Breaking waves crashed upon my feet
toes poking into the dampened sand
on my face I felt the sun
and considered its warmth and power
got lost in quiet reflection
and found myself searching deep
within my own soul for some answers
to the great universal questions
but I did not know why we are on earth
or by what mode our story began
I was just as the sand, but a tiny speck of dust
one in the cornucopia of humanity

the wind blew a swirl of sand
large enough to partially blot out the sun
wind gusts with such force and power
I could no longer see my reflection
but stood still for fear of the ocean so deep
when I heard the slightest whisper of an answer
as if the wind sought to respond to my questions
surrounding life on earth
and how it all began
from just asteroid dust
to the gross expansion of humanity
I looked down at my bare feet

I felt on my back and neck the heat of the sun
Worried I was being burned by its power
from both sides with the sea’s reflection
I stepped into the deep
and in the darkness I found some answers
to my most pressing question
about the source of water on earth
and if colliding comets are where it began
mingling with asteroid dust
to create a hospitable environment for humanity
from fins to feet
and back to dust and sand

the frigid water squished me with such power  
there was no more time for peaceful reflection
as I sank further into the deep
no longer looking for answers
I had but one question
was this to be the end of my time on earth
when it feels like it as only just began
am I to just become more dust
catching in the dry and voiceless throats of humanity
I sank fathoms and feet
until I lightly touched down on the sand
but I could see no sun

I tried to locate my reflection
but my own face was lost in the deep
I cried out for an answer
but my mind only reeled with more questions
mainly relating to if I was still on the earth
had I been taken back to when time began
before water and dust
long before the taint of humanity
I felt as though my feet
were caught in a quagmire of mud and sand
unable to ever be dried by the sun
never touched by ultra-violet power

distorted and skewed as the water was so deep
but holding answers
to my questions
it came up from the very earth
and I began
to strip away the flotsam and dust
and stand up for all of humanity
in an instant is was just at a few feet
stopped suddenly in the sand
and shown me the grace of the sun
in all its glory and power
I saw my own reflection

I, at once, knew the answer
I no longer needed the questions
we were part of the earth
that was how we began
from magnetized and electrified dust
we mounted a charge to become humanity
growing legs and standing upon feet
walking away from the shore and sand
to stand in a meadow grown by the sun
feel the mountain power
and experience the quiet stream reflection
that can take a Being so deep

free from the bane of answering questions
I felt free to fall into the earth
become as it had began
dissolve back to dust
and let go the trapping of humanity
trade in my five-toed feet
and melt into the dunes of sand
warmed by the setting sun
granted power
through reflection
there was nothing so deep
as to have all the answers

I sat upon the red clay earth
thinking about how it all began
scratching around for a handful of dust
that represented humanity
I tossed it into the air and it flew a few feet
and landed amongst the sand
sat baking in the sun
void of power
lacking the ability for reflection
falling off the cliff into the deep
seeking answers
finding only more questions

was this how it all began
truly, no alien force or god hand, just dust
morphing into what we know as humanity
clapping hands and stomping feet
on the chemically altered sand
drawing energy from the sun
to give our homes power
no longer seeking inner reflection
to anything running very deep
instead seeking only safe answers
by asking mundane questions
never considering one’s place on the earth

my teeth clamped tight and crunched some dust
wishing it were the bones of humanity
starting with toes and feet
eating mankind like the ocean does the sand
like comets to the sun
like power
does to those impoverished and lost in reflection
leaving bodies buried deep
offering no answers
to any child’s question
to the state of the earth
to how this all began

it started with the civilization of humanity
when we planted out feet
firmly into the sand
grew crops in the springtime sun
and felt the corruption of power
lost sight of our reflection
somewhere so deep
that the true answers
only come across as more questions
as we slowly destroy the earth
same way it all began
by turning the land into dust

I saw my feet sink into the sand and get burned by the sun
Its power caused a reflection and my soul sunk deep
Looking for answers to questions about the state of the earth
Then it began to all turn to dust and I watched the end of humanity

It was early morning when she descended the steps
to the porch side, teacup in hand, dressed in her nightgown.
Steam billowed from her cup, and with a swallow
she examined her garden of weeds and unexpected peonies.
It was early for blooming peonies; frost, like glass,
still settled on the lawn, reflecting sunrise light of tangerine.

The radiant glow of tangerine
cast amber trails across steps
covered in an icy coating of glass.
Between her fingers she tucked her nightgown
and gingerly treaded the garden of peonies
that melted the frost in one great flower swallow.

The barn swallow,
perched not far from the path of tangerine,
must have also taken notice of the peonies
as he took the first steps
to nest-building. She imagined that his lady bird, also in her nightgown,
would enjoy the flowerbed of glass

that he chose for their home. Sipping her glass
of tea, she admired the familiar swallow
lover as she folded into her nightgown
bouquets of peonies that glistened in the tangerine
sunlight. She took the steps
back to the house, recalling her own swallow’s peonies:

Peonies
placed in vases of glass,
peonies lining the porch steps,
peonies presented over morning tea. With a swallow,
she carefully, methodically lined the tangerine
trail with the peonies from her nightgown.

Her nightgown,
stained with the rouge petals of peonies,
dragged along the tangerine
terrace of glass,
blood red with the memory of her swallow
lover’s peony-petaled steps.

The steps to the house creaked beneath her nightgown.
The barn swallow, quieted by the rouge of the peonies,
shut his glass eyes to the skies of tangerine.

I apoligize for not reading your posts. I have been battling my depression and have not been online .  I have written a poem about it (of course lol).  I hope you enjoy and I hope to be online tomorrow.

My Dark Tale (A Sestina)

It is a lovely time of day for tea
As I sit curled up to the song of rain
Memories arise of a deep dark pain
Storm clouds gather within my heart, darkly
Dimly, I am aware of rainbow’s hope
Wanting dreams infused with Rosemary and Thyme

Out of work, I suffer from too much time
Overeating and drinking too much tea
Depression worsens, stealing all my hope
And all my dreams shatter in the cold rain
Leaving me empty in the bitter dark
As I stare out of the broken windowpane

How I long to conquer my bitter pain
If only I would organize my time
I know then, I would rise above the dark
Instead, I get caught in cookies and tea
And sink deeper; chaos supremely reigns
I flounder once again, losing my hope

I am tired of losing precious hope
Letting despair and worthless bitter pain
To take control and determinedly reign
Structure! Will that allow me to use time
Positively? Cutting back on black tea
Getting needed sleep to fight back the dark

Rested, I can push back the hated dark
Strive to capture peace and beautiful hope
Learning once again to enjoy my tea
And not as a crutch that causes me pain
While I mourn the loss of wasted sweet time
Instead, I would see rainbows in the rain

I yearn to topple depression’s long reign,
To walk in the sun’s light, not the cold dark
Eager to greet the day and enjoy time
Pursue my dreams, infusing life with hope
Do away with doldrums and bitter pain
Relaxing and enjoying Earl Gray Tea

Envoi

To sum up, I yearn to enjoy my tea
Overcome my darkness and pain; to feel hope
While I take time to enjoy the sweet rain

Kelly Rose
© January 5, 2017

I asked my mother for a glass kaleidoscope,
but instead she handed me three shots of wine
and a field guide to running galactic bases,
which I guess is her way of selling dreams
at low prices. I have yet to understand a coffee shop's symmetry,
so I embrace the scrupulous company of a dragon-riding-a-butterfly.

One spin around the Milky Way leaves the butterfly
with holey wings and the dragon vomiting in my make-shift kaleidoscope.
The apple tree in the corner of the living room ruins the symmetry
of the space and I have to chug another glass of wine
to make up for the peach tree I couldn't dream
about and another wrong note sung by the basses.

The song's in too low of a key, which is the basis
behind the evil chinchilla's plan to mass-produce butterfly
farms as part of a larger goal to pillage the dreams
of dreamers. Luckily, we all have a handy-dandy kaleidoscope
and a bag (or two) of bitter-tasting wine
stolen from their boxes -- too much symmetry.

My brother put a block on local news; the symmetry
of our county's border was too much for me to bear. He bases
his action (when mother asks) on the wine
he didn't drink, so I throw the broken butterfly
out the window where it lands on my nephew's spinning kaleidoscope.
He doesn't know it yet, but that drum he's banging will envelop his dreams.

A hike to the top of the cliff (a leap) re-energizes my dreams
and I still can't relate to the maple leaves and their symmetry,
but at least I can look through a lampshade at the kaleidoscope
of trees dancing below me. There are seven thousand bases
yet to run and they still haven't caught the butterfly,
so a boy yells, "Drink!" and I take another sip of wine.

The dragon and chinchilla are tipsy from the wine
at this point and discuss the difference between dreams
and electricity while my mother sautés the butterfly
in ice cream and abstract ideas. The symmetry
of my right ankle is still a bother, so I tell the basses
to sing a quarter tone flat while I collide a scope.

Off goes dragon-with-butterfly (once again) and I finish the wine.
I make my nephew a chinchilla-skin kaleidoscope and rinse the rocks stained with dreams.
My mother comments on the apple tree's symmetry while the trees below keep running bases.

Funny little thing is she,
She laughs at lightning in the storm.
And what most would see as torture,
She inflicts with pride and is not scared.
Her skin is sharp like broken glass,
And through her lover’s skin she tore.

Through her safest home she tore.
Stupid little girl is she.
They try to mend her broken glass
But the edges cause destruction of a storm.
Please don’t run, don’t be scared,
Don’t be a part of her torture.

Running love is her only torture,
Not pain that through her heart tore.
Distance leaves her crying scared,
Unable to control the fear in her.
Maybe she is the rain in the storm,
Shattering passing window glass.

Maybe she doesn’t mind the glass,
She doesn’t think this is torture.
And maybe it’s not a storm,
But a hurricane she tore
Out of her skin. She
Is no longer scared.

The distance does not make her scared.
Her skin is no longer broken glass.
Alive little girl is she.
Nothing more will be her torture.
She doesn’t need the lover she tore.
No longer does she hide from the storm.

Not sunny skies, but no more storm.
Not yet calm, but at least not scared.
Not yet healed, but not torn.
Maybe cracked, but not broken glass.
Some discomfort, but it doesn’t feel like torture.
Strong little girl is she.

Screaming insanely she tore herself out of this storm.
No one will say “she’s gonna lose it”. Because she somehow she is not scared.
It’s a mystery how she fixed her glass, or how she can still tolerate the torture.

A map guide clarifying the wrong place
Stoic expressions with implied purpose are no help
Busy streets bustling about this foreign land of no lights
High buildings sporting officiality block my view
Of the mountains and rivers now paved over by ideals of the future
A showcase of grey streets, walls, and skies; I am left hopeless.

No color, no contrast, just black and white: the architects are hopeless
All the intricate designs and patterns are of a different time and place
I cannot be trapped in the colorless cinema of the town; I search for a vibrant future
Native minds drear into the day, knowing not that they desperately need help
The neon lights and rain shower rainbows are not an element of the city's depressed view
It's as if the colorblind man blackened the city and closed his curtains to the light

The planes cannot find where to land because someone put out the runway lights
Auras only shine in black and white, the long since hopeful are now helplessly hopeless
I exhale my dissapointment towards the uninspired dead end view
And mournful rainbows melt out of the sky, defeated. Why did I come here in the first place?
Perhaps I am the prophecy, the ******, the angelic omen sent by God to help
Or perhaps that is conceited; one person alone cannot brighten this future.

No amount of psychic ability or math calculations could have predicted this future
Somebody shot down the angels, choked out all the lights
Malicious villains took over as citizens realized superman wasn't coming to help
Thus the people watched as the color drained out and faded away, oh, they are hopeless
Cacophonous chaos throws broken hearts, leaving shards all over the place
A kaleidoscope zoom reflects nothing but melancholy expressions into my view.

When was the last time the sunshine peeked through the window's view?
Did the sun burn out from uncertain predictions of the future?
I try to envision when only the bleakness of TV sets in the city were out of place
Because psychedelic intricacies ruled, shinning proud neon lights
But then the clouds greyed the sky once the colorblind man began to feel hopeless
His dimension of colors disagreed with the perception of others, shying him from help

Nobody could answer his message in a bottle, his SOS, his plea for help
So day after day darker walls constructed over his already restricted view
At points in our lives our faith finds nothing to battle the hopeless
But news of the blind man seeing purple mountains ignites faith in the future
Of the man of no color who painted the city grey and drained the neon lights
Because his color is not non-existent, but waiting to be found in his own secret place

So perhaps we can help transform this dystopia into a brighter future
We cannot let be a view that we know has the capability to glitter in the light
We will smolder the pollution cloud of hopeless energy and enlighten this place.

Are you sound of mind?
Addicted to dandelions
like the ocean is to ice.
Wait outside the blood bank,
learn how to write dialogue
and make saccharin spines.

My journal is a tangle of spines,
keep an open mind
help me box up my ****** dialogue.
I’ve always been a fan of dandelions
etching paths along the river bank,
streams within the winter ice.

Buckets of camphor ice
relax the notches in spines
as we wait in line at the food bank.
Thoughts of jawbones on my mind,
the taste of dandelions
and organized pre-scripted dialogue.

Backhanded blue dialogue,
counting the vanilla crystals of ice
blowing the smell of cinnamon into floating dandelions.
My hands handle happiness spines
with the peace of mind
of money in the piggy bank.

Let's rob a bank
shooting quiet malleable dialogue
through an altered state of mind.
Your ribs are two sheets of ice
ivy wrapping around our intertwined spines
crumbly blowing breaths of dandelions.

Second hand dandelions
build up in the river bank
muddy trenches around spines
whisper outspoken blue green dialogue.
Three pounds of dry ice,
warm water vapour at the back of my mind

Store buy your dandelions, bear in mind
that the West Bank is covered in ice
and that spines speak their own muted dialogue.

A SESTINA FOR BRIAN

How being born on Christmas Day can make
some people think that you have this passion
for being so compassionate and construct
all sorts of things like Christ the Great Carpenter
did for living spaces of all levels
of human dwelling. You have always had to create
things for dwelling spaces and you always change
It’s like you have been going in your innate passion
since you were a baby. I saw you in winter, to make
a snow igloo. You had everything planned and constructed
this igloo right by the side of the house. It had this level
of true sophistication for a boy of your age. You could create
wonderful things: towers and tree forts and then change
to art work to decorate our house.
Brian, I’ve known you to go out of your way to make
breakfast for us. I remember the strange passion
you had and made us peanut butter and banana constructions
of pancakes. You did all sorts of culinary things on the level
of perfection to even make the best chefs just create
something to quench their envy of you. You never change
Now, when you got older, you still possessed this desire to make
you went through Penn State Ogontz and kept up this passion
to create other things and learn enough to construct
buildings but you needed the education to earn a living to create
things with your hard-earned degree and actually change
and re-arrange houses or interior of places on a different level
Why your inner mental and emotional makeup came out in such passion
that all who came into contact with you when you failed to construct
a certain project to your own perfectionistic liking and it made
you very angry and you used such profanity and it just changed
you from this compassionate and soft hearted soul into creating a raving demon out of you.
The way that you used to go out of your way and created
A wonderful family unit from a wife to a pair of children made
you bring out another facet of your personality: the father level
The two children came out of that union as some construct

from your desire to keep on creating through this passion
to keep up on revising and re-building so that you always change

@2006 Linda Barrett

how many paths, how many loves
living and changing and ever climbing
learning and growing and springing over
like purple sunsets entering red mountains
each experience reopening your eyes, gaining
wisdom and freedom, ever increasing strength

Atlas holding Gaia, never ending strength
becoming charged and overcome with love    
encircled with history and caring, gaining
a repertoire of eternal connections, climbing
into dream fields surrounded by mountains
will this serenity ever be over?

though hopefully the uncertainty will be over
and that we will have strength
to conquer all the encountered mountains
created by each newly attained love
embrace avenues crossed and obstacles climbed
to have pleasure and confidence gained

though will paradise ever be gained
allowing forgetfulness of pain we're over
while still remembering friendships we climbed
every node you pass gives strength
for the next stage of love
giving elemental power to move mountains

our past shadows creating fresh mountains
to relive, to adore; understanding gained
so many different forms of love
meaningfully distinct, passed but never over,
each one providing new wonderful strength
to allow us unique nirvanas climbed

always strive for larger heights climbed
those hopes will be worth mountains
don't fear any loss of strength,
weakness endured is often willpower gained
hate and sorrow should never over-
come the treasureful bliss of love

*Don't be afraid of the climb to the top of the mountain
unbelievable strength will be gained,
all the adventures that are over will become unforgettable love

I think about her all the time
The look in her eyes and the way she smiles, and I wish
That someday, somehow I could be her star
To hold her close and keep her warm when it rains
But for now, all I could do is wait
For her to notice me, a girl I call Jane.

She was the first girl I noticed, this girl I call Jane
After a year full of misery and wasted time.
Like a pretty rainbow after the rain,
She came into my life~breathtaking yet so unreachable like a star
So I tried to hide how I felt and made myself wish
That she was never worth the wait.

I try hard each day to avoid looking at her eyes, like stars
They shine so brightly even when it rains
And it never gets easier every time
To just sit around and hope and wait
For her to notice me, that girl I call Jane
But I can dream, can't I? I can dream, and I can wish.

The moment finally came when I could no longer wait
For the girl forever, the girl I call Jane
So I sent her a message~a secret wish
That I'd be worthy for a minute of her time
And one fateful night when everything went right, we talked about the stars
As the seconds turned into hours while I stood there in the rain.

But the sun has permanently set in my life, and permanently it rains
Permanently I'm left with nothing but to permanently dream and to permanently wait
On a bed of nails without her, without Jane
And every night as I close my eyes, I'd wish
For another chance to be with her~another time
But I'm not the one that she wants; I'm not her star.

And if God could grant me just one wish,
May she crash into me like a shooting star
Because my heart's gone cold from all this wait
From all these thoughts concerning Jane
But if this love is a thunder, then bring on the rain
To help me drown her out for the last time.

Tonight I'll look up at the sky and make a wish upon a star
But until the day it comes true, I'd wait here forever patiently in vain under the rain
For time to find me a place in the diary of Jane.

the backyard is home to a field of flowers
amidst the roots the family dog discovers skeletons
the petals stick to themselves; the weeds spread
it's found that the flower-bed holds its secrets
with curiosity and wandering eyes comes a child
in innocence, he opens his arms only to receive pain

he drops to the earth, writhing in pain
his light form crushing the weeds and flowers
the dog barks at the screaming child
and tries to release him from the skeletons
the strength of their grasp is that of their secrets
you see the effects spread

across the child's skin they spread
his face warping under the pain
opening his mouth, he began releasing his secrets
telling only the ears of the crushed flowers
and the arms around him, those of the skeletons
look at the helpless child

the bones are engulfing the child
grabbing and pulling, faster they spread
the boy becomes one with the skeletons
he becomes one with his pain
his body sinks further down into the flowers
and the flowers promise to keep his secrets

the weeds overheard his secrets
the boy looks less and less of a child
as he settles in with the flowers
making room for him, the flowers spread
the suffering subsides, decreasing pain
he's almost as the skeletons

his body unites with the skeletons
the ***** age keeps his secrets
no longer is there pain
no longer is there a child
into the ground, his limbs spread
into the roots of the flowers

the pain no longer is in the child
because the skeletons stole his secrets
his bones spread among the flowers

azure sestina
July 16, 2013

Brought to face ourselves finally,
what choices do we have in capturing the moment?
If I were given this chance
it would be most important to know for sure.
Look life in its eyes,
and see their sad shade of deep, blue, azure.

No matter how black my heart taints, or how bloodied my lips are stained, all that matters is azure.
I'm up against a stare that petrifies me, until I beg for freedom finally.
But I am powerless to escape those eyes.
I begin to enter your forever after ending never, in just one moment,
and I feel as though I can't say goodbye until I die, so I can be sure.
Sure that there really would be no second chance.

I first told you, "Take a chance,"
but we started with an ending, engulfed in azure.
My heart stretched further apart, as yours stayed unsure.
It broke finally.
Vanished in a month's mournful moment,
by the blink of those refusing to cry eyes.

I had to see things through your eyes.
So I could know that I should have left this all to chance.
You can blame me in the end, for ruining the moment.
As I rope back in my emotional tide, from the dark depths of azure.
I'll dock that torn up boat at your door, and conclude the voyage finally.
You wanted space, so you've got it, sure.

The blackberry bush had one new bloom
Its light fragrance was so delicate and sweet
I closed my eyes to breathe in deep its beauty
And felt as if I were floating on a leaf
Traveling down a quiet meandering mountain stream
Touching down on a sandy beach

The soft sand of the creek beach
Was outlined by brambles in full bloom
I thought of the blackberries to come, how sweet!
And gave a moment to consider the beauty
Of one thorny leaf
Plucked it and tossed it into the stream

I considering taking a dip in the stream
And I took my shoes off on the beach
I could see on the shore an algae bloom
And wondered if that would taste sweet
Before the plunge I looked at the crystal clear beauty
And cast myself in the water as I had the leaf

When I broke the surface on my face was a leaf
Floating unaware down the little stream
Seeking only a place to land, like a nice beach
To be amongst the other blooms
And create a berry so sweet
That, would be the truest beauty….

I was caught up by the beauty
Of a twisting maple leaf
Falling down, down to the babbling stream
Bypassing the sandy beach
And casting no glances to the opening bloom
Giving no thought to their future sweet

I swam to the shore thinking about berries so sweet
Sunlight dancing on the water created such beauty
That I stepped on a sticker leaf
And fell backwards into the stream
Filling my shorts with sand from the beach
And giving my *** cheek a nice rosy bloom

I sat on the beach right next to a mountain stream
Watched a leaf float by in all its beauty
From a sweet blackberry bush in full bloom

Sleep is timed to the minute,
my breaths let out lazy smoke
icicles make goose bumps into paragraphs
books written on my arms through yellow mist
bare feet in the morning on my rooftops
counting international planes in the sky.

My migrant bones take to the sky,
each moderate minute
that passes by on my rooftops,
increases the rawness of smoke
like lung-fulls of lemon mist
spewing a nebula of paragraphs.

In the murk of paragraphs
red papery ashes explode into the sky
leaving a cloud of syllable mist.
The last fragile minute
reduces my shivers to smoke,
a winter shell of shoulders on rooftops.

Double exposed film across rooftops
turn silhouettes into paragraphs,
a congregation of vapours and smoke
speaking soliloquies into the sky.
I am minute,
dissipating into canary mist.

Billows of ocean mist
make my fingers melancholy on rooftops
where a tidal minute
freezes salty foam paragraphs
a vacation from the sky,
my mossy perch and violet smoke.

Heliotropic smoke
spirals against dense mist;
fine rain blinding the sky
soaking lemonade rooftops.
My bed of paragraphs
curls into an illegible minute.

The lilac smoke in my eyes is almost minute.
A mustard mist wrinkles the paragraphs,
like the purple sky dropping over the rooftops.

This morning, out in lightly falling snow, I heard geese
as flights of them flew overhead. Like a shot
I was ten again, Grammy and I at the lake. I’d sit in the bow
of my canoe, pulled awkwardly ashore, neck craned back to watch the sky.
I was always sad to see them go; their calls so many cold goodbyes.
Ice encrusted water slushed against the dock in slow motion waves.

It was time to seek new horizons, where waves
of Floridian waters would embrace the geese.
My grandmother said that every new adventure started with goodbyes
to one thing or another. If I were ever to have a shot
at following my dreams, there’d be farewells as I reached for the sky.
Instinct would lead me onward to my accomplished bow.

One year Momma and Poppa Goose stayed behind, a nest in the bow
of my boat. The wintery sky turned black with departing waves.
They would call out as the flying ones filled the sky.
Wounded wing grounded Poppa. (Canada geese
mate for life.) Momma would not leave her mate, recently shot
during hunting season. She would not yet say her goodbyes.

This, then, was the winter of no cold goodbyes.
Before school, pony tailed hair with ribboned bow,
blowing in the stiff breeze, I’d take a shot
at keeping ice from the edge of the lake, waves
arrowing out as they swam. The geese,
with an itch in their wings, anxious for a return to their sky.

That summer Poppa introduced his flock to the sky,
practiced formational takeoffs leading to goodbyes.
Clouds overhead gathered gray with unfallen snow as the geese
took flight. My two watching for a moment, dipping heads in an elegant bow,
before joining in the aerial ballet of strong winged waves.
Grammy’s strong hand gripped my shoulder, then-- the parting shot.

Grammy joined the geese beyond the horizon. No miracle shot
or endless love could keep her with me. Heaven was in the sky.
I knew she was watching although there’d been no time for final waves.
Her new adventure started without time for goodbyes.
Outside, snow blanketed as I cried myself to sleep. Her final bow
had been silent, but she’d been telling me, as had the geese.

Overhead the geese are shaftless arrows shot
from an instinctual bow piercing the morning sky
with their raucous goodbyes. Time waves.

The deep sighs of fall
send chills across the daisies.
My compass is sick
and there’s a sense of urgency in my eyelashes,
feeling around for the blisters on my skin
searching for a bed to sleep.

Facets of sleep
encourage the rain to fall,
cold weather raising capillaries under my skin.
I wrote the history of the Holocene era on daisies,
microscope lenses tickling my eyelashes;
dim lighting makes me home sick.

My mind is sick,
I dream of oceans in my sleep,
medicine labels printed on my eyelashes
pill bottles coloured like fall.
Tattoos of purple fringed daisies
cover my shoulders like skin.

Teeth full of apple skin;
asking God how not to be sick,
wondering if a sacrifice of daisies
will get my blood to sleep.
My hair is like the leaves during fall;
I hope I get to keep my eyelashes.

There’s snow in my eyelashes,
landscapes of frost form on skin
the cold air begins to fall,
I decide to call in sick
preferring to hide in a hot sleep
until my breaths sprout purple daisies.

How to grow Gerber daisies,
without losing my eyelashes?
My fingernails are full of sleep,
hot tea grasps at my paper skin.
The panacea for the sick
is a perfect concentration of wool sweaters and fall.

You eat daisies in the fever of fall.
Through my eyelashes I am morally sick,
but yesterday I finally let sleep settle into my skin.

The first pair of shoes you wore were black,
velcro straps sat atop your pair of dollies
to make it easier to put them on for the park.
They were meant to be smart, but you laughed
as you wore them against the ground so free
as dad slung the swings, smiling at his child.

Our mum told me I was a creative child:
I didn't like to wear anything black. Red
suited me in how I stood in puddles, free
in indifference to how brown my wellies
became. If I was asked why, I'd shout,
“I'm pretending we're all at the seaside.”

From there we made our way to beaches,
where the wind was crisp and the children
we could see around us acclaimed screams
of emphatic joy at how the sea was so blue
and big. We had to wear pairs of sandals
when we went, but being barefoot felt free.

All that time we had at being young and free
soon went with the summer ending in school,
the arrival of my freshly polished black boots
was identical to almost every other child's-
a lather of paint dripping over in mud yellows
proved who I was with a mother's groan,

and this wasn't the only time she wailed.
As we grew older and wanted to be free,
my sister started to experiment with pink
highlights in her hair as I visited clubs
with fake ID. We were adults with childish
personalities in how I wore my Docs

like a religion for feet, my sibling in high heels
that you could hear in Sunday morning claps.
The arguments broke out: she wanted a child,
mother saying was too young, needed to free
herself from lazy culture and find a workplace.
I'd never seen both their faces so gushed red,

just like the red richness of those wellies
I had worn in the park. I pipe up and say,
“The best freedom is our time as children.”

Like burning marshmallow,
the clouds this Monday.
Thumb over the phone
& the words to you pop
& sway like gin pink
with bitters. Lily lady,

O my lily lady,
kiss me marshmallow -
sticky and tinted pink
with lip on a rainy Monday.
Green window pops
arrive on my phone,

this sweet black phone
that brings you, my lady,
over Atlantic's salt pop
& volted marshmallow.
So on this Monday
when the sky draws pink,

& clouds too are toasted pink,
I take this thin phone
and find you. On this Monday,
my Dublin lady,
under a melting marshmallow
sky, I seek out your hot pop,

that flame that's popping
in the twilight, red and pink.
Sweet as marshmallow,
you burn through my phone,
my smiling lily lady,
even on a Monday.

& so this Monday
like a soap bubble pops.
I'm inspired, my lady,
by the silken pink
thing. On your phone,
a swan's wing of marshmallow.

Yes - Monday's poem comes pink,
& pops with phone messages
from my lady, soft as marshmallows.

I have come, alas, to the great circle of shadow,
to the short day and to the whitening hills,
when the colour is all lost from the grass,
though my desire will not lose its green,
so rooted is it in this hardest stone,
that speaks and feels as though it were a woman.

And likewise this heaven-born woman
stays frozen, like the snow in shadow,
and is unmoved, or moved like a stone,
by the sweet season that warms all the hills,
and makes them alter from pure white to green,
so as to clothe them with the flowers and grass.

When her head wears a crown of grass
she draws the mind from any other woman,
because she blends her gold hair with the green
so well that Amor lingers in their shadow,
he who fastens me in these low hills,
more certainly than lime fastens stone.

Her beauty has more virtue than rare stone.
The wound she gives cannot be healed with grass,
since I have travelled, through the plains and hills,
to find my release from such a woman,
yet from her light had never a shadow
thrown on me, by hill, wall, or leaves’ green.

I have seen her walk all dressed in green,
so formed she would have sparked love in a stone,
that love I bear for her very shadow,
so that I wished her, in those fields of grass,
as much in love as ever yet was woman,
closed around by all the highest hills.

The rivers will flow upwards to the hills
before this wood, that is so soft and green,
takes fire, as might ever lovely woman,
for me, who would choose to sleep on stone,
all my life, and go eating grass,
only to gaze at where her clothes cast shadow.

Whenever the hills cast blackest shadow,
with her sweet green, the lovely woman
hides it, as a man hides stone in grass.

Your brittle calcium coated voice
slides down my throat like water,
little blue gods of poetry.
Nothing to do but **** and fight.
There’s a run on sentence in my veins
whole flowers framing my bruises.

My bone quiet bruises
wait five miles from your medical voice,
english coastline of veins
covering my anatomy like large bodies of water.
**** yesterday’s fist fight
you left your apologies in poetry.

My alcoholic poetry
a blood orange coated in bruises
a history of last night’s pillow fight
catching religion in your voice.
The swallows splash in water
quiet in my dessicate veins.

Fields of goldenrod veins
make my honorary poetry
a theory of cursive water.
Leave aching vegetarian bruises
on my calloused voice
from tearing open the sun to fight.

A polaroid water fight
rolls around in my open veins
a punctuation of your raspy voice,
hospitalized my skin in poetry.
A reckless consumption of bruises
with a mint leaf in a glass water.

Soft echoes burn across the water
silver scissors in a domestic fight
running away from bruises
and mountains of veins.
My second language is poetry
giving my fingertips a muffled voice.

Empty water pleads with your broken voice,
makes me fight against pleated poetry
and pomegranate bruises tighten in my  veins.

Beams directing traffic on Belmont
Paintings of St.Mary in each house
A blessing is in the home of Sanchez
Yelling at the top of my lungs, Alexandria!
Her lips the color of a summer rose
She might meet my girlfriend

Tired of the flat girlfriend
I ride the 70 down Belmont
In a garden I pluck a rose
And wait outside her house
Oh how I love the name Alexandria
The finest gem from Mrs. Sanchez

I love the sound of an Sanchez
It brings shame to my girlfriend
That fiery accent calls me to Alexandria
No matter the distance between me and Belmont
She can look in front of her house
Im on her sidewalk, holding a rose

I will always hand her roses
Predjuice eyes from a concern Sanchez
Oh if they ever found me in that house
So she walks to my girlfriend's
Away from the curious eyes on Belmont
They've ask where is my Alexandria?

Don't worry my Alexandria
Soft like the pedal of a rose
Let me kiss you outside of Belmont
Where nobody is named Sanchez
Show you where I lay next to my girlfriend
We can make love all over this house

Just get comfortable in this house
Spray that majestic spirit, Alexandria
Maybe I pass this flavor to my girlfriend
If willing, she can even get a rose
Call it the night she tasted a Sanchez
What we can share with the Latina on Belmont,

A girlfriend is snow on a dying rose
Warm in a house with a gem called Alexandria
Kissing the skin of an Sanchez, on Belmont

I should have kissed you before you ****** on your smoke,
Before the fluorescent elevator lights illuminated the flaws
That danced and drifted along your skin.
The thick smoke mingled with your shadow,
A shadow of a man; no face, only a cigarette.
You breathed in smoke, but your lips were positioned for a kiss.

I don’t look like the other girls, the ones you used to kiss.
I can still picture your eyes, reddened by smoke,
And your lips as ashy as your cigarette.
And I hoped you, too, could forgive my flaws.
Like how my body casts too wide of a shadow,
And the sallowness of my ordinary skin.

Things that really shouldn’t remind me of your skin,
like old leather books with burnt paper that I bet taste like your kiss.
Such books I read in the shadow,
And hide, like the way you hid behind your smoke.
Because, like the way I love a bad book and its flaws,
I could love you and your cigarette.

I’ve held your hand, the one that holds your cigarette,
And I felt the sandpaper of your skin.
I smelt the airy cologne you use to cover the flaws.
It smelled light; you used just a kiss.
Now, I smell only smoke,
And the memory of your touch is a shadow.

In the hospital you were no longer a shadow,
But a body, surrounded by walls as white as your cigarettes.
Your voice cracked from the smoke,
While needles pulsed life into your skin.
Your lips were cracked with only blood to kiss.  
I saw you naked, and I saw your flaws.

Your favorite vice was your fatal flaw,
And the black fire of death became your shadow.
It followed you around, and it saw our first kiss,
Which was our last, because you chose your cigarette.
So a charcoaled monster brooded beneath your skin,
And your flesh succumbed to the white ghosts of smoke.

You died in smoke, from your flaws.
Your skin’s now dust, roaming with the shadows.
So I’ll smoke a cigarette, ‘cause it tastes just like your kiss.

there’s a hole in your sheet
just large enough for my arm
to tuck away under the cotton
& above the swollen, wet mattress.
you smell of *** and confidence;
the lamplight glistens on your skin.

tracing the scars on your skin
until they’re white as a sheet,
i gently kiss each one, confident
that you will return them. armed
with love you leave the mattress,
our fortress of white billowy cotton.

as you reach for your cotton
boxers, i marvel at your skin.
left alone on the lumpy mattress,
i cover myself with the sheets,
exposing just my face and arms.
i love watching you walk; confidence

seeps out of your pores. confidence
i can touch under the cotton
when i’m wrapped inside your arms,
flesh to flesh skin to skin
together for hours under the sheets,
our own world on this mattress.

i feel secure on this mattress
knowing i can always confide in
you. rain’s coming down in sheets,
soaking the plants hidden by cotton.
you return with shiny drenched skin,
soaked roses bundled in your arms.

wiping my tears with my arm,
i leap up from the mattress,
the thorns have pierced your skin.
i pull them out with confidence
and lead you to the cotton
where we’ll play under the sheets.

on this mattress we’re both confident.
my arm tucks away beneath the cotton
skin to skin under the sheets.

What is love?
Murasaki would say it was an obligation,
a sort of duty
where the rules
say to bury one’s emotions
and succumb to the overpowering ***.

Mian Mian embraces the sexuality
of her culture. Arguing that love
is the force behind drugs and emotion.
It is not the government’s obligation
to dictate the author’s form of rules
on writing a novel that serves its own duty.

How does Black Jade feel about her duty?
Despite her lover’s sexuality
and his matriarch’s ruling
of marrying well even if he does love
her, the family cares more of their obligation
then of their prized sons emotions.

Coco lived by her emotions.
The sickness of Tian not her duty
as it would have been in the old days. Lui’s obligation
to turn in Shiba overruled by rough ***
and her quest for painful love
in a time that disregards all form of rule.

Peony was one who broke the rules
but was rewarded for it. Unless it’s Peony #2 because her emotions
got the best of her when she fell in love
at the wrong time. It was not her duty
to see the play nor feel anything ******
in the Three Wives Commentary; this, her obligation.

Was it Abe Sada’s obligation
to castrate her lover and make her own rules?
Madame Mao too knew all about ***
and succumbed to her emotions
when her duty
was no longer to love.

From emotional red chambers with rules
on obligatory ***, the cycle of East Asian
love patterns has yet to fulfill its duty.

Of withering tempests screaming to the break of sunlight,
Of unrelenting wind and pounding rain, she stands
With her back to crashing waves and painful bellowing,
A weak induction of steady sighs and silent contemplation
Would perhaps bring a peaceful conclusion to the rage
And reproach of a Goddess stirring on the fringes of insanity.

But never would it have taken to fresh insanity,
The gentle swirling of confusion between glaring eyes and sunlight,
How she would wish never to part from the burning of rage
And leave a scorched shadow on the very place she stands.
Never did she desire for the learned art of contemplation
But instead found solace in a frozen lake of tears and bellowing.

At the end of such a night filled with harsh anxiety and frenzied bellowing,
She finds herself staring into the gleaming eyes of Insanity,
Who dwells in sweet and blissful contemplation
And harvests the piteous glow of sunlight
Such that any man would freeze and cease where he stands
And succumb to the urgings of exhilarating rage.

A chilling gust would release the embracing rage
And perhaps bring wishful silence to the obnoxious bellowing;
She feels her feet sinking through the sand and stands
out of reach from the tearing claws of Insanity.
Relief in the warmth of ethereal sunlight
Proves a worthy companion of contemplation.

Eudaimonia, she finds in her deep contemplation
Free of sorrow, empty and weary from her onslaught of rage,
She casts herself into the welcoming cracks of sunlight
And in Euphoria, she finds herself no longer bellowing,
The slow and steady pull of her chains toward Insanity
Break away and leave her where she stands.

In new light, she finds her strength and stands,
Embracing the drifting stream of wraithlike contemplation
Would send shivers and open wounds that might invite Insanity,
But turning around and gazing out into those waves might blind the Rage
And bring peaceful sighs to interrupt the senseless bellowing
Such that black clouds would give way to glorious sunlight.

To the death of Rage and the estrangement of Insanity,
The wistful bellowing banished in the silence of contemplation,
The Goddess stands with her back to the wind, tears dried by the warm sunlight.

LOQUITUR: En Bertans de Born.
Dante Alighieri put this man in hell for that he was a stirrer up of strife.
Eccovi!
Judge ye!
Have I dug him up again?
The scene is at his castle, Altaforte. “Papiols” is his jongleur.
“The Leopard,” the device of Richard Coeur de Lion.

I

**** it all! all this our South stinks peace.
You whoreson dog, Papiols, come!  Let’s to music!
I have no life save when the swords clash.
But ah! when I see the standards gold, vair, purple, opposing
And the broad fields beneath them turn crimson,
Then howl I my heart nigh mad with rejoicing.

II

In hot summer I have great rejoicing
When the tempests **** the earth’s foul peace,
And the lightning from black heav’n flash crimson,
And the fierce thunders roar me their music
And the winds shriek through the clouds mad, opposing,
And through all the riven skies God’s swords clash.

III

Hell grant soon we hear again the swords clash!
And the shrill neighs of destriers in battle rejoicing,
Spiked breast to spiked breat opposing!
Better one hour’s stour than a year’s peace
With fat boards, bawds, wine and frail music!
Bah! there’s no wine like the blood’s crimson!

IV

And I love to see the sun rise blood-crimson.
And I watch his spears through the dark clash
And it fills all my heart with rejoicing
And pries wide my mouth with fast music
When I see him so scorn and defy peace,
His long might ‘gainst all darkness opposing.

V

The man who fears war and squats opposing
My words for stour, hath no blood of crimson
But is fit only to rot in womanish peace
Far from where worth’s won and the swords clash
For the death of such ***** I go rejoicing;
Yea, I fill all the air with my music.

VI

Papiols, Papiols, to the music!
There’s no sound like to swords swords opposing,
No cry like the battle’s rejoicing
When our elbows and swords drip the crimson
And our charges ‘gainst “The Leopard’s” rush clash.
May ******* for ever all who cry “Peace!”

VII

And let the music of the swords make them crimson!
Hell grant soon we hear again the swords clash!
Hell blot black for always the thought “Peace!”

A square, white, four bedroom, one bath country home
With fourteen kids, parents and much family love
We didn’t have abundance:  fiscally poor
But we had each other:  banked on our family
We shared our victories and or trying pain
We were a modest Scottish Catholic Clan

Isolated, we were not to our immediate clan
Our uncle’s lived within a trot, fifteen in his home
We kids worked and played on the farm without pain
It was an adventurous labor of extended family love
We worked, laughed, cried, and played as a family
In the early years, we young ones were anything but poor

However, in grammar school, we learned the meaning of poor
And materialism and envy, outside our cloistered clan
But together we lived and loved as a close nit family
Sure we had disagreements, not material goods, but a solid home
White paint peeled on the outside, yet inside was painted love
Still, there were poverty jokes, ridicule and masked pain

Every family has strife, baggage, and superfluous pain
Our parents didn’t drink; we had faith, yet fiscally poor
Ole Dad plumbed toilets; Mom slaved in the house, both with love
So we wouldn’t trade riches for our impoverished meager clan
Summer berries to pick, winter sledding, spring kites, and forever home
Kickball games, splashing  in ponds, nature hikes and family

We were not taught to show emotions, hug, not an “I love you family,”
Albeit, an honest, polite, and proud Scottish Clan
The old house was eternally warm; it was our forever home
Until 1999. Dad passed from cancer still money poor
Yet rich in the knowledge of family and that his true pain
Was never saying that word; on his deathbed he whispered “Love”

Though our patriarch was laid to rest, we rose with the word “Love”
Eventually, the house was sold, but always one huge family
Mom spends her days in a retirement home remembering her clan
As time passes and memories fades, it lessens the pain
Of the loss of a noble father, economically poor
Yet with a strong work ethic, church, and love, built a home

Fourteen children now forged fourteen homes on love
Many, still, financially poor, but rich in forever family
Correcting mistakes that caused pain, while perpetuating our clan

Working at the amusement park is a grand old time.
There’s nothing like having to hide
In the ticket booth when you wanna smoke a joint
So your boss doesn’t find out and fire you.
Every ride has bright, multicolored lights
And this is how I waste my time away.

The closest bathroom is half a mile away,
Those Porta-Johns are full all the time
And always smell like Marlboro Lights
It’s where those teen brats like to hide.
A kid always asks for another toy gun from you
And immediately bends it all out of joint.

Jocks, barbies and snotty kids mill around this joint,
Throwing all their money away
Buying more and more tickets from you
Screaming, complaining, cheating all the time
And there’s no good place to hide
With all these obnoxious lights.

They’re poor substitute for big city lights,
They only illuminate this cheesy joint,
Don’t even let ***** gutters hide—
I’m surprised they don’t want to look away.
Cotton candy disappears in your mouth every time,
But you think it’s worth it, don’t you?

The only boy who ever liked you
Works across the park, beyond the lights,
But you miss him waving at you every time
Because some skeez is yelling, “Let’s blow this joint!”
And a mom drags her eight kids away
Screaming, “One more word and I’ll tan your hide!”

Why do the five-year-olds always play hide
And seek in the Fun House? “Hey, you!”
Where the hell are your parents? Go away!”
Finally Anna, who manages mini golf, lights
A gloriously white-papered little joint
And we smoke until closing time.

This is where I hide, and yet these lights
Are poor substitutes you know, for home, the joint
You tried to get away from, before you wasted your time.

Speakin’ in general, I’ave tried ’em all
The ‘appy roads that take you o’er the world.
Speakin’ in general, I’ave found them good
For such as cannot use one bed too long,
But must get ‘ence, the same as I’ave done,
An’ go observin’ matters till they die.

What do it matter where or ‘ow we die,
So long as we’ve our ‘ealth to watch it all—
The different ways that different things are done,
An’ men an’ women lovin’ in this world;
Takin’ our chances as they come along,
An’ when they ain’t, pretendin’ they are good?

In cash or credit—no, it aren’t no good;
You’ve to ‘ave the ‘abit or you’d die,
Unless you lived your life but one day long,
Nor didn’t prophesy nor fret at all,
But drew your tucker some’ow from the world,
An’ never bothered what you might ha’ done.

But, Gawd, what things are they I’aven’t done?
I’ve turned my ‘and to most, an’ turned it good,
In various situations round the world
For ‘im that doth not work must surely die;
But that’s no reason man should labour all
‘Is life on one same shift—life’s none so long.

Therefore, from job to job I’ve moved along.
Pay couldn’t ‘old me when my time was done,
For something in my ‘ead upset it all,
Till I’ad dropped whatever ’twas for good,
An’, out at sea, be’eld the dock-lights die,
An’ met my mate—the wind that tramps the world!

It’s like a book, I think, this bloomin, world,
Which you can read and care for just so long,
But presently you feel that you will die
Unless you get the page you’re readi’n’ done,
An’ turn another—likely not so good;
But what you’re after is to turn’em all.

Gawd bless this world! Whatever she’oth done—
Excep’ When awful long—I’ve found it good.
So write, before I die, ” ‘E liked it all!”

That phone call from my lawyer
gave me the courage to enter the house
where I raised both of my children
and endured, in silence, the abuse
of a controlling and angry husband
who would eventually end our marriage.

Twenty-five years ago, we married.
The end came last spring, with papers from my lawyer
stating unequivocally that my husband
would have to surrender the keys to the house
where our girls were subjected to his abuse.
Nothing was more important than protecting my children.

The most precious gift are my children
who ironically, would not exist if this man I did not marry.
Years ago, I could not know that in time, would come abuse.
I was told by family and friends to get myself a lawyer
and hold on to my dignity, my children, my home.
I would raise, protect and nurture them myself, without a husband.

Young girl’s fancies once danced in my head.  To have a husband,
to marry and live the American dream.  Have children,
a dog, a white picket fence surrounding the house.
All would be well, in this happily-ever-after marriage.
But, dreams turn to nightmares; the separation needs to be legal
to help me through this veil of pain and abuse.

For many things can be tolerated, but not abuse.
Be it physical or mental, from boyfriend or husband
The cycle needs to end, and therefore my lawyer
Drew up the papers to protect me and my children
and end an unraveling marriage.
So that there would be peace in my home.

Now my girls and I live together in our home,
free from strife, bitterness and abuse.
My prayer for them is that someday they will marry
a man of strength and integrity, a husband
a lover, a lifetime partner, loving her and his children.
A life such as this will not need a lawyer.

This is my tale of marriage, with children in the house
when it’s necessary to hire a lawyer, to stop the abuse
because of a controlling husband lording it over his children.

You live on the canal,
by the little swan
that whittles the sun.
A sudden rush of clouds,
a clatter of sandals -
caprice of Dublin.

I knew of Dublin
and its grand canal
from old books tan as sandals.
I read Yeats for a swan,
Joyce for castle clouds
that yielded little sun.

But you, you were the sun!
You lit green Dublin
from within. Clouds
fled from the canals
of your eye. "Swansies."
And summer's far sandals

were today's sandals:
time shifted in the sun,
took flight like the night swan
through ancient Dublin.
You sent letters from the canal,
letters that divided clouds,

only to calve new clouds.
I've never worn sandals,
not ever, but when the canal
danced in my dreams, the sun
pierced my foot in Dublin.
You were my swan,

my elegant swansie,
killer of cloud,
conquistador of Dublin
in gladiatorial sandal,
herald and avatar of sun,
romantic of the grand canal.

Let me taste unclouded sun -  
let sandals upend the canal -
send swans by the dozen into Dublin.

Gasping, whispering, teasing wind
billowing my clothes, messing my hair.
Calm and still before the world is
deafened by the groaning cries of incoming
thunder rolling across the sky.

We watch the storm blow in
wind scattering angry tear drops to the ground
from rich purple clouds crowding the horizon.
I run one step behind you
dodging hail that pelts the soft earth.

By the time we reach shelter
my hair is slicked down, stuck to my skin.
Safe inside from the ever stronger wind
in dim light we wait for our clothes to dry
I’m wishing you would stay the night.

Rattling windows sing in chorus
with my clattering bones
and your deep, soothing voice.
Wind shakes the stucco house
your steady breath becomes my lullaby.

The morning comes with dew
bright light touching down from the sky.
Still steaming ground smells of petrichor
strewn with branches
the only hint of last night’s wind.

Clear blue skies in morning light
hide the storm that was so angry last night
stillness concealing violent winds.

{177 words}

My feet to ground, bound faithfully,
as my breath to air,
or your touch to mine, its warmth
a comfort in chilled moments,
in the tepid nature of nakedness,
its weight upon our bones.

Your crooked mouth and funny bones
carry you delicately, faithfully
our worries live out back, stripped naked,
their nagging cries lost to cold air
while we laugh in these moments
and revel in our contented warmth.

On days without you, without warmth
I carry your smile within my bones
and wait patiently for the moment
of your return, my faithful
heart singing your melody to the air,
carried briefly, then lost to silent nakedness.

As the season turns, the trees stand naked
their bare fingers reaching for warmth
the leaves lost, rot into young, winter air
the smell seeps slowly into my bones
months will pass as they wait faithfully
for spring to break the frost in melted moments.

Our patience will yield to the awaited moment
when limbs can stride in nakedness
the sun never failing to renew the faith
that even the most bitter of cold will succumb to warmth
we will lie in the grass, your bones by my bones
and spill our happiness into clean air.

There are times you spend putting on airs
pretending you are someone else in a moment,
but your façade will never convince my bones
for they know you at your most naked
with nothing but our love for warmth,
so I sing the prayer of us that holds my faith.

Your bones can speak without air.
Their whispers faithful in fleeting moments,
my naked soul forever craving your warmth.

There once was an old maid who lived by the sea.
She summoned words from the waves, like Poseidon, the king.
With each splash on the shore, a tale would be spoken.
It was said when she spoke, dreams turned to pictures in the air,
and danced all about, likes leaves on a mid-autumn day.
Men came from far and wide to hear stories from this maid.

One day when her patrons gather around, she told of a maid
from a far distant town. Fair and young, she was a wife to the sea.
She swore a vow, to stay as pure as her love, for all of her days.
She captained her ship better than any man, even the kings
of the oceans who loved the sea long before she ever touched air!
When the Lords saw her past no words need to be spoken.

For the most noble of words were not as powerful, as the ones left unspoken.
Across the lands men spoke of her beauty in their traveling tales.
Though she gave them no notice, for she only cared for ocean air.
The world grew to know our fair maiden as the Lady of the Sea.
To our stories woe, there was a man who wish to be her king.
When the Lady of the sea, made harbor on one summer day.

The man and his host waited in the shadow, to make war that day.
Our lady, sorely outnumbered, made battle more fierce than ever before spoken.
As the sun begun to set, she yielded for her men and named that man her King.
On that blood bathed beach a wedding took place, to darken our tale.
And so with the rise of the moon came the rite of wedding night. Though the sea
never forgets any vows that was spoken in its air.

The lady woke from her slumber and went to breathe the salty sea air.
Yet she smelled nothing but the munade smell of day.
In panic, she ran with haste toward her true lover, the sea.
As she went to step into her water, her foot felt like fire! It was spoken
that the her cries could be heard around the sea, if we trust the tales.
The man who wanted her to call him King,

ran away from the lady and left her to her true King.
All around her, the pain she felt radiated into the air.
Her sea had forsaken her. Now all she had left was her tales.
Banished from the sea, to the end of her days!
Her only thing left, was the words spoken
from the sea.

Now our lady, tells tales by the sea, of days
when she left the words unspoken
when she was the Lady of the sea.