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"lances" poems
Whispers hello as the first streams of sunlight inch their way in through their black chiffon veil, gleaming on our garden of stale breath, and down feathers. Whispers goodnight as his proud freckles become the constellations outside my window, and the moon stretches her arms for another night's work. Whispers sorry after his words became feather-lances jousting through my arguments until my armor was askew and torn at its paper seams. Whispers tales of tomorrows and fortnights to come under illusions of rich greens, blues, and yellows he will finger paint on my forehead like a warrior. Whispers goodbyes, sweet and forlorn, as he realizes promises and paints will not keep the morning from snatching his prized possession from his cotton laced roost, leaving him alone with just the rays of the sun to admire his tail.
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Jan 13, 2014
Jan 13, 2014 at 2:11 AM UTC
The Peacock
SLOWLY the Moon her banderoles of light Unfurls upon the sky; her fingers drip Pale, silvery tides; her armoured warriors Leave Day's bright tents of azure and of gold, Wherein they hid them, and in silence flock Upon the solemn battlefield of Night To try great issues with the blind old king, The Titan Darkness, who great Pharoah fought With groping hands, and conquered for a span. The starry hosts with silver lances ***** The scarlet fringes of the tents of Day, And turn their crystal shields upon their ******* And point their radiant lances, and so wait The stirring of the giant in his caves. The solitary hills send long, sad sighs As the blind Titan grasps their locks of pine And trembling larch to drag him toward the sky, That his wild-seeking hands may clutch the Moon From her war-chariot, scythed and wheeled with light, Crush bright-mailed stars, and so, a sightless king, Reign in black desolation! Low-set vales Weep under the black hollow of his foot, While sobs the sea beneath his lashing hair Of rolling mists, which, strong as iron cords, Twine round tall masts and drag them to the reefs. Swifter rolls up Astarte's light-scythed car; Dense rise the jewelled lances, groves of light; Red flouts Mars' banner in the voiceless war (The mightiest combat is the tongueless one); The silvery dartings of the lances ***** His fingers from the mountains, catch his locks And toss them in black fragments to the winds, Pierce the vast hollow of his misty foot, Level their diamond tips against his breast, And force him down to lair within his pit And thro' its chinks ****** down his groping hands To quicken Hell with horror-for the strength That is not of the Heavens is of Hell.
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8.3k
A Battle
SLOWLY the Moon her banderoles of light Unfurls upon the sky; her fingers drip Pale, silvery tides; her armoured warriors Leave Day's bright tents of azure and of gold, Wherein they hid them, and in silence flock Upon the solemn battlefield of Night To try great issues with the blind old king, The Titan Darkness, who great Pharoah fought With groping hands, and conquered for a span. The starry hosts with silver lances ***** The scarlet fringes of the tents of Day, And turn their crystal shields upon their ******* And point their radiant lances, and so wait The stirring of the giant in his caves. The solitary hills send long, sad sighs As the blind Titan grasps their locks of pine And trembling larch to drag him toward the sky, That his wild-seeking hands may clutch the Moon From her war-chariot, scythed and wheeled with light, Crush bright-mailed stars, and so, a sightless king, Reign in black desolation! Low-set vales Weep under the black hollow of his foot, While sobs the sea beneath his lashing hair Of rolling mists, which, strong as iron cords, Twine round tall masts and drag them to the reefs. Swifter rolls up Astarte's light-scythed car; Dense rise the jewelled lances, groves of light; Red flouts Mars' banner in the voiceless war (The mightiest combat is the tongueless one); The silvery dartings of the lances ***** His fingers from the mountains, catch his locks And toss them in black fragments to the winds, Pierce the vast hollow of his misty foot, Level their diamond tips against his breast, And force him down to lair within his pit And thro' its chinks ****** down his groping hands To quicken Hell with horror-for the strength That is not of the Heavens is of Hell.
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38
Brother, our young summers held us in a long chain like the phalanx of bronzed soldiers forward flung, And the lion was skinned and hung out to dry like the sunned-fur of the beach at Marathon. Brother, help me to dream again. Brother, our yellowed days shook us like serried Hoplites of an atomic age, Shoulder to shoulder, friction rubbed, all ranks split from the fissioned-flanks. Brother, help me to dream again. Storm-footed Titans of heat, dust, and irradiated wind pry from a ruptured Tartarus, The flanks are an open pulse; the scorch-song thirsts for its sea-cooling to stone. Brother, the lion lives that wears your skull around its mane. Brother, dream of me again, of Persian arrows and lances, And my fallen eyes instead of yours pouring in With a sea of lavender water and mists And summers of once-were.
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Jun 8, 2019
Jun 8, 2019 at 8:59 PM UTC
Summer War of Youth
A million bitten off breaths Hang quietly. I’m close enough to hear her thudding - A jarring noise that parts a cloud of frothy swans. We’ve all seen photographs in Wildlife Books – I’m sure you can conjure up the moment a water bird lances a sunlit river with the very tip of its beak to gobble a fish. It’s a difficult photo to take, It’s all over so quickly - The fish caught, The river moving, moving, Still. But here she is in front of me, That bird, Suspended with one Foot in this world, And the other In another. Her toes grind up the Spotlight, Trampling into the moon and balancing there, (I'm surprised the stage is not full of chalk.) It's not beautiful, Not ghostly, But all visceral meat glistening, Fitness, strength, survival, Like nature… No need to take a photo, She is a picture that my mind has Tricked me into taking. So perhaps that’s talent, darling..? Or Perhaps it’s something else, with a name I never knew.
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Sep 22, 2013
Sep 22, 2013 at 4:29 PM UTC
ballerina
America, from a grain of maize you grew to crown with spacious lands the ocean foam. A grain of maize was your geography. From the grain a green lance rose, was covered with gold, to grace the heights of Peru with its yellow tassels. But, poet, let history rest in its shroud; praise with your lyre the grain in its granaries: sing to the simple maize in the kitchen. First, a fine beard fluttered in the field above the tender teeth of the young ear. Then the husks parted and fruitfulness burst its veils of pale papyrus that grains of laughter might fall upon the earth. To the stone, in your journey, you returned. Not to the terrible stone, the ****** triangle of Mexican death, but to the grinding stone, sacred stone of your kitchens. There, milk and matter, strength-giving, nutritious cornmeal pulp, you were worked and patted by the wondrous hands of dark-skinned women. Wherever you fall, maize, whether into the splendid *** of partridge, or among country beans, you light up the meal and lend it your virginal flavor. Oh, to bite into the steaming ear beside the sea of distant song and deepest waltz. To boil you as your aroma spreads through blue sierras. But is there no end to your treasure? In chalky, barren lands bordered by the sea, along the rocky Chilean coast, at times only your radiance reaches the empty table of the miner. Your light, your cornmeal, your hope pervades America's solitudes, and to hunger your lances are enemy legions. Within your husks, like gentle kernels, our sober provincial children's hearts were nurtured, until life began to shuck us from the ear.
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5.1k
Ode To Maize
America, from a grain of maize you grew to crown with spacious lands the ocean foam. A grain of maize was your geography. From the grain a green lance rose, was covered with gold, to grace the heights of Peru with its yellow tassels. But, poet, let history rest in its shroud; praise with your lyre the grain in its granaries: sing to the simple maize in the kitchen. First, a fine beard fluttered in the field above the tender teeth of the young ear. Then the husks parted and fruitfulness burst its veils of pale papyrus that grains of laughter might fall upon the earth. To the stone, in your journey, you returned. Not to the terrible stone, the ****** triangle of Mexican death, but to the grinding stone, sacred stone of your kitchens. There, milk and matter, strength-giving, nutritious cornmeal pulp, you were worked and patted by the wondrous hands of dark-skinned women. Wherever you fall, maize, whether into the splendid *** of partridge, or among country beans, you light up the meal and lend it your virginal flavor. Oh, to bite into the steaming ear beside the sea of distant song and deepest waltz. To boil you as your aroma spreads through blue sierras. But is there no end to your treasure? In chalky, barren lands bordered by the sea, along the rocky Chilean coast, at times only your radiance reaches the empty table of the miner. Your light, your cornmeal, your hope pervades America's solitudes, and to hunger your lances are enemy legions. Within your husks, like gentle kernels, our sober provincial children's hearts were nurtured, until life began to shuck us from the ear.
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75
My sleeping children are still flying dreams in their goose-down heads. The lush of the river singing morning songs Fish watch their ceilings turn sun-white. The grey-green pike lances upstream Kale, like mermaid's hair points the water's drift. All is morning hush and bird beautiful. I only, I didn't have flu.
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4.1k
Summer Dawn
THE KNIGHT IN THE PANTHER’S SKIN ***** Rustaveli (c. 1160-1250), often called simply Rustaveli, was a Georgian poet who is generally considered to be the preeminent poet of the Georgian Golden Age. “The Knight in the Panther's Skin” or “The Man in the Panther’s Skin” is considered to be Georgia’s national epic poem and until the 20th century it was part of every Georgian bride’s dowry. It is believed that Rustaveli served Queen Tamar as a treasurer or finance minister and that he may have traveled widely and been involved in military campaigns. Little else is known about his life except through folk tradition and legend. The Knight in the Panther's Skin by ***** Rustaveli loose translation/interpretation by Michael R. Burch excerpts from the PROLOGUE I sing of the lion whose image adorns the lances, shields and swords of our Queen of Queens: Tamar, the ruby-throated and ebon-haired. How dare I not sing Her Excellency’s manifold praises when those who attend her must bring her the sweets she craves? My tears flow profusely like blood as I extol our Queen Tamar, whose praises I sing in these not ill-chosen words. For ink I have employed jet-black lakes and for a pen, a flexible reed. Whoever hears will have his heart pierced by the sharpest spears! She bade me laud her in stately, sweet-sounding verses, to praise her eyebrows, her hair, her lips and her teeth: those rubies and crystals arrayed in bright, even ranks! A leaden anvil can shatter even the strongest stone. Kindle my mind and tongue! Fill me with skill and eloquence! Aid my understanding for this composition! Thus Tariel will be tenderly remembered, one of three star-like heroes who always remained faithful. Come, let us mourn Tariel with undrying tears because we are men born under similar stars. I, Rustaveli, whose heart has been pierced through by many sorrows, have threaded this tale like a necklace of pearls. Keywords/Tags: ***** Rustaveli, Georgia, Georgian, epic, knight, panther, skin, queen, Tamar, praise, praises, Tariel, Avtandil, Nestan-Darejan
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Apr 22, 2021
Apr 22, 2021 at 1:38 AM UTC
THE KNIGHT IN THE PANTHER’S SKIN
THE KNIGHT IN THE PANTHER’S SKIN ***** Rustaveli (c. 1160-1250), often called simply Rustaveli, was a Georgian poet who is generally considered to be the preeminent poet of the Georgian Golden Age. “The Knight in the Panther's Skin” or “The Man in the Panther’s Skin” is considered to be Georgia’s national epic poem and until the 20th century it was part of every Georgian bride’s dowry. It is believed that Rustaveli served Queen Tamar as a treasurer or finance minister and that he may have traveled widely and been involved in military campaigns. Little else is known about his life except through folk tradition and legend. The Knight in the Panther's Skin by ***** Rustaveli loose translation/interpretation by Michael R. Burch excerpts from the PROLOGUE I sing of the lion whose image adorns the lances, shields and swords of our Queen of Queens: Tamar, the ruby-throated and ebon-haired. How dare I not sing Her Excellency’s manifold praises when those who attend her must bring her the sweets she craves? My tears flow profusely like blood as I extol our Queen Tamar, whose praises I sing in these not ill-chosen words. For ink I have employed jet-black lakes and for a pen, a flexible reed. Whoever hears will have his heart pierced by the sharpest spears! She bade me laud her in stately, sweet-sounding verses, to praise her eyebrows, her hair, her lips and her teeth: those rubies and crystals arrayed in bright, even ranks! A leaden anvil can shatter even the strongest stone. Kindle my mind and tongue! Fill me with skill and eloquence! Aid my understanding for this composition! Thus Tariel will be tenderly remembered, one of three star-like heroes who always remained faithful. Come, let us mourn Tariel with undrying tears because we are men born under similar stars. I, Rustaveli, whose heart has been pierced through by many sorrows, have threaded this tale like a necklace of pearls. Keywords/Tags: ***** Rustaveli, Georgia, Georgian, epic, knight, panther, skin, queen, Tamar, praise, praises, Tariel, Avtandil, Nestan-Darejan
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27
Cover of morning mist, treacheous bring them face to face, in the depth, green darkness of a forest. A porcupine and a pangolin, armed to the teeth, ready to start a war at short notice, both are not pleased to the least, this encounter shouldn't have happened, that thought crosses the minds of both, the mist is the culprit, but how do they know that? If porcupine is equipped with missiles and lances, pangolin is  protected with armour plates, both come to understand, in a second, they stare, with no emotions in display sniffing the air for even the faintest of signals, they stand still, rock like, take stock. A spell of forest seize them, tell a few things in soft whisper, that humans fails to listen always. Nature tell them in quick time, the secret equation of them, in this terrain- in smells, sounds and a hundred myriad things. Each one reads the other's face, watch expressions, then, in a moment the prompt of the nature is clear Voice of the forest speaks "Don't waste the spikes, you need them later, Fighting with a pangolin is a wild goose chase" "Why fight porcupine, the ant kingdom awaits" Porcupine and pangolin, listening to the voice of wisdom, move away quick, as if hit by a lightening the cover of the mist lends a clever helping hand.
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Mar 12, 2013
Mar 12, 2013 at 4:51 AM UTC
Porcupine and pangolin, a surprise meeting
The Assyrian came down like the wolf on the fold, And his cohorts were gleaming in purple and gold; And the sheen of their spears was like stars on the sea, When the blue wave rolls nightly on deep Galilee. Like the leaves of the forest when summer is green, That host with their banners at sunset were seen: Like the leaves of the forest when autumn hath blown, That host on the morrow lay withered and strown. For the Angel of Death spread his wings on the blast, And breathed in the face of the foe as he passed: And the eyes of the sleepers waxed deadly and chill, And their hearts but once heaved, and for ever grew still! And there lay the steed with his nostrils all wide, But through it there rolled not the breath of his pride: And the foam of his gasping lay white on the turf, And cold as the spray of the rock-beating surf. And there lay the rider distorted and pale, With the dew on his brow and the rust on his mail; And the tents were all silent, the banners alone, The lances unlifted, the trumpet unblown. And the widows of Ashur are loud in their wail, And the idols are broke in the temple of Baal; And the might of the Gentile, unsmote by the sword, Hath melted like snow in the glance of the Lord!
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2.4k
The Destruction Of Sennacherib
Fade to faded photographs You know the ones A battlefield from long ago Broken horses Broken cannon Broken men Faded broken men. Fade to faded photographs You know the kind A desert scene from long ago Wild ponies Feathered lances Proud warriors Faded broken lifeways. Fade to faded photographs You know the places The ones so hard to find Clear waters Untamed wilderness All God's creatures Faded fading landscapes. Fade to faded photographs You know their names Seats of power then and now Wooden desks Feather pens Prideful men Faded broken promises.   r ~ 4/27/14
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Apr 27, 2014
Apr 27, 2014 at 9:15 AM UTC
Faded Promises
BULL   FIGHTING (WITH A CLASSICAL TOUCH)                   * By Raj Nandy* (I) The Minoan Civilization of ancient Greece, Was well centered in the Aegean island of Crete; And around 1600 BC this civilization had peaked! Seeing their frescoes, and paintings on potteries and vase, Scholars concluded that ‘bull-jumping’ was perfected as a gallant art! Those jumpers grabbed the bull’s horns, - And receiving momentum from its violent head-jerk, Vaulted over its back in a somersault, To land on both feet to break their fall! I was spell bound by Minoans courage and agility, Their acrobatic feats performed with such dexterity! Those bulls were not killed and no blood was shed, Some acrobats might have been injured instead! What a shame for our bull fighters of date! (II) Today bull fighting has become a popular sport, Where the bull gets slaughtered amidst loud applaud! I recall those Roman amphitheaters that remained jam-packed, When the Gladiators performed their fatal acts! But even those Gladiators had a chance to survive, Our cornered bull has no place to hide! Friends, to see blood is an age old thrill, But none would like to see their own blood spilled! (III) Our Matador today is like a popular Rock Star, While the bull becomes a martyr in the pit by far! The bull’s mighty horns are sharp and strong, Can lift up a man like a rag doll! But when the Picador lances the bull’s **** The bull never gets a fair deal and jumps! Next the Matador waves his ‘muleta’- a red cape, The bull makes a final charge but cannot escape! I wonder if the bull sees red!? The Matador then amidst much pomp and applaud, Spikes the neck severing the bull’s spinal cord! He is greeted by flowers and cheers of ‘Ole’! ‘Ole’! Let us learn from those Ancient Minoans, - That's all I have got to say!                            - by Raj Nandy
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Oct 12, 2014
Oct 12, 2014 at 9:28 AM UTC
BULL FIGHTING !
BULL   FIGHTING (WITH A CLASSICAL TOUCH)                   * By Raj Nandy* (I) The Minoan Civilization of ancient Greece, Was well centered in the Aegean island of Crete; And around 1600 BC this civilization had peaked! Seeing their frescoes, and paintings on potteries and vase, Scholars concluded that ‘bull-jumping’ was perfected as a gallant art! Those jumpers grabbed the bull’s horns, - And receiving momentum from its violent head-jerk, Vaulted over its back in a somersault, To land on both feet to break their fall! I was spell bound by Minoans courage and agility, Their acrobatic feats performed with such dexterity! Those bulls were not killed and no blood was shed, Some acrobats might have been injured instead! What a shame for our bull fighters of date! (II) Today bull fighting has become a popular sport, Where the bull gets slaughtered amidst loud applaud! I recall those Roman amphitheaters that remained jam-packed, When the Gladiators performed their fatal acts! But even those Gladiators had a chance to survive, Our cornered bull has no place to hide! Friends, to see blood is an age old thrill, But none would like to see their own blood spilled! (III) Our Matador today is like a popular Rock Star, While the bull becomes a martyr in the pit by far! The bull’s mighty horns are sharp and strong, Can lift up a man like a rag doll! But when the Picador lances the bull’s **** The bull never gets a fair deal and jumps! Next the Matador waves his ‘muleta’- a red cape, The bull makes a final charge but cannot escape! I wonder if the bull sees red!? The Matador then amidst much pomp and applaud, Spikes the neck severing the bull’s spinal cord! He is greeted by flowers and cheers of ‘Ole’! ‘Ole’! Let us learn from those Ancient Minoans, - That's all I have got to say!                            - by Raj Nandy
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48
Slap of leather magnified Where Caesar’s legion marched Setting sun of golden light Though’ Roman tongues are parched. Pewter helmets bronzely glow Sweat cascades from dusty brow Whilst o’er hill the Vandals mass Salivating hot blood now. Short swords cleat with marching rythm Stabbing lances high and cold, Metronome in stamping sandals Onward now to victory’s fold. Scarlet standards fly on high The statement of intent is clear Caesar’s men have promised now To desiccate from ear to ear. Grey ghost high above bears witness Cadence of advancement grows, Column strides in face of chaos Lowered lance’s sharp steel shows. Engagement in a stony basin Flesh and blood, as one, combine, Cut and slash in perfect order Stab a *** and make him mine. Darkness hides her chilling secret Brooding silence stills the air, Dawn’s first rays reveal  the spectre Carnage killed with none to spare. Grey ghost’s hang in gaunt remembrance Vespers ring in solemn tone, Gone forever Caesar’s promise Dead in vanquished blood and bone. Marshalg Inspired by Anselm’s “Broken Promise to Caesar.” 21 March 2013
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Mar 21, 2013
Mar 21, 2013 at 1:29 AM UTC
Requiem for a Broken Promise
* * ~ Her opalescent wings unfurl under the clear skies, glittering beautifully under the golden glory of the sun As she opens her jaws, lances of flame covers the green, ravaging life with scalding kisses of red and orange and purple and gold Her breath has grown hotter over the years - now able to melt steel and stone, flesh and bone But her eyes, molten suns are always wet with affection when she looks at me Her claws are curved, sharper than Damascus steel, the shade of deep obsidian. Her tail long and spiked; a dangerous whip Her scales drinking in sun as she watches me dip my feet into the sea. From it, rises smoke. Like the water, its's rising and receding into nothing. A clear blue and it seems so vast and endless Just looking at the horizon makes me feel so free... ~ * *
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Sep 23, 2018
Sep 23, 2018 at 11:24 AM UTC
Dragonrider
[Dedicated to Horace Sheridan-Bickers] A vision of flushed faces, shining limbs, The madness of the music that entrances All life in its delirium of dances! The white world glitters in the void, and swims Through the infinite seas of transcendental trances. Yea! all the hoarded seed of all my fancies Bursts in a shower of suns! The wine-cup brims And bubbles over; I drink deep hymns Of sorceries, of spells, of necromancies; And all my spirit shudders; dew bedims My sight -these girls and their alluring glances! Their eyes that burn like dawn's lascivious lances Walking all earth to love -to love! Life skims The cream of joy. If God could see what man sees, (Intoxicating Nellies, Mauds and Nances!) I see Him leave the sapphrine expanses, The choir serene and the celestial air To swoon into their sacramental hair!
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1.9k
Au Bal
Auspexes chiming targets acquired purple smoking lances fire Cherub dead face wings flutter Ghost choir sings and voices mutter Scrolling cognator clicking gears snaking red glow cables fear dull black cermite gleaming; polished through the walls with violence; demolished Flags of battle now unfurled Exterminatus; the end of world's Atop the pile men stand tall now fall back quickly to the halls with bolter, chain, claw and hammer fight back the witch, the mutant; unsanctioned psyker
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Mar 21, 2015
Mar 21, 2015 at 1:54 PM UTC
Enemies of the Imperium
*Hail to Caesar now, Zeig Heil Noble Eagle Standard flies, Schutzstaffel in midnight legion Disciplined long stabbing knives. Heil to goose stepped march precision Noble Eagle Standard soars, Centurian’s in closed division Screaming stukas strafe azores. Fist to leather armour snapping Stiff arms high in thronged salute, Hail to Caesar sing the Legions Zeig Heil Waffen SS brute. Discipline of Shield defences Stabbing lances follow swords Clouds of arrows fill the heaven Dachau’s ovens roast the hoards. Winged Aquila flies the column Wielded high as Roman’s would, Black and white with red blood running Swastikas where Jews once stood. Europe caste in corpses rotting Women screaming in the land, Deutsch and Roman locked forever Destroyers both, in history’s hand.* Marshalg In response to Anselm’s “Two Translations” 25 March 2013 On a cool and dry Autumn afternoon.
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Mar 25, 2013
Mar 25, 2013 at 1:44 AM UTC
Lost Translation
heritage of her long preamble ********** the quick note stencilled on sticky note seemed not only incomplete but irrational 'plead not the day to the jury of night its light deceives the dark into seeking solace for its own death' her heritage thought troubles the waves sending its silent after effects spreading across the waters to which we fled for safe harbour in evening's birth we swim to shore and explore nothing but sand on beachhead and eachothers fumbling in near perfect dark before dawn could streak the sky with the golden lances of the sun as day wrestles the sky from night contending with eachother revealing to our new born eyes the fanfare that light gives the day she stood on this stage and did pronounce loudly entreat the light to forsake the day join the night as she and i had as lovers then the golden lances of dawn would be the stems of roses from one lover to the other
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Jan 8, 2014
Jan 8, 2014 at 6:53 PM UTC
with golden lances
Exposed nails on a chalkboard writhing in Earth, Wind, and Fire These elements touched by sinners 3. Trapped voices in a cage squealing "fly away, fly away" All wings clipped, torn by thee. Now heed the song I sing for travelers starved, we seek Branded with scars so deep. A stretch bruised with keys their legs ripped at the seam Eyes fall ready to weep. Lances project dreams abroad Float in shapes, a triangle of sorts One cut head, who speaks to me.
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Oct 13, 2012
Oct 13, 2012 at 4:28 PM UTC
Abstract Promises
Collected around the cafe  tables The normal folk of many labels: Emily is a district nurse getting 10p from her purse; Steve, a school inspector is worrying about the public sector; Javed, a curry house chef is annoyed at last night's football ref; Karen just made head of service Truth be told she's pretty nervous; Imogen's fork falls on the floor Her teeth are  splintered from her jaw Dust, the silent din Flying hurtling lances Punctured skin Alarm light dances Life caves in Misfortune chances Explosive sin A coward glances Emily was my district nurse.
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Apr 28, 2010
Apr 28, 2010 at 2:24 PM UTC
Bomb
At the door again, It begins as a quiet scratching And then a thick, abrasive sliding-down Like a heaviness upon the frame. Then a barely perceived close-breathing That seems to creep like dull lantern-light Under the door, And around the frame, And through the keyhole. And there is no talisman to protect him. No bust of pallas above the door He is no metamorphosing cockroach Able to **** the gaps With oily-black chitin feelers. The darkness brings no tools but fear Thick and impenetrable as the night The ancient lizard-brain takes over And leaves him waiting for the first rays That will pierce the window like lances And dissolve the oppressive world That leans so heavy against his door.
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Dec 1, 2013
Dec 1, 2013 at 5:36 PM UTC
At the Door - Stolen Thoughts #2
La nuit. La pluie. Un ciel blafard que déchiquette De flèches et de tours à jour la silhouette D'une ville gothique éteinte au lointain gris. La plaine. Un gibet plein de pendus rabougris Secoués par le bec avide des corneilles Et dansant dans l'air noir des gigues nonpareilles, Tandis, que leurs pieds sont la pâture des loups. Quelques buissons d'épine épars, et quelques houx Dressant l'horreur de leur feuillage à droite, à gauche, Sur le fuligineux fouillis d'un fond d'ébauche. Et puis, autour de trois livides prisonniers Qui vont pieds nus, un gros de hauts pertuisaniers En marche, et leurs fers droits, comme des fers de herse, Luisent à contresens des lances de l'averse.
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1.1k
Effet de nuit
Worm in the ground Chewing on forest roots Turns and grows just under the topsoil Listen to the trees creek and moan Dragon lore is no longer fable Do not touch He will bite Do not dig He will scream Grow, grow, grow in malevolence and sting Devour cedars from bottom up Tear flesh down to bone delicate bone Eager search of heart An owl screeches An owl cries Flies to water But still feels dry Hunting with lances and spears Dig, pull, and cut up He knows ****** is best to kindle flame So what do you think he then breathes on me Cut the monster, spill him out Bleeding fire Bleeding fire Trees sent to ash The forest to soot Smells so similar to death, Or at least I think so Fire dies down And buds sprout out Even angels singing "Hallelujah! Sweet Fall Breeze" But still, quiet in December There are worms in the ground
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Jun 21, 2010
Jun 21, 2010 at 11:03 AM UTC
Cut the Root to **** the ****
Para coger un pan sobre el morrillo Dando pecho y axila a los pitones, Juan, anónimo Juan, Juan Torerillo No recibiste clásicas lecciones. Para llevar a casa veinte duros Entre la chifla de inhumano coro Bebiste golpes, aspiraste apuros Y al aire al suelo al aire y siempre al toro. Del miedo, que es ingénito en el hombre, Nació el valor, congénito en el hambre; Así en la tauromaquia, Juan Sin Nombre Fue antítesis del gran José Raigambre. José, nieto de Venus y Vulcano Fue un semidiós con la esbeltez de Apolo (Frecuencia tuvo aquel Teseo hispano En liquidar seis Minotauros, solo). Mas Juan, el pobre Juan de carne y hueso, El más mortal de todos los mortales Opuso a sal valor, arrojo al seso Y "molinetes" contra "naturales". Tres siglos en la historia del toreo Se derrumbaron ante dos colosos: Del morisco e hispánico alanceo Hasta el futuro en los taurino cosos. Y Joselito muestra al horizonte Toda una enciclopedia en su percal. Y remata sus lances Juan Belmonte Con su "media verónica" renal... La Muerte se disfraza de capricho, Y en la más increíble paradoja Subsiste quien vivió a merced del bicho Y muere quien "¡no hay toro que lo coja!"... Quedan atrás los años de la infancia: Sevilla y su noctámbula capea... Como un Jasón, Juan, en su rica estancia Mira en la tauromaquia una Medea. Porque si en su niñez fue Juan Sin Suerte Y fue en su adolescencia Juan Sin Pan, Hoy, ya casi un anciano, es Juan Sin Muerte Porque la Muerte tuvo miedo a Juan. Y quien burló a la muerte en tantos ruedos, Mil veces sentenciado por suicida, Sólo cuando lo quiso, y con sus dedos Mató su muerte y se quitó la vida... A Juan, que no toreó por soleares, Muerto, no he de llorarlo en seguiriyas. Sean por martinetes mis cantares, Cante de yunque y fragua y herrerías: Cristo de la Expiración Cachorro de los trianeros, Bríndale tu absolución Al mejor de los toreros Cachorro, si en Viernes Santo Te faltara un penitente, Asóciate a nuestro llanto Que es Juan Belmonte el ausente...
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A la muerte de don juan belmonte
Para coger un pan sobre el morrillo Dando pecho y axila a los pitones, Juan, anónimo Juan, Juan Torerillo No recibiste clásicas lecciones. Para llevar a casa veinte duros Entre la chifla de inhumano coro Bebiste golpes, aspiraste apuros Y al aire al suelo al aire y siempre al toro. Del miedo, que es ingénito en el hombre, Nació el valor, congénito en el hambre; Así en la tauromaquia, Juan Sin Nombre Fue antítesis del gran José Raigambre. José, nieto de Venus y Vulcano Fue un semidiós con la esbeltez de Apolo (Frecuencia tuvo aquel Teseo hispano En liquidar seis Minotauros, solo). Mas Juan, el pobre Juan de carne y hueso, El más mortal de todos los mortales Opuso a sal valor, arrojo al seso Y "molinetes" contra "naturales". Tres siglos en la historia del toreo Se derrumbaron ante dos colosos: Del morisco e hispánico alanceo Hasta el futuro en los taurino cosos. Y Joselito muestra al horizonte Toda una enciclopedia en su percal. Y remata sus lances Juan Belmonte Con su "media verónica" renal... La Muerte se disfraza de capricho, Y en la más increíble paradoja Subsiste quien vivió a merced del bicho Y muere quien "¡no hay toro que lo coja!"... Quedan atrás los años de la infancia: Sevilla y su noctámbula capea... Como un Jasón, Juan, en su rica estancia Mira en la tauromaquia una Medea. Porque si en su niñez fue Juan Sin Suerte Y fue en su adolescencia Juan Sin Pan, Hoy, ya casi un anciano, es Juan Sin Muerte Porque la Muerte tuvo miedo a Juan. Y quien burló a la muerte en tantos ruedos, Mil veces sentenciado por suicida, Sólo cuando lo quiso, y con sus dedos Mató su muerte y se quitó la vida... A Juan, que no toreó por soleares, Muerto, no he de llorarlo en seguiriyas. Sean por martinetes mis cantares, Cante de yunque y fragua y herrerías: Cristo de la Expiración Cachorro de los trianeros, Bríndale tu absolución Al mejor de los toreros Cachorro, si en Viernes Santo Te faltara un penitente, Asóciate a nuestro llanto Que es Juan Belmonte el ausente...
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I want you to know that The time I get with you I treasure. Whether we are lifelong friends Or you leave tomorrow The time I get with you I treasure. We are transient by nature. I could have a hundred years to know you And it would not be enough. I could have a hundred years to feel the rain and watch the sun rise and laugh and cry and love And it would not be enough. It is not nearly enough And so I Treasure it. I want you to know that Any moment I spend with you Any art I make with you in mind, I am giving you a piece of my life, The most precious thing I have, Slipping through a sieve More each day. And I give it to you because I know that yours will someday run out as well. (And the thought lances through me, And no wonder the sky weeps rain With such a loss hurtling toward it So inevitably.) The time I get with you I treasure Because beautiful things Are always transient And I mean to love them all While I still can.
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May 16, 2015
May 16, 2015 at 1:10 PM UTC
Requiem Ten: Words I Never Showed You