Oh, will you ever return to me,
My wild first force, will you return
When the old madness comes to
Blacken in me and to burn
Slow in my brain like a slow fire
In a blackened brazier - dull
like a smear of blood,
Humid and hot evil, slow-sweltering
up in a flood!
Oh, will you not come back, my fierce song?
Jubilant and exultant, triumphing over
the huge wrong
of that slow fire of madness that feeds
on me - the slow mad blood
thick with its hate and evil, sweltering
up in its flood!
Oh! will you not purge it from me -
my wild lost flame?
Come and restore me, save me from the
intolerable shame
Of that huge eye that eats into my
Naked body constantly
And has no name,
Gazing upon me from the immense and
Cruel bareness of the sky
That leaves no mercy of concealment
That gives no promise of revealment
And that drives us on forever with its
lidless eye
Across a huge and houseless level of
a planetary vacancy
Oh, wild song and fury, fire and flame,
Lost magic of my youth return, defend
me from this shame!
And Oh! You golden vengeance of bright
song
Not cure but answer to earth's wrong

It is full winter now:  the trees are bare,
Save where the cattle huddle from the cold
Beneath the pine, for it doth never wear
The autumn’s gaudy livery whose gold
Her jealous brother pilfers, but is true
To the green doublet; bitter is the wind, as though it blew

From Saturn’s cave; a few thin wisps of hay
Lie on the sharp black hedges, where the wain
Dragged the sweet pillage of a summer’s day
From the low meadows up the narrow lane;
Upon the half-thawed snow the bleating sheep
Press close against the hurdles, and the shivering house-dogs creep

From the shut stable to the frozen stream
And back again disconsolate, and miss
The bawling shepherds and the noisy team;
And overhead in circling listlessness
The cawing rooks whirl round the frosted stack,
Or crowd the dripping boughs; and in the fen the ice-pools crack

Where the gaunt bittern stalks among the reeds
And ***** his wings, and stretches back his neck,
And hoots to see the moon; across the meads
Limps the poor frightened hare, a little speck;
And a stray seamew with its fretful cry
Flits like a sudden drift of snow against the dull grey sky.

Full winter:  and the ***** goodman brings
His load of ******* from the chilly byre,
And stamps his feet upon the hearth, and flings
The sappy billets on the waning fire,
And laughs to see the sudden lightening scare
His children at their play, and yet,—the spring is in the air;

Already the slim crocus stirs the snow,
And soon yon blanched fields will bloom again
With nodding cowslips for some lad to mow,
For with the first warm kisses of the rain
The winter’s icy sorrow breaks to tears,
And the brown thrushes mate, and with bright eyes the rabbit peers

From the dark warren where the fir-cones lie,
And treads one snowdrop under foot, and runs
Over the mossy knoll, and blackbirds fly
Across our path at evening, and the suns
Stay longer with us; ah! how good to see
Grass-girdled spring in all her joy of laughing greenery

Dance through the hedges till the early rose,
(That sweet repentance of the thorny briar!)
Burst from its sheathed emerald and disclose
The little quivering disk of golden fire
Which the bees know so well, for with it come
Pale boy’s-love, sops-in-wine, and daffadillies all in bloom.

Then up and down the field the sower goes,
While close behind the laughing younker scares
With shrilly whoop the black and thievish crows,
And then the chestnut-tree its glory wears,
And on the grass the creamy blossom falls
In odorous excess, and faint half-whispered madrigals

Steal from the bluebells’ nodding carillons
Each breezy morn, and then white jessamine,
That star of its own heaven, snap-dragons
With lolling crimson tongues, and eglantine
In dusty velvets clad usurp the bed
And woodland empery, and when the lingering rose hath shed

Red leaf by leaf its folded panoply,
And pansies closed their purple-lidded eyes,
Chrysanthemums from gilded argosy
Unload their gaudy scentless merchandise,
And violets getting overbold withdraw
From their shy nooks, and scarlet berries dot the leafless haw.

O happy field! and O thrice happy tree!
Soon will your queen in daisy-flowered smock
And crown of flower-de-luce trip down the lea,
Soon will the lazy shepherds drive their flock
Back to the pasture by the pool, and soon
Through the green leaves will float the hum of murmuring bees at noon.

Soon will the glade be bright with bellamour,
The flower which wantons love, and those sweet nuns
Vale-lilies in their snowy vestiture
Will tell their beaded pearls, and carnations
With mitred dusky leaves will scent the wind,
And straggling traveller’s-joy each hedge with yellow stars will bind.

Dear bride of Nature and most bounteous spring,
That canst give increase to the sweet-breath’d kine,
And to the kid its little horns, and bring
The soft and silky blossoms to the vine,
Where is that old nepenthe which of yore
Man got from poppy root and glossy-berried mandragore!

There was a time when any common bird
Could make me sing in unison, a time
When all the strings of boyish life were stirred
To quick response or more melodious rhyme
By every forest idyll;—do I change?
Or rather doth some evil thing through thy fair pleasaunce range?

Nay, nay, thou art the same:  ’tis I who seek
To vex with sighs thy simple solitude,
And because fruitless tears bedew my cheek
Would have thee weep with me in brotherhood;
Fool! shall each wronged and restless spirit dare
To taint such wine with the salt poison of own despair!

Thou art the same:  ’tis I whose wretched soul
Takes discontent to be its paramour,
And gives its kingdom to the rude control
Of what should be its servitor,—for sure
Wisdom is somewhere, though the stormy sea
Contain it not, and the huge deep answer ‘’Tis not in me.’

To burn with one clear flame, to stand *****
In natural honour, not to bend the knee
In profitless prostrations whose effect
Is by itself condemned, what alchemy
Can teach me this? what herb Medea brewed
Will bring the unexultant peace of essence not subdued?

The minor chord which ends the harmony,
And for its answering brother waits in vain
Sobbing for incompleted melody,
Dies a swan’s death; but I the heir of pain,
A silent Memnon with blank lidless eyes,
Wait for the light and music of those suns which never rise.

The quenched-out torch, the lonely cypress-gloom,
The little dust stored in the narrow urn,
The gentle XAIPE of the Attic tomb,—
Were not these better far than to return
To my old fitful restless malady,
Or spend my days within the voiceless cave of misery?

Nay! for perchance that poppy-crowned god
Is like the watcher by a sick man’s bed
Who talks of sleep but gives it not; his rod
Hath lost its virtue, and, when all is said,
Death is too rude, too obvious a key
To solve one single secret in a life’s philosophy.

And Love! that noble madness, whose august
And inextinguishable might can slay
The soul with honeyed drugs,—alas! I must
From such sweet ruin play the runaway,
Although too constant memory never can
Forget the arched splendour of those brows Olympian

Which for a little season made my youth
So soft a swoon of exquisite indolence
That all the chiding of more prudent Truth
Seemed the thin voice of jealousy,—O hence
Thou huntress deadlier than Artemis!
Go seek some other quarry! for of thy too perilous bliss.

My lips have drunk enough,—no more, no more,—
Though Love himself should turn his gilded prow
Back to the troubled waters of this shore
Where I am wrecked and stranded, even now
The chariot wheels of passion sweep too near,
Hence!  Hence!  I pass unto a life more barren, more austere.

More barren—ay, those arms will never lean
Down through the trellised vines and draw my soul
In sweet reluctance through the tangled green;
Some other head must wear that aureole,
For I am hers who loves not any man
Whose white and stainless ***** bears the sign Gorgonian.

Let Venus go and chuck her dainty page,
And kiss his mouth, and toss his curly hair,
With net and spear and hunting equipage
Let young Adonis to his tryst repair,
But me her fond and subtle-fashioned spell
Delights no more, though I could win her dearest citadel.

Ay, though I were that laughing shepherd boy
Who from Mount Ida saw the little cloud
Pass over Tenedos and lofty Troy
And knew the coming of the Queen, and bowed
In wonder at her feet, not for the sake
Of a new Helen would I bid her hand the apple take.

Then rise supreme Athena argent-limbed!
And, if my lips be musicless, inspire
At least my life:  was not thy glory hymned
By One who gave to thee his sword and lyre
Like AEschylos at well-fought Marathon,
And died to show that Milton’s England still could bear a son!

And yet I cannot tread the Portico
And live without desire, fear and pain,
Or nurture that wise calm which long ago
The grave Athenian master taught to men,
Self-poised, self-centred, and self-comforted,
To watch the world’s vain phantasies go by with unbowed head.

Alas! that serene brow, those eloquent lips,
Those eyes that mirrored all eternity,
Rest in their own Colonos, an eclipse
Hath come on Wisdom, and Mnemosyne
Is childless; in the night which she had made
For lofty secure flight Athena’s owl itself hath strayed.

Nor much with Science do I care to climb,
Although by strange and subtle witchery
She drew the moon from heaven:  the Muse Time
Unrolls her gorgeous-coloured tapestry
To no less eager eyes; often indeed
In the great epic of Polymnia’s scroll I love to read

How Asia sent her myriad hosts to war
Against a little town, and panoplied
In gilded mail with jewelled scimitar,
White-shielded, purple-crested, rode the Mede
Between the waving poplars and the sea
Which men call Artemisium, till he saw Thermopylae

Its steep ravine spanned by a narrow wall,
And on the nearer side a little brood
Of careless lions holding festival!
And stood amazed at such hardihood,
And pitched his tent upon the reedy shore,
And stayed two days to wonder, and then crept at midnight o’er

Some unfrequented height, and coming down
The autumn forests treacherously slew
What Sparta held most dear and was the crown
Of far Eurotas, and passed on, nor knew
How God had staked an evil net for him
In the small bay at Salamis,—and yet, the page grows dim,

Its cadenced Greek delights me not, I feel
With such a goodly time too out of tune
To love it much:  for like the Dial’s wheel
That from its blinded darkness strikes the noon
Yet never sees the sun, so do my eyes
Restlessly follow that which from my cheated vision flies.

O for one grand unselfish simple life
To teach us what is Wisdom! speak ye hills
Of lone Helvellyn, for this note of strife
Shunned your untroubled crags and crystal rills,
Where is that Spirit which living blamelessly
Yet dared to kiss the smitten mouth of his own century!

Speak ye Rydalian laurels! where is he
Whose gentle head ye sheltered, that pure soul
Whose gracious days of uncrowned majesty
Through lowliest conduct touched the lofty goal
Where love and duty mingle!  Him at least
The most high Laws were glad of, he had sat at Wisdom’s feast;

But we are Learning’s changelings, know by rote
The clarion watchword of each Grecian school
And follow none, the flawless sword which smote
The pagan Hydra is an effete tool
Which we ourselves have blunted, what man now
Shall scale the august ancient heights and to old Reverence bow?

One such indeed I saw, but, Ichabod!
Gone is that last dear son of Italy,
Who being man died for the sake of God,
And whose unrisen bones sleep peacefully,
O guard him, guard him well, my Giotto’s tower,
Thou marble lily of the lily town! let not the lour

Of the rude tempest vex his slumber, or
The Arno with its tawny troubled gold
O’er-leap its marge, no mightier conqueror
Clomb the high Capitol in the days of old
When Rome was indeed Rome, for Liberty
Walked like a bride beside him, at which sight pale Mystery

Fled shrieking to her farthest sombrest cell
With an old man who grabbled rusty keys,
Fled shuddering, for that immemorial knell
With which oblivion buries dynasties
Swept like a wounded eagle on the blast,
As to the holy heart of Rome the great triumvir passed.

He knew the holiest heart and heights of Rome,
He drave the base wolf from the lion’s lair,
And now lies dead by that empyreal dome
Which overtops Valdarno hung in air
By Brunelleschi—O Melpomene
Breathe through thy melancholy pipe thy sweetest threnody!

Breathe through the tragic stops such melodies
That Joy’s self may grow jealous, and the Nine
Forget awhile their discreet emperies,
Mourning for him who on Rome’s lordliest shrine
Lit for men’s lives the light of Marathon,
And bare to sun-forgotten fields the fire of the sun!

O guard him, guard him well, my Giotto’s tower!
Let some young Florentine each eventide
Bring coronals of that enchanted flower
Which the dim woods of Vallombrosa hide,
And deck the marble tomb wherein he lies
Whose soul is as some mighty orb unseen of mortal eyes;

Some mighty orb whose cycled wanderings,
Being tempest-driven to the farthest rim
Where Chaos meets Creation and the wings
Of the eternal chanting Cherubim
Are pavilioned on Nothing, passed away
Into a moonless void,—and yet, though he is dust and clay,

He is not dead, the immemorial Fates
Forbid it, and the closing shears refrain.
Lift up your heads ye everlasting gates!
Ye argent clarions, sound a loftier strain
For the vile thing he hated lurks within
Its sombre house, alone with God and memories of sin.

Still what avails it that she sought her cave
That murderous mother of red harlotries?
At Munich on the marble architrave
The Grecian boys die smiling, but the seas
Which wash AEgina fret in loneliness
Not mirroring their beauty; so our lives grow colourless

For lack of our ideals, if one star
Flame torch-like in the heavens the unjust
Swift daylight kills it, and no trump of war
Can wake to passionate voice the silent dust
Which was Mazzini once! rich Niobe
For all her stony sorrows hath her sons; but Italy,

What Easter Day shall make her children rise,
Who were not Gods yet suffered? what sure feet
Shall find their grave-clothes folded? what clear eyes
Shall see them ******?  O it were meet
To roll the stone from off the sepulchre
And kiss the bleeding roses of their wounds, in love of her,

Our Italy! our mother visible!
Most blessed among nations and most sad,
For whose dear sake the young Calabrian fell
That day at Aspromonte and was glad
That in an age when God was bought and sold
One man could die for Liberty! but we, burnt out and cold,

See Honour smitten on the cheek and gyves
Bind the sweet feet of Mercy:  Poverty
Creeps through our sunless lanes and with sharp knives
Cuts the warm throats of children stealthily,
And no word said:- O we are wretched men
Unworthy of our great inheritance! where is the pen

Of austere Milton? where the mighty sword
Which slew its master righteously? the years
Have lost their ancient leader, and no word
Breaks from the voiceless tripod on our ears:
While as a ruined mother in some spasm
Bears a base child and loathes it, so our best enthusiasm

Genders unlawful children, Anarchy
Freedom’s own Judas, the vile prodigal
Licence who steals the gold of Liberty
And yet has nothing, Ignorance the real
One Fraticide since Cain, Envy the asp
That stings itself to anguish, Avarice whose palsied grasp

Is in its extent stiffened, moneyed Greed
For whose dull appetite men waste away
Amid the whirr of wheels and are the seed
Of things which slay their sower, these each day
Sees rife in England, and the gentle feet
Of Beauty tread no more the stones of each unlovely street.

What even Cromwell spared is desecrated
By **** and worm, left to the stormy play
Of wind and beating snow, or renovated
By more destructful hands:  Time’s worst decay
Will wreathe its ruins with some loveliness,
But these new Vandals can but make a rain-proof barrenness.

Where is that Art which bade the Angels sing
Through Lincoln’s lofty choir, till the air
Seems from such marble harmonies to ring
With sweeter song than common lips can dare
To draw from actual reed? ah! where is now
The cunning hand which made the flowering hawthorn branches bow

For Southwell’s arch, and carved the House of One
Who loved the lilies of the field with all
Our dearest English flowers? the same sun
Rises for us:  the seasons natural
Weave the same tapestry of green and grey:
The unchanged hills are with us:  but that Spirit hath passed away.

And yet perchance it may be better so,
For Tyranny is an incestuous Queen,
****** her brother is her bedfellow,
And the Plague chambers with her:  in obscene
And ****** paths her treacherous feet are set;
Better the empty desert and a soul inviolate!

For gentle brotherhood, the harmony
Of living in the healthful air, the swift
Clean beauty of strong limbs when men are free
And women chaste, these are the things which lift
Our souls up more than even Agnolo’s
Gaunt blinded Sibyl poring o’er the scroll of human woes,

Or Titian’s little maiden on the stair
White as her own sweet lily and as tall,
Or Mona Lisa smiling through her hair,—
Ah! somehow life is bigger after all
Than any painted angel, could we see
The God that is within us!  The old Greek serenity

Which curbs the passion of that

‘Nam Sibyllam quidem Cumis ego ipse oculis meis
vidi in ampulla pendere, et *** illi pueri dicerent:
Sibylla ti theleis; respondebat illa: apothanein thelo.’

                For Ezra Pound
                il miglior fabbro


I. The Burial of the Dead

April is the cruellest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain.
Winter kept us warm, covering
Earth in forgetful snow, feeding
A little life with dried tubers.
Summer surprised us, coming over the Starnbergersee
With a shower of rain; we stopped in the colonnade,
And went on in sunlight, into the Hofgarten,
And drank coffee, and talked for an hour.
Bin gar keine Russin, stamm’ aus Litauen, echt deutsch.
And when we were children, staying at the archduke’s,
My cousin’s, he took me out on a sled,
And I was frightened. He said, Marie,
Marie, hold on tight. And down we went.
In the mountains, there you feel free.
I read, much of the night, and go south in the winter.

What are the roots that clutch, what branches grow
Out of this stony *******? Son of man,
You cannot say, or guess, for you know only
A heap of broken images, where the sun beats,
And the dead tree gives no shelter, the cricket no relief,
And the dry stone no sound of water. Only
There is shadow under this red rock,
(Come in under the shadow of this red rock),
And I will show you something different from either
Your shadow at morning striding behind you
Or your shadow at evening rising to meet you;
I will show you fear in a handful of dust.
            Frisch weht der Wind
            Der Heimat zu
            Mein Irisch Kind,
            Wo weilest du?
‘You gave me hyacinths first a year ago;
‘They called me the hyacinth girl.’
—Yet when we came back, late, from the Hyacinth garden,
Your arms full, and your hair wet, I could not
Speak, and my eyes failed, I was neither
Living nor dead, and I knew nothing,
Looking into the heart of light, the silence.
Oed’ und leer das Meer.

Madame Sosostris, famous clairvoyante,
Had a bad cold, nevertheless
Is known to be the wisest woman in Europe,
With a wicked pack of cards. Here, said she,
Is your card, the drowned Phoenician Sailor,
(Those are pearls that were his eyes. Look!)
Here is Belladonna, the Lady of the Rocks,
The lady of situations.
Here is the man with three staves, and here the Wheel,
And here is the one-eyed merchant, and this card,
Which is blank, is something he carries on his back,
Which I am forbidden to see. I do not find
The Hanged Man. Fear death by water.
I see crowds of people, walking round in a ring.
Thank you. If you see dear Mrs. Equitone,
Tell her I bring the horoscope myself:
One must be so careful these days.

Unreal City,
Under the brown fog of a winter dawn,
A crowd flowed over London Bridge, so many,
I had not thought death had undone so many.
Sighs, short and infrequent, were exhaled,
And each man fixed his eyes before his feet.
Flowed up the hill and down King William Street,
To where Saint Mary Woolnoth kept the hours
With a dead sound on the final stroke of nine.
There I saw one I knew, and stopped him, crying ‘Stetson!
‘You who were with me in the ships at Mylae!
‘That corpse you planted last year in your garden,
‘Has it begun to sprout? Will it bloom this year?
‘Or has the sudden frost disturbed its bed?
‘Oh keep the Dog far hence, that’s friend to men,
‘Or with his nails he’ll dig it up again!
‘You! hypocrite lecteur!—mon semblable,—mon frère!’

II. A Game of Chess

The Chair she sat in, like a burnished throne,
Glowed on the marble, where the glass
Held up by standards wrought with fruited vines
From which a golden Cupidon peeped out
(Another hid his eyes behind his wing)
Doubled the flames of sevenbranched candelabra
Reflecting light upon the table as
The glitter of her jewels rose to meet it,
From satin cases poured in rich profusion;
In vials of ivory and coloured glass
Unstoppered, lurked her strange synthetic perfumes,
Unguent, powdered, or liquid—troubled, confused
And drowned the sense in odours; stirred by the air
That freshened from the window, these ascended
In fattening the prolonged candle-flames,
Flung their smoke into the laquearia,
Stirring the pattern on the coffered ceiling.
Huge sea-wood fed with copper
Burned green and orange, framed by the coloured stone,
In which sad light a carved dolphin swam.
Above the antique mantel was displayed
As though a window gave upon the sylvan scene
The change of Philomel, by the barbarous king
So rudely forced; yet there the nightingale
Filled all the desert with inviolable voice
And still she cried, and still the world pursues,
‘Jug Jug’ to ***** ears.
And other withered stumps of time
Were told upon the walls; staring forms
Leaned out, leaning, hushing the room enclosed.
Footsteps shuffled on the stair.
Under the firelight, under the brush, her hair
Spread out in fiery points
Glowed into words, then would be savagely still.

‘My nerves are bad to-night. Yes, bad. Stay with me.
‘Speak to me. Why do you never speak. Speak.
‘What are you thinking of? What thinking? What?
‘I never know what you are thinking. Think.’

I think we are in rats’ alley
Where the dead men lost their bones.

‘What is that noise?
                          The wind under the door.
‘What is that noise now? What is the wind doing?’
                    Nothing again nothing.
                                                    ‘Do
‘You know nothing? Do you see nothing? Do you remember
‘Nothing?’

    I remember
Those are pearls that were his eyes.
‘Are you alive, or not? Is there nothing in your head?’
                                                     But
O O O O that Shakespeherian Rag—
It’s so elegant
So intelligent
‘What shall I do now? What shall I do?’
I shall rush out as I am, and walk the street
‘With my hair down, so. What shall we do to-morrow?
‘What shall we ever do?’
                             The hot water at ten.
And if it rains, a closed car at four.
And we shall play a game of chess,
Pressing lidless eyes and waiting for a knock upon the door.

When Lil’s husband got demobbed, I said—
I didn’t mince my words, I said to her myself,
hurry up please its time
Now Albert’s coming back, make yourself a bit smart.
He’ll want to know what you done with that money he gave you
To get yourself some teeth. He did, I was there.
You have them all out, Lil, and get a nice set,
He said, I swear, I can’t bear to look at you.
And no more can’t I, I said, and think of poor Albert,
He’s been in the army four years, he wants a good time,
And if you don’t give it him, there’s others will, I said.
Oh is there, she said. Something o’ that, I said.
Then I’ll know who to thank, she said, and give me a straight look.
hurry up please its time
If you don’t like it you can get on with it, I said.
Others can pick and choose if you can’t.
But if Albert makes off, it won’t be for lack of telling.
You ought to be ashamed, I said, to look so antique.
(And her only thirty-one.)
I can’t help it, she said, pulling a long face,
It’s them pills I took, to bring it off, she said.
(She’s had five already, and nearly died of young George.)
The chemist said it would be alright, but I’ve never been the same.
You are a proper fool, I said.
Well, if Albert won’t leave you alone, there it is, I said,
What you get married for if you don’t want children?
hurry up please its time
Well, that Sunday Albert was home, they had a hot gammon,
And they asked me in to dinner, to get the beauty of it hot—
hurry up please its time
hurry up please its time
Goonight Bill. Goonight Lou. Goonight May. Goonight.
Ta ta. Goonight. Goonight.
Good night, ladies, good night, sweet ladies, good night, good night.

III. The Fire Sermon

The river’s tent is broken: the last fingers of leaf
Clutch and sink into the wet bank. The wind
Crosses the brown land, unheard. The nymphs are departed.
Sweet Thames, run softly, till I end my song.
The river bears no empty bottles, sandwich papers,
Silk handkerchiefs, cardboard boxes, cigarette ends
Or other testimony of summer nights. The nymphs are departed.
And their friends, the loitering heirs of city directors;
Departed, have left no addresses.
By the waters of Leman I sat down and wept . . .
Sweet Thames, run softly till I end my song,
Sweet Thames, run softly, for I speak not loud or long.
But at my back in a cold blast I hear
The rattle of the bones, and chuckle spread from ear to ear.

A rat crept softly through the vegetation
Dragging its slimy belly on the bank
While I was fishing in the dull canal
On a winter evening round behind the gashouse
Musing upon the king my brother’s wreck
And on the king my father’s death before him.
White bodies naked on the low damp ground
And bones cast in a little low dry garret,
Rattled by the rat’s foot only, year to year.
But at my back from time to time I hear
The sound of horns and motors, which shall bring
Sweeney to Mrs. Porter in the spring.
O the moon shone bright on Mrs. Porter
And on her daughter
They wash their feet in soda water
Et O ces voix d’enfants, chantant dans la coupole!

Twit twit twit
Jug jug jug jug jug jug
So rudely forc’d.
Tereu

Unreal City
Under the brown fog of a winter noon
Mr. Eugenides, the Smyrna merchant
Unshaven, with a pocket full of currants
C.i.f. London: documents at sight,
Asked me in demotic French
To luncheon at the Cannon Street Hotel
Followed by a weekend at the Metropole.

At the violet hour, when the eyes and back
Turn upward from the desk, when the human engine waits
Like a taxi throbbing waiting,
I Tiresias, though blind, throbbing between two lives,
Old man with wrinkled female *******, can see
At the violet hour, the evening hour that strives
Homeward, and brings the sailor home from sea,
The typist home at teatime, clears her breakfast, lights
Her stove, and lays out food in tins.
Out of the window perilously spread
Her drying combinations touched by the sun’s last rays,
On the divan are piled (at night her bed)
Stockings, slippers, camisoles, and stays.
I Tiresias, old man with wrinkled dugs
Perceived the scene, and foretold the rest—
I too awaited the expected guest.
He, the young man carbuncular, arrives,
A small house agent’s clerk, with one bold stare,
One of the low on whom assurance sits
As a silk hat on a Bradford millionaire.
The time is now propitious, as he guesses,
The meal is ended, she is bored and tired,
Endeavours to engage her in caresses
Which still are unreproved, if undesired.
Flushed and decided, he assaults at once;
Exploring hands encounter no defence;
His vanity requires no response,
And makes a welcome of indifference.
(And I Tiresias have foresuffered all
Enacted on this same divan or bed;
I who have sat by Thebes below the wall
And walked among the lowest of the dead.)
Bestows one final patronising kiss,
And gropes his way, finding the stairs unlit . . .

She turns and looks a moment in the glass,
Hardly aware of her departed lover;
Her brain allows one half-formed thought to pass:
‘Well now that’s done: and I’m glad it’s over.’
When lovely woman stoops to folly and
Paces about her room again, alone,
She smoothes her hair with automatic hand,
And puts a record on the gramophone.

‘This music crept by me upon the waters’
And along the Strand, up Queen Victoria Street.
O City city, I can sometimes hear
Beside a public bar in Lower Thames Street,
The pleasant whining of a mandoline
And a clatter and a chatter from within
Where fishmen lounge at noon: where the walls
Of Magnus Martyr hold
Inexplicable splendour of Ionian white and gold.

      The river sweats
      Oil and tar
      The barges drift
      With the turning tide
      Red sails
      Wide
      To leeward, swing on the heavy spar.
      The barges wash
      Drifting logs
      Down Greenwich reach
      Past the Isle of Dogs.
                  Weialala leia
                  Wallala leialala

      Elizabeth and Leicester
      Beating oars
      The stern was formed
      A gilded shell
      Red and gold
      The brisk swell
      Rippled both shores
      Southwest wind
      Carried down stream
      The peal of bells
      White towers
                  Weialala leia
                  Wallala leialala

‘Trams and dusty trees.
Highbury bore me. Richmond and Kew
Undid me. By Richmond I raised my knees
Supine on the floor of a narrow canoe.’
‘My feet are at Moorgate, and my heart
Under my feet. After the event
He wept. He promised ‘a new start’.
I made no comment. What should I resent?’
‘On Margate Sands.
I can connect
Nothing with nothing.
The broken fingernails of ***** hands.
My people humble people who expect
Nothing.’
              la la

To Carthage then I came

Burning burning burning burning
O Lord Thou pluckest me out
O Lord Thou pluckest

burning

IV. Death by Water

Phlebas the Phoenician, a fortnight dead,
Forgot the cry of gulls, and the deep sea swell
And the profit and loss.
                                A current under sea
Picked his bones in whispers. As he rose and fell
He passed the stages of his age and youth
Entering the whirlpool.
                               Gentile or Jew
O you who turn the wheel and look to windward,
Consider Phlebas, who was once handsome and tall as you.

V. What the Thunder Said

After the torchlight red on sweaty faces
After the frosty silence in the gardens
After the agony in stony places
The shouting and the crying
Prison and palace and reverberation
Of thunder of spring over distant mountains
He who was living is now dead
We who were living are now dying
With a little patience

Here is no water but only rock
Rock and no water and the sandy road
The road winding above among the mountains
Which are mountains of rock wi

The night is only a sort of carbon paper,
Blueblack, with the much-poked periods of stars
Letting in the light, peephole after peephole --
A bonewhite light, like death, behind all things.
Under the eyes of the stars and the moon's rictus
He suffers his desert pillow, sleeplessness
Stretching its fine, irritating sand in all directions.

Over and over the old, granular movie
Exposes embarrassments--the mizzling days
Of childhood and adolescence, sticky with dreams,
Parental faces on tall stalks, alternately stern and tearful,
A garden of buggy rose that made him cry.
His forehead is bumpy as a sack of rocks.
Memories jostle each other for face-room like obsolete film stars.

He is immune to pills: red, purple, blue --
How they lit the tedium of the protracted evening!
Those sugary planets whose influence won for him
A life baptized in no-life for a while,
And the sweet, drugged waking of a forgetful baby.
Now the pills are worn-out and silly, like classical gods.
Their poppy-sleepy colors do him no good.

His head is a little interior of grey mirrors.
Each gesture flees immediately down an alley
Of diminishing perspectives, and its significance
Drains like water out the hole at the far end.
He lives without privacy in a lidless room,
The bald slots of his eyes stiffened wide-open
On the incessant heat-lightning flicker of situations.

Nightlong, in the granite yard, invisible cats
Have been howling like women, or damaged instruments.
Already he can feel daylight, his white disease,
Creeping up with her hatful of trivial repetitions.
The city is a map of cheerful twitters now,
And everywhere people, eyes mica-silver and blank,
Are riding to work in rows, as if recently brainwashed.

The changing guests, each in a different mood,
Sit at the roadside table and arise:
And every life among them in likewise
Is a soul’s board set daily with new food.
What man has bent o’er his son’s sleep, to brood
How that face shall watch his when cold it lies?—
Or thought, as his own mother kissed his eyes,
Of what her kiss was when his father wooed?

May not this ancient room thou sit’st in dwell
In separate living souls for joy or pain?
Nay, all its corners may be painted plain
Where Heaven shows pictures of some life spent well;
And may be stamped, a memory all in vain,
Upon the sight of lidless eyes in Hell.

(To Marcel Schwob in friendship and in admiration)

In a dim corner of my room for longer than
my fancy thinks
A beautiful and silent Sphinx has watched me
through the shifting gloom.

Inviolate and immobile she does not rise she
does not stir
For silver moons are naught to her and naught
to her the suns that reel.

Red follows grey across the air, the waves of
moonlight ebb and flow
But with the Dawn she does not go and in the
night-time she is there.

Dawn follows Dawn and Nights grow old and
all the while this curious cat
Lies couching on the Chinese mat with eyes of
satin rimmed with gold.

Upon the mat she lies and leers and on the
tawny throat of her
Flutters the soft and silky fur or ripples to her
pointed ears.

Come forth, my lovely seneschal! so somnolent,
so statuesque!
Come forth you exquisite grotesque! half woman
and half animal!

Come forth my lovely languorous Sphinx! and
put your head upon my knee!
And let me stroke your throat and see your
body spotted like the Lynx!

And let me touch those curving claws of yellow
ivory and grasp
The tail that like a monstrous Asp coils round
your heavy velvet paws!

A thousand weary centuries are thine
while I have hardly seen
Some twenty summers cast their green for
Autumn’s gaudy liveries.

But you can read the Hieroglyphs on the
great sandstone obelisks,
And you have talked with Basilisks, and you
have looked on Hippogriffs.

O tell me, were you standing by when Isis to
Osiris knelt?
And did you watch the Egyptian melt her union
for Antony

And drink the jewel-drunken wine and bend
her head in mimic awe
To see the huge proconsul draw the salted tunny
from the brine?

And did you mark the Cyprian kiss white Adon
on his catafalque?
And did you follow Amenalk, the God of
Heliopolis?

And did you talk with Thoth, and did you hear
the moon-horned Io weep?
And know the painted kings who sleep beneath
the wedge-shaped Pyramid?

Lift up your large black satin eyes which are
like cushions where one sinks!
Fawn at my feet, fantastic Sphinx! and sing me
all your memories!

Sing to me of the Jewish maid who wandered
with the Holy Child,
And how you led them through the wild, and
how they slept beneath your shade.

Sing to me of that odorous green eve when
crouching by the marge
You heard from Adrian’s gilded barge the
laughter of Antinous

And lapped the stream and fed your drouth and
watched with hot and hungry stare
The ivory body of that rare young slave with
his pomegranate mouth!

Sing to me of the Labyrinth in which the twi-
formed bull was stalled!
Sing to me of the night you crawled across the
temple’s granite plinth

When through the purple corridors the screaming
scarlet Ibis flew
In terror, and a horrid dew dripped from the
moaning Mandragores,

And the great torpid crocodile within the tank
shed slimy tears,
And tare the jewels from his ears and staggered
back into the Nile,

And the priests cursed you with shrill psalms as
in your claws you seized their snake
And crept away with it to slake your passion by
the shuddering palms.

Who were your lovers? who were they
who wrestled for you in the dust?
Which was the vessel of your Lust?  What
Leman had you, every day?

Did giant Lizards come and crouch before you
on the reedy banks?
Did Gryphons with great metal flanks leap on
you in your trampled couch?

Did monstrous hippopotami come sidling toward
you in the mist?
Did gilt-scaled dragons writhe and twist with
passion as you passed them by?

And from the brick-built Lycian tomb what
horrible Chimera came
With fearful heads and fearful flame to breed
new wonders from your womb?

Or had you shameful secret quests and did
you harry to your home
Some Nereid coiled in amber foam with curious
rock crystal *******?

Or did you treading through the froth call to
the brown Sidonian
For tidings of Leviathan, Leviathan or
Behemoth?

Or did you when the sun was set climb up the
cactus-covered *****
To meet your swarthy Ethiop whose body was
of polished jet?

Or did you while the earthen skiffs dropped
down the grey Nilotic flats
At twilight and the flickering bats flew round
the temple’s triple glyphs

Steal to the border of the bar and swim across
the silent lake
And slink into the vault and make the Pyramid
your lupanar

Till from each black sarcophagus rose up the
painted swathed dead?
Or did you lure unto your bed the ivory-horned
Tragelaphos?

Or did you love the god of flies who plagued
the Hebrews and was splashed
With wine unto the waist? or Pasht, who had
green beryls for her eyes?

Or that young god, the Tyrian, who was more
amorous than the dove
Of Ashtaroth? or did you love the god of the
Assyrian

Whose wings, like strange transparent talc, rose
high above his hawk-faced head,
Painted with silver and with red and ribbed with
rods of Oreichalch?

Or did huge Apis from his car leap down and
lay before your feet
Big blossoms of the honey-sweet and honey-
coloured nenuphar?

How subtle-secret is your smile!  Did you
love none then?  Nay, I know
Great Ammon was your bedfellow!  He lay with
you beside the Nile!

The river-horses in the slime trumpeted when
they saw him come
Odorous with Syrian galbanum and smeared with
spikenard and with thyme.

He came along the river bank like some tall
galley argent-sailed,
He strode across the waters, mailed in beauty,
and the waters sank.

He strode across the desert sand:  he reached
the valley where you lay:
He waited till the dawn of day:  then touched
your black ******* with his hand.

You kissed his mouth with mouths of flame:
you made the horned god your own:
You stood behind him on his throne:  you called
him by his secret name.

You whispered monstrous oracles into the
caverns of his ears:
With blood of goats and blood of steers you
taught him monstrous miracles.

White Ammon was your bedfellow!  Your
chamber was the steaming Nile!
And with your curved archaic smile you watched
his passion come and go.

With Syrian oils his brows were bright:
and wide-spread as a tent at noon
His marble limbs made pale the moon and lent
the day a larger light.

His long hair was nine cubits’ span and coloured
like that yellow gem
Which hidden in their garment’s hem the
merchants bring from Kurdistan.

His face was as the must that lies upon a vat of
new-made wine:
The seas could not insapphirine the perfect azure
of his eyes.

His thick soft throat was white as milk and
threaded with thin veins of blue:
And curious pearls like frozen dew were
broidered on his flowing silk.

On pearl and porphyry pedestalled he was
too bright to look upon:
For on his ivory breast there shone the wondrous
ocean-emerald,

That mystic moonlit jewel which some diver of
the Colchian caves
Had found beneath the blackening waves and
carried to the Colchian witch.

Before his gilded galiot ran naked vine-wreathed
corybants,
And lines of swaying elephants knelt down to
draw his chariot,

And lines of swarthy Nubians bare up his litter
as he rode
Down the great granite-paven road between the
nodding peacock-fans.

The merchants brought him steatite from Sidon
in their painted ships:
The meanest cup that touched his lips was
fashioned from a chrysolite.

The merchants brought him cedar chests of rich
apparel bound with cords:
His train was borne by Memphian lords:  young
kings were glad to be his guests.

Ten hundred shaven priests did bow to Ammon’s
altar day and night,
Ten hundred lamps did wave their light through
Ammon’s carven house—and now

Foul snake and speckled adder with their young
ones crawl from stone to stone
For ruined is the house and prone the great
rose-marble monolith!

Wild *** or trotting jackal comes and couches
in the mouldering gates:
Wild satyrs call unto their mates across the
fallen fluted drums.

And on the summit of the pile the blue-faced
ape of Horus sits
And gibbers while the fig-tree splits the pillars
of the peristyle

The god is scattered here and there:  deep
hidden in the windy sand
I saw his giant granite hand still clenched in
impotent despair.

And many a wandering caravan of stately
negroes silken-shawled,
Crossing the desert, halts appalled before the
neck that none can span.

And many a bearded Bedouin draws back his
yellow-striped burnous
To gaze upon the Titan thews of him who was
thy paladin.

Go, seek his fragments on the moor and
wash them in the evening dew,
And from their pieces make anew thy mutilated
paramour!

Go, seek them where they lie alone and from
their broken pieces make
Thy bruised bedfellow!  And wake mad passions
in the senseless stone!

Charm his dull ear with Syrian hymns! he loved
your body! oh, be kind,
Pour spikenard on his hair, and wind soft rolls
of linen round his limbs!

Wind round his head the figured coins! stain
with red fruits those pallid lips!
Weave purple for his shrunken hips! and purple
for his barren *****!

Away to Egypt!  Have no fear.  Only one
God has ever died.
Only one God has let His side be wounded by a
soldier’s spear.

But these, thy lovers, are not dead.  Still by the
hundred-cubit gate
Dog-faced Anubis sits in state with lotus-lilies
for thy head.

Still from his chair of porphyry gaunt Memnon
strains his lidless eyes
Across the empty land, and cries each yellow
morning unto thee.

And Nilus with his broken horn lies in his black
and oozy bed
And till thy coming will not spread his waters on
the withering corn.

Your lovers are not dead, I know.  They will
rise up and hear your voice
And clash their cymbals and rejoice and run to
kiss your mouth!  And so,

Set wings upon your argosies!  Set horses to
your ebon car!
Back to your Nile!  Or if you are grown sick of
dead divinities

Follow some roving lion’s spoor across the copper-
coloured plain,
Reach out and hale him by the mane and bid
him be your paramour!

Couch by his side upon the grass and set your
white teeth in his throat
And when you hear his dying note lash your
long flanks of polished brass

And take a tiger for your mate, whose amber
sides are flecked with black,
And ride upon his gilded back in triumph
through the Theban gate,

And toy with him in amorous jests, and when
he turns, and snarls, and gnaws,
O smite him with your jasper claws! and bruise
him with your agate *******!

Why are you tarrying?  Get hence!  I
weary of your sullen ways,
I weary of your steadfast gaze, your somnolent
magnificence.

Your horrible and heavy breath makes the light
flicker in the lamp,
And on my brow I feel the damp and dreadful
dews of night and death.

Your eyes are like fantastic moons that shiver
in some stagnant lake,
Your tongue is like a scarlet snake that dances
to fantastic tunes,

Your pulse makes poisonous melodies, and your
black throat is like the hole
Left by some torch or burning coal on Saracenic
tapestries.

Away!  The sulphur-coloured stars are hurrying
through the Western gate!
Away!  Or it may be too late to climb their silent
silver cars!

See, the dawn shivers round the grey gilt-dialled
towers, and the rain
Streams down each diamonded pane and blurs
with tears the wannish day.

What snake-tressed fury fresh from Hell, with
uncouth gestures and unclean,
Stole from the poppy-drowsy queen and led you
to a student’s cell?

What songless tongueless ghost of sin crept
through the curtains of the night,
And saw my taper burning bright, and knocked,
and bade you enter in?

Are there not others more accursed, whiter with
leprosies than I?
Are Abana and Pharphar dry that you come here
to slake your thirst?

Get hence, you loathsome mystery!  Hideous
animal, get hence!
You wake in me each ******* sense, you make me
what I would not be.

You make my creed a barren sham, you wake
foul dreams of sensual life,
And Atys with his blood-stained knife were
better than the thing I am.

False Sphinx!  False Sphinx!  By reedy Styx
old Charon, leaning on his oar,
Waits for my coin.  Go thou before, and leave
me to my crucifix,

Whose pallid burden, sick with pain, watches
the world with wearied eyes,
And weeps for every soul that dies, and weeps
for every soul in vain.

Lidless to the darkness,
stretching it with both hands I
stick my head right inside with eyes open wide seeing it all.
You call it crazy, I call it spiritual.
See, there's an invisible world right in front of our faces yet most don't even know,
or is skin and bones really all that we are?
Does your bare feet not tingle in blades of tall grass, does your heart not quake when you look up into space and witness shooting stars?
It's more than just the sight, my purest of thoughts carry light piercing far beyond the limits of these lowly earthly eyes.
Everything is X-rayed and magnified the more one continues to stay connected to the most high.

By Sara L Russell
00:58, 7/11/11

                         1

I was a priestess once, inviolate;
With hair like Aphrodite's; soft spun gold;
Blissfully unaware of future fate, 
With all the happiness a heart might hold.

Great artists came from many miles around
To make my portrait while I stood in prayer;
I wore brocaded gowns that skimmed the ground
And garlands of white lilies in my hair.

Oh blameless life, sweet vision of the past!
Oh hapless bovine state of womanhood!
Oh unjust, cruel curse holding me fast;
How I would flee away, if I but could!

For I did nothing wrong, no harm was meant,
To be stricken with such a punishment...

                              2

One summer's day, thinking of keeping cool,
I was disrobing on a quiet bay
Behind some rocks, beside a limpid pool,
As amber fire marked the fading day.

There came a sudden parting of the sea,
The waves came open, like a corridor,
Poseidon and his henchmen came to me,
With lustful gaze, across the ocean floor.

Then all at once, his henchmen held me tight,
I felt Poseidon's rank breath in my face,
His breath like bladderwrack, deathly as night,
Embrace of scaly arms, touch of disgrace.

I struggled fiercely but he ravished me,
Turned my virtue into a travesty.


                             3

When at last Poseidon had his fill
He left me all alone to face my shame
Ah, how I burned with shame! I feel it still
And wondered if somehow I was to blame.

I curled up, in self-comfort, on my side,
Naked and weeping, as he swam away
And all at once, the heavens opened wide
Goddess Athena had something to say.

"And didst thou tempt my dearest love from me?"
She shouted, as I lay sprawled at her feet.
"I'll turn thy beauty to monstrosity!"
She added, ere I could flee or retreat.

No sooner spoken, than the change began;
Though foolishly, I rose back up and ran.


                                     4

I fled for what seemed all eternity
Until I found a rock pool near a cave
To study my reflection, fearfully
To see what evil gifts Athena gave.

I sank to kneel in abject, dark despair,
Thinking, surely the pool's reflection lies!
Green serpents now replaced my golden hair,
Red pupils graced my staring, lidless eyes

My lips, once subject of admirer's praise
Were drawn up in a deathly, mirthless grin;
My tongue flicked out, before my helpless gaze,
To snare a fly that landed on my chin.

This face is mine, and I must live alone;
For every man who sees it turns to stone.

This poem is dedicated to the fallen of the First World War, and also, to all those we have lost in the years since.

- Somme Harvest -

In the early morning
Dawn of the fiery horizon,
The sea of green caresses the land
And gave it gentle kisses
Of tender sadness.

On this day many an unlived life would find
Life in Death, but first must come Death in Life,
Indeed, a bouquet of barbs grace the
Dark, dank, *****
Halls of Morningstar,
Servants go to and fro preparing the sordid feast
Of unsung heroes.

Babes in arms are they, who shall
Ever sleep till the break of the final day.

Fields of Flanders infertile,
But for the harvest to ripen
The fertilizer of life is
Scattered, battered, tattered,
Sown,
Human manure, nutrient of vitality,
It seeps into earthly soil.

In the year of our Lord,
One thousand, nine hundred and sixteen
Did the farmers collect their greatest bounty,
Not all farmers reaped massive yields,
Farmers Kultur, Sickle and Hammer
Fed their maniacal hunger with rotting corpses,
While famers Lion, Bulldog and Bald Eagle
Wept their hunger with mechanical eyes,
Farmer Scythe, steward of Morningstar,
Laughed dry, dead tears of hungry joy
And sang the golden harvest song
As his blade swam through the harvest thirstily,
For indeed, the harvest was an endless
Smoky sea of blood green
And thousands were sailing.

Twilight gleaming through the sky,
The raging war god *****’s dry thunderous wrath
And wreaks barbaric, savage, ferocious, ****** carnage below,
As sleeping
Babes in arms fly through the red twilight.

Vultures dressed in human feathers
Gather and crowd around their congealing cold feast,
With hatred sewn on their
Lifeless, lidless
Blind eyes,
They shriek their throaty, ******
Thankless prayers to idle gods.

A multitude of thousands upon thousands
Of souls sour to the heights of Mount Olympus,
Unshed tears,
My child, I saw you in that dusky evening half-light,
Flying, soaring and rising higher with your
Brothers-in-arms.

As I looked up at the darkening sky
My heart wept warm tears of ebbing love,
While my eyes forever dimmed the light,
And my baby,
My body became the Earth,

The phoenix has nested.

See the Rabbi.  See him tormented by choice.  See his people.  See them wracked by hate.  See the others.  See their anger radiate outward in glowing spokes, exploding firebrand in a tinder city.

On a night like any other, the moon at sixth house, fulcrum of pinwheel zodiac, the Rabbi, awash in lidless starlight, rises somber and makes his choice.  And when the sun is furthermost, he and three of his others gather at the murmuring riverbank where the brown clay is most pliable and begin to dig, sifting rock and root from trundled earth.  Hours spent exhuming the clay, molding it, kneading its muscles, tracing its veins, baking its skin in the starlight.  More hours spent in whispering prayer, the words bent and somersaulting over themselves like tumbling books.

See Truth drawn on its forehead, life etched from clay and word.  As the sun rises, so it does, wavering at first, but steadier, lapping at the river, and their faces move slowly across the water.  See the Rabbi speak to it, his words winding its mechanism.  See it stride past the ghetto, wade through the market, and into the borough, siege unto its own.

See the others scream for mercy from the kiln of its stare, from their flaming tenements, their crumpling rooftops.

See it wade back through the market, past the ghetto, back to the riverbank to kneel in the underbrush.  See it tilt its head to the lilt of a stranded daisy caught in a vagrant gust.   See it caught, too, and see it see.  It sees the colors of Eden in the ferns.  It hears the river churning sediment, fossils, gravel, whirling over driftwood.  It touches moss on a rock; gently rotates its hand to let a grub complete an oblivious circumference.  See it sit in silence.

See the Rabbi meet with the others, then his others.  And on a day like any other, when the sun is at its apogee, they slip down the riverbank where it still sits, still.  It ignores their autonomous logic, their homunculus rationale.  They are perversions of variety cloaked in righteous intention.  So it remains.

See the Rabbi and his others gather at the murmuring riverbank, shadow conclave in shifting sunlight, then rise somber and decided.  They pin it to the earth as the Rabbi chants, invoking the void in which forbidden knowledge spirals.  It squirms under the power of the Word, mind-forged manacle as incantation.  See the Rabbi draw to a close.  His hand is arbiter, swooping down to smudge Truth from its forehead.  What is left but Death.

See its hand crumble in its passage as it reaches for the stranded daisy.  See the colors of Eden darken in its eyes, its own body the dust that denies it light.  See it collapse into itself, the clay that was once animate spilling onto the riverbank.  See the Rabbi and his others shimmer then fade into city grey.

The daisy stands still.

High on the O2:
Red Rossopomodoro, Wagamama,
and on the bus shelter, Marc Jacobs,
and again higher,
Habitat,
then Metroline moves past.
It's the 113
to Oxford Circus,
and the 13 to Victoria:
Thrilla Lives On,
shouts the slogan,
while National Express has
All Set For Take-Off.

They're gone...
It calms
empties,
nothing much
just the red lidless eyes
of cars
two, three, four dozen pairs
hover
over the asphalt road.

Where...
where am I?
Ahhh, yeah,
in the Oriental Star,
the road seen from a table and stool,
waiting
for food.
Where have I hailed from?
My lover's womb.  
No, no
NOT THAT!
The North Star, yes:
A pub on the Finchley Road,
Where Tottenham beat Liverpool 4-1
A pyrrhic victory!
Over a couple of beers.

Warm years, and tears.
A sense of place,
a home, a nest,
Receding in the traffic
Of a busy road,
Waiting on noodles.

I

How should I seek to make a song for thee
When all my music is to moan thy name?
That long sad monotone - the same - the same -
Matching the mute insatiable sea
That throbs with life's bewitching agony,
Too long to measure and too fierce to tame!
An hurtful joy, a fascinating shame
Is this great ache that grips the heart of me.

Even as a cancer, so this passion gnaws
Away my soul, and will not ease its jaws
Till I am dead. Then let me die! Who knows
But that this corpse committed to the earth
May be the occasion of some happier birth?
Spring's earliest snowdrop? Summer's latest rose?

II

Thou knowest what asp hath fixed its lethal tooth
In the white breast that trembled like a flower
At thy name whispered. thou hast marked how hour
By hour its poison hath dissolved my youth,
Half skilled to agonise, half skilled to soothe
This passion ineluctable, this power
Slave to its single end, to storm the tower
That holdeth thee, who art Authentic Truth.

O golden hawk! O lidless eye! Behold
How the grey creeps upon the shuddering gold!
Still I will strive! That thou mayst sweep
Swift on the dead from thine all-seeing steep -
And the unutterable word by spoken.

HOW should the world be luckier if this house,
Where passion and precision have been one
Time out of mind, became too ruinous
To breed the lidleSs eye that loves the sun?
And the sweet laughing eagle thoughts that grow
Where wings have memory of wings, and all
That comes of the best knit to the best? Although
Mean roof-trees were the sturdier for its fall.
How should their luck run high enough to reach
The gifts that govern men, and after these
To gradual Time's last gift, a written speech
Wrought of high laughter, loveliness and ease?

For the first time ever; I truly do not care
    if you, him, or her wished me a happy birthday;
But, I wouldn’t mind if you did. Though it is fair;
    I am one of the lesser friends; I am a boring play;

A play so fake; I am of made up characters,
    Sometimes I am the flattering villain in smiles,
And at times I am a copy of the Westerners,
    At others, I am gullible, yet I never am;

I pretend to be; but I am miles away,
    For interesting I am not; so funny at least be,
Says my brain; for maybe they will remember,
    That my birthday was today; It is an endless plea:

I always remember and prepare pages of wishes,
    For almost everyone, but all I get is 4 days late
One liners sent out of guilt; to stop the guilty itches,
    Not out of care, love, or from genuine friendly state;

I deserve it; for again; I am merely a boring play;
   A paradoxical headache of weird introverts,
And annoying extroverts; I barely even weigh,
    To a normal person; I am made of endless alerts;

Alerted, focused, attentive; all on your acceptance;
    I am what I feel you want me to be; a nice man,
A racist gangster, a diplomatic figure; I am resemblance,
    I resemble everything I see in you and scan;

I am stardust that was never meant to shine,
    I am a thread; intertwined as I feel pleases,
I am a road with temporary signs; I am grapes;
    For you I squeeze myself into juice; or ferment

Into wine; I am a fake play where you write scripts,
    I submit, because all I cared about is receiving,
A birthday wish. On that one day in the entire year;
     I do not want even want gifts; because when you don't,

I feel like I am ceasing to exist; slowly deceasing
    from everything that we were: teenagers ambitious,
WhatsApp stickers collectors, School runaways,
    Kids deceiving; it feels like I am dead; for the dead

Do not receive birthday wishes; I feel peerless;
    A white beans *** lidless, a body complete limbless,
A walking sickness, a moving flesh in stillness,
    unpardoned by my faux and obvious silliness.
  
I do not care about not getting birthday wishes;
         But I cannot not overthink what it means.

Time stopped. I had no bearing as to who, where, or what I was. All that was in my presence was the high, rolling desert painted orange with that odd sand-mud that he called “Geonosian rock;” his ebbing backpack being pulled from his shoulder, just like the ocean tide; his canteen bottle, lidless, slipping out of the rear pocket and whetting the sand with the boy’s quickly diminishing water supply; and the boy, Davy, being torn helplessly from safety by the cool, malevolent hands of gravity, and into the crevasse.
Reaching out desperately for the boy’s damp, warm hands, I grab a hold just in time—to consciousness, as he plummets and I stare wondrously; dumbfounded by my own ineptness in rational thinking. the boy is gone. Davy, my own stepson, my ******* child whom I would do anything for to prove my worth to his mother, Mary, who was the token to happiness with a new family, was ripped from my grasp, and eaten by the New Mexican terrain. So I delved after him.

lidless eyes
and the thought that
I'll never get better
is comforting in its
own particularly dreadful way
waves of solitude
self imposed and ever increasing
can't won't fit in afraid to fit out
misunderstood and still in search of self
identity folks is more important than anything
it just ***** when your self
is... not much at all
just a phase
i hope

days like these
i feel comatose.
a sleeping beauty
in a coffin.

a death of eternity
..not new
or waking,
a floating enigma
defying                 logistics
      a tiny winter scene
trapped inside a snowglobe

never changing
cold and wet
                          yes wet like her lips
as she strikes a damp match
didn't you know, it won't catch

      warmth is gone from this place
the dark                                      dragging days
snatching
the light
from lidless           eyes.

Twin snakes berthed on the wrists
One born of innocence, one born of sin
One lies asleep, the other awake
With a lidless stare and a restless ache

Tongue twists between forever and for naught
The heart yearns to reach the momentous, often cited fraud
‘Impossibility,’ the serpent screams
‘The unproven disease’

Slithers on the spot
In perpetuity
With a ceaseless speech
I follow completely

In my wake
Is dust and death
The once conscious snake
Has become rotting flesh
Upon my right
The other stirs
Fat and swollen, it smiles
Calling itself sin

I see demons hiding.
I wink at their shadows.
******* themselves, halfway to the curb.

My censor is muted.
My eyes now so lidless.
My voice, oh so set to disturb.

You ring out your outrage-
Crowned Queen of the Vapid.
I mirror the things that you chose.

The Soma, the money,
You burned through such tinder.
I break sidewalk with spoon for your dose.

emaciated faces placed hastily in waste filled space
graceless shapes, mass of flesh
lidless eyes scanning endlessly
searching for rest
impoverished waifs piled
on the mentally ill homeless
skin pressed together
inappropriately –
lost child wildly blinded, bound
gagged on diesel rags used to clean tools
torture implements rented on ebay
scented candles transmogrify blank surroundings
and color splashed lashes shine red in the afternoon
glistening –
fake baking ******* easily ballooned
ozone less atmosphere cooks plastic skin
releasing Botox and wheat germ
creating orange clouds engulfing tanning booths
light skinned pretenders swish across foray’s
looking both fabulous and abhorrent
frolicking –
camera angled babies
in thick foundation hide tears
so as to not disappoint
or fail in the eyes of the media sharks
fear and gun-rights send them into a frenzy
seeking to raise and destroy
everyone –
political ridicule in a public tribunal
grandfathered unborn wait to rule
wombs of power hold genes of control
eggs designed to tax  
meeting ***** engineered to manipulate
deform –

Honeycombs of light
****** themselves into being
in metro fields.
Children cross the lush
to skip stones at the dead fence
as night assembles itself
into spaces and stars.

Day falls away like a skin,
beneath conquering belts of milk
that separate from a lidless emptiness.
Silver subway trains gleam
in their charcoal tunnels.
Apart from all of it
is a chalk morsel moon.

Sometimes you are
the thrown stone
sinking down to post
& sometimes you are
the star wheeling off tether.

Conifer-covered hillside
in the hinterlands
of this sleepy town
on a warm day
in this mid-June

The unspoilt soil
neither grieves
nor revels
and there's no revelation in that-
just what you see.

It's just what you see.

The quivering quakeys
can't hack it even when they cackle-
an attempt to unravel the shackles of
their incomplete alchemy-
cause it's never enough

one laugh is never enough.

The high's always flanked
by a sunrise so rank
as to wrinkle the brows
of the loudest and proudest-
the laughers and criers, or livers and die-rs

Just give me the bliss of the birds
and a big lidless urn to retire my fire
when the work week expires
when I finally can see even truth holds some lies
and when the sun sets too low to appraise the horizon,
I'll fly.

I'll just fly.

Lidless wreath
Blind me with your teeth
Bone white, chalk lines; bitter retreat

I’ll sing through the embers
Of our charred reverie
A brick & mortar apartment
Holding three dead children
We flee.

Stole some fixed verse, from a nicked purse
Drown me in turpentine
Told to react first, and act terse
Barren with no arginine
                            …
Diluted grape juice poured like nectar
Drips faithfully down to a rat in its cell
Forged delusions, lidless projector
Purgatory bound through this, a stint in hell
Outward embodiment shown as a spectre
Wilted flowering of a southern belle
Bedpost batters, it earns too deep a notch
Piggies arrive too late, they smell of scotch.

All along the midnight prairie,
Across the twilight plains and rarely,
In those oft forgotten and half imaginary,
Waking dreams of bygone maps,
Lies that kid you used to be a lack,
Lidless moon and starlit flack,
Illuminate loves long lost track,
Wherein , perhaps, dear child, dear friend,
You'll find a way to here again,
But in this world oh so blue,
Where twilight never gleams nor shines on through,
Where going back is no mend,
And dying forward is one's bend,
Verily little boy listening clearly,
My wisdom sense I pass on dearly,
You'll get nowhere on this life I fear,
Without losing your innocence,
In a midnight prairie

You know how when you are eating oatmeal and it suddenly hits you that you are super full? You wanna finish it but you just can't.

And because of this, you sort of just take your spoon and mindlessly scoop up a heap of oatmeal only to then kinda twirl it around in your fingers and watch -mesmerized- anticipating the oatmeal's breach, its last hoorah over the edge of the spoon, like when you first chance a look past the warmly lit scaffolding of language, only to peer into a lidless unflinching abyss where the wires of "justice" or "truth" or "god" or "father" don't actually plug into anything really, dangling over a cliff to who-knows-where, and, after losing not only a staring contest but also meaning and purpose itself, you watch the oatmeal splat into your bowl?  

Well maybe it's not that melodramatic but you get me right?  You start to play with your food..

Well, that is kinda how I feel sometimes -- like unwanted excess oatmeal creeping over the edge of a spoon.  

I mean, not to sound annoyingly existential, but, really, what's the point?  I guess I could run that errand that I totally need to run but, ya know, entropy.

I mean I guess I could get out of bed and make something of myself but -really- I'm already half-dead.  I'm 32.  The average life expectancy for a male is 68.5 years old.  I am nearing that halfway mark, slowly but surely.  The bottom of the bowl awaits splat
  
That old saw plays over and over inside my head: we are all going to die; cease being here; away forever.  It is a mindfuck. We all pretty much have a preexisting condition of not-yet-dead --- and even with Obamacare that **** still will **** you dead.  

Read the fine print of life and you'll find: "um your molecules will start to **** soon, sorry"

Like an ocean tide, we come and go and no feelings will change that.  

The final It does not care - it just does, and then does not.

So, what's the point? Might as well say **** it..

But life.

But sunshine, a sudden warm glow of heat after the sun peers out from a passerby cloud amid a half-eaten blueberry sky. But the wonders of reflection, deep dives into the mind, delving, creative spurts gushing. But the rush of accomplishment of a simple stupid errand that you stupidly procrastinated over. But the big ******* to shoulda's when you get **** done. But the gradual respect of fear, not giving into it but not running away from it, facing up to it, going through it, letting it have it's say and do its worst, letting it teach you. But ***, really ******* good *** where you *** so ******* hard it makes you laugh out loud afterward cos you can't even believe that such a feeling could ever exist. But the being OK about the tears that don't come, that elusive big cry that as a child made you feel like a renewed self, purged from the fires of this strange new world you were still getting used to; and now made all better, brand new, scrubbed, ready to go again, ready to play. But the nostalgia from something as small as a smell, stabbing you so perfectly that you could swear you were back there.

the door to the basement is locked, but you don't remember where the key is. you know it's somewhere hidden, under the floorboards, under the mattress, over the door frame. it's somewhere. as the burning of your heart ignites your desire to go into the basement, you hear a creak coming from the stair. you don't want to feel it there, but you do. you spin and find that you're bleeding. the scars on your hand tell you you've been through this before.

suddenly, you're in the basement. the key is in your stomach and your heart still burns with passion. inside, your nightmares are all sat in concentric circles round and round the devil himself as he dances for you. you wonder about bible quotes and floods and how they got down here, but then they all stare at you with lidless eyes.

you blink first.

when you wake up, you're in bed and you're warm but the key is lodged in your throat and you're watching your parents make love, and you reach out to touch them.

they are no longer making love; they are consuming each other. their mouths close over each other's flesh and lovingly rip. the rips leave holes in skin that fill with blood and the smell is sweet-rotten, but soon they are nothing but lust and love and bones. even the bones have handprints.

so then you're upstairs again and you can't remember the basement but all you know is that the key's gotta be around here somewhere and you must have been crying because what is that lump in your throat?

Across the way seems taught,
It stretches the wits
Lifeless forms, unyielding but fraught
Flowing from the depths

Neophyte the new thought take
mirrored opacity
Dumb mouths, cease to communicate
All out in the middle ground

Lidless pupils temperature moves
derived discourse
Winners only fail to lose
Eventual slouch is universal

Ones and Twos, entrenched in hate
forgotten loss
Trembling nails, cease to quake
Swiftly sweeping like hair in wind.

We met for coffee; well,
I had coffee and she had tea.
Her pics didn't do her justice --
Chin prim
Lips cursive
Skin that swam under mine,
Making the porcelain creamer cup blush.

She claimed
she had a quarter million members
That followed her.
it's good money she reasoned,
But not gloating;
More matter-of-factly.
Off the cuff,
I asked for her stage name.
She explained that she blocked NY
For work and family reasons,
Assuming I had asked so to
Watch her perform later
(Which isn't altogether untrue).

She measured every utterance,
Teleprompters behind eyelids
Feeding her perfectly crafted lines.

I use the Golden Ratio when I webcam
She said, as she sipped her tea.
I consider it an art -- or
At least that is what I tell myself.
I asked her to elaborate.
She said she was somewhat conflicted
About whether or not it was immoral.
But she was so even
With her response,
Almost as if it were compelled
By a formality
That was now checked off her list.

Her body language taciturn
Asleep, idle, screen-saved
Waiting waiting

Curve and line
Coffined for now to slake desires anon -
Her numbers in slumber, confined
Waiting to be crunched,
Flatlines Animated by pitchblack revelry
With one click

Turning them.

She said she liked to watch others
ya know, To see how they move.
She would even watch it at work,
Open in one of her browser tabs.
She took notes.

Lines triangulated
Liminal spaces given, hidden.

Digital lipstick smears
Tattooing amygdalas firing --
Allow them to slip in
Only to slip out of them
With an X.

We talked for an hour
And then left the café.
She asked me over.
I said not tonight --
The words coming out
As if willed by something
Outside of myself.

She walked off into the dark
And I kicked myself for saying no.

Her curves beholden to math --
Gyration of hip and waist,
Arms tendrils configuring, cavorting,
Slave to an inner-whorl
twirled and twirling --
One single objective truth, now
A convergence of secreting plurality
Into beauty and beauty and

That night I ****** off thinking of her
And came so hard
I pulled something in my back.

In between sleep and waking life
I transcended
Something.. I felt

Turned.

Bat on window sill
Still as the unflinching
Lidless abyss --
Then a quarter turn of its head --
Its beady eye catching streetlight --
Careening it off into a nonplussed
Night of nights.

I just want something to come home to
Words
A little picture of happiness.
Something to make the empty echoes
Of a lone heart beating
A little softer

Over and over
Again my eyes flitting side to side
A smile, maybe
No promises.
Just words.
A lover’s repose

I want something to wake up to
Words
A little picture of happiness
Something to jumpstart the tired dull thuds
Of a lone heart weakening

To pull my lidless shades
Up a little
Corner of my mouth upturning
Maybe
No promises.
Just words
A lover’s invigoration.

I want something to let my heart sing to
Words
Harmonized throughout my day
Something to make the beating
Prevail
A little longer

To draw myself
Through life’s difficulties
A scant crescent
Maybe
No Promises.
Just words.
A Lover’s Endurance.

Burn the way money burns,  
clear into ash our feelings glow.
You could write a book through me through you.
You could be my father when winter is snow.

Me, like some precious stone, I sink,
like the one I grasp around the nape of my neck,
the turquoise one with the ivory glow,
some symbols are lost but this one grows.

You, like some enchanting pond, you pool
hard like truth, like summer out of school,  
colors blend the songs of you,
and speak to me though an invisible ear.

You're bouyant and I float on my elbows,
inching to gaze down the deep end of me.  
But you feel the whiplash of my current
first red hot, the cauldron of morning, then blue.

Your eyes get hard and lidless;
you're a cyclone off the South Pacific of my heart.
I hear you wailing wind into me.
You sound like the bagpipes of my life.

You think I don't know,
the weight of me in the pool of you
but even a fool can see, thats not true,
because the myth of me is found in you.

Angel, sweet whisperings
Crashing upon my deaf ears
I wish to hear your harmonies
I wish to take comfort in your embrace, but
There is no rest for lidless eyes
In no sleep will we meet
Unfound in peerless dreams

.
Must your arms
Be a circle of stones
Locked with truest heavens
Embracing me?

Must your hair
Branch in a wood so deep
Impenetrable and unspeaking
Where lost are souls?

O how your love was so tall,
Such a frame for me to climb,
But I never could see stars up there
From shy ground I felt you looking down.

Must your eyes
Make me see as someone
Who suffered lifelong blind
Lidless in the sun?

*O how your love was precious,
A plaything just to dole out only,
The driest morsel after long famine
And I, a feather in winds without sky.

Ravenous crows hover above the altar on the forest floor,
watching, peering, proud but fearing. Circling down more and more

And I recall you running, I recall you hide.
The heart you would give was invisible inside.
The laughter running like a silver creek,
where can it be now, is it hidden in their beaks?

If I've lost you I don't know
but your heart is my own, though it's cold as stone.
I still can feel you here my dear
and your lidless they eyes can't but stare.
-Speak of your emerald eyes and the pearls they cried,
your ruby smile and your obsidian lies;
It's all collected here and it's all so strong.
Not a part is missing, not a jigsaw puzzle-piece is gone.

Well enshrined here inside
my sacred, my secret museum of art.
Holy, enthroned, precious, my own,
one of a kind; your heart.

And as they're soon to feast, these grey clay-coloured beasts
land carefully and hide next to where you lie.
They anticipate, then they thank their fate
and start pecking at your thighs and what once was where your eyes were.

And the blood stained brittle beaks part in thanks and shriek
with confession in their cries.
We all gave in, it was no sin;
-We love you, the crows and I

Proponents of the plague
Henchman
Obedient cogs in the endless wheel
Blooddrunk money ******
We feel your oppressive ways
Your boot against our neck
Your hand in our pocket
Your lidless eye on us
Your lash upon our back
Your hunger to enslave the next generation

Hide the Children

Some people make me angry
However much they look outwards, they only see themselves
They only see their own face, reflected on the shimmering scales of the fish jumping in the lake by which they sit
The people like watching the fish
But fish and people can't be friends
because people can't see what a fish is thinking, even though the fish are always watching with lidless eyes
The fish; quiet, modest, good swimmers
The reflection of the onlooking person on their scales glimmers
Like a mirror
Some people only see themselves