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"lexical" poems
Hi, below I copy a humorous hiabun, which I shared as an exercise to mentor enquiring and inspired poets to learn, so they might adopt and try different techniques and then give critique together with awesome comments... Yes, I used the words *** ****** and **** for context the rest was left to an individual imagination as in good poetry! It included reflective commentary encompasses innocent classification terminology used in the critique, reading, examining, appreciating, understanding and writing of poetry for example: POETIC DEVICES (enjambement, duality, keriji, images, collocation, semantic, oxymoron, repetition, listing etc.), STORY (personification, characterisation, subject, context, voice etc.), IMAGERY (synaesthesia), STRUCTURE ( lineation, breaks, syntactic etc.), SOUNDS (syllables, rhyme, alliteration, pace, musicality, phrasing, beat, assonance, onomatopoeia, mouthed rhythms, patterned) and WORDS (preposition, determiner, verbs, adverbs, lexical, nouns, adjectives) used by poets, critics and academics... And here it is : **** tongue-in-cheek haibun - a reflective commentary on writing a popular tanka Eye lashes flicker a shared urgent interest parting - dancing smile My first inspiration was *** passionate life squeezing screaming *** the thumping wall musicality of *** exhaustingly inventive sweaty and wet. I wanted to make it a senryu but for duality the female characterisation demanded two more lines each extending to seven syllables.   Arousing images captured her moaning splashing loneliness in unusual collocation. I was first excited by the placement of a hovering extended enjambement to give life to my final line, whilst also considering the satisfaction in using noisy mouthed rhythms.   I believe I easily hid the wet aroused context with a watery semantic field, that suggested she would choke and drown. So in my last line I had ‘pleasures’ as a cutting keriji to make clear the dominating ****** context, having previously used a preposition and determiner to maintain duality! Exhausted shivers in windowed naked currents unfolding sinking then surfing vital wavelets drowning screams - pleasures wet bite **
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May 2, 2010
May 2, 2010 at 7:10 PM UTC
CONSTRUCTIVE CRITIQUE v SOMETHING WORSE
Hi, below I copy a humorous hiabun, which I shared as an exercise to mentor enquiring and inspired poets to learn, so they might adopt and try different techniques and then give critique together with awesome comments... Yes, I used the words *** ****** and **** for context the rest was left to an individual imagination as in good poetry! It included reflective commentary encompasses innocent classification terminology used in the critique, reading, examining, appreciating, understanding and writing of poetry for example: POETIC DEVICES (enjambement, duality, keriji, images, collocation, semantic, oxymoron, repetition, listing etc.), STORY (personification, characterisation, subject, context, voice etc.), IMAGERY (synaesthesia), STRUCTURE ( lineation, breaks, syntactic etc.), SOUNDS (syllables, rhyme, alliteration, pace, musicality, phrasing, beat, assonance, onomatopoeia, mouthed rhythms, patterned) and WORDS (preposition, determiner, verbs, adverbs, lexical, nouns, adjectives) used by poets, critics and academics... And here it is : **** tongue-in-cheek haibun - a reflective commentary on writing a popular tanka Eye lashes flicker a shared urgent interest parting - dancing smile My first inspiration was *** passionate life squeezing screaming *** the thumping wall musicality of *** exhaustingly inventive sweaty and wet. I wanted to make it a senryu but for duality the female characterisation demanded two more lines each extending to seven syllables.   Arousing images captured her moaning splashing loneliness in unusual collocation. I was first excited by the placement of a hovering extended enjambement to give life to my final line, whilst also considering the satisfaction in using noisy mouthed rhythms.   I believe I easily hid the wet aroused context with a watery semantic field, that suggested she would choke and drown. So in my last line I had ‘pleasures’ as a cutting keriji to make clear the dominating ****** context, having previously used a preposition and determiner to maintain duality! Exhausted shivers in windowed naked currents unfolding sinking then surfing vital wavelets drowning screams - pleasures wet bite **
Continue reading...
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resuming vogon poetry altering website logos pretending everyone cares playing "east hastings" asphyxiating well-nigh denouement depicting twitter status obfuscating coincident deletions translating from Sḵwx̱wú7mesh assuring Sḵwx̱wú7mesh exists painting skwiḵw's mother? decrying micropolitical maelstrom imbibing fireball fountain inundating lexical foofaraw crafting poetic wonders desiring other mediums remaining practically invisible ending internet-only depression drafting noetic blunders requesting astute clique blazing perilous trail aging ominous grisaille depicting kmart realism seeking darker groups increasing pre-weekend laughter appropriating communist symbols making lone chuckle offending worldwide communists colonizing hello poetry colonizing parallel universe relaxing e-migration policies пить чистую водку photographing abduction scene ¿losing consistent format? increasing bluebird insignia avoiding frivolous legalities striking astraphobic comments assuming near-universal automation lowering latent inhibition traversing oneiric plane laxwadding afebrile loodies wallscaping pitchsourced chthonicities closing one-star conveniences sharing alien-looking alphabet writing system downtimes
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Sep 13, 2015
Sep 13, 2015 at 7:42 PM UTC
201509-w1
n. A homesickness for somewhere you cannot return to, the nostalgia and grief for the lost places of your past, places that never were. insatiability makes its burrow in my gall bladder, wringing bile from the ***** craving toxins to purge. i thirst for sweet lexical gaps, holes in patterns, dots that don't make shapes but still gladly connect komorebi n. The sunlight that filters through the leaves of the trees loveliest in the distinction it is only komorebi once filtered, green soul bleeding through
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May 27, 2015
May 27, 2015 at 4:58 PM UTC
hiraeth (lacuna love)
* ~for Bill T. Jones~ two poets, laureates both, on the nature of hunger, they discourse, in temple, where sacrificing is to living arts I was there, hungry in every aspect, seeking wisdom of the hungering nature of human. examine the word, hunger, hardly a rolling off the tongue mellifluous. you growl it from the gut, in gowned resplendent ugliness, go ahead, try it, it’s coarse and powerful insistent. awoken empty but for the hunger, hungover from dancing words and imagery not mine, now mine, maddeningly demanding my dutiful attentions, as if hunger was the master, me, obedient pupil. the clean white slate the IPad re-presents repeatedly, insulted that I have yet to crayon color it with the coherence of hunger-exhaled words, dismissive that I am but an also-ran, my village of lexical too unsophisticated, the page addressed yet unplanned, Apple white is the color of the starving artist.
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May 26, 2019
May 26, 2019 at 1:44 PM UTC
the hunger for hunger/white the color of starvation
procuring lexical polymorphism synthesizing atypical signifier playing blue album awaiting tomorrow's celebrations adding complex plugins altering element content watching office mascot wheeling hue-named albums undulating forest growth pricing those yankees finding layman's chaos enjoying another victory reviewing markup concepts ditching error messages enjoying relative obscurity
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Sep 27, 2015
Sep 27, 2015 at 1:17 PM UTC
201509-w3
lamenting out loud incoming funk lords remembering ambient illhueminati using wrong account applying lexical snobbery "using arcane diction during bamboo surplus" sinning and redeeming enjoying manufactured existence struggling but whatever transfigurating xenocryptic renderings scheming paroxystic shipwrecks dispensing xylophonic wainscotting revolving number plates disheartening star charts upgrading defenestrated system observing new alphabet amplifying celestial explosions trippifying schema migrations deregulating various economies befriending code snippets writing excess minutiae effulging caffeine consumption rebuilding grandiose protectorate uniting our caliphates collecting projected change kettling ostalgie hues collapsing second-world references traumatizing unrequited follow making baseball analogies surveiling little sheep awaiting various answers deleting defaced tweet exciting times ahead downloading panda consciousness capitulating rising stellation
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Sep 12, 2015
Sep 12, 2015 at 12:05 PM UTC
201508-h1
lunar luminance lights his lucent lordly lair. leaden legs languish lazily as he lay, laconic-- lexical loquaciousness long lost. his latent lupine lust lignifies and lengthens, longing lonesomely for his lovely limber lioness. with lips of luxurious labial liquer, and licks lapping like lashing lingual lightning, liquifying his lavish lover, luscious lyrical lubrication.
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May 25, 2013
May 25, 2013 at 1:14 AM UTC
long
Lexical littorals illiterate foal Talus and cirque shore and shoal Iconoclast anarchy vortex knoll ****** matrix vertex peak Semantic regalia flux and seek Torrid allusions own and keep Dichotomy paradox surge and swell Primordial integumence purge and fell Contiguity confluence dirge and knell Reliquiae requiem show and tell Accession assertion deliberative need Transcendent ascension expiate seed Subordinate ancillary exigency deed Subliminal subjunctive sensorium seethe Uxorious usury detinue blithe Contiguous currency decimate tithe Tractive proximity critical lithe Delusory phantasm futurity kithe Alacritous tactile acuity interstice Accidence ambience resonance quipy pith Scenario synopsis resilience gist Endergonic protensive progressiveness rift Prestissimo preterite retroactive gift Poignant puissance piquant myth Fable fantasticate legend list Preternatural gesticulate proclivity pith Propensity assimilate diabolical mist    ********** fornicate zooidal mist Parenthetical erudite erumpence fist Quiescent gossamer lecherous wrist Militant mercenary actuator aorist
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Jul 8, 2015
Jul 8, 2015 at 8:04 PM UTC
****
I’m a verbal chameleon, feeding on and leading onto what comes next. I’m a lexical shape-shifter, made swifter by the twitter of your vibes, Your guise, You guys. My political agenda is neither right nor left behind. I’m blind to colour but not colour blind, I’m not pigeon holed, fully sold or moulded on someone else’s dream. I’m simply, Free. From them, From you, From me. So… When now becomes nowhere without here and now. And “unite as one” is paraphrased as a power phrase. Let’s unite as individuals on separate viduals to overthrow ourselves. Don’t follow crowns, clowns or crowds. Don’t follow punishments, covenants or Governments. Don’t follow Religion. Don’t follow Science. And especially, Don’t follow me Because I’m a lyrical paradox, toxic and hypnotic to even my own thoughts.
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Aug 29, 2010
Aug 29, 2010 at 7:15 PM UTC
"Don't Follow This Poem"
Every true crime documentary resides in me. Binge used to be tied to drinking. The language, I think, is evolving, and I walk the black part of town at night on a double dare from a lady poet whose lexical purview lies somewhere between her **** and the moon. I'm a beacon of fairness, fair trade coffee stains my teeth, my lenin pants imported from Bali are ethically made, and I speak in a respectable and thoughtful half whisper like the women of the QVC. I return to the loft free of gunshot wounds and love my lady poet thin and love my lady poet tall and she says confusion is the only sustainable state of being and I say I can agree with that and she says she's been thinking about transitioning and I say into more responsibility at work? and she says haha no. Into a man. And three weeks later I watch her read a poem entitled "Traffic My **** Transgender *** to Heaven," she goes home with one, two, three Sylvia Plath lookalikes, and I get swabbed at the doctors and I get prescribed a moderate dose of Effexor and I speak in high school Spanish to my office crush — she's from Venezuela, I think. Power. Control. Stockings, I tell her, I have a thing for stockings and pink cotton socks. One more drink and I'll hit my groove. Chill. Power. Control. Put on that soul song I like. Didn't I do it, baby?
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Jul 5, 2016
Jul 5, 2016 at 4:17 PM UTC
A Hipster Cautionary Tale
Immaculate Breakfast I should congratulate myself on choosing the Raisin stuffed and Lemon Drizzle Scones Who else would? Spill the milk gently into granola and berry cereal And an Immaculate breakfast is laid out in front of me Like a pastoral English farm valley disturbed by thunder in a Turner painting Which makes you consider how the sunset depicted must have occurred on a Sunday and you can almost hear the firebrand puritanical country church sermon that was lanced unto the congregation that morning. But the sun's high and full of itself here-urban nature's reliable humblebrag. Underwhelming Work Routine The reason I doublebag tea -most apparent in its amber hue before the whisker of a milkdrop eases the cannonroll Is that I need to be aware Of my shortcomings-personal, financial, strategical, spinal, ****** lexical While typing out this or the next sentence on a screen that could really do with some Mr Clean -A line that sounded like it made far more sense in my head A head that is probably in need of a good dose of Ms Benzedrine A dilemma which lays the foundations of an oft shoddy, disingenuous, misappropriated, underwhelming work routine. Oh, the work gets completed just with far more of an effort and far less of the breezy confidant self-satisfaction than I originally intended. And the tea needs to keep me awake or else I would daydream restlessly, evoking rats in cages who make political decisions and far away destinations where I can at last make my life completely redundant, or, whisper it, a success. But that's the great kicker of working life, isn't it? You make a meal out of the easy stuff And wish the good bits didn't capture people's attention.
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Sep 22, 2016
Sep 22, 2016 at 7:24 AM UTC
Immaculate Breakfast, Underwhelming Work Routine ; Most Importantly -I Doublebag
Immaculate Breakfast I should congratulate myself on choosing the Raisin stuffed and Lemon Drizzle Scones Who else would? Spill the milk gently into granola and berry cereal And an Immaculate breakfast is laid out in front of me Like a pastoral English farm valley disturbed by thunder in a Turner painting Which makes you consider how the sunset depicted must have occurred on a Sunday and you can almost hear the firebrand puritanical country church sermon that was lanced unto the congregation that morning. But the sun's high and full of itself here-urban nature's reliable humblebrag. Underwhelming Work Routine The reason I doublebag tea -most apparent in its amber hue before the whisker of a milkdrop eases the cannonroll Is that I need to be aware Of my shortcomings-personal, financial, strategical, spinal, ****** lexical While typing out this or the next sentence on a screen that could really do with some Mr Clean -A line that sounded like it made far more sense in my head A head that is probably in need of a good dose of Ms Benzedrine A dilemma which lays the foundations of an oft shoddy, disingenuous, misappropriated, underwhelming work routine. Oh, the work gets completed just with far more of an effort and far less of the breezy confidant self-satisfaction than I originally intended. And the tea needs to keep me awake or else I would daydream restlessly, evoking rats in cages who make political decisions and far away destinations where I can at last make my life completely redundant, or, whisper it, a success. But that's the great kicker of working life, isn't it? You make a meal out of the easy stuff And wish the good bits didn't capture people's attention.
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Fringed by putrescent dusk Fingernails dig beneath graveyard wounds Fostered by lexical warfare Within the harrowing fiascos of tomorrow Nothing but bated memories Braided by skin, coffee, and cigarettes Branded by concrete whispers
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May 30, 2012
May 30, 2012 at 2:48 PM UTC
John Hancock
**A year perhaps no more when the stories of my mind came pouring skipping forth lexical, poetical with rind haiku like, lucid and sore Episodes of haibun comic stripped whole a playwright and haikuist with a mountain biker's soul loving that **** violinist I can't rhyme, so how did this all happen?**
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May 8, 2010
May 8, 2010 at 12:11 AM UTC
How did this all happen?
If the tiles of talking are replaced by something else, say, lexical snowflakes, where will our linear minds be? It's not that we don't understand weird, multifoliate simultaneities in dreams, in anguish, or in ecstasy. It's just the rest of the dumb time we stand there and pull from our mouths a usual piece of numb string.
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Nov 24, 2014
Nov 24, 2014 at 2:16 PM UTC
On the Future Evolution of Languages
it is hard to translate emotions into words and be wholly honest our humours swirl ambivalently, like vagabond alphabets which have not found their words as if insufficient time has lapsed after the meteoric impact of feeling, for the dust to settle and for the words to cool from the heat of the present tense and all we can cough out is soot: scorched and subjective, a hurried attempt at translating a restless disquiet into lexical entities - ordered, grammatical.
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Sep 18, 2012
Sep 18, 2012 at 7:23 AM UTC
the meteoric impact of feeling
~ forcefully polite people spitting surreptitious spite engenders empathy for flight ~ lexical tempests ****** objectivity's flight, and the world secretes meaning
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Aug 5, 2012
Aug 5, 2012 at 3:58 PM UTC
3(10w) looking for another impetus for seeking solitude or better company
twenteesventh. you write of dismembered leaves, enhaloed lust(wtf) pains too sweet because they’re youthfully incomplete, using incontrovertible idiocies like dry rain droplets shining like sunlight, edible goodbye cheerios, edible didactics, teaching “frosted flakys” poetic methadone methodology, poems hats with rhyming lyrics   that taste like that burnt eyelids colored a blood stained mustard yellow, (yum), beyond burger veggie based satyrs, the happy gladness of sadness, reversible rivers flowing heavenwards, ***** ******* you want an infernal cataclysm... really? dechambered hearts, ventricular mysteries, brains wearing wooly sport jacket helmets and other Olsonian beauties, like I write with succinct passion, me, who gets eaten alive by buggers saying “too long,” “too long,” “needed a mid-poem napt” non-lexical non-commonsensical ecumenical hysterical chemical verbal reactionaries and then you wonder why PEOPLE ******* HATE POETRY? jes kiddin’ a leetle
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Jul 15, 2019
Jul 15, 2019 at 3:48 PM UTC
So Olson, It’s All Your Fault!
navigating a conversation is circumnavigating a globe a lexical darkness invokes an expected step in the stairs that was never there to begin with seemingly constructed soundly its revolving linguistic doors halt and close shut precisely when an attempted entrance is made an impossibly difficult rhythm to gauge except it seems as though everyone else can alien colloquialisms loom as familiar judgements rise surrounding clapperboards echo as larynx follows suit interests watered down manufactured in plastic casing arbitrary convoluted theorems of etiquette and mind as clear as matte black and as legible as handwriting in transit as pleasant as disease yet as necessary as water
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Sep 16, 2024
Sep 16, 2024 at 10:58 PM UTC
right on cue
When poetry describes the historical, One refrains from becoming hysterical. However by use of the judicial rhetorical A Poet makes full use of the allegorical! So when writing poetry I remain stoical, That though some may think me radical, Employing words they considered lyrical, I try never to appear, irrational or critical. To write about the mystical and cryptical, Using strict rhythm?  Can be diabolical! As for themes regarded purely mythical, I shy from words too pictorial or technical. My approach to topics humourously comical, Is to compose lines thoughtfully satirical. In turn this allows me to remain sceptical, Whilst appearing not too fanatical or cynical! So, if with words I am reckoned economical? I hope my rational thoughts are not illogical, But in using descriptive words, is it ethical To ensure Poems not be too whimsical? Now, without appearing to be pontifical, Though I'm always careful to be veridical, I'm allowed at times, to wax philosophical, As I attempt to depict matters paradoxical. Doubtless some will find my words inimical: Fanatically methodical and chronological? But in attempting the facetious or ironical, I'll avoid the pitfalls of being too graphical. Should poetry be left to the technological? One might find it becomes too puritanical. And suggest the Poet was unduly practical! Such is the way of the biased hypocritical! If my poetic lines appear to be egotistical? Then readers must understand, that's logical. But please I beg of you, never be heretical, When lines concern the canonical or political. Will a Poet's thoughts be considered farcical, If a reader is left bemused and quizzical? Or should he stick to the unequivocally canonical? Personally, I'm happy if my poems are grammatical! So I'll conclude thinking poetry may be symbolical, And my many rhymes, in quantities numerical, May not satisfy the purist nor the global ecumenical, But they deal with topics that are never hypothetical! Rhymer.  July 10th, 2018. (Your turn Jim!)
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Jul 10, 2018
Jul 10, 2018 at 4:40 PM UTC
A Clerical Lexical.
When poetry describes the historical, One refrains from becoming hysterical. However by use of the judicial rhetorical A Poet makes full use of the allegorical! So when writing poetry I remain stoical, That though some may think me radical, Employing words they considered lyrical, I try never to appear, irrational or critical. To write about the mystical and cryptical, Using strict rhythm?  Can be diabolical! As for themes regarded purely mythical, I shy from words too pictorial or technical. My approach to topics humourously comical, Is to compose lines thoughtfully satirical. In turn this allows me to remain sceptical, Whilst appearing not too fanatical or cynical! So, if with words I am reckoned economical? I hope my rational thoughts are not illogical, But in using descriptive words, is it ethical To ensure Poems not be too whimsical? Now, without appearing to be pontifical, Though I'm always careful to be veridical, I'm allowed at times, to wax philosophical, As I attempt to depict matters paradoxical. Doubtless some will find my words inimical: Fanatically methodical and chronological? But in attempting the facetious or ironical, I'll avoid the pitfalls of being too graphical. Should poetry be left to the technological? One might find it becomes too puritanical. And suggest the Poet was unduly practical! Such is the way of the biased hypocritical! If my poetic lines appear to be egotistical? Then readers must understand, that's logical. But please I beg of you, never be heretical, When lines concern the canonical or political. Will a Poet's thoughts be considered farcical, If a reader is left bemused and quizzical? Or should he stick to the unequivocally canonical? Personally, I'm happy if my poems are grammatical! So I'll conclude thinking poetry may be symbolical, And my many rhymes, in quantities numerical, May not satisfy the purist nor the global ecumenical, But they deal with topics that are never hypothetical! Rhymer.  July 10th, 2018. (Your turn Jim!)
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A lexical set or a rule of three Rhyming words or an analogy. Iambic pentameter or just free verse Acrostic, nostalgic without a rehearse.   Pathetic Fallacy with cloud and rain Feelings on a page without restrain. A ballard, a couplet a villanelle or two AA BB it's up to you. Personification with trees that moan Onomatopoeia with frogs that groan. Similes slither like a snake in sand Metaphor branches are our hands. Alliteration angels always await Sitting on the symbolic gate. Assonace with early birds and worms Writing it all in poetry terms.
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Apr 9, 2017
Apr 9, 2017 at 8:18 PM UTC
What is a Poem?
Maybe he's still alive, that sullen guy who crept out of the abyss like a moth and before we even knew the depth, he saw light and chased every ray. The beautiful girl unbeknownst by touch, slided,skated and glided on words and the two of them flew on lexical wings, afraid of falling from the heat that was love. Guy and girl, found one another's arms, Fought against an avalanche of cold snow, they held each other against the mountains. Love soon discovered it was labelled love, And as my heart awoke to thoughts of you, suddenly your heart became a guiding light.
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Aug 20, 2016
Aug 20, 2016 at 5:18 PM UTC
Maybe he's still alive.
*Maybe he's still alive, that sullen guy who crept out of the abyss like a moth and before we even knew the depth, he saw light and chased every ray. The beautiful girl unbeknownst by touch, slided,skated and glided on words and the two of them flew on lexical wings, afraid of falling from the heat that was love. Guy and girl, found one another's arms, Fought against an avalanche of cold snow, they held each other against the mountains. Love soon discovered it was labelled love, And as my heart awoke to thoughts of you, suddenly your heart became a guiding light.*
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Jun 7, 2016
Jun 7, 2016 at 8:11 PM UTC
Maybe he's still alive...
Hark, hear me! I spin the tale of a squat dandiprat residing within the cerulean sphere. Sunup to sundown suffering visions of cobalt. As he was inside and all around. Sky abode! Likewise periwinkle aperture and icy steed. All is azure in his eyes, personally and interpersonally, as he lacks ears to hear him. I am turquoise non lexical vocables I am teal non lexical vocables Behold my beryl lodgings and indigo casement! Such is the tone of all my vestments. The roads and flora follow suit. Lo my sweetheart also Sapphire. Like the plebeians as they Promenade, as my steed. It is within and throughout. My utterances and perceptions, the operative stirrings deep within. I am royal non lexical vocables I am ultramarine non lexical vocables Most Central and public. Sky abode! Likewise periwinkle aperture and icy steed. All is azure in his eyes, personally and interpersonally, as he lacks ears to hear him. I am turquoise non lexical vocables I am teal non lexical vocables
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Jun 14, 2018
Jun 14, 2018 at 12:57 PM UTC
Like a sir...
Lexical littorals illiterate foal Talus and cirque shore and shoal Iconoclast anarchy vortex knoll ****** matrix vertex peak Semantic regalia flux and seek Torrid allusions own and keep Dichotomy paradox surge and swell Primordial integumence purge and fell Contiguity confluence dirge and knell Reliquiae requiem show and tell Accession assertion deliberative need Transcendent ascension expiate seed Subordinate ancillary exigency deed Subliminal subjunctive sensorium seethe Uxorious usury detinue blithe Contiguous currency decimate tithe Tractive proximity critical lithe Delusory phantasm futurity kithe Alacritous tactile acuity interstice Accidence ambience resonance quipy pith Scenario synopsis resilience gist Endergonic protensive progressiveness rift Prestissimo preterite retroactive gift Poignant puissance piquant myth Fable fantasticate legend list Preternatural gesticulate proclivity pith Propensity assimilate diabolical mist    ********** fornicate zooidal kist Parenthetical erudite erumpence fist Quiescent gossamer lecherous wrist Militant mercenary actuator aorist
0
Mar 16, 2018
Mar 16, 2018 at 7:07 PM UTC
****
Through labour divine have I crowned my true self Through heart I have nurtured pours love so to help Mine eye witness the highest of truths Whilst the lexical throat turns to glorious sooth With grumbling pride geared forth in direction Clutched sacral chamber in the hope of perfection To be found Let the beast within me refuse to bow In the face of doubt Conjure king bearing iron sickle With this riddle he tickles and teaches me That to let go risks one anonymity To the passage of time I shall have to decline thy generosity For his other bears specular mountain to climb So I may look upon splendorous peaks of life’s mind to remember How these steely, dark quandaries must be quietened and tempered Upon the anvil of hope The hammer of the philanthropist’s humour will bear down On this ill-advised, mischievous sprite renowned As she nibbles at my future’s lobe with sensual demeanour It is a pleasure to see her Yet I know this dark queen is a **** in disguise As the beast rattles its cage demanding demise Of the higher self One stroke I allow For the sake of goodbyes These phantom personas aside We will quickly define ourselves Alive and well Each limb we have is able to tell The story of our privilege Honour this Dally not This is your shot With the arrow of certainty Blessed with serendipity Honed by universal energy To focus your senses Then fire away The reward is life’s blessing Beginning this day
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Jun 23, 2017
Jun 23, 2017 at 8:02 PM UTC
Sovereignty