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There isn’t much left of The Grange today,
There isn’t much left at all,
Only a charred left wing, I think,
And the odd, still standing wall,
The central Hall is a pile of ash
As it was, the day I left,
Sat on the back of the doc’s grey mare
As the Lady Mary wept.

It wasn’t supposed to end like this
On the day of the wedding ball,
Balloons and streamers hung from the roof
As the marriage carriage called,
Annette stepped out like a fairy queen
In her ****** white, and lace,
While Reece, the Groom, in the wedding room
Had a smile on his handsome face.

And I led the Lady Mary in
To the mother’s pride of place,
I only had eyes for her that day
As she walked with a widow’s grace,
It wasn’t a secret, I yearned for her
But this was her daughter’s day,
So I was content with the hand she lent
For she squeezed, along the way.

The priest stood up by a lectern as
The guests all prayed and knelt,
To bless their way on this wedding day
I’m sure it was truly felt,
But Mary’s brother-in-law was there
With an evil look in his eye,
He’d wanted to claim the Grange from her
Since the day her husband died.

‘The Grange belonged to my family,’
He’d say, ‘and I want it back,
You only married into the place
When you wed my brother, Jack.’
He made an offer, but she said no,
The Grange had become her home,
‘You sold your part to Jack at the start
Before you went off to roam.’

But Douglas, he had an evil mind
And his countenance was stern,
He said if he couldn’t have The Grange
Then he’d rather see it burn.
He’d brought three barrels of gunpowder
Unseen, but out in the yard,
He chose this day to make Mary pay,
We should have been on our guard.

The guests were all engaged at the front
When he wheeled the barrels in,
It takes a mind of evil intent
To imagine this kind of sin,
Annette had lifted her wedding veil
And raised her lips to the groom,
When all hell suddenly came to play
In the depths of that wedding room.

The hall was full of the screams and cries
Of those who lay on the floor,
While I picked the Lady Mary up
And carried her out to the door,
It was there we saw the bride, Annette
Who’d made it out to the porch,
The groom was dead, but the bride had fled
As her dress went up like a torch.

There isn’t much left of The Grange today,
There isn’t much left at all,
Only a charred left wing, I think,
And the odd, still standing wall.
But the Lady Mary married me
In the wake of all the strife,
Her daughter’s gone, but our love is strong,
And Douglas is serving life.

David Lewis Paget
marriegegirl Jul 2014
vrai dire .celui-ci était difficile pour moi .Il m'a fallu un peu plus de temps pour mettre en place les conseils pour ce poste .Non pas parce que je n'étais pas complètement enamouré .fait tout le contraire .Je ne pouvais pas choisir entre toutes les images superbes de Corliss Photographie .Les fleurs de Paisley Petals Studio de fleur .cette grange incroyablement rustique .chaque détail a été en lice pour mon affection .donc j'ai fini par passer un peu de temps en leur disant tout combien je les aimais .C'est normal .non?\u003cp\u003e

ColorsSeasonsSummerSettingsBarnStylesRomantic­

du designer floral .Nous sommes tous pressés ce tournage en droit en plein milieu de la saison de mariage parce que dans le Nord-Ouest .notre fenêtre de temps décent pour un tournage en plein air est limitée .Les résultats ont été bien elle .nous vaut tous passé un super de travailler ensemble sur ce projet !

La grange rénovée sur cette ferme à seulement 35 miles au sud de Seattle fait un endroit parfait pour aa mariage de pays inspiré séance photo .Holcomb Mariages \u0026Evénements achetés ensemble une équipe de rêve pour exécuter le concept de l'élégance rustique et de romance douce .Les couleurs claires et des notes métalliques complété avec un peu d' étincelle supplémentaire à la grange ' histoire et de charme .Nous avons décidé de laisser la grange fournir l'élément rustique tout en gardant le décor sur le côté élégant .Lorsque tout s'est bien passé .les résultats ont été tout ce que nous espérions qu'ils seraient !

tables artisan magnifiques tableaux de Seattle agricoles étaient ornés d'élégants vases en verre transparent débordant d' une prime de local.fleurs de saison dans les arrangements luxuriants conçus par Paisley Petals Studio de fleur .Les tableaux ont été finis avec la chaude lueur de verre au mercure à partir des détails significatifs .plus de Paisley Petals créations dans de petits vases d'argent et place des cartes artisanale par Itsy Belle .Le cadre rustique de la grange et la ferme était la juxtaposition parfaite contre la romance douce du décor .La météo imprévisible qui fait de jour pour une belle lumière .et les portes de la grange ont été ouverts pour laisser illuminer le réglage.En dehors de la grange .des tables ont été placées dans le paysage pour créer une ambiance intime .Chaque table paysage est légèrement différent de l'autre tout en conservant le sentiment de romance rustique .

la robe de Notre modèle de mariée de Something Blue Bridal Boutique était douce et féminine et arrosé avec l'étincelle de son bijoux guillotine à son correspondant bandeau .Ses magnifiques yeux verts ont été portées à la vie par l'artiste de maquillage Korrine Claxon robe de mariée courte .Le bouquet de la mariée était un mélange frais de la ferme des dahlias .roses de jardin .astilbe .lismachia .scabieuse .dentelle de reine anne .des rosettes .origan .menthe ananas .l'achillée millefeuille .adiante et vignes finis robe de mariée courte avec un ruban ric rac de pêche de luxe .La boutonnière assortie utilisé principalement des herbes et des textures de prêter une ambiance plus masculine .

Une cérémonie simple a été mis en place à l'aide de tables bancs agricoles Seattle .L'emplacement au sommet de la ferme a profité pleinement de la vue panoramique sur les champs ci-dessous.Notre

http://www.modedomicile.com

photographe a su capter les dernières images de plein air comme un orage a commencé à rouler à travers .ce qui a pour fin passionnante de notre journée ensemble !
Nous avons été ravis d'avoir Corliss Photographie à bord pour capter magnifiquement l'essence de ce que nous avions créé .C'est toujours inspirant de travailler avec des professionnels du mariage de talent .Nous étions tous ravis de faire partie de celui-ci !Dans notre petit coin du nord-ouest du pays .nous sommes entourés par nature .donner.professionnels de la collaboration dans tous les coins de l'industrie du mariage .Mettre sur pied un tournage comme celui-ci nous donne une chance de fléchir nos muscles créatifs .apprendre à connaître l'autre un robe courte devant longue derriere peu mieux .et de mettre nos talents à travailler pour créer quelque chose de beau juste pour le plaisir !

Photographie : Corliss Photographie | Planification de l'événement: Holcomb Mariages et Evénements | Floral Design : Paisley Petals Studio de fleur | Robe de mariée : Something Blue Bridal Boutique | maquilleur : Korrine Claxton | Place Cards : Itsy Belle | Locations : tableaux de Seattle ferme |Locations de vacances : AA Party | Location : Les détails significatifs | Lieu de mariage : La Ferme
Mariana in the Moated Grange

by Alfred, Lord Tennyson

With blackest moss the flower-plots
Were thickly crusted, one and all:
The rusted nails fell from the knots
That held the pear to the gable-wall.
The broken sheds look'd sad and strange:
Unlifted was the clinking latch;
Weeded and worn the ancient thatch
Upon the lonely moated grange.
She only said, "My life is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead!"

Her tears fell with the dews at even;
Her tears fell ere the dews were dried;
She could not look on the sweet heaven,
Either at morn or eventide.
After the flitting of the bats,
When thickest dark did trance the sky,
She drew her casement-curtain by,
And glanced athwart the glooming flats.
  She only said, "The night is dreary,
  He cometh not," she said;
  She said, "I am aweary, aweary,
  I would that I were dead!"

Upon the middle of the night,
Waking she heard the night-fowl crow:
The **** sung out an hour ere light:
From the dark fen the oxen's low
Came to her: without hope of change,
In sleep she seem'd to walk forlorn,
Till cold winds woke the gray-eyed morn
About the lonely moated grange.
  She only said, "The day is dreary,
  He cometh not," she said;
  She said, "I am aweary, aweary,
  I would that I were dead!"

About a stone-cast from the wall
A sluice with blacken'd waters slept,
And o'er it many, round and small,
The cluster'd marish-mosses crept.
Hard by a poplar shook alway,
All silver-green with gnarled bark:
For leagues no other tree did mark
The level waste, the rounding gray.
  She only said, "My life is dreary,
  He cometh not," she said;
  She said "I am aweary, aweary
  I would that I were dead!"

And ever when the moon was low,
And the shrill winds were up and away,
In the white curtain, to and fro,
She saw the gusty shadow sway.
But when the moon was very low
And wild winds bound within their cell,
The shadow of the poplar fell
Upon her bed, across her brow.
  She only said, "The night is dreary,
  He cometh not," she said;
  She said "I am aweary, aweary,
  I would that I were dead!"

All day within the dreamy house,
The doors upon their hinges creak'd;
The blue fly sung in the pane; the mouse
Behind the mouldering wainscot shriek'd,
Or from the crevice peer'd about.
Old faces glimmer'd thro' the doors
Old footsteps trod the upper floors,
Old voices called her from without.
  She only said, "My life is dreary,
  He cometh not," she said;
  She said, "I am aweary, aweary,
  I would that I were dead!"

The sparrow's chirrup on the roof,
The slow clock ticking, and the sound
Which to the wooing wind aloof
The poplar made, did all confound
Her sense; but most she loathed the hour
When the thick-moted sunbeam lay
Athwart the chambers, and the day
Was sloping toward his western bower.
  Then said she, "I am very dreary,
  He will not come," she said;
  She wept, "I am aweary, aweary,
  Oh God, that I were dead!"
There was an old person of Grange,
Whose manners were scroobious and strange;
He sailed to St. Blubb,
In a waterproof tub,
That aquatic old person of Grange.
ConnectHook Sep 2015
ϖ↑∅⊕↓☺↨☼♀


The dawn is nigh at hand. The clouds
begin to lift above the grange.
Arise, O Phoebus, bless the crowds—
let poultry roam the range.

I’ll bind a broom of gathered hay
to sweep the hen-house free of hate.
Let roosters hail the crack of day
and chicks with ***** tempt fate.

A fractured self and a challenge hurled:
they left the shell, but found it rough
because our bigoted barnyard world
cannot get queer enough fast enough.

They flutter through the *******’s farm
subverting gender’s useless role.
We feel their pain, and mean no harm—
yet question this progressive goal.

They cluck a brand-new barnyard song:
Gender Identity Obsolete!
(As long as they claim God hatched them wrong,
biology signals their defeat.)

While poultry scratches rhymes for “hen”
and chicks are combing crests for *****
let’s ring the dinner bell and then
we’ll synchronize the global clocks.

Let Mankind’s unmanned race delight
at Jesus’ gender-free return.
Soon Africa shall see the light
and Araby’s sun more brightly burn.

Then dawn shall break o’er Russian plains
to liberate the Tartar races;
loose their limbs from Gender’s chains
to stride with polymorphous paces.

China too, and Southeast Asia
swift shall follow in their train
celebrating ***-aphasia
joining in the West’s refrain.

Hindu multitudes will rise
to vanquish gender, caste aside
and shake the slumber from their eyes
with metro-ambisexual pride.

Carib isles, with Latin kingdoms
From the tropics to the mountains
Shall announce they too are Wisdom’s,
drinking from de-gendered fountains.

Juveniles, raised to simply be
shall pioneer new modes of life;
explore horizons happily
set free from biologic strife.

Then shall our earth, in glad array
***** dirt upon Tradition’s tomb;
unshackled from that dark dismay
to grieve—but nevermore exhume.

Alas, the global dreams descend.
We’re back in the barnyard, gender-queer…
where hens have ***** and eggshells bend
transcending Nature’s reign of fear.

The henhouse still votes hetero;
their eggless chickens cluck for rights
biologists, ex utero
are born to further futile flights.

(Because I was almost one of them
I’ve earned the right to make fun of them.
Time alone will tell if the trend
remains coherent to the end.
)
"Mariana in the Moated Grange"
(Shakespeare, Measure for Measure)

With blackest moss the flower-plots
Were thickly crusted, one and all:
The rusted nails fell from the knots
That held the pear to the gable-wall.
The broken sheds look'd sad and strange:
Unlifted was the clinking latch;
Weeded and worn the ancient thatch
Upon the lonely moated grange.
She only said, "My life is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead!"

Her tears fell with the dews at even;
Her tears fell ere the dews were dried;
She could not look on the sweet heaven,
Either at morn or eventide.
After the flitting of the bats,
When thickest dark did trance the sky,
She drew her casement-curtain by,
And glanced athwart the glooming flats.
She only said, "The night is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead!"

Upon the middle of the night,
Waking she heard the night-fowl crow:
The **** sung out an hour ere light:
From the dark fen the oxen's low
In sleep she seem'd to walk forlorn,
Till cold winds woke the gray-eyed morn
About the lonely moated grange.
She only said, "The day is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead!"

About a stone-cast from the wall
A sluice with blacken'd waters slept,
And o'er it many, round and small,
The cluster'd marish-mosses crept.
Hard by a poplar shook alway,
All silver-green with gnarled bark:
For leagues no other tree did mark
The level waste, the rounding gray.
She only said, "My life is dreary,
He cometh not," she said;
She said "I am aweary, aweary
I would that I were dead!"

And ever when the moon was low,
And the shrill winds were up and away,
In the white curtain, to and fro,
She saw the gusty shadow sway.
But when the moon was very low
And wild winds bound within their cell,
The shadow of the poplar fell
Upon her bed, across her brow.
She only said, "The night is dreary,
He cometh not," she said;
She said "I am aweary, aweary,
I would that I were dead!"

All day within the dreamy house,
The doors upon their hinges creak'd;
The blue fly sung in the pane; the mouse
Behind the mouldering wainscot shriek'd,
Or from the crevice peer'd about.
Old faces glimmer'd thro' the doors
Old footsteps trod the upper floors,
Old voices called her from without.
She only said, "My life is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead!"

The sparrow's chirrup on the roof,
The slow clock ticking, and the sound
Which to the wooing wind aloof
The poplar made, did all confound
Her sense; but most she loathed the hour
When the thick-moted sunbeam lay
Athwart the chambers, and the day
Was sloping toward his western bower.
Then said she, "I am very dreary,
She wept, "I am aweary, aweary,
Oh God, that I were dead!"
Faint as a climate-changing bird that flies
All night across the darkness, and at dawn
Falls on the threshold of her native land,
And can no more, thou camest, O my child,
Led upward by the God of ghosts and dreams,
Who laid thee at Eleusis, dazed and dumb,
With passing thro' at once from state to state,
Until I brought thee hither, that the day,
When here thy hands let fall the gather'd flower,
Might break thro' clouded memories once again
On thy lost self. A sudden nightingale
Saw thee, and flash'd into a frolic of song
And welcome; and a gleam as of the moon,
When first she peers along the tremulous deep,
Fled wavering o'er thy face, and chased away
That shadow of a likeness to the king
Of shadows, thy dark mate. Persephone!
Queen of the dead no more--my child! Thine eyes
Again were human-godlike, and the Sun
Burst from a swimming fleece of winter gray,
And robed thee in his day from head to feet--
"Mother!" and I was folded in thine arms.

Child, those imperial, disimpassion'd eyes
Awed even me at first, thy mother--eyes
That oft had seen the serpent-wanded power
Draw downward into Hades with his drift
Of fickering spectres, lighted from below
By the red race of fiery Phlegethon;
But when before have Gods or men beheld
The Life that had descended re-arise,
And lighted from above him by the Sun?
So mighty was the mother's childless cry,
A cry that ran thro' Hades, Earth, and Heaven!

So in this pleasant vale we stand again,
The field of Enna, now once more ablaze
With flowers that brighten as thy footstep falls,
All flowers--but for one black blur of earth
Left by that closing chasm, thro' which the car
Of dark Aidoneus rising rapt thee hence.
And here, my child, tho' folded in thine arms,
I feel the deathless heart of motherhood
Within me shudder, lest the naked glebe
Should yawn once more into the gulf, and thence
The shrilly whinnyings of the team of Hell,
Ascending, pierce the glad and songful air,
And all at once their arch'd necks, midnight-maned,
Jet upward thro' the mid-day blossom. No!
For, see, thy foot has touch'd it; all the space
Of blank earth-baldness clothes itself afresh,
And breaks into the crocus-purple hour
That saw thee vanish.

Child, when thou wert gone,
I envied human wives, and nested birds,
Yea, the cubb'd lioness; went in search of thee
Thro' many a palace, many a cot, and gave
Thy breast to ailing infants in the night,
And set the mother waking in amaze
To find her sick one whole; and forth again
Among the wail of midnight winds, and cried,
"Where is my loved one? Wherefore do ye wail?"
And out from all the night an answer shrill'd,
"We know not, and we know not why we wail."
I climb'd on all the cliffs of all the seas,
And ask'd the waves that moan about the world
"Where? do ye make your moaning for my child?"
And round from all the world the voices came
"We know not, and we know not why we moan."
"Where?" and I stared from every eagle-peak,
I thridded the black heart of all the woods,
I peer'd thro' tomb and cave, and in the storms
Of Autumn swept across the city, and heard
The murmur of their temples chanting me,
Me, me, the desolate Mother! "Where"?--and turn'd,
And fled by many a waste, forlorn of man,
And grieved for man thro' all my grief for thee,--
The jungle rooted in his shatter'd hearth,
The serpent coil'd about his broken shaft,
The scorpion crawling over naked skulls;--
I saw the tiger in the ruin'd fane
Spring from his fallen God, but trace of thee
I saw not; and far on, and, following out
A league of labyrinthine darkness, came
On three gray heads beneath a gleaming rift.
"Where"? and I heard one voice from all the three
"We know not, for we spin the lives of men,
And not of Gods, and know not why we spin!
There is a Fate beyond us." Nothing knew.

Last as the likeness of a dying man,
Without his knowledge, from him flits to warn
A far-off friendship that he comes no more,
So he, the God of dreams, who heard my cry,
Drew from thyself the likeness of thyself
Without thy knowledge, and thy shadow past
Before me, crying "The Bright one in the highest
Is brother of the Dark one in the lowest,
And Bright and Dark have sworn that I, the child
Of thee, the great Earth-Mother, thee, the Power
That lifts her buried life from loom to bloom,
Should be for ever and for evermore
The Bride of Darkness."

So the Shadow wail'd.
Then I, Earth-Goddess, cursed the Gods of Heaven.
I would not mingle with their feasts; to me
Their nectar smack'd of hemlock on the lips,
Their rich ambrosia tasted aconite.
The man, that only lives and loves an hour,
Seem'd nobler than their hard Eternities.
My quick tears ****'d the flower, my ravings hush'd
The bird, and lost in utter grief I fail'd
To send my life thro' olive-yard and vine
And golden grain, my gift to helpless man.
Rain-rotten died the wheat, the barley-spears
Were hollow-husk'd, the leaf fell, and the sun,
Pale at my grief, drew down before his time
Sickening, and Aetna kept her winter snow.
Then He, the brother of this Darkness, He
Who still is highest, glancing from his height
On earth a fruitless fallow, when he miss'd
The wonted steam of sacrifice, the praise
And prayer of men, decreed that thou should'st dwell
For nine white moons of each whole year with me,
Three dark ones in the shadow with thy King.

Once more the reaper in the gleam of dawn
Will see me by the landmark far away,
Blessing his field, or seated in the dusk
Of even, by the lonely threshing-floor,
Rejoicing in the harvest and the grange.
Yet I, Earth-Goddess, am but ill-content
With them, who still are highest. Those gray heads,
What meant they by their "Fate beyond the Fates"
But younger kindlier Gods to bear us down,
As we bore down the Gods before us? Gods,
To quench, not hurl the thunderbolt, to stay,
Not spread the plague, the famine; Gods indeed,
To send the noon into the night and break
The sunless halls of Hades into Heaven?
Till thy dark lord accept and love the Sun,
And all the Shadow die into the Light,
When thou shalt dwell the whole bright year with me,
And souls of men, who grew beyond their race,
And made themselves as Gods against the fear
Of Death and Hell; and thou that hast from men,
As Queen of Death, that worship which is Fear,
Henceforth, as having risen from out the dead,
Shalt ever send thy life along with mine
From buried grain thro' springing blade, and bless
Their garner'd Autumn also, reap with me,
Earth-mother, in the harvest hymns of Earth
The worship which is Love, and see no more
The Stone, the Wheel, the dimly-glimmering lawns
Of that Elysium, all the hateful fires
Of torment, and the shadowy warrior glide
Along the silent field of Asphodel.
They said that The Grange was a haunted house,
I said, ‘you’re having me on!’
But no, they said, ‘he’s back from the dead,’
I thought it a giant con.
‘Just spend one night in that house alone
With the power cut off, you’ll see,’
I said, ‘I’ll go, if Carolyn goes,
If Carolyn stays with me.’

Now she was more of a nervous type
But she said, ‘I’ll go with you,
Just promise you won’t make whooshing sounds,
There’s nothing a ghost can do.’
‘There isn’t a ghost,’ I told her then,
They’re all just having us on,
We’ll spend the night, if you feel uptight
I’ll prove that it’s just a con.’

We ventured in through the cobwebbed porch
As the hour was getting late,
The only light we had was a torch
And the fire we lit in the grate,
The Moon came presently shining in
Its ghostly beam through the gloom,
And Carolyn came and cuddled up
As we sat on the floor of the room.

‘Where did they say the ghost would be,’
She asked, as I patted her hair,
I couldn’t say, I was miles away,
Then we heard a creak on the stair.
I thought, ‘Oh no, it will spoil the show,’
I was hoping for just one kiss,
For this was the first time, she and I
Had ever been close, like this.

Then from above there were creaks and groans,
It came stumbling down the stair,
It looked like a bundle of rags and moans
And a skull, with eyes that glare,
Carolyn screamed as it reached for her
This thing from another world,
It bubbled and rasped in its throat, and said
One word that I think was ‘Girl’.

It must have remembered from days before
It had held a girl like this,
Death had never erased the thought,
Or the feeling that was bliss,
But now, the rags of the grave were foul
It gave off a graveyard stench,
And Carolyn, all she could do was howl,
This alive and lovely *****.

What seemed to me an apparition
A ghost in empty air,
Was rotting flesh and bones to Carolyn
Tangled in her hair,
It held her in a grip of steel
As it probed beneath her dress,
I couldn’t even fight it off
For to me, it was stagnant breath.

They came to us in the dawning light
With a key to let us out,
I lay as in a palsied dream
But I heard them scream and shout,
‘What have you done to Carolyn,’
But they were to late to save,
For she had gone where the ghost had gone,
To join him in the grave.

David Lewis Paget
Marian Jun 2013
With blackest moss the flower-plots
         Were thickly crusted, one and all:
The rusted nails fell from the knots
         That held the pear to the gable-wall.
The broken sheds look'd sad and strange:
         Unlifted was the clinking latch;
         Weeded and worn the ancient thatch
Upon the lonely moated grange.
                She only said, "My life is dreary,
                        He cometh not," she said;
                She said, "I am aweary, aweary,
                        I would that I were dead!"


Her tears fell with the dews at even;
         Her tears fell ere the dews were dried;
She could not look on the sweet heaven,
         Either at morn or eventide.
After the flitting of the bats,
         When thickest dark did trance the sky,
         She drew her casement-curtain by,
And glanced athwart the glooming flats.
                She only said, "The night is dreary,
                        He cometh not," she said;
                She said, "I am aweary, aweary,
                        I would that I were dead!"


Upon the middle of the night,
         Waking she heard the night-fowl crow:
The **** sung out an hour ere light:
         From the dark fen the oxen's low
Came to her: without hope of change,
         In sleep she seem'd to walk forlorn,
         Till cold winds woke the gray-eyed morn
About the lonely moated grange.
                She only said, "The day is dreary,
                        He cometh not," she said;
                She said, "I am aweary, aweary,
                        I would that I were dead!"


About a stone-cast from the wall
         A sluice with blacken'd waters slept,
And o'er it many, round and small,
         The cluster'd marish-mosses crept.
Hard by a poplar shook alway,
         All silver-green with gnarled bark:
         For leagues no other tree did mark
The level waste, the rounding gray.
                She only said, "My life is dreary,
                        He cometh not," she said;
                She said "I am aweary, aweary
                        I would that I were dead!"


And ever when the moon was low,
         And the shrill winds were up and away,
In the white curtain, to and fro,
         She saw the gusty shadow sway.
But when the moon was very low
         And wild winds bound within their cell,
         The shadow of the poplar fell
Upon her bed, across her brow.
                She only said, "The night is dreary,
                        He cometh not," she said;
              She said "I am aweary, aweary,
                            I would that I were dead!"


All day within the dreamy house,
         The doors upon their hinges creak'd;
The blue fly sung in the pane; the mouse
         Behind the mouldering wainscot shriek'd,
Or from the crevice peer'd about.
         Old faces glimmer'd thro' the doors
         Old footsteps trod the upper floors,
Old voices called her from without.
                She only said, "My life is dreary,
                        He cometh not," she said;
                She said, "I am aweary, aweary,
                        I would that I were dead!"


The sparrow's chirrup on the roof,
         The slow clock ticking, and the sound
Which to the wooing wind aloof
         The poplar made, did all confound
Her sense; but most she loathed the hour
         When the thick-moted sunbeam lay
         Athwart the chambers, and the day
Was sloping toward his western bower.
                Then said she, "I am very dreary,
                        He will not come," she said;
                She wept, "I am aweary, aweary,
                        Oh God, that I were dead!"


                            *Alfred, Lord Tennyson
Robert G Page Apr 2013
by
rgpage

it’d been a few years since the music died
i was a senior **** hard as a rock.
yep for buddy, jp and richie we sighed
when ever we listened to S and J’s “sleep walk.”

back in the days of crisp clean air
the colors of fall and new school year.
still living at home with nary a care
just thinking of sports and the crowd’s wild cheer.

gone in a flash the summer past
we lived so fast life couldn’t keep up.
trips to the lake, two bucks for gas
saturday night’s dance and dragging the gut.

this was our life most all that we knew
we didn’t see where our futures would lie.
our harvest jobs got our new clothes for school
while our parents pitched in for the car’s we’d drive.

first day of school we checked out the class
all with their bronze summer tans.
that’s when I saw this cute texas lass
with the very strange name, jimmie-lynn.

a few of my buddies had steadies you see
they never had to want for a date.
but getting a girl was much harder for me
for shy and unskilled I accepted my fate.

we went undefeated three weeks in the season
for the schools pride I was good at the game.
as the team’s co-captain there wasn’t a reason
that for jimmie-lynn’s heart I’d turn up so lame.

then with the help of a friend’s girl friend
i got to meet this girl of my dreams.
i felt so nervous I wanted to run
not knowing then I was the end in her scheme.

seems that she’d seen me the first day of school
with my curly blonde hair and dark brown eyes.
she couldn’t understand why I didn’t have a girl
and she really couldn’t see why I was so shy.

she was warm and friendly, and I soon felt at ease
word’s leaped from my mouth I’d never before used
like “whatcha doin’ after the game friday night,”
and “wanna go for pizza” or “what ever you choose.”

the days flew by and friday night came
the night air was cold and the crowd was wild.
and playing for jim I had my best game
with skill and speed and fierceness unbridled.

after the game a quick shower and change
into my chevy reaching under the seat.
my trusty jade east for the dance at the grange
and off to chick’s drive in, my jimmie to meet.

my home town was small didn’t have far to drive
the place was hoppin’ and inside was packed.
take a minute, calm down, and spot jimmie I thought
but with a hero’s welcome  couldn’t  help but be jacked.

we soon found ourselves off and alone
we just sat and talked three hours on end.
then jimmie told me she had to get home
she’d be going home with her sister and friends.

i asked her to the movies for the following night,
with yes she leaned in and gave me a kiss.
it was short but sweet. this was all that I knew,
not knowing before just what I had missed.

it’s been fourty some years since that october night
a lot of life’s river’s passed over the falls.
and though we’ve long since gone each our own way
i’ll think of that sixty third fall most of all.
marriegegirl Jul 2014
photographie onelove capture mariages d'une manière qui me fait toujours envie de s'arrêter et de rester un certain temps .Leurs images ont une façon de se rendre à la base du couple et de leur journée .et qui fait tout mon coeur sauter un battement .Couplez ce talent à la planification de LVL Mariages \u0026Événements.le cadre magnifique de la vallée de l' Olympia .et un couple de sourire induisant - et vous obtenez une galerie tellement magnifique que vous pourriez passer le reste de votre journée verser par chaque image .Rejoignez-moi à faire exactement cela .ici .\u003cp\u003ePartager cette galerie magnifique sur ColorsSeasonsSummerSettingsFarmStylesRusticRustic Elegance

De LVL Mariages \u0026Events.The passion que Jessica et le Tchad ont pour leurs amis .la famille et la vie était évident que le moment où je les ai rencontrés .La planification de leur journée de mariage parfait n'était pas différent.Pour Jessica et Tchad.il était tout au sujet de l'amour et de la communauté .Cérémonie

.heure de cocktail .et la réception où ils se trouvent dans trois endroits différents sur la succession Olympia ' Valley.Cérémonie négligé l'étang sur la propriété entourée de saules pour commencer clients de rabais sur un romantique .voyage lunatique .Heure de cocktail progressé sur le porche de la vieille maison victorienne propriétés avec un Mongor de fromage .personnalisés cocktails .et la brique four à pizza est préparée juste en face des invités yeux .Jessica et Tchad voulaient conduire leurs clients de plus à la réception .qui a eu lieu dans la grange .Ils se sont réunis tous robe courte devant longue derriere les invités à l'avant avec les portes fermées .a déclaré un rapide merci à tout le monde.puis ouvrir les portes de la grange robe courte devant longue derriere à la bande Anna Kristina jouer quelques airs jazzy .Avec des grappes de fleurs lumineux .des tables de ferme .les feux de marché .et donc de nombreuses touches personnelles fournies par la mariée et le

http://modedomicile.com

marié .les invités regardaient dans la crainte qu'ils ont trouvé leur siège .Les amateurs de bonne nourriture.ils ont embauché FUMÉE Ouvrir cuisson au feu de fournir un délicieux repas de style familial pour eux et leurs invités robe de soirée grande taille Photographie
: Photographie Onelove | Coordinateur : . LVL Mariages et Evénements | gâteau : Krumbs Cake | Traiteur : SMOKE cuisson Open Fire |DJ : DJ TRUTHLiVE | Band : Anna Kristina Band | cérémonie et réception : la vallée de l' Olympia | Cérémonie / Cocktail Musique : Wine Country divertissement | Floral : Poppystone Floral design | Linge de maison : La Tavola | Maquillage : Christy Burchfield | Locations : Wine Country Party \u0026 ÉvénementsLocation La Tavola fin lin .LVL Mariages et événements .la photographie onelove .Krumbs Gâteaux et PoppyStone florale Couture sont membres de notre Little Black Book .Découvrez comment les membres sont choisis en visitant notre page de FAQ .La Tavola Beaux Draps Location voir le portfolio LVL Mariages et événements voir le portfolio onelove photography voir le portfolio Krumbs Cakes voir le portfolio PoppyStone florale Couture voir le
Brown lived at such a lofty farm
  That everyone for miles could see
His lantern when he did his chores
  In winter after half-past three.

And many must have seen him make
  His wild descent from there one night,
‘Cross lots, ‘cross walls, ‘cross everything,
  Describing rings of lantern light.

Between the house and barn the gale

And blew him out on the icy crust
  That cased the world, and he was gone!

Walls were all buried, trees were few:
  He saw no stay unless he stove
A hole in somewhere with his heel.
  But though repeatedly he strove

And stamped and said things to himself,
  And sometimes something seemed to yield,
He gained no foothold, but pursued

Sometimes he came with arms outspread
  Like wings, revolving in the scene
Upon his longer axis, and
  With no small dignity of mien.

Faster or slower as he chanced,
  Sitting or standing as he chose,
According as he feared to risk
  His neck, or thought to spare his clothes,

He never let the lantern drop.

The figures he described with it,
  “I wonder what those signals are

Brown makes at such an hour of night!
  He’s celebrating something strange.
I wonder if he’s sold his farm,
  Or been made Master of the Grange.”

He reeled, he lurched, he bobbed, he checked;
  He fell and made the lantern rattle
(But saved the light from going out.)

Incredulous of his own bad luck.
  And then becoming reconciled
To everything, he gave it up
  And came down like a coasting child.

“Well—I—be—” that was all he said,
  As standing in the river road,
He looked back up the slippery *****
  (Two miles it was) to his abode.

Sometimes as an authority

Should say our stock was petered out,
  And this is my sincere reply:

Yankees are what they always were.
  Don’t think Brown ever gave up hope
Of getting home again because
  He couldn’t climb that slippery *****;

Or even thought of standing there
  Until the January thaw
Should take the polish off the crust.

And then went round it on his feet,
  After the manner of our stock;
Not much concerned for those to whom,
  At that particular time o’clock,

It must have looked as if the course
  He steered was really straight away
From that which he was headed for—
  Not much concerned for them, I say:

No more so than became a man—

I’ve kept Brown standing in the cold
  While I invested him with reasons;

But now he snapped his eyes three times;
  Then shook his lantern, saying, “Ile’s
’Bout out!” and took the long way home
  By road, a matter of several miles.
Laura Mar 2016
full nights in february
when the sun tells the highway headlights are its understudy
study notes that we know with yellow cups of whiskey
and cigarette breaks, cake batter chapstick breaks the ice
you're so nice - finally someone to do my dance and teach me new steps
signs stir laughs and songs give us direction instead
just ahead an hour or 3 add up to be memory and i won't fall asleep
i am one with the water fountain clouds change into mountains but somehow it's always home
i'm known to wander but now i'm inside i tried to hide from being whole but it's the role
i stole pink ribbon buttons goods and good company by the dam' d river i shiver from the thought of ever going back
snack ******* crumbs sneak in the seat where we started and im saving them for tomorrow
can i borrow some honey just a shot or two from you its the sweetest coat
throat tense in high harmony on stage left or maybe right maybe you're right
tonight it's not really over its just fulfilled
not gone
When rosy plumelets tuft the larch,
  And rarely pipes the mounted thrush;
  Or underneath the barren bush
Flits by the sea-blue bird of March;

Come, wear the form by which I know
  Thy spirit in time among thy peers;
  The hope of unaccomplish'd years
Be large and lucid round thy brow.

When summer's hourly-mellowing change
  May breathe, with many roses sweet,
  Upon the thousand waves of wheat,
That ripple round the lonely grange;

Come: not in watches of the night,
  But where the sunbeam broodeth warm,
  Come, beauteous in thine after form,
And like a finer light in light.
I climb the hill: from end to end
  Of all the landscape underneath,
  I find no place that does not breathe
Some gracious memory of my friend;

No gray old grange, or lonely fold,
  Or low morass and whispering reed,
  Or simple stile from mead to mead,
Or sheepwalk up the windy wold;

Nor hoary knoll of ash and haw
  That hears the latest linnet trill,
  Nor quarry trench'd along the hill
And haunted by the wrangling daw;

Nor runlet tinkling from the rock;
  Nor pastoral rivulet that swerves
  To left and right thro' meadowy curves,
That feed the mothers of the flock;

But each has pleased a kindred eye,
  And each reflects a kindlier day;
  And, leaving these, to pass away,
I think once more he seems to die.
Ignatius Hosiana Jun 2023
Gently she raised her dress, revealing where the axe struck the tree,
"Here, a forest once thrived," she whispered solemnly,
Then came the scars, pathways for plastics to reach the sea,
Regret's sewage flowing through springs, an unwanted decree.

Landmines left pockmarks on her face, remnants of war's blight,
Awaiting the innocent, seeking to maim and to ignite,
Deep incisions from perilous landslides, a haunting sight,
A testament to the struggles endured day and night.

She revealed the melting snow, beckoning an avalanche of change,
Witnessing a road where an unsightly swamp once held its range,
Broken ships and skeletons, remnants left estranged,
Abandoned in the depths, hidden in ocean's grange.

Finally, she pointed to the scorching sun with teary eyes, "It didn't burn so fiercely until this heart carried its demise."
Ah! T'is passioned feeling is far too strange
but too capricious like a nearby Grange.
And as it groweth, so every day
It swelleth more white and sweet t'an t'ey.
Refining thy stories on my page
Like a humble bird hanging in one's cage.
Or crafting thee in my poetry
So t'at thy joy remaineth by me.
T'ere at my feet shalt thou be laid,
of purest Alabaster made;
Like pale chords sung in a queer haze
and of fine purple t'reads of taste.

Find it, my love, awestruck before very thine Eyes
and marv'l at it behind such lies.
'Till my fierce heart thou leaveth despaired
and laid still against crimson stairs.
Of honesty hath with greed it sworn
For all pride and cleanness since it was born.
Scents of mad sweat, grey stains of blood;
two natures t'at flourish apart.
O, revel, revel just once more my soul!
Alt'ough w'ose dreams might be as murky and foul
Upon our Roses t'ey would dare to feed;
until t'eir evil lips ev'n seem'd to bleed.

Under th' breeze of our morns
Our planet of love was oft'ntimes torn.
Venturing to find thee, thou th' light my heart wants
To faint in thy light, on a bed of daffodil sky
Along th' excited moors, thou th' beat for it ever yearns
And to be slayed in thy eyes, before I end and die.
For in death our grief be lightened;
and shalt; t'is pertaining love be brightened.
But found thee I not, and thus shrank and wailed
As one soulful music t'at might hath failed
I hate t'is eternal raucous spring
and all th' rampage its tears are bound to sing.

Fie, fie, o my poor heart and regret;
For thou shalt know not t'ese trusts I shed.
Ah! How credulous t'ose tunes-violin and trumpet,
and innocent and brisk as thy cheeks went red.
Life is caring but full of random jests;
and within which floweth by; our demure river of tests.
Light, light t'at t'ose heavens should bear and carry
Whilst teasing us with all its grimness and worry.
Oh! Peace and doom and love are grey
Like t'is rhythm was sometimes found too strong to say;
Clap, clap, to th' dance which forth t'ey didst
In a horror of mirth, but in all too defiant a merry wit.

O my love, but once more giveth to me a life
from only thy sincerest breath;
And render all t'ese ages sweet and mad
Sending our hearts just at once leap and fret
meanwhile as immortal and brief as death.
But I shalt die not, for t'ere is more love;
To life in death t'an whatever t'ere was
Spilt t'ereby stunningly for me,
under t'ose keen nightly groves;
And in its eternal life should last
Teach me how to fight t'ese undying wrongs
of loving thee; as be writt'n in our dear songs.
Svetoslav Feb 2021
winter is leaving
snow melts by the rise of degrees
and the sun beaming

every ice breaks
waters leave the structure
the air batters them down as it wakes

blooming arrives like a ghost
through the walls
spring awakes every plant
from big to small

warm breeze carries musical notes
trees and oats are shaking rhytmically
colorful gardens carry their fragrance whimsically

we receive another chance
to leave a trace in the winds
near the agricultural grange

let us tune our guitars
play our arrangement
and make the changement
by Svetli
Lyzi Diamond Aug 2013
Think about it and you'll realize
that there is no better color than wine-stained teeth
on high school students' prom nights
and muffled giggles from the girls
bathroom in the banquet hall of some
community center or middle school
gymnasium or overgrown grange hall
tell the secrets of the universe
under rushing water and dripping mascara
and notes scrawled in the grout with hearts
and other embellishment

Damp palms on shoulders and waists
with batting lashes and shy smiles and
stomachs growling from a skipped dinner
toes turned outward, awkward
when the slow song moves to charging beat
and hands flex like an accidental graze on the hot stove
a hip shake to assuage and seem like they meant it all along
that moment guides the other movements
and other movements

Driving up the hills and back down into the canyon
up the fire trail and to the right, no, the second right
crap, you passed it, turn around
watch the glitter lights of neighborhoods and boats
know there really are no better photographs
than those from disposable cameras that are blurred and laughing
developed weeks later and comingled with images of her dog
and your mom
and the backyard with candles blown out
John F McCullagh Apr 2015
Once his kind were ubiquitous; Men and their ponies herding live beef
from the prairies of Kansas and Texas to the slaughterhouses North East
It was a hard life, but good, nights out under the stars; amusing themselves with a song.
There was beans and good coffee shared at the fire; The prairie wind blew sweet and long.
Then the trains came and life wasn’t the same and the cowboys all faded away.
Old Tex was the last of that vanishing breed; He’d tell me tall tales of those days
when he and his crew battled rustlers and snakes to see the herd safe to their doom.
His skin was like leather from the wind and the sun; his big hands arthritic and gnarled.
A roll your own cigarette drooped from his lips and his speech sounded more like a snarl.
Tex passed on last night, a blessing they say, to die in his sleep with no pain.
No churchyard for Tex, he will rest ‘neath the sod just out beyond the old grange
He was the last of a vanishing breed; a man to his quarter horse wed.
The land that he loved will keep changing above, but the wind and the stars never change.
Roo May 2017
I wish I lived in Wayne’s World,
where Wayne and Garth are real.
I wish I had Cassandra’s curls,
and her *** appeal.

I wish I dated Jason Dean,
and coloured him impressed.
I wish I had the killer gene,
but never ever confess.

I wish I went to Ashfield Hospital,
and looked a little on edge.
Explored shutter island in the spittle,
and made the Marshall pledge.

I wish I lived with Yeats,
or in the lonely moated grange,
I wish I danced on table tops,
my body for money,  fair exchange.

I wish reality didn’t exist,
or better yet just me,
all those opportunities would be missed,
and at peace I’d finally be.
A few of my favourite films/poems/poets incorporated into what started off as a uniform poem but soon disintegrated.  (a metaphor for my life)
Jack Dalton Nov 2013
I think of the waves
Crashing into the ****.
The rocks are sturdy there
In west port washington.
And on the rocks
A shorebird got closer
To where
I stood proud
On the unmovable
Pile of boulders.
I could tell you
This was it.
But a star fish
Exposed the air I breath
In a moment of beauty.
The waves flicker like lite bulbs.
The split seconds are eons
With out times way of saying
Got ya now.
You know
How the you
And ocean.
Meet in the shores
And die in the earth.
How can the spirit of mythology
Tell me the rocks where once human.
And the boy told his mother you swollowed
A pebble.  
He returned to free his uncles.
They called him the stone boy.
if I stand here for four days
Ill break down like gravel in the grange.
A C Leuavacant Sep 2014
The grange had got it's new tenants at last
Swiftly approaching it's great gates
They were a beef eating bunch of a bloodline
horse and carriage and all
Driven by a shirtless whip in sunburnt skin and an ivy cap
The sun above a dreadful shade of burning peach and sky of sickest sea blue

The master twiddled his thumbs as he leaned out the window
Watching the gate part
The letter open on his desk
Not as much as an telephone call
Just a stack of notes and a newspaper clipping
Smartly closed in red sealing wax
Did they not know what had happened here just a year before?

_________

At lunchtime in five weeks
All was not well
Not one bit
The garden swing hung off it's hinge
Creaking in a minor key
Drops of blood the same shade as sealing wax disrupted the floral wallpaper which lay abandoned on the garden path
lumps of earth were roughly dispersed
Four lumps
For that one bloodline  
One year, five weeks and a few lonely hours
Universe Poems Sep 2022
As the seasons change,
the health of your body,
will need restoring in the grange
Wholesome food nourishing your mood
Vibrant colours on the eyes
Warming spices blood ties,
existing from birth,
feed on nature's earth
Natural foods holism moves

© 2022 Carol Natasha Diviney
-- Nov 2017
Deep earthen roots, gold arrow-tips,
Sounding rush of green applause
Now, trees and bark stretch to
Higher lows of raptured skies.

Wide face of etched ranks and--
Here His marks tread and silence falls
Quite tenderly under winding timber,
Woodworks, Tree-rings, bound around
As clocks tick to celestial Grange's face.

His deeds show across baked-ancients
And those whose sun came creeping under
Horizontal terms and periods-- in lapses
when Time held his own--

On winding old branches with buds smelling
Young n' green n' poking free from yellow scars,
Time garnered his people, his children and dead,
housed them in ticks and tocks and surnames,
For Twilight's enamelled hubris to bathe them,
Wash them.

To set them in winding bark,
And brand them in Himself,
In Winding Tree-tocks.
Trees carry the marks of Father Time well into ancient swells of the earth, and so then carries marks of us with it.
how fresh the world was complex and still strange
as we crossed shark-filled seas with little thought
of what bright magics in the clouds were caught
or what the cities past the mountain range
would have for us instead we sought the grange
the country quiet where oldest rules were taught
in plainest movement from old is to ought
from then to now where all we did was change
into clear selves who know the middle way
by just refinement of that youthful choice
made all rejoicing under bluest sky
for we who learn the paths and tracks of day
know it's no simple thing to have a voice
and far more difficult to keep an eye
Deep in the gloom of her bedroom,
Young Kathy dried her tears,
It wasn’t as bad as the red room
She’d been banished to for years,
At least up there she could lie and dream
And play with her music box,
Not hear her parents arguing,
Whether they did, or not.

At least up here was her sanctuary
Where she could dream all day,
Of skipping out in the poppy fields
Where all the children play,
She’d lie there nursing a broken heart
For the loss of her former life,
For all had changed in her home, The Grange
When he took a second wife.

When her father took a second wife
And his face became so grim,
It seemed she couldn’t do anything right
For the sake of pleasing him,
The woman snapped and the woman snarled
And she said to call her Ma,
But Kathy had kept her lips shut tight
That was just one bridge too far.

So she lay and opened the paste-board lid
And the dancer, up she leapt,
Straightening out her toutou as
She tried one pirouette,
With one hand up to her forehead and
The other fixed and set,
The dancer twirled in her private world
To a Mozart minuet.

And Kathy thought she was beautiful
As she balanced on her toes,
A look of grace on her tiny face
And the flush of love, it shows,
With glitter up in her auburn hair
And a spangle on each shoe,
The thought had formed as the doll performed,
‘I wish I could be like you!’

‘I wish I could be like you,’ she thought
‘So small, and full of grace,
I’d never have to go down again
With tears on my face,
I’d wait till somebody wound me up
Then I’d dance for them with pride,’
And something happened to Kathy then,
A change that she felt inside.

For all the while that the dancer twirled
To the Mozart minuet,
It took in Kathy’s tear-stained face
And it seemed somewhat upset,
‘Why should she have this lovely room
And a life that I’m denied,
I wish I could be like you,’ it thought,
And the two thoughts did collide.

There seemed a change in the very air
Of that too secluded gloom,
When everything with bated breath had
Stopped in that fated room,
Then Kathy leapt to her feet with joy
And a final pirouette,
While the dancer smiled as at first she trialled
To that Mozart minuet.

The father arrived back home that night
To a scene of blood and gore,
His wife impaled with a table knife
Lay dead on the kitchen floor,
While Kathy twirled in the poppy fields
In a show of poise and grace,
And there in the bedroom, up above
There was blood on the dancer’s face.

David Lewis Paget
Sam Temple Jul 2014
tired liar, uninspired
wire-rider
biting fire
un-learned burn-out
doubting the clout, pouting
routing trout
without
nets
regrets beset
vetted pets
wet with fret
filleted
displaying range
grange hall dancers manage
manic prancing horses
trotting in the allotted plot
sought, bought
caught in the cot
as the hot won’t stop
relentlessly attacking my inspiration
leaving me only with **** like
this
Jonny Angel Aug 2014
Call me what ever you want.
I was raised on highway star
& smoke on the water,
a bit of purple haze
& a whole lotta love.
Ain't nothing strange
'bout La Grange &
that girl with faraway eyes
was never my beast of burden.
I got tied to the whipping post
& survived with the young turks
on the stairway to heaven.
So it really doesn't matter
what name you call me.
But just imagine
if you drank some eliminator,
you'd be stone blue too.
And that alone,
makes me invincible.
I

Dans les planches d'anatomie
Qui traînent sur ces quais poudreux
Où maint livre cadavéreux
Dort comme une antique momie,

Dessins auxquels la gravité
Et le savoir d'un vieil artiste,
Bien que le sujet en soit triste,
Ont communiqué la Beauté,

On voit, ce qui rend plus complètes
Ces mystérieuses horreurs,
Bêchant comme des laboureurs,
Des Écorchés et des Squelettes.

II

De ce terrain que vous fouillez,
Manants résignés et funèbres,
De tout l'effort de vos vertèbres,
Ou de vos muscles dépouillés,

Dites, quelle moisson étrange,
Forçats arrachés au charnier,
Tirez-vous, et de quel fermier
Avez-vous à remplir la grange ?

Voulez-vous (d'un destin trop dur
Épouvantable et clair emblème !)
Montrer que dans la fosse même
Le sommeil promis n'est pas sûr ;

Qu'envers nous le Néant est traître ;
Que tout, même la Mort, nous ment,
Et que sempiternellement,
Hélas ! il nous faudra peut-être

Dans quelque pays inconnu
Écorcher la terre revêche
Et pousser une lourde bêche
Sous notre pied sanglant et nu ?
Tony Luxton Oct 2015
Once private priviledged and aloof
the Grange is now a public place
where children swing and slide and shine
flowers in their parents' eyes
where births and marriages and deaths
bare bones rest in Runcorn's archive.

Here people seek to right their wrongs
express their doubts and fears and views
it's here that ballots call the shots
for mayors and councillors and clerks
pursuing our priorities.
town hall-registers-voting-Runcorn
preface: prays of purse filled legal tender
this ****** NOT ******
   (hue coward know who eye mean)
   hie do attest

that poetry may not be best
to express whoosh to chest
*** a lee till bitta chump change
boot overpowering literary force 

   to pocket earning for a grange
(hmm...who knows maybe
   formerly owned by Jessica Lange 
thence might be within my financial range
even though this har chap 
   decades older than college student - iz that strange?
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
GAINFUL EMPLOYMENT QUEST --- or
subtitled IN PRAYS OF LEGAL TENDER.

Let this dog gone prime mate ova simian sketch out 
   his general doggerel to free
unleashing a swiftly tale lord 
   of the flies - harried styled brush stroke of strengths
me retracted claws, which might find me 

   barking up the wrong tree arf find yarself
cat a tonic taking a nap - 
   in the land of doctor ah zee.

akin to a termite expending energy 
   thru wood to bore search sans income 
   an arduous slow book king chore thus,
   i spruce quest per 
   my non-conformist poetic je ne sais quois x cell lent 
   cover letter de jour 4u2 access and for me 

   to entertain as a minimum less or more
and then...whoosh
   into circular filing cabinet ye will store
this non-formal reap ply, 
   which email will take cyberspace tour.

Pixar could nada pay enough 
   for this trainer of apple chomping antz 
so i wonder if any chance 
   whisker of employment 
vis a vis thru this contrived virtual toy story 

   qua ratatouille poetic brew 
could materialize opening virtual community chest 
   into a likely monopoly winning chance 
such an idea generates me 

   to shrek out with excitement n contra dance 
just in case a glimmer of some prospect exists 
for this self anointed bard, who dislikes formality
presents a brief poo whet tick summation
   sans technical skills, he hopes to enhance 

p'raps earn enough moolah to see arc d'triumph, 
 Louvre, Paris France i offer
   the following poetic expression 
   for ye to take a glance 
and help this intuitive **** sapiens income
   to expand and en-hance, 

which byte size bit torrent humor 
   without use of strong arm, nor lance
   might cause ye to soil pants 
after misinterpreting mishmash 
   as some rave and rants 
  
part time con sit hard so positive stance 
   a subtle intent worth hiring, 
   2 sway au currant series electronic charge 
and ideally affect hypnotic trance.

betcha never red a poe sting like this faux 
   iambic pentameter electronic wire 
   from boyish looking blood muggle 
   father up in years (whose nonpareil courage 
   to face voldemort never does tire) 

and two grown girls 
   would consider him a worthy hire 
to rake in gobs of legal tender,
   satiating unquenchable hunger 
   hunger game of thrones,
   and thirst qua knowledge = powerful
for bits of computer know how to acquire.

this cover letter of sorts conveys
   teensy weensy, itty bitty 
byte size actual work experience 
   (this older mister rhyme stir 
   lives northwest of philadelphia city) 

kenye bull heave that,
   nonetheless, i hanker 
   (NOT  confused with HACKER)
   though disparate deeds offset
   by difference of third letter 
to employ computer and writing skills, 

   + rooted tid bits of moxie playing at nearby Roxy 
burrow, which prompts the following ditty 
express interest to apply mental tasks
   ala computer trouble shooting 
some may ascribe as nitty gritty 

on par with secret life of Walter Mitty 
whom destiny protected and took pity 
this merely meant to be silly 
   yet also attempted to be witty.

No matter how many miles by car 
(actual company might be within dead
   man walking distance) 
   opportunity not be considered to far 

using acumen huck cull interest 
   and technologically spar 
+ graphical user interface programs
   to get unstuck from virtual feathery tar.

Iambic pentameter might be faux pas
   not the traditional standard genre 
   for a cover letter 
i see no reason why 
   non-conformist modus operandi 
cannot serve as mode

   to communicate pursuit viz philologist technician 
   and paperback writer wannabe, 
   cuz i love each english language letter,
which honest to goodness confession 
   hopefully offers unique outlook re: 
   other respondents at least a bit better.

this pure breed mud half blood muggle prince 
born (whom most think me full o hogwash 
   to *** rid of hog wort) - yea 
truth seeker for employment reckons
   the following poetic way 

not necessarily follows formalities 
   to reply would readily say, 
yet why adhere to conformity, 
   which paradigm frowns on creativity 
atypical modus operandi to reply

   positive job offer i pray 
even if outcome per offering interest 
   turns out to be nay 
perhaps because where mien hometown 
   west of philadelphia lay
boot methinks tis cuz mine longish
   wavy hair follicles fifty shades of gray.

no employment vitae shows dearth 
hence decided to resort - thou add verse 
   to induce a byte size mirth 
of requisite (sought after) technical expertise,
   possessing attributes FitBit wool worth consideration --

   so just allow me to boast 
blithely riding iambic pentameter to coast 
given opportunity to eradicate
re: exorcise binary electronic bookworm 
   even Casper the friendly ghost 

n offer bytes of helpful information from pc host 
information technology position tacked on fence post 
with sought after salary goal fair n equitably per year 
would necessitate celebration 
   tete a tete vis a vis teetotaler toast.

So...without further ado, i slightly brag 
telling ability to conduct understand bit size crag
reckon obsolete intricacies such as dos 
    passé, and hardly requisite material,
   i learned to manage 
   common system utilities 
   such as scan disk and defrag 

installed and resolved dsl issues,
   performed scan-disk and troubleshooting glitches 
removal of dos files, installation 
   and/or removal of hardware 
uninstalling software, running registry sweeps 

attempting to remove bugs and errors
   causing machine to cough and gag, 
which invariably causes processes
   as downloading, sending, uploading, et cetera to lag
if chance smiles on consideration --
   a happy go lucky dog this tail will wag.

oh...by the way, i would accept a starting 
and/or negotiable salary as a starting wage 
in an effort to support this self proclaimed sage 
whose role can double up as a court jester, 
   Batman joker, or jimmy john page 

hopeful this poetic synopsis 
   offers favorable gauge 
in tandem enriching fount of knowledge
   More valuable at this advanced age.

y'all might think this reply balderdash and rot 
which may matter on par bo diddly squat 
no matter i herald from skid row royalty
   with salient strengths being prestigious Scott 
**** tuckus, butta Matthew Harris 

   does not smoke ***** 
   nor drink from a *** 
and a student he is not 
nor a gentleman quarterly kennedyesque fellow
   who would be called really hot 

yet moxie by proxy this poet of doth got 
and might elicit salient characteristics 
   similar to a humanoid heterosexual bot 
and, oh by the way, i lived in lower merion 
   for some years that = quite alot.

This from - a generic johnny 
   come lately jim crow chee 
can tackle the junkyard dawg, 
   while trump petting, swaggering, 
   rollicking with rod ham 
   pomp *** city but,

who **** house trained 
   and can use snout to play putt putt 
plus extricate moss elf from tread full rut.

this sub woofer snapper papa pooch, 
though scrawny and essentially 
   a generic mixed breed
   bowled with dennis the menace 
   plus jeff and mutt 

an older dog gone college alumni 
   of hard knocks
   relied on powder milk bone dog biscuits 
   to hone courage, and overcome shyness 
   (predominant among norwegian 
   bachelor farmers canine pets)

this diet of powdered raw bit, 
   weighed heavy in my gut 
thus, i conclude air rating whims 
   hoop ping this passes windy muster 
   and makes the cut
if nyat - dag nabbit rab but.
Cassie Sep 2021
four students
printed out sudoku
ac unit whirrs in the room

the disappointment pressed
slacks
too sunk for
integrals and L'Grange

krooser warms my desk
eyelids drooping
sentences left in the birches
Fable IV, Livre V.


Mes bons amis, je dois en convenir,
Je n'imaginais pas qu'un mort pût revenir ;
Que bien empaqueté, soit dans cette humble bière
Des humains du commun la retraite dernière,
Soit dans ce lourd cercueil dont le plomb protecteur
Plus longtemps au néant dispute un sénateur,
Au grand air un défunt pût jamais reparaître ;
Et par aucun motif, si pressant qu'il puisse être,
Se reproduire aux yeux des badauds effrayés,
À ses vieux ennemis venir tirer les pieds,
Sommer ses héritiers de tenir leurs promesses,
Et forcer ces ingrats à lui payer des messes.
Un curé de notre canton,
Qui, s'il n'est esprit fort, est du moins esprit sage,
Deux fois par semaine, au sermon,
L'affirme cependant aux gens de son village.
« Or ça, lui dis-je un jour, plaisant hors de saison,
Tantôt vous commenciez un somme,
Ou bien vous perdez la raison. »
« - La raison, répond le bonhomme,
Laquelle à mon avis doit régner en tout lieu,
« Même en chaire, enseigne qu'à Dieu
« Au monde il n'est rien d'impossible.
« - Aucune vérité n'est pour moi plus sensible.
« - Vous reconnaissez, frère, en accordant ce point,
« Qu'à mon petit troupeau je n'en impose point,
« En lui disant que Dieu, mécontent qu'on se livre
« À de pernicieux penchants,
« Peut laisser les défunts lutiner les méchants,
« Afin de leur apprendre à vivre.
« - Bien ! et vous le prouvez ? - Appuyant quelquefois
« Ce dogme édifiant d'un pieux stratagème,
« Vers le soir, dans la grange ou sur les bords du bois,
« Je le prouve en faisant le revenant moi-même.
« Tantôt vêtu de blanc, tantôt vêtu de noir,
« J'ai vingt fois relancé jusque dans son manoir
« Tel maraud qui, déjà coupable au fond de l'âme,
« Et pendable un moment plus ****,
« Convoitait du voisin le fromage ou le lard,
« Ou bien la vache, ou bien la femme.
« Changeant, suivant le cas, et de forme et de ton,
« Assisté du vicaire et surtout du bâton,
« Ainsi dans ma paroisse exorcisant le crime,
« Régénérant les mœurs, je fais payer la dîme,
« Donne un père à l'enfant qui n'en aurait pas eu ;
« Et quand au cabaret dimanche on s'est battu,
« Mettant l'apothicaire aux frais du bras qui blesse,
« Je fais faire ici par faiblesse
« Ce qu'on n'eût pas fait par vertu.
« Osez-vous m'en blâmer ? - Moi, curé, je le jure,
« De tout mon cœur je vous absous ;
« Et qui plus est je me résous
« À tolérer parfois quelque utile imposture.
« Par un vil intérêt vers le mal entraîné,
« Au bien si rarement quand l'homme est ramené
« Par le noble amour du bien même,
« En employant l'erreur qu'il aime
« Dominons le penchant dont il est dominé.
« Sans trop examiner si la chose est croyable,
« De la chose qu'on croit tirons utilité.
« Un préjugé sublime, une erreur pitoyable
« Peut tourner au profit de la société ;
« Il est bon que Rollet tremble en rêvant au diable,
« Et César en pensant à la postérité. »

— The End —