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"pater" poems
Doctor Ponsonby’s Patented Empowering Electrical Rosary *This ilke Monk leet olde thynges pace, And heeld after the newe world the space.* Chaucer, The Canterbury Tales How out of date are simple wooden beads An upgrade is what the Rosary needs! Something to give your meditations spice Connected to your electronic device Beamed back and forth to The Cloud, you see With mega-mega gigs of memory Doctor Ponsonby’s Patented Empowering Electrical Rosary is just the thing! The Ave Maria is so out of date It’s Ave ME now, ‘cause we’re all so great! Make your prayers less about God, more about you Signal yourself through sacred Tooth of Blue A camera hidden in the crucifix Enables you to take your selfie-flicks The Pater beads count each joggery mile Or kilometres if those are your style The Ave beads are recycled with care To save the forests, the rivers, and air Designed in Germany, made in China High-definition beads; there’s nothing finer Buy the first (as advertised on tv) And we’ll send you a second all for free Remember: for weddings, funerals, and daily devotions Let RAM and ROM go through all the motions Doctor Ponsonby’s Patented Empowering Electrical Rosary – O make it sing!
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Jan 26, 2017
Jan 26, 2017 at 7:24 AM UTC
Doctor Ponsonby's Patented Empowering Electrical Rosary
I will remain, I remain here, The remains of star dust. What are my Ears telling me? Mater, Pater, What did you do? Originally written 2/26/11 Revised 10/19/14 Revised 12/4/16 (c) 2014 Brandon Antonio Smith
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Oct 19, 2014
Oct 19, 2014 at 6:19 PM UTC
Natural Accident
Here come I to my own again, Fed, forgiven and known again, Claimed by bone of my bone again And cheered by flesh of my flesh. The fatted calf is dressed for me, But the husks have greater zest for me, I think my pigs will be best for me, So I’m off to the Yards afresh. I never was very refined, you see, (And it weighs on my brother’s mind, you see) But there’s no reproach among swine, d’you see, For being a bit of a swine. So I’m off with wallet and staff to eat The bread that is three parts chaff to wheat, But glory be!—there’s a laugh to it, Which isn’t the case when we dine. My father glooms and advises me, My brother sulks and despises me, And Mother catechises me Till I want to go out and swear. And, in spite of the butler’s gravity, I know that the servants have it I Am a monster of moral depravity, And I’m ****** if I think it’s fair! I wasted my substance, I know I did, On riotous living, so I did, But there’s nothing on record to show I did Worse than my betters have done. They talk of the money I spent out there— They hint at the pace that I went out there— But they all forget I was sent out there Alone as a rich man’s son. So I was a mark for plunder at once, And lost my cash (can you wonder?) at once, But I didn’t give up and knock under at once, I worked in the Yards, for a spell, Where I spent my nights and my days with hogs. And shared their milk and maize with hogs, Till, I guess, I have learned what pays with hogs And—I have that knowledge to sell! So back I go to my job again, Not so easy to rob again, Or quite so ready to sob again On any neck that’s around. I’m leaving, Pater. Good-bye to you! God bless you, Mater! I’ll write to you! I wouldn’t be impolite to you, But, Brother, you are a hound!
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The Prodigal Son
Here come I to my own again, Fed, forgiven and known again, Claimed by bone of my bone again And cheered by flesh of my flesh. The fatted calf is dressed for me, But the husks have greater zest for me, I think my pigs will be best for me, So I’m off to the Yards afresh. I never was very refined, you see, (And it weighs on my brother’s mind, you see) But there’s no reproach among swine, d’you see, For being a bit of a swine. So I’m off with wallet and staff to eat The bread that is three parts chaff to wheat, But glory be!—there’s a laugh to it, Which isn’t the case when we dine. My father glooms and advises me, My brother sulks and despises me, And Mother catechises me Till I want to go out and swear. And, in spite of the butler’s gravity, I know that the servants have it I Am a monster of moral depravity, And I’m ****** if I think it’s fair! I wasted my substance, I know I did, On riotous living, so I did, But there’s nothing on record to show I did Worse than my betters have done. They talk of the money I spent out there— They hint at the pace that I went out there— But they all forget I was sent out there Alone as a rich man’s son. So I was a mark for plunder at once, And lost my cash (can you wonder?) at once, But I didn’t give up and knock under at once, I worked in the Yards, for a spell, Where I spent my nights and my days with hogs. And shared their milk and maize with hogs, Till, I guess, I have learned what pays with hogs And—I have that knowledge to sell! So back I go to my job again, Not so easy to rob again, Or quite so ready to sob again On any neck that’s around. I’m leaving, Pater. Good-bye to you! God bless you, Mater! I’ll write to you! I wouldn’t be impolite to you, But, Brother, you are a hound!
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We're just a bunch of 90s babies, sniffing coke like it's the 1980s In the night we're popping Molly like we're the ones that made it Calling it a new summer of love, like this time was always fated Making fun of everyone that isn't turnt, because we never waited Leave the club with ratchet girls when the sun goes down much later I'm just having my fun, why do you have to be a player hater? The greatest generation has gone, do we have what it takes to be greater? When the weekend romance ends, return to love thy mater and thy pater xoxo, imagine being strung out on dank bud with the grand creator
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Oct 27, 2013
Oct 27, 2013 at 4:13 PM UTC
The Profound Ponderings of Millennial Teens, That Have One Life and Have Reasoned To Live It To The Fullest
Rise! Oh, Mighty Jupiter; Our Father now forgotten. Come claim your rightful reverence. Your pagan pedigree misgotten. You were once our Shining Father; Great King of all the Sky. But you allowed your world to set so a new Son could arise. Zeus once ruled before you, and Jesus became your heir. Today not many realize how we got from here to there. I have considered for some moments how our thoughts of god do change. Plural notions of so long ago, today can seem so strange. We like to think we've come so far, since those pagan days of yore. Have we abandoned superstition or just embraced it even more? It was millennia ago that Zeus ruled Mount Olympus. He, their leader, more than father, often beaten by hubris. The Greeks, they worshiped leaders, seeking standing in this forum. Such desires, democratic became their gods that ruled before them. As the centuries moved on, your new Latin home was Roma. Your title too, transformed to reflect a new persona. To Zeus we added "Father", or in Latin, pater, we prefer. So Zeus, becomes Zeus-pater, Zupater, then Jupiter. Our names for gods reveal exactly how they fill our needs. Over time our needs evolve and so a new name supersedes. As Rome aged, it developed   a need to know god as a man. To be one of his number. To see themselves as of his clan. This zeus, he can be talked to, can be greeted and be known. They "Hail Zeus" as HeyZeus. And now its Jesus on the Throne. Through such inquests we can see the needs Gods fill evolving, from cold, covetous Kings to a begotten Son absolving. We imagine in the Heavens things to help us understand, how a universe so endless can be the realm alone of man.
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Jan 15, 2017
Jan 15, 2017 at 5:53 PM UTC
Jupiter Ascending
Rise! Oh, Mighty Jupiter; Our Father now forgotten. Come claim your rightful reverence. Your pagan pedigree misgotten. You were once our Shining Father; Great King of all the Sky. But you allowed your world to set so a new Son could arise. Zeus once ruled before you, and Jesus became your heir. Today not many realize how we got from here to there. I have considered for some moments how our thoughts of god do change. Plural notions of so long ago, today can seem so strange. We like to think we've come so far, since those pagan days of yore. Have we abandoned superstition or just embraced it even more? It was millennia ago that Zeus ruled Mount Olympus. He, their leader, more than father, often beaten by hubris. The Greeks, they worshiped leaders, seeking standing in this forum. Such desires, democratic became their gods that ruled before them. As the centuries moved on, your new Latin home was Roma. Your title too, transformed to reflect a new persona. To Zeus we added "Father", or in Latin, pater, we prefer. So Zeus, becomes Zeus-pater, Zupater, then Jupiter. Our names for gods reveal exactly how they fill our needs. Over time our needs evolve and so a new name supersedes. As Rome aged, it developed   a need to know god as a man. To be one of his number. To see themselves as of his clan. This zeus, he can be talked to, can be greeted and be known. They "Hail Zeus" as HeyZeus. And now its Jesus on the Throne. Through such inquests we can see the needs Gods fill evolving, from cold, covetous Kings to a begotten Son absolving. We imagine in the Heavens things to help us understand, how a universe so endless can be the realm alone of man.
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56
You couldn't relate to my life if you tried Degenerate pride, in my pride, the family all died I took a trip, slip from the front door Walking to the house of a man with some more Of the poison of my mother, the mater, my pater, the father My brothers and sisters slumped against a wall, injecting It gets harder I'm a martyr But I fall farther Brown brings ardour In the haze of detestable days, bus journey raves To the estates, I'm in a state, I hate fate Try and place blame, struggle to get straight But straight to the point, you're a mate Pass the plate, and the joint I'll do a line, get straight Straight to the point... Where was I? Back in the house, forgot how I got here The emptiness too much to bear I miss my family being here My mother the seer My father drinking beer I close my eyes, open, hope they appear The loneliness of the kitchen feels so queer I pop a few pills and realise its been a year Since I saw them here Fading to black and I awake in a wrack Fiending for some smack, panic attack Light up a pipe, smoke some pale crack Keep me going on this lonesome track So I pack my bag, down a glass of Jack And get back on the beaten path To the corner where I find her, solemn in a slump Hard night's day, I give her cash and we arrange the jump Pump pump, I dump my junk and feeling drunk Walk silently in a grump, she re-adjusts her skirt and returns to her bunk To her lifelong funk before being packed into another John's trunk The streetlights are cruel in the winter night's haze What beautiful days, in a daze, feeling amazed Clasp my hands and I pray, am I crazed or is this mournful delay A year ago today, my love took my family away
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Sep 1, 2013
Sep 1, 2013 at 6:01 PM UTC
Malcolm's Story: On Memories and Injustice
You couldn't relate to my life if you tried Degenerate pride, in my pride, the family all died I took a trip, slip from the front door Walking to the house of a man with some more Of the poison of my mother, the mater, my pater, the father My brothers and sisters slumped against a wall, injecting It gets harder I'm a martyr But I fall farther Brown brings ardour In the haze of detestable days, bus journey raves To the estates, I'm in a state, I hate fate Try and place blame, struggle to get straight But straight to the point, you're a mate Pass the plate, and the joint I'll do a line, get straight Straight to the point... Where was I? Back in the house, forgot how I got here The emptiness too much to bear I miss my family being here My mother the seer My father drinking beer I close my eyes, open, hope they appear The loneliness of the kitchen feels so queer I pop a few pills and realise its been a year Since I saw them here Fading to black and I awake in a wrack Fiending for some smack, panic attack Light up a pipe, smoke some pale crack Keep me going on this lonesome track So I pack my bag, down a glass of Jack And get back on the beaten path To the corner where I find her, solemn in a slump Hard night's day, I give her cash and we arrange the jump Pump pump, I dump my junk and feeling drunk Walk silently in a grump, she re-adjusts her skirt and returns to her bunk To her lifelong funk before being packed into another John's trunk The streetlights are cruel in the winter night's haze What beautiful days, in a daze, feeling amazed Clasp my hands and I pray, am I crazed or is this mournful delay A year ago today, my love took my family away
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Providing you survive the drive inside the suicide lane, The inane objections of several secular seconds will both drive you insane and tame the frame of irrational sanity, Which stripped away the man in me, And grabbed my sleeve convincingly to lament the angry laugh of free... Enterprise; do I comprise of many lies, As you do? A gift or prize; yes I surmise the former plays no voodoo. Like the latter, Piter pater, I ask exactly, "Do you," Truly care to know... If existence is but chatter in a blankness with no matter, And no welcome mat to meet the merry-minded Happy Hatter's Dash to seek that ****** infatuation with the sadder shift of anger which, Shook the sheets to show off that the banker is an actor, Who washes Shame Away In calm, hot showers. What empowerment. We underwent the chance event, Which supplemented discontent with the rich and single one percent, How kind it was of him to lend, His hand, For both of mine. What malcontent. We thought dissent would overthrow the circus tent, Which represented forced consent with the oppressed by blissful fraudulence Remaining 99 percent. Peasants, plebeians, proletariat; We poke the U.N. Secretariat, To ask again, "Are we there yet?" "Are we there yet?" And silence is how were always met. We drop it, trust they won't forget, About us, suffering cold sweats; As we fear unwanted debt, They won't forget, They won't forget, They won't forget About us. Yet competition takes it place, And twists that sympathetic face, To grab a poor man's knowledge base, To ask him, "What do I gain from assisting The likes Of you?" The poor man bellows, "you're poor too! Like those who can't afford shampoo. You can't afford my point of view, It risks a loss that's overdue, And money makes you misconstrue, Existence." And if existence is but chatter in a blankness with no matter, And no welcome mat to meet the merry-minded Happy Hatter's Dash to seek that ****** infatuation with the sadder shift of anger which, Shook the sheets to show off that the banker is an actor; He forgot the human aspect should always be the biggest factor, On his spreadsheets as he calculates productivity's next chapter; What empowerment. We underwent the chance event, Which supplemented discontent with the rich and single one percent, How kind it was of him to lend, His hand, For both of mine. This isn't right. I question fines, And wonder, where's the kindness? What happened to our kindred spirits? Did we leave all that behind us? Is money truly all we want, And happiness put second? The future is unwritten, So follow me; Expect resistance.
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Oct 3, 2011
Oct 3, 2011 at 3:46 PM UTC
The Suicide Lane
Providing you survive the drive inside the suicide lane, The inane objections of several secular seconds will both drive you insane and tame the frame of irrational sanity, Which stripped away the man in me, And grabbed my sleeve convincingly to lament the angry laugh of free... Enterprise; do I comprise of many lies, As you do? A gift or prize; yes I surmise the former plays no voodoo. Like the latter, Piter pater, I ask exactly, "Do you," Truly care to know... If existence is but chatter in a blankness with no matter, And no welcome mat to meet the merry-minded Happy Hatter's Dash to seek that ****** infatuation with the sadder shift of anger which, Shook the sheets to show off that the banker is an actor, Who washes Shame Away In calm, hot showers. What empowerment. We underwent the chance event, Which supplemented discontent with the rich and single one percent, How kind it was of him to lend, His hand, For both of mine. What malcontent. We thought dissent would overthrow the circus tent, Which represented forced consent with the oppressed by blissful fraudulence Remaining 99 percent. Peasants, plebeians, proletariat; We poke the U.N. Secretariat, To ask again, "Are we there yet?" "Are we there yet?" And silence is how were always met. We drop it, trust they won't forget, About us, suffering cold sweats; As we fear unwanted debt, They won't forget, They won't forget, They won't forget About us. Yet competition takes it place, And twists that sympathetic face, To grab a poor man's knowledge base, To ask him, "What do I gain from assisting The likes Of you?" The poor man bellows, "you're poor too! Like those who can't afford shampoo. You can't afford my point of view, It risks a loss that's overdue, And money makes you misconstrue, Existence." And if existence is but chatter in a blankness with no matter, And no welcome mat to meet the merry-minded Happy Hatter's Dash to seek that ****** infatuation with the sadder shift of anger which, Shook the sheets to show off that the banker is an actor; He forgot the human aspect should always be the biggest factor, On his spreadsheets as he calculates productivity's next chapter; What empowerment. We underwent the chance event, Which supplemented discontent with the rich and single one percent, How kind it was of him to lend, His hand, For both of mine. This isn't right. I question fines, And wonder, where's the kindness? What happened to our kindred spirits? Did we leave all that behind us? Is money truly all we want, And happiness put second? The future is unwritten, So follow me; Expect resistance.
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80
I miss you like maps miss fingers, Like mikes miss singers, Like hells bells miss ringers, Like bringers miss takers, Like ******* miss fakers, Like cakes miss bakers, Like lakes miss boats, Like bad swimmers miss floats, Like politicians miss votes, Like doting parents miss school plays, Like nymphomaniacs miss lays, Like hypochondriacs miss prescriptions, Like ****** misses addictions, Like carpets miss friction, Like Billy Bunter misses midnight feasts, Like the grim reaper misses grief, Like Henry misses the good fellas, Like sand sculptures miss umbrellas, Like Rubix cube devotees miss puzzles, Like rabid dogs miss muzzles, Like Van Gough missed his brushes, Like speed freaks miss rushes, Like pens miss paper, Like the Mona Lisa missed Pater, Like the canvas misses the creator, Like the thirsty miss water, Like the hungry miss food, Like ***** miss the lewd, Like the mind misses mood, Like the tides miss the moon, Like the sane miss the loons, Like the dark misses the light, Like the brave miss the fright, Like the kite misses the wind. I miss everything.
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Nov 7, 2013
Nov 7, 2013 at 3:25 PM UTC
You stayed at home
It’s very surprising that “SATOR Squares” seem to appear everywhere the mighty Roman army had gone; can they together, really belong? Can anyone else see inside this puzzle’s mystery? It’s been learned that it’s not a game and a truth, always remains the same. Known is the square’s earliest evidence – Can it be a mere coincidence, that it was found in a retired soldier’s home? From one who had faithfully served Italy’s Rome. The Naked Archeologist cracked this riddle, by playing around with the letters of its middle. Fairly revealing were some of its words, whose interpretation were not fully obscured. From analyzing all 5-lettered Latin palindromes, it became clear; this particular grid stood alone. The hidden phrases are now, no longer lost; PATER NOSTER, “Our Father”, forms a cross; The leftover letters include “a” for “The Alpha”, while “o” represents “The Omega”. The last secret, discovered inside this puzzle’s framework, informs us: “The Alpha and Omega holds the wheels in work.” For with Jehovah, nothing is impossible – when we see that “Jesus makes God’s work possible”. Author Notes: Information for this poem was gleaned from a video presentation of Simcha J., who is known as the Naked Archeologist. The first SATOR square was found carved on the wall of a retired soldier's home; he had served the Roman army and his name was Paquio Proculo; it's been dated around 79 AD. http://www.satorsquare.com/ Learn more about me and my poetry at: http://www.squidoo.com/book-isbn-1419650513 By Joseph J. Breunig 3rd, © 2011, All rights reserved.
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Feb 28, 2013
Feb 28, 2013 at 6:18 AM UTC
Poem: SATOR Squares
It’s very surprising that “SATOR Squares” seem to appear everywhere the mighty Roman army had gone; can they together, really belong? Can anyone else see inside this puzzle’s mystery? It’s been learned that it’s not a game and a truth, always remains the same. Known is the square’s earliest evidence – Can it be a mere coincidence, that it was found in a retired soldier’s home? From one who had faithfully served Italy’s Rome. The Naked Archeologist cracked this riddle, by playing around with the letters of its middle. Fairly revealing were some of its words, whose interpretation were not fully obscured. From analyzing all 5-lettered Latin palindromes, it became clear; this particular grid stood alone. The hidden phrases are now, no longer lost; PATER NOSTER, “Our Father”, forms a cross; The leftover letters include “a” for “The Alpha”, while “o” represents “The Omega”. The last secret, discovered inside this puzzle’s framework, informs us: “The Alpha and Omega holds the wheels in work.” For with Jehovah, nothing is impossible – when we see that “Jesus makes God’s work possible”. Author Notes: Information for this poem was gleaned from a video presentation of Simcha J., who is known as the Naked Archeologist. The first SATOR square was found carved on the wall of a retired soldier's home; he had served the Roman army and his name was Paquio Proculo; it's been dated around 79 AD. http://www.satorsquare.com/ Learn more about me and my poetry at: http://www.squidoo.com/book-isbn-1419650513 By Joseph J. Breunig 3rd, © 2011, All rights reserved.
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112 Where bells no more affright the morn— Where scrabble never comes— Where very nimble Gentlemen Are forced to keep their rooms— Where tired Children placid sleep Thro’ Centuries of noon This place is Bliss—this town is Heaven— Please, Pater, pretty soon! “Oh could we climb where Moses stood, And view the Landscape o’er” Not Father’s bells—nor Factories, Could scare us any more!
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Where bells no more affright the morn
Rain is poring No old man is snoring Makes you day so boring As I hit the ground I rebound Making a pitter pater sound
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Oct 12, 2012
Oct 12, 2012 at 7:19 PM UTC
Rain
Piter pater rain drops from the sky Falling through the clouds that are high Tip tap knocking on my window screen As I see the beautiful scene Flowers are happy & river feel joy As farmers in their field enjoy The children wants to dance & play In the water, on the rainy day Paper boats in the water flow Of rain which has come to make a glow Peacock dance as he shed his feathers Enjoying with his lovely brothers Animals & birds from their home watches The rainy water as it dashes But the beautiful scene of the rain still holds The noises of water & rainy colds...
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Aug 26, 2016
Aug 26, 2016 at 5:14 AM UTC
THE BEAUTIFUL RAIN
After breakfast after doing shopping for your mother you met Fay on the grass in front of Banks House and you lay there looking up at the summer sun and white clouds and the sound of trains shunting over by the railway yard and Fay said my daddy says I’m to be able to recite the Pater Noster in Latin by the time he gets back from his work travelling what the heck’s the Pater Noster? You asked looking at her sideway her pale features catching your eyes her blue eyes gazing at the sun it’s the Our Father in English she said what’s the big deal? You said doesn’t God understand English? sure He does she said but Daddy wants me to learn the Latin he said all good Catholic girls need to know their Latin what’s kiss my **** in Latin? You asked she looked at you and laughed shyly and said I don’t know ask your dad You said I wouldn’t dare she said looking away back at the sky does he know Latin your dad? You asked some he does she replied but he wouldn’t know that I shouldn’t think maybe you should learn that and say that you him instead of the Pater Noster she looked anxious I wouldn’t dream of it she said and as you both lay there on the grass she moved her leg and you saw a blue bruise on her thigh turning greeny yellow but you said nothing of that but talked how your old man had made you a blue metal money box to keep your pocket money in and she listened in silence her pale features and blue eyes holding your eyes as you spoke looking along her lime coloured dress at the leg showing the bruise still there like a fallen fruit and she smelt of apples freshly picked and held to the nose better go she said best learn this Latin before his return and off she walked across the grass waving to you as she went and you blew her a kiss from your palm but she had gone but at least You said gazing at the sky it’d been sent.
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Feb 2, 2013
Feb 2, 2013 at 5:05 AM UTC
FAY AND THE PATER NOSTER.
After breakfast after doing shopping for your mother you met Fay on the grass in front of Banks House and you lay there looking up at the summer sun and white clouds and the sound of trains shunting over by the railway yard and Fay said my daddy says I’m to be able to recite the Pater Noster in Latin by the time he gets back from his work travelling what the heck’s the Pater Noster? You asked looking at her sideway her pale features catching your eyes her blue eyes gazing at the sun it’s the Our Father in English she said what’s the big deal? You said doesn’t God understand English? sure He does she said but Daddy wants me to learn the Latin he said all good Catholic girls need to know their Latin what’s kiss my **** in Latin? You asked she looked at you and laughed shyly and said I don’t know ask your dad You said I wouldn’t dare she said looking away back at the sky does he know Latin your dad? You asked some he does she replied but he wouldn’t know that I shouldn’t think maybe you should learn that and say that you him instead of the Pater Noster she looked anxious I wouldn’t dream of it she said and as you both lay there on the grass she moved her leg and you saw a blue bruise on her thigh turning greeny yellow but you said nothing of that but talked how your old man had made you a blue metal money box to keep your pocket money in and she listened in silence her pale features and blue eyes holding your eyes as you spoke looking along her lime coloured dress at the leg showing the bruise still there like a fallen fruit and she smelt of apples freshly picked and held to the nose better go she said best learn this Latin before his return and off she walked across the grass waving to you as she went and you blew her a kiss from your palm but she had gone but at least You said gazing at the sky it’d been sent.
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108
You took Fay to Kennington Park it being a fine day and with no school and her father away working and she sat on the bus there in her orange dress which matched her fair hair tied in a ponytail her brown sandals and white socks hands in her lap her eyes large in expectation you sat beside her in your checked open neck shirt and faded blue jeans battered black shoes you both swaying to the bus’s motion and when you got off at the Park she said hadn’t been to the park before and that her father took them to the park nearby sometimes on a Sunday after mass if she’s been good and could recite the Pater Noster right through in Latin without mistakes what the heck’s the Pater Noster? you asked the Lord’s Prayer she said the Park was busy people everywhere parents with kids and without and kids with no parents and she was talking about the nuns who taught at her school how strict they were and the girl who was hit over the knuckles with a ruler for not knowing the Credo all through you didn’t bother to ask what that was but saw her eyes bright blue and looking around the grass and trees and bushes and you both sat on the grass and you said your parents brought you here on Sundays and you watched the cricket or played ball and sometimes your old man bought ice creams or lemonade and she talked of her mother and how she had to work hard to please her father and sometimes they rowed and sometimes he hit her mother if the row got out of hand and she went quiet and looked at you don’t tell anyone she said I’m not to speak of what goes on indoors I won’t say a word you said what about an ice cream? you said I haven’t any money she said I have you said my mother gave me 2/6d for doing chores o yes then she said and went with you to the ice cream place and ordered two and paid the coins and got your change and walked along the path she taking hold of your hand in hers and you sensed the pulse of her through your fingers and the sun was warm and the sky a bright blue with just 12 year old Fay and 12 year old you.
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Jul 20, 2013
Jul 20, 2013 at 3:54 AM UTC
WALK IN A PARK.
You took Fay to Kennington Park it being a fine day and with no school and her father away working and she sat on the bus there in her orange dress which matched her fair hair tied in a ponytail her brown sandals and white socks hands in her lap her eyes large in expectation you sat beside her in your checked open neck shirt and faded blue jeans battered black shoes you both swaying to the bus’s motion and when you got off at the Park she said hadn’t been to the park before and that her father took them to the park nearby sometimes on a Sunday after mass if she’s been good and could recite the Pater Noster right through in Latin without mistakes what the heck’s the Pater Noster? you asked the Lord’s Prayer she said the Park was busy people everywhere parents with kids and without and kids with no parents and she was talking about the nuns who taught at her school how strict they were and the girl who was hit over the knuckles with a ruler for not knowing the Credo all through you didn’t bother to ask what that was but saw her eyes bright blue and looking around the grass and trees and bushes and you both sat on the grass and you said your parents brought you here on Sundays and you watched the cricket or played ball and sometimes your old man bought ice creams or lemonade and she talked of her mother and how she had to work hard to please her father and sometimes they rowed and sometimes he hit her mother if the row got out of hand and she went quiet and looked at you don’t tell anyone she said I’m not to speak of what goes on indoors I won’t say a word you said what about an ice cream? you said I haven’t any money she said I have you said my mother gave me 2/6d for doing chores o yes then she said and went with you to the ice cream place and ordered two and paid the coins and got your change and walked along the path she taking hold of your hand in hers and you sensed the pulse of her through your fingers and the sun was warm and the sky a bright blue with just 12 year old Fay and 12 year old you.
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124
The love we have was always unspoken, the roles we played has been and is  forever been broken. (Pater)
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Jul 26, 2017
Jul 26, 2017 at 1:05 AM UTC
Unspoken
“Please try these yellow glasses, sage.” “Yes, things are now yellow,” says he. “Now try these blue ones, you patriarch.” “Oh, things are blue now,” cries the Pater. “Then what color is the blue sky, you sages?” “We don’t know, they say it’s not blue.” “And then, the blue ocean? Really blue? “Respect our wisdom, you idiot!” they yelled. If color is no color, then Black is no black; Then crow is no crow, and death is no birth. ‘Beauty is not truth, and truth no beauty’ Bodhi, mirror and void—all are just illusions!
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Nov 8, 2013
Nov 8, 2013 at 7:57 AM UTC
WHAT THE SAGES SAID
The old priest toddles up the side aisle, sways slightly side to side, goes past Mary's chapel. You watch him from the pews waiting for confession. Old Mrs O'Connor's next in line; bet she'll be there for a week or so. You kneel down on the knee rest gaze at your knees. The priest enters the confessional, closes the door; silence. Mrs O'Connor lifts herself from the pew, wanders into the confessional closes the door after her. You sit back on the pew. The young priest is down at the altar, a nun helps him fiddle with stuff. Magdalene hasn't come. What to say? What not to say? Bless me Father I've been having it off with Magdalene Murphy. An old codger comes into the pew, kneels down closes his eyes. You sigh, kneel down, close your eyes, put in a Pater Noster and an Ave. The door of the confessional opens, the O'Connor bag comes out. It is you next, so rise up, go in, ready to spill the beans of sin.
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Dec 18, 2016
Dec 18, 2016 at 8:41 AM UTC
MARY'S BEANS OF SIN 1963.
Sophia's parents had invited me to tea best go she said they invite it rude not to come (she was Polish and spoke a broken kind of English) so I went and I put on my best suit and tie and clean shirt and there I was at the front door Sophia opened the door and gazed at me you come ok? sure why not are they both home? she nodded do they speak English? I asked she nodded I entered the house and the hall light was bright and contrasted with the coming evening light outside she ushered me into the lounge where the parents sat on a sofa the father stood up a short stocky man with a moustache and a shock of short greying hair his hand was offered and he said you welcome friend of our daughter welcome here (I had been once before when they returned early and almost caught us in bed having a good time and I crept by him on the way home) glad to be here I said smiling weakly the mother looked at me her eyes were searching me she didn't smile Sophia sat in an armchair and I sat in one next to her and waited for talk or questions you Roman Catholic? the father said yes convert 1968 I said go to Mass each Sunday the mother looked at her husband where you meet Sophia? he said I work at the same nursing home I said you nurse? yes sort of I said Sophia say you good boy and respect her? he said o yes I do I said (pushing any images of us making love on her bed a few months previously and my friend's flat some months ago out of my mind) we want her to be pure and marry untouched the father said of course I said looking at Sophia who sat pale faced and hands in her lap she's a good girl I added highly respected at work the mother smiled shyly the father looked at me his eyes searching mine good he said that is good our neighbours see you and Sophia come here that time and think things but we knew she would not do anything to spoil herself before marriage he added stiffly that's right I said not looking at Sophia but at the mother who was warming to me she's a daughter to be proud of I added he nodded his head right now we have tea he said and the mother and Sophia got up and went into the kitchen and began bringing in sandwiches and cakes and teapot and jug and cups and saucers and plates and such and I sat there gazing at the father who sat back gazing at me you know the Pater Noster? he said I frowned thinking stupidly of the Italian Mafia then remembering he was Polish said o yes the Our Father yes of course and recited the Pater Noster in Latin softly and unsurely you can say it in English if it easier he said so I did and all the while the females were bringing in the food and Sophia like some ****** queen looking innocent and untouched and secretly I wanted her o so much.
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Nov 30, 2015
Nov 30, 2015 at 3:08 AM UTC
INVIATION TO TEA 1969.
Sophia's parents had invited me to tea best go she said they invite it rude not to come (she was Polish and spoke a broken kind of English) so I went and I put on my best suit and tie and clean shirt and there I was at the front door Sophia opened the door and gazed at me you come ok? sure why not are they both home? she nodded do they speak English? I asked she nodded I entered the house and the hall light was bright and contrasted with the coming evening light outside she ushered me into the lounge where the parents sat on a sofa the father stood up a short stocky man with a moustache and a shock of short greying hair his hand was offered and he said you welcome friend of our daughter welcome here (I had been once before when they returned early and almost caught us in bed having a good time and I crept by him on the way home) glad to be here I said smiling weakly the mother looked at me her eyes were searching me she didn't smile Sophia sat in an armchair and I sat in one next to her and waited for talk or questions you Roman Catholic? the father said yes convert 1968 I said go to Mass each Sunday the mother looked at her husband where you meet Sophia? he said I work at the same nursing home I said you nurse? yes sort of I said Sophia say you good boy and respect her? he said o yes I do I said (pushing any images of us making love on her bed a few months previously and my friend's flat some months ago out of my mind) we want her to be pure and marry untouched the father said of course I said looking at Sophia who sat pale faced and hands in her lap she's a good girl I added highly respected at work the mother smiled shyly the father looked at me his eyes searching mine good he said that is good our neighbours see you and Sophia come here that time and think things but we knew she would not do anything to spoil herself before marriage he added stiffly that's right I said not looking at Sophia but at the mother who was warming to me she's a daughter to be proud of I added he nodded his head right now we have tea he said and the mother and Sophia got up and went into the kitchen and began bringing in sandwiches and cakes and teapot and jug and cups and saucers and plates and such and I sat there gazing at the father who sat back gazing at me you know the Pater Noster? he said I frowned thinking stupidly of the Italian Mafia then remembering he was Polish said o yes the Our Father yes of course and recited the Pater Noster in Latin softly and unsurely you can say it in English if it easier he said so I did and all the while the females were bringing in the food and Sophia like some ****** queen looking innocent and untouched and secretly I wanted her o so much.
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152
ya want some love but not for keeps, ya play us well and make the sweeps, we swept right up off the floor, we hurried and broomed on out the door. so take it or go, make it real slow, lemme watch ya and think to myself, "Daddy, baby, my fine **** man, lemme watch ya and think to myself, 'When is he gonna trip onto that fat ****** face? Pale, ignorant race?' Not even a trace, no, no, no." No, no, no, not even a single ****** trace of warmth or love or kindness or recognition of my humanity, the sole thing that makes me a likewise piece of the Earth. I'm gonna sweep away those ships, ****** doggoned grisly wrecks, sweep 'em right over the passing waves and right off the edge of the Earth. Cuz I don't call NOBODY "Daddy," though I call one person "dad," "father," "pops" and it pops I stick my needle through the pulsing air and it pops your **** heart pops. and ya had your fun, your day in the Sun, our little run and now, and now, and now, oh, now, it's done, don't make me get a gun. I know nothin' exists in singularities, nothin' exists on its own, vacuums only are in theory, we are living to our bones and the living state rests right into our **** bones, however, I can hate you for what you have done. I can hate you and I will hate you for every single thing that you have done, "Daddy," "Mommy," too, the systems of patronizing pater familias and all working gears of institutional injustice, hurt, pain, wreck, my ships may be wrecks, now, too, but the wind and the breeze are quick to blow and the direction of the currents are fast and strong. So just sit there ya **** sit and **** into your ***** being just sit there and ya think, "Why ya fingerin' that doorknob when I thought I played ya for keeps?"
0
Mar 17, 2014
Mar 17, 2014 at 12:45 AM UTC
nobody Daddy
ya want some love but not for keeps, ya play us well and make the sweeps, we swept right up off the floor, we hurried and broomed on out the door. so take it or go, make it real slow, lemme watch ya and think to myself, "Daddy, baby, my fine **** man, lemme watch ya and think to myself, 'When is he gonna trip onto that fat ****** face? Pale, ignorant race?' Not even a trace, no, no, no." No, no, no, not even a single ****** trace of warmth or love or kindness or recognition of my humanity, the sole thing that makes me a likewise piece of the Earth. I'm gonna sweep away those ships, ****** doggoned grisly wrecks, sweep 'em right over the passing waves and right off the edge of the Earth. Cuz I don't call NOBODY "Daddy," though I call one person "dad," "father," "pops" and it pops I stick my needle through the pulsing air and it pops your **** heart pops. and ya had your fun, your day in the Sun, our little run and now, and now, and now, oh, now, it's done, don't make me get a gun. I know nothin' exists in singularities, nothin' exists on its own, vacuums only are in theory, we are living to our bones and the living state rests right into our **** bones, however, I can hate you for what you have done. I can hate you and I will hate you for every single thing that you have done, "Daddy," "Mommy," too, the systems of patronizing pater familias and all working gears of institutional injustice, hurt, pain, wreck, my ships may be wrecks, now, too, but the wind and the breeze are quick to blow and the direction of the currents are fast and strong. So just sit there ya **** sit and **** into your ***** being just sit there and ya think, "Why ya fingerin' that doorknob when I thought I played ya for keeps?"
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63
You’re sort of everything I could hope for with a beard of decades and faded tattoos, like you’ve seen too much sun and rode a motorcycle too long. I have this hearsay that says you were a traveling man who traded your friendship and your charisma. (I know nothing firsthand.) I was a girl once and thought you were searching for something until I realized no one ever actually said as much. Just that you went from here to there and sometimes back. I wish you could have been seldom rather than absent. Or maybe rare but at least felt the pull of my heart enough to pause. I don’t remember the sound of your voice.
0
Sep 5, 2013
Sep 5, 2013 at 10:24 PM UTC
Pater
Lawrence Hall [email protected]   https://hellopoetry.com/lawrence-hall/ poeticdrivel.blogspot.com We’ll Write a New Idyll This Year The old order changeth, yielding place to new, And God fulfils himself in many ways -Idylls of the King, “The Passing of Arthur,” 8-9 Janus faces both ways, and so do we A last, lingering look at the year that was And then a turn to the year we must meet Marching to it through Janus Pater’s doors We will most remember about the past Our friends whose pilgrimages came to their ends We joy in the remembrance of their happiness Their stories and songs, their unfailing kindness Janus faces both ways, and so do we;     But now our friends, our happy friends, they see Light And the new sun rose bringing the new year       -Idylls, “The Passing of Arthur,” 469
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Jan 1, 2022
Jan 1, 2022 at 8:04 AM UTC
We'll Write a New Idyll This Year
Mary left the confessional or kind of sneaked out as if she'd pick pocketed the priest's gown and sat in one of the church pews and stared down at her shoes Father Joseph seemed rather quiet after her confession no big suggestions no piles of Hail Marys or Pater Nosters or other seemingly pointless quests and when she said about her menstrual cycle buggering her mind up so that she did things she didn't mean to do he just went mm mm and she could see his head nod through the mesh of the grid and that thing about the rumour about himself (Father Joseph) and Sister Lucy was not spread by her(Mary) but she just happen to hear it said along the playground line the priest had said nothing about that he seemed to be elsewhere other than the dark chair she looked up from her shoes and stared at Sister Lucy tiding the prayer books on the pews over the way and wondered if or what was going on between her and him or maybe nothing just girl's gossip as they do the nun walked on by eyes downcast Mary thought about the penance the priest had given her for the sins confessed and contrition shown (well at least she seemed contrite) to read the first letter of St Paul to the Corinthians verses 12-21 and pray about what she read another girl went into the confessional and closed the door it had been dark in there he sighed a lot and she smelt a mixture of pipe tobacco and mothballs like her da's old suit brought out for high days and holidays she smiled that thing about the boy touching her *** hung in the air of the confessional like a bad smell no mind she mused I'm just a good Catholic girl.
0
Jan 22, 2016
Jan 22, 2016 at 4:26 AM UTC
A GOOD CATHOLIC GIRL 1963
Mary left the confessional or kind of sneaked out as if she'd pick pocketed the priest's gown and sat in one of the church pews and stared down at her shoes Father Joseph seemed rather quiet after her confession no big suggestions no piles of Hail Marys or Pater Nosters or other seemingly pointless quests and when she said about her menstrual cycle buggering her mind up so that she did things she didn't mean to do he just went mm mm and she could see his head nod through the mesh of the grid and that thing about the rumour about himself (Father Joseph) and Sister Lucy was not spread by her(Mary) but she just happen to hear it said along the playground line the priest had said nothing about that he seemed to be elsewhere other than the dark chair she looked up from her shoes and stared at Sister Lucy tiding the prayer books on the pews over the way and wondered if or what was going on between her and him or maybe nothing just girl's gossip as they do the nun walked on by eyes downcast Mary thought about the penance the priest had given her for the sins confessed and contrition shown (well at least she seemed contrite) to read the first letter of St Paul to the Corinthians verses 12-21 and pray about what she read another girl went into the confessional and closed the door it had been dark in there he sighed a lot and she smelt a mixture of pipe tobacco and mothballs like her da's old suit brought out for high days and holidays she smiled that thing about the boy touching her *** hung in the air of the confessional like a bad smell no mind she mused I'm just a good Catholic girl.
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76
We three sat on the stoop on Thursday night eating watermelon. Our Georgian brick building crouched behind us, the front door held open by someone’s flip-flop. The day had been hot, and when it began to rain, the sidewalk steamed with every drop until there were no more drops but the evening’s deafening applause and silver spears of rain shattering themselves on the wet-black street. We piled our melon rinds in mixing bowls and all stood wordlessly to go. We had talked that night as students do; ambling about, trying new things out: Pater, Pound, Benjamin, Foucault. Distracted now and then, we watched a desperate moon clamber gently up an arching oak and jump in the sad, still way that moons so often do. In the silences of our conversation, the locusts stirred their thrum, shrill and urgent, talking one to the other— or one to all— in the noisy communion that is a Virginia night. Nighttime’s business had halted, though, to let the sky be unburdened. In the rain’s roar, our watermelon all but gone and Baudelaire (for the moment) spent, we'd grown unexpectedly silent as if to note something sacred in the night.
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Oct 20, 2016
Oct 20, 2016 at 12:32 PM UTC
Stoop Sitting
We walked down Deacon Way (had to get her away from her home and her old man and his Bible bashing) it was after school and tea and the sky was blue but becoming grey she tied her long blonde hair into a pony tail with a red ribbon but what will my father say when he finds that I’ve gone out? Fay said say you needed the air say the nuns said you had to appreciate the evening air that God made I said he knows the nuns will not have said that he keeps in touch what they say and how I am behaving at school she said and how do you behave at school? I asked I do my best to be good she said but they are so picky you have not said your Pater Noster with due reference or you have said the Ave too quickly   who's the Pater Noster? I asked the Lord's Prayer she said and the Ave is the Hail Mary I see I said although I didn't see we came back to the New Kent Road and stood by the hairdressers on the corner where now? she asked I ought to get back Father will be looking over the balcony for me how about a bag of chips? I said Father says chips are bad for you make you fat she said but they're good fill you up if you're hungry I said best not she said I must go back he'll get so angry ok I said so we crossed the road and walked down Meadow Row she looked anxious I looked at her sideways on her blue eyes blonde hair and that look in her features of sad despair.
0
Jul 1, 2014
Jul 1, 2014 at 3:11 AM UTC
AFTER TEA WALK.
It was a sunny afternoon You identify what is new with me, I was in puzzle, unable to internalize “What new you talks about”? Then you underline on my notebook ‘ Put a margin remarks, It is different here Appreciate ‘humanize dimension of nature’ Be careful “Do not replaced nature from the frame Never forget about identity of culture rooted in nature! “ That’s you are, a curator of younger And Pater for many one! I know you become tired In the long journey of loving and living! I know you become aide-de-camp By rapturing of your beloved one! I know you want to go for a long sleep   Please take rest in peace! We will run-through the practices of curatorship for young But not for incubation!
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Apr 2, 2020
Apr 2, 2020 at 2:05 PM UTC
In the memories of curator and pater