a name scrawled in the wet trail.

Single, intimate, observations.

And reasons for the evening to be near.
It will be worth it! – I’LL SEE YOU! –
And now we are allowed to be glorious without price.
And now it’s sad as hell.
And the trees know that.
But the squirrels never do.
And now those words don’t matter.
And now we are allowed.
And now we go.

And the laminate floor
has the weight of a cross.
And the thing is,
you know

(It’s all softly bombed)
Not in a horrific
or knowable
way.

But in God’s good loving
loving
loving
******* for ya.

We’re finally rubbed out.

Crucifying.
And uncrucifying.

Eyes are useless here.

Blackness first.
THEN that soft
‘soft’

dripping.

easy blackness.

Meditating, sat middle
the pentagram of a small flat.
blue white board marker, on ‘easy wipe’ wood flooring.

And if I wake, I can wipe all the lines out.

SO, it went the same.
blue colour of cityscape coming-black light flashing always
across the distance from balcony
a beautiful stillness.
Waves first. Sea. The complete sea. Swimming.
ego. Ego swimming. Ego going down. Hello! And ha!
And no more jokes.
And isolation.
And no more months.
But there were gushes.
Gushes of experiences in, and outside, with individual breathes
and the proximity of love, coming closer
like a germinating hand
guiding you down
into the oceans private concert

Not too close to the expensive parts, or the bad parts,
or anywhere too pristine.
Christ, that’d be
a joke. It’d be funny
and then the surgeon would come and operate
on you;
lifting you out whilst you’re asleep

And it would go like this:

Cancer: Hey! What’s going on?!
Get off! I’ve paid my
rent and don’t wet the bed
anymore,

Surgeon: Don’t care.
Come here...
Oh for **** sake you’re making my day long.
I don’t get paid
for this.
Cancer: Oh yes you do handsome.
Surgeon: Oh yeah!

rest on the long side of your bed.
‘What’d you do at the weekend?’
Where’d you go?

...

banter broke down into spider web
substance
before fading completely, as thoughts begin
to disappear and fly down
into heavier states
from outside you saw a man still dressed
in formal office attire
tie hanging undone around a white shirt, shoes kicked off
beside strange markings on a polished floor. From in,
the understandings
are quite different
fly gently, like a loved one retiring from life
as the single light bulb watches from your ceiling
tensing one last second time in hesitation
then blowing you out with a blink.  

looked into the well where life is buried
and reached down
arms lengthened like dusty pieces of ham down a hole
touching the foetus as it crawls back up,
and up through the highway lines of his veins,
like a rabbit hunts wolves,
like the peach reacts to your bite.

We smoked and ate apple pie as the autumn tattooed
We snapped small pieces off
then ate the mites.

And then when the well filled we made our arms lassoes;
that churned the grain,
turning the quietness into storm,
and back to parts of spring.

You hesitate, touching the ape
like a clown who’s just tossed his life into the air, and juggles it,
like dead poems and hot boiling yeast.
you looked further into the well and found the figments of the ‘Narwhal’
the sea creature with a prominent horn
that shoots from its head-

Early sea farers
used to think the horned mammal was a type of
magical being
it birthed the idea of unicorns
you let the water well mix and join
as we drink coffee today, and the night is less silent
than that of star of apples and gloom
each tarantula that scatters in the red stars of sand is welcome;
and the honey man and honey woman flicker,
through numberless bank checks and bills as knocks arrive
knock after knock after knock
into long vibrational hum

All that remains
is the bursting punch
near the bottom
of oceanic well

As it tightens your grip into the follicle hibernating bears
that speak eloquent words whilst we eat;
the deep groan of munching hands
in the well helps our arms
pull up the glowing carcass as it turns back
into us within our hands, it speaks easily and slow, telling each
servant surrounding
the hole that they should:

‘Dance casually, dance inside my red eyes’.

Some take advantage of melody, as a trust that funds satellites of globe,
as if no one ever dreamed or broke the yoke of more pleasurable things;
one of your arms
is like the way that a crab crawls past over my nose and into our future home

another asks that you aren’t so violent in February
and that the month is a counting mouth that multiplies zero
beside the arms reaching for a pyramidic beauty
under the ***** shell; aborting its children like blood in the snow,
without humanistic style, more in tune with time
than the army of water lifting your throat up,
spits- that poke at us with antlers, undeterred, no legged, mating in the sand

After a while, otherness takes over, and will comes.
And emotion is long shattered,
easing out,
playing skin game and dissipating need, where all will and human comes back
it takes a while.

And our gender has nothing to do with just lust
We are the almost completely blind, as the cliché remembers
Gender is
the lack of gender and the freedom of paradigm
whilst hands are upon love,
And more night(s) turn within us.
dream like bright black stars.

Weekends. Week. Work. Corporations dancing like butterflies on fire. Gone.
Gone
Gone
Gorgeous

nothingness
apart from its face and voice
speaking

“Heyy, how’s it going?”
Projection
No
“Yes... Lover,
Yes yes yes!”
“No.”
skull now linked to the lips of a home
“Correct, correct, correct...” The intangible
darkness, over and over

a rushing
and uncontrollable
heaviness of fire.

foxes in back alleys salute
the black sky with a mongrel scream
and all the animals of the world are linked for a split minutiae,
recognising and respecting the breach;

“You’re hurting... mmmmuh-” Dominic tried to say
in the onslaught.

Converging planes that came from the lips of the spirit crowning his mind.

“You’re not Juuu, Juh Juah Juh.”

He tried to say for the next few hours, as the sun spread down
on the city
and felt a deep
empathy for another one
of its children
attempting to free
itself.

“No.”

how right you are...” The spirit said
as Dominic’s head slumped from exertion.

“You see...” The spirit said seeping into his bones
and killing him;
paramedics zip
the bag
over his face.

“You see...” The voice says again
knocking the lights off
and flinging you
by your throat

Each one letting you
go

landscape sick in multiple elements of confused colour,
parts of buildings, art: growing up in the horizon, new structures
made by thoughts, old flowers inside limbs,
smoking.

“What...” The spirit
said.

sigh at the strange place,
without looking around.
blossoms of mind and traffic
circulated
characters
on a schizophrenic island

two flies ****** invisibly
and grow from the unseen smallness of their passion
and become an instant world
in the Red Mountains.

“What’s up?” Dominic say gloomily,
laugh a little.

“You’re meant to be screaming...
And yes...
Yet another ******* month
without hitting
target.” The nightmare says,

No incorporeal speech
no anger
anymore.

She might have been about twenty five,
dressed in a shade of grey
change
that covered her genitalia
and ******* from ankle up to neck

get used to it all.
raise your chin to the sky and try to blink away from the constant lick
of the beast growing
from yourself, or lover, or day

And grow the chimera
throughout numberless
stages
like a beautiful clay
that cant decide

Finally the meer-hawk looked like a Dickensian peasant
with an intricate smile, dressed all in jail rags
stinking of sweat, *****, and time.
And then we change
again

And her black hair scooped down
into the blackening sand
where the grains accepted her slim weight
through out itself

She was tired and fed up of the back-world today
She left her contract looking around upstairs
and accepted the hit
on her targets

A transference of types in the quaking room.
A quick drop of laughter flys
into the lil bear or a lot; and a snap and a lot of hunger
for us all...

The master of the basement was mostly machine.

The front of his face that we run towards
is a centred and hovering engine
at the far end of the shadow
room
and the stench
from its thought.

a farce and enough
to turn you away
from a really good
steak.

no walls

no matter

a car mouth approaches naked.

dead cats know this, as they lay purring still, licking their paws still,
misery knows,forgetting, and the coldness of the street gave birth

to numberless seedy neon lights
flickering away from the wall less walls
once more

and you know, we
all
have a prayer
that comes
out
here was
mine:

might as well let you know
whilst we’re at it
that this one comes
out, in some accent~~
but is how it’s meant to go

“...as if to prae
inside the rain
as if to move
the moon with small hands
ah cross the yard
and lucky sky

I live in that playce me lass
with ya quiet weiyht
upon me own
of ya li’l voice
that taeks it away

Ya-renuf ta bring
al me Gods back
an pin ‘em te tha walls

Enough ta mayke
al’ me angels breathe
heavy
for even an ounce
of ya grace

Ave begged at tha hands
of jesus Christ
for that tayste
of yeh
me sweet bonny lass
an ya the only lass
‘ahve evva met
that mayde us feel
like ah cuhd heal
without bein less

An I’m lookin at ya now
with al me luv
an ah divent need
ney where to ruhn
as am ah freed dog

and in ya charms

An ‘av ney-where left to luk
but I’ll kip alreet the neet pet
cos ya by me side

an in me arms.”

But now it is rather late my friend, and
we all know how long old accents last,
mine, I cherish, I will say it when cursing
and gone
when lit among friends and when
impressing
new jobs, that I shall leave, such is
my
way
and
i may
see you
again.

Some fairground
by the coast  
taken by the Baptist mission
by coach

and outside
some magic mirror tent
after having gone in
you said to Helen

not much in there to see
and the fairground guy
having overheard you said
not much to see?

come here and see again
and he took you
in the tent again
and showed you

how you looked
in front
of the various mirrors
in some you were thin

and tall and in another
you were broad
and fat or you were
squat as if someone

had sat on you
and squashed you flat
and you laughed at that
and the guy said

see there is much to see
so go tell your girlfriend
so you went out
of the tent

and said to Helen
yes it was good
the second time around
and Helen said

perhaps we should
go in together
and so you paid the guy
the money

and you went in
with her and stood
together in front
of the mirrors

and laughed
and she held
your hand
and you remembered

the guy saying
tell your girlfriend
and you guessed
she was

and that made
you feel happy
even schoolboys
of 10 years old

sometimes want girlfriends
secretly endeared
away from the sight
or knowledge

of other boys
as if it were some kind
of betrayal
of the schoolboy code

and as you walked
about the fairground
you watched  
where others

on racing
wooden horses rode.

Trains at the bottom of the garden
metal dragons breathing out smoke and steam
huffing and puffing, waiting for the signal
some compact with tanks affixed
others larger, more grand
pulling colour matched tenders
sometimes bearing shields and names
beginning with 'Duchess' or 'City'
mostly black, some rusty
deep reds or greens
with contrasting lines edged in gold

Once one came in matt pink
and I wondered why it didn't gleam
like the others, perhaps pink
was a colour not to be given
it's equal due with other
less feminine shades
it had to be denied vibrancy
yet I loved the pink one best
later I learned somehow
that the colour was that
of the primer used
to inhibit the rust
and my pink engine
was just an unfinished paint job
pressed into service
prematurely to give cover
for another that was broken

I wrote down the numbers regardless
it was a ritual that one performed
though I didn't understand why
yet it was exciting
to record a new one
that hadn't passed before

Behind the business end
came carriages laden heavy
with the visitors of summer
come to fill our beaches
and our town with their loudness
their raucous laughter
with strange accents
brummie, scouse, mancunian
faces pressed against glass
expectant, excited, impatient
almost there now
anxious that this last delay
pass quickly and the half mile
remaining be completed

We would lurk beneath the bridge
like adopted troll children
it was cool there in the summer heat
darting out from behind pillars
or in my case watchfully, cautiously
edging my way forward
to place pennies on the track
or sometimes nails
then to retrieve them
flattened, thinned, squashed
once the train had passed
sometimes we'd wait hours
or so it seemed
sometimes no train would come
and we would trail home
for tea and bath and bed
leaving our offerings
to the gods of the rail
for rediscovery and inspection
the following day.

Cynthia Pauline Jones 17/10/13

I'll ask you not to turn off the lights,
I want them to blind me
with their brilliant filaments
until the bulbs break
like a vase on a tiled floor,
the walls, the door go back
to being charcoal black
as they have been so many times before.

I have started to abhor
the roads that define me,
the words that describe me
and my traits,
the way I must walk in wintery air
to a migraine inducing wilderness
to be squashed into old moulds,
will this be adequate for you now and when?

What is this fall,
does it affect you, your actions,
your jumbled jigsaw piece thoughts?
These bruises are purple,
this brain is strained,
inject me with zest
until my wrist pains
so much it must combust.

Out of the glass is nothing,
a candyfloss cloud, a tree, a lawn,
it bores me,
an artist is needed,
paint a new canvas
swathed in colour
and things from my weekend dreams
lucid and intense.

I am a ******* up ball
of paper, unfold me, still legible?
Fold it again, an airplane
chucked into an angry breeze
or please,
if the lamps are tough enough,
watch my words illuminate,
drool across the table.

He's black and tiny.

Dull but shinny.

Disgusted with its presence.

People swap him off

the tables,

the wall.

Their eyes blazing with flare.

Raising fists about to strike,

their food becomes trash

in a moment,

the fly flies,

not anymore,

squashed and lifeless,

where it lies paralyzed

and dies.

There's two eyes of the Hurricane
both blue
flecked with grey.
Incalculable
forecasting the direction.
Ominous hunch
it is heading
my way.

The stability of shelter
is a lottery
of hope;
defenseless
if caught in its
path.
I'd be squashed
like a paper cup.
At a glance,
she can obliterate you
just like that. (click)

Three dead birds on highway squashed,
Roadway washed with corpses discarded as carrion,
To be chewed upon by companions in a world of brothers,
In a world of blood and guts,
A lone magpie was seen,
A sure purveyor of doom,
Gloom and sorrow,
For birdies splattered,
No tomorrow,
Perhaps they saw him too,
Didn't show him due respect,
They'll never know if they had regrets!
Livvi Kent 09/06/2013