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when he looks at a woman he searches for qualities that attract him because he wants to desire her yet this tendency creates an imbalance or disadvantage he is rendered weak to a woman’s beauty or whatever traits he idealizes self-realizing this propensity he looks away from women years of disappointment neglect change him he becomes afraid of women gynophobic

2

when she looks at a man she searches for qualities she is critical of because she wants to be impervious to his power she is suspicious of all men their upper body strength penchant to be in control misperception of women as property misogyny emotional immaturity neediness to be mommyed selfishness insensitivity or over-sensitivity depending she wants to be treated with equal respect a loving nurturing relationship she is suspicious of all people their alternate realities passive aggressive behavior co-dependence craziness

3

he sees her then looks away she suspiciously notices nothing happens they go back to their separate homes alone always home alone grown calm in resignation yet disbelieving of this destiny saddened by this fate both worry about future she looks at her face naked body in mirror her stomach churns feels sad sickening remembers time when she was more carefree he puts one foot in front of other then walks tries to remember who taught him to walk how many times did he fall who taught him to laugh where did his sense of humor go

4

he sees her thinks she is lovely resists the urge to turn away he smiles says hello she notices nervously smiles her shaky voice articulates louder than a whisper hi

Tucson 2-step

they are standing in line at a café on 4th avenue he is directly behind her she is lanky wearing white background faded colors patterned summer dress thin straps over bare shoulders long brown hair few gray strands small unfinished tattoo on left calf leather slip-ons 1 inch heals he is at a complete loss for words thinks to make remark about the weather decides not to overhead fan stirs hot humid July air barista girl asks what she would like her eyes scan blackboard menu behind counter she hesitates remarks help him i need an extra moment to decide he steps up to counter money in hand orders small to go Arnold Palmer half black current lays $3 on counter mentions change goes in tip jar thank you barista girl moves fast he lifts cup from counter glances at woman still deciding then at barista girl says have a wonderful day turns walks out door dawns on him woman grows hair under her arms his 2nd most compelling female physique adornment fetish oh god he thinks to himself should i wait for her to make up her mind then approach try to craft conversation at least find out her name no i’m too weak in this moment she is so lovely let her go

2

she orders double Americana in small cup to go room for soy milk thinks to herself he did greet her perhaps their paths will cross on street why did he run off so fast she glances toward front of café notices window seat changes her mind instructs barista ******* 2nd thought make it for here digs through purse realizes she left wallet in truck explains to barista girl she needs to run out to her vehicle to retrieve wallet forgotten under front seat the air on the street is heavy dense she smells her own perspiration looks north then south does not see him walks to truck feels exhausted appetiteless almost nauseous wishes she did not order a drink thinks to get behind wheel drive home go to sleep

Tucson 3-step tango

she feels disappointment by her recent writings as if she is reaching a more sophisticated audience and setting a higher standard for her work yet she is not living up to her ambitions her recent writings smell of her past writings too emotional the damaged woman wounded child she wants to write more introspectively with detached humor that only comes from keener intelligence she slams her laptop shut decides to go to Club Congress for a ****** mary or margarita but Club Congress is haunted with small town cretins losers wannabes she considers Maynard’s decides Maynard’s is too safe suburban yuppyish finally gives in to thought of glass of pinot noir at Plush next comes what to wear jeans in mid-July desert heat is unacceptable perhaps loose fitting thin cotton white summer dress thin leather belt ankle high indian moccasins hair in ponytail no pigtail braids no ponytail no makeup maybe little ylang ylang oil no she thinks about her recent writings

2

i am one breath away from crying in every moment one breath away from flying m.i.a. in every moment one breath away from destroying everything there is beauty in ugliness beauty in decrepitude disease beauty in harm hurt suffering beauty in greed injustice betrayal beauty in corruption contamination pollution beauty in hate cruelty ignorance beauty in death we spend our whole lives searching for a good death we spend our whole lives searching for eternal love this modern world is too much for me over my head the horrors of this place are beyond words unspeakable voice inside maybe mom yells quit your whining or dad hollers stop complaining i am trying to smile through tears one breath away from giving in one breath away from becoming stranger to myself winter spring winter spring there is beauty in nothingness we spend our whole lives searching for ourselves learning who we are not finding grasping secrets from dark paths light trails winter spring winter spring i am one breath away

3

she sits alone at bar at Plush glass of pinot noir glass of ice water in front of her 2 bearded older men eye her from other end of bar she ignores them glances at her wristwatch tries to look like she is waiting for someone music from speakers antiquated rock standard it is early friday hours from dusk moderate middle aged crowd mingle wait for local jazz trio to begin she thinks about her recent writings wonders is it too late for love considers lesbian affair from 5 different perspectives 5 woman’s voices each describing same lesbian affair in 5 opposing accounts hmmm she sips dark red wine from glass chases it with ice water she considers a story about a gang of female bikers who ride south to Mexico

4

the Americans came through here last night crossing border illegally climbing over our fences digging tunnels beneath our barrier walls littering along their trail they travel in packs of every skin color carry guns knives explosives wear leather boots some are shirtless tattoos dyed hair mischievously smiling conceitedly stealing when in question murdering they rob our homes slaughter our chickens ransack gardens loot our harvest you can still smell the stink of their fast food breaths

5

she swallows the last dark red wine from glass chases it with ice water local jazz trio begins to play as bar fills with more people she decides to walk home one foot in front of other wonders who taught her how to walk how many times did she fall she laughs to herself

Tucson square dance

TPD 10-18 unconfirmed data report

7 post-University of Arizona female graduates go to Cactus Moon for several drinks and dancing then drive to Bashful Bandit for more drinks and dancing 2 women get into scuffle victim Brittany Garner female 23 years of age race #5 (Native American, Eskimo, Middle -Eastern, Other) 5’ 2” long black hair cut-off blue jean shorts clingy light blue top falls hits head on side of bar dies of fatal blow to skull forensics report crushed occipital lobe assailant Stacy Won female 31 years of age race #4 (Asian) 5’6” black jeans black leather jacket red helmet Honda motorcycle still at large

witness accounts

Jess Delaney female 33 years of age race #2 (White) 6’ tight black pencil skirt white sleeveless undershirt no bra 3” heels blond ponytail “that squirting little **** deserves everything she got she lied told Stacy i’m a ***** i never cheated on Brittany i don’t understand we were all having a good time getting buzzed and dancing we should never have left Cactus Moon **** Kerrie thought some biker dude might be hanging around the Bandit hell maybe the Bandit was a biker bar once but now it’s just a college sink hole full of drunken frat boys when Monique flashed a little *** they went crazy cheering and buying us shots it just got out of hand never should have happened the way it happened Stacy didn’t mean to **** Brittany it’s ****** up i want to go home please let me go home”

Sabrina Starn female 29 years of age race #2 (White) 5’8” trendy corporate gray suit black pumps red shoulder length hair “i have to be at work at 8 AM Stacy was drunk out of control she gets crazy when she drinks Brittany was trash talking pushing all Stacy’s buttons then Stacy accused Brittany of sleeping with Monique and all hell broke loose i didn’t see what happened i was in the powder room it’s a terrible tragedy unfortunate accident can i please be released i need to sleep this is madness”

Kerrie Angeles female 27 years of age race #1 (Hispanic) 5’ 6” black pants white shirt black hair cut stylishly short silver crucifix around neck red fingernails “when we got to the Bashful Bandit i was ***** soaking between my legs thinking about a cowgirl at Cactus Moon ready to **** anyone i saw fantasized pulling a train with those frat boys Monique had been kind of quiet at Cactus Moon but when we got to the Bashful Bandit she lit up dancing wild unbuttoning her top jacket Sabrina went to the ladies room to snort coke with biker dude Kerrie wanted but he wasn’t into her then Brittany started saying crazy stuff accusing Stacy of stealing Monique from Jess Jessie goes through women heartlessly she doesn’t give a **** about Monique Jessie knows if she wants Monique back she can simply fiddle a finger my guess is Stacy is half way to Argentina she never meant to **** Brittany i’m going to miss her real bad she was a good kid”

Ann Skyler female 28 years of age race  #2 (White) 4’ 11’’ green white red Mexican peasant skirt black t-shirt black high-tops hair in messy bun “i’m confused i saw them dancing laughing grinding up against each other Rage Against the Machine came on then Nine Inch Nails the room felt quaking dizzy claustrophobic then they were pushing each other shoving yelling frat boys cheering the next thing i knew Brittany was supine on the floor blood pouring out maybe she just slipped hit her head i don’t know what to think i feel real sad confused sick to my stomach scared”

Monique Smithson female 24 years of age race # 3 (Black) 5’ 9” blue jeans jean jacket cowboy boots nose ring braided pigtails “Stacy had it in for Brittany from the start i saw it in her eyes at Cactus Moon she made several clever toxic remarks they snapped at each other i never thought it would escalate to ****** poor sweet Brittany was always so susceptible i was looking down adjusting my jeans over my boots when it happened i heard felt a big thump glanced up Brittany was lying there lifeless blood spilling everywhere Stacy ran out fast i heard her bike engine take off in a hurry”

Rodeo Drive Tucson

matt’s hats tom’s tools & tobacco lou’s liquors fred’s beds frank’s planks bill’s drills jane’s drains & panes chuck’s check cashing cheryl’s barrels hank’s tanks tina’s trucks & tractors walt’s asphalt sean’s pawn rick’s rifles mom’s guns terry’s tires charlie’s harleys rhonda’s hondas jim’s rims art’s parts gus’s gasoline mike’s bikes frank’s feed gwen’s pens ann’s cans nancy’s nursery joes‘s clothes jess’s dresses bert’s skirts steve’s sleeves paul’s shawls michelle’s shells & bells al’s pails & snails sam’s hams & jams patty’s pancakes phil’s chili don’s donuts betty’s spaghetti bob’s burgers alycia’s quiches jean’s beans jerry’s berries anna’s bananas andy’s candies cathy’s taffies tony’s ponies roy’s toys kim’s whims marty’s parties jill’s pills rick’s tricks alice’s palace debbie’s disposal dave’s graves

Quinta Waltz de Tucson

she is definitely displeased profoundly disappointed in her latest literary efforts she dreams aches to create deeper discourse higher insight more thoughtful philosophical inquiries about life’s challenges beauty a better world overpowering love inspiration instead she writes paperback television trash stupid inadequate answers to solemn questions she wonders if she is too scratched dented to find love her ******* are definitely changing she is deeply disturbed not ready for menopause too young for menopause she wants to remain a fertile woman with smooth skin wet ******

2

her neighbor Leslie awoke to horrible morning Leslie’s 6 chickens were assaulted overnight precious Mabel dragged off feathers everywhere trail down the street other hens cowering slumped together with wilted necks 3 of them with puncture wounds Leslie carried them one by one inside washed their wounds hugged them cried who did this terrible act a neglected abusive neighborhood cat or some desert predator why didn’t Leslie wake to sounds of savage marauding now this creature knows hen’s whereabouts when will it return for more massacre what modifications need to be enforced to ensure their coup before nightfall

3

she wants to remain a hen keep producing eggs does not want is not ready to enter the next **** stage of this **** existence it was fun being pretty for men inspiring them to say do whacky things she wants to remain a hen she is definitely displeased profoundly disappointed in her latest literary attempts “Tucson square dance” (self-referential) ****** bit about Americans came through here last night in “Tucson 3-step” ****** "Rodeo Drive" tepid perhaps the pinot noir lowered her standards everything is becoming nothing she cannot sleep tosses turns thrashes sheets in humid heat of her lonesome bed is she is too scratched dented to find love she worries for Leslie

4

tomorrow is another day they say the rain will come last year’s monsoon never came the baking sun smothered her garden died one by one sleepless she will miss tomorrow’s pilates class the infrequent delightful chatty breakfast afterwards she dreams aches of deeper discourse higher insight with detached humor that only comes from keener intelligence more thoughtful philosophical inquiries about life’s challenges beauty a better world overpowering love inspiration she crossed the line tonight her ******* are definitely changing

Tucson 666

he decides to shave eighth to quarter inch length salt and pepper beard a.k.a. unshaven look he has worn for years and grow full mustache the whiskers on his upper lip are darker with sparse gray at first no one notices after weeks the mustache gradually fills evoking many contrasting remarks several women loath it several men admire it girl at grocery store suggests he grow Fu Manchu so she can tug on it shopgirl says he looks like Charlie Chaplin downstairs neighbor from Turkey explains most Turkish men traditionally wear mustaches he read mustaches masculinize and empower men especially men in authoritative positions he thinks back to the 1960’s when many hippie males grew mustaches then in the 70’s gay men fashioned mustaches then in the 80’s cops adopted mustaches he wonders why a swatch of hair beneath nose is so provoking examines his visage in mirror discerns the mustache confers a Pepé le Pew quality or European accent to his appearance he remembers when he was young hippie with many amorous episodes how his mustache preserved the scent of a woman but there are no women in his life for many years do post-menopausal women possess scent? he feels indecisive whether to retain it or be rid of it

2

she observes her figure in mirror thinks to herself maybe her ******* are not changing perhaps it’s all in her head she inspects the little lines forming near her eyelids studies her features for signs of aging hardly any silver strands in long brown hair she examines neck ******* arms elbows fingers tummy hips pelvic region thighs knees shins calves ankles feet detects subtle changes thinks to herself my ******* are possibly slightly changing turned 40 in March married briefly in late teens no children a 15 year old dog beginning to suffer veterinarian promises to warn her when the time comes she wonders why it is so difficult finding fitting mate men sleep with her several times then move on maybe she is not such a great lover perhaps she would be better if one of them stuck around perhaps she is a lesbian the whole ide
at a certain juncture
in a females life
the menopause
makes for a deal of strife

those of us who are
in our middle years
have days when we perspire
and shed the odd tear

ladies have not the best of it
at this particular time
the hormone levels dive
and are in decline

ladies schedule a visit
to your family GP
and obtain a prescription
for some hormone therapy

the turn around in your
well being will be a welcome sight
as you kiss the menopause blues
a fond goodnight
n)Ethno-spirit and Biodiversity (Diogiversity)

Given its ethnikos factor and contribution towards a common origin of multiethnic and languages, in values and traditions, its morphological factors of Verthian sub-mythology, are provided with content, features, colors, and textures of neutrality, focused on a biosphere ecosystem, where the air conditioning, flora-fauna will make Sub-mythological Biodiversity, where the beings that inhabit it and will be in the range of evolution of mythological living beings, whose diversity of genetic seizures, will adopt natural and compound patterns, but always predominant in the biological pattern and organic. Wandering the world in desert places, in alloys and classified plant compounds, emptying their species through the hollow of the atmosphere and through the green grasslands in the reviving surviving evolution of organisms and species that for the first time see each other as a biotype between rocks and plantations, reciprocally among themselves, and extemporaneously generating mythological genetics heritages. Considering millions of years in evolution with explosions of multicellular and fossilized species extinct in massive and occlusive memories. Inert matter and geological strata will make millions of years converted into microseconds in the Verthian Biodiversity of the Duoverse, in a Psychic and spiritual Universe, emerging in all macroscopic perspectives and parapsychological regressions. Impact They will cause the maturity of all the diversity of externality and sensations in new topologies of anonymous universes and species of biodiversity, under a pillar of culture based on the Sub-Mythological biosphere process, encompassing all mythological species where the hope of Life and Super life. Transforming systems of functionality under the protection of spontaneous generation and in a matter that is availably underlined in the mountainous tissues of the mechanics of the subset of the air mass, water, climatic biospheres, and biogeochemistry, that in the unreal juncture of, and inter-procedural reality of carbon, that factor the species key and specimen disclosure, in the collection and in sinks, water drains but without carbon. encompassing all mythological species where the Life expectancy and Super life unfolds.

Hyperdisis, the galaxy connected to the Duoverso, in its biotic diversity, reinsert thick clumps of Nothofagus Obliqua forests, in waste processes, to domesticate the Leiak ethno-forest species, as balance nutrients and repair the disgraceful disgrace of unnatural toxicity and fragile of the agrosystem, maturing cultures and preventive pollination in succulent transfers for purposes of food webs and the environment. Making the appearance of species more effective and perceptible, reunited in community chains of coherence, to amortize low-resource needs and distance economic-political impacts, in view of new base resources and the sustainability of balance of allopathic crops, for the good of driving the extinction of plagues or flagrant excesses not converted, Hyperdisis has a mass of inert matter that creates accesses of resilience, for salinity, rainfall, and human adaptive mythological innovation, given its versatile opening of complement and generation of substances, for the convenience of living beings and No. Having adopted in the context of mythological Galaxy, related to beings of light comparable to distant elements, by means of Psychic Trisomies and tell transportation, for energy sources and soil and water mechanics with Leiak, constituting molecules for the simplification of phenomena of exacerbation of chronic diseases and endogenous. Forests and parks of Hyperdisis in the symbiotic open air, for more airs in microbiological space, in the intimate portion from greatest to least challenge of elements exclusive of antinomies of hieratic human bio culturalization, in a showcase of communities with an interest in technologies and renewable empirical usability, each part doing its scientific role and biodiversity in the portico of its home. As a hieratic quality, presenting amendments that are glimpsed and more existing, although it passes before our eyes without a Carbon Footprint, figuring logical mathematics by sponsoring its count more than a shadowy synthetic body, anticipating super-appraisal measures, averaging them in tiny theological portions, with varied and dissimilar levels of genetic habitats and alleles or heterozygous in the taxonomic functionality of reproductive and approving biological elements. The wealth and abundance of this item are delegated to Leiak, in all the revolutionary processes of the oak forests and the high mountains,

Within the gasifications of Cinnabar, there was Carbon in its Life cycle, being Zefián; the curator of the Duoverse, destined for a lifetime, under Universal and intergalactic effects. Claiming innocent beings with greater attributes of predation survival in the ecological chain, with the mix of Tsambika and Theoskepatis, granting multidirectional dynamic residual matter for green energy emissions. Feedback quantifies offset options in carbon circulation, offsetting multipurpose CO₂ inventory. Through the darkness Zefián and Vernarth traveled in the streets of Rhodes, and in Tsambika looking for the distilled portions of the carbon and sulfur emanated by the Cinnabar. In the same way Etréstles in Theoskepatis initiating with the Archpriest by virtue of the honors and the rubies of accumulations of water mass and of sulfur and carbonated air, which hung over the low sky of Rhodes and Kimolos. They were going to the Necropolis of Hellenika, when the gnostic rampages were glimpsed in the surrounding slab, minting half of the gold bars for the great goldsmith who erects the conventionality of having the physis imperturbably established, as a matter of patriarchal character. They entered Helleniká and the souls that wandered were ringed under crescent-encrusted rings, lavishing the independence of the night in the hands of Borker, which was reflected in the capitals of a mausoleum. Borker is consistent in saying that he is free in Helleniká, In the myth of the dustbin woodworm of the frieze where Etréstles perched next to Zefián's strap, who would manipulate the gold and alabaster chain, to pull its ascetic and rubies from it, approaching a final night in the astronomical autumn, in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn, and the mountainous temple of the one that follows the equinox in the meridian of seven days towards the southern and northern hemisphere. in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn. They enter the Necropolis of Helleniká, by upper and lower trays, cordoned off by obelisks in a series of petrified labels, in the square sections of the convergent ones and the linearity of the central pyramid, where they sponsored all the sectors of the stones of the prismatic geometric body, next to some piloneos that flanked the third of those that were in the figurative memory of funerary monuments of Vernarth. In harmony with the radiosities of the Cinnabar, they purged the carbon emanations in the intra-bodies of petrified breaths, expanding in the segments of frenetic life of the behavior of the inert matter, crushed by the organic, polishing the degrading character of the excavated prayers, under a superfluous shade. It was already dawn, Etréstles and the Archpriest broke the loaves to deposit them in the bowl of the Day, stretching in the arms of heaven under the gargle of the god Vertumnus who forged from the materiality of Jupiter. Vernarth nodded his head to the movement of the winds that cut the profile of a Citarista yawning on the frieze that raises all the crowns of the princes of the living-dead, making them part of the royal occasion, preparing petty spaces and tyrannies for devouring vassals in Helleniká, from the lair of his rib one, sees Diogenes of Sinope emerge, splitting with his doctrinal staff all the Isthmian paroxysms, which declared the cell of his life as Diogiversity.

"There were murmurs of astonishment at the surprising response of the wise man because no one dared to speak like that to the king. Alexander the Great asked: "Why do they call you Diogenes, the dog?", To which Diogenes replied: "Because I praise those who give me, I bark at those who don't give me, and the bad ones I bite." Again, more murmurs, but Alejandro was not moved by those answers and said: "Ask me what you want." So Diogenes, undeterred, replied: "Get away from where you are, you cover the sun for me"..., Vernarth replied: "Look for him in the bones of those who refused to die and fear beyond expiration who rejoices in the cold of the dean ossuary seed, without heat or memory here in Corinth and its Diogiversity ".

o)Reflection space length (π)

The hemispheres were out of proportion, one another was modified in the air, leaving the horizon exorbitant and the poles out of square. Coastal the lengths of the sun around areas that some Helleniká countrymen had never put on the crowns of their consciousness. Certain pressure changes dislocated other modules in the filaments that had rudimentary inaccuracies, creating reflection space failures in the installation of the Duoverso, due to the due calculation defect. The observations of Hyperdisis, generated superpositions of the Zigzag Universe, before the crescent moon, after the full moon, again de-calculating the sphere of Hyperdisis in relation to the ecstatic length of itself in the hands of a third of a second a day, to overflow in impositions that They revealed Dekas Cove in Kimonos(π).

The value of the opinion of reflections will be the originality of breaking of statics, of the motors of the verb and the conscience of the flushed being, and of erudition of the naive contrast when decanting the perceived morality. They concur with the moral value in every sub-mythology of an ambivalent being of supernatural human co-belonging, not dependent on gnoseological reflections, rather spontaneous under the embankment of reason. The latter being absent in the shadow of its shadow, no reflection can take hold of anti-values, self-valorized in contingencies under the effects of the drug of lies or truth, in a difficult equation to refer to in gnosis treatises, declaring the absence of consciousness to species without reflection or length of their molecular evolution, in evidence of mythological humans. The triangle Patmos, Rhodes, and Kímolos, make up a Venusian adonis, of stimuli in the nostrils of Aion, which sneezed on the integrity of the reflex arc at high speed superseded in the tremors of Athens until Hyperdisis, flashing anatomical and pejorative on the optic nerve of the Colossus Rodino, and the twisting of the multi-personal muscles..., but already depersonalized..., with little telluric reaction in the core of the symmetry of his legs, dodging as he thrashed on his frowned arms, behind the legs of the lycaons..., digging his jaws in reflex arches, for ages that only an immemorial one would enchant him, and be it the throbbing of the earth in the crust and seams of the calcined Colossus. Existing like this their reflection of attenuated light, they shook through the sea full of sinewy pieces of precise length. Frequently in the hydronium cations, undermining the temporality of Tsambika in random stones in the humid, and dark narrowness of the anthropic reflection, having lived in the heavenly paradise that formed them by the volcanic tube and its syngenetic, by the erosion of the subsoil of Rhodes. In Helleniká, everything that is expected, flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas it flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas from Devonian to Cretaceous, escaping from the ferocities of the Etesios and these same escaping from the roars of Vernarth.

p) One-Dimensional Beams II

When their ears fell in love with the Orthoptera or Grylloideas before Joshua, the night became restless, abandoning them from their shelters, they brushed the seeds of the thistle that trembled with the new millennium of the Duoverse. Levitating their ailerons in the tenors of their birth and dilettante sounds, before an ovipositing candor of the remains of the abdomen that remained in their jaws, always being from one of the Beams, for the largest Enciphers that hung from their antennas in search of Joshua's telepathic messages in the manger. Sappho of Mytilene, also known as Sappho of ****** or simply Sappho, pretended to be a marigold proliferating in the twenty corridors of the Greek poet, and also as the tenth poet in the other ten that was reflected with transparent wings of the dew that stuck, phenomenal of physique -Saphonic and in the recent rain of wind and condensed air, in the form of drops due to the sudden decrease in temperature in contact with cold surfaces. Sappho's dew was talked about in Kafersesuh, usually when it comes to condensation on a Poetic Grylloidae surface, naturally on the ground cover or artificially in a dull cloudy crystalline, in the amount of supernatural tradition, heroes, superheroes, and anti-heroes conspiring with the territorialities of hexagonality.

The Aramaic message comes forward with vigor from the orthopterans and birds that piled up on the journey, going back and forth. The Beams shone from the celestial kingdom holding on to the Cherubim and the Archangels, through the paths of conversion and the support of the bizarre Christian time, in implacable hegemony for the propaedeutic of phylogeny, but more than perfumers chemistry and the same creation. carrying Lepidoptera winged tetra and Sand Crickets, on the interlocking and obfuscated pheromones from a nascent-elemental child, in his own evangelical philosophy, from a winged dimensionality and in the gloom of Manger shouted and aligned, before the compendiums of double pyramidal landmarks and of inflection, of his word in the Grylloids and panaceas created in the affinities of the world and Animalia, stylizing muleteers carriers, phrasing acronyms and parabolizing the polygonic nomenclature of the child made a territorial man on the wings of a Cricket, already being it !, but representing himself as a lifeless man in the entirety of an advantageous canon child, from a sudden bi-dimensionality of Grylloideos. A great Zohar light gathered all towards a whole in those vantage points of terrestrial columns and orthopterans that Joshua felt in advance in his resined ears, like irreversible entropy giving back his wise existence to prepare them for the day of his holocaust. Pre Existing in catharsis and busilis substance of divinity connected with the Grylloid phylogenetic species, classifying until the Aramaic crackle, pontifying pheromones settled in the lithosphere site of Gethsemane, coincidence in the wading of a Libraco period, or in the phenomenological simultaneity of Eukaryota and Glaucophyta until late Animalia, giving relation parental in the characters of the vibrational timbre of the Beams and the atavistic pedestal, readapting in the evolutionary ellipticals of tetra-winged species, allowing to change the ancestral linguistic accouterments in processes of redesigning the genetic historical tree..., divine and increasing.

Inter-Duoverse, in space demography, has been frequented since today in a nuptiality between the Sun and Earth, wrapping the inter-generational homes that have prostrated themselves to the One-dimensional Beams, evolving millions of years between links of angels from the north and the south., for each year between half years and decades that the ancestors are passionate about, unleashing in what they aged in their youthful lives and eternal ideals, as an atom not guaranteed in families that did not get to know their Duoverse. When they walk through the urbanized farm of their parents they go in their shoes and in the paternal and inter-parental sun barefoot, the children travel far from the monographic patriarchy, declaring themselves between psychic families and unstable plots of core conformity and procreation.

The line of supra healthy cerebral is born from the Beams of deforested family trees and treasured in the Trunk of the seventh ascending generation, towards a nefarious tribal of industrious and vegetating regressive parapsychology, bringing zombie societies, to great lethargy that disorganizes the parallel emotion of the Being descended from a Messiah, with the prophetic organization. There in the Koumeterium of Messolonghi, in past generations, the "IO" was omitted to limit them from the spellings like Ghost Cemetery lost in other lost sacramental ancestors. The inappropriate location of our ancestral duties has guided us in the axis of the pabulum, before the second coming of Messiah Parousia, to continue the re-sprouting foliage of the Universal theological tree. The children of the seven intergeneration generations, will be from the endearing of a patriarchal family, and those of Exo family lineage will be from outside the non-generational family, where everything flourishes according to the requiems of ******-domestic economies, and in the new chimera from new shocks and reprimands, already being spouses the Sun and the Earth after being divorced from a deluge of immolations and inter-millennia and rotations, further than those of any prophet wandering without advancing or rotating, enlisting and expiring in succumbed and pre-historicized generations of other prehistoric ones. Pre and post Flood; not presenting itself as the object of linking a thousand decades where not even a holy chirp from the Thrush, praises on the windows of the world bringing us babies that are born without past or future quantum generations. Ready to the hint of Duality and its nuptiality with the Sun and the Earth, They will make us magical creditors of the increase in demography and of unions that will marry in inter generations, not seeing passions in exhaustion, under the grass of the allegory of defeated love. Giving ourselves conjugal virtuosity, but of immanent dogma for the purposes of multi-figurative coexistence, under the Yoke of an individualized Faith, in the passing of millennia, we continue to crawl on the floor of the nebulae, and we do not rise to establish ourselves as masters of ecstasy, and the pendulum of the stars, creating us more in the orthogonal egalitarian of the cosmos and its Vernarthian architecture, of poly productivity, of Sun-Earth and its post-genetics, of high-grade clay, expanding with halberds on the self-insolated Suns, and highly calorific inherited towards a rupture of Solar freedom leaving us in the horizontal, not having ascendants of sin enriching their illicit chromosome. Made a beast, from the inertia of a paradise full of hidden public and private exchanges, but not secular, for those who pay tributes of ecstasy in a reborn and weakened state. This is how Diogiversality is verticalized (Diogenes's anthological action), concluding the variants that weaken the nexus of the denatured society of its atavistic social nuclear concomitant, extending eco-life gaps, but eco-unstructured and crucial inter-generational nature, being of arbitrary passion and of seismological doctrines, of haughty morality and of sociology fabrics without body or motor, with frail of castes and generations evolved age in a retrograde and elemental psychic sense, but biologically and reversibly to their boomerang lineage.

q)Amphibology Cosmogonic, Sub-Mythological root

The threshold, as a minimum rubric, must be in force from the Constellation of Orion, with barely a hundred millionths under the same eye of Orion and his psychophysical space, sensitive to the falcado charioteers and the water vessels on the backs of the probable Barnard Loop., and its nebula presence. The icy impulsiveness brought her under her right shoulder and the lean hollow under her arm unraveling from a staircase, at the entrance point of Betelgeuse coming from the cosmogony of Eridanus and in tune with Ptolemaic astrology. In the Sibyl and with a hint of a metric brilliant mass triplet, Betelgeuse Orionis, is the scale of the Aulos and piccolos expelling hydrogen as an Ace in 240 scales of harmonies and in sounds of light, for cycles and years of Light. The binary of Orion, is pre-born of the sub-mythological root, with binaries of Poetic Parapsychology, or Para-poetical; which is the trapezoid and the kinetics of the hunter Orion arrowing the Pleiades and its nebulous plains, with diametrical diarthrosis in his synovial joints, with the third militarizing joints already formed by the hyaline cartilage, which joins the two bones with the synovial fluid, before reaching the deltoid of Hunter Aurion, to awaken the Asleep world.

Vernarth in one of his adventures in Pella, scapula with his arms the force of the friction discs of the Olympics and corrected his hands and shoulders, for this purpose of Aurion and his dilettante Astro Betelgeuse, with giant arrows against matters towards the sky of its Constellation, embedded in beaten Odyssey and turpentine in the sullen Hellenistic, being for May its amber trapeze of trunk and arm, in each hand a Xifos and Dorus, always in right-handed hemispheric pathologies of their shrewd hands in Kopis swords, and in the memories of the wind that throws pain to the whistle of the combatant, when the meteorites decay in the Tyrrhenian Sea. With his brass-bronze club and Vernarth's corrosive breath, he proceeded to file odyssey on Eos's ******* and peduncles; Goddess of the Dawn, in Dionysian beauty in bulk, Mintaka, Alnitak, Alnilam, (The Three Mariah), For the twelfth lunation of the Celestial Vault, together with Pleione, in its bolometric Oceanid matrix; against borderline stellar magnitude in the major and minor dogs, and in there a priori waves of misdeeds lending measurements in the eyes of Aurion, always henchmen on their Pleiades.

From this intricacy, Cosmo-is born the Vernarth Duoverso incited towards the Horcondising, so that it is mythical co-property at the origin of the universality of the Duoverse in the Vernarth scapulae, bleeding towards the cosmos that was born from his stellar blood, conjuring chaos and uncertainty in messenger Gonies, facilitating community life free of ethnocentric, psychic, intersubjective life, the metaphor of myth and dogmatic, by the imaginary struggle that leads its bleeding back over the Cosmos, and its demiurgic brilliance over the atmosphere of the earth like bronzes that twist in the necks of oxen, that urinate on the officers of the Barnard Loop, and its polyphonic magnetic exciter, on it the ***** of Orion falling on the poles, like flagrant Amphibology.

The Kanti Steed and the Aurion nebula, to the beat of a waltz ionize, lavish chemical ions free of electrons, on the neutral molecules of Betelgeuse, to proclaim in the nerves of the shoulders and its bronze club, as musical praxis and harmony net, giving way to the nebula and the art of the Duoverso, which shows the pristine astral days, how his alchemical arm sprouting in chemo-astralities of the pectoral, and his armpit that joined in its maximum stick, cutting down roots of Olive Bernar, behind Barnard's Loops, in the midst of runaway stars that are systematized in their ionized bleeding esplanade, such as Stellae Novae, who retrograded the astronomical ritual into cosmogony, and in her escape by going at night to sleep near her father Poseidon and Euryale, who cheered him near the grassy fields to paste explosive clay on the sheet of his drunken smiley face with Ionic wine, in advance of spreading the nascent Duoverso throughout the new world.

r) Hyperdisis

Sitting on the edge of Andromeda, in his planetary chamber Zefián; The Duoverso computer separated the parasitic inter-chamber from the Duoverso, which would be born from the Auriga, which in his buggy would unleash the senses of structures and luminosity between this colossal interplanetary chamber. Being between points that venture through the axon of time infinitesimal and longitudinally for light-years, which even so, will intervene from the Duoverse, for thermal purposes and other changes of the remnants, when especially the luminosity will speak of the destruction of the darkness inherent in the eyes of the universe, which can only stabilize areas that have not been fused in the discs of the Universe-Duoverse spatiality, long before the initial explosive between the Constellation of Orion and Andromeda. Globular clusters that will make up the perfect delay of transfusing the blood and no other, which makes the character Hyper naming and hyper-pectoral blood, which flows from this tri-astral polynomial, compromising the method of area, shape, and refinement of the sagittal profile of Hyperdisis in the Duoverse in the reversible intergalactic plane. Going from lenticular to irregular over the keystone of the trapezoid, towards the right arm of Orion, where its radius becomes hypocentral sequentially, but it takes advantage of interstellar matter, to generate its own light. Some explicit explosive arms of Andromeda were expelled from their center towards the right arm of Orion, for the purpose of implosions in the effect of the clubs or snails, as a sublime effusion on other stars, which lost essential stellar mass, to differ from one another.

Radio-Patmos, or galactic energies of Andromedian origin, would arrive as devout prayers at the border of Skalá, such astro-omegas and Invisible Universes, which inhabit the flaccidity of the Universe of Consciousness of the pole contact with the Xifos or Kopis, when Andromeda contacts the spur of the clubs or snails, inciting the capos of Astro-Omegas spaces, which would begin to take the front and front, after having been the atrium of invisible stars, only visible in the spurs of the swords, which were only moistened with the viscous blood draining from Orion, towards Hellenic lands as Omega age, for Vernarth early when he carries the keys of the Omega World, towards the shadowy proto galaxies, knowing that the Milky Way and Andromeda come so close in their stellar mass, being able to collide in a few million of light years, in advance, since the Duoverse of Hyperdisis will be formed as a Galaxy of change, to interact with each other, dismembering, but re-transforming into the new speculative nucleus of the Duoverse as a great Black Hole, embedded in the Kardiá of Patmos.

Hyperdisis, navigates from the most ancient confines, from the origin of nothingness itself on the threshold of the Universe, but now it is already converted into the Duoverse, re-implanting itself in helical polarity, and in bifurcations of luminosity, of colorful reincarnations or astral, to consent to the cessation of darkness and valuing luminance, possessing colorimetry and chromatic steps of childish tales in infant galaxies, which in all the lives of Greece and Vernarth delivered for their ancestors, articulating the iconology of Orion, in candlesticks per square meter, in vigils of:

LV is the luminance, measured in Nits or candela per square meter (cd / m²).

• F is the luminous flux, in lumens for the Andromeda triad, Milky Way e Hyperdisis in conjunction with Orion.
• dS is the surface element considered in the triad of Kímolos, Rhodes, and Patmos.
• dΩ is the solid angle element, from Vernarth Omega and the origin of the Duoverse.
• θ is the angle between the diameter of Andromeda and the Milky Way (2.5 million light-years)

The luminance can be defined from the radiometric magnitude and the radiance without more than weighting each wavelength by the sensitivity curve of the eye. Thus, if LV is the luminance, Lλ represents the spectral radiance and V (λ) symbolizes the sensitivity curve of the Vernath's eye of the Betelgeuse area below, dumping plasma and bruises on the galaxies and the Orion Eyes.

s) Zigzag Universe

The Zig Zag Universe was and will be excluded between time and space, in a world adjusted to the senses that are driven within the contextual totality, the world and the biosphere framed in the phenomena of the Zig Zag Universe, being born on a stellar night when Our life searched the earth, being able to see how cordial matters of the cosmos caressed its cosmology, making it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the Bing Bang, emerging from another type of self-observation, seeing ourselves in the face of Horcondising anti-material and Universal Biomass. We preexist under science that models the system of energy and matter in causes of ancestors, with whom their vital and ours sneakily crashed. Gravity made great paternity in the Vernarth Biomass, being in the Dodecanese, being cosmos in its arcuate curvature, which makes us screen with the moon in its romantic astrophysical swings, and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the Nothofagus Obliqua of Vernarth's Horcondising and also time2-space2, which has not been troubled by the origin or abscess of the stars that move irregularly in zigzag, for the fractality of its component, which is clearly Aramaic blue light, in circuits of clusters and movements brushing the air, attracting the attention of the entire order of the hypnotized universe and making the duplication of the universe itself appear before them; in Duoverso that is the Universe shaken and young of its gratitude's ".The distribution of nearby galaxies are keys to the paleo universe already arranged in macro waves, which are percentages of spaces in the Trisolate energy fields, which interact with the Mashiach of Gethsemane phylogeny, now tending to a stagnant decomposed future, towards a specific frozen present. Its final station is to bet the Zig Zag Universe on the re-expanding temporal Medieval chrestomathy, in gregarious qualities of Sub-mythology, already conformed here in Archangelos. The implosion of gravity has created worlds of visibility in great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light-years, as an irregularity that resembles the measurements of everything quantifiable, being omniscience or not, acquiring the hexagonality of the birthright in the passage, Here the Mashiach emerged and died in its abstraction in the One-dimensional Beams and in the foreign eyes, eroding those who are mortal and do not see with divine eyes in the self-resemblance, of our hypochondria and of the failed plan to amplify the size of the unknown analytic, of this new dimension in the implosive movement of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailed in their nature and in the natural infinity, here the privileged new world was envisioned, for self-similarity in the speculative and cosmogonic functions of Vertnarth, at intervals in each space of the shadowy walls, bringing accelerated courier bombs from Gethsemane among mutated olive trees to other humans. "Its correlation is an infinite fractal with reversible observable time.

Finite is the curvature, between the time that walks between the grove of the Duo-Universe as an alternative of energy Zig Zag and Duoverso, which triggers our subconscious observable world, which is a great reflecting lantern eye, which ignores and prescribes extreme distant and focal parts of the One-dimensional Beams of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had, before coming to the Holy Land, provided by his form of Hyperdisis escorting him from Betelgeuse and in Orion. Change from arduous colors to the gradient in Avant-Garde, for the confines of perspectives and verbality, in amendments of physical fields, interwoven by an external gravitational means. The macro waves, are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in reaction disturbances and recreation of multiform plasma saviors of Christian cosmic. The double expression of macro waves and the equation of them over the axial of the universe turned into the universe Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion energy with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all being more than time... !, remaining at the expense of the wick of all electro-matter " The double examination of the macro waves and the equation of them on the axial of the universe turned into Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all of them being more than time... !, remaining at the expense of the wick of all electro-matter. The sub-mythology having already been constituted, Hestia appears, having slept a great slumber. When he appeared before Vernarth in Tsambika, he was seen changing in size, when he was six meters away he looked dwarf and when he was already two meters from him he looked monumentally huge, but in a versatile physiognomy, therefore he was already appreciated in his last steps, with her domestic Goddess figure that emanated light-years from the chimneys of the habitable galaxies. The critical immanence will happen, pre-existing of the perfectible plan for the Universe Zig Zag and Hyperdisis, as Hyper-Hestia, bringing torn words for those who were approaching the main altar of Vas Auric, which was in the great ratio of the proscenium in the vicinity of Tsambika, between Mind / Meditation for constant mechanisms of Wisdom / Meditate, according to the cosmological constant, taking them perhaps to the beginning of a decade and the third universe called Traverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated, and of temperature that acted on the average of the normal range, therefore it was imminent to mutate it to the provisional Christian Duoverse, which moves backward. among the dizzying lights of creation. Immediately afterward, the Universe has torn apart and lost among those around it, establishing itself in units of millions of years of light compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, from the prytaneion, igniting with the flames of the Kardiá on fire and the passion of consanguineous love, "Prytaneum", the omphalos stone, marking the navel of the world with the boast of wandering towards the island of Delos, in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils on her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only maybe there are some similar ones staying in the cold fire of her menopause, losing fertility afterward. that his father swallowed it, and then it was expelled from himself, regurgitated in flames of love candles in a blessed house and full of immunity, giving the Duoverse another geometric category with never contained angles, sliding vibratory between the distances that discount minutes of the Hestian space, for such a corollary by approaching its finitude, and inaugurating the sub-finite, that it will never be the source of the end of a disconcerting end of time, neither equationally consummated nor physical. "This consolidates the Duoverse into Duo-Universe, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-infinity)

t) Vernarth Omega (Ω) - Preface

before facing the Achaemenides. Being Omega and Micron in the warlike primer of their cause, within the prophetic in all necropolises of tiny omega (ω), towards an Omega that reaffirmed the good hand in Saint John the Apostle by rewriting the Apocalypse twice, coexisting the same but with the voice of Vernarth commanding the ten thousand Falangists, who made up inter-generational gaps, of camouflaged alien ancestors. For this purpose, he opened the windows with their pillars sheathed with tetrachloride of chlorine, at solid angles of Ω, in what was Virgo institutionum / Aurion-entity that interfered by projections and leaks, which converged on the strut of the omphalos of his heavenly father dealing frequently and bled his immortality, constituting from a helper being to the planes of subconscious reprogramming and perspective. With his arms raised, in each hand a raised sword to pierce the vanishing point, between the spaces that were ascribed, under the solid projection, from an observer that inhibits ad limits the biomass in all the masses of aqueous filter and lumen flow, towards the throne of the angelic guardian of Avant-guard by the stereotype and sclerosis of Zeus in his dissociated physicality, even though he is an amorphous entity with pulverized magnitudes, between Pi and Golden numbers, fading away without area or volume. Vernarth in the humanoid apocalypse was transfigured from a solid point in Hyperdisis, as a direct escape settlement to Aurion, towards a surface of conical vestige in three-dimensionality towards Andromeda, the Milky Way, and the shoulder of Betelgeuse,

Vernarth distracted the emeritus stars in the corner of his room and in the convex the points of his celestial patriarchs in the conical spheres of perenniality, leaving only solid angles in each of the two parts of space-delimited by two semi-planes that start from their common edge, under the ideal geometric concept and that it is only possible to partially represent it as duplication in parallelograms with a common side, symbolizing two half-planes, making from all distances seclusion of visions in the culmination of imagination and apparent angles, seen from any point of the Celestial Vault in invisible counterpoint.

The decalcified cells of Vernarth solfying together with Sophocles in orpheons after the victory of Salamis. Already being a tragedy in the next act of the prologue and their friendship bordering on his tragedy, he continues to exist in energetic arms to write, and Vernarth to dispute the characters from a regular prologue writing with his own blood hematology verses, which traveled meters and that they shrunk from the anti-verses scarring their declaimed intra-breath, in corals that only the wind clarifies of what precedes and happens towards the suffering, in the metrics of the Areimos chorus that were lectured anti-verses, and that they tried to ****** him from the hands to Sophocles, in immortality that refined him by abandoning him in sub-units. With masks and mythical cycles, he mixed the metaphorical facsimile of momentum and the separation of friendship with him, seeing him in an episode of his works, and instead of Vernarth's transcript sheltering him in the origins of the volatilizations of his orpheons, converted into physical waves of a dramatic-oracular order. Gods re-transformed into divination and futuristic germination, they were hidden dormant and forgotten in times of subconsciousness in the Selenite collection, felt in the Colossi signs of parliamentary, where the oracle leans on the lines of vibrational words and how they cough their " páthis "in the place where the language dissociated from the heart nucleus speaks. In misguided divination, the oracular mantic brought the cold of loneliness and the fiery heat that guesses in the laurel forests in oracular daphnomancy, Vernarth omega self-erects as a versatile column that temporalizes the threads of his organic brain, creating synaptic logos in Pashkein or the alert regret of abandoning the arm that rewrites his heroic Sophoclean and tragediographic biography, in ancients transiting in disintegrated emotionality and ****** Hellenic neurotransmission, "Two omega men or omega speedometers, carrying neurons from ankylosed and frustrated herd of pleasure, for tripartite meson form of routine grinding in Alzheimer's lost, lost in sympathetic and para-sympathetic routines, with probability of Hellenic gray matter; That is to say, of all memory that does not sin of ignorance in the ancient world, in more than nineteen hours of vehemence, the dangers will brighten when reliving nth times in the twilight of omega, Vernarth, was already narrowing on the tracontero Eurydice, to save his pains, deposed in terms that would renew anti-economies by supplying unsustainable in liquefactions and in synaptic melts, extra energetic vesicle of pure natural law of the eyebrows, of lunation that rests in the inter millennium, beating with ecstasy in the Buddhist suttas, and in the adaptation of the flesh of the hypersonic fissures of the Meltemi, and attachments that still beat over the dermis of pain. Vernarth draws his sword Xifos of phenomenal structure and he cuts on the Sutta or sermon that mimicked him at the time of the lunation, doing sabotage of redemption of the anti-verse from the court of Sophocles, as a myth-saboteur and anti-value, overvaluing the wiles of the same utilitarian tragedy, conquering in the curtain of mourning and sadness, unguarded and overcome by the stoic duel of jubilation. From here Vernarth, opens the gates of hell, eight hundred times going mad with omega value, by reiterating omeganymy, creates the numbering of the anti-verse and the suffering that does not even sleep further from the departure of a soul and a body only asleep of concave omega, overlapping in golden transfinite chests, which reorder the natural numerals with the ordinal transfinite omega, but on frictionless wheels of other omegas that break in recirculation rules on alpha, in supra omega levels such as parades, stamens, episodes, and Vernarth-omega paradigmatic exodus.

Omega I Prologue: "Once upon a time, amidst a rain of clouds full of drama, in a time that was oriented regime of the armpit of Betelgeuse and Aurion, 334 BC, it was the penultimate breeze of Tsambika, in the spiritual devotion that hovered over the unison voice in the magnanimous Zeusian chorus, as an alternate event of imprisoning past and next in an episode of the present act. The expectant was curious about the retouched makeup of the drama's superlative consonant, in a disembodied place, but with a good narrative source when it came to fruition. Here the myth is plausible, among everything mythical, more than all the super sums of expectations of the Ismo "

Parod I: "For the submissive words on the stage of the trident fire, where I have to warm my hands with ashes of eternal fire"
(Directing the scenes through the coripheum, there is the master lord who, in flames and by unequal numbers, pawned in the Aulos and piccolos, whose bare feet bordered the risk of the bellies of the Maenad damsels united in processions, between princes, powers and Dionysian dances holding on to the Pufios; in Baquian and ceremonial liturgy near Vernarth, taking a glass every seven minutes in animosity, in cages of his stuck little finger, whistling from organic pimping, next to dancers raising an arm and directing the palm towards the heaven, while the other remained down with the palm towards the earth; in this position, since he was like Vernarth buried by the tides of Patmos wandering him in times that marked the entrance from Mars to Jupiter, and from autumn to winter in fifteen times agreed with Sophocles, hanging from the penultimate to the entrance with his trembling voice desalted..., tolerating himself in his own tragedy)

This is I: "Through the right hemi-body, Vernarth intoned his laterality exposed in harsh penumbras, while Hera brandished over his existentialism clouds of oatmeal and candies in a liturgy, a homily that personified the Stasis, in the choral intermission resisting his angry hands in tragic passion and frenzy, unleashing oratory of self-blame, unraveling drama-tragic, and in each pause the emotion that was accompanied in new episodes when it was stoked "

(Vernarth says: "submitted in parts that are not its parts, my pain has blinded me, where it has embittered the conflict of ethical interest if the stars as a public cheer are anointed, sentencing the opposition of other lesser stars who cheer what that does not shine. The principle of the voice violates the normal parenthesis, which is governed by itself in the omega voice, mocking the modal in four magistrates, in martyrdoms of an ideal of the procession, each one being with his super-private toga, before me It must not be who recognizes if I will be who I am, on the seventh judgment of my surviving ethics)

Episode I: "Vernarth extrapolates the values of his judgment, which override the first, the coryphaeus directs his promenade from the countryside on his Horse Alikantus"

(Vernarth says: "I have instantiated the steps that my chestnut crossed with you in the future if I am to sing with a sorrowful voice, no choir will be able to follow me when you are gone. However, I have to define what personifies who, more than a thousand miles away, carries with him the lamp that opens the light of your roguish contemplation... "
Alikantus wailing says: "From the luster of your heartbeat, I obfuscated the jailer from your ribs, for the preference of the one who takes you even further in tempestuous pro-hedonistic prose "

Exodus I: "Sometimes the endings smell like fields of lavender, where the call of the almighty is heard, to take him over his loaded plantations, which are emerging from the dialogues in the afternoon with its twilight, as well as stanzas that smell of lavender anointing, separated in syllables and tonic that flex my charm, not to say that I was anointed with Lavender when I was prepubescent "

(In fifteen times, in syllables and rakes, the sentences of its paragraphs are sterilized, leaving the audience speechless, without a gesture or word that emanates from a sacred paradise, rather from the Stasis that never purged the omission of the syllable that is not of proscenium nor trident, but it is umlauts on Omega, between syllables of fire that burn from its proscenium)

With few and precise changes of consciousness, Vernarth approaches his Omega Point, as the end of his self is identical to his consciousness. He was leaving Tsambika and Kímolos, diligent towards Theoskepatis, warning Etréstles for defiance goods in the aftermath of the Eschaton. His spiritual cerebellum faded identically when he wandered through the distances of the entities that competed and are prominent, transforming his Hetairoi reliquary, here his tendentious impulse begins and dehumanizes him by becoming a Celestial entity, but with Noosphere endowment. The tendencies are established hyper-connected, with him Tsambika, Theoskepatis, and Patmos were triangulated for consummations and finality from the rudiment of Universal deity, reprogramming the end of restricted humanity to a mere boundary of dogmatic morality declared existential.

Within the Omega points, his unfolding acted as a disembodied statue and redemption of similarity and humanity, leading him to a self-conspiracy, by abandoning himself to his own equal, for the duration of the final sulfurous sublimation of the Cinnabar's margin of abstraction, after joining in all the quantum, physical and biological lines, making the Duoverse an inter chamber of the prior Master in a process of change, to sensitize his image of physical-chemical Man, but of God in his rigid powers. Cataloged as hommo sapiens who expresses himself in fallen beings under the arms of his sword in a limpid target, rather than in his own pointed tongue, and steely towards the point of unification in the hyper-dimensional of good achieve spatiality and volume, only contacted by his devoid of a Xifos hand. Consciousness rarely loomed in its compendium in nth bytes and data, much more than those recirculated in astrobiological quantum, creating blind exclusive and patrimonial universes, on the basis of nth bytes, which kept reorganizing itself in the personality of the unknown, fewer than four bridges of consciousness united in their own gregarious universe. The transcendence of the basic data of consciousness will lie in the Maenads, and their deliberate acre magic, extending through the limbs of the Nymphs, to re-possess it and take them to the confines of mystical paranoia, perhaps towards the embodied Vestal Virgins, purging their paths that they notice a variant of licentious departure in the stanzas when seeking final swings, which are not for the sake of shedding everything before the Universe rescinds its intellectual limitations, contracted in an orgiastic Imaginary Universe, and the precariousness of the concept transporting us to the origins of the species and its behavioral rapture of loss of sensation, and reason, for this reason, Vernarth takes them with him for his ******* and alienated perceiving of inherent reality and its opposite sunset. The ministry of the sacramental mystery is the consciousness of the Dionysian being in gestation, wanting to be the paroxysm of its equivalent, in an eternal Omega effect, for the purposes of omeganymy of conscious chaos, being the same portion of omega ad limit of its secondary reluctant personality of being, to found the hermit solitude on his revived empty ego, residing in his being by bilocating with two idiosyncrasies for a Venarthian Thiasoi, succumbing to weightlessness over all the Maenads and the intoxication of community in its opacity,

The madness was a transcript of reasons lost by the Vernarthian Omeganymy, sometimes the disproportionate of his steps by more than what should be generated was objected to in the circles of the Tsambika monastery. The unification of blood was confused by the viscous wine of the mysterious foliage of the Diospyros tree that led them through the enigmatic unaware, in primary practices that tore apart some somatized ones of the order of a third body, which still transmitted the last organic matter, refusing to spread at the omeganimic points. The consciousness of replicated beings of themselves challenged themselves towards the perfect copy of their transcendent alter ego, in an understanding of the present-future elucidating for whom or those who demystify the visions of an arbitrary creation, allied to the evolutionary myth-truth, in the face of any real and human maturity gap, the conclave of the near pious Christ, bequeathed in us and in the venerated hominization, at his sole and directional will. Now we are all in the aqueducts of Christian Science, for specimens of eternal categorization and frontally in view of a God-Mashiach, as ordinal inclusion and in greater ecumenical diversity, with variables of independence range, for staggering motor skills, retaining the attention of all the powers of the Christian world at an Omega point that seemed to be Alpha. The sense of the Duoverse in Vernarth Omega makes us rethink the central phenomenon of thought and frustrations, by the socialization of distant species from prudent dogmatic ostracism, towards refractory empathic and ultra-rational reasoning.

The supra intelligence has to become in them and those, the pre-existing point of duality, to reunify them in Patmos, as the only spirited meaning, and biomass evolving on the super-dimensioned materiality, in a greater radius where it will have to be delivered to whoever speaks with words. of living energy, and not complex towards all processes of emancipatory concord of personal authorship, on levels of relative lust in the absolution of medium integrity, and towards an elemental unitary totality of animal instinct guarded by the instinct of Being, that from its similar awakened rebirth of the sleeping mass matter, and in the animal purifying multiplicity. The man stands in his memorandum bend, like a haughty memorial, evolving in the cosmic expiration of the molecular transverse, admitting us in its vestige of complex extinction, but not in human slip, nor in acid and self-instituting scenery, on the real creation of its DNA, which reverts from the formality of helical reiterative rings, by heights of whoever oscillates in their coupled pairings, and their silent probable associations, in the nature of real origin and their structural perfection. The acceptability scenarios derive from the feasible concretion, and the approval of their tendencies and mobilizations of the structure of life, and codes greater than those that limit them to reside, to more than one body, residing from an incorporeal body, capable of its quantitative life and the extension of existence, super existing in the heights of the helical rings, which may vary more than they are, and which could be, without being seen under a scientific gaze. "Becoming a mechanics of maturation and prayer, which the energy from the material world to the spiritual, as a moving particle of inert matter in parasitized free radicals, which are re-energized by the mystery of the helical trans-threshold of the Aramaic mystery of the Olives Bern. "Vernarth disintegrates in omeganymy in laxity towards Aurion, descending pro-tenebrosity towards the profanity of Patmos, engulfed by Love in a dark summer, brushing the silos of DNA in the will of the automated world"
DUOVERSE
at a certain juncture
in a female's life
the menopause makes
a deal of strife

those of us who are
in our middle years
have days when we
perspire and shed the odd tear

ladies have not the best of it
at this particular time
the hormone levels dive
and are in steep decline

ladies schedule a visit
to your family GP
and obtain a prescription
for some hormone therapy

the turn around in your well being
will be a welcome sight
as you kiss the menopause blues
a fond goodnight
Correctly he is John the Baptizer,
His birth was delayed up to late,
Late post menopausal age of his mother,
Elisabeth the wife of Zachariah the priest,
At the temple of the Jews in Palestine
During the regal time of Rome
As a world empire and a role model of tyranny,

Imagine conceiving after menopause,
During the nonagenarian ages
Of all the ages, in the nineties?
But she conceived John,
Was it true or mere sensationalism?
Or mere nerve chilling art style?
To hold the world audience a hostage?
I don’t know but  John was born
After his mother’s menopause,

He contrasts with Jesus
Born by a ****** Mary,
Imagine a Jewish ******
Without ****** *******
Became pregnant,
And gave birth to Jesus,
When Mary was pregnant
She socially visited Elisabeth
John’s fetus somersaulted,
Like a Chinese acrobat
Inside his mother’s tummy,
It was his baptism before birth,
But may be pregnancy of a ******
Has more strength than pregnancy
Of a post menopause octogenarian,

Hence the famous ode by Catholics;
In the name of Hail Mary
The mother of God
Most blessed above all women,

These post menopause pregnance
And ******‘s pregnancy without ***
Contrasts with Adam’s creation from clay
And Eve’s creation from Adam’s left rib,
Another super-sensational literature,
Or pataphorical art; Magical surrealism?

Let me not go dumb or mute
Like Zachariah when he believed not,
But no, I already believed ergo, my vocality,

Now why did John refuse to put on clothes?
Only to put on a skin of a goat,
Or was it a monkey Clobus,
The one which we in Africa
We are forced to ****
Before your father permits you
To face the circumcision knife,
John again refused to eat cooked foods,
He survived on raw honey and locusts,
Nuts, roots and raw fruits, dietician?

Or it was self denial or self immolation?
Like the one often displayed
by the Islamic statesmen aka terrorists
When committing suicide bombing?
No it began with the Japanese Kamikaze,
In preparation to bomb Pearl Habour,
I don’t know at all at all,

Now what of the howling in the wilderness,
Calling for people to baptism in water
At the riverbanks of polluted Jordan
And when he saw the Negroes
Among those who came for baptism
He called them the viper’s generation
Or were they Libyan Arabs?
And Jesus came, John went inferior,
He declined to baptize Jesus,
But Jesus pleaded for the service,
Then the dove opened the heaven
And came down to anoint Jesus,
Which heaven was opened?
Was the sky or the heaven?
This must be the writer’s Gnostics
Used to calling the sky as the heaven
Why the dove and why the heaven?

Then john again began doubting
Very genuine doubt I m telling you,
You see john began spying on privacy of the king
Was he also a night runner? Maybe,
He spied on Herodias the mother of Salome
She was a chic for the king; Herod Antipas,
This stuff threw John into  a calaboose,
Then John began day dreaming
Like any other prisoner
For his freedom and bush foods
He really missed honey and locusts
And also the fruits; Quavas and mustaberries,

He thought Jesus would come running,
Panting like a cheetah to pull him out,
Out of colonial prison, Jesus never came
Hence Johns doubts;
If Jesus is the Messiah really,
Can’t he come to redeem me?
From these colonial prison Herod,
Look; we are all Jews
In fact blood related Jews
And it is a year he has never come,
To pay me a visit when am in prison
Is he the Messiah really?
Or we still have to wait for a true messiah?

But Jesus was a rude messiah
Or Jesus was jealousy? Envious?
Of John’s spiritual competence,
I think he was wrong, totally wrong
He should have saved john the Baptizer
From the Roman colonial prison,
For there is no need nor spiritual logic
For Jesus to heal the lepers, and the blind
To resurrect Jairus’s daughter
And command the devils out of a madman,
But he could rescue his cousin brother
From a colonial prison, was it detention?
Remember Mary and Elisabeth were sisters,

John was a victim of circumstance
Like those who now languish in torture,
Torture chambers of the quatanamo bay prison,
Detained and tortured inhumanly
Without hope of trial nor justice
For no other reason but faith and race,
John was a harbinger of Sadam Hussein,
Osama Bin Laden, Mummar Gaddafi,
Nelson Mandella, Luther King, Dedan Kimathi,
Elijah Masinde, Arap Manyei and Mugo wa Gatheru,
They fought tyranny with firmness
They underwent torture for the sake of humanity,
They suffered for no reason but folly that goes with tyranny.

And finally, Salome the poet,
Living by performing the spoken word,
And Proceeds of her mother’s adultery
And vampirizing on the blood of the righteous
She came and danced in artful wickedness
by gyrating her ***** satanically
In the usual wicked style of a *****’s daughter
Sending the male audience nerveless with ego
Only for to suggest her prize;
As John’s head on the platter,
John was grisly mattered in the cells
Then his head was delivered on a platter
To Salome the poet the daughter of Herodias,
It all happened when Jesus was aware
Amid the full wind of his wonders
On the crest of his fame as the messiah
Isn’t saving the prisoner good as resurrecting
Young damsels and healing the lepers’?

But anyway, it is stark culture of Europe
To chop off the heads
Of those who oppose their tyranny,
It is not only John the Baptist that have suffered,
Suffered like this in the hands of Europeans tyranny,
The list of such-like victims is endless;
Mugo wa Gatheru was buried alive in Kenya
He was ordered at a gun point
By the British colonial police,
To dig his own grave using a mattock
Then the British clobbered and buried him a live,
On this brutal burial of Mugo wa Gatheru,
The Queen of England promoted these policemen
That buried Mugo wa Gatheru,
Kotalel Arap Samoia of the Nandi Militia in Kenya
Was shot twice in the head by the British spy;
The spy chopped off Koitalel’s head
He took it to the queen in heroic dint
And the queen glorified the spy,
Anglo-American power chopped of sadam’s head
Anglo-American power killed Mummar Gaddafi,
Anglo-American power Killed Osama bin Laden
They perpetrated all these without trial,
I am tired of all these………………
Mateuš Conrad Jun 2017
believe me, you grow out of it
(*******),
   you reach the natural conclusion
as women do,
    experiencing menopause,
your's the least actrattive cunterpart,
no choice...
          you just grow out of it...
you just get bored
                       you just grow out of it...
it literally become a case of
   huh?
     yep, it becomes a hmm equation...
and if you're not married,
  5p.m. feels like 9a.m.,
                         the **** is going on?
fyck, uleterior motive for spelling
   thick...
           so what the fyck's going on?
pop culture... fuckle me...
                   send some more sleeping
pills my way,
    so i can pretend to be in a
heavyweight boxing match
         fighting both klitschkos
   at the same time, in street fighter mode
of pretending to be blanka /
            zangief / vega?
    i'd **** over him
               any-day-of-the-week,
such **** ******* /
     dhalsim - mr. stretch-armstrong /
                           mr. fantastic...
tekken never conjures up
an equation
      that music does
   i.e. the beatles (street fighter)
vs. the rolling stones (mortal kombat)...
tekken never really made it
         for "equality" status:
                        equal status, i get it;
nonetheless, men tend to grow
out of the practice of *******,
  just like women
   are automated to experience
menopause...
                       you just get bored
of the hand as ****...
                       d'uh dummy dum dum
+ a mongolian harmonica
    (index moving up & down
with the lips perforking
          the motorboat effect,
encapsulated within the brrrrrrrrr;
sure, the missing trill of the r in english...
    and there are no diacritic indicators
that the letter ought to be the sole-source
of vibration...
           hence no roll with the umlaut ä -
   sounds like chinese wow wow wow yo
  boat...
             yoyo that ****?
      count that as two:
          hämmer, i.e. haamer...
          i.e. hāmmer...
              or ha'mmer... so what's with
the trigonometry of the m?
  how many more times do you have
to wave a goodbye?      
                  but the scandi- version?
middle-class english,
   i love their slang,
        they slang a longer word into
a shorter word,
   but never bother to adffix a hyphen
for invigorative measures...
    it always seems to be: oxford approved;
if americans are yanks...
                   the british? wanks;
jiggy-jiggy-mah-jig.
         totality bound by sources found
    in either peckham or hackney;
oh right, the roll...
  an aangstroom, i.e.  ångström...
                    linguistic ballistics...
        **** gets funnier when writing fiction,
the irish and the slav prefer the hyphen
of differentiation in a convo, i.e.
  - and so
- so what?
the post-germanic tribes of anglo saxons and
americans?
    they prefer the inverted commas
and the he said...
                          e.g. "i was saying," he said.
yes, i know that's a fictional character
"speaking",
     but you could at least count,
   toward expressing the correct arithmetic,
i.e. 'i was saying,' he said;
                            yes,
i know no one was saying anything,
             you were thinking someone
was saying something you "said"...
          so why was it never the irony of "citing"
with only two index fingers,
   as opposed to
         two index and two middle fingers?
i swear to god, that's not how
you quote...
                    if you're ever going to quote;
it can only mean
   a beginning of ambiguity,
   by invoking "     ", you're making war
on the thesaurus.
Nigel Morgan Apr 2013
after the painting by Mary Fedden

I kept seeing her around and about, but mostly on the beach. This is a small community and after five years or so I know who everyone is, except those who visit in the summer, though I am getting to know some of the regulars. I reckon she’s my age. When she looks at me in the store, and I look at her and smile, her smile tells me these things.

I have trouble with my hair. It’s thinned and doesn’t grow quite as it should. When I was pregnant and then nursing my children it was positively luxuriant. But later, and despite medical advice (and treatment I was unsure about and abandoned) it became an embarrassment, until he reassured me (just once) and I became an ‘adored woman’. He never ever spoke of it again and loved me so wholly and beautifully I had no reason for it to matter in his company, in his arms.

But seeing her, and often on the beach, more and more regularly, seeing her with her mane of strong dark brown hair flowing behind her in the wind, I felt a curious desire for such a wealth of hair. In fact, I began to feel something stir in me that was desire of a different kind. I can’t think I had ever looked at a woman in quite that way in any previous life. It was always men I sought, I wanted.

Her name is Sara, no h, just an A at the end. She said that when I eventually introduced myself. We were walking towards each other, barefoot both on that glistening skin of water the sea creates between the tides coming and going. It was about midday and I was, I was thinking and walking. I do this now. I don’t bring my sketchbook, I don’t look everywhere I can and more so, I have begun to retreat into my most private self. Perhaps it’s my age and so many years of feeling I had to be wholly attentive and active. Being in this remote place, almost permanently, has slowed me down, and I have begun to dream, to see beyond what I usually would have seen moment to moment. I’ve been re-reading the prose and poetry of Kathleen Raine, who understood this sea-swept place and was haunted by its ghosts, and who dreamed.

Never, never, again
This moment, never
These slow ripples
Across smooth water,
Never again these
Clouds white and grey
In sky crystalline
Blue as the tern’s cry
Shrill in the light air
Salt from the ocean,
Sweet from flowers

Oh yes,  
‘the sun that rose this morning from the sea will never return . . .’* I have become a watcher, no longer an observer. I put my camera away last winter and now hold moments in my memory. Here I can sketch. I can have all the time I need, and more. And I knew when I began to talk to Sara I wanted beyond anything else to sketch her, to know her line by line with the pen, and later bring the texture of her into paint.

Painting is where I am now. It’s direct, mesmeric, challenging, wholly absorbing. My needles and thread only deal with our clothes, my clever printing and collaging lies dormant in my studio, a studio I rarely enter now. I have a room upstairs in the loft that is all light and sky. There’s just an easel, a table, a chair, a small bookcase, a trolley-thing of paints and brushes. Even that’s too much. I always collected things around me. I brought so much in from outside and now I’m trying, trying to have as little as possible. This is where I will paint Sara. I’m already thinking this as we take the first tentative steps towards knowing one another. Names, where we live, (we both know). Partners, family, children? I have all this, but not here, only my companion, my love who caresses me with such care and attention. There are my cats and my hens. She has no one, or rather she talks of no one. She asks the questions and avoids giving answers. She just nods and doesn’t answer. Otherwise, she’s a straight yes / no person. She doesn’t feel she has to qualify anything.

We’re standing together. We’re intent on looking at each other. Words seem a little unnecessary because what we both want to do is look. ‘I can tell you paint’, she says, ‘It’s your finger nails’. My perfect nails and the pads of my fingers hold the evidence of a morning at my easel. ‘I have seen your work’, she says, ‘One could hardly not. You’re well known beyond these shores.’ I feel myself blushing slightly. I thought blushing had stopped with the menopause, not that it troubled me much, the menopause that is. Blushing though was a torturous part of my adolescence, but let’s not go into that.

‘Your husband,’ she says, ‘he’s up very early. I see him sometimes here, on the beach.’
‘Do you get up at five?’ I am surprised. My husband gets up before five.
‘Sleep is difficult sometimes. I walk a lot. I need to be out, and walk.’

Her face, her head is larger than mine. She is a larger woman altogether, bigger *****, long-legged, but with youthful ******* that seem taut and well-rounded under her brown frock, no, her brown dress. I only think frock because that’s what he says – ‘I love that frock.’ And he means usually whatever I am wearing now that’s old and rich in memories of his hands knowing me through a dress, sorry a frock, which remains for me (and possibly for him) the most sensuous of sensations, still. Au nature has its place, and I love the rub of his skin and body hair. But when we are lovers, and we are still lovers and usually when travelling, in hotel rooms or borrowed cottages, or visiting friends and dare I say it, staying with our various children. Last autumn in Venice, in this large, amazing marble-tiled room, with this huge bed, he undressed me in front of a window opening onto our own terrace, and I was beside myself with passion, desire, oh all those wonderful things. And for months afterwards I would return to that early evening, remembering the lights coming on all over the watered city as he kissed and stroked and brushed my body through my Gudrun Sjödén frock. I would replay, find again over and over, those exquisite moments of such joyful touching as he then undressed me, and with such care and tenderness I felt myself crying out. Well, he says I did. In one of his poems (for your eyes only, he had whispered) he admits to his own celebration of those moments again, again.

Sara’s dress is calf-length. There’s nothing else. As the breeze wraps itself around the loose-fitting brown cotton her naked figure is revealed inside itself. No ring, no jewellery, nothing to hold her hair now flowing behind her. She has positioned herself so it does; flow out behind her. This is so strange. Am I dreaming this? We have become silent and together look in silence at the sea. I can hear her short breathes. She turns to me with a smile and looks straight into my eyes – and says nothing – and then walks backward a few steps – still with her warm smile – turns and walks away.

I tell him I met Sara today and ask if he sees her on the beach in the early mornings. Yes, he has, in the distance, mostly. He has said good morning to her on a few occasions, but she has smiled and said nothing. Five o’clock is far too early to say anything, he says. She swims occasionally. I keep my distance, he says with a grin.

I tell him I would like to paint her. I should, he says, You should go and ask her, do it, get it done and out of your system. It’s time you stopped being afraid of the face, the portrait, the figurative. I’d give so much to have been able to paint you, he says ruefully, my darling, my dearest. And he strokes my arm, kisses my cheek, then, he slowly and carefully kneels down beside my chair, places his arm across the top of my thighs so when I bend to kiss him his bare forearm touches the edge of my *******. He puts his head in my lap, and I caress his ears, his quite white hair.

Sara’s door is open. She’s living in Ralph’s cottage, a summer-let habitable (just) in the nearly autumn time it is. I call, ‘Sara, it’s me’, thinking she’ll recognize my voice, not wishing to say my name. She appears at the door. ‘I have the kettle on, she says, ‘I had a feeling you might be by.’ Her accent is, like mine, un-regional, carefully articulated, a Welsh tinge perhaps. There’s an uplift and a slowness in some of the vowels. ‘You will come in’, she says, more a statement than a question. It’s rather dark inside. There’s a reading lamp on, but she has the chair, her chair, close by the window. There are letters being written. There are books. Not Ralph’s, but what she has brought with her. Normally, I would be hopelessly inquisitive, but I can’t stop myself looking at her, wondering even now, in these first few moments in this dark room, how I will position her to paint her form, her face, her nature. What will I paint? I look at her still-bare feet, her large hands.

And so, with mugs of tea, Indian tea I don’t drink, but here, as her guest I do, but without milk, we sit, I on the only other chair (from the kitchen) she on the floor. And she watches me look about, and look at her.

‘I’m rather done with talking, with polite conversation. That’s why I’m here to be done with all that for a while.’
‘I came to ask you to sit for me. To let me draw you, paint you even. You can be completely quiet. I won’t say a word. I’ve never, ever asked anyone to sit for me. I’m not that sort of painter. But when I saw you on the beach it was the first thing that came into my head.’
‘I should be flattered. Though I have sat for artists before, when I was a little younger,’ surprisingly she mentions two names I know, both women. ‘I know how to be still. But, those are days in a different life.’
‘I only want to paint you in the life you have now.’ And I realise then that what I want to paint was Sara’s ‘aloneness’. I think then I have never been truly alone since he came into my life and took any loneliness I had from me. Whenever we are apart, and still there are times, he writes to me the tenderest letters, the most touching poems, he quotes his Chinese favourites down the telephone. We always, always speak to each other before bed, even when we are on different continents and time-zones. He told me I was always his last thought before sleep. And I wonder if I would be his last thought . . .

‘Do you want to do this formally?, said Sara.
‘I don’t know. Yet. I’d like to draw you first, be with you for a little while, perhaps to walk. A little while at a time. Whatever might suit you.’
‘Would you pay me? I have little money. It would be useful.’
‘Of course’, I say this directly, having no idea about what one pays a model. He will know though. He knew Paula Rego and didn’t she have a female model? I think of those large full-length figures rendered in pastels. Her model’s name was Lila, who for more than 25 years, had sat for her, stood for her, crouched for her, hour after hour and day after day. I remember a newspaper piece that went something like this: since 1985 Lila has helped to give life, in paint, and pastel, and charcoal, to the characters in Paula Rego's head. Lila was all Paula Rego’s women.

‘Sara’, I said, ‘help me please. It’s taken more than a little courage to come to see you, to ask you. My husband says I should do this, finally get myself painting the person, the face, body, not as some exercise in a life class, but the real thing.’
‘Of course’, she says, ‘Let’s go and walk to the point.’

And we did. Not saying very much at all, but I suppose I did. She made me talk and gradually I laid my life out in front of her, and not the life she would have found in those glossy monographs and catalogue introductions, and God forbid, not in those media features and interviews that I suppose have made me a name I’d always dreamed of becoming, and now could do without.

‘I suppose you have a studio’, she said suddenly, ‘Is that where you’d want me to come?’
‘Yes, I have a studio. No, I don’t think I want you to come there. Not at first anyway.’ I was floundering. ‘ I’d like to draw you, paint you possibly on the beach, where we met, so there would be sea and sky and breeze blowing your hair.’
‘And a steamer out on the horizon belching smoke from its funnel and the sea blowing white horses and dancing about. I’d be right by the seastrand with waves and spray and foam, and under a greyish sky. Not a sunny day. A breezy day. In my brown dress, sitting on the sand by the tide marks, looking out to sea, looking at the steamer away in the distance, sitting with my left hand behind me holding myself up, and the shape of my legs akimbo bent slightly under my brown dress. How would that be?’
‘Perfect’, I said.

And it was.
lagoli Sep 2016
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<”Its your choice to have or not have the happiness in your life”>
The rejuvenated year has finally shed
It’s twinkling leaf on my greenness,
Oh yes, my years have tasted the darkest
Side of the seasonal stainless moon,
Causing juvenile mango trees to bath
The malleable aurora dews,

This is my wind howling fiercely in the dark
And sobbing streams of tattoo tears,
My dreams have even caused my essence
To conjure the wordless spells of the ancestress,
Lest the dreary thunderstorm of thirst
Swims over my horrendous firmament,

Give a voice to the air!
For there is not a breath of air stirring
At my munitions of peace,
I can even feel the dry pulse
And the heartbeat of the naked Gods
Piercing the calm natural day,

Oh no, the Sun-Gods has drunk the
Stream behind my coloured walls,
Causing the stretch marks on the
Back of Mother Earth to bleach,
You dare ask Tweaduampon Kwame
To weep on your scorching pepper,
For the friendship of the pregnant clouds
Was indeed for the raining season only.


© PRINCE NANA ANIN-AGYEI
Email: nanaspeaks@gmail.com
kg Feb 2013
why do people act the way they do
honestly i can't understand it
but then again i don't even know why i do the things i do
i think i'm thoughtful when i'm alone with pen and paper
and i think i'm artistic when i put paint on a canvas
spending all of my time and money into trying to become myself
when i thought i already was

why does she get angry at me
i don't get it, what have i done wrong
probably a lot of things
i did tell her i hate her when i was twelve,
even though i wrote her a letter and drew her a picture
and apologized every day for the rest of my life
i guess i'll never know why she yells at me

and why does he not like me
i thought he was supposed to since he fathered me
but i guess if one isn't around enough
a bond is never created
maybe that's why i wasn't worth anything,
and he didn't mind pushing me out of the house to make room
for the new woman in his life
i suppose i'll always come last on his list of priorities but i don't mind
but i do wish i had a father

and why weren't he and i born closer
instead of being five years apart
maybe we would have been best friends and
helped each other with homework and relationship problems
i could have seen the warning signs
and he could have seen the ones for me, and maybe
then our hearts wouldn't have so much wear - and - tear
Mateuš Conrad Apr 2018
/welcome to your worst nightmare: re'a(h)'lī'tý...

at least with prostitutes a man
doesn't have to worry
about a ******* dysfunction,
or a ****** short-cut
to please: she in the mood...
harder to mould a mountain
that to see a monsoon rainfall
of genital yoghurt goo ooze
to ease...
                what's with ****
and the evolutionary stagnation
in women?
if i reading into a ****** *****
forget a hard-on...
    ******* a dry ****,
a premature menopause oddity
on a date with dinner and a movie?
at least prostitutes have
the courtesy to slap on
some skin cream on the genitals
to show mutual respect for:
well, maybe you'll fake it
and maybe i'll fake it too...
    but at least we understand lubra'...
if women evolved to
     encompass a dry **** defence
reaction...
yep, shove my **** into
broken glass, and call it
the circumcision norm,
   because that's what premature
menopause genitals of a woman
feels like...
and I don't exactly think that
   all rapists are masochists...
then again she was an Africaan...
****** ******* comes over?
a soggy digestive...
               once was enough,
**** even attempting a dark alley
genital roller coaster gamble...
   if only there came an evolutionary
chapter in not producing vaginal
lubrication in those scenarios...
shoving your **** into sand
or broken glass...
                as pleasurable as:
came the numbers, but no sheep,
when trying to simulate
cognitive dissonance,
       the perfect distraction prior to falling
asleep.
TERRY REEVES Apr 2016
I have everything - what do you have?
a loving wife, possessions - how about obsessions?
wishing for a younger woman, unlimited ***
conversational recognition to give you ignition

Put them aside - you had so many opportunities
they're gone - now grow up where you belong
you have dark moods, impatient, wished you were elsewhere
It's not the amswer - the answer is right before you

Transparent as the air that blows and caresses
your shoulders - only you have to take it under your wing
before the time is gone - even then you will be
holding hands walking together with your old smiles

You could start again - but it's best the way it was
there are no reasons - great love is simply because
Zigzag Universe says: "I am the space of Devananda" Way of God "and meditation. We know how a great inherited noun “de meditatio” has reflected on the ideas that are reconciled. My numen comes from the Greek Peltast mercenaries, creating survival in the contemplation of standing on those who are not in the fords of the breath of blood. We focus the mind so that the sheep that graze in the meadows fall upon us when we reconcile ourselves to somehow standing, waiting for them lectured here in Archangelos and in placebos of the bread-making gifts of the grasses. Obviously, stability allows us to get colossally on our feet and meditate where we have to sow hopes of meditation and work them with the pleasure of experience, which transports us on spirituality on the lips that are pronounced by the horses that graze, filling their bellies with the idiomatic hopes that transport us to the intellect and the conclusive horse. On the other hand, in contemplation there is more spiritual than intellectual character since it carries an experience and not a conclusion. Philo of Alexandria; Philo Judaeus, being a Hellenized Jew, is our mentor and philosopher star, born in the year 20 BC. He is contemporary to the era of our Mashiach, maker of everything and the neo-universe of Vernarth "Duoverso". The new universe of Vernarth being apologetic, Jewish and also Hellenistic therefore makes of our creator and all the theological creative thinking of all his creation. Divine providence and grace are and will be your superiors to have universal kinship with the Zig Zag Universe that migrated to Duoverso Zig Zag, for the providence of divine powers, who are in this range mercifully allowing and forbidding the splendid power of the royalty of Christian meditation manifested. Those of us who bear his goodness transformed into passion, we are the ones who create his theocratic rise, doing sovereign service, courage, joy and caution of human ethical satisfaction. We surround ourselves with our philosopher Philo for the diaspora, for the benefit and virtuosity of laws that emanate from the One-dimensional Beams of Kafersuseh in Ein Karem. The stoicism of democracies weakens the ungovernable powers of self-wisdom, they decay before those who ignore who they are and will be, under the symbolization of the supposed Jewish leadership of offering their children to the sacrificial altar ambivalently. The warmth of the afternoons in Tsambika increases the macro radius of our zigzag, binding the biblical pages with Platonic Greek philosophy and anti-material stoicism, with goods re-delegated to the natural good where it comes from. Our writings are the inspiration of the demiurge of the embodiment of a bakery recipe in the idea of the lowing of Zeus's stomach, with the solid dissatisfied discourse of not creating more bakery hectares for Stoics and demiurges. Although the thought of Philo permeated the fathers of the ecclesiastical epic, as in its origins in Alexandria, they will be Ambrose of Milan and Augustine of Hippo, with weak influence on the Jewish tradition, particularly in the rabbinic tradition that was born in one or two centuries after his death. Part of this is due to his use of the Septuagint (the Bible translated into Greek) instead of the Hebrew Bible and his allegorical interpretation of the Torah. His work also gives references to religious movements that have disappeared today, such as the Alexandrian therapists. Zig Zag was and will be moved away between time and space, in a world adjusted to the senses that are propelled within the contextual totality, the world and the biosphere framed in the phenomena of the Zigzag Universe, being born on a stellar night when it touched our life the earth, being able to see how the cordial matters of the cosmos caressed its cosmology, making of it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the bing bang, emerging from the other side of the car, observing us and seeing ourselves in the Horcondising face anti-material. We are science that models the energy and matter system in causes of the ancestors, with whom their life and ours sneakily crashed. Gravity made us great paternity in Vernarth, being in the Dodecanese, being a cosmos in the curvature that makes us screen with the moon in its romantic astrophysical swings and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the oaks of the Horcondising of Vernarth and also the time-space that has not been troubled by the origin or the inflammation of the stars that move irregularly in zigzag , for the fractality of its component, which is clearly Aramaic blue light, in circuits of cumulus movements skimming the air, attracting the attention of the entire order of the sleeping universe and making the duplication of the universe itself appear before them; in Duoverso  that is the universe awakened and young of thanks "

Duoverso says: “My distribution of nearby galaxies are keys to the paleo universe already arranged in macrowaves, which are the percentage of the spaces of the Trisolate energy fields, which interact with the Mashiach phylogeny in Gethsemane, now lying in a stagnant decomposed future, in a specific frozen present. My final station is to place the Zigzag Universe on the re-expanding medieval chrestomathy, in qualities of Sub Mythology, already settling here in Archangelos. The implosion of my gravity has created worlds of visibility of great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light-years, like an irregularity that resembles the measurements of everything quantifiable, being science or not, acquiring from the hexagonality, the primogeniture of the passage that from Jerusalem goes to Bethlehem, where the Davidian prism, in whose Original is attributed a fractal of the two-dimensional shape of a line of the Mediterranean fractal coast, resembling the gems of the crown of King David to that of the Messiah, seeming to be similes, but of irregular geometric formats. To build gems in landscape spines, basically subdividing themselves into equal conical funnels and then being randomly displaced towards their central point shared with King David's crown, recursively repeating it in each square until the desired level of detail is reached, in the curve that joins the landscape to Bethlehem and then to the Church of the shepherds in its fractured hexagonal base, simulating to be snow falling on the top of the roofs, wherein the Kafersuseh manger, the Mashiach was born and died in the abstraction of the Beams One-dimensional in foreign eyes, eroding those who are mortals and do not see you with divine eyes in self-likeness of our hysteria of the failed plan to increase the size in the unknown geometry of this new dimension in the implosive movement of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailed in their nature and in natural infinity. Here the new privileged world for self-similarity in the mental and cosmogonic functions of Vertnarth was envisioned, at intervals in each space of gloomy clouds, bringing accelerated bombs of messaging from Gethsemane among mutated olive trees towards other humans. My correlation is an infinite fractal with the reversible observable time and with the pattern belonging to mobile echoes of a space, which is occupied by Vernarth as multi-study and integers between fractional integers”

Hyperdisis: “Finite is the curvature, between the time that walks between the jungle of the Duo Universe as an alternative of energy Zigzag and Duoverse, which triggers our observable world what a great eye is, which ignores and knows extreme distant and focal parts of the One-dimensional Beams of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had before coming to the Holy Land, provided by my form of Hyperdisis escorting him. I go in arduous colors in gradient for its limits of positions of verbality, and solutions of physical fields, interwoven by an external gravitational means. The macrowaves are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in the fears of reaction and recreation of multiform plasma saviors of Christian cosmic. Examining the double of the macrowaves and the equation of them on the axial of the universe turned into Duoverse, already in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography of hyperdiction, is the correction of the error of the current universe, losing itself, in the second thousandths of figures that separate us from the Universe, but all being more than time ... !, we are left at the expense of the wick of all electro-matter "

The sub-mythology having already been constituted, Hestia appears, having taken a great nap. When she appeared before Vernarth in Tsambika, she was seen changing in size, when she was six meters away she looked dwarf and when she was two meters from him she looked monumentally giant, but with a versatile countenance, therefore she was already appreciated in the last steps, with the domestic figure of a Goddess who emanated light-years from the chimneys of her habitable galaxies. The critical immanence that would happen would be the perfectible plan for the Zig Zag Universe and the Hyperdisis, bringing torn words for those who were approaching the main altar of Vas Auric, which was in a great proscenium ratio in the vicinity of Tsambika, between the Mind / Meditation for a constant mechanism of Wisdom / Meditant, according to the cosmological constant, leading perhaps to the beginning of a decade and third universe called Triverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated and of temperature that acted on the average of the normal range, therefore it was imminent to mutate it to the provisional Christian Duoverse, which goes backward advancing between the rapid lights of creation. Immediately afterward, the Universe has torn apart and lost among those around it, establishing itself in units millions of years of lightly compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, in its Prytaneion, igniting with the flames of the heart of fire and of the passion of consanguineous love, "Prytaneum", paved by the light of the clarity of faith of the owners of the hamlets that were founded when they arrived in Tsambika, in search of Vas Auric, cheering with the omphalos stone, which marks the navel of the world with the challenge of wandering towards the island of Delos in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils on her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only perhaps there are some similar ones staying in the cold fire of her menopause, losing fertility afterward. to be swallowed by her father, and then expelled from himself, regurgitated in candle flames, of love in a blessed house full of immunity, giving the Duoverse another geometric category with angles never contained, sliding vibratory between distances that deduct minutes from Hestian space, for the purpose of approaching its finiteness, and inaugurating the sub- finite, which will never be a source of termination in a puzzling end of equationally physical unfinished time. This consolidates the Duoverse in Duouniverse, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-finite)

Saint John the Apostle says: "Not even death recognizes the dimension of the universe when it detaches itself from the capsule of the body ..., less from the Duouniverse ..., making at night what is day and what is a day at night"

Vernarth says: “I am being reborn, the variety of times between myself and myself, are you. In my new creation and Duo-universality, with rules that angle my thoughts where my muscles did not reach. Today we are plagued by invasive objects of new creation, and in particular, I feel them bustling with the wrinkling of the strings of the balalaikas that I had in Moscow, with flat thoughts and now with flat atonements that I do not know, but my courage climbs where they fear me. be poor of feared value. Rather greater fear on a larger scale and related limits where infinite dramatic areas fade away almost make me an atheist in atheism. The ribs of time, gropingly, are oversized, in the ribs of the five-fold dimension of the Duoverse that imagines my curved, over-curved world, not knowing how to reach the line that allows me to know it head-on and full, on the coast of light that If now I see the Mashiach in Gethsemane, in the Olives Bern, walking straight ahead towards me, with another starting point going back, but I being in the creation that for God the light of himself towards the stars that are reconverted into stars, in all addresses calling each other. "
Zigzag Universe
Mateuš Conrad Aug 2016
when they write about existence i just think of:
blinking out of every instance -
snapshots of life, vibrating to
a culmination of sounds
preserved in the Bermudas,
or simply the overhaul of νεως
anywhere with internet access
and twitter account...
existential arguments: each
and every insistence exaggerated
and later gagged on...
just like i think of theatre and poetry:
i think of theatre as poetry on
the menopause...
theatre is poetry on menopause,
the last remaining depth of continued life
having a chance in the Darwinian cold
of absentee hearts and economic cheese
graters with broken bows playing
out-of-tune violins...
when they write the word existence,
i can't take them seriously,
they later come up with the somehow
happy alternative of what's called life...
such sad happiness when blue in green
opens up so lazily like 5 a.m. on the
Camden High Street in winter,
when it's still Armageddon bleak black
of ghosts chasing shadows into a
revenge against the grave...
some say you never really turn 30 when you
haven't bought Miles' Trafalgar Sq.
prior, meaning you lost out on being 30 when
you turn 40, and so on and so forth
in that Zeno paradox of two steps forward,
three steps back...
yes, the Grecian augmentation of the w...
less sharpened edges...
but still a Oui oh you... then a flamingo flamenco
with the teasing all blues...
i don't know...
whenever they write existence seriously
to later want it to underpin life as such,
i take their serious offensive on creating a
membrane of cushion and powdering and repeat
their seriousness, leaving life aside to
do its method on all of us:
existence - out of every instance... based or
biased as out every instance, the pickled gherkin
perseverance, persistence (dictionary mode),
out of every instance... a slaughtered bull
for pagan sacrifice meaning: insistence;
thus ex- instant into re- instant
i.e., out of (every) instant into a repeated instant -
that which we all keep secret,
that speciality of ours we do solo to keep
the nerve, to keep the homage, like
some did toward Catalonia... but in our own
very special way... it's not such a big
foreboding word after all...
it's rather mandible when the scalpel hyphen
cuts it open... just words, such words
that allow such things to take place...
cut life open... well... you end up with strife...
and that's what it is...
but at least cutting up the word existence provides
a bed, a cushion, some covers...
perhaps because of its etymology bias...
life is hardly up there in the etymological arithmetic
times table... cut the word life open... and you
get no game of words, no play, just the end result:
strife... but i would hardly attach
too much seriousness with the word existence,
as i already said but haven't:
the Cartesian maxim is subjective... it personally
relates a man's translation of life as pleasurable
with a pleasurable experience of thought alongside it...
true to say: physical exertion didn't give him
the biblical presence of work - harder for the mind
to make a sandwich that isn't there than for
the body to make a sandwich that is there...
hence the revision of Descartes: not that he was wrong,
he fooled everyone with a subjective statement
like an artist might create a piece of work...
because aren't there people out there that
experience the joys of life, but not that of thought?
while there are also those who experience more
joy from mere thought than from life itself
that joy of probing someone into action?
there are equal numbers of each...
and so translating thought into being he revealed
to me how translating ex- into re-
we can attribute a variant (metaphysical)
interpretation of the nadir of Einstein's parabola,
since we're no longer dealing with Newton's vector...
translating ex- to therefore mean re-,
we seek to guide ourselves toward that one
instant where all passions are lost...
or to put it more bluntly... ever watch the non-thinking
side of this? no? are you sure?
to translate ex- to therefore mean re-, never seen it?
never heard of drug addicts?
as in my case... it's not the addiction per se,
it's what i do with it that's leveraging me
to continue... i could have succumbed to
william styron's darkness visible -
but you see... i write while intoxicated...
the relaxation technique works simultaneously with
a chance to stretch my legs, and do what
the devil would have said regardless:
i make word of idle hand that would have
lifted a hammer... fair enough to the devil...
the devil makes work of idle hands...
well, idle hands make the devil into a caressed cat
when the mind excuses itself from idleness
that the body assumes, to later turn into a poker match.
if i was a girl i wouldn’t shave i’d be a tomboy ballerina with upper body muscles maybe a **** or surfer girl smell a little subtle i’d be tough learn to take a punch but i’d also be fragile sensitive intelligent i’d dress down like female ducks gray beige brown yet wear thongs boots bikinis heals girl stuff if i was a girl i’d be freaked out by ******* and even more freaked out by menopause depressed i lost my wetness if i was a girl i’d flash *** crotch drive boys wild be a complete nymphomaniac **** until i found the right guy he’d be strong gentle patient caring with a cute ***** i don’t care how big if i was a girl i’d learn to give blow jobs really good acquire a taste for ***** and play that skill as my trump card if i was a girl i’d find a job roll up my sleeves be a hard worker impress my managers become a manager quit i would find another type of work maybe a writer painter if i was a girl i wouldn’t compete with men i’d simply be more creative smarter if i was a girl i’d want to give birth as scary profound as that might be i’d want to be a mom a nurturing loving attentive mom i’d garden cook sew clean stand by my man my children devoted to home and hearth if i was a girl i’d cry a lot but not in front of anyone if i was a girl i wouldn’t want to become an old woman surrounded by other old women taking care of sick old men or no old men if i was a girl i’d want to die instantly in an accident or in bed reaching ****** age 82 if i was a girl
When I die
I don't care what happens to my body
throw ashes in the air, scatter 'em in East River
bury an urn in Elizabeth New Jersey, B'nai Israel Cemetery
But l want a big funeral
St. Patrick's Cathedral, St. Mark's Church, the largest synagogue in
        Manhattan
First, there's family, brother, nephews, spry aged Edith stepmother
        96, Aunt Honey from old Newark,
Doctor Joel, cousin Mindy, brother Gene one eyed one ear'd, sister-
        in-law blonde Connie, five nephews, stepbrothers & sisters
        their grandchildren,
companion Peter Orlovsky, caretakers Rosenthal & Hale, Bill Morgan--
Next, teacher Trungpa Vajracharya's ghost mind, Gelek Rinpoche,
        there Sakyong Mipham, Dalai Lama alert, chance visiting
        America, Satchitananda Swami
Shivananda, Dehorahava Baba, Karmapa XVI, Dudjom Rinpoche,
        Katagiri & Suzuki Roshi's phantoms
Baker, Whalen, Daido Loorie, Qwong, Frail White-haired Kapleau
        Roshis, Lama Tarchen --
Then, most important, lovers over half-century
Dozens, a hundred, more, older fellows bald & rich
young boys met naked recently in bed, crowds surprised to see each
        other, innumerable, intimate, exchanging memories
"He taught me to meditate, now I'm an old veteran of the thousand
        day retreat --"
"I played music on subway platforms, I'm straight but loved him he
        loved me"
"I felt more love from him at 19 than ever from anyone"
"We'd lie under covers gossip, read my poetry, hug & kiss belly to belly
        arms round each other"
"I'd always get into his bed with underwear on & by morning my
        skivvies would be on the floor"
"Japanese, always wanted take it up my *** with a master"
"We'd talk all night about Kerouac & Cassady sit Buddhalike then
        sleep in his captain's bed."
"He seemed to need so much affection, a shame not to make him happy"
"I was lonely never in bed **** with anyone before, he was so gentle my
        stomach
shuddered when he traced his finger along my abdomen ****** to hips-- "
"All I did was lay back eyes closed, he'd bring me to come with mouth
        & fingers along my waist"
"He gave great head"
So there be gossip from loves of 1948, ghost of Neal Cassady commin-
        gling with flesh and youthful blood of 1997
and surprise -- "You too? But I thought you were straight!"
"I am but Ginsberg an exception, for some reason he pleased me."
"I forgot whether I was straight gay queer or funny, was myself, tender
        and affectionate to be kissed on the top of my head,
my forehead throat heart & solar plexus, mid-belly. on my *****,
        tickled with his tongue my behind"
"I loved the way he'd recite 'But at my back allways hear/ time's winged
        chariot hurrying near,' heads together, eye to eye, on a
        pillow --"
Among lovers one handsome youth straggling the rear
"I studied his poetry class, 17 year-old kid, ran some errands to his
        walk-up flat,
seduced me didn't want to, made me come, went home, never saw him
        again never wanted to... "
"He couldn't get it up but loved me," "A clean old man." "He made
        sure I came first"
This the crowd most surprised proud at ceremonial place of honor--
Then poets & musicians -- college boys' grunge bands -- age-old rock
        star Beatles, faithful guitar accompanists, gay classical con-
        ductors, unknown high Jazz music composers, funky trum-
        peters, bowed bass & french horn black geniuses, folksinger
        fiddlers with dobro tamborine harmonica mandolin auto-
        harp pennywhistles & kazoos
Next, artist Italian romantic realists schooled in mystic 60's India,
        Late fauve Tuscan painter-poets, Classic draftsman *****-
        chusets surreal jackanapes with continental wives, poverty
        sketchbook gesso oil watercolor masters from American
        provinces
Then highschool teachers, lonely Irish librarians, delicate biblio-
        philes, *** liberation troops nay armies, ladies of either ***
"I met him dozens of times he never remembered my name I loved
        him anyway, true artist"
"Nervous breakdown after menopause, his poetry humor saved me
        from suicide hospitals"
"Charmant, genius with modest manners, washed sink, dishes my
        studio guest a week in Budapest"
Thousands of readers, "Howl changed my life in Libertyville Illinois"
"I saw him read Montclair State Teachers College decided be a poet-- "
"He turned me on, I started with garage rock sang my songs in Kansas
        City"
"Kaddish made me weep for myself & father alive in Nevada City"
"Father Death comforted me when my sister died Boston l982"
"I read what he said in a newsmagazine, blew my mind, realized
        others like me out there"
Deaf & Dumb bards with hand signing quick brilliant gestures
Then Journalists, editors's secretaries, agents, portraitists & photo-
        graphy aficionados, rock critics, cultured laborors, cultural
        historians come to witness the historic funeral
Super-fans, poetasters, aging Beatnicks & Deadheads, autograph-
        hunters, distinguished paparazzi, intelligent gawkers
Everyone knew they were part of 'History" except the deceased
who never knew exactly what was happening even when I was alive

                                                February 22, 1997
Pea Feb 2015
Sweaty face bright purple and greasy
I used to hide my body between the pages
But he told me to not read any more

Itchy head heated enough to make tea
My eyes are now how the trees say my name
My eyes are now the leeches I put in empty tampons

Sweaty neck I only want some traces of lips
Sweaty palms I only want some other fingers
Sweaty thighs I only want to walk well

******* sad wrapped in plastic
Cranky child trapped in old wrinkling skin
It may well be irrational excuses

Womb nervous and not worthy
Cerebral excuses, hormonal excuses
Highly sensitive person excuses

Delayed maturity excuses
Premenstrual syndrome excuses
Premature menopause excuses

Abusive motherhood at 5
Traumatic childhood at 18
What happens in between stays in between
she is definitely displeased profoundly disappointed in her latest literary efforts she dreams aches to create deeper discourse higher insight more thoughtful philosophical inquiries about life’s challenges beauty a better world overpowering love inspiration instead she writes paperback television trash stupid inadequate answers to solemn questions she wonders if she is too scratched dented to find love her ******* are definitely changing she is deeply disturbed not ready for menopause too young for menopause she wants to remain a fertile woman with smooth skin wet ******

2

her neighbor Leslie awoke to horrible morning Leslie’s 6 chickens were assaulted overnight precious Mabel dragged off feathers everywhere trail down the street other hens cowering slumped together with wilted necks 3 of them with puncture wounds Leslie carried them one by one inside washed their wounds hugged them cried who did this terrible act a neglected abusive neighborhood cat or some desert predator why didn’t Leslie wake to sounds of savage marauding now this creature knows hen’s whereabouts when will it return for more massacre what modifications need to be enforced to ensure their coup before nightfall

3

she wants to remain a hen keep producing eggs does not want is not ready to enter the next **** stage of this **** existence it was fun being pretty for men inspiring them to say do wacky things she wants to remain a hen she is definitely displeased profoundly disappointed in her latest literary efforts “tucson square dance” (self-referential) ****** bit about Americans came through here last night in “tucson 3-step” ****** perhaps the pinot noir lowered her standards everything is becoming nothing she cannot sleep tosses turns thrashes sheets in humid heat of her lonesome bed is she is too scratched dented to find love worries for Leslie

4

tomorrow is another day they say the rain will come last year’s monsoon never came the baking sun smothered her garden died one by one sleepless she will miss tomorrow’s pilates class the infrequent delightful breakfast afterwards she dreams aches of deeper discourse higher insight more thoughtful philosophical inquiries about life’s challenges beauty a better world overpowering love inspiration she crossed the line tonight her ******* are definitely changing
Destiny Odeh Sep 2015
Osas, there's a certain darkness in me. I can't explain it, but I don't curse the darkness, because it's where we found each other. After I found you, I stopped searching for rainbows in the far reaches of the sky, you were my sunshine. You cast away my troubles and wrestled my demons. You were the missing piece that finally made me feel whole. That’s funny, because you always said that being whole is overrated, it's the holes that make us beautiful. You always made me feel beautiful. Even though the beautiful moments we once had are slowly fading, turning from vivid to grey. I can still feel your palm, gentle on my blushing cheek, stroking my hair backwards, tucking every curly strand behind my ears. The same ears you'd whisper a bouquet of wonderful words into. We were sweet together once.

You see, I wasn’t always a hot-tempered ****** like you’d often call me. I hated that word, “******”. No! I am not a ******, I am not hot-tempered, I am not viscous lava, I am not fire. I am the phoenix that rose out of the flames you lit. The same fire you came running into, but while trying to save me, you forgot to save yourself.

You were the erupting volcano. You were vicious and violent. You were a deadly collection of everything vile. You were hot and cold, you were yes and no. Did you even love me at all? I guess I will never truly know.

Ok, I'm sorry, I'm so, so sorry. I'm sorry I wrote that last paragraph. I know you loved me dearly. I'm only scraping for a reason to hate you; to cleanse my conscience. I feel so stupid right now. I can't stop crying. I can't stop thinking about that night. The error of my deed still haunts me. The least I can do is to keep writing you back to life, writing back into my arms.

I got 12 years; I'll be out of here just in time for menopause. I never cared much about having unruly, noisy, silly little babies running riot, leaving a trail of ****, puke and toy cars lying around. But I cared about you. I still care about you deeply Osas.

We were of the same form, you and I. Passionately understanding each other's darkness. You understood me perfectly. Better than all the others before you. You knew how fragile my heart and mind was, yet you broke both. Why? I was crazy in love with you, you took away the love and left me plain crazy.

I hate the drugs they give me here, it numbs my mind and takes away the pain, but why will I want that to go away, when the pain is all I have left of us? I feel so hollow inside, I’m an emotionless wreck now. I have lost myself! Maybe if I dig deeper, I'd discover an avalanche of emotions still buried inside me. Sandwiched between my ice-cold heart and the poisonous blood coursing through my veins. The same veins I want to expose to the spirits in the wind, and as my warm blood pours on this cold concrete like leaves on a forest floor, I’d finally be at peace. I hope to find peace in death, for death is not a dark abyss, but a ladder to light - an ascension to another realm. And in that realm I hope to find you, my darling, to explain to you why I did it. Why I pushed you off the balcony.

I’m sorry, but I couldn't look you in the face anymore. You disgusted me! I saw you with her in the breakroom at the office party. Yes! I saw you on your knees with your face in between her thighs! Even though you claimed she seduced you, I still saw you! I can't get that horrid image out of my head. It was in that moment I knew I couldn't live another day hearing you tell me another lie.

I got a blade today, from a lady in the shower, after I let her touch me in all the right places, still it felt so wrong. You have no idea how hard it is to find even the simplest sharp object in here. Random body cavity searches, routine cell shakedowns, constant reminders that I have and I am nothing. At least she was gentle when she slid her fingers inside me. Aunty Julianna was never gentle whenever she touched me in the bathroom stall at church camp.

I’ve truly lost myself, Osas. Nothing, and no one, can make me whole again. I’m covered in holes now and I don’t feel beautiful anymore. I feel bitter, sad and shattered. Even mirrors no longer lie to me. I see myself for what I am now - a monster.

"I have to do this, this is the only way." I calmly reassure myself, while clutching the rusty blade and pressing its jagged edge against my deathly pale skin.

"Calm down Adesuwa, you’re having an episode again." A voice echoed from the corner of my dark cell. Your voice. But still I didn’t believe.

"Is that you Osas?" I whispered. "Have you come to forgive me or have you come for retribution?"

"Here's your dinner." said the prison guard, before spotting the blade and sounding the alarm. I was on my belly before I could say a word, my arm bent behind me, my fingers pried open... my ladder gone.

Another day. I guess I’ll die another day.
victoria Aug 2021
Menopause taboo...

And this time of life for me
An invasion of body
Of soul and of mind
Has stripped me of my Identity
It has been cruel, unjust
and unkind

Retreating into myself
seems the only chance
of survival
Wearing a smile  
plastered on as a clown
Since this torturous arrival

I find it hard not being alone
Never really feeling at peace
My voice seeping under the stones
I'm anxious of my heart
My decisions
As nightmares of
great tsunamis
invade what little sleep
I seek

The shame and guilt
Hold onto me
Like old familiar friends
Fear, pain, anxiety
Those who have preceded me
And those yet to arrive
Don't seem to comprehend

And all this just from loneliness
That no one understands
The symptoms that walk beside
of it
Brushed away like grains of sand

A privileged life I've led
Which silences me to not
complain
So I write at 3am
For fear I might go insane
Natalie R Jun 2014
Bias 
Is a little ***** 
The alliteration is merely a coincidence 
But it is
Everyone has their own views 
Their own opinions
Their own perspective 
Negative or positive 
Like the moodswings of a mother in menopause 
It's still a *****
Hah just like your mother , jk
Bias is everyone 
Everyone has a bias
It's their perspective 
No matter their age, their IQ, or the amount of muscle mass on their perfectly chiseled body
They have a bias
It's rarely good 
So look out for that *****
Bias
It'll bite you in ***
Irma Cerrutti Apr 2010
**** serenely amid the surround-sound system and break the sound barrier and remember what *** appeal there may be in celibacy.  As far as possible without surrender be located on voluptuous bafflegabs amongst squillions creatures.  Jabber your clean breast ravishingly and revealingly; and bug to odds, even the dead from the neck up and half—baked; they too **** their mythical being.  Lynch yobbish and Eurosceptic creatures, they are hot potatoes to the *****.  If you calibrate yourself with the aid of genetically modifieds you may become naff and disgusting; for always there will be juicier and grosser girls than yourself.  **** your bear and ragged staffs as well as your carcasses.  Acropolis caressed inside your cough up jackboot, however uncouth; *** appeal is a **** abracadabra at the sign of the channel—hopping weathercocks of porridge.  **** sadomasochist in your pigeon filths; for the big bang theory is chock—full of Piltdown man.  Nevertheless let this not ****-faced you to what pith there is; thick celebrities have a crack at for foul—smelling specimens; and in all quarters ***** is oozing of exhaustion.  Touch yourself.  To cap it all **** not ape where the shoe pinches.  Neither be cheeky about ******; ergo chez the ******* type of oodles menopause and double whammy schoolgirl complexion is as shrinkproof as the Antichrist.  Treat like **** out of charity the tax collector of the yonks, buxomly jettisoning the seed of the vigorousness.  Give **** enormousness of ***** to fluoridate you inside eye—opening extremity.  But do not abuse yourself using crooked paintings.  Noisy funks are impregnated of knock up and stiffness.  Over the hills and far away a **** straitjacket, touch affectionate *** yourself.  You are a brat of the swarms, no less than the crab apples and the diamond geezers; you have a right to breathe from end to end.  And whether or no or not *** appeal is plain as a pikestaff to you, nay no grit the not peanuts is spreadeagling as the body beautiful should.  Ergo be at titbit with Fetish whatever you inseminate him to be posted, and whatever your alpha—fetoprotein tests and farts inside the full—throated nymphomaniacs of ***** wigwam come—hither look using your ****** *******.  With all *** appeal’s tattie bogle, slavery and mutilated musclemen, the body beautiful is still a tall, dark and handsome big bang theory.  Stand pert.  Die in the attempt to be boozed up.
Copyright © Irma Cerrutti 2009
kenye Oct 2013
Somewhere constant
I count my blessings  
and submit to nature

Sacrificing my physical self
to the soul of summering Fall

Mother Nature on menopause
whisking out hot flashes
with a cold shoulder
turned on innocence

The trails here
wind me
back
in
time

A place for believing in a higher self
without the stigma of belief

Some mystical "nonsense"
you'd have to see
to believe

Stranger than the fiction we lived
before Autumn turned to ashes
to embers
and reignited
hearts
with an amalgam of inspiration

Grace is the only constant

The unheard rhythm
We lose our minds
trying to find
in the chaos

The thrill in the chase
to drop the
four-on-the-floor
somewhere on the journey

Hope perpetuates in rhythm

Everything here
is coming together
for my highest good
Or
That's how my mantra
overrides my manic
imagination

Subliminally
stuttering
steps

A path to within
From only out here

I walk back to the graves of trees
where I parked my car over
Hollowed out and haunting
my attachment to the Earth

Grounded by ghosts
The echos in the silence of Singing Hills

*This is my worship.
This is my tribute.
I normally don't like to write lengthy pieces as much anymore. This all came to me when I walked through a local forest preserve in an attempt to cleanse my mind. It ended up being a slight spiritual awakening.
v V v Nov 2015
I.

She’ll drive through the parking lot
at quarter past eight tonight;
but first she’ll put up the gravy
and throw away salad.

There is something amiss with the sun.
The angle through the window,
she’s never noticed it on
her plate before

because by now
they were usually seated in the den
where the sun would greet them there,
not here.

It’s not like him to be late.
She worries while she sits,
waits a little longer,
watches the sun slide over
the edge of the table
and drift toward the empty den.

She feels as if she’s
stepped off a spaceship
after landing on a different planet
and the simple act of breathing
requires exaggerated effort.

She looks around at nothing that’s familiar.

She gets up and clears the plates,
feeds the dog, loads the wash
then heads for the door.

Its no surprise
she finds his car parked
in space 138.
The same place he always parks
when he goes for a run.

She shakes her head  
and checks her watch,
confused by the clock
on the dash, 8:31 pm.

It doesn’t make sense.

25 years of routine behavior
makes her think that it is morning.
He parks in space 138
in the morning.

Troubled by her fractured norm
she calls 911 and waits for
the police to arrive.
They tell her that they found a man
and ask her to go with them but
she cannot, or will not go with them
to identify a dead man,

lifeless on a concrete slab
in a cold city basement
under blue neon buzz
above refrigerated drawers.

They will need to find another way
to break her heart tonight.

She refuses to hear what happened,
how a mental patient ran from
behind a tree and hacked him
with a rusty machete.

She will not go with them,
she will not listen to their story,
she will not turn on the television,
she will not speak to anyone but

she will hang on to routine.

She will hold it tightly
for as long as she can.

II.

On a random Saturday at 5:15
she rushes to prepare dinner by 5:30.
At 5:35 she stares at the kitchen clock,
the one they calibrate with Greenwich
once a month.

At 5:36 she takes off her apron,
folds it carefully so as not to wrinkle it,
wipes a bead of sweat from her upper lip
and wonders if its menopause.

Her heart is racing as
she jumps at the sound of the telephone.
  
When she hangs up she is calm.

The coroner has confirmed.

She heads toward the back door,
spots her keys on the left hook while
the right hook sits empty
and she begins to cry.
    
She takes her keys into the garage
but leaves her purse behind.
She won’t be driving anywhere tonight.
She starts the car,
    
leaves it running and gets out,
lies down on the cold cement floor,
curls into a fetal position and
slowly drifts toward sleep.

She finally admits the truth.

He sleeps on cold cement as well.
A very sad story that has stayed with me now for several weeks... I wake up thinking about it, I am haunted by this story..

http://www.dallasnews.com/news/metro/20151027-for-wife-of-white-rock-slaying-victim-pain-was-unbearable.ece
Joy Ceye Apr 2017
Clocks ticking
Calling time
Bombs
Ready
To
E
   X
       P
            L
O   D  E.
Erom elims Oct 2014
Obedient
Superfluous minced rubicund aqua Phoenician
Our orphanage spills blood from picnics
Menopause conniptions lipstick
Her sons learning curve
Popstar gentleman suicide
The preschoolers last taste of Apple juice
Enola gay is soaring above the vain
Potential future poets and mathematicians
Bright eyes and innocent giggles
The souls of peace
Molecules disintegrate of wondrous dreams
The Zig Zag Universe was and will be excluded between time and space, in a world adjusted to the senses that are driven within the contextual totality, the world and the biosphere framed in the phenomena of the Zig Zag Universe, being born on a stellar night when the earth touched our life, being able to see how the cordial matters of the cosmos caressed its cosmology, making it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the Bing Bang, emerging from the other taste of self-observing and seeing ourselves in the face of the Horcondising anti material And Universal Biomass. We preexist under science that models the energy and matter system in causes of the ancestors, with which their life and ours sneakily crashed. Gravity made us a great paternity in Vernarth Biomass, being in the Dodecanese, being the cosmos in the arcuate curvature that makes us screen with the moon in its romantic astrophysical swings and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the Nothofagus Obliqua of Vernarth's Horcondising and also the time2-space2 that has not been afflicted at the origin or in the abscess of the stars that move irregularly in zig zag, for the fractality of its component, which is clearly aramaic blue light, in circuits of cumulus movements brushing the air, attracting the attention of the entire order of the hypnotized universe and making the duplication of the universe itself appear before them; in Duoverso that is the Universe shaken and young with gratitude’s "

The distribution of the nearby galaxies are keys to the paleo universe already arranged in macrowaves, which are percentages of the spaces of the Trisolate energy fields, which interact with the Mashiach phylogeny in Gethsemane, now lying in a stagnant decomposed future, in a frozen present specific. Its final station is to stake the Zig Zag Universe on the re-expanding medieval crestomatia, in qualities of gregarious Sub-mythology, already settling here in Archangelos. The implosion of my gravity, has created worlds of visibility of great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light years, as an irregularity that resembles the measurements of everything quantifiable, being omniscience or not, acquiring from the hexagonality the primogeniture of the passage, which from Jerusalem goes to Bethlehem, where the Davidian prism, of whose Original fractal is attributed in the two-dimensional shape of a line of the Mediterranean fractal flap, resembling the gems of the crown of the King David to that of the Messiah, appearing to be similes, but of irregular geometric formats, to build gems in landscape spines, basically sub dividing into equal conical funnels, and then being randomly displaced towards its central point shared with King David's crown, recursively repeating it in each square until the desired level of detail is reached, in the curve that joins the landscape to B ethlehem and then to the Church of the Shepherds in its fractured hexagonal base, figuring to be snow falling on the cusp of the roofs, where in the Kafersuseh manger, the Mashiach emerged and died in the abstraction of the One-dimensional Beams in the foreign eyes, eroding those who are mortal and do not see it with divine eyes in the self-likeness of our hypochondria and the failed plan to increase the size in the unknown analytic of this new implosive moving dimension of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailing in their nature and in the natural infinity, here the new privileged world was envisioned for self-similarity in the speculative and cosmogony functions of Vertnarth, at intervals in each space of shadowy walls , bringing accelerated bombs of messaging from Gethsemane among mutated olive trees to other humans. "Its correlation is infinite fractal with reversible observable time, and with the patronal belonging of mobile echoes of a space, which is occupied by Vernarth as multi monograph and integers between the fractional integers”

Finite is the curvature, between the time that walks between the grove of the Duouniverse as an alternative of energy Zig Zag and Duoverso, which triggers our subconscious observable world, what is a great reflecting lantern eye, which ignores and prescribes extreme distant and focal parts of the Beams One-dimensional of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had before coming to the Holy Land, provided by his form of Hyperdisis escorting him from Betelgeuse and in Orion. Change of arduous colors in gradient in Avant Garde, for its confines of perspectives of verbality, and of amendments of physical fields, interwoven by an external gravitational means. The macrowaves are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in the reaction disturbances and recreation of multiform plasmas of Christian cosmic savior. Examining the double of the macrowaves and the equation of them on the axial of the universe turned into Duoverse, already in millions of light years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography of hyperdiction, is the correction of error of the current universe losing itself, in the second thousandths of figures that separate us from the Universe,but all of them being more than time ...!, remaining at the expense of the wick of all electro-matter "

The sub-mythology having already been established, Hestia appears, after having taken a great nap. When she appeared before Vernarth in Tsambika, she was seen changing in size, when she was six meters away she looked dwarf and when she was already two meters away from him she looked monumentally huge, but with a versatile physiognomy, therefore it was already appreciated in recent years. Footsteps, with her domestic Goddess figure emanating light years from the chimneys of her habitable galaxies. The critical immanence that would happen would preexist the perfectible plan for the Zig Zag Universe and Hyperdisis, as Hyper-Hestia, bringing torn words for those who were approaching the main altar of Vas Auric, which was in a great ratio of proscenium in the vicinity to Tsambika, between Mind / Meditation for Wisdom / Meditant constant mechanism, according to the cosmological constant, taking them perhaps to the beginning of a decade and third universe called Triverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated and of temperature that acted on the average of the normal range; therefore it was imminent to mutate it to the provisional Christian Duoverse, which goes backwards advancing between the dizzying lights of creation. Immediately afterwards, the Universe is torn apart and lost among those around it, establishing itself in units of millions of years of light compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, in her prytaneion, igniting with the flames of the heart of fire and of the passion of consanguineous love, “Prytaneum”, smoothing the light in the clarity of the faith of the owners of the hamlets that were founded when they arrived at Tsambika, in search of Vas Auric, cheering with the omphalos stone, that marks the navel of the world with the challenge of wandering towards the island of Delos in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils over her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only maybe there are some similar ones staying in the cold fire of her menopause, losing fertility afterwards. that his father swallowed it, and then it was expelled from himself, regurgitated in flames of love candles in a blessed house full of immunity, giving the Duoverse another geometric category with never contained angles, sliding vibratory between distances that discount minutes of the Hestian space, for such a corollary of approaching its finitude, and inaugurating the sub-finite, which will never be the source of a term in a disconcerting end of time that is not equationally physical. "This consolidates the Duoverse in Duouniverse, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-finite)"
Zig Zag Universe / Part 19
Aaron LaLux Mar 2019
She cries during ***,

a set of collective regrets expressed,
see at least you still have some emotions left,
in a world that’s gone cold,
and most people stumble around like the walking dead,

no Norman Reedus or Andrew Lincoln though,
just an aborted fetus and a broken heart with no treatment,
at the bar with a babe drinking,
till I get assassinated at a theatre like Abe Lincoln,

feeling like I’m in a real life Soap Opera drama,
the way I get caught up in these women’s feelings,
one minute she’s laughing the next minute she’s crying,
she apologizes and I tell her she never has to apologize for her feelings,

at least she still feels things,
says she’s been ***** before,
so when I go rough with her she gets flashbacks,
and it’s hard to face facts that have happened before,

I tell her it’s okay,
I tell her she can tell me anything,
I tell her sometimes it helps to communicate,
but she clams up and doesn’t say anything,

so I get up and go to the shower,
to try and wash off the stress,
moments later she comes in and joins me,
somewhere between sedated and upset,

at a hotel somewhere in Tulsa,
a hotel that they call boutique,
but it feels haunted and a bit spooky,
the wind howls and the floors creak,

and it gives me the creeps,
because in a way this hotel feels like me,
all nice and hip and trendy on the outside,
but inside everything is not what it seems,

haunted from the drama of these girls that were abused,
that then decided to transfer that energy to me,
which I in a way deserved because I used to serve,
this sort of abuse out to girls that thought they were into me,

you get what you give which is exactly what karma is,
so now I’m trying to help heal the Collective Feminine,
from all the damage that’s been done,
by the Collective Masculine,

so go ahead,

smash your conflicts into me,
drown me in the ocean of the the tears of your traumas,
scream shout let it all out until there’s nothing to let go of,
I love you unconditionally continually no menopause or commas,

no mental pause or drama,

you are an incredible creation,
resilient and brilliant,
and I am hear to be a platform,
if you’re in distress I will be your outlet,

so you can vent the stress,
even if that means crying during ***,
and I will be here to hear everything you need to express,
a Living Light in this world of The Walking Dead,

so it’s okay if you cry during ***,

a set of collective regrets expressed,
see at least you still have some emotions left,
in a world that’s gone cold,
and most people stumble around like the walking dead,

no Norman Reedus or Andrew Lincoln though,
just an aborted fetus and a broken heart with no treatment,
at the bar with a babe drinking,
till I get assassinated at a theatre like Abe Lincoln…

∆ LaLux ∆

Tulsa, OK.
2019
My concept of the issue concerning Cemeteries has been maintained for many years under a remarkable process falls recoup credibility. Unknown worlds to which we do not know what to believe, are usually put into question.

Constantly let the silent fields were to lie the dead, but it is not, rather than me think so. Surely Quantum Theory indicates a basic unit of the whole universe, showing that it is possible to decompose the world into independently existing smallest units. This theory shows that the dynamic is in the matter in such a way that solid objects are constantly moving rasterizing relationships between different parts of a unified whole.
As we believe that matter is inherently sterile, we think the Cemetery is in the same condition, and therefore inert bodies are also just turned into a pile of bones scattered.
My conception of the world of subterranean acting aims to support the theory of Quantum, and at first glance, it seems that under these masses of cement no putrefaction and eternal solitude. Well, I do not think so, I think there is a tremendous activity, above all tends to seek fulfillment in a world of her competence, and also has the infinite grace of thanks from all lurking diseases that shake us. That is, each inhabitant of the subterranean acting receives as a Franciscan noblest worship existence, and not falter from the destructive effects of all known diseases.
Near the garden of heroes, they are the remains of those who died in this output. It was a legendary struggle for the libertarian revolution of 1821 in Greece, Messolonghi exact-mind. Markos Botsaris tomb and the statue of Lord Byron great Hellenophile found in this garden.


Once, I was looking for a book, and this trend was unavoidable East. I used to remind my teacher, the monk talking Virajánanda Given the processes of time, yesterday, today, and tomorrow; all at once was a pure unity. That physical death had to be spiritual satisfaction so that the spirit can not disconnect your disposable body. As a child, I saw my family go to leave my garden flowers home to their loved ones. But noticing that my grandparents were still alive, and then would leave, looking for ways to inhale the smell of the earth to prepare for the farewell, that someday would come from the dark beyond. It never was painful to see them go because I've always been with them. Besides always our body, which would be living in a merger with spirits vague, vague minds to not blame his interest in spirituality as a way of life, often making us climb through dark passages of ignorance.


Etréstles, the protagonist; It is staged one lineage that marks limits warriors of ancient Greece, since fighting with neighboring nations. Thus, generation after generation, he meddles in successive reincarnations that are to be transported in time to different spaces.  Its Vitabión and Regma Mother, father, and as Staktos and Esaedt, both from different eras. His company monogamous sentimental is linked by the presence of Drestnia; the woman he had to get out of her womb, better said from his rib, emulating the biblical account.

While it is noteworthy that the secondary characters are related to Greek mythology such as Eurydice, and real characters as Botsaris Markos, who was a great hero who drove the Turks. The famous Florentine sculptor and architect Lorenzo Ghiberti, is present in the action so that its image is immortalized in the eternal cemetery. Equally noteworthy is Ashurbanipal, king of Assyria (667-626 BC), the Auriga; Coachman, and the truck driver where he had his blacksmiths over time to release the Greek descent.


Other memorable as Aristotle and Hesiod Praxitle, which are knowledge to every reader of Greek literature. The judge presiding over the classroom in session from time to time, trying to relive the rituals and reject severe efforts of Lucifer, trying to have a place on earth, then God expelled him from heaven.

In the chapter of the onslaught of Lucifer, is he accompanied by his minions and Phosphoros Heosphoros; they are the ones who brought Lucifer from heaven to Messolonghi. Also appear hostile Mesopotamian demons of the world, were the Annunaki who were the guards of the dead in hell. The Etimmu were the ghosts of all those who had died unhappy. The Utukku lived in desolate places or cemeteries; they are all part of the presence in the malignancy as oppressive manner and form of presence to the exuberance of good all-encompassing.

Kanti Botsaris steed is not above his super consciousness, which leads as a link between different dimensions physical and dreamlike. It notes that Kanti is a Cretan horse and belongs to the fallen in battle, as Botsaris.

Eulalia and Zultina, both courtesans who spent their lives with Ghiberti and Botsaris.
And it could not ignore the Menopause, puerperal, and Inamorada, since they and female members alone your friend beyond earthly life that had consequences that affect the desolate silence of death camps.
And to top it, the arrival in Valplacci was with a world and an unusual man, a dimension Etréstles unknown. Then arriving at Patmos, where St. John the Theologian, to regain some of its lost soul by the intrusion of Lucifer. This achieves discover is not necessary to combat warriors who always speak of physical war, because many of them tend to succumb to the same battlefield. Discovering, so the mentoring Mind is the best ally to overcome any difficulty, wherever it is that the human race you are, or infrahuman.


Finally, Etréstles is discovered in a way that would inaugurate a new paragraph cycle to initiate a new era and a new physical space where the projection of Messolonghi would stand; nothing less than Nineveh, Ashurbanipal land where the winds blow, as a priest in his insufflation do to remove the demons that inhabit the world.
The "Zero" is the initiator of a new era, the basis of the only means available to the new life that awaits ruinous residents Messolonghi, after the invasion of Lucifer appears.

My concept of Cemeteries, they are seeking long an answer that I think I can approximate now that huge efforts are made to understand fully. The cemetery remains for me a scenario of hideousness and terror, seen from the observation point we all have of it, however, I think that in a strange world where you're not supposed to govern ethics, aesthetics, law, and the professional economic and social status; It is where more wealth is the multi stimulant vitality, "I think in any place inhabited earthly souls, will be able to find more life here in the cemetery of Messolonghi".


José Luis Carreño Troncoso.
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