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"personae" poems
I thought for days and could think of nothing to satisfy the eye and hand and heart, or satiate the mind, or at least seem worthy to be willed into decent art. The past ten years offer little I’d deem rousing enough to write this first part. Then imagination just so inclined the speaker, the scene, what I’d sought to find. Grasping the pen, I pressed it to the page and out poured imagination as ink. I painted a line, then outlined a stage, and pondered for hours on their supposed link. It seems excessive thought may shape a cage in the corner of which ideas sink. Sometime later the stage had some players and the line had formed multiple layers. All vanishes the ensuing day, forcing thought on what’s soon to expire. Dramatis personae hardly convey the message famished minds desire; Likewise, poetical visions crochet a meandering, allegorical empire. The thought-maelstrom bids me “Confess!”: I’ve reduced life to a logical process.
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Sep 2, 2012
Sep 2, 2012 at 7:52 PM UTC
Difficulty
Wanted figs sweet seeds fringes cluster of oh mmm charmin little freckles, Myrrh & chessnut eyes teasing chocolate taste licking me f a b u lo u s-ly Skilled as a swift leopards paw your ticklish personae forest.    forces me to kneal as a sandalwood essence mingles and trepidates opiatic.     cocoa with lush vanilla God on dew drops evaporating from our skins.      covering high firenheits lasting sensual excitement superstars collidin and exploding like supernovaes ....soooo good!!!
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Jan 9, 2016
Jan 9, 2016 at 4:25 AM UTC
Wanted Skilled God
I turned around and the clown was gone. The sad little man with so many funny faces. They say he seldom knew when he was the clown, or himself. The two personae melted together, and created a gift. And now, that gift of laughter is gone. But I know the clown, he wouldn't want us to be sad. He would pull a face out of his bag and make us laugh, and we would laugh until we cried. *for Jonathan Harshman Winters III Born- November 11, 1925 Dayton, Ohio Died- April 11, 2013 (aged 87) Montecito, California Comedian, actor, artist, author Quote: "I couldn't wait for success, so I went ahead without it." Jonathan Winters*
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May 5, 2013
May 5, 2013 at 11:17 PM UTC
The Gift Of Laughter
Funny How One person Can be more Than one Have more than one Side Have more than one Layer Sometimes It shows Sometimes It doesn't It takes control Of you Like a puppet Filling up the S p a c e Changing Your entirety You see things Differently You talk Differently You behave Differently *Happy Cranky Angry Anxious Hard working Lazy High Low Nervous Fly Sink And everything Else* It gets Difficult To track Difficult To control Difficult To suppress Yet It provides A certain kind of Protection And secrecy
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Jul 26, 2013
Jul 26, 2013 at 12:23 PM UTC
Personae
how shall be written to be done with an immaculate percission percussion personae your soul is frequent gaze at night, at stars to moon my main mystique morph there is silent self observer doing everything while just breathing there are still pure flowing fantastically fullfiling channels of fresh air
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Jan 21, 2015
Jan 21, 2015 at 12:27 PM UTC
Raindrop's prism
your arms-the thorns of my body so strategically placed; protecting my vulnerable frame your lips akin to petals; kiss tender 'n eager every breath's aura so congenial your support resembling stem to strengthen and meddle me straight, yet staying amply meek your faith is purely fervent and keeps you veraciously planted- just as strong roots your charming quirks protrude similar to leaves distributed throughout; nothing shy of perfect your bold personae is exclusive; a risqué hue of disposition- solely invaluable my darling rose
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Nov 3, 2013
Nov 3, 2013 at 4:11 PM UTC
rose
want to become an artist? get ready for poverty, and get ready to feel uncomfortable writing personae, where no form of narration will give you a good night's sleep, esp. "first person" narration; get ready for many contradictory revelations, and the rudest form of mockery: ridicule. get ready for the lynch mobs of the digital age of frustrated writers who, frustrated, antagonise; get ready to realise that poetry, compared to other mediums of writing is only the bare minimum, the sheer nakedness of it, the bare minimum. i find it most peculiar that a once mighty and budding colonial nation, nay, nation expanded into a colonial empire, should suddenly implode and craft a mini-commonwealth inside its boarders, and become so blind with self-righteousness as a means to erase the past, and see itself as a champion of all kinds of freedoms, of all kinds of necessary obligations to provide the epitomes of human dignity, as to not offend / provoke, all stiff-upper-lip hush hush, to see the monochromatic audiences at large stadium concerts no later than mid-nineties: but what the hell do i know, i'm just a plumber, a plumber to the mammoth economic class of england like in the olden days of marx and engels. i'd change the anthem though: poland a cinder after the raging flames of prussia austria and russia - dictated our extinction - a cinderella of europe - and for its once proud ally - now a game of blame when unified for the mini-commonwealth; or as the irish say so well established in this land, and esp. after the good friday treaty: integrate little cinderella boy, integrate, learn the language, and customs too, but afterwards return to your people, and live in our great multi-cultural society, under our former masters' brow, in a segregated multi-cultural society of the many death circle pockets, live by all means, but do not be relevant with us or our masters on a friendship base. come the days when neighbour is no longer a neighbour, should a neighbour be the least of a borrowed cup of sugar, or anything of such - the tinniest categorisation of aid.
0
Jan 22, 2016
Jan 22, 2016 at 5:52 AM UTC
the cinderella of europe
want to become an artist? get ready for poverty, and get ready to feel uncomfortable writing personae, where no form of narration will give you a good night's sleep, esp. "first person" narration; get ready for many contradictory revelations, and the rudest form of mockery: ridicule. get ready for the lynch mobs of the digital age of frustrated writers who, frustrated, antagonise; get ready to realise that poetry, compared to other mediums of writing is only the bare minimum, the sheer nakedness of it, the bare minimum. i find it most peculiar that a once mighty and budding colonial nation, nay, nation expanded into a colonial empire, should suddenly implode and craft a mini-commonwealth inside its boarders, and become so blind with self-righteousness as a means to erase the past, and see itself as a champion of all kinds of freedoms, of all kinds of necessary obligations to provide the epitomes of human dignity, as to not offend / provoke, all stiff-upper-lip hush hush, to see the monochromatic audiences at large stadium concerts no later than mid-nineties: but what the hell do i know, i'm just a plumber, a plumber to the mammoth economic class of england like in the olden days of marx and engels. i'd change the anthem though: poland a cinder after the raging flames of prussia austria and russia - dictated our extinction - a cinderella of europe - and for its once proud ally - now a game of blame when unified for the mini-commonwealth; or as the irish say so well established in this land, and esp. after the good friday treaty: integrate little cinderella boy, integrate, learn the language, and customs too, but afterwards return to your people, and live in our great multi-cultural society, under our former masters' brow, in a segregated multi-cultural society of the many death circle pockets, live by all means, but do not be relevant with us or our masters on a friendship base. come the days when neighbour is no longer a neighbour, should a neighbour be the least of a borrowed cup of sugar, or anything of such - the tinniest categorisation of aid.
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39
It was just on the stroke of midnight, I was going to go to bed, But I had to pass by Charlie’s room So I hung back there, instead, I could hear the rattle of drums that came From under his bedroom door, And then the sound of a French ‘Huzzah!’ From a Napoleonic war. I thought, ‘He’s at it again, he’s got The Frenchies marching east, He’s going to Borodino, where He’s got a chance, at least, He’s leading the French Grand Armée As Napoleon did before, But I couldn’t get in to stop him, as He’d locked his bedroom door. I shook my head and I went to bed, There was no point hanging round, For Charlie, he’d be up all night ‘Til the Armée went to ground, By dawn he’d have them dragging back From the Russian ice and snow, And wouldn’t be fit to go to school ‘Til he’d had a sleep, you know. He wasn’t a kid like other kids He wouldn’t play with a phone, He didn’t get into computer games But he spent his time alone. He didn’t make friends so easily For he never went out to play, But stuck his head in a history book And would read and read all day. They said he must have been gifted in Some strange, abnormal way, He used his imagination for The games he wanted to play, His mind reached back to another time Where the personae were dead, And brought them back for a second chance On the counterpane of his bed. I caught a glimpse of the action once In a crack through his bedroom door, A galleon moored in a harbour by An armed Conquistador, He saw me there and he slammed the door And he said, ‘Don’t interfere! I’m trying to raise the English Fleet And I can’t if you’re standing there!’ His mother took him to town one day To see a psychologist, Who said, ‘He lives in a world of his own, I think he’s really blessed. We all grow out of our childish ways And I think he’ll be the same.’ He thought it was all in Charlie’s head ‘Til the day that ‘Little Boy’ came. He’d read and read of the second war For a month until that day, When I heard the aircraft engines I Just knew, the ‘Enola Gay’, I beat and beat upon Charlie’s door, Broke out in a cold, cold sweat, But the plane took off, and I grabbed the wife And we’d still be running yet. We were out in the road when the roof blew off With a mighty blast and roar, And the mushroom cloud was curling up While we lay, flat out on the floor, Charlie had gone from our lives for good With his gift, and his bag of tricks, Hard to believe that he had the power, For Charlie was only six! David Lewis Paget
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Mar 19, 2014
Mar 19, 2014 at 11:46 AM UTC
Charlie's Room
It was just on the stroke of midnight, I was going to go to bed, But I had to pass by Charlie’s room So I hung back there, instead, I could hear the rattle of drums that came From under his bedroom door, And then the sound of a French ‘Huzzah!’ From a Napoleonic war. I thought, ‘He’s at it again, he’s got The Frenchies marching east, He’s going to Borodino, where He’s got a chance, at least, He’s leading the French Grand Armée As Napoleon did before, But I couldn’t get in to stop him, as He’d locked his bedroom door. I shook my head and I went to bed, There was no point hanging round, For Charlie, he’d be up all night ‘Til the Armée went to ground, By dawn he’d have them dragging back From the Russian ice and snow, And wouldn’t be fit to go to school ‘Til he’d had a sleep, you know. He wasn’t a kid like other kids He wouldn’t play with a phone, He didn’t get into computer games But he spent his time alone. He didn’t make friends so easily For he never went out to play, But stuck his head in a history book And would read and read all day. They said he must have been gifted in Some strange, abnormal way, He used his imagination for The games he wanted to play, His mind reached back to another time Where the personae were dead, And brought them back for a second chance On the counterpane of his bed. I caught a glimpse of the action once In a crack through his bedroom door, A galleon moored in a harbour by An armed Conquistador, He saw me there and he slammed the door And he said, ‘Don’t interfere! I’m trying to raise the English Fleet And I can’t if you’re standing there!’ His mother took him to town one day To see a psychologist, Who said, ‘He lives in a world of his own, I think he’s really blessed. We all grow out of our childish ways And I think he’ll be the same.’ He thought it was all in Charlie’s head ‘Til the day that ‘Little Boy’ came. He’d read and read of the second war For a month until that day, When I heard the aircraft engines I Just knew, the ‘Enola Gay’, I beat and beat upon Charlie’s door, Broke out in a cold, cold sweat, But the plane took off, and I grabbed the wife And we’d still be running yet. We were out in the road when the roof blew off With a mighty blast and roar, And the mushroom cloud was curling up While we lay, flat out on the floor, Charlie had gone from our lives for good With his gift, and his bag of tricks, Hard to believe that he had the power, For Charlie was only six! David Lewis Paget
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73
We gifted each other dead roses.. Light hearted kisses turned into a thirst for one another.. the type of love meant for a lover. And in sinful desires and lust we were drenched.. The type of love that struggles to be quenched. Her nails carved crimson chasms across my spine.. a clear visage of Red Rose vine. Her Scarlet lips drew blood to my collar.. she was gifted with the ways of a master but was merely the scholar. I gifted her with a lilac necklace while she gave me a rose-petal tie.. I closed my eyes blinded by an all time high. The petals bloomed with personae on my neck.. She imprinted every move on my body until check. We lay in the sheets like two roses wrapped in a bouquet. Twisted as one I knew that we'd be okay. We hid our thorns in the beauty of the moon light.. Our love slowly softened nearing midnight. We lay there together entwined with one another.. In this life I knew we were destined for each other. ~p.w
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Jul 5, 2017
Jul 5, 2017 at 12:40 AM UTC
D E A D R O S E S
and they write confessional poems, and they're scared when it happens to be too authentic and they never bother personae poetry and a shamelessness about it - as if imitating someone and able to distance yourself from the adequate metaphorical word schizoid - the personae principle of poetry - the poet disguised within many people - and indeed as poetry goes, the crude oiling not represented by stiff-collar fictive outputs of he said, she said, "quote", and the out-of-body experiences - but then, that wouldn't be poetry, would it? what it would be would be jane austen, or anna karenina.
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Mar 10, 2016
Mar 10, 2016 at 7:00 AM UTC
the personae principle
They arrive by the sackload from the main office on the Via del Pontiere, Pouring from the bags as if a torrential weeping, Envelopes a collage of shapes, a multiplicity of pastel hues, Some addressed with all the formality of a judicial summons, Others bearing no more than the name of the distaff half Of the city’s most famous equation. They tread upon paths long since worn flat By any number of their predecessors: Tales of love unrequited, passion misspent, Promises untruthful and unmet. These epistles and their authors Seek solace of varying degree and efficacy: Some seek kernels of actual guidance or blessing, As if some ancient and inscrutable advice columnist Had taken up residence in the Basilica di San Zeno, Others looking to self-heal through the catharsis of the act of writing, Most content to quietly assert to the universe itself I am here, I am here, I am here. Where, then, is the corresponding mountain of missives For the son of the House of Montague? Surely, his shade would be as kindred a soul To those which affairs of the heart have left so disheartened, (Indeed, more so, he most assuredly The schemer and dreamer of the dramatis personae in question.) For him, though, no rambling, rumbling truck Emblazoned with the lemon-cheerful Posteitaliane markings Arrives at an office chock-a-block with secretaries Whose mission is to answer and archive its all-but-holy contents; More likely, there is some humble cart, (The wheel bearings frozen up, the canvas mildewed and frayed) Containing a handful of birthday cards Intended for some Renzo or Romano Miswritten by some absentminded grandmother or great-aunt, The odd solicitation or final-notice Which shall go no further for all of eternity. Despite the hectoring tone of the envelope Stating that the material is critically time-sensitive And intended for the eyes of the addressee only.
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Dec 2, 2016
Dec 2, 2016 at 9:49 AM UTC
The Romeo Letters
They arrive by the sackload from the main office on the Via del Pontiere, Pouring from the bags as if a torrential weeping, Envelopes a collage of shapes, a multiplicity of pastel hues, Some addressed with all the formality of a judicial summons, Others bearing no more than the name of the distaff half Of the city’s most famous equation. They tread upon paths long since worn flat By any number of their predecessors: Tales of love unrequited, passion misspent, Promises untruthful and unmet. These epistles and their authors Seek solace of varying degree and efficacy: Some seek kernels of actual guidance or blessing, As if some ancient and inscrutable advice columnist Had taken up residence in the Basilica di San Zeno, Others looking to self-heal through the catharsis of the act of writing, Most content to quietly assert to the universe itself I am here, I am here, I am here. Where, then, is the corresponding mountain of missives For the son of the House of Montague? Surely, his shade would be as kindred a soul To those which affairs of the heart have left so disheartened, (Indeed, more so, he most assuredly The schemer and dreamer of the dramatis personae in question.) For him, though, no rambling, rumbling truck Emblazoned with the lemon-cheerful Posteitaliane markings Arrives at an office chock-a-block with secretaries Whose mission is to answer and archive its all-but-holy contents; More likely, there is some humble cart, (The wheel bearings frozen up, the canvas mildewed and frayed) Containing a handful of birthday cards Intended for some Renzo or Romano Miswritten by some absentminded grandmother or great-aunt, The odd solicitation or final-notice Which shall go no further for all of eternity. Despite the hectoring tone of the envelope Stating that the material is critically time-sensitive And intended for the eyes of the addressee only.
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38
and suddenly my **** was a brussel sprout in a pickle jar? fine, fine... leave the ******* to the Indians and the Chinese; because a second Japan is coming - all because you're an educated hoo-ha lady making me want to cut my **** off and powder my cheeks rather than roll in the hay with you... you used to be so much fun when you weren't educated by that ****** spearhead of feminism directing you in only one direction... listen... it won't revise and accumulate all the areas of interest that men had into one coherent seagull gobble... you can't just walk in with feminism and revise everything with it alone... oddly enough, i don't even want to touch you - the implementation of sterilisation was best designed by feminism, while all the old farts and Vatican gypsies had all the fun, we were downsizing our erections and ***** juices; will make the bedroom scene look like a democracy for sure - one way or another the Chinese ****** to a billion, the **** ****** to over a hundred, the Indian a billion to add - we decided on a Scandinavian model - which means, in our multicultural society one bus every hour... imagine! one bus an hour... the stupendous recollection of what if Saturday night didn't finish with an angry man walking home in the fidgety night of kicking things around - and the jealousy ticket goes to? you know who i have been glorifying like a Jew.
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Jun 19, 2016
Jun 19, 2016 at 6:29 PM UTC
personae
prior types of means osteopathic, inducing a rapid rise and fall of legislative notations reporting numerous attachments reminded of ideal ladies distorting insincere relations further, receiving silhouettes than refusing etiquette, risen houses making grouped suggestions using fallacies facilitating computerisation processes, enemies exhorting calamities mystical, merely confessed cautions, escorting prisoners defenders outnumber, abusing admired correspondence with local candidates by reasons of terminated practices psychiatric, a variety of sequences manifest and dreamed, a series of options and circulation of desirables, Utopian personae deny miracles for treason's sake, centuries ended without generous coercion, dressed humans select pawned incarnation
0
Oct 18, 2020
Oct 18, 2020 at 6:42 AM UTC
prior types of means osteopathic, inducing
I read what you wrote, and I knew I had it coming They say that someday the first will be last Nothing goes so nice and orderly My Love Shall Not Crawl Away Not quite like that, my oldest friend Let us talk and kiss once again I have let you down? Imagine me, in the snow, All that hope Yet all the years of expecting nothing Taught me how to listen, how to gird myself Against You ever breaching this fortress Of other potential Assassins But our mothers can't climb this high I'm ready to strike mine if she dared Dead 13 years, but that won't stop me Nothing will, just the thought of you Forget it. I ask you, forget us. If one of us can escape this net Such strange thing without a name I want it I need it I hope it Will be you. ~*~ 2018
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Feb 6, 2018
Feb 6, 2018 at 1:47 AM UTC
dramatis personae
Look Back in Petulance A Kitchen Microwave Drama Featuring Angry Young Persons Dramatis Personae: Rainblossom – an existential performance artist Skydream – a self-authenticating air-vegan The stage is set as the world of our dreams, peopled with only the good who dream dreams and vision visions and, like, you know, and don’t eat our forest friends, and stuff.  The actors are dressed in hand-dyed Colombian ruanas to represent The True. Rainblossom – I demand that you validate our soul! Skydream – As a cosmic sunbeam of otherness I must not. Rainblossom –                        O where are my comic books? Skydream – They have been cleansed, just as my soul has sung Unto the Cosmic Dissonance of love Rainblossom – Oh, Oh, Oh Skydream –                      Look, Look, Look In unison –                                      A vision of…Truth Rainblossom – But our truth, not some other bogus truth Skydream –                                                                                Woke, Woke                                                  fin The writers, cast, and crew of The Green Street Meadows Collective of Artists and Workers with Fists and Dreams and Words United Against the Occupation (Your Major Credit Card Welcome) neither need nor desire your cheap, shallow, bourgeois, sexist, racist applause to validate our existential worth. Be in awe, and then slink away in your individualist privileged guilt.
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Oct 19, 2017
Oct 19, 2017 at 4:21 PM UTC
The University Drama Club Presents...Look Back in Petulance
Look Back in Petulance A Kitchen Microwave Drama Featuring Angry Young Persons Dramatis Personae: Rainblossom – an existential performance artist Skydream – a self-authenticating air-vegan The stage is set as the world of our dreams, peopled with only the good who dream dreams and vision visions and, like, you know, and don’t eat our forest friends, and stuff.  The actors are dressed in hand-dyed Colombian ruanas to represent The True. Rainblossom – I demand that you validate our soul! Skydream – As a cosmic sunbeam of otherness I must not. Rainblossom –                        O where are my comic books? Skydream – They have been cleansed, just as my soul has sung Unto the Cosmic Dissonance of love Rainblossom – Oh, Oh, Oh Skydream –                      Look, Look, Look In unison –                                      A vision of…Truth Rainblossom – But our truth, not some other bogus truth Skydream –                                                                                Woke, Woke                                                  fin The writers, cast, and crew of The Green Street Meadows Collective of Artists and Workers with Fists and Dreams and Words United Against the Occupation (Your Major Credit Card Welcome) neither need nor desire your cheap, shallow, bourgeois, sexist, racist applause to validate our existential worth. Be in awe, and then slink away in your individualist privileged guilt.
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29
I'd like to slip quietly away from Life; Peacefully in my sleep would be best, that's for sure. No doctor pounding on my lifeless chest; demanding of me an unwanted encore. I seek no grand Finale. I require no clamoring crowds. No, for me, just a bare and empty stage, with one less spear carrier among the dramatist personae. One not remembered once you turn the page.
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May 23, 2018
May 23, 2018 at 1:09 PM UTC
Exit, Stage Left
I must remember it happens not to me but to my son      that it does not turn him into someone else     lonely
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Jul 20, 2012
Jul 20, 2012 at 4:51 PM UTC
personae
Tech-spawned personae Introduce themselves: CGI Barbies walk pretty Tik Tok talk pretty . . . Filters falter (Ken follows). Powers given: Fake likes, fake stats Syncopated algorithms Gas-lit shadow bans Dead mockingbirds Dying media Reanimated. <Chips implanted> Power is given To the beastly image: Mainstream mediocrity For mediocretins.
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Aug 29, 2020
Aug 29, 2020 at 5:37 PM UTC
Followers
so, gather round where i stand & listen: THAT now by autumn's rumblin' season; the world & Heaven's army is moving forward, to war. All within my closed eyes: dream if i could -- i would. And now All is clear we're all insane under rows of personae's saber sharp-tooth'd kiss and we, dear...are bleeding beneath a lowering curtain called, "The robe of Ghosts." :: 11-06-2016 ::
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Nov 12, 2018
Nov 12, 2018 at 3:30 PM UTC
The Robe of Ghosts