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(Sur l'air de Malbrouck.)

Dans l'affreux cimetière,
Paris tremble, ô douleur, ô misère !
Dans l'affreux cimetière
Frémit le nénuphar.

Castaing lève sa pierre,
Paris tremble, ô douleur, ô misère !
Castaing lève sa pierre
Dans l'herbe de Clamar,

Et crie et vocifère,
Paris tremble, ô douleur, ô misère !
Et crie et vocifère :
Je veux être césar !

Cartouche en son suaire,
Paris tremble, ô douleur, ô misère !
Cartouche en son suaire
S'écrie ensanglanté

- Je veux aller sur terre,
Paris tremble, ô douleur, ô misère !
Je veux aller sur terre
Pour être majesté !

Mingrat monte à sa chaire,
Paris tremble, ô douleur, ô misère !
Mingrat monte à sa chaire,
Et dit, sonnant le glas :

- Je veux, dans l'ombre où j'erre,
Paris tremble, ô douleur, ô misère !
Je veux, dans l'ombre où j'erre
Avec mon coutelas,

Etre appelé : mon frère,
Paris tremble, ô douleur, ô misère !
Etre appelé : mon frère,
Par le czar Nicolas !

Poulmann, dans l'ossuaire,
Paris tremble, ô douleur, ô misère !
Poulmann dans l'ossuaire
S'éveillant en fureur,

Dit à Mandrin : - Compère,
Paris tremble, ô douleur, ô misère !
Dit à Mandrin : - Compère,
Je veux être empereur !

- Je veux, dit Lacenaire,
Paris tremble, ô douleur, ô misère !
Je veux, dit Lacenaire,
Etre empereur et roi !

Et Soufflard déblatère,
Paris tremble, ô douleur, ô misère !
Et Soufflard déblatère,
Hurlant comme un beffroi :

- Au lieu de cette bière,
Paris tremble, ô douleur, ô misère !
Au lieu de cette bière,
Je veux le Louvre, moi

Ainsi, dans leur poussière,
Paris tremble, ô douleur, ô misère !
Ainsi, dans leur poussière,
Parlent les chenapans.

- Çà, dit Robert Macaire,
Paris tremble, ô douleur, ô misère !
- Ça, dit Robert Macaire,
Pourquoi ces cris de paons ?

Pourquoi cette colère ?
Paris tremble, ô douleur, ô misère !
Pourquoi cette colère ?
Ne sommes-nous pas rois ?

Regardez, le saint-père,
Paris tremble, ô douleur, ô misère !
Regardez, le saint-père,
Portant sa grande croix,

Nous sacre tous ensemble,
Ô misère, ô douleur, Paris tremble !
Nous sacre tous ensemble
Dans Napoléon trois !
Colt Jul 2013
Bury me in Paris, when my heart stops and my eyes open wide,
next to Beckett or Sarte & de Beauvoir, ménage à trois.
Bury me in Paris, where the tourists go,
on the Champs-Élysées, or near the home of Picasso.
Bury me in Paris where the Seraphs scoff and roll their brown eyes
and the saints sell paints on the edge of the Seine’s grime.
Bury me in Paris between the pavement and le Métro,
take my body to whatever stop, just go.

Bury me in Paris on a winter’s night,
beneath the Louvre pyramid light.
Bury me in Paris with Lady Liberty in tow,
make my bed next to de Balzac, next to Marceau.
Bury me in Paris at the foot of l’Obélisque
accompanied by pharaohs, exhumed.
Bury me in Paris, leave me there, I guess,
in the hotel room overlooking the Arc. I, fully dressed.

Bury me in Paris while listening to Robespierre’s final scream,
the silence drowned out only by the guillotine.
Bury me in Paris, Montrouge, your angel calls to me,
that one who serves macarons at the head of the Tuileries.
Bury me in Paris, with the Angel, unimpressed,
next to her, I, in eternal rest.
Bury me in Paris, toss me off Bir-Hakiem, splashing,
or under tour Eiffel in the springtime night, waking.
Bury me in Paris, my body yearns to be free and true,
but if I am to die in New Orleans, bon Ange de Montrouge,
Bury me there with the jazz worms, singing:
“Angel, come to me, come to me, Angel, come.”
mark john junor Jul 2017
she said the rain reminded her of Paris
can almost hear the cafe's and distant lovers laugh
can almost feel Paris 'neath my feet
she is Paris in my mind
Paris in the rain...

melancholy on her face with that distant heartfelt...

the rain slips away
she said she wanted to walk in the garden
in summer bloom
linger there by shady tree...

rest herself on the wooden bench framed in sunshine
her perfume lingers on the trail
of her soft footsteps
a seductive path to her secret heart
she says she is compelled to ask
but the silence follows her words...

her long white dress
reflecting beautifully in the summer air
her long white dress
once reflecting enticing moment at a time
she hums the tune to that song
the one she so loved in Paris
the one that played on that night of joys
the one that she held him so much
not me    not me    not me
she is Paris in my mind
Paris in the rain...

I am withdrawing from the beautiful image of her
without moving she is getting farther and farther away
no more Paris in the rain for me
no more song for me
she will always be that Paris in the rain
Paris in the rain

© 2017 mark john junor all rights reserved
judy smith Nov 2016
Shortly after 3pm on September 29, 31-year-old Olivier Rousteing strode through the shimmering, fleshy backstage area at Balmain's Spring 2017 Paris Fashion Week show. Along the marble hallway of a hôtel particulier in the 8th arrondissement, long-limbed clusters of supermodels were gamely tolerating final applications of leg-moisturiser, make-up touch-ups and minutely precise hair interventions from squads of specialists as fast and accurate as any Formula 1 pit-stop team. The crowd parted as Rousteing swept through.

Wearing a belted, black silk tuxedo and a focused expression that accentuated his razor-sharp cheekbones, Rousteing resembled a sensuous hit man. Target identified, he led us to the board upon which photographs of every outfit were tacked.

We asked him to tell us about the collection (for that's what fashion editors always ask). "There is no theme," said Rou­steing in his fast, French-accented lilt. "No inspiration from travel or time. The inspiration is what I feel, and what I feel now is peace, light and serenity. I feel like in my six years here before this, I have tried to fight so many battles. Because there is no point anymore in fighting about boundaries and limits in fashion. Balmain has its place in fashion."

And the clothes? "There is a lot of fluidity. A lot of knitwear, lightness, ponchos. No body-con dresses. But whatever I do, even if I cover up my girls, it is like people can say I am ******. So this is what it is. I think there is nothing ******. I think it is really chic. I think it is really French. It is how I see Paris. And I have had too many haters during the last three years to defend myself again. So, this is Balmain." And then the show began.

Star endorsements

Under Rousteing, Balmain has become the most controversial fashion house in Paris. Rousteing has attracted (but not bought, as other, far bigger houses do) patronage from contemporary culture's most significant influencers. Rihanna, all the Kardashians, Kanye West, Taylor Swift, Miley Cyrus, Beyoncé, Justin Bieber – a royal flush of modern celebrity aristocracy – all champion him.

Immediately after this show, in that backstage hubbub, Kim Kardashian told me: "I thought it was very powerful…I loved the sequins, and I loved all the big chain mail belts – that was probably my favourite."

Yet for every famous fan there is a member of the fashion establishment who will sniff over coffee in Le Castiglione that Rousteing's crowd is declassé and his aesthetic best described by that V-word. The New York Times' fashion critic Vanessa Friedman reckoned this collection appropriate for "dressing for the captain's dinners on a cruise ship to Fantasy Island". At least she did not use the V-word. When I once deployed it – as a compliment – in a 2015 Vogue menswear review that declared "Rousteing is confidently negotiating a fine line between extravagance and vulgarity", I was told that Rous­teing was aggrieved.

The fashion world's ambivalence towards Rousteing is a measure of its conflicted feelings towards much in contemporary culture. Last year Robin Givhan of the Washington Post wrote of Balmain: "The French fashion house is always ostentatious and sometimes ******. It feeds a voracious appetite for attention. It is anti-intellectual. Antagonistic. Emotional. It is shocking. It is perfect for this era of social media, which means it is powerfully, undeniably relevant."

Since joining Instagram four years ago Rousteing has posted 4000 images and won 4 million followers. The combined reach of his audience members and models at this Balmain show was greater than the population of Britain and France combined. Balmain was the first French fashion house to gain more than 1 million followers, and currently has 5.5 million of them.

Loving his haters

As digital technology disrupts fashion, Balmain's seemingly effortless mastery of the medium galls some. Last year, the designer posted an image of a comment from a ****** follower to his feed. It read: "Olivier Rousteing spends more times taking selfies for Instagram than designing clothes for Balmain." Underneath, in block capitals, he commented "i love my haters".

Rousteing can be funny and flip – doing a video interview after the show, I opened by asking, tritely, how he felt. He replied: "Now I feel like some Chicken McNuggets with barbecue sauce, and then some M&M;'s ice cream."

When at work, however, that flipness flips to entirely unflip. The previous evening, at a final fitting for the collection, Rousteing had paced his studio, his face a scowl of concentration, applying final edits to the outfits to be worn by models Doutzen Kroes and Alessandra Ambrosio. The 30-strong team of couturiers working in the adjoining atelier delivered a steady stream of altered dresses.

"We are ready," he said from behind a glass desk in a rare moment of downtime. "This a big show – 80 looks – and I want a collection that is full of both the commercial and couture. But it's smooth too. All of the girls are excited about the after-party and interested in the music. And eating pizza." In the corridor outside Gigi Hadid – this season's apex supermodel – was indeed eating pizza, with gusto.

The fitting went on until far beyond midnight; Rousteing, fiercely focused, demonstrated the work ethic for which he is famous. When he was studio manager for Christophe Decarnin, his predecessor at Balmain, the young then-unknown was always the first in and last out of the studio. Emmanuel Diemoz, who joined Balmain as finance controller in 2001 and became chief executive in 2011, says that his hard graft was one of the reasons he was chosen to succeed Decarnin.

"For sure it was quite a gamble," says Diemoz. "But we could see the talent of Olivier. Plus he understood the work of Christophe – who had helped the brand recover – so he represented continuity. He was a hard worker, clearly a leader, with a lot of creativity. Plus the size of the turnover at that time was not so huge. So we were able to take the risk."

Clear leader

Which is why, aged 24, Rousteing became the creative director of one of Paris's best known – but indubitably faded – fashion houses. In 2004 it had been close to bankruptcy. In 2012, Rousteing's first full year in charge, Balmain's sales were €30.4 million and its profit €3.1 million. In 2015, sales were €121.5 million and its profit €33 million. Vulgarity is subjective; numbers are not.

Rousteing, who is of mixed race, was adopted at five months by white parents and enjoyed an affluent and loving upbringing in Bordeaux. "My mum is an optician and my dad was running the port. They are both really scientific – not artistic. So I had that kind of life. Bordeaux is really bourgeois and really conservative, I have to say."

After an ill-starred three-month stint at law school – "I was doing international law. And I was like, 'oh my God, that is so boring'" – he did a fashion course that he managed to tolerate for five months.

"I found that really boring as well. I just don't like actually people who are trying to **** your dream. And I felt that is what my teachers were trying to do."

Obsessed with Gucci

Following a three-month internship in Rome – "also boring" – Rousteing became fascinated with Tom Ford's work at Gucci. "I was obsessed, obsessed, obsessed. Sometimes the press did not get it but I thought 'this is like genius, the new **** chic'. Obsessed, full stop."

He wanted to work there – "that was my dream" – but applied to every fashion house he could, and found an opportunity to intern at Roberto Cavalli. "They took me in from the beginning. I met Peter Dundas [then womenswear designer at the brand] and he said you are going to be my right hand – and start in four days."

Rousteing counts his five years in Italy as formative both creatively and commercially, but when the opportunity came to return to France in 2009 he leapt at it. "Christophe said he liked my work and that he needed someone to manage the studio. So two weeks later I was here. I loved Balmain at the time, when Christophe was in charge. It was all about rock 'n' roll chic, ****, Parisian. And he was appealing to a younger generation. You can see when brands become old but Balmain was touching this new audience. I always say Christophe's Balmain was Kate Moss but mine is Rihanna."

When Decarnin left and Rousteing replaced him, the response was a resounding "who?". His youth prompted some to anticipate failure.

"It was not easy at all. Every season I had the same questions." Furthermore, Rousteing (who has said he thinks of himself as neither black nor white) was the only non-white chief designer at a Parisian couture house. In a nation in which very few people of colour hold senior positions, his race may have contributed both to the establishment's suspicion of him and to his powerful sense of being an outsider.

'Beautiful spirit'

As he began to build a personal vernacular of close-fitted, heavily jewelled, gleefully grandiose menswear – fantastical uniform for a Rousteing-imagined gilded age – for both women and men, that V-word loomed.

"They asked, 'But is it luxury? Is it chic? Is it modern?' All those kinds of words. But you know there is no one definition [of fashion] even if people in Paris think there is. And, I'm sorry, but I think the crowd in fashion are those who understand the least what is avant-garde today."

In 2013 Rihanna visited the studio, met Rousteing, and reported all with multiple Instagram posts. "You are the most beautiful spirit, so down to earth and kind! @olivier_rousteing I think I'm in love!!! #Balmain." :')"

Rousteing met Kim Kardashian at a party in New York – they were drawn together, he recalls, because they were both shy – and was promptly invited to lunch with her family in Los Angeles.

An outsider in the firmament of old-guard Paris fashion, Rousteing was earning insider status within a new, and much more influential, supranational elite. He points out that Valentino, Saint Laurent and Pierre Balmain himself "were close to the jet set of their time. What I have on my front row is the people who inspire my generation".

From them, he learned a new way of doing business. "I think it was Rihanna and the music industry that first understood how Instagram can be part of the business world as well as the personal. But in fashion? When we started it was 'why do you post selfies? Why do we need to know your life, see you waking up, see you working? Why don't you keep it private'. And I was like 'you will see'."

Rousteing cheerfully declares his love for Facetune – "I don't have Botox but I do have digital Botox!" – an app that helps him airbrush his selfies and tweak those ski-***** cheekbones.

Reaching new population

From his office around the corner from Rousteing's, Diemoz adds: "When Olivier first proposed Balmain use social media, our investment in traditional media was costing a lot. Here was an alternative costing less but bringing huge visibility. It has been successful, quite rapidly…we decided to be less Parisian in a way but to speak to a new population. A brand has to be built around its heritage but we are proposing a new form of communication dedicated to a wider group of customers."

The impact of that strategy became apparent in 2015, when Rousteing and Balmain were invited to design a collection for the Swedish fast-fashion retailer H&M.; Within minutes of going on sale – and this is not hyperbole – the collection, available at vastly cheaper prices than Balmain-proper, had completely sold out. In London, customers fought on the pavement outside H&M;'s Regent Street branch. "Balmainia!" blared the headlines.

You have to move fast to get backstage after a Balmain show. I was out of my seat and trotting with purpose even before the string-heavy orchestra at the end of the catwalk had quite stopped playing Adele.

Rousteing had taken his bow merely seconds before. Still, too slow: I ended up in a clot of Rousteing well-wishers stuck in a corridor blocked by security guards. A Middle Eastern woman against whom I was indelicately jammed looked at me, laughed, shook her head, then said: "We pay millions for a fashion house – and then this happens!"

In June, Balmain was bought for a reported €485 million by Mayhoola, a Qatar-based wealth fund said to be controlled by the nation's ruling family. As so often with Rousteing-related revelations, some declared themselves nonplussed. "Why Would Mayhoola Pay Such a High Price for Balmain?", one headline asked. Yet Mayhoola, which acquired Valentino four years previously for $US858 million, might have scored a bargain.

Clothes key to revenue

Despite its huge, Instagram-enhanc­ed footprint, Balmain is a small, lean and relatively undeveloped business. Most luxury fashion houses today – Chanel, Burberry, Dior, et al – will emphasise their catwalk collections for marketing purposes but make most of their money from the sale of accessories, fragrances and small leather goods like handbags and shoes. One of the big fashion companies makes a mere 5 per cent from its catwalk clothes.

At Balmain, by contrast, clothes bring in almost all the revenues. If Balmain had the same clothes-to-accessories ratio as its competitors, its overall annual income could be more than €1 billion ($1.4 billion).

The company is moving in that direction. New accessory lines are in the pipeline. "Now we have to transform that desire into business activity," said Diemoz. "Sunglasses, belts, fragrances, the kind of products that can be more affordable."

The first bags should be available in January, as will a wider range of shoes, and then more, more, more.

Six days after his show, on the last day of Paris Fashion Week, I returned to the Balmain atelier. Apart from two assistants, Rousteing was the only person there – everybody else had gone on holiday to recover from the frenzy of preparing the show, or was busy selling the collection at the showroom around the corner.

Rousteing sat behind his desk in the empty room, wearing slingback leopard-print slippers, sweatpants and shades. "I am not even tired! I am excited. Because there are so many things happening – and I can't wait."Read more at:www.marieaustralia.com/red-carpet-celebrity-dresses | http://www.marieaustralia.com/formal-dresses-adelaide
Please help pray for Paris. I feel so helpless and sad tonight. I wish it wasn´t real.

Paris

Friday night in Budapest
Music echoing in a bar
A man and woman well dressed
Walking towards their car

Friday night in Paris
Sirens echoing in the street
Chaos rapidly embowering bliss
Ground shaking under running feet

Friday night in Oslo
Laughter and good wine
Tall candlesticks standing aglow
Faces losing track of time

Friday night in Paris
Laughter twisting into cries
Searching for those you miss
As black smoke fills the skies

Friday night in Berlin
Together watching a football game
Hoping that your team will win
Cheering with a poster of their name

Friday night in Paris
Blood on the big green field
Lying on the ground alive you wish
That it simply isn't real

Friday night in London
Going out with a friend
Hearing the ringing of big ben
Thinking of how much to spend

Friday night in Paris
Crowds shattered by gunshots and hate
On your knees filled with anguish
You loved, but now it is too late

Friday night in Rome
Midnight walks under the sky
Couples together, walking home
Others turning to say goodbye

Friday night in Paris
Hate took away the morning
No words can fix this
Or dry the tears of the mourning
Please help pray for Paris. I feel so helpless and sad tonight. I wish it wasn´t real.
Vamika Sinha Jul 2015
Paris: immutable
permanent marker
dream.

I love you like
the giddy sparkle-crack,
irrational love
found in picture-book fairy tales
I outgrew by
13. You are
my desperate idealism
romanticized into sepia wallpaper
on my laptop screen so
hi there.
Hi, Eiffel Tower.
I think I know your contours
better than a man knows the outlines of his lover but
Paris.
My feelings run
still.
Stiller than still, like
blood gone cold
in love's deep-freeze,
I'm fixated.

Paris, you've got
a residence permit
without an expiration
date
to live in the red beating
city
within me
where no boy has ever kept up his rent and
what,
           what
what does that say about me?
That I reach out my arms to
a rose-tinted Google image
rather than a
tangible embrace waiting for me at my
locker every day.

Why can I serenade you
but not even speak about him?

Paris, I don't think...
I don't think I should love you so
fairly.
For you are my soul investment
but we won't breakeven.
And they warned me,
Paris, they warned me
that you are most beautiful in the rain.
How gorgeous, how
dangerous,
in this age of acidity.

You do not need me
when countless 'artistes'
make love to you
on camera rolls, ivory keys, second-hand
typewriters of silk-faced men.
You do not need me.
Even history has shaped you
into an evenly symmetrical heart
on the map.
You do not need me
but I gorge myself on your
romance
to keep me sane.

Who needs therapy when there's the Champs-Elysées?

And I know that you're crumbling
like, God, yes, the pastries in your abandoned patisseries. I
know that you're crumbling
beneath pink candy wrappers and Casablanca
scene imitations so
that's why
they say you disappoint.

My aunt had a suite at the Ritz but
emailed to tell me
about the soot-stained post office
on rue-this or rue-that and
what,
         what,
what does that say about you?

Is that why they took
all the locks off your eternal bridge,
discarded each love-tale
attached to your hinges
because you were
                               heaving?
Vomiting out love because
it was over-indulgence, like
you'd stuffed yourself on red velvet cupcakes
to find you couldn't digest all that romance and
Paris,

I'm holding you tightly.

My feelings irrationally match
with some product with a price-sticker that reads
'true love'.
Did I tell you I cherish your flaws?
The smoke snuck on buildings and
vines like
veins
bleeding honeysuckles onto windowpanes
and brusque sandwich orders
in some seedy cafe.

I want to crawl
into your chinks and spaces,
make little dark coves
in each little gap where
I can sit and
read.
I can read.

I can read you.

Paris, you are
the postcard that never
came in the mail
but I somehow found
in an empty drawer one day and
I love you.

Paris, I love you.
I'm writing it now but
in some beautiful future,
I'll tell you in person.
If you want, Paris can be a metaphor for something...or somebody.
Mahatma Jones Feb 2015
Paris is burning.
Tar streets boil in ecstasy as cobblestones shudder in fear.
The city is ablaze, a cataclysmic uproar,
multitudes of disheveled artisans carrying scorched canvasses,
singed paintbrushes and smoldering memory kits,
each individually packaged in flesh encased animal bags.
Flames leap from every heart,
racing down fire escapes into the arms of loved ones
who fret in the streets below.
Sidewalks hiss "Pleeeeassse"
then explode in a thunderous
"OH NO!"

Paris is burning.
Her watercolor tears, not out of sadness
but out of habit.
Rainbow stains for sinners and gentle madmen alike.
It's the end of love.

Paris is burning.
City officials, wearing smoke scented jackets and incandescent alibis,
(both in dire need of laundering),
tell ethnic jokes to the starving hordes of pressmen and reporters
who clamor impatiently outside.
A thousand horrible deaths search through the rubble
for possible survivors, insuring that there are none.
"these two rabbis walk into a bar, see.."

Paris is burning.
Centuries, like antique floral wallpaper,
turn brown, then curl at the edges,
rising in a spiral of thick, black,
gargoyle infested smoke.
It's the end of love.

Paris is burning.
C'est l'aroma fantastique in the air,
ah, but what is it? Escargot? Et vignon, flambeau, of course,
charred bouef, roast canard a l'orange, merci beaucoup;
Don't forget the '59 Cabernet du Normandy,
sipped slowly at a favored cafe but no, wait,
what is this, no.
It has all gone now, up in flames, all up in flames
merde..
so, you go to eat at the new McDonalds,
at the foot of the Eiffel Tower,
built in nineteen eighty-four
by a group of devout new-worlders and,
in the spirit of goodwill and brotherhood
that generally pervades these types of events,
shipped to France in a peaceful exchange
for another sculptural wonder,
the Statue of You-Know-Whatitty.
The enormous expense of this
gargantuan publicly funded project
was explained to the funding public as
a "social experiment", a test
to resolve, once and for all,
which of these two nations
is technologically superior to the other,
by determining which of the icons of modern civilization,
the fast food chain or the statue,
will best endure the ravages of time,
but alas, now,
as both the Tower de Eiffel and the Arches of Gold
are melting into one grande candle du ****,
France, it would seem, is up by one.

"Paris is burning", I thought,
"it's the end of love.",
when I first noticed the young hitchhiker standing by the road,
both lovely and lonely as life itself.
"Get in", I muttered, whilst the Louvre exploded
and was incinerated in the
thermonuclear meltdown at Chernobyl;
the Fighting Irish of Notre Dame were defeated at Waterloo,
and Quasimodo was traded to Cleveland for two femme fatales,
plus a hero to be named at a later date;
Joan of Arc got burned in an insider trading scandal;
Marie-Antoinette gave head to the Reichstag when
Napoleon deserted;
Descartes was discarded along with some rocks, worms and trees;
while the Seine simply evaporated,
and, two weeks later,
fell as rain over Nagasaki.

You see, my desire for her was so overpowering,
I would gladly have burned down any city
that she might have asked me to.

"Have you heard?",
I asked, as she got into the car,
lightly brushing my thigh with her hand,
"Paris is burning.
It's the end of love..."
(c) 1983 PreMortem Publishing
Life Is Like
A Video Game
You Work Hard
You Earn
Something
And Unlock
Something
And Possibly
Become A Leader
One Day
But,
An Expert
Was Once
A Beginner
A Follower
Which Lead
Him To
Determination
Hard workmanship
Commitment
And Like
A Chain
He Could
Have Stayed There
In The Chains
But,
He Left His Demise
And Found A Key
Way Out Of
Death
Or Maybe Regret
~Paris Styron~

You May Have
A Script
But,
That Does Not
Mean You Know
How To Use
It
~Paris Styron~

Do Not Love
Me
Because My Love
Is A Star That
Will Always Be
Wished Upon
My Love Is So Strong
You Will Turn Into Stone
If You Were To
Break My Heart
That Star Will Turn
Into Scars
That Will Shine Alone
That You Will
Later Realize
You Wish You Had Me
And, Still
Would Wish Upon
That Star
~Paris Styron~

Pain Is
A Gain
Of Progress
~Paris Styron~

Humiliation
Is A Form Of
Unitity
In Ones Self
One Step Closer
Of A Human Being
~Paris Styron~

Let The Writing
Talk, And Your Thoughts
Express
Let The Tears
Run Down
Your Face
That Covered
Pain
Now Tears Drop
To The Floor
Behind Doors
That Whats
Keep The Floors
Crying
~Paris Styron~

Loneliness
Is A Tool
Which Can Turn Into
Solitude
Thus A Piece Of Mind
~Paris Styron~

Music Is A Thing
Trapped Inside
A Man World
~Paris Styron~

I Will Be A Scar
That Is A Star
In Your Eyes
You Will Wish Upon
~Paris Styron~

Night Of The Coolness
Moon Of The Light
Carry My Sadness Away
Everyday
Every Night
From This Day On
~Paris Styron~

Carry Your
Sorrows With
Kindness
Not Anger,
Rage
Not Slaughter
~Paris Styron~
Micheal Wolf Aug 2012
I've never been to Paris in the spring summer or fall
Nor seen the Champs-Élysées blanketed in winters fresh snow
I've never seen it, Why? As I could never go alone

I seemed to miss the part where two lovers met and kissed or stood for 20 minuites in a passionate embrace
Then slowley walk together hand in hand in the rain, along the banks of the river of romance, the Siene

I'm not in the lovers photographs, beneath the Eiffel tower or the playful Quasimodo pose outside of Notre Dame
You won't see me in any of them, for I was never there, because while my lover travelled I stayed and built a home, a place we could call our own.

But bigger and better was never enough your greed for things was just to much then one day off you went as you didn't hear a word I'd said
To you by now I was simply staff and just like them I was sacked

But now alone I look at things and know what I can do
Change the way I look at life and why I never went with you
For Paris is for lovers and not just those who share the rent

So one day I'll go to Paris, even if I am alone
I shall walk the streets and see the sights that lovers call their own
Who knows If I'm the only one who needs to make that trip
Do others think of it the same in reverence and wish?
One day i'll go to gay Paris and a blank post card  I shall send
"From Paris" with a smiley face
"I learnt to love myself".....
A picture of the tower or a snap outside the Louvre
Unsigned
No senders address

From Paris
With Love
aldo kraas Sep 2023
Paris
A wonderful city
A place for lovers
Paris
A city to dream wild
Paris
In that river the boats are moving with lovers inside
Watching that beautiful sky above the river
And the moon from that beautiful sky
Is shining in
The river
Paris
A city that never sleeps
Paris
The romance is in the air
Paris
The lovers are feeling the love that are in the air
Paris
That smell of the roses the lovers can smell
Paris
This is the sign that spring is here
Paris
Spring is the most beautiful time of the year
Now that winter has finally gone to sleep
Paris
The lovers welcome spring with open arms
The city’s all a-shining
Beneath a fickle sun,
A gay young wind’s a-blowing,
The little shower is done.
But the rain-drops still are clinging
And falling one by one—
Oh it’s Paris, it’s Paris,
And spring-time has begun.

I know the Bois is twinkling
In a sort of hazy sheen,
And down the Champs the gray old arch
Stands cold and still between.
But the walk is flecked with sunlight
Where the great acacias lean,
Oh it’s Paris, it’s Paris,
And the leaves are growing green.

The sun’s gone in, the sparkle’s dead,
There falls a dash of rain,
But who would care when such an air
Comes blowing up the Seine?
And still Ninette sits sewing
Beside her window-pane,
When it’s Paris, it’s Paris,
And spring-time’s come again.
Tawanda Mulalu Apr 2015
.

  I.

When the poet first met her, again,
Cupid tried to strike him with an arrow.
It missed because the poet stared
through her. Not at her.

Yesterday it was,
'Get online loser.'
Tonight she says: quick
give me a description of Paris.

She always says such things.

He says: cold
like the pin-*****
of morning after-skin. Warm
like the shiver of a hand
held soft; of lips kissed.

He always says such things.

He even calls her Honeybear,
Cupid be ******.


  II.

He liked her because she read more books than him.

Her voice always made the sound of a page turned:
Crisp, clear, passionate;
revelling in the present,
but always waiting for the next sentence.

As if a book could actually speak
like a person.

As if the hours
she spent reading alone were not
just conversations with herself.

As if every syllable
was a night-whisper with
the great American dead.

The poet doubted if she ever
truly talked to Fitzgerald because
he was a drunk too obsessed
with one spirit. She'd get annoyed.

But then again, her drink of choice
is also an ungraspable green light.

Paris.


  III.

When she put on her spectacles,
the world became less clearer:
she could only see how far away she was
from where she was supposed to be.
The sharper life's images were,
the surer she became of this.

She had her substitutes for foreign oxygen:
novels, movies, songs, poems;
but they never quite breathed the same.
He tried to force the glasses off her.
Maybe then she could more barely
make out the thorny edges of sun-dried Acacias,
and more fuzzily the general sun-warmth
that he thought was the Kgalagadi soul.

She refused, but when she didn't,
she wore contact lenses. Real,
or imagined, the thin sheet of
dream glass pressed against her eyes
could never disappear. Her soul
was where it was: where it wasn't.
So still all she could see,
even when he smiled vivid,
was a place that wasn't Paris.


  IV.

Somewhere.

That is where she thought she was.
Here, an indescribable place.
Indescribable because she saw it grey. He
instead saw dappled speckles,
and rainbows flickering across every corner.
But he was of here and here alone, he felt
the landscape's beauty in his bones. She
wondered why she should look at
sandy semi-desert instead of gravelled
culture. She wanted pathway upon pathways of
old Europe, lingering in modern cafés and bistros
like an affectionate aftertaste. He
was happy with spoonfuls of instant coffee with
translated copies of a country he would never see.
To him, a French poet in English
was just about the same as a
French poet in French.
He knew that wasn't true, of course.

But the point was to get across the idea of
a Little Paris in his Somewhere. Just as he had an
idea of her in the movies she shared; where
she would awkwardly appear as bits and pieces
of dialogue, sceneries, soundtracks and end-credits
injected into his laptop weekends atop his bed.
He knew her as old romance films on USBs.
It wasn't quite her, but he still liked the idea of it.

He liked ideas, and ideas alone
were more than enough for him.

To her, ideas were restless things
to be beaten into submission.

And so she endlessly beat life's piñata
with a stick of dream,
and hoped to find a plane ticket
amongst the false candies.

She's still swinging.


  V.

He couldn't stop her and he didn't try.
At the very least, he admired her charm;
the zest and gusto of her swing.

But she tired easily. And he didn't want
her to be tired.

Sometimes her laughter would burst into her
and she'd forget about ambition, forget about success.
Sometimes she would just bite into her own sweetness
like if a rose could smell itself. She loved her red,  
and was more intimate with her petals than her pulse.
Just as how she knew Paris better
than this Somewhere.

He thought she was crazy.
But so did she.
And they argued about this because
She thought he was crazy.
But so did he.

And so,
they disagreed about agreement
every day.

On a good day she would present a vicious smile,
the next paragraph in her never-ending thesis
that he doesn't intend to stop reading,
but somehow hasn't even started.
He never will.

On a bad day... well, a bad day
would lead to the end of a verse.


  VI.

They would always eventually get over a bad day.

Coldness takes effort; warmth does not.
The knew this, but warmth often became
an uncomfortable singeing of their safety.
They ran at the thought
of such possibilities like tiny girls
from tiny spiders. Neither wanted to put
that eight-legged flame into a jar, but
somehow they both expected butterflies.

The ecosystem is such for good reason,
and that reason is balance.
Spiders and butterflies both constitute
that effortless, life-affirming warmth.

They dance around that truth as it is a bonfire.
Sometimes they even look bright at it. But never,
never do they touch that little Paris, that little flame;
their little flame, their little Paris.
Because that love is meaningless meaning,
and neither of them wants to be, or feel, wrong.
Even if they'd be wrong together.

Their hands never meet in that fire.
Their souls never burn in night's ecstasy.
And they are almost never born,
until tomorrow, when they smile once again,
and dance.


Come online loser.
It's another birthday poem for a friend.
David Nelson Sep 2011
Minuit à Paris

oui, oui Missour, excusez-moi s'il vous plaît,
peux je prendre vos sacs, être bienvenu au Ritz
Je suis plus sûr, vous apprécierez votre séjour
Paris est le plus heureux, vous voir M. Fitz

Paris au printemps est une si jolie vue
les fleurs tous dans l'éclat, l'horizon la nuit
le soleil brillant shinning maintenant, peut-être une ****** d'après-midi
planifiez votre jour bien avant vous le trajet en haut dans la tour

le fait de promener devant le cathederal de Dame Notre
le fait de penser au carillonneur le vieux bossu
comme la liberté de Philadelphie, la cloche a un craquement
le fait de prendre d'assaut du Bastille, pour soulager la honte

au Louvre pour la plupart d'art exqusite
Rembrandt et DaVinci à leur meilleur
tant de choses à voir c'est juste le début
voir tout cela serait une quête fantastique

le temps pour un trajet en bas le fleuve de Seine
les vues étonnantes cette vieille ville peuvent livrer
une bouteille de Vouvray agréable pour améliorer le trajet
une jolie femme locale directement par votre côté

maintenant vous pourriez lui demander si elle aime danser
car les clubs dans Paree sont oh si parfaits
le club la Plage aussi un grand endroit pour dîner
un temps magnifique, le Minuit à Paris, France

Gomer LePoet
Mateuš Conrad Jan 2016
paris...
no american in sight, or how i just see utopia...
songs on the steps of  sacré-cœur, kissing
an american girl, then cheese and wine
next to the Eiffel tower, laughing, joking, trailing
and tailing off with talk of nabokov,
the nightclub scene with ping-pong ecstasy dances,
youth, youth, youth,
of youth that congregated once in those places,
parisian girls congregating for a game french hushes
with the chinese whispers  and anglo comic charades
learned from the conquering normans...
paris back then, what wouldn't i have given for it,
but i learned of starving north,
where lecture upon lecture repeated david hume,
and i said:
                   it's the 21st century after all!
                   make edinburgh the new paris!
oh paris, but paris stay intact,
with the eiffel tower in my palm,
where all love met no love
but love met love all the more fictive,
written with a million reincarnations
that once told a tale of warring fractions known
as factions,
and it was told so: paris of my past where
i walked the streets with the compass height
ordaining coordinates that the tower was
to thus learn:
in times of panicky sentencing est mort,
people congregate in hawkish gaze
at monuments of their bone and marrow
turned into cement and irons of scaffold,
and there they congregate to ogle a new hope
when encouraged by a new fascination
of those that are less amazed by the phonetic
simplicity of animals than those who keep them.
oh paris, how i too wished things would have
remained a truer you begging truancy
from international press coverage,
how that one summer i became embedded
in taking to sleep on rock that felt like
woollen napkins filled with duck quills.
and in the memoriam altar two boys played
this song: as entombed by the title.
Mateuš Conrad Feb 2016
poetry is the perfect tool to plagiarise, well, technically "plagiarise", since it involves the circle, akimbo, a micro akimbo shuffle, sketching the same statue over and over until full circle, 360°.

paris, ah, paris, well d'uh, paris,
umbrella rich paris in the summer,
first year in edinburgh and it wasn't Scottish,
sunshine throughout the year,
one morn took to feet  and kneeling climbed
arthur's seat (figure of speech,
i.e. not really) to see the sunrise
better, came down, went into
a supermarket and bought myself
a bucket of cornflakes,
third year i danced on the old college
roof in the night listening to
the shins' *new slang
,
tried getting a girl up on the roof,
failed, i said:
by the white fluorescent tangles
and dangles of the firth of forth are
coming up like the northern lights!
she didn't care... on a roof on
prince's street threw chimney parts
off the roof... could have killed
someone... on the same street
a year before on hogmanay kissed
a ****** in a wheelchair in full love
for the new year, got scolded by yet
another girl... god, this misogyny isn't
really working out...
on a date in a jazz cafe, first time i read
a rendition of neil young's old man
loved it so much, got confused by
the girl dragging me into the ceilidth twirl
pit akin to turkish sufi dervishes with a partner...
but paris man... oh man...
first time round we drunk ourselves
into silly animals dubbed children,
ran out of the hostel / bar into the streets
trying to find the compass point of
the city that's the eiffel tower,
didn't find...
broke an italian girl's heart, my sprechen es
tour guide, who took me atop the sacre coeur,
hostel's name? something duck...
not quacking duck, laughing duck? don't know.
second time i had a canadian-russian
tour-guide speaking quebec french (i know,
the cliche irony)...
we spanked baguettes and cheese and wine
and talk of literature bundles together
as the sun settled beneath the eiffel tower on the grass,
a group of french girls were deliberating
a fancy of my lean legs and armpits (when
i weighed 86kg and was suntanned),
and the best moment of my second weekend stay
in paris?
watching a guy high on ecstasy play ping pong
to a drum & bass drumbeat in a shady parisian club,
true too with the hand movement,
higher than a kite in a sky of diamonds he was,
and, it was fun to remember it:
no brooding exercise of thought:
memory attracts no thinking, just re-imagination
and memory in orthodox terms is happy nostalgia:
it happened because i was there...
not this modern paris the slum **** hole of algeria;
apropos - modern leftists and their censorship
of people's vocabulary... listen...
i had long conversations with a communist
party member, ok, an ex-communist party member
(my grandfather), your socialism is ridiculing
vocabulary... added to the fact that this proto-atheism
is exclusive, it's not communist inclusiveness:
god is dead, lets work together,
origin of the species and corporation,
now everyone's as selfish as a tsar...
there's not togetherness - i'd rather be a jessy james
in such times than a robber of thinking something
doesn't exist... and that's my conscience on the matter.
Paris

Paris est grandiose
Je vois Paris en une fleur d'avril
d'un jardin bien soigne
Dans sa couleur rosee je le vois

En la saveur du vin
le plus delicieux du monde
je bois la finesse de Paris
Dan son bouquet je le bois

Avec la degustation
de delicats fromages
je me transporte a Paris
Avec je me transporte a toi

Je demeure a Paris
guand je visite un muse d'art
et guand je lis un poeme d'amor
Dans ces moments je suis a Paris

Cette cite est tous les
mouvements
que nous admirons dans l'art
Elle est la culture dynamique
L'art pour l'art meme..c'est Paris.
Your
Always
The One
Who Held
My Pain
Deep Inside
Tamed It
As If It
Was Your Own
So It
Wouldn't **** Me
Inside
Your Heart
Knew My
Pain
Your Tears
Always
Carried
Your
And My
Sadness
Away  
Depression
Was Your Middle
Name
The Wolf's Eye
Was Always
Different
Was Always
The One
Who Knew
From Same
From Different
Never Could You
Be Another
Eye
Another
Star In
The Sky
Where
My Tears
Align
In The Sky
~Paris Styron~

Your Tears
Always,
Hanged
By Sorrows
Of The Night
Grief That
Always
Grief
That Fills
Your Day
With Fear
And Illusions
That I
Can
Never Unfold
~Paris Styron~

When You
Unfold
My Note
Of Pain
You Unfold
It
With Care
That Almost
No One
Can See
Where
No One Seemed
To Care
You Almost
Could Not
Bare
My Tears
Down My
Face
With
The
Undead
On The
Ground
Where Fear
And Death
Have No
Bounds
[~Paris Styron~]

Your
Blood Always
Spoke
To Mine
Always
Fear And
Death
Made You
Bleed  
Of Guilt
And Shame
You Always
Had Pain
That Would
Never
Go Away
Until
I Flew
With Your
Wings
I Noticed
They
Could Not
Fly
Without
Me
Without Hope
Without
Happiness
That Always
Lead
To Shame
And You
Died
Inside
Day By Day
Night By Night
Day By Night
You Always
Flew
In Despair
In Depression
Which Always
Kept
The Soil
Growing
And
The Graves
Crying
Your
Pain Is
My Command
I Am Used
To It
[~Paris Styron~]

The Walls
I Write
On Always
People
Look Away
In Misbelief
In Mis' Of Shame
Bloodly Paws
Always Perfume
Your Thoughts
With Guilt
Of Laughter
Of Shame
That We Cannot
Wash Away
Our Pain
Tears Always
Hanged
Never Noticed
Always
Ignored
To Be
Insane
And Left
Out Of
The Pack
Because
Your Face
Is Black
Because
Your Face
Is Worn Out
And So
Are Your
Memories
Imprinted
Never Forgotten
In The Night
You Always
Howled My
Heart
Which People
Like Poison
Darts
Cut You Down
In The End
Darts
Makes Your
Blood Run
Stale
[~Paris Styron~]

Your Childhood
Broken
Away From Peace
From Happiness
From Joy
To Despair
To Pain
To Hopeless
To Hold In
That Shame
Never Could
You Be Sane
With Yourself
Again
[~Paris Styron~]

The Tears
Drops Fill Up
Their Glasses
Worn Out Places
Worn Out
Faces
Had An Early
Of The
Daily Races
Happy Birthday
Happy Birthday
Your Heart
So Black
So Black
You Never
Wanted
Worn Out
Memories
Worn Out
Faces
Of Pain
Of Sorrows
Of Grief
That Always
Bleed Away
The Day  
And Bleed
Through
Happiness
And Joy
And Eats
You Away
Like Acid
It Paints
Its Name
Guilt
And Shame
You Must
Always
Be Alone
[~Paris Styron~]

Scars
Pass On
And Pain
Is The
Memory
That
Keeps
The Soul
Caring
Because
They Do Not
Want
That Scar
To Be
Another
One To Own
Their Love
One
And Be
A Hook
That Digs
Into
Their Souls
[~Paris Styron~]

Your Tears
Are Scars
That Cannot
Be
Ignored
Be
Silent
You Always
Have Stars
That
Speak Your
Name
Only One
Aligns
My Heart
My Soul
Always
Until
The End
[~Paris Styron~]

Everywhere
I Step
I Think Of
You
My Heart
Turns Into
Stone
When I See
You,
You Show Your
Delicate
Love
You Hold My
Pain
It Hangs
On A Wall
That Keeps
Me Sane
You Hold Me
Like A Child
To Keep
Me Young
Because Life
Is Too Short
For Grudges
For Stress
For Problems
The Only
Meaning In
Life
Is Love
~Paris Styron~
Mateuš Conrad Dec 2019
.i'm sorry, but i've looked at english grammar for far too long, to buy into the current *******... i just came from behind the iron curtain, i'm not about to go into "hiding" under a silicon curtain... valley my ***, silicon curtain, the end. gender, "neutral" pronouns? pronouns can't be "neutral", neutered... neuter via plural? they being a non-descriptive associated of both a he and a she? ****... most languages can't escape gender-inclusivity of their nouns... for example, names of cities... now you can have gender neutral nouns, i'll concede that... London: gender neutral... Paris: gender neutral... and then of course the more universal nouns in English, predicated by either a definite or an indefinite article: making gender-ascription to nouns even harder... because that's how the english language operates: something is either definite, or it's indefinite... all the continent languages, however, ascribe genders to their nouns... either masculine or feminine, or whatever... is this some sort of quasi-anglophone envy of continent languages? say, in my nativspreschen... słońce (the sun) is feminine... księżyc (the moon) is masculine... Warszawa (Warsaw) is feminine... Niemcy (Germany) is actually gender neutral, in that it refers to a people... Rosja (Russian) is feminine... Anglia (England) is feminine... there is noun-ambiguity regarding "gender" in continental languages... which the English language lacks: due to the definite / indefinite articulation via (a- -the      "ism")... pronoun gender "neutrality" never existed... because... gender-appropriation of nouns was never on the cards in this language... and never will be... come on... you really don't need some foreigner to tell you the basics of your own tongue... i hate to even associate myself with such pieces as are provided in the form of the "useful idiots"... i hate it... it's like asking to fiddle about with a down syndrome competitor at a su doku olympics... it's not fair!

i only really had two loves in my life... Paris, circa 2005 and Edinburgh circa in the range of 2004 through to 2007... those really were my only true loves... London? London just grew on me, esp. the east end... i became infected with its heterogeneity, so much so, that whenever i visit my grandparents, in the most feral of lands, Poland... and peer into its homogeneity, i am fed a staggering amount of nausea... sure, once in a while you'll spot a Roma in these parts, handling cheap chinese goods at the market, but otherwise? and... given, that i'm a first generation expatriate (eh, eh? i know what the natives call their own, "elsewhere", akin to h'america or australia)...

                 the girlfriends? eh... two, three, more prostitutes...
whoever these middle-aged men are, talking m.g.t.o.w., after two failed marriages... i was already on my way, aged 21... sure, it was fun for the first few years... i remember the tingling sensation of holding my first girlfriend's hand while watching romeo + juliet in her father's presence... that **** was cool... it's still so vivid to me... again: slandering women is not cool... i remember these girlfriends with a fondness... i don't want the anchor of bitterness to put me in one place... fondness is all the wind in the sails you will ever need to sail along... and... em... stealing one or two kisses from prostitutes... that's all...

                      the last one i left? 21... she married...
she remarried...
            and she ****** quiet a bit in between...
last time i visisted her out of a weird sense of obligation...
hand... slashed down their veins...
             i stayed for about four days...
   over a period of two nights i slept with the window
open, with my clothes on...
third night i took my clothes off...
                i inquired...
           she was waking up each morning with
a jug of coffee and turned into:
   less a masters in anthropology...
and more the russian gamer chick...
                     one night she called up her
sycophants...
               we smoked...
                     her husband wasn't home...
"then", her, "still"(?) huspand?
                   but her boyfriend was there...
i was sitting akimbo and talking to this guy...
and he told me how he ******:
my would be fiancé...
                           well... i just broke down
into the most amazing laughter...
   a laughter that put me to sleep,
a laughter that made all the people leave,
and i was left with her, alone,
in a room...
              she was still playing a video game...
while i got up and rolled another joint...
but the whole joke comes at the fact that:
i, i was the person who was always dumped...
ilona, promis, isabella...
                           they all dumped me...
but... what, a, *******, relief!
               maybe that's why i came to terms
with myself, maybe that's why
drinking in ms. amber's company
is such a joyous treat...
                 unlike most drunks...
esp. women: i do not wallow in grief,
or for that matter... hold any grievances...
all that has happened,
   has, happened, in order that i might find:
release, and in finding my release...
relief!

                            i had to mention these
scenarios... i remember the last words ilona
said to me: blah blah... by doing x
as you've continued to displease me...
blah blah... you'll never become a man!
                    true...
                                ­ who the **** want's
to be an ahston court trained poodle?!
   what, enough ***** to keep the economy
going?
        everyone knows that women
are the crown of capitalism...
                     no woman, no crown, no capitalism...
it's not even socialism at this point,
or anarchy... it's... eh... m'eh?
                                 why do only fools and horses
marry?
          ****, if there was a swan ontology
built into man? maybe... after all...
                    there is such a phenomenon
(more like a noumenon) of the widow swan,
or a widower swan...
      it's as if the animal has lost its
physical union, and transitioned into
a metaphysical union, beside the body...
   a realm of perpetuated memory,
   awaiting transcendence...
         now... i believe there's a godhead for
all things in this world...
there's the godhead of swans,
   as there is the godhead of all the other creatures...
which: gushes out ontological cueues...
pointers...
                    after all, i already said what
my two true loves were...

        Paris and Edinburgh...
                   i remember the first time i arrived
in Paris...
when i reached 3 Ducks hostel in Paris,
the guy in charge, was surprised,
that i managed to walk,
   all the way from where the drop-off was
for people arriving from the airport
by coach, some 40+ miles from Paris itself...
i walked... i breathed... i was amazed
at the Eiffel Tower...
   most people just took the underground...
plus i had a really ****** map...
didn't speak the language...
                    but that year... circa 2005... Paris...
      that was...
                          something else...
or Edinburgh, circa 2004...
                    thank god i didn't apply
to Warwick university...
      campus university *******...
         Bristol? eh... the city didn't appeal
to me...
                   Edinburgh... that's something
else...
                    even Venice is more or less:
passable...
                      
              mind you... what's this current
transgender debate about men thinking they're
women, competing in women's sports?
today i saw the perfect example
of a decent woman's sport...
  tennis... haleb vs. linette...
       **** on me, what a match...
no. 3 seed versus no. 87 in world ranking...
                          i prefer women's tennis...
with male tennis its all about
the service game: "****" advantage...
but at least in woman's tennis,
   you get longer rallies...
   and the antithesis of what an ****** sounds
like... and all that show of legs...
it's beautiful...
       beside... this "new" transgender "thing",
that **** is old...
     i always confuse the two...
     DDR...                        FDR...
Deutsche Demokratische Republik...
          Federal Republic of Germany...
   so, yeah... the former... DDR...
                 and i've heard this many times...
the same happened back then,
at the olympic games...
                          it's a joke now...
  but women from the DDR were given hormones...
to make them more masculine...
           only that... it was real chemistry
working on real biology...
   women, were given male hormones...
and competed with other females...
          now?
                      em... what if these "women",
want to compete with women...
       and can do so... if given female hormones,
added with a cocktail of male hormone
blockers?!
         the whole olympic circus is already
rigged with chemistry...
**** it: ***** all of them!
                   may the best chemist win!
**** it, jack 'em up! give each and everyone
of them the best juice!
swear to god,
   all the female atheletes back in the days
of DDR were given some hormonal++ juice...
maybe a mix of amphetamines and
        steroids...
       so... if these "women" want to
compete with women?
                     shouldn't they be given...
say... the realistic dosage of hormones...
         a body of a natural woman creates?!

****, in a time when a bilingual is deemed
a schizophrenic... because he's not a polyglot...
of course the trans movement was always going
to undermine women...
     that's why i decided, aged 21...
no... you know what?
                        i don't like stress...
              loved you, but thank god i left you...
Paris and Edinburgh became my two true loves...
and... given they're cities...
they are as intricate as any person might be...
so... not to be demeaning...
                  but a cat and mouse game...
and then being dumped...
                               i settled for the next best
thing... once a year... ****... once every five years...
if there's any Jack the Ripper urge "lurking"
in me...
                         just visit a brothel
to check your body temp. against another
body, and see if you can share the same pulse.

but as you might have already guessed,
this was the original draft:

tattooing an impermant
mark on the left arm:

    h-
              (e)
         -a-
     (lef)
                -y
                       (od)

what yah /          
יאח‎          demands...

ה‎ (he) + א‎ (alef),
   and   ח‎ (het) + ע (ayin) -

i.e. the tetragrammaton
squared -
  laughter of the interchange.         ע

p.s. i still don't
see how Adam conceived of
Abel, or Cain...
   how a-lef or a-yin is a consonant,
transcendent...
given the hebrew ah is:
guised in the name kametz...

i see a story of two Adams...
and i called them,
Aleph                  and Ayin.
Tim Knight Oct 2012
Walk by numbers in
the Parisian palette ,
spreading the paint around
in a long line of lip red scarlet.
Pipette sized width following you
as you tread on stone, you’re new.
Sit with the trains and listen
to walls and notice small change,
loose change on the floors.
Passenger’s stare moves you from
carriage to carriage, regardless of UK, American baggage.
Surface again, the longest breath you’ve ever held
has escaped again into winter’s cold.
Steps climb and feet follow,
Anubis with a rifle watching over-
graffiti crowd control for the younger;
sad face, a smile face, Sacre Coeur white face.
Sink down along the track,
railway men hanging large and fat.
Tea for two with warm milk,
tea for two without the milk,
no tea- up and leave, tip with guilt.

**** kicker Paris scruffs her shoes
amongst the paint, the blues, the museum’s closed.
Again, we have to wait for the universe to align before we get to see her smile.
Wait, keep waiting, Mars is coming, revolving towards us.
Doors unlock and we enter a tide of tourist
and artist and the modernist futurist- lost in this department.
She sits there still, not smiling

Paris, without you no coffee would ever be deemed good.
Without you, I’d be lost and artless and heartless and broke.
Even when you take the covers from under me-
I’m still warm.
Mr Mojo Risin Nov 2015
Paris my love, your more than my friend... your city has suffered death today but this isn't your end. Paris my love, we stand with you, Paris united and free! This world needs parted with terrorist ****** and we shall part it like mosses and the sea! Paris my love, imagine no religion, there's scars upon your face! What's happened to you has only left scars upon all the human race! No bomb can bring us down my love, we shall overcome!! we stand with you Paris my love through the sands o' time that run, and with every prayer for Paris, is a prayer for humanity in tow. We stand in awe of you Paris my love, I will never let you go.

#PrayForParis ❤️
Krusty Aranda Nov 2015
Paris

The city of *love
.
A city so beautiful, so elegant and classy, filled with history and such a rich culture that it is impossible to take it all in on your first visit.

This city is the destination for many tourists all year round, and rightfully so. There's something for everyone to enjoy.

But how to spend a night in Paris?
Why not enjoy a nice cup of coffee in one of the many cafés around the city? Or perhaps you would enjoy a glass of wine, while listening to some jazz or piano music?

Speaking of music, why not go to a concert in one of the many venues scattered around the city? Maybe you'd like to listen to some jazz. Maybe you have a taste for an orchestra. Maybe you're even in the mood for some rock music. Paris has got you covered.

Or maybe you're a sports fan, and you'd like to go to a football match.
France is known for its very competitive football league, and Paris is home for the world famous Paris Saint Germain. Why not attend a match at the Stade de France?

But if what you like is ******, explosion and a round of bullets, well, look no further. Paris is the place for you!
Enjoy a thrilling terrorist siege at a concert venue, where bombs and automatic rifles are the main attraction. Make your way through lifeless bodies as you desperately try to find the exit. You can even be taken hostage, if you like!
You say you like suicide bombings? Experience one first hand as you fall to the ground and cover yourself from the debris. You might even get wounded for an added sense of adventure.

So come down to Paris.
*We've got everything for you.
First of all I'd like to say that this piece is a sattire; a cynical view on the recent events occured in Paris. If you're too sensitive, please hold any comments to yourself.
Having said this, I am horrified to live in a world where this happens everyday in different countries, different cities, and we can't stop it. I'm deeply saddened by the terrorist attacks occured this night in Paris, and my thoughts go to the whole French society, as well as any person directly affected by these horrific events.

I long to see a world that lives in peace, not in pieces. Will I live to see it?

Best wishes to everyone. I love you all.
ETTU Sep 2020
if you were a city, you’d be like Paris
a beautiful ray of lights,
with its own captivating mind

oh Paris...

you can’t describe Paris
unless you have wandered around the streets
under its rainy night

you can’t describe Paris
until you walked in a sunny park,
felt the gentle touch of the breeze upon your face
while stroking your hair

you can’t describe Paris
if you haven’t felt the atmosphere at Les Quais de Seine,
Friday night after a hard week at work

you can’t even begin to describe Paris
because it should not be described,
it should be felt

just like i can’t begin to describe
how empty my life would be
without you
Terry Collett Apr 2015
Sonya lay on the bed in the Parisian hotel room. It was a small room with an adjoining bathroom, a bidet and toilet, with French windows that opened out so one could see and hear the busy streets of Paris below. The windows were open and sounds came into the room with a summery warm air. She lay there in a blue skirt and  white blouse; her feet bare, her legs curled up in a fetal position; she wore nothing underneath, she seldom did; it gave her a sense of daring, of a hidden freedom. Benedict had gone out for cigarettes and a breath of fresh air as he called it. She had a book in her hands. Kierkegaard's Either /Or. Her favourite philosopher. He kept her mind fresh; gave her life a direction. She looked down at another book by her side: Benedict's Dostoevsky novel: Crime and Punishment. It had a page marker about half way through. She could have gone out with him, but she wanted time alone, time to reflect on her life at that moment. She lay her book beside her. She thought of her husband on business in New York and her two sons in boarding school and not due home until the present term ended. Her husband Erik knew she was going to Paris, but he thought she was going alone to research on her proposed book on Zola. Benedict was in Paris on vacation and having met Sonya in a wine bar near her home when Erik was away for the weekend and the sons at school, and after a deep conversation and feeling low, she and Benedict made love in her bed at home, and arranged the trip to Paris between them. Erik was a lousy lover who had become increasingly lousier, and they seldom had *** as he was always busy, and she not in the mood. But Benedict was different; he made *** exciting again, made the whole process something alive and daring, and not just a set out process of mild urges. She lay on her back with her legs out straight reaching for the end of the bed...Benedict bought cigarettes at a small shop in a side street and spoke in English as his French was almost non-existent. The woman who served him understood him well enough and they talked of London where she had stayed for six months few years before. He loved Paris. The whole city seemed alive and full of history and art and literature. No one knew him here; there was almost no chance of him meeting anyone he knew here or who knew Sonya. A sense of freedom invaded him. He and Sonya had had *** that morning and he needed to get out to buy cigarettes and breath in the Parisian air. She was an exciting lover; willing to explore different angles and approaches to ***. The night before had been one long episode of ****** games and experiences and moment of just laying there catching their breath and reading to each other from their own books, then *** again and again. And there was the factor that she wore no underclothes, so that when they went out to a restaurant, they both were aware of this factor, and he got a kind of kick knowing, and she got a thrill knowing that she was free, and walking out on a limb of acceptable behaviour and dress code...Sonya wished that Benedict would come back again soon. She wanted him, wanted to make the most of their time together, their days of freedom to be together, and eat and drink and have *** as often as they wished, and for as long as they wished, without fear her husband would be home at a certain time or that neighbours would see them together and tell Erik. She pulled up her skirt and lay there as if waiting the return of her lover, letting herself feel the freedom of laying so, of not having to worry about her husband walking in on her as he nearly did one late afternoon when she lay on their bed bringing herself to a poor organism...Benedict sat on a seat in a small cafe smoking and sipping from a coffee. He would return to the room after his coffee and smoke. Later they would go out for a meal, and see the city, and feel the history of the place about them. He knew it would come to an end in a few days, and she would be back with her husband and her boring life, and he back to his job, and in his own place sharing with others. Make the most of. Take to the limits. Explore and live and enjoy...Sonya wondered where Benedict was. She missed him being there if only for a short duration. Once their days together were over, and she back with Erik, it would seem like a dream, and her own regular life be one big bore. She ran her hands down her thighs. Sensed her fingers. Soft, smooth. Erik never explored her. He was a five minute and over and done with type. More like a mechanic than a lover. Benedict had taken her to places she had not been before, explored her and brought her to the point of bubbling over and out, leaving her feeling that she was empty and vacant, and yet so alive, and buzzing like a beehive...Benedict made his way back to the hotel room. The coffee had refreshed him; the Parisian air made him feel like a new man, a man of freedom, a man on the edge of a huge abyss, with his very life tingling with new excitement of the big dare. Sonya would be waiting for him, brimming like a *** on a  hot stove. He had released her of her hang ups and held in senses; had unbutton a new area of excitement, and sexuality and sensuality. And she in turn had opened up for him that arena of experience which he had only dreamed about in his tossing and turning nights at home... Sonya heard the door open. Benedict saw her laying there like Venus on a beach of blue and white and bare, a radio playing a Delius piece, filling the air, and he, Benedict, so alive, ready and waiting, and going there.
A COUPLE IN PARIS IN 1973 AND A ****** TRIP.
This is no fiction, but reality. This was God’s miracle again for me,
few hours hereafter occurred the bombings in Paris.  We ?  Already at Airport Orly to Home  ............................With love, Sylvia.


Paris after the 12th of November? No one to blame
the Eiffel Tower? Never more the same,

departure some hours later, no resemblance
those slight difference: terror in ignorance

forced to stay in Paris forever
could  never see again your homeland, remember?

no dreams anymore, constant nightmares
but……. WHO  cares?

you would never know, was it a curse or a bliss,
oddly enough, I informed you now about this.

Now Paris for you is still a greatest bliss
you’ve never been in Paris before
we did enjoy, quarrelled and enjoyed more

for you and I Paris was the walhalla
our love and happiness we never measure, and blah-blah-bla

God showed us the perfect view
from dawn till again morning dew

to treasure and honour His Mighty Impact
that life He showed you, enjoy it and show respect !

please, beware of His presence
be careful and love thy neighbours in mine absence
in all hours of this Great Silence....

© Sylvia Frances Chan
Copyright Protected
Paris, le Tour Eiffel  
Mardi le 10-12th November 2015, we were there
Friday the 13th Nov the bombings at 3 places started, but we were safe home in our country, I believe that God has guided us, it started with buying the tickets online and booking the hotel. Why have I chosen only for these dates? God has led me, sure. This is my witness of God's greatness and His Wonder I may experience.
Les heures des Silences
Saturday @Home, the 12th Dec.--15.41 hrs PM.
posted Friday the 11th Dec.2015 - on PF
He Told Me About Paris





he told me about Paris

after making love…

how he once sat in the Café de Flore

as a boy… awaiting his mother

who danced for a living…



he told me  about Paris

over morning coffee, and no mention of the night before

he talked with love for a city I’ll never know….

strolling along the river Seine

in sunsets of orange and tangerine…



he told me about the The Musée du Louvre

as he made Coriander omelettes

… squeezing  fresh lemon in glasses of ice water…



la Ville Lumière… he murmured as he gazed deep into my eyes

City of Light and Love…

I’ll take you there… if you dare to come

he promised as he  lay a soft tender kiss on each toe…



he told me about Paris… and the Notre-Dame Cathedral

and Café de la Paix, where the streets were Prolific

with  revellers and the after-opera crowd…





I’ll take you to The Arc de Triomphe du Carrousel

he whispered as he placed a Bracelet on my wrist

and we can hold hands as we stroll around the monument…

I’ll take you to Paris, in the Autumn, he promised

our feet will crunch the golden leaves of the Jardin des Tuileries….



… so young I was… such a dreamer… floating on visions that he wove with love-

- he told me about Paris, his voice husky with longing

and I too young to realise… he was dreaming too….
Sharonlee©9-
Donall Dempsey Apr 2015
Paris pines
for us:

...whines for us.

Lurks outside
our window

like a great big
urban puppy.

We're being held
prisoner

( inside our room )

by a vicious sadistic
flu bug

who refuses to
let us go.

We are missing
David Sirosis's

new spoken
word night.

Indeed, all we have seen
of Paris, is:

the inside of
ROOM 411.

ROOM 411
overlooks that famed necropolis

CIMETIÈRE DE MONTMARTRE.

The dead stand
outside

ROOM 411
...and stare.

And...stare.

Envious of even
our flu-ridden life.

They crowd together
in their stone telephone boxes

like fans
at a Dr. Who convention

who have all come
as the Tardis.

"Come...come!"
they cajole.

"Come...join us as
the glorious dead!"
they plead.

See the great
Nijinksy

leap over a moon.

Offenbach, Berlioz et Degas
act a a celebrated Greek Chorus.

The flu grows weary
let's its...grip...slip &

we escape to
a poetry stage &

suddenly it's
PARIS LIT UP &

I'm on
stage.

A bemused amused
Parisian audience

wondering why
the staggery hairy

Irish post stumbles &

wanders in search of
his words &

carrying all of CIMETIÈRE DE MONTMARTRE
about in his ahhhhh...ahhhhh...ahhhhhhhhhh

....shoooooo....head!
https://youtu.be/8t2K_AovpAI
IN PARIS

In silent gaze I felt I had slept my life away
Every time I look down on this timeless town
my mind take in a new sound,
Whether blue or gray be in the skies
I hold on to Paris love in his eyes to mine
Whether loud be his cheers
or whether soft be in tears
his love I hold in my heart so dear
more and more I do realize this man
is the King of my life
Paris is the place my heart always wanted
it to be in in spring;
Paris in the fall I once had a broken heart,
Paris in the winter made me see the loneliness of me
Paris in the summer when it sizzles in my heart
True Love moved me and had taken my heart.

Poetic Judy Emery © 2004
The Queen Of Darken Dreams Poetic Judy Emery
The Queen Of Darken Dreams Poetic Judy Emery
wordvango Feb 2016
There was a  tower, cellular,  and a flea market but no Louvre,
people spoke in accent, the cuisine was Haute- collards
and black-eyed peas-  the cathedral was named
First Baptist Church, that day I was not in Paris.

Still, I felt like I had several attractions to tour.
The river , not grand as the Seine,
that is more a trickle has been rumored to hold fish.
That day I saw a troubador, that day I was not in Paris.

A man with a bicycle and a six string guitar, rested in the Church
parking lot, played and sung a song for an hour. He left pushing his
bike his guitar again on his back, going I presume
to someplace not Paris.

That day I saw an old woman go into Dollar General, she didn't come out for three hours. But, when she did she had two packages she carefully loaded into the trunk of her Lincoln. I imagined she purchased the latest fashion to parade that night down at the corner saloon. That was a day I was not in Paris.

I did not miss Paris. I missed nothing. I had a sunny day, and fresh air,
and a vision of not Paris, that day.
Michael Kusi Jan 2019
Paris looked out outside the Trojan Wall
And what he saw he did not like at all.
He viewed Achilles in one of his rages, close to the city.
And looked upon the Trojan dead with horror and pity.
I must do something, he said, as he left his room.
Who he encountered next filled him with terror and doom.
She called herself Essence, and she was a queen of the Hittites.
She told him with a grim look on her face, Achilles must die tonight.
Here is my bow, I have arrows that travel to spots in armor narrow.
They are fitted for war, I got them from the Egyptian Pharoah.
Paris shook and said, But I did not use a bow except for sport.
You must remember I am known as the coward of the King’s court.
Essence shook her head and said, No, you must **** Achilles dead.
That is what the prophecies and the written word have said.
Come let us climb to the high place, so that you can see his face.
Shoot an arrow into his breastplate, and make his life a disgrace.

Paris was muttering as she led him to the top of the rim.
She wasn’t as pretty as Helen, but she was more regal and grim.
Essence pointed down and said, See Achilles, fighting like a madman?
All of the archers are missing him, because they have bad hands.
But I will guide you into the truth of your destiny to fire this shot.
Perhaps we will save Troy just yet, with everything that we got!
Paris jumped back at her intensity, but Essence continued.
Achilles under all that armor is a man of bone and sinew.
He would not let Hector rest in his grave, dragged him like a slave.
Now it is time to give Achilles the burial to whom so many he gave.

Paris fired an arrow, and it hit a Greek but Achilles he missed.
Essence pursed her lips and grabbed his hand to say, You aim like this!
Paris fired a second arrow, and nicked Achilles in the forearm.
Essence said, Stop aiming for flesh wounds and hit where you can do harm.
Paris fired a third time, and hit Achilles in the neck with skill.
Then simultaneously, somebody hit Achilles between his ankle and heel.
Achilles toppled from his chariot, and the Greeks in horror fell back.
The Trojans suddenly heartened went full-blown on the attack.
Essence grinned and said, Tonight we join in the slaughter
And push all of the Greeks past the land into the waters!
She went down to take up weapons, and Paris stood in awe.
He didn’t know if he should worship her because he did not know who he saw.
Kory T Dec 2014
Paris is always a good idea.

Because even though there is a total of 2.234 million people

And even though I am more of a turtle than my mother

Paris is for lovers

And hopefully I’ll be able to find someone to kiss away my sadness

And whisper away my loneliness

Fight my bad thoughts away

And love my sleepless nights to a lull

Paris is always a good idea.

Because even though I’ve only been kissed a total of 23.6 times

And even though I’ve only ever loved one boy

Paris is for people

And hopefully love is an inherent trait that is possible to find

In the darkness of a cafe corner

And in the nooks and crannies of a quiet song

The lyrics weaving in and out of my dusty heartstrings

Dulling my unusually painful sleepless nights

Paris is always a good idea.

Because even though the ratio of lonely people to happy people is 10:1

And even though people walk past me on the streets without a second glance

Paris is for loners

Who wander the streets on moonless nights

And wish upon sightless stars

For someone else to accompany them in their aloneness

Mentally throwing themselves to the wolves every chance they get

They create worlds and stories to combat their empty beds,

Lonely hearts,

And sleepless nights.
Karijinbba Feb 2020
That's the most beautiful thing anyone said about my writings.
I love you too for saying it for reading for caring and intuiting it's my truth..
Your poetic profile name Paris is beautiful
Paris is engraved in my soul from another lifetime
a DEJA_VU to me it seems

Although several great poets love my work too you expressed how it helped you be better person.
Surely what you've written
helped me profoundly too.

Sorry if my questions were irelevant insomnia does that to me I rush the second thought
not the spontaneous first.?
I must learn this virtue.

Assume most likely I have been reading all of your work
from my memory bank.
Do not fear me I do not betray
anyone.
~~~~~~~~~~~~~~

Paris Hlad: commented on,
"Deity Mine Thee."
"I think this is favorably reminiscent of E.B. Browing - "Whoso loves,
believes the impossible."
~~~~~~~~~~~~~~~~
Answer-
Elizabeth Browning makes a great poetess.
I am here with my old Scarlet Letter A memorized old scripts learning how to read and write myself.
To me anything placed in God's hands apeaces
"Whoso loves believes
the impossible."
         I am after the opportunity to speak up writing about my inner truth my life.
For what I regret most is
what I didn't say back them to change my life.
but disclosing ones truthful innermost feelings is apeacing.

I learned from you that one has only one quick small chance if ever given one, to communicate effectively to let a dear one know they matter dearly.

What's impossible with men is possible with G**. is apeacing
~~~~~~
Paris Hlad commented on:
"Ratoncito blanco,"
        To Karijinbba:
Thank you for your kind words.
I have read a bunch of yours, and I believe I am a better person for having read them.

You have more than wisdom on your side - You have truth and a deep understanding of the existential paradigm, which is to say that you think about much bigger themes than most people do -
A true artist."
~~~~~~~~~~~~
Dear...Paris Hlad  
Thank you I am no artist
just sharing a long overdue truth
So welcome read me thank you.
I am truth an open book. Eternally greatful.
~~~~~~~~~
I am thinking of you

This is in memory
of rdd/bba
David Nelson Sep 2011
Midnight in Paris

oui, oui Missour, excusez-moi s'il vous plaît,
may I take your bags, welcome to the Ritz
I am most sure, you will enjoy your stay
Paris is most happy, to see you  Mr. Fitz

Paris in the spring is such a lovely sight
the flowers all in bloom, the skyline at night
bright sun shinning now, maybe an afternoon shower
plan your day well before you ride up in the tower

strolling past the cathedral of Notre Dame
thinking of the bell ringer the old hunchback
like the Philadelphia liberty, the bell has a crack
the storming of the Bastille, to relieve the shame

to the Louvre for the most exquisite art
Rembrandt and DaVinci at their best
so many things to see this is just the start
to see it all would be a fantastic quest

time for a ride down the Seine river
astonishing sights this old city can deliver
a bottle of nice Vouvray to enhance the ride
a lovely local woman right by your side

now you might ask her if she likes to dance
for the clubs in Paree are oh so fine
club Lido also a great place to dine
a wonderful time, Midnight in Paris, France

Gomer LePoet
by
Alexander K Opicho

(Eldoret, Kenya;aopicho@yahoo.com)

When I grow up I will seek permission
From my parents, my mother before my father
To travel to Russia the European land of dystopia
that has never known democracy in any tincture
I will beckon the tsar of Russia to open for me
Their classical cipher that Bogy visoky tsa dalyko
I will ask the daughters of Russia to oblivionize my dark skin
***** skin and make love to me the real pre-democratic love
Love that calls for ambers that will claw the fire of revolution,
I will ask my love from the land of Siberia to show me cradle of Rand
The European manger on which Ayn Rand was born during the Leninist census
I will exhume her umbilical cord plus the placenta to link me up
To her dystopian mind that germinated the vice
For shrugging the atlas for we the living ones,
In a full dint of my ***** libido I will ask her
With my African temerarious manner I will bother her
To show me the bronze statues of Alexander Pushkin
I hear it is at ******* of the city of Moscow; Petersburg
I will talk to my brother Pushkin, my fellow African born in Ethiopia
In the family of Godunov only taken to Europe in a slave raid
Ask the Frenchman Henri Troyat who stood with his ***** erected
As he watched an Ethiopian father fertilizing an Ethiopian mother
And child who was born was Dystopian Alexander Pushkin,
I will carry his remains; the bones, the skull and the skeleton in oily
Sisal threads made bag on my broad African shoulders back to Africa
I will re-bury him in the city of Omurate in southern Ethiopia at the buttocks
Of the fish venting beautiful summer waters of Lake Turkana,
I will ask Alexander Pushkin when in a sag on my back to sing for me
His famous poems in praise of thighs of women;

(I loved you: and, it may be, from my soul
The former love has never gone away,
But let it not recall to you my dole;
I wish not sadden you in any way.

I loved you silently, without hope, fully,
In diffidence, in jealousy, in pain;
I loved you so tenderly and truly,
As let you else be loved by any man.
I loved you because of your smooth thighs
They put my heart on fire like amber in gasoline)

I will leave the bronze statue of Alexander Pushkin in Moscow
For Lenin to look at, he will assign Mayakovski to guard it
Day and night as he sings for it the cacotopian
Poems of a slap in the face of public taste;

(I know the power of words, I know words' tocsin.
They're not the kind applauded by the boxes.
From words like these coffins burst from the earth
and on their own four oaken legs stride forth.
It happens they reject you, unpublished, unprinted.
But saddle-girths tightening words gallop ahead.
See how the centuries ring and trains crawl
to lick poetry's calloused hands.
I know the power of words. Seeming trifles that fall
like petals beneath the heel-taps of dance.
But man with his soul, his lips, his bones.)

I will come along to African city of Omurate
With the pedagogue of the thespic poet
The teacher of the poets, the teacher who taught
Alexander Sergeyvich Pushkin; I know his name
The name is Nikolai Vasileyvitch Gogol
I will caution him to carry only two books
From which he will teach the re-Africanized Pushkin
The first book is the Cloak and second book will be
The voluminous dead souls that have two sharp children of Russian dystopia;
The cactopia of Nosdrezv in his sadistic cult of betrayal
And utopia of Chichikov in his paranoid ownership of dead souls
Of the Russian peasants, muzhiks and serfs,
I will caution him not to carry the government inspector incognito
We don’t want the inspector general in the African city of Omurate
He will leave it behind for Lenin to read because he needs to know
What is to be done.
I don’t like the extreme badness of owning the dead souls
Let me run away to the city of Paris, where romance and poetry
Are utopian commanders of the dystopian orchestra
In which Victor Marie Hugo is haunted by
The ghost of Jean Val Jean; Le Miserable,
I will implore Hugo to take me to the Corsican Island
And chant for me one **** song of the French revolution;


       (  take heed of this small child of earth;
He is great; he hath in him God most high.
Children before their fleshly birth
Are lights alive in the blue sky.
  
In our light bitter world of wrong
They come; God gives us them awhile.
His speech is in their stammering tongue,
And his forgiveness in their smile.
  
Their sweet light rests upon our eyes.
Alas! their right to joy is plain.
If they are hungry Paradise
Weeps, and, if cold, Heaven thrills with pain.
  
The want that saps their sinless flower
Speaks judgment on sin's ministers.
Man holds an angel in his power.
Ah! deep in Heaven what thunder stirs,
  
When God seeks out these tender things
Whom in the shadow where we sleep
He sends us clothed about with wings,
And finds them ragged babes that we)

 From the Corsican I won’t go back to Paris
Because Napoleon Bonaparte and the proletariat
Has already taken over the municipal of Paris
I will dodge this city and maneuver my ways
Through Alsace and Lorraine
The Miginko islands of Europe
And cross the boundaries in to bundeslander
Into Germany, I will go to Berlin and beg the Gestapo
The State police not to shoot me as I climb the Berlin wall
I will balance dramatically on the top of Berlin wall
Like Eshu the Nigerian god of fate
With East Germany on my right; Die ossie
And West Germany on my left; Die wessie
Then like Jesus balancing and walking
On the waters of Lake Galilee
I will balance on Berlin wall
And call one of my faithful followers from Germany
The strong hearted Friedrich von Schiller
To climb the Berlin wall with me
So that we can sing his dystopic Cassandra as a duet
We shall sing and balance on the wall of Berlin
Schiller’s beauteous song of Cassandra;

(Mirth the halls of Troy was filling,
Ere its lofty ramparts fell;
From the golden lute so thrilling
Hymns of joy were heard to swell.
From the sad and tearful slaughter
All had laid their arms aside,
For Pelides Priam's daughter
Claimed then as his own fair bride.

Laurel branches with them bearing,
Troop on troop in bright array
To the temples were repairing,
Owning Thymbrius' sovereign sway.
Through the streets, with frantic measure,
Danced the bacchanal mad round,
And, amid the radiant pleasure,
Only one sad breast was found.

Joyless in the midst of gladness,
None to heed her, none to love,
Roamed Cassandra, plunged in sadness,
To Apollo's laurel grove.
To its dark and deep recesses
Swift the sorrowing priestess hied,
And from off her flowing tresses
Tore the sacred band, and cried:

"All around with joy is beaming,
Ev'ry heart is happy now,
And my sire is fondly dreaming,
Wreathed with flowers my sister's brow
I alone am doomed to wailing,
That sweet vision flies from me;
In my mind, these walls assailing,
Fierce destruction I can see."

"Though a torch I see all-glowing,
Yet 'tis not in *****'s hand;
Smoke across the skies is blowing,
Yet 'tis from no votive brand.
Yonder see I feasts entrancing,
But in my prophetic soul,
Hear I now the God advancing,
Who will steep in tears the bowl!"

"And they blame my lamentation,
And they laugh my grief to scorn;
To the haunts of desolation
I must bear my woes forlorn.
All who happy are, now shun me,
And my tears with laughter see;
Heavy lies thy hand upon me,
Cruel Pythian deity!"

"Thy divine decrees foretelling,
Wherefore hast thou thrown me here,
Where the ever-blind are dwelling,
With a mind, alas, too clear?
Wherefore hast thou power thus given,
What must needs occur to know?
Wrought must be the will of Heaven--
Onward come the hour of woe!"

"When impending fate strikes terror,
Why remove the covering?
Life we have alone in error,
Knowledge with it death must bring.
Take away this prescience tearful,
Take this sight of woe from me;
Of thy truths, alas! how fearful
'Tis the mouthpiece frail to be!"

"Veil my mind once more in slumbers
Let me heedlessly rejoice;
Never have I sung glad numbers
Since I've been thy chosen voice.
Knowledge of the future giving,
Thou hast stolen the present day,
Stolen the moment's joyous living,--
Take thy false gift, then, away!"

"Ne'er with bridal train around me,
Have I wreathed my radiant brow,
Since to serve thy fane I bound me--
Bound me with a solemn vow.
Evermore in grief I languish--
All my youth in tears was spent;
And with thoughts of bitter anguish
My too-feeling heart is rent."

"Joyously my friends are playing,
All around are blest and glad,
In the paths of pleasure straying,--
My poor heart alone is sad.
Spring in vain unfolds each treasure,
Filling all the earth with bliss;
Who in life can e'er take pleasure,
When is seen its dark abyss?"

"With her heart in vision burning,
Truly blest is Polyxene,
As a bride to clasp him yearning.
Him, the noblest, best Hellene!
And her breast with rapture swelling,
All its bliss can scarcely know;
E'en the Gods in heavenly dwelling
Envying not, when dreaming so."

"He to whom my heart is plighted
Stood before my ravished eye,
And his look, by passion lighted,
Toward me turned imploringly.
With the loved one, oh, how gladly
Homeward would I take my flight
But a Stygian shadow sadly
Steps between us every night."

"Cruel Proserpine is sending
All her spectres pale to me;
Ever on my steps attending
Those dread shadowy forms I see.
Though I seek, in mirth and laughter
Refuge from that ghastly train,
Still I see them hastening after,--
Ne'er shall I know joy again."

"And I see the death-steel glancing,
And the eye of ****** glare;
On, with hasty strides advancing,
Terror haunts me everywhere.
Vain I seek alleviation;--
Knowing, seeing, suffering all,
I must wait the consummation,
In a foreign land must fall."

While her solemn words are ringing,
Hark! a dull and wailing tone
From the temple's gate upspringing,--
Dead lies Thetis' mighty son!
Eris shakes her snake-locks hated,
Swiftly flies each deity,
And o'er Ilion's walls ill-fated
Thunder-clouds loom heavily!)

When the Gestapoes get impatient
We shall not climb down to walk on earth
Because by this time  of utopia
Thespis and Muse the gods of poetry
Would have given us the wings to fly
To fly high over England, I and schiller
We shall not land any where in London
Nor perch to any of the English tree
Wales, Scotland, Ireland and Thales
We shall not land there in these lands
The waters of river Thames we shall not drink
We shall fly higher over England
The queen of England we shall not commune
For she is my lender; has lend me the language
English language in which I am chanting
My dystopic songs, poor me! What a cacotopia!
If she takes her language away from
I will remain poetically dead
In the Universe of art and culture
I will form a huge palimpsest of African poetry
Friedrich son of schiller please understand me
Let us not land in England lest I loose
My borrowed tools of worker back to the owner,
But instead let us fly higher in to the azure
The zenith of the sky where the eagles never dare
And call the English bard
through  our high shrilled eagle’s contralto
William Shakespeare to come up
In the English sky; to our treat of poetic blitzkrieg
Please dear schiller we shall tell the bard of London
To come up with his three Luftwaffe
These will be; the deer he stole from the rich farmer
Once when he was a lad in the rural house of john the father,
Second in order is the Hamlet the price of Denmark
Thirdly is  his beautiful song of the **** of lucrece,
We shall ask the bard to return back the deer to the owner
Three of ourselves shall enjoy together dystopia in Hamlet
And ask Shakespeare to sing for us his song
In which he saw a man **** Lucrece; the **** of Lucrece;

( From the besieged Ardea all in post,
Borne by the trustless wings of false desire,
Lust-breathed Tarquin leaves the Roman host,
And to Collatium bears the lightless fire
Which, in pale embers hid, lurks to aspire
  And girdle with embracing flames the waist
  Of Collatine's fair love, Lucrece the chaste.

Haply that name of chaste unhapp'ly set
This bateless edge on his keen appetite;
When Collatine unwisely did not let
To praise the clear unmatched red and white
Which triumph'd in that sky of his delight,
  Where mortal stars, as bright as heaven's beauties,
  With pure aspects did him peculiar duties.

For he the night before, in Tarquin's tent,
Unlock'd the treasure of his happy state;
What priceless wealth the heavens had him lent
In the possession of his beauteous mate;
Reckoning his fortune at such high-proud rate,
  That kings might be espoused to more fame,
  But king nor peer to such a peerless dame.

O happiness enjoy'd but of a few!
And, if possess'd, as soon decay'd and done
As is the morning's silver-melting dew
Against the golden splendour of the sun!
An expir'd date, cancell'd ere well begun:
  Honour and beauty, in the owner's arms,
  Are weakly fortress'd from a world of harms.

Beauty itself doth of itself persuade
The eyes of men without an orator;
What needeth then apologies be made,
To set forth that which is so singular?
Or why is Collatine the publisher
  Of that rich jewel he should keep unknown
  From thievish ears, because it is his own?

Perchance his boast of Lucrece' sovereignty
Suggested this proud issue of a king;
For by our ears our hearts oft tainted be:
Perchance that envy of so rich a thing,
Braving compare, disdainfully did sting
  His high-pitch'd thoughts, that meaner men should vaunt
  That golden hap which their superiors want)

  
I and Schiller we shall be the audience
When Shakespeare will echo
The enemies of beauty as
It is weakly protected in the arms of Othello.

I and Schiller we don’t know places in Greece
But Shakespeare’s mother comes from Greece
And Shakespeare’s wife comes from Athens
Shakespeare thus knows Greece like Pericles,
We shall not land anywhere on the way
But straight we shall be let
By Shakespeare to Greece
Into the inner chamber of calypso
Lest the Cyclopes eat us whole meal
We want to redeem Homer from the
Love detention camp of calypso
Where he has dallied nine years in the wilderness
Wilderness of love without reaching home
I will ask Homer to introduce me
To Muse, Clio and Thespis
The three spiritualities of poetry
That gave Homer powers to graft the epics
Of Iliad and Odyssey centerpieces of Greece dystopia
I will ask Homer to chant and sing for us the epical
Songs of love, Grecian cradle of utopia
Where Cyclopes thrive on heavyweight cacotopia
Please dear Homer kindly sing for us;
(Thus through the livelong day to the going down of the sun we
feasted our fill on meat and drink, but when the sun went down and
it came on dark, we camped upon the beach. When the child of
morning, rosy-fingered Dawn, appeared, I bade my men on board and
loose the hawsers. Then they took their places and smote the grey
sea with their oars; so we sailed on with sorrow in our hearts, but
glad to have escaped death though we had lost our comrades)
                                  
From Greece to Africa the short route  is via India
The sub continent of India where humanity
Flocks like the oceans of women and men
The land in which Romesh Tulsi
Grafted Ramayana and Mahabharata
The handbook of slavery and caste prejudice
The land in which Gujarat Indian tongue
In the cheeks of Rabidranathe Tagore
Was awarded a Poetical honour
By Alfred Nobel minus any Nemesis
From the land of Scandinavia,
I will implore Tagore to sing for me
The poem which made Nobel to give him a prize
I will ask Tagore to sing in English
The cacotopia and utopia that made India
An oversized dystopia that man has ever seen,
Tagore sing please Tagore sing for me your beggarly heat;

(When the heart is hard and parched up,
come upon me with a shower of mercy.

When grace is lost from life,
come with a burst of song.

When tumultuous work raises its din on all sides shutting me out from
beyond, come to me, my lord of silence, with thy peace and rest.

When my beggarly heart sits crouched, shut up in a corner,
break open the door, my king, and come with the ceremony of a king.

When desire blinds the mind with delusion and dust, O thou holy one,
thou wakeful, come with thy light and thy thunder)



The heart of beggar must be
A hard heart for it to glorify in the art of begging,

I don’t like begging
This is knot my heart suffered
From my childhood experience
I saw my mother
Berry Blue Dec 2018
-2.00 +1.50 x 180
I barely see
Through squinty eyes is a love that looks like Paris.
Paris shifts and shakes until out of the cracks a pair of lost eye glasses are found.
I see what you've been searching for.
A love that feels like Paris.
Congruence in the vision.
Discrepancy in reality.
What is Paris really like this time of year?
Can you hear it sparkle? Does it sing?
Tell me do you hear the strange songs?
Is it riots?
Riot chants fill the streets to which we must all sing along.
If I dare tell you I love you like paris nights
Move, oh move along.
If you dare love me like Paris songs
I'll be destroyed by daylight.
Paris nights,
in the name of good faith and a romantic stroll,
beautiful and strong.
The mist is married to ashes.
Dont fall in love with ideas you'll end up like riots on a Paris morning.
I dont speak the language so tell me what these words mean because I've felt them all along.
Je t'aime **** de cette ville.

— The End —