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"sestina" poems
It was early morning when she descended the steps to the porch side, teacup in hand, dressed in her nightgown. Steam billowed from her cup, and with a swallow she examined her garden of weeds and unexpected peonies. It was early for blooming peonies; frost, like glass, still settled on the lawn, reflecting sunrise light of tangerine. The radiant glow of tangerine cast amber trails across steps covered in an icy coating of glass. Between her fingers she tucked her nightgown and gingerly treaded the garden of peonies that melted the frost in one great flower swallow. The barn swallow, perched not far from the path of tangerine, must have also taken notice of the peonies as he took the first steps to nest-building. She imagined that his lady bird, also in her nightgown, would enjoy the flowerbed of glass that he chose for their home. Sipping her glass of tea, she admired the familiar swallow lover as she folded into her nightgown bouquets of peonies that glistened in the tangerine sunlight. She took the steps back to the house, recalling her own swallow’s peonies: Peonies placed in vases of glass, peonies lining the porch steps, peonies presented over morning tea. With a swallow, she carefully, methodically lined the tangerine trail with the peonies from her nightgown. Her nightgown, stained with the rouge petals of peonies, dragged along the tangerine terrace of glass, blood red with the memory of her swallow lover’s peony-petaled steps. The steps to the house creaked beneath her nightgown. The barn swallow, quieted by the rouge of the peonies, shut his glass eyes to the skies of tangerine.
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Feb 16, 2010
Feb 16, 2010 at 4:49 PM UTC
Peonies: A Sestina
It was early morning when she descended the steps to the porch side, teacup in hand, dressed in her nightgown. Steam billowed from her cup, and with a swallow she examined her garden of weeds and unexpected peonies. It was early for blooming peonies; frost, like glass, still settled on the lawn, reflecting sunrise light of tangerine. The radiant glow of tangerine cast amber trails across steps covered in an icy coating of glass. Between her fingers she tucked her nightgown and gingerly treaded the garden of peonies that melted the frost in one great flower swallow. The barn swallow, perched not far from the path of tangerine, must have also taken notice of the peonies as he took the first steps to nest-building. She imagined that his lady bird, also in her nightgown, would enjoy the flowerbed of glass that he chose for their home. Sipping her glass of tea, she admired the familiar swallow lover as she folded into her nightgown bouquets of peonies that glistened in the tangerine sunlight. She took the steps back to the house, recalling her own swallow’s peonies: Peonies placed in vases of glass, peonies lining the porch steps, peonies presented over morning tea. With a swallow, she carefully, methodically lined the tangerine trail with the peonies from her nightgown. Her nightgown, stained with the rouge petals of peonies, dragged along the tangerine terrace of glass, blood red with the memory of her swallow lover’s peony-petaled steps. The steps to the house creaked beneath her nightgown. The barn swallow, quieted by the rouge of the peonies, shut his glass eyes to the skies of tangerine.
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39
I asked my mother for a glass kaleidoscope, but instead she handed me three shots of wine and a field guide to running galactic bases, which I guess is her way of selling dreams at low prices. I have yet to understand a coffee shop's symmetry, so I embrace the scrupulous company of a dragon-riding-a-butterfly. One spin around the Milky Way leaves the butterfly with holey wings and the dragon vomiting in my make-shift kaleidoscope. The apple tree in the corner of the living room ruins the symmetry of the space and I have to chug another glass of wine to make up for the peach tree I couldn't dream about and another wrong note sung by the basses. The song's in too low of a key, which is the basis behind the evil chinchilla's plan to mass-produce butterfly farms as part of a larger goal to pillage the dreams of dreamers. Luckily, we all have a handy-dandy kaleidoscope and a bag (or two) of bitter-tasting wine stolen from their boxes -- too much symmetry. My brother put a block on local news; the symmetry of our county's border was too much for me to bear. He bases his action (when mother asks) on the wine he didn't drink, so I throw the broken butterfly out the window where it lands on my nephew's spinning kaleidoscope. He doesn't know it yet, but that drum he's banging will envelop his dreams. A hike to the top of the cliff (a leap) re-energizes my dreams and I still can't relate to the maple leaves and their symmetry, but at least I can look through a lampshade at the kaleidoscope of trees dancing below me. There are seven thousand bases yet to run and they still haven't caught the butterfly, so a boy yells, "Drink!" and I take another sip of wine. The dragon and chinchilla are tipsy from the wine at this point and discuss the difference between dreams and electricity while my mother sautés the butterfly in ice cream and abstract ideas. The symmetry of my right ankle is still a bother, so I tell the basses to sing a quarter tone flat while I collide a scope. Off goes dragon-with-butterfly (once again) and I finish the wine. I make my nephew a chinchilla-skin kaleidoscope and rinse the rocks stained with dreams. My mother comments on the apple tree's symmetry while the trees below keep running bases.
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Apr 23, 2012
Apr 23, 2012 at 9:27 AM UTC
Dragon-flies (Sestina)
I asked my mother for a glass kaleidoscope, but instead she handed me three shots of wine and a field guide to running galactic bases, which I guess is her way of selling dreams at low prices. I have yet to understand a coffee shop's symmetry, so I embrace the scrupulous company of a dragon-riding-a-butterfly. One spin around the Milky Way leaves the butterfly with holey wings and the dragon vomiting in my make-shift kaleidoscope. The apple tree in the corner of the living room ruins the symmetry of the space and I have to chug another glass of wine to make up for the peach tree I couldn't dream about and another wrong note sung by the basses. The song's in too low of a key, which is the basis behind the evil chinchilla's plan to mass-produce butterfly farms as part of a larger goal to pillage the dreams of dreamers. Luckily, we all have a handy-dandy kaleidoscope and a bag (or two) of bitter-tasting wine stolen from their boxes -- too much symmetry. My brother put a block on local news; the symmetry of our county's border was too much for me to bear. He bases his action (when mother asks) on the wine he didn't drink, so I throw the broken butterfly out the window where it lands on my nephew's spinning kaleidoscope. He doesn't know it yet, but that drum he's banging will envelop his dreams. A hike to the top of the cliff (a leap) re-energizes my dreams and I still can't relate to the maple leaves and their symmetry, but at least I can look through a lampshade at the kaleidoscope of trees dancing below me. There are seven thousand bases yet to run and they still haven't caught the butterfly, so a boy yells, "Drink!" and I take another sip of wine. The dragon and chinchilla are tipsy from the wine at this point and discuss the difference between dreams and electricity while my mother sautés the butterfly in ice cream and abstract ideas. The symmetry of my right ankle is still a bother, so I tell the basses to sing a quarter tone flat while I collide a scope. Off goes dragon-with-butterfly (once again) and I finish the wine. I make my nephew a chinchilla-skin kaleidoscope and rinse the rocks stained with dreams. My mother comments on the apple tree's symmetry while the trees below keep running bases.
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39
They will tell you there is a right way. They will hand you a torch and call it the sun. They will roll their words in raw linen and whisper: "This is what poetry is meant to be." And you will nod. Because they have made it so that not nodding feels like blasphemy. But listen— the ink does not check your credentials. The meter does not ask if your suffering is organic. A line does not collapse because it was crafted instead of bled. They will tell you a poem must be naked, barefoot, aching— as if there is no beauty in a well-cut suit. They will decry the temple and build a pulpit in its ruins, preaching freedom in a voice that allows no dissent. Good poets are cult leaders, and the first rule of the cult is that they are not one. So write the sonnet, carve the sestina, sculpt the page in iambic steel. Or break it, shatter it, scatter its bones— but let no one call your wreckage untrue. And if they do, smile. Because poetry does not kneel to priests.
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Feb 18, 2025
Feb 18, 2025 at 2:11 AM UTC
Good Poets Are Cult Leaders
Funny little thing is she, She laughs at lightning in the storm. And what most would see as torture, She inflicts with pride and is not scared. Her skin is sharp like broken glass, And through her lover’s skin she tore. Through her safest home she tore. Stupid little girl is she. They try to mend her broken glass But the edges cause destruction of a storm. Please don’t run, don’t be scared, Don’t be a part of her torture. Running love is her only torture, Not pain that through her heart tore. Distance leaves her crying scared, Unable to control the fear in her. Maybe she is the rain in the storm, Shattering passing window glass. Maybe she doesn’t mind the glass, She doesn’t think this is torture. And maybe it’s not a storm, But a hurricane she tore Out of her skin. She Is no longer scared. The distance does not make her scared. Her skin is no longer broken glass. Alive little girl is she. Nothing more will be her torture. She doesn’t need the lover she tore. No longer does she hide from the storm. Not sunny skies, but no more storm. Not yet calm, but at least not scared. Not yet healed, but not torn. Maybe cracked, but not broken glass. Some discomfort, but it doesn’t feel like torture. Strong little girl is she. Screaming insanely she tore herself out of this storm. No one will say “she’s gonna lose it”. Because she somehow she is not scared. It’s a mystery how she fixed her glass, or how she can still tolerate the torture.
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Jan 25, 2015
Jan 25, 2015 at 11:02 PM UTC
Sad sestina
Are you sound of mind? Addicted to dandelions like the ocean is to ice. Wait outside the blood bank, learn how to write dialogue and make saccharin spines. My journal is a tangle of spines, keep an open mind help me box up my ****** dialogue. I’ve always been a fan of dandelions etching paths along the river bank, streams within the winter ice. Buckets of camphor ice relax the notches in spines as we wait in line at the food bank. Thoughts of jawbones on my mind, the taste of dandelions and organized pre-scripted dialogue. Backhanded blue dialogue, counting the vanilla crystals of ice blowing the smell of cinnamon into floating dandelions. My hands handle happiness spines with the peace of mind of money in the piggy bank. Let's rob a bank shooting quiet malleable dialogue through an altered state of mind. Your ribs are two sheets of ice ivy wrapping around our intertwined spines crumbly blowing breaths of dandelions. Second hand dandelions build up in the river bank muddy trenches around spines whisper outspoken blue green dialogue. Three pounds of dry ice, warm water vapour at the back of my mind Store buy your dandelions, bear in mind that the West Bank is covered in ice and that spines speak their own muted dialogue.
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Dec 9, 2014
Dec 9, 2014 at 1:08 AM UTC
Sestina 4 - Edit my health
the backyard is home to a field of flowers amidst the roots the family dog discovers skeletons the petals stick to themselves; the weeds spread it's found that the flower-bed holds its secrets with curiosity and wandering eyes comes a child in innocence, he opens his arms only to receive pain he drops to the earth, writhing in pain his light form crushing the weeds and flowers the dog barks at the screaming child and tries to release him from the skeletons the strength of their grasp is that of their secrets you see the effects spread across the child's skin they spread his face warping under the pain opening his mouth, he began releasing his secrets telling only the ears of the crushed flowers and the arms around him, those of the skeletons look at the helpless child the bones are engulfing the child grabbing and pulling, faster they spread the boy becomes one with the skeletons he becomes one with his pain his body sinks further down into the flowers and the flowers promise to keep his secrets the weeds overheard his secrets the boy looks less and less of a child as he settles in with the flowers making room for him, the flowers spread the suffering subsides, decreasing pain he's almost as the skeletons his body unites with the skeletons the ***** age keeps his secrets no longer is there pain no longer is there a child into the ground, his limbs spread into the roots of the flowers the pain no longer is in the child because the skeletons stole his secrets his bones spread among the flowers
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Apr 18, 2011
Apr 18, 2011 at 1:59 PM UTC
the secret of the flowers; a sestina. [2011]
the backyard is home to a field of flowers amidst the roots the family dog discovers skeletons the petals stick to themselves; the weeds spread it's found that the flower-bed holds its secrets with curiosity and wandering eyes comes a child in innocence, he opens his arms only to receive pain he drops to the earth, writhing in pain his light form crushing the weeds and flowers the dog barks at the screaming child and tries to release him from the skeletons the strength of their grasp is that of their secrets you see the effects spread across the child's skin they spread his face warping under the pain opening his mouth, he began releasing his secrets telling only the ears of the crushed flowers and the arms around him, those of the skeletons look at the helpless child the bones are engulfing the child grabbing and pulling, faster they spread the boy becomes one with the skeletons he becomes one with his pain his body sinks further down into the flowers and the flowers promise to keep his secrets the weeds overheard his secrets the boy looks less and less of a child as he settles in with the flowers making room for him, the flowers spread the suffering subsides, decreasing pain he's almost as the skeletons his body unites with the skeletons the ***** age keeps his secrets no longer is there pain no longer is there a child into the ground, his limbs spread into the roots of the flowers the pain no longer is in the child because the skeletons stole his secrets his bones spread among the flowers
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39
how many paths, how many loves living and changing and ever climbing learning and growing and springing over like purple sunsets entering red mountains each experience reopening your eyes, gaining wisdom and freedom, ever increasing strength Atlas holding Gaia, never ending strength becoming charged and overcome with love     encircled with history and caring, gaining a repertoire of eternal connections, climbing into dream fields surrounded by mountains will this serenity ever be over? though hopefully the uncertainty will be over and that we will have strength to conquer all the encountered mountains created by each newly attained love embrace avenues crossed and obstacles climbed to have pleasure and confidence gained though will paradise ever be gained allowing forgetfulness of pain we're over while still remembering friendships we climbed every node you pass gives strength for the next stage of love giving elemental power to move mountains our past shadows creating fresh mountains to relive, to adore; understanding gained so many different forms of love meaningfully distinct, passed but never over, each one providing new wonderful strength to allow us unique nirvanas climbed always strive for larger heights climbed those hopes will be worth mountains don't fear any loss of strength, weakness endured is often willpower gained hate and sorrow should never over- come the treasureful bliss of love *Don't be afraid of the climb to the top of the mountain unbelievable strength will be gained, all the adventures that are over will become unforgettable love*
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Aug 29, 2012
Aug 29, 2012 at 7:47 PM UTC
Transcendental Willpower (Sestina)
how many paths, how many loves living and changing and ever climbing learning and growing and springing over like purple sunsets entering red mountains each experience reopening your eyes, gaining wisdom and freedom, ever increasing strength Atlas holding Gaia, never ending strength becoming charged and overcome with love     encircled with history and caring, gaining a repertoire of eternal connections, climbing into dream fields surrounded by mountains will this serenity ever be over? though hopefully the uncertainty will be over and that we will have strength to conquer all the encountered mountains created by each newly attained love embrace avenues crossed and obstacles climbed to have pleasure and confidence gained though will paradise ever be gained allowing forgetfulness of pain we're over while still remembering friendships we climbed every node you pass gives strength for the next stage of love giving elemental power to move mountains our past shadows creating fresh mountains to relive, to adore; understanding gained so many different forms of love meaningfully distinct, passed but never over, each one providing new wonderful strength to allow us unique nirvanas climbed always strive for larger heights climbed those hopes will be worth mountains don't fear any loss of strength, weakness endured is often willpower gained hate and sorrow should never over- come the treasureful bliss of love *Don't be afraid of the climb to the top of the mountain unbelievable strength will be gained, all the adventures that are over will become unforgettable love*
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39
I think about her all the time The look in her eyes and the way she smiles, and I wish That someday, somehow I could be her star To hold her close and keep her warm when it rains But for now, all I could do is wait For her to notice me, a girl I call Jane. She was the first girl I noticed, this girl I call Jane After a year full of misery and wasted time. Like a pretty rainbow after the rain, She came into my life~breathtaking yet so unreachable like a star So I tried to hide how I felt and made myself wish That she was never worth the wait. I try hard each day to avoid looking at her eyes, like stars They shine so brightly even when it rains And it never gets easier every time To just sit around and hope and wait For her to notice me, that girl I call Jane But I can dream, can't I? I can dream, and I can wish. The moment finally came when I could no longer wait For the girl forever, the girl I call Jane So I sent her a message~a secret wish That I'd be worthy for a minute of her time And one fateful night when everything went right, we talked about the stars As the seconds turned into hours while I stood there in the rain. But the sun has permanently set in my life, and permanently it rains Permanently I'm left with nothing but to permanently dream and to permanently wait On a bed of nails without her, without Jane And every night as I close my eyes, I'd wish For another chance to be with her~another time But I'm not the one that she wants; I'm not her star. And if God could grant me just one wish, May she crash into me like a shooting star Because my heart's gone cold from all this wait From all these thoughts concerning Jane But if this love is a thunder, then bring on the rain To help me drown her out for the last time. Tonight I'll look up at the sky and make a wish upon a star But until the day it comes true, I'd wait here forever patiently in vain under the rain For time to find me a place in the diary of Jane.
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Sep 3, 2012
Sep 3, 2012 at 5:18 AM UTC
A Girl Called Jane (A Sestina)
I think about her all the time The look in her eyes and the way she smiles, and I wish That someday, somehow I could be her star To hold her close and keep her warm when it rains But for now, all I could do is wait For her to notice me, a girl I call Jane. She was the first girl I noticed, this girl I call Jane After a year full of misery and wasted time. Like a pretty rainbow after the rain, She came into my life~breathtaking yet so unreachable like a star So I tried to hide how I felt and made myself wish That she was never worth the wait. I try hard each day to avoid looking at her eyes, like stars They shine so brightly even when it rains And it never gets easier every time To just sit around and hope and wait For her to notice me, that girl I call Jane But I can dream, can't I? I can dream, and I can wish. The moment finally came when I could no longer wait For the girl forever, the girl I call Jane So I sent her a message~a secret wish That I'd be worthy for a minute of her time And one fateful night when everything went right, we talked about the stars As the seconds turned into hours while I stood there in the rain. But the sun has permanently set in my life, and permanently it rains Permanently I'm left with nothing but to permanently dream and to permanently wait On a bed of nails without her, without Jane And every night as I close my eyes, I'd wish For another chance to be with her~another time But I'm not the one that she wants; I'm not her star. And if God could grant me just one wish, May she crash into me like a shooting star Because my heart's gone cold from all this wait From all these thoughts concerning Jane But if this love is a thunder, then bring on the rain To help me drown her out for the last time. Tonight I'll look up at the sky and make a wish upon a star But until the day it comes true, I'd wait here forever patiently in vain under the rain For time to find me a place in the diary of Jane.
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39
The deep sighs of fall send chills across the daisies. My compass is sick and there’s a sense of urgency in my eyelashes, feeling around for the blisters on my skin searching for a bed to sleep. Facets of sleep encourage the rain to fall, cold weather raising capillaries under my skin. I wrote the history of the Holocene era on daisies, microscope lenses tickling my eyelashes; dim lighting makes me home sick. My mind is sick, I dream of oceans in my sleep, medicine labels printed on my eyelashes pill bottles coloured like fall. Tattoos of purple fringed daisies cover my shoulders like skin. Teeth full of apple skin; asking God how not to be sick, wondering if a sacrifice of daisies will get my blood to sleep. My hair is like the leaves during fall; I hope I get to keep my eyelashes. There’s snow in my eyelashes, landscapes of frost form on skin the cold air begins to fall, I decide to call in sick preferring to hide in a hot sleep until my breaths sprout purple daisies. How to grow Gerber daisies, without losing my eyelashes? My fingernails are full of sleep, hot tea grasps at my paper skin. The panacea for the sick is a perfect concentration of wool sweaters and fall. You eat daisies in the fever of fall. Through my eyelashes I am morally sick, but yesterday I finally let sleep settle into my skin.
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Feb 16, 2014
Feb 16, 2014 at 11:45 PM UTC
Sestina 1 - Surgical winds
Sleep is timed to the minute, my breaths let out lazy smoke icicles make goose bumps into paragraphs books written on my arms through yellow mist bare feet in the morning on my rooftops counting international planes in the sky. My migrant bones take to the sky, each moderate minute that passes by on my rooftops, increases the rawness of smoke like lung-fulls of lemon mist spewing a nebula of paragraphs. In the murk of paragraphs red papery ashes explode into the sky leaving a cloud of syllable mist. The last fragile minute reduces my shivers to smoke, a winter shell of shoulders on rooftops. Double exposed film across rooftops turn silhouettes into paragraphs, a congregation of vapours and smoke speaking soliloquies into the sky. I am minute, dissipating into canary mist. Billows of ocean mist make my fingers melancholy on rooftops where a tidal minute freezes salty foam paragraphs a vacation from the sky, my mossy perch and violet smoke. Heliotropic smoke spirals against dense mist; fine rain blinding the sky soaking lemonade rooftops. My bed of paragraphs curls into an illegible minute. The lilac smoke in my eyes is almost minute. A mustard mist wrinkles the paragraphs, like the purple sky dropping over the rooftops.
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Feb 16, 2014
Feb 16, 2014 at 11:46 PM UTC
Sestina 2 - Mouths
Like burning marshmallow, the clouds this Monday. Thumb over the phone & the words to you pop & sway like gin pink with bitters. Lily lady, O my lily lady, kiss me marshmallow - sticky and tinted pink with lip on a rainy Monday. Green window pops arrive on my phone, this sweet black phone that brings you, my lady, over Atlantic's salt pop & volted marshmallow. So on this Monday when the sky draws pink, & clouds too are toasted pink, I take this thin phone and find you. On this Monday, my Dublin lady, under a melting marshmallow sky, I seek out your hot pop, that flame that's popping in the twilight, red and pink. Sweet as marshmallow, you burn through my phone, my smiling lily lady, even on a Monday. & so this Monday like a soap bubble pops. I'm inspired, my lady, by the silken pink thing. On your phone, a swan's wing of marshmallow. Yes - Monday's poem comes pink, & pops with phone messages from my lady, soft as marshmallows.
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Jun 10, 2019
Jun 10, 2019 at 1:40 PM UTC
Monday's Sestina
This morning, out in lightly falling snow, I heard geese as flights of them flew overhead. Like a shot I was ten again, Grammy and I at the lake. I’d sit in the bow of my canoe, pulled awkwardly ashore, neck craned back to watch the sky. I was always sad to see them go; their calls so many cold goodbyes. Ice encrusted water slushed against the dock in slow motion waves. It was time to seek new horizons, where waves of Floridian waters would embrace the geese. My grandmother said that every new adventure started with goodbyes to one thing or another. If I were ever to have a shot at following my dreams, there’d be farewells as I reached for the sky. Instinct would lead me onward to my accomplished bow. One year Momma and Poppa Goose stayed behind, a nest in the bow of my boat. The wintery sky turned black with departing waves. They would call out as the flying ones filled the sky. Wounded wing grounded Poppa. (Canada geese mate for life.) Momma would not leave her mate, recently shot during hunting season. She would not yet say her goodbyes. This, then, was the winter of no cold goodbyes. Before school, pony tailed hair with ribboned bow, blowing in the stiff breeze, I’d take a shot at keeping ice from the edge of the lake, waves arrowing out as they swam. The geese, with an itch in their wings, anxious for a return to their sky. That summer Poppa introduced his flock to the sky, practiced formational takeoffs leading to goodbyes. Clouds overhead gathered gray with unfallen snow as the geese took flight. My two watching for a moment, dipping heads in an elegant bow, before joining in the aerial ballet of strong winged waves. Grammy’s strong hand gripped my shoulder, then-- the parting shot. Grammy joined the geese beyond the horizon. No miracle shot or endless love could keep her with me. Heaven was in the sky. I knew she was watching although there’d been no time for final waves. Her new adventure started without time for goodbyes. Outside, snow blanketed as I cried myself to sleep. Her final bow had been silent, but she’d been telling me, as had the geese. Overhead the geese are shaftless arrows shot from an instinctual bow piercing the morning sky with their raucous goodbyes. Time waves.
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Oct 23, 2011
Oct 23, 2011 at 6:16 PM UTC
Flight Home ~ A Sestina
This morning, out in lightly falling snow, I heard geese as flights of them flew overhead. Like a shot I was ten again, Grammy and I at the lake. I’d sit in the bow of my canoe, pulled awkwardly ashore, neck craned back to watch the sky. I was always sad to see them go; their calls so many cold goodbyes. Ice encrusted water slushed against the dock in slow motion waves. It was time to seek new horizons, where waves of Floridian waters would embrace the geese. My grandmother said that every new adventure started with goodbyes to one thing or another. If I were ever to have a shot at following my dreams, there’d be farewells as I reached for the sky. Instinct would lead me onward to my accomplished bow. One year Momma and Poppa Goose stayed behind, a nest in the bow of my boat. The wintery sky turned black with departing waves. They would call out as the flying ones filled the sky. Wounded wing grounded Poppa. (Canada geese mate for life.) Momma would not leave her mate, recently shot during hunting season. She would not yet say her goodbyes. This, then, was the winter of no cold goodbyes. Before school, pony tailed hair with ribboned bow, blowing in the stiff breeze, I’d take a shot at keeping ice from the edge of the lake, waves arrowing out as they swam. The geese, with an itch in their wings, anxious for a return to their sky. That summer Poppa introduced his flock to the sky, practiced formational takeoffs leading to goodbyes. Clouds overhead gathered gray with unfallen snow as the geese took flight. My two watching for a moment, dipping heads in an elegant bow, before joining in the aerial ballet of strong winged waves. Grammy’s strong hand gripped my shoulder, then-- the parting shot. Grammy joined the geese beyond the horizon. No miracle shot or endless love could keep her with me. Heaven was in the sky. I knew she was watching although there’d been no time for final waves. Her new adventure started without time for goodbyes. Outside, snow blanketed as I cried myself to sleep. Her final bow had been silent, but she’d been telling me, as had the geese. Overhead the geese are shaftless arrows shot from an instinctual bow piercing the morning sky with their raucous goodbyes. Time waves.
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39
Juliet, your Juliet. I grew out of her. She was all dreamy, and fabled. She was brave enough to love you. She was brave enough to be crumpled to shreds yet fake a smile flawlessly. She grew on you. Juliet, your Juliet. I grew out of her. She was graceful and too kind to be true. She was the daisy of your garden, where flowers weren't just a few. She loved sunshine as much as the misty moon. She was ravishingly rhythmic. Forming melodies out of those midnight stars, adding beats and verses to your mundane mornings. Your Juliet, your Daisy, your sanguine Sestina all of them. Yet, nothing better than a reverie. Juliet, your Juliet. I grew out of her. She was all chirpy and consoling. Solace was what made her. Her love was fire, worth burning for. At times, her eyes form glaciers, arctic and numb. At times, she feels worn out and ready to drop. But, Juliet's audacious to hold on tight yet, taken down by you. Remember, she grew on you. Juliet, your Juliet. I grew out of her. She was delicate but humorous. Compassion knit her soul together. You tell her, she is all you ever wanted and is grateful for. But, the woman lying next to you hears the same. She was a writer and left you one. Juliet, your Juliet. Not anymore.
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Jun 5, 2018
Jun 5, 2018 at 5:57 AM UTC
Juliet, your Juliet.
The blackberry bush had one new bloom Its light fragrance was so delicate and sweet I closed my eyes to breathe in deep its beauty And felt as if I were floating on a leaf Traveling down a quiet meandering mountain stream Touching down on a sandy beach The soft sand of the creek beach Was outlined by brambles in full bloom I thought of the blackberries to come, how sweet! And gave a moment to consider the beauty Of one thorny leaf Plucked it and tossed it into the stream I considering taking a dip in the stream And I took my shoes off on the beach I could see on the shore an algae bloom And wondered if that would taste sweet Before the plunge I looked at the crystal clear beauty And cast myself in the water as I had the leaf When I broke the surface on my face was a leaf Floating unaware down the little stream Seeking only a place to land, like a nice beach To be amongst the other blooms And create a berry so sweet That, would be the truest beauty…. I was caught up by the beauty Of a twisting maple leaf Falling down, down to the babbling stream Bypassing the sandy beach And casting no glances to the opening bloom Giving no thought to their future sweet I swam to the shore thinking about berries so sweet Sunlight dancing on the water created such beauty That I stepped on a sticker leaf And fell backwards into the stream Filling my shorts with sand from the beach And giving my *** cheek a nice rosy bloom I sat on the beach right next to a mountain stream Watched a leaf float by in all its beauty From a sweet blackberry bush in full bloom
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May 9, 2016
May 9, 2016 at 6:05 PM UTC
swimming by the blackberry patch (sestina)
The blackberry bush had one new bloom Its light fragrance was so delicate and sweet I closed my eyes to breathe in deep its beauty And felt as if I were floating on a leaf Traveling down a quiet meandering mountain stream Touching down on a sandy beach The soft sand of the creek beach Was outlined by brambles in full bloom I thought of the blackberries to come, how sweet! And gave a moment to consider the beauty Of one thorny leaf Plucked it and tossed it into the stream I considering taking a dip in the stream And I took my shoes off on the beach I could see on the shore an algae bloom And wondered if that would taste sweet Before the plunge I looked at the crystal clear beauty And cast myself in the water as I had the leaf When I broke the surface on my face was a leaf Floating unaware down the little stream Seeking only a place to land, like a nice beach To be amongst the other blooms And create a berry so sweet That, would be the truest beauty…. I was caught up by the beauty Of a twisting maple leaf Falling down, down to the babbling stream Bypassing the sandy beach And casting no glances to the opening bloom Giving no thought to their future sweet I swam to the shore thinking about berries so sweet Sunlight dancing on the water created such beauty That I stepped on a sticker leaf And fell backwards into the stream Filling my shorts with sand from the beach And giving my *** cheek a nice rosy bloom I sat on the beach right next to a mountain stream Watched a leaf float by in all its beauty From a sweet blackberry bush in full bloom
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39
I apoligize for not reading your posts. I have been battling my depression and have not been online . I have written a poem about it (of course lol). I hope you enjoy and I hope to be online tomorrow. My Dark Tale (A Sestina) It is a lovely time of day for tea As I sit curled up to the song of rain Memories arise of a deep dark pain Storm clouds gather within my heart, darkly Dimly, I am aware of rainbow’s hope Wanting dreams infused with Rosemary and Thyme Out of work, I suffer from too much time Overeating and drinking too much tea Depression worsens, stealing all my hope And all my dreams shatter in the cold rain Leaving me empty in the bitter dark As I stare out of the broken windowpane How I long to conquer my bitter pain If only I would organize my time I know then, I would rise above the dark Instead, I get caught in cookies and tea And sink deeper; chaos supremely reigns I flounder once again, losing my hope I am tired of losing precious hope Letting despair and worthless bitter pain To take control and determinedly reign Structure! Will that allow me to use time Positively? Cutting back on black tea Getting needed sleep to fight back the dark Rested, I can push back the hated dark Strive to capture peace and beautiful hope Learning once again to enjoy my tea And not as a crutch that causes me pain While I mourn the loss of wasted sweet time Instead, I would see rainbows in the rain I yearn to topple depression’s long reign, To walk in the sun’s light, not the cold dark Eager to greet the day and enjoy time Pursue my dreams, infusing life with hope Do away with doldrums and bitter pain Relaxing and enjoying Earl Gray Tea Envoi To sum up, I yearn to enjoy my tea Overcome my darkness and pain; to feel hope While I take time to enjoy the sweet rain Kelly Rose © January 5, 2017
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Jan 5, 2017
Jan 5, 2017 at 5:17 PM UTC
My Dark Tale (A Sestina)
I apoligize for not reading your posts. I have been battling my depression and have not been online . I have written a poem about it (of course lol). I hope you enjoy and I hope to be online tomorrow. My Dark Tale (A Sestina) It is a lovely time of day for tea As I sit curled up to the song of rain Memories arise of a deep dark pain Storm clouds gather within my heart, darkly Dimly, I am aware of rainbow’s hope Wanting dreams infused with Rosemary and Thyme Out of work, I suffer from too much time Overeating and drinking too much tea Depression worsens, stealing all my hope And all my dreams shatter in the cold rain Leaving me empty in the bitter dark As I stare out of the broken windowpane How I long to conquer my bitter pain If only I would organize my time I know then, I would rise above the dark Instead, I get caught in cookies and tea And sink deeper; chaos supremely reigns I flounder once again, losing my hope I am tired of losing precious hope Letting despair and worthless bitter pain To take control and determinedly reign Structure! Will that allow me to use time Positively? Cutting back on black tea Getting needed sleep to fight back the dark Rested, I can push back the hated dark Strive to capture peace and beautiful hope Learning once again to enjoy my tea And not as a crutch that causes me pain While I mourn the loss of wasted sweet time Instead, I would see rainbows in the rain I yearn to topple depression’s long reign, To walk in the sun’s light, not the cold dark Eager to greet the day and enjoy time Pursue my dreams, infusing life with hope Do away with doldrums and bitter pain Relaxing and enjoying Earl Gray Tea Envoi To sum up, I yearn to enjoy my tea Overcome my darkness and pain; to feel hope While I take time to enjoy the sweet rain Kelly Rose © January 5, 2017
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44
The first pair of shoes you wore were black, velcro straps sat atop your pair of dollies to make it easier to put them on for the park. They were meant to be smart, but you laughed as you wore them against the ground so free as dad slung the swings, smiling at his child. Our mum told me I was a creative child: I didn't like to wear anything black. Red suited me in how I stood in puddles, free in indifference to how brown my wellies became. If I was asked why, I'd shout, “I'm pretending we're all at the seaside.” From there we made our way to beaches, where the wind was crisp and the children we could see around us acclaimed screams of emphatic joy at how the sea was so blue and big. We had to wear pairs of sandals when we went, but being barefoot felt free. All that time we had at being young and free soon went with the summer ending in school, the arrival of my freshly polished black boots was identical to almost every other child's- a lather of paint dripping over in mud yellows proved who I was with a mother's groan, and this wasn't the only time she wailed. As we grew older and wanted to be free, my sister started to experiment with pink highlights in her hair as I visited clubs with fake ID. We were adults with childish personalities in how I wore my Docs like a religion for feet, my sibling in high heels that you could hear in Sunday morning claps. The arguments broke out: she wanted a child, mother saying was too young, needed to free herself from lazy culture and find a workplace. I'd never seen both their faces so gushed red, just like the red richness of those wellies I had worn in the park. I pipe up and say, “The best freedom is our time as children.”
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Apr 18, 2014
Apr 18, 2014 at 3:09 PM UTC
Childhood Sestina
The first pair of shoes you wore were black, velcro straps sat atop your pair of dollies to make it easier to put them on for the park. They were meant to be smart, but you laughed as you wore them against the ground so free as dad slung the swings, smiling at his child. Our mum told me I was a creative child: I didn't like to wear anything black. Red suited me in how I stood in puddles, free in indifference to how brown my wellies became. If I was asked why, I'd shout, “I'm pretending we're all at the seaside.” From there we made our way to beaches, where the wind was crisp and the children we could see around us acclaimed screams of emphatic joy at how the sea was so blue and big. We had to wear pairs of sandals when we went, but being barefoot felt free. All that time we had at being young and free soon went with the summer ending in school, the arrival of my freshly polished black boots was identical to almost every other child's- a lather of paint dripping over in mud yellows proved who I was with a mother's groan, and this wasn't the only time she wailed. As we grew older and wanted to be free, my sister started to experiment with pink highlights in her hair as I visited clubs with fake ID. We were adults with childish personalities in how I wore my Docs like a religion for feet, my sibling in high heels that you could hear in Sunday morning claps. The arguments broke out: she wanted a child, mother saying was too young, needed to free herself from lazy culture and find a workplace. I'd never seen both their faces so gushed red, just like the red richness of those wellies I had worn in the park. I pipe up and say, “The best freedom is our time as children.”
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39
I asked you if God saw a reflection and you told me she was simply confused. What more could be learned from two eyes alone? I struggled with the thought before it died and found the answer deep within your breath; a subtle reach and clasp would stay empty. I had questioned if your words were empty as a ghost gazing at its reflection; you stare at me as though with lack of breath and pretend that I was always confused by words that might as well have died or just preferred to have been left alone. And so I had spent many nights alone with only my thoughts that would prove empty. In longing for those eyes I could have died or sought to find light in the reflection of the sun on darkened craters, confused but drawn back as though of gasping for breath. I thought that I should wait to feel your breath again, to avoid being so alone would leave us out of reach or too confused to extend our hands or feel for empty air, I prayed to see your warm reflection from a window before it withered and died. I wished you’d take my soul before it died or remained as it took its final breath; and that thought returned in quiet reflection from a place that must have been so alone, like expecting treasure to be empty or to discover you were just confused. I thought that maybe I should stay confused and in that same fashion I would have died, in a room so void of light and empty. I need to know the feeling of your breath, even if it means I will stay alone until God interprets my reflection. It died with Patience, and ceased reflection. Never alone, but harmonious breath. Always confused, but never empty.
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Nov 16, 2014
Nov 16, 2014 at 11:37 AM UTC
Sestina, of Patience
I asked you if God saw a reflection and you told me she was simply confused. What more could be learned from two eyes alone? I struggled with the thought before it died and found the answer deep within your breath; a subtle reach and clasp would stay empty. I had questioned if your words were empty as a ghost gazing at its reflection; you stare at me as though with lack of breath and pretend that I was always confused by words that might as well have died or just preferred to have been left alone. And so I had spent many nights alone with only my thoughts that would prove empty. In longing for those eyes I could have died or sought to find light in the reflection of the sun on darkened craters, confused but drawn back as though of gasping for breath. I thought that I should wait to feel your breath again, to avoid being so alone would leave us out of reach or too confused to extend our hands or feel for empty air, I prayed to see your warm reflection from a window before it withered and died. I wished you’d take my soul before it died or remained as it took its final breath; and that thought returned in quiet reflection from a place that must have been so alone, like expecting treasure to be empty or to discover you were just confused. I thought that maybe I should stay confused and in that same fashion I would have died, in a room so void of light and empty. I need to know the feeling of your breath, even if it means I will stay alone until God interprets my reflection. It died with Patience, and ceased reflection. Never alone, but harmonious breath. Always confused, but never empty.
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39
Maybe I’d be drifting, slowly at first; Approaching specks of light in the distance; Once there, now here, free of space and not time; Perhaps an error in the equations Would have me lost in the empty darkness Or free to run along amongst the light. And you would stand alone in the Sun’s light, Telling everyone that you were there first And that you would stay until the darkness To watch as I traveled in the distance. Your hand guided mine through the equations And reminded me to account for time. You were wrong, of course, to tell me that time Would stand idle until the morning light Of my return, and those sad equations Would stare back into my eyes, quiet first But then screaming, filling the dead distance And echoing through the void of darkness. I hope when your eyes are filled with darkness And you listen to the passing of time, Or your hands reach through the empty distance That you get up and walk outside; the light You see from the stars passed by my eyes first. Find peace in that, not from the equations. I will obsess over these equations Until my mind is filled by the darkness; Insanity, if not from silence first Then by the harrowed tick and tock of time… Or maybe I’d stand in the fading light And pay no mind to the growing distance. So thus we wait and hope for the distance To honor the truth of the equations. Seconds pass slowly at the speed of light; Leaving it behind leaves only darkness; Perfect silence in the absence of time. I question whether my heart will stop first. Maybe I’ll forget the equations first. Time grows slower, the distance grows larger. But the darkness fades. Only light remains.
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Jul 14, 2015
Jul 14, 2015 at 7:12 PM UTC
Sestina, of Space and Time
Maybe I’d be drifting, slowly at first; Approaching specks of light in the distance; Once there, now here, free of space and not time; Perhaps an error in the equations Would have me lost in the empty darkness Or free to run along amongst the light. And you would stand alone in the Sun’s light, Telling everyone that you were there first And that you would stay until the darkness To watch as I traveled in the distance. Your hand guided mine through the equations And reminded me to account for time. You were wrong, of course, to tell me that time Would stand idle until the morning light Of my return, and those sad equations Would stare back into my eyes, quiet first But then screaming, filling the dead distance And echoing through the void of darkness. I hope when your eyes are filled with darkness And you listen to the passing of time, Or your hands reach through the empty distance That you get up and walk outside; the light You see from the stars passed by my eyes first. Find peace in that, not from the equations. I will obsess over these equations Until my mind is filled by the darkness; Insanity, if not from silence first Then by the harrowed tick and tock of time… Or maybe I’d stand in the fading light And pay no mind to the growing distance. So thus we wait and hope for the distance To honor the truth of the equations. Seconds pass slowly at the speed of light; Leaving it behind leaves only darkness; Perfect silence in the absence of time. I question whether my heart will stop first. Maybe I’ll forget the equations first. Time grows slower, the distance grows larger. But the darkness fades. Only light remains.
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39
Your brittle calcium coated voice slides down my throat like water, little blue gods of poetry. Nothing to do but **** and fight. There’s a run on sentence in my veins whole flowers framing my bruises. My bone quiet bruises wait five miles from your medical voice, english coastline of veins covering my anatomy like large bodies of water. **** yesterday’s fist fight you left your apologies in poetry. My alcoholic poetry a blood orange coated in bruises a history of last night’s pillow fight catching religion in your voice. The swallows splash in water quiet in my dessicate veins. Fields of goldenrod veins make my honorary poetry a theory of cursive water. Leave aching vegetarian bruises on my calloused voice from tearing open the sun to fight. A polaroid water fight rolls around in my open veins a punctuation of your raspy voice, hospitalized my skin in poetry. A reckless consumption of bruises with a mint leaf in a glass water. Soft echoes burn across the water silver scissors in a domestic fight running away from bruises and mountains of veins. My second language is poetry giving my fingertips a muffled voice. Empty water pleads with your broken voice, makes me fight against pleated poetry and pomegranate bruises tighten in my veins.
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Feb 18, 2014
Feb 18, 2014 at 12:17 AM UTC
Sestina 3 - Salt toffee
I have come, alas, to the great circle of shadow, to the short day and to the whitening hills, when the colour is all lost from the grass, though my desire will not lose its green, so rooted is it in this hardest stone, that speaks and feels as though it were a woman. And likewise this heaven-born woman stays frozen, like the snow in shadow, and is unmoved, or moved like a stone, by the sweet season that warms all the hills, and makes them alter from pure white to green, so as to clothe them with the flowers and grass. When her head wears a crown of grass she draws the mind from any other woman, because she blends her gold hair with the green so well that Amor lingers in their shadow, he who fastens me in these low hills, more certainly than lime fastens stone. Her beauty has more virtue than rare stone. The wound she gives cannot be healed with grass, since I have travelled, through the plains and hills, to find my release from such a woman, yet from her light had never a shadow thrown on me, by hill, wall, or leaves’ green. I have seen her walk all dressed in green, so formed she would have sparked love in a stone, that love I bear for her very shadow, so that I wished her, in those fields of grass, as much in love as ever yet was woman, closed around by all the highest hills. The rivers will flow upwards to the hills before this wood, that is so soft and green, takes fire, as might ever lovely woman, for me, who would choose to sleep on stone, all my life, and go eating grass, only to gaze at where her clothes cast shadow. Whenever the hills cast blackest shadow, with her sweet green, the lovely woman hides it, as a man hides stone in grass.
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3.1k
Sestina
I have come, alas, to the great circle of shadow, to the short day and to the whitening hills, when the colour is all lost from the grass, though my desire will not lose its green, so rooted is it in this hardest stone, that speaks and feels as though it were a woman. And likewise this heaven-born woman stays frozen, like the snow in shadow, and is unmoved, or moved like a stone, by the sweet season that warms all the hills, and makes them alter from pure white to green, so as to clothe them with the flowers and grass. When her head wears a crown of grass she draws the mind from any other woman, because she blends her gold hair with the green so well that Amor lingers in their shadow, he who fastens me in these low hills, more certainly than lime fastens stone. Her beauty has more virtue than rare stone. The wound she gives cannot be healed with grass, since I have travelled, through the plains and hills, to find my release from such a woman, yet from her light had never a shadow thrown on me, by hill, wall, or leaves’ green. I have seen her walk all dressed in green, so formed she would have sparked love in a stone, that love I bear for her very shadow, so that I wished her, in those fields of grass, as much in love as ever yet was woman, closed around by all the highest hills. The rivers will flow upwards to the hills before this wood, that is so soft and green, takes fire, as might ever lovely woman, for me, who would choose to sleep on stone, all my life, and go eating grass, only to gaze at where her clothes cast shadow. Whenever the hills cast blackest shadow, with her sweet green, the lovely woman hides it, as a man hides stone in grass.
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39
Beams directing traffic on Belmont Paintings of St.Mary in each house A blessing is in the home of Sanchez Yelling at the top of my lungs, Alexandria! Her lips the color of a summer rose She might meet my girlfriend Tired of the flat girlfriend I ride the 70 down Belmont In a garden I pluck a rose And wait outside her house Oh how I love the name Alexandria The finest gem from Mrs. Sanchez I love the sound of an Sanchez It brings shame to my girlfriend That fiery accent calls me to Alexandria No matter the distance between me and Belmont She can look in front of her house Im on her sidewalk, holding a rose I will always hand her roses Predjuice eyes from a concern Sanchez Oh if they ever found me in that house So she walks to my girlfriend's Away from the curious eyes on Belmont They've ask where is my Alexandria? Don't worry my Alexandria Soft like the pedal of a rose Let me kiss you outside of Belmont Where nobody is named Sanchez Show you where I lay next to my girlfriend We can make love all over this house Just get comfortable in this house Spray that majestic spirit, Alexandria Maybe I pass this flavor to my girlfriend If willing, she can even get a rose Call it the night she tasted a Sanchez What we can share with the Latina on Belmont, A girlfriend is snow on a dying rose Warm in a house with a gem called Alexandria Kissing the skin of an Sanchez, on Belmont
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Feb 26, 2013
Feb 26, 2013 at 3:03 AM UTC
Alexandria Sanchez's sestina
I should have kissed you before you ****** on your smoke, Before the fluorescent elevator lights illuminated the flaws That danced and drifted along your skin. The thick smoke mingled with your shadow, A shadow of a man; no face, only a cigarette. You breathed in smoke, but your lips were positioned for a kiss. I don’t look like the other girls, the ones you used to kiss. I can still picture your eyes, reddened by smoke, And your lips as ashy as your cigarette. And I hoped you, too, could forgive my flaws. Like how my body casts too wide of a shadow, And the sallowness of my ordinary skin. Things that really shouldn’t remind me of your skin, like old leather books with burnt paper that I bet taste like your kiss. Such books I read in the shadow, And hide, like the way you hid behind your smoke. Because, like the way I love a bad book and its flaws, I could love you and your cigarette. I’ve held your hand, the one that holds your cigarette, And I felt the sandpaper of your skin. I smelt the airy cologne you use to cover the flaws. It smelled light; you used just a kiss. Now, I smell only smoke, And the memory of your touch is a shadow. In the hospital you were no longer a shadow, But a body, surrounded by walls as white as your cigarettes. Your voice cracked from the smoke, While needles pulsed life into your skin. Your lips were cracked with only blood to kiss. I saw you naked, and I saw your flaws. Your favorite vice was your fatal flaw, And the black fire of death became your shadow. It followed you around, and it saw our first kiss, Which was our last, because you chose your cigarette. So a charcoaled monster brooded beneath your skin, And your flesh succumbed to the white ghosts of smoke. You died in smoke, from your flaws. Your skin’s now dust, roaming with the shadows. So I’ll smoke a cigarette, ‘cause it tastes just like your kiss.
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Mar 18, 2017
Mar 18, 2017 at 3:46 PM UTC
A Cigarette Sestina
I should have kissed you before you ****** on your smoke, Before the fluorescent elevator lights illuminated the flaws That danced and drifted along your skin. The thick smoke mingled with your shadow, A shadow of a man; no face, only a cigarette. You breathed in smoke, but your lips were positioned for a kiss. I don’t look like the other girls, the ones you used to kiss. I can still picture your eyes, reddened by smoke, And your lips as ashy as your cigarette. And I hoped you, too, could forgive my flaws. Like how my body casts too wide of a shadow, And the sallowness of my ordinary skin. Things that really shouldn’t remind me of your skin, like old leather books with burnt paper that I bet taste like your kiss. Such books I read in the shadow, And hide, like the way you hid behind your smoke. Because, like the way I love a bad book and its flaws, I could love you and your cigarette. I’ve held your hand, the one that holds your cigarette, And I felt the sandpaper of your skin. I smelt the airy cologne you use to cover the flaws. It smelled light; you used just a kiss. Now, I smell only smoke, And the memory of your touch is a shadow. In the hospital you were no longer a shadow, But a body, surrounded by walls as white as your cigarettes. Your voice cracked from the smoke, While needles pulsed life into your skin. Your lips were cracked with only blood to kiss. I saw you naked, and I saw your flaws. Your favorite vice was your fatal flaw, And the black fire of death became your shadow. It followed you around, and it saw our first kiss, Which was our last, because you chose your cigarette. So a charcoaled monster brooded beneath your skin, And your flesh succumbed to the white ghosts of smoke. You died in smoke, from your flaws. Your skin’s now dust, roaming with the shadows. So I’ll smoke a cigarette, ‘cause it tastes just like your kiss.
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39
there’s a hole in your sheet just large enough for my arm to tuck away under the cotton & above the swollen, wet mattress. you smell of *** and confidence; the lamplight glistens on your skin. tracing the scars on your skin until they’re white as a sheet, i gently kiss each one, confident that you will return them. armed with love you leave the mattress, our fortress of white billowy cotton. as you reach for your cotton boxers, i marvel at your skin. left alone on the lumpy mattress, i cover myself with the sheets, exposing just my face and arms. i love watching you walk; confidence seeps out of your pores. confidence i can touch under the cotton when i’m wrapped inside your arms, flesh to flesh skin to skin together for hours under the sheets, our own world on this mattress. i feel secure on this mattress knowing i can always confide in you. rain’s coming down in sheets, soaking the plants hidden by cotton. you return with shiny drenched skin, soaked roses bundled in your arms. wiping my tears with my arm, i leap up from the mattress, the thorns have pierced your skin. i pull them out with confidence and lead you to the cotton where we’ll play under the sheets. on this mattress we’re both confident. my arm tucks away beneath the cotton skin to skin under the sheets.
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Jun 17, 2010
Jun 17, 2010 at 1:36 PM UTC
sestina in the sheets
What the Tide Knows —a Sestina of one night shared with our sister moon Night’s first blush leans low against the tide that licks the sand; moonlight unhooks the darker seams of our skin. The air stings sweet, crystalline breath of salt. A feral moon, she leans close—silent, luminous, wet. Her ******* dip the water; the water dips us—oh…slow pull after slow pull—silk unraveling into constellations—we are, at last, bare bare-foot, bare-hearted, bare-assed—every hush of fear laid bare; satin chill a caress, sliding up shins, over knees, exploring the secret tide. Between us, dampness trembles—a harp-chord plucked across our skin; notes of brine flare and fade in the hush of moonlit salt Desire itself echoes each pull she tightens—loosens—tightens again in the moon’s slow, intimate pull. Night after night we bend to nature’s lust—its intimate pull a deep, slow kiss—honey for dreams, our spirits once more bare on a starlit shore that forgets and remembers the faithful tide that knows each breast, each soft fold of skin until our footprints shimmer, then vanish in a tidal pool of salt while water’s slow tempo keeps time beneath our same bare-breasted, sister moon Brine prisms drip between our thighs—soft, shimmering salt as we sink into sand—breasts and breath—utterly bare; above us, the hush of waves keeps time with the tide while our sister, the ****** moon, unbuttons herself—O luminous moon, her silver hand wandering, circling, stroking her own pale skin, her gasps spilling down to embrace us oh so tight into one, shuddering, pull Dawn’s silk-white wraps moon-bruised ******* gathering the last flecks of salt that cling to lips—a hush of spent sighs riding every slow pull of breath. Ocean-wet, sunrise-warmed, we rise wholly bare beneath a sky tinted with our spent, satisfied sister moon, and wade until cries of ecstasy between waves swell, matching the tide washing footprints, sand, and shy shimmers from our glistening skin. We become as one, a shared pulse—wave after wave pressing into skin, A sousing of honey and ocean on lips—sweet with salt, as night’s last breaker swells, arches, cups—one unquenchable pull before it raptures. We bloom wide, throats singing, utterly bare of nothing but vision of her white-hot spasm, our sister moon, dragging us under—flinging us back—gasping—embraced by the heaving tide O sister moon, embrace our last slow tide, your gentle hand forever filling our dreams, forever caressing our skin
0
Sep 1, 2025
Sep 1, 2025 at 6:01 PM UTC
The Tide Knows
What the Tide Knows —a Sestina of one night shared with our sister moon Night’s first blush leans low against the tide that licks the sand; moonlight unhooks the darker seams of our skin. The air stings sweet, crystalline breath of salt. A feral moon, she leans close—silent, luminous, wet. Her ******* dip the water; the water dips us—oh…slow pull after slow pull—silk unraveling into constellations—we are, at last, bare bare-foot, bare-hearted, bare-assed—every hush of fear laid bare; satin chill a caress, sliding up shins, over knees, exploring the secret tide. Between us, dampness trembles—a harp-chord plucked across our skin; notes of brine flare and fade in the hush of moonlit salt Desire itself echoes each pull she tightens—loosens—tightens again in the moon’s slow, intimate pull. Night after night we bend to nature’s lust—its intimate pull a deep, slow kiss—honey for dreams, our spirits once more bare on a starlit shore that forgets and remembers the faithful tide that knows each breast, each soft fold of skin until our footprints shimmer, then vanish in a tidal pool of salt while water’s slow tempo keeps time beneath our same bare-breasted, sister moon Brine prisms drip between our thighs—soft, shimmering salt as we sink into sand—breasts and breath—utterly bare; above us, the hush of waves keeps time with the tide while our sister, the ****** moon, unbuttons herself—O luminous moon, her silver hand wandering, circling, stroking her own pale skin, her gasps spilling down to embrace us oh so tight into one, shuddering, pull Dawn’s silk-white wraps moon-bruised ******* gathering the last flecks of salt that cling to lips—a hush of spent sighs riding every slow pull of breath. Ocean-wet, sunrise-warmed, we rise wholly bare beneath a sky tinted with our spent, satisfied sister moon, and wade until cries of ecstasy between waves swell, matching the tide washing footprints, sand, and shy shimmers from our glistening skin. We become as one, a shared pulse—wave after wave pressing into skin, A sousing of honey and ocean on lips—sweet with salt, as night’s last breaker swells, arches, cups—one unquenchable pull before it raptures. We bloom wide, throats singing, utterly bare of nothing but vision of her white-hot spasm, our sister moon, dragging us under—flinging us back—gasping—embraced by the heaving tide O sister moon, embrace our last slow tide, your gentle hand forever filling our dreams, forever caressing our skin
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40
You live on the canal, by the little swan that whittles the sun. A sudden rush of clouds, a clatter of sandals - caprice of Dublin. I knew of Dublin and its grand canal from old books tan as sandals. I read Yeats for a swan, Joyce for castle clouds that yielded little sun. But you, you were the sun! You lit green Dublin from within. Clouds fled from the canals of your eye. "Swansies." And summer's far sandals were today's sandals: time shifted in the sun, took flight like the night swan through ancient Dublin. You sent letters from the canal, letters that divided clouds, only to calve new clouds. I've never worn sandals, not ever, but when the canal danced in my dreams, the sun pierced my foot in Dublin. You were my swan, my elegant swansie, killer of cloud, conquistador of Dublin in gladiatorial sandal, herald and avatar of sun, romantic of the grand canal. Let me taste unclouded sun - let sandals upend the canal - send swans by the dozen into Dublin.
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Jun 11, 2019
Jun 11, 2019 at 10:19 PM UTC
Tuesday's Sestina