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Marshal Gebbie Jun 2018
Steven my boy,

We coasted into a medieval pub in the middle of nowhere in wildest Devon to encounter the place in uproarious bedlam. A dozen country madams had been imbibing in the pre wedding wine and were in great form roaring with laughter and bursting out of their lacy cotton frocks. Bunting adorned the pub, Union Jack was aflutter everywhere and a full size cut out of HM the Queen welcomed visitors into the front door. Cucumber sandwiches and a heady fruit punch were available to all and sundry and the din was absolutely riotous……THE ROYAL WEDDING WAS UNDERWAY ON THE GIANT TV ON THE BAR WALL….and we were joining in the mood of things by sinking a bevy of Bushmills Irish whiskies neat!

Now…. this is a major event in the UK.

Everybody loves Prince Harry, he is the terrible tearaway of the Royal family, he has been caught ******* sheila’s in all sorts of weird circumstance. Now the dear boy is to be married to a beauty from the USA….besotted he is with her, fair dripping with love and adoration…..and the whole country loves little Megan Markle for making him so.

The British are famous for their pageantry and pomp….everything is timed to the second and must be absolutely….just so. Well….Nobody told the most Reverend Michael Curry this…. and he launched into the most wonderful full spirited Halleluiah sermon about the joyous “Wonder of Love”. He went on and on for a full 14 minutes, and as he proceeded on, the British stiff upper lips became more and more rigidly uncomfortable with this radical departure from protocol. Her Majesty the Queen stood aghast and locked her beady blue eyes in a riveting, steely glare, directed furiously at the good Reverend….to no avail, on he went with his magic sermon to a beautiful rousing ******….and an absolute stony silence in the cavernous interior of that vaulting, magnificent cathedral. Prince Harry and his lovely bride, (whose wedding the day was all about), were delighted with Curry’s performance….as was Prince William, heir to the Throne, who wore a fascinating **** eating grin all over his face for the entire performance.

Says a lot, my friend, about the refreshing values of tomorrows Royalty.

We rolled out of that country pub three parts cut to the wind, dunno how we made it to our next destination, but we had one hellava good time at that Royal Wedding!

The weft and the weave of our appreciation fluctuated wildly with each day of travel through this magnificent and ancient land, Great Britain.

There was soft brilliant summer air which hovered over the undulating green patchwork of the Cotswolds whilst we dined on delicious roast beef and Yorkshire pudding, from an elevated position in a medieval country inn..... So magnificent as to make you want to weep with the beauty of it all….and the quaint thatched farmhouse with the second story multi paned windows, which I understood, had been there, in that spot, since the twelfth century. Our accommodation, sleeping beneath oaken beams within thick stone walls, once a pen for swine, now a domiciled overnight bed and pillow of luxury with white cotton sheets for weary Kiwi travellers.

The sadness of the Cornish west coast, which bore testimony to tragedy for the hard working tin miners of the 1800s. A sharp decrease in the international tin price in 1911 destituted whole populations who walked away from their life’s work and fled to the New World in search of the promise of a future. Forlorn brick ruins adorned stark rocky outcrops right along the coastline and inland for miles. Lonely brick chimneys silhouetted against sharp vertical cliffs and the ever crashing crescendo of the pounding waves of the cold Atlantic ocean.

No parking in Padstow….absolutely NIL! You parked your car miles away in the designated carpark at an overnight cost….and with your bags in tow, you walked to your digs. Now known as Padstein, this beautiful place is now populated with eight Rick Stein restaurants and shops dotted here and there.

We had a huge feed of piping hot fish and chips together with handles of cold ale down at his harbour side fish and chip restaurant near the wharfs…place was packed with people, you had to queue at the door for a table, no reservations accepted….Just great!

Clovelly was different, almost precipitous. This ancient fishing village plummeted down impossibly steep cliffs….a very rough, winding cobbled stone walkway, which must have taken years to build by hand, the only way down to the huge rock breakwater which harboured the fishing boats Against the Atlantic storms. And in a quaint little cottagey place, perched on the edge of a cliff, we had yet another beautiful Devonshire tea in delicate, white China cups...with tasty hot scones, piles of strawberry jam and a huge *** of thick clotted cream…Yum! Too ****** steep to struggle back up the hill so we spent ten quid and rode all the way up the switch back beneath the olive canvass canopy of an old Land Rover…..money well spent!

Creaking floorboards and near vertical, winding staircases and massive rock walls seemed to be common characteristics of all the lovely old lodging houses we were accommodated in. Sarah, our lovely daughter in law, arranged an excellent itinerary for us to travel around the SW coast staying in the most picturesque of places which seeped with antiquity and character. We zooped around the narrow lanes, between the hedgerows in our sharp little VW golf hire car And, with Sarah at the helm, we never got lost or missed a beat…..Fantastic effort, thank you so much Sarah and Solomon on behalf of your grateful In laws, Janet and Marshal, who loved every single moment of it all!

Memories of a lifetime.

Wanted to tell the world about your excitement, Janet, on visiting Stoke on Trent.

This town is famous the world over for it’s pottery. The pottery industry has flourished here since the middle ages and this is evidenced by the antiquity of the kilns and huge brick chimneys littered around the ancient factories. Stoke on Trent is an industrial town and it’s narrow, winding streets and congested run down buildings bear testimony to past good times and bad.

We visited “Burleigh”.

Darling Janet has collected Burleigh pottery for as long as I have known her, that is almost 40 years. She loves Burleigh and uses it as a showcase for the décor of our home.

When Janet first walked into the ancient wooden portals of the Burleigh show room she floated around on a cloud of wonder, she made darting little runs to each new discovery, making ooh’s and aah’s, eyes shining brightly….. I trailed quietly some distance behind, being very aware that I must not in any way imperil this particular precious bubble.

We amassed a beautiful collection of plates, dishes, bowls and jugs for purchase and retired to the pottery’s canal side bistro,( to come back to earth), and enjoy a ploughman’s lunch and a *** of hot English breakfast tea.

We returned to Stoke on Trent later in the trip for another bash at Burleigh and some other beautiful pottery makers wares…..Our suit cases were well filled with fragile treasures for the trip home to NZ…..and darling Janet had realised one of her dearest life’s ambitions fulfilled.

One of the great things about Britain was the British people, we found them willing to go out of their way to be helpful to a fault…… and, with the exception of BMW people, we found them all to be great drivers. The little hedgerow, single lane, winding roads that connect all rural areas, would be a perpetual source of carnage were it not for the fact that British drivers are largely courteous and reserved in their driving.

We hired a spacious ,powerful Nissan in Dover and acquired a friend, an invaluable friend actually, her name was “Tripsy” at least that’s what we called her. Tripsy guided us around all the byways and highways of Britain, we couldn’t have done without her. I had a few heated discussions with her, I admit….much to Janet’s great hilarity…but Tripsy won out every time and I quickly learned to keep my big mouth shut.

By pure accident we ended up in Cumbria, up north of the Roman city of York….at a little place in the dales called “Middleton on Teesdale”….an absolutely beautiful place snuggled deep in the valleys beneath the huge, heather clad uplands. Here we scored the last available bed in town at a gem of a hotel called the “Brunswick”. Being a Bank Holiday weekend everything, everywhere was booked out. The Brunswick surpassed ordinary comfort…it was superlative, so much so that, in an itinerary pushed for time….we stayed TWO nights and took the opportunity to scout around the surrounding, beautiful countryside. In fact we skirted right out to the western coastline and as far north as the Scottish border. Middleton on Teesdale provided us with that late holiday siesta break that we so desperately needed at that time…an exhausting business on a couple of old Kiwis, this holiday stuff!

One of the great priorities on getting back to London was to shop at “Liberty”. Great joy was had selecting some ornate upholstering material from the huge range of superb cloth available in Liberty’s speciality range.

The whole organisation of Liberty’s huge store and the magnificent quality of goods offered was quite daunting. Janet & I spent quite some time in that magnificent place…..and Janet has a plan to select a stylish period chair when we get back to NZ and create a masterpiece by covering it with the ***** bought from Liberty.

In York, beautiful ancient, York. A garrison town for the Romans, walled and once defended against the marauding Picts and Scots…is now preserved as a delightful and functional, modern city whilst retaining the grandeur, majesty and presence of its magnificent past.

Whilst exploring in York, Janet and I found ourselves mixing with the multitude in the narrow medieval streets paved with ancient rock cobbles and lined with beautifully preserved Tudor structures resplendent in whitewash panel and weathered, black timber brace. With dusk falling, we were drawn to wild violins and the sound of stamping feet….an emanation from within the doors of an old, burgundy coloured pub…. “The Three Legged Mare”.

Fortified, with a glass of Bushmills in hand, we joined the multitude of stomping, singing people. Rousing to the percussion of the Irish drum, the wild violin and the deep resonance of the cello, guitars and accordion…..The beautiful sound of tenor voices harmonising to the magic of a lilting Irish lament.

We stayed there for an hour or two, enchanted by the spontaneity of it all, the sheer native talent of the expatriates celebrating their heritage and their culture in what was really, a beautiful evening of colour, music and Ireland.

Onward, across the moors, we revelled in the great outcrops of metamorphic rock, the expanses of flat heather covering the tops which would, in the chill of Autumn, become a spectacular swath of vivid mauve floral carpet. On these lonely tracts of narrow road, winding through the washes and the escarpments, the motorbike boys wheeled by us in screaming pursuit of each other, beautiful machines heeling over at impossible angles on the corners, seemingly suicidal yet careening on at breakneck pace, laughing the danger off with the utter abandon of the creed of the road warrior. Descending in to the rolling hills of the cultivated land, the latticework of, old as Methuselah, massive dry built stone fences patterning the contours in a checker board of ancient pastoral order. The glorious soft greens of early summer deciduous forest, the yellow fields of mustard flower moving in the breeze and above, the bluest of skies with contrails of ever present high flung jets winging to distant places.

Britain has a flavour. Antiquity is evidenced everywhere, there is a sense of old, restrained pride. A richness of spirit and a depth of character right throughout the populace. Britain has confidence in itself, its future, its continuity. The people are pleasant, resilient and thoroughly likeable. They laugh a lot and are very easy to admire.

With its culture, its wonderful history, its great Monarchy and its haunting, ever present beauty, everywhere you care to look….The Britain of today is, indeed, a class act.

We both loved it here Steven…and we will return.

M.

Hamilton, New Zealand

21 June 2018
Dedicated with love to my two comrades in arms and poets supreme.....Victoria and Martin.
You were just as I imagined you would be.
M.
judy smith Sep 2016
If anyone can make a feral animal print cool it’s Arabella Ramsay. The designer, who skipped the city in favour of the coast a few years ago, has launched a new lifestyle brand in collaboration with her dad Dougal Ramsay, an accomplished artist who has designed ranges affectionately named after all things Aussie; Hello Cocky, G’day Love, Veg Out.

Burnt out from more than a decade in the fashion industry rat race where she had amassed a cult following among adoring 20-somethings and private school girls for her unique apparel, Arabella shut her Melbourne shop five years ago and moved to Jan Juc where her husband has a yoga studio, her daughters play with bunnies and organic eggs are collected from the backyard coop.

Yet the fashion industry has come calling again, albeit in a different guise born of her slower lifestyle and rearing two children. A born and bred farm girl from Kyneton, she has forgone on-trend collections and retail overheads for family-friendly leisurewear and an online boutique.

The print-heavy collection features irreverent Australiana imagery created by her dad: “Bonza” bunnies, cheeky runaway gnomes, larrikin cockatoos, and come summer, a “******” croc print. The coloured sketches run across all-over yardage on leggings, hoodies and T-shirts for men, women and kids.

Dougal says his brief comes from his daughter who then “weaves her magic so the next time I see those drawings they are transformed into cute frocks and tops”.

She has a great eye for pattern and scale. “I enjoy seeing the finished product where a small crab on a skinny leg can grow into a giant monster crab on a rounder leg.”

A successful illustrator and author, Dougal has been fascinated with Australian culture for years, his nostalgic pencil sketching idiosyncratic scenes of country town lifestyles and coastal culture; seedy caravan parks, fishing hamlets and an architectural vernacular that “sadly has pretty well gone now”, he laments.

It was these scenes and Arabella’s own wholesome rural childhood that inspired the father-daughter label. In the spirit of Linda Jackson and Jenny Kee, Arabella wants to “show people the exciting things our country has to offer”, she says of her desire to “celebrate what’s in our back yards and in doing so, tap into the tourist market with a bit of style”.

Manufacturing is done in Australia where possible; a favoured maker is Cheryl, a woman Arabella’s nan found years ago while shopping at Spotlight in Ballarat. “She works from her small shed and has been making my clothes for years. It’s nice having quality control so we don’t overproduce.”

Lighthearted and a little bit kooky, the Dougal range is cultural cringe re-imagined as contemporary cool. Its Instagram (@wearedougal) is a feed of everything from Aussie idioms (Stoked! Strewth!) to summer vacations in Menorca, photography honouring Rennie Ellis, Dougal in the home studio, surf reports and Arabella’s idyllic beach house that has graced the pages of international magazines. Her own sartorial style is an inimitable mix of “70s vintage, preppy, **** and even a bit dorky” that’s equally at ease with the yuppies and the grommets.

“You can basically wear your pyjamas to school pick-ups and your wetsuit to the supermarket,” she says of the local surf town look. “But I still love high fashion and just bought a pink lace Gucci suit for my best friend’s wedding.”

An online purchase, it arrived via the dirt track leading to her secluded beach house. Fair dinkum.Read more at:http://www.marieaustralia.com/formal-dresses-sydney | www.marieaustralia.com/blue-formal-dresses
School is over.  It is too hot
to walk at ease.  At ease
in light frocks they walk the streets
to while the time away.
They have grown tall.  They hold
pink flames in their right hands.
In white from head to foot,
with sidelong, idle look—
in yellow, floating stuff,
black sash and stockings—
touching their avid mouths
with pink sugar on a stick—
like a carnation each holds in her hand—
they mount the lonely street.
LDuler Mar 2013
The leeching color from my eyes
My parched mouth puckered
My joints are stiff, stubborn and brittle
Creaking like exhausted floorboards
Wringing my fists, white ands shriveled
Twisting my hands, skinned and raw
I'm ill with desperate thriving
Too weak to carry on, don't have the choice
Veins laden with liqueur, thinning hopes and regret
Pulsing pulsing pulsing
Bones fluttering with birds of bad omen
Scalp rid of hair to make place for the thorny crown of vanquishment
Blood diluted with bitter disappointment,
Sloshing, smearing through my mucked-up system
Aching from the deadly drone of existence
From small victories, large defeats
I'm the mortar, they're the pestle
Clobbering into my hollowed life.

The hammer of that thing
Routine so dull and tedious
Pounding and pounding and pounding
When you can't even scream or weep
Thud thud thud
My temples scream with dank submission
My brain is reeling, hurling from the vertigo of it all.

Morning, noon & night
The dead avenues, the empty buzzing
Beats hammers in my brain
Throb throb throb
I'm quivering with numbness.

I'm mature now, I'm ripe
So ripened and rotten
Adult things, adult preoccupations pulsing around me
It seems like person really only has two choices
Get in on the aimless hustle or be forsaken
I've taken it all up
Rent, coffee, wine, cigarettes and newspaper
Forgotten pills
Unpaid bills
Thump thump thump
Anguish, pain, woe and misery
Turbulence and stress, the banging hammer.

I'm a drunkard, a wanderer
With a beaten, battered suitcase
Days like these, weeks like these, when all the weapons are pointed at me
I'm a ***, an outcast
A pigeon in the pummeling rain
Dribble dribble splash
The ache is a relentless thing.

My job, my rent, my house
My walls limp with memories stuck with rotting glue
Wallpaper torn, curling at the edges
The cold hard floor radiates and screams
The couch, cold & hollow
Incrusted with bits of filthy grime
The dead radiator hisses like an angry snake
The shades down, no sunlight
No life seeping through the venetian blinds
And my clothing sits in the chairs
Like the dead emptied out
The blankets are thin, frayed and tattered
As hope is
The moths, on the other hand, are alive and well
They weave webs of moribund rot
Interlacing me into their strands of decay.

Surrounded by the coldhearted, they snarl
And their laughs abash, dishearten the pure
Bruising me relentlessly
They are so tired, mutilated
either by love or no love
All their bleak and sunken eyes
All their weak and drunken souls
All their meek and shrunken hearts
Vultures with neckties
Weasels in frocks
Collared beasts, that's all they are.

The mournful poet with the shrapnel wound
Was so wrong
I guess he wanted to be lyrical, but his words led astray
Time is not water
It does not flow easy, smooth and transparent
It drags you into dark alleys and batters the hell out of you
Punches you in the ribs, rips your skin,
Jerks you by your hair, stabs you, disfigures you
Leaves you crippled and broken, gasping for air.

Sweating in a rocker
Lanky skeleton hands clasped, praying- for what?
I'm not living, or dying
I'm simply crawling backward
Or no, I'm not crawling, I'm being dragged,
Through nights of lonely perfidy, breathing the beaten dusty air
The dark wind wailing, ebbing through the frail curtains
Laying in bed, too wretched to move
When memories, of heaven and hell,
Droop like broken shades
Across the window of my mind
And ****, I can feel my soul slowly dropping down through the mattress
My stomach is heaving, my teeth clenched and gritted
But not with fear, no, it's too late for dread
And it *****, because we realize we were all so caught up in a life in which we can find no meaning...we end up wrong and graceless and sick
We're born shriveled and alone, we die shriveled and alone
No matter what.
The Hammer by Geneviève Pardoe Macchiarella is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
Tina ford Feb 2014
MUD
Mud is good,
Its dead good mud,
It's in me blood,
But where not understood,
Us people of mud,
In the shadow of a gas tank and born on a Mersey bank, I lived on cobbled streets dark and dank,
I played on a ship that sank, and for anything else I wouldn’t thank....... you
On king street docks, girls in cheap frocks, curly locks, time tocks, the boat rocks,
The tanyard smell made life hell for all that dwell, under the bridge,
In Garston L19, it’s the scene, its clean, it’s where I’ve been, it’s not obscene or green, if you know what I mean.
Its community security sincerity and every other word that ends with erity,
But it’s fallen apart,
Don’t lose heart.
I go into town when I’m down, it clears me frown,
I don’t go in me jarmies or me dressin gown,
There’s men with round bellies, toddlers in wellies,
Posh ladies gather in their marks and spencer swagger,
There’s scouse brow teens, sunbed queens,
Hunks and punks, lonely drunks,
Suits in boots forgetting their roots and hens in *****,
Big issue sellers, statue fellas holding golf umbrellas,
Coz of all the rain,
But it’s all good, coz we come from mud,
Let’s cheer, why?
Coz I’m here,
I’m me, me names T, and me hubbys P me best friends she..... lagh,
I like coffee and toffee and Roger Mcgoughy,
I like statistics logistics eye shadow and lipsticks,
I like bags and wags and cigarette ****, but not beer,
I’m fine on wine if I take me time,
I don’t do a line, unless I’m hanging me washing on it,
I work in a bar, not far, I don’t drive a car, and I don’t say Lar or kid or lad or lid or mar,
I’m proud and loud, don’t live on a cloud, and I don’t follow the crowd,
I’m a mum to some, I’ve got a big round ***, but I’m me you see,
I’m not square, I dye me hair, I swear but you can take me anywhere,
Coz I care,
I’m good,
I’m mud; it’s in me blood,
Understood

By Christina Ford
O you would clothe me in silken frocks
And house me from the cold,
And bind with bright bands my glossy locks,
And buy me chains of gold;

And give me--meekly to do my will--
The hapless sons of men:--
But the wild goat bounding on the barren hill
Droops in the grassy pen.
Venus, when her son was lost,
Cried him up and down the coast,
In hamlets, palaces, and parks,
And told the truant by his marks,
Golden curls, and quiver, and bow;—
This befell long ago.
Time and tide are strangely changed,
Men and manners much deranged;
None will now find Cupid latent
By this foolish antique patent.
He came late along the waste,
Shod like a traveller for haste,
With malice dared me to proclaim him,
That the maids and boys might name him.

Boy no more, he wears all coats,
Frocks, and blouses, capes, capôtes,
He bears no bow, or quiver, or wand,
Nor chaplet on his head or hand:
Leave his weeds and heed his eyes,
All the rest he can disguise.
In the pit of his eyes a spark
Would bring back day if it were dark,
And,—if I tell you all my thought,
Though I comprehend it not,—
In those unfathomable orbs
Every function he absorbs;
He doth eat, and drink, and fish, and shoot,
And write, and reason, and compute,
And ride, and run, and have, and hold,
And whine, and flatter, and regret,
And kiss, and couple, and beget,
By those roving eye-***** bold;
Undaunted are their courages,
Right Cossacks in their forages;
Fleeter they than any creature,
They are his steeds and not his feature,
Inquisitive, and fierce, and fasting,
Restless, predatory, hasting,—
And they pounce on other eyes,
As lions on their prey;
And round their circles is writ,
Plainer than the day,
Underneath, within, above,
Love, love, love, love.
He lives in his eyes,
There doth digest, and work, and spin,
And buy, and sell, and lose, and win;
He rolls them with delighted motion,
Joy-tides swell their mimic ocean.
Yet holds he them with tortest rein,
That they may seize and entertain
The glance that to their glance opposes,
Like fiery honey ****** from roses.

He palmistry can understand,
Imbibing virtue by his hand
As if it were a living root;
The pulse of hands will make him mute;
With all his force he gathers balms
Into those wise thrilling palms.

Cupid is a casuist,
A mystic, and a cabalist,
Can your lurking Thought surprise,
And interpret your device;
Mainly versed in occult science,
In magic, and in clairvoyance.
Oft he keeps his fine ear strained,
And reason on her tiptoe pained,
For aery intelligence,
And for strange coincidence.
But it touches his quick heart
When Fate by omens takes his part,
And chance-dropt hints from Nature's sphere
Deeply soothe his anxious ear.

Heralds high before him run,
He has ushers many a one,
Spreads his welcome where he goes,
And touches all things with his rose.
All things wait for and divine him,—
How shall I dare to malign him,
Or accuse the god of sport?—
I must end my true report,
Painting him from head to foot,
In as far as I took note,
Trusting well the matchless power
Of this young-eyed emperor
Will clear his fame from every cloud,
With the bards, and with the crowd.

He is wilful, mutable,
Shy, untamed, inscrutable,
Swifter-fashioned than the fairies,
Substance mixed of pure contraries,
His vice some elder virtue's token,
And his good is evil spoken.
Failing sometimes of his own,
He is headstrong and alone;
He affects the wood and wild,
Like a flower-hunting child,
Buries himself in summer waves,
In trees, with beasts, in mines, and caves,
Loves nature like a horned cow,
Bird, or deer, or cariboo.

Shun him, nymphs, on the fleet horses!
He has a total world of wit,
O how wise are his discourses!
But he is the arch-hypocrite,
And through all science and all art,
Seeks alone his counterpart.
He is a Pundit of the east,
He is an augur and a priest,
And his soul will melt in prayer,
But word and wisdom are a snare;
Corrupted by the present toy,
He follows joy, and only joy.

There is no mask but he will wear,
He invented oaths to swear,
He paints, he carves, he chants, he prays,
And holds all stars in his embrace,
Godlike, —but 'tis for his fine pelf,
The social quintessence of self.
Well, said I, he is hypocrite,
And folly the end of his subtle wit,
He takes a sovran privilege
Not allowed to any liege,
For he does go behind all law,
And right into himself does draw,
For he is sovranly allied.
Heaven's oldest blood flows in his side,
And interchangeably at one
With every king on every throne,
That no God dare say him nay,
Or see the fault, or seen betray;
He has the Muses by the heart,
And the Parcæ all are of his part.

His many signs cannot be told,
He has not one mode, but manifold,
Many fashions and addresses,
Piques, reproaches, hurts, caresses,
Action, service, badinage,
He will preach like a friar,
And jump like Harlequin,
He will read like a crier,
And fight like a Paladin.
Boundless is his memory,
Plans immense his term prolong,
He is not of counted age,
Meaning always to be young.
And his wish is intimacy,
Intimater intimacy,
And a stricter privacy,
The impossible shall yet be done,
And being two shall still be one.
As the wave breaks to foam on shelves,
Then runs into a wave again,
So lovers melt their sundered selves,
Yet melted would be twain.
Rob Rutledge Mar 2018
We are worn like winter coats
Held close while wild winds rage.
The scarf that suffocates the throat
The cloak that provokes the rain.
While the weather waits and wonders
Whether it will weep or thunder,
What we wear seems outnumbered,
Cotton caught out in the rain.

The coat now hangs forgotten,
Left to rot with wet socks,
Winter frocks and all things sodden.
The ghosts of colder days
Locked up and tucked away,
Moth eaten and decayed.
Waiting for the weather,
Wondering if whether
We will ever be worn again.
Melaka Jude Jul 2016
Him and her
Us and they
I and me
Might and may

Day and night
Land and sea
Sun and stars
Faith and belief

Love and war
victory and defeat
joy and happiness
tidy and neat

Shoes and hats
Frocks and shirts
Pants and bottoms
Lovers and Flirts

Ying and Yang
With a little bit in both
A world apart
But an inch too close

You and him
Him and me
Me and you......
*Opposites and Equals
The party starts at ten to three.

On the second floor,room twenty two
two vicars who had come down from Crewe were wondering just what to wear, to the shindig going on down there.
They collided,both decided to put on crimson frilly frocks,this was not a 'do' for cassocks or for smocks.

Room forty four up on the forth,was Lucy Ann,a double barrelled name of course,a horsey type who came by invite to liven lively up the night.

In number ten slept teacup Ken,who had never once imbibed,the porter was slipped a twenty,but was bribed to keep his big mouth shut, as ties were cut and Ken found Zen in a brandy glass,
and discovered parties were a gas.

The police arrived to room fifty five and found Miss Sterling doing the jive around the severed head of Fred the cook,
poor Fred never had any kind luck.

There is no escape from the party at Lancaster Gate and those who come are those who'll die
but the party is so flamin' good I'll try to sneak in,got to take a peek in room number twenty seven,where it's said,that the lady there can show you several kinds of heaven before you meet your doom.
Got to get in, get a room,check in time expires at noon.
I shall no doubt expire,naked by the fire in
room, one o one.
813

This quiet Dust was Gentleman and Ladies
And Lads and Girls—
Was laughter and ability and Sighing
And Frocks and Curls.

This Passive Place a Summer’s nimble mansion
Where Bloom and Bees
Exists an Oriental Circuit
Then cease, like these—
JJ Hutton Feb 2013
six-inch heels abandoned
in lampless corner       grimy pennies embedded in carpet

rent's due

wedding band girl "fab polka dot frocks"
waterfalling past knees        outta place
on casino bus destined for rest under Ft. Worth stars
now, now    ******* borealis speckled dice

true love waits

socialite lip balm and bourgeoisie hips compete
in bidding war over which black face triggerpulls
which black face eyes the ground
passerby the red light      the green light
all night diner    egg on chin   coffee-stained porcelain   teeth

"I forgave, I think. I forget."

crowded and paranoid in the left lane    the right lane
empty and weak and surrender and soiled underwear in ammonia nursing home
children is a word     time is a lie the polka dot and the interstate ain't selling
divorce the consequence of acoustic shadows

reblog   undo   #sotrue    reblog

living through x-ray radiotherapy the dotted gown
never the veiny calves or the blush or the eyeliner
somewhere in North Texas shawtys are in the club
shawtys are backin' it up    shawtys are dropin' it down

hit me+hit me+hit me=blackjack mishap

the marvel of the wind and of wind turbines
cognac decade brides     the epitome of class and natural elegance
standing like oil derricks and treated like oil wells
so secretive and philanthropic

this taxon remains nameless

casino turned dance hall   dance hall   skinny ties still a thing
this wine is good. is it a merlot?    no.    this is purely recreational
for birthdays   for weddings    and Ft. Worth missionaries
10-50 passengers   we've got 53, no 54 #hahahaha #whoops #party

who needs unprescribed drugs? me, me (!)

decomposing mascara sweat on brow the interstate no longer lit
polka dots has got the suicide by Manet pulled up
on her iPhone the financial stress   which shudders warm-blooded moms
on her lips    every mother a librarian   every mother a swing-pusher

but digression    next to bitterness   the lowest sin

edging the cultural gateway of the old west
miracles in and miracles out of tradition following
the slender bends of middle ancient Trinity River
children a word   pattycake a game

and time   time a lie we left to museum panoramas
having often like old clothes,
have bought small dresses, with
no one in reach.

hung, they look pretty, the
experience helps now in family
business, and how busy the
family is.

took time out yesterday, bought
small dresses, in the rain.

it is a small family affair.

sbm
School is over.  It is too hot
to walk at ease.  At ease
in light frocks they walk the streets
to while the time away.
They have grown tall.  They hold
pink flames in their right hands.
In white from head to foot,
with sidelong, idle look—
in yellow, floating stuff,
black sash and stockings—
touching their avid mouths
with pink sugar on a stick—
like a carnation each holds in her hand—
they mount the lonely street.
SøułSurvivør Oct 2014
Venus on our mountain top
Shutting down your silly game!
Mars, you'd better STOP!
For VENUS is the FAME!

WE'VE GOT IT!
Yeah, baby, we got it...
We are Venus... we are fire...
For Mars desire...

Quit your loud hollerin'...
This here is MARS!
No fakin'... just mucsles flexin'
We've got battle scars...

WE'VE GOT IT!
Yeah... and we'll flaunt it!
We're from Mars...
Don't come to mock
In your Venusian frocks...


HA!! Don't you accuse!
You're jealous of our muse!
What is your excuse...
You know you're gonna LOSE!!

'Cause we got it!
Yeah, baby... we got it!
We're from Venus. ..
You can't beat us...
You cannot read us...
Yeah... We're your Venus
We are freed... your dire need! !

WHAT?!! You talkin' to me?!!
I'm not green with jealousy
All just petty lunacy
To a ridiculous degree..

You don't have it!
Honey you never got it!

We're your Martians
Your only direction
In this contention!


Why do we fuss and fight?
It just ain't right!
We're each other's light
Against the night...

We need to shed the armor
Because we need each other
Time shouldn't matter...

WE GOT UNTIL FOREVER! !!


WE GOT IT! !!
Yeah baby we got it!

Venus/Mars... they both are ours

WE LOVE IT! !!!


SoulSurvivor
**Rhymesmith
This, in case you haven't
Already figured it out
Is set to the music of
VENUS by Bananarama

I had a blast doin this
Project with the very
Talented Rhymesmith...
Look forward to another!
Will you conquer my heart with your beauty; my sould going out from afar?
Shall I fall to your hand as a victim of crafty and cautions shikar?

Have I met you and passed you already, unknowing, unthinking and blind?
Shall I meet you next session at Simla, O sweetest and best of your kind?

Does the P. and O. bear you to meward, or, clad in short frocks in the West,
Are you growing the charms that shall capture and torture the heart in my breast?

Will you stay in the Plains till September—my passion as warm as the day?
Will you bring me to book on the Mountains, or where the thermantidotes play?

When the light of your eyes shall make pallid the mean lesser lights I pursue,
And the charm of your presence shall lure me from love of the gay “thirteen-two”;

When the peg and the pig-skin shall please not; when I buy me Calcutta-build clothes;
When I quit the Delight of Wild *****; foreswearing the swearing of oaths ;

As a deer to the hand of the hunter when I turn ’mid the gibes of my friends;
When the days of my freedom are numbered, and the life of the bachelor ends.

Ah, Goddess! child, spinster, or widow—as of old on Mars Hill whey they raised
To the God that they knew not an altar—so I, a young Pagan, have praised

The Goddess I know not nor worship; yet, if half that men tell me be true,
You will come in the future, and therefore these verses are written to you.
Marshal Gebbie Jan 2014
Greens and gold of lattice work cascading down the tree,
This epiphyte, so infinitely, delicately free.
A lattice work of green finesse, a miniature Cezanne
With exquisiteness of spiky bloom embellishing it’s charm.
Cascading down the grizzled trunk of gnarled and twisted hand
The hosting ancient Kamahi looms loftily, so grand.
Looms aloft with leafy bough so softened by the show
Of ruffled, pinkish bottle brush amassing high and low.
Hordes of buzzing, bumble bees so clumsy in their way,
Tumbling from flower to flower collecting nectar’s day.
With afternoon the waning sun lies hot on sultry air
And little girls in pretty frocks skip by with not a care.
Summer grasses long and dry stand statuesque and straight
With sweet laburnum’s perfumed heads a nodding by the gate.
Young heifers graze in clover in the dell down by the brook
And the fantail dances daintily seeking insects in the nook
There’s a special, quiet majesty pervading here, so fair
With the thistledown afloat, so still with golden motes in air.
Fills my soul with gentle feeling and a rolling tear, unplanned,
For this blend of quiet ambivalence through my beauteous rural land.

Marshalg
“Foxglove” Taranaki.
NEW ZEALAND.
19 January 2014
Michael R Burch Apr 2020
Ono no Komachi translations

These are my modern English translations of the ancient Japanese poems of Ono no Komachi…

As I slept in isolation
my desired beloved appeared to me;
therefore, dreams have become my reality
and consolation.
―Ono no Komachi, loose translation by Michael R. Burch

Submit to you, is that what you advise?
The way the ripples do
whenever ill winds arise?
―Ono no Komachi, loose translation by Michael R. Burch

Watching wan moonlight flooding tree limbs,
my heart also brims,
overflowing with autumn.
―Ono no Komachi, loose translation by Michael R. Burch

If fields of autumn flowers
can shed their blossoms, shameless,
why can't I also frolic here ...
as fearless and as blameless?
―Ono no Komachi, loose translation by Michael R. Burch

So cruelly severed,
a root-cut reed ...
if the river offered,
why not be freed?
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

I had thought to pluck
the flower of forgetfulness
only to find it
already blossoming in his heart.
―Ono no Komachi, loose translation by Michael R. Burch

The wildflowers and my love
wilted with the rain
as I idly wondered
where in the past does love remain?
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

I nodded off thinking about you
only to have you appear in my dreams.
Had I known that I slept,
I'd have never awakened!
—Ono no Komachi (KKS XII:552), loose translation/interpretation by Michael R. Burch

That which men call "love" ...
is it not merely the chain
preventing our escape
from this world of pain?
―Ono no Komachi, loose translation by Michael R. Burch

Did you appear
only because I was lost in thoughts of love
when I nodded off, day-dreaming of you?
(If I had known that you
couldn't possibly be true,
I'd have never awakened!)
―Ono no Komachi, loose translation by Michael R. Burch

Sad,
the end that awaits me ...
to think that before autumn yields
I'll be a pale mist
shrouding these rice fields.
―Ono no Komachi, loose translation by Michael R. Burch

In this dismal world
the living decrease
as the dead increase...
oh, how much longer
must I bear this body of grief?
―Ono no Komachi, loose translation by Michael R. Burch

Once-colorful flowers faded,
while in my drab cell
life's impulse also abated
as the long dismal rains fell.
―Ono no Komachi, loose translation by Michael R. Burch

Now bitterly I watch fall winds
battering the rice stalks,
suspecting I'll never again
find anything to harvest.
―Ono no Komachi, loose translation by Michael R. Burch

This abandoned mountain shack ...
how many nights
has autumn sheltered there?
―Ono no Komachi, loose translation by Michael R. Burch

Am I to spend the night alone
atop this summit,
cold and lost?
Won't you at least lend me
your robes of moss?
—Ono no Komachi (GSS XVII:1195), loose translation by Michael R. Burch

Two things wilt without warning,
bleeding away their colors:
a flower and a man's heart.
—Ono no Komachi (KKS XV:797), loose translation/interpretation by Michael R. Burch

Alas, the beauty of the flowers came to naught
as I watched the rain, lost in melancholy thought ...
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

Watching the long, dismal rains
inundating the earth,
my heart too is washed out, bleeds off
with the colors of the late spring flowers.
―Ono no Komachi, loose translation by Michael R. Burch

Wretched water-**** that I am,
severed from all roots:
if rapids should entice me,
why not welcome their lethal shoots?
―Ono no Komachi, loose translation by Michael R. Burch

Though I visit him
continually in my dreams,
the sum of all such ethereal trysts
is still less than one actual, solid glimpse.
―Ono no Komachi, loose translation by Michael R. Burch

I feel desire so intensely
in the lily-seed darkness
that tonight I'll turn my robe inside-out
before donning it.
—Ono no Komachi (KKS XII:554), loose translation/interpretation by Michael R. Burch

This vain life!
My looks and talents faded
like these cherry blossoms inundated
by endless rains
that I now survey, alone.
―Ono no Komachi, loose translation by Michael R. Burch

Autumn nights are "long"
only in verse and song:
for we had just begun
to gaze into each other's eyes
when dawn immolated the skies!
―Ono no Komachi, loose translation by Michael R. Burch

I think of you ceaselessly, with love...
and so... come to me at night,
for in the flight
of dreams, no one can disapprove!
―Ono no Komachi, loose translation by Michael R. Burch

On nights such as these
when no moon lights your way to me,
I lie awake, my passion blazing,
my breast an inferno wildly raging,
while my heart chars within me.
―Ono no Komachi, loose translation by Michael R. Burch

Since my body
was neglected by the one
who had promised faithfully to come,
I now lie here questioning its existence.
―Ono no Komachi, loose translation by Michael R. Burch

Since there's obviously nothing to catch
in this barren bay,
how can he fail to understand:
the fisherman who persists in coming and going
until his legs collapse in the sand?
―Ono no Komachi, loose translation by Michael R. Burch

What do I know of villages
where fisherfolk dwell?
Why do you keep demanding
that I show you the seashore,
lead you to some pearly shell?
―Ono no Komachi, loose translation by Michael R. Burch

Yielding to a love
that recognizes no boundaries,
I will approach him by night ...
for the world cannot despise
a wandering dreamer.
―Ono no Komachi, loose translation by Michael R. Burch

Now that I approach
life's inevitable winter
your ardor has faded
like blossoms devastated
by late autumn rains.
―Ono no Komachi, loose translation by Michael R. Burch

Am I to spend another night alone
atop this ice-crag,
cold and lost?
Won't you at least lend me
your robes of moss?
―Ono no Komachi, loose translation by Michael R. Burch

"It's over!"
Your words drizzle like dismal rains,
bringing tears,
as I wilt with my years.
—Ono no Komachi (KKS XV:782), loose translation/interpretation by Michael R. Burch

I pursue you ceaselessly in my dreams ...
yet we've never met; we're not even acquainted!
—Ono no Komachi, loose translation by Michael R. Burch

Like flowers wilted by drenching rains,
my beauty has faded in the onslaught of my forlorn years.
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

Fiery coals searing my body
hurt me far less than the sorrow of parting.
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

Love is man's most unbreakable bond.
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

This moonless night,
with no way to meet him,
I grow restless with longing:
my breast’s an inferno,
my heart chars within me.
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

How brilliantly
tears rain upon my sleeve
in bright gemlets,
for my despair cannot be withstood,
like a surging flood!
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

This flower's color
has drained away,
while in idle thoughts
my life drained away
as the long rains fall.
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

Fatal reality!
You must do what you must, I suppose.
But even hidden in my dreams
from all prying eyes,
to watch you still pains me so!
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

In eye-opening daylight
much stands revealed,
but when I see myself
reflected in hostile eyes
even dreams become nightmares.
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

I would meet him tonight
but the moon shows no path;
my desire for him,
smoldering in my breast,
burns my heart to ash!
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

Sleepless with loneliness,
I find myself longing for the handsome moon.
—Ono no Komachi, loose translation/interpretation by Michael R. Burch

Sotoba Komachi is a modern Noh play by Yukio Mishima (1925-1970). Mishima's play is based on an ancient work by Kan'ami Kiyotsugu (1333-1384). The first kanji means "stupa" (the dome of a shrine) while the second kanji means "belle" or "beautiful woman." So the title may be interpreted as something like "Beauty's Shrine" or "Shrine to Beauty." Kan'ami was the first playwright to incorporate the Kusemai song and dance style and Dengaku dances into plays. He founded a sarugaku theater group in the Kansai region of Honshu; the troupe later moved to Yamato and formed the Yuzaki theater company, which would become the school of Noh theater.

Excerpts from SOTOBA KOMACHI
by KWANAMI
loose translation/interpretation by Michael R. Burch

Priest of the Koyasan:

We who have built our homes on shallow slopes
now seek solitude in the heart's deep recesses.

Second Priest:

This single thought possessed me:
How I might bring a single seed to flower,
the wisdom of Buddha, the locus of our salvation,
until in despair I donned this dark cassock.

Ono no Komachi:

Lately so severed,
like a root-cut reed,
if the river offered,
why not be freed?

I would gladly go,
but here no wave stirs ...
I was once full of pride
now fled with the years,

gone with dark tresses
and with lustrous locks;
I was lithe as a willow
in my springtime frocks;

I once sang like a nightingale
sipping dew;
I was wild as the rose
when the skies shone blue ...
in those days before fall
when the long shadows grew.

But now I’ve grown loathsome
even to ******;
even urchins abhor me;
men treat me with scorn ...

Now I am nothing
but a poor, withered bough,
and yet there are wildflowers
in my heart, even now.

Only my body lingers, for my heart left this world long ago!

Priests (together):

O, piteous, piteous!
Is this the once-fabled flower-bright Komachi,
Komachi the Beautiful,
whose dark brows bridged eyes like young moons;
her face whitest alabaster forever;
whose many damask robes filled cedar-scented closets?



Ono no Komachi wrote tanka (also known as waka), the most traditional form of Japanese lyric poetry. She is an excellent representative of the Classical, or Heian, period (circa 794-1185 AD) of Japanese literature, and she is one of the best-known poets of the Kokinshu (circa 905), the first in a series of anthologies of Japanese poetry compiled by imperial order. She is also one of the Rokkasen — the six best waka poets of the early Heian period, during which poetry was considered the highest art. Renowned for her unusual beauty, Komachi has become a synonym for feminine beauty in Japan. She is also included among the thirty-six Poetry Immortals. It is believed that she was born sometime between 820-830 and that she wrote most of her poems around the middle of the ninth century. She is best known today for her pensive, melancholic and ****** poems. Keywords/Tags: Ono no Komachi waka tanka translation Japanese love women womanhood feminist feminism
St. Margaret's bells,
Quiring their innocent, old-world canticles,
Sing in the storied air,
All rosy-and-golden, as with memories
Of woods at evensong, and sands and seas
Disconsolate for that the night is nigh.
O, the low, lingering lights!  The large last gleam
(Hark! how those brazen choristers cry and call!)
Touching these solemn ancientries, and there,
The silent River ranging tide-mark high
And the callow, grey-faced Hospital,
With the strange glimmer and glamour of a dream!
The Sabbath peace is in the slumbrous trees,
And from the wistful, the fast-widowing sky
(Hark! how those plangent comforters call and cry!)
Falls as in August plots late roseleaves fall.
The sober Sabbath stir--
Leisurely voices, desultory feet!--
Comes from the dry, dust-coloured street,
Where in their summer frocks the girls go by,
And sweethearts lean and loiter and confer,
Just as they did an hundred years ago,
Just as an hundred years to come they will:--
When you and I, Dear Love, lie lost and low,
And sweet-throats none our welkin shall fulfil,
Nor any sunset fade serene and slow;
But, being dead, we shall not grieve to die.
Ana Habib Nov 2020
The family of two would soon be turning into 3. Jasmine and Robyn  Banerjee were a young couple who had gotten married only a few short month back and were now eagerly waiting for the arrival of the baby. Jasmine, did not care if was a boy or girl. She and her husband agreed that as long as the baby was healthy had her mom eyes and dads smile everything was perfect.

Her in-laws had other ideas. They looked after her and was very understanding about her plight. The morning sickness, violent mood swings, acne, aches and pains. They advised her on what they thought was right but every few days or so her mother in law had something new to say. “ Don’t eat too much of something or the baby will have birthmark just like it somewhere on the body” or eat fish so that the “baby will be smart” or something more annoying like “ do not bathe, the baby might be born early” The mother to-be smiled politely or rolled her eyes as far back as possible while silently wishing someone would take her a way from these kooky people.

Jasmine, was a school teacher by profession and her husband Robyn ran a very successful travel agency. She had been told that it would be best if she resigned from work, at the very beginning of her pregnancy. Robyn provided for both and why did a woman need to work after a child is born?

Baby Dia was born on a Friday at 8pm in a clinic after a long and tiring labour. Both the doctor and nurse were smiling when they handed the pink bundle of cries to Jasmine. She did not even have 10 minutes alone with the baby before the door burst open with an eager set of grandparents and a father who looked, troubled.

What is it? Cried one of the grandmothers

“A girl” said Jasmine smiling

“hmm”

“a boy would have been better”

“ I Know she would bring bad luck to the family”

Not something to tell a new mom but everyone was suddenly looking each other instead of her. No one went to congratulate the mom or take a second look at the baby. Jasmine’s mother in law looked upset. Her mom just patted her hand, hurriedly mumbled something, and left the room with her father in tow. Jasmine felt bad upon hearing everything and wondered what kind of people she had been living with till now. Her husband was quiet the whole time.

Baby Dia grew up to be a happy smiling baby who made little to no fuss, slept through the night and always seemed excited about expanding her palate. She did not see much of her father or grandfather. They never showed much interest in her. They never warmed up to her. Robyn smiled, picked her up or played with his daughter every once in a while, but for the most part he worked long nights, on the weekend and went on week long trips when he needed to.

Robyn was working late again for the third time this week. He had hoped for a boy for so long but ended up with a daughter. She was precious to look at but women are complicated, expensive and overly emotional.

One afternoon, 4 year old Dia was playing outside with a few of the neighbourhood children. She had great fun but came home looking a little more then just *****. Her pink frock had holes in it, her wavy hair came undone and she was holding only one shoe in her hands. Her mother was no where to be seen but her grandmother hollered at the girl.

“Look at you, dirt all over the place,” why cant you just play inside with your dolls or toys only boys get this ***** and stay out so late” Dia paid no attention to these words and went to her grandmother for a hug. The old woman shooed the little girl away and locked her in the bathroom.  “Don’t come out till your squeaky clean” her grandmother warned. What was the big deal about getting ***** Dia wondered?

When she had turned 7, Dia started attending events and invites with her parents. They were all invited to a wedding on a Saturday night. She no longer had to wear scratchy frocks anymore. Her mother had bought her something better. A pant suit with a pink scarf. Dia loved it and dressed up by herself with no help. The dress was great, but the scarf was a nuisance. It was long and she felt suffocated. What was there to hide? Her mom draped in a pink saree, frowned when she came out wearing no scarf.

“Put on your scarf it comes with the dress”

“I don’t want to its ugly and I wont able to play with this on”

The normally calm woman, suddenly felt annoyed.

“Look, I have a shawl and your grandmother is wearing one too” that’s just how women dress, and that includes little girls.”

Her grandmother sitting in the back of the car murmured something about teaching her manners and modesty. Dia didn’t flinch

“ I have manners and my legs are not showing” Modesty in the “Banarjee” household meant that woman were not to expose their legs or back or any other parts of the body except for the hands and feet” Such rules did not apply to the men.

The next morning Jasmine spoke to Dia about the incident.

“I wanted you to wear the scarf last night because its how girls dress. You are a girl and you have to cover yourself to avoid trouble. Good girls always cover themselves and listen to their parents.”

Dia nodded but she didn’t understand anything. She was hungry and just wanted to eat.

When Dia was 11. One of her father’s colleagues came over. A kind man, his wife and annoying son. She liked them. They always brought over presents. She had gotten blue bangles last time. She saw them, from her window. She could not leave her room until her mother called for her.  It was always to work in the kitchen, Serve the guests, tea and snacks, set the table and do the dishes while everyone talked in the living room or sat in the backyard. Everything had to be cleaned up and the tea had to be exactly right. Not too dark, or too sugary. Grandmother says that if a girl did not know how to make proper tea she would not get a good husband in the future. Dia smirked when she heard this, her husband can have milkshakes for all she cared. She hated tea. Drink too much of it and she would get darker. Drink to little of it and the headaches would start. Dia could only leave the room when they left. No one really stayed over except of her mother’s parents, cousins and the occasional 50 pounds overweight aunty who always had her face in the refrigerator and inquired about her grades and skin tone every single visit. Girls were expected to stay indoors as much as possible. Always hidden but from what Dia could not always understand.

A few days after Dia turned 12 she had gotten her period. She read all about it on the internet and the librarian at school had lent her some books while explaining everything to her. Such topics were never discussed at home. It was a horrible experience. The bleeding, cramping, headaches and bouts of anger. All this because she was girl, every month for a very long time. 50 years perhaps. Her mother and grandmother smiled, when she told them. They took her out for lunch and bought her new clothes. She could no longer wear shorts or sleeveless tops anymore, even in the privacy of her own room. A brassiere had to go with everything now and long scarves and vests were a must. Along with this Dia had to follow other rules. She could not wash her hair on the first day of her period, she could not bathe in hot water. She could not paint her nails, have anything sour (pickles, lemonade) or make food for anyone because everything will spoil. She could not enter a place of worship or cradle baby because he/she might get sick. Dia thought all this was pointless and when she inquired about it, she got a smack to the face for questioning ancient rules and rituals and was told that this was how it was for every woman before her in the family. She earned a second smack when she asked who made the rules. Probably a man.

On her 14th birthday. Dia had gotten into a fight with one of her best friends. It was over something trivial. What to wear for a school event? Dia had settled for a saree and her friend settled on a gown. Dia was not fair but a little dusky. Her friends skin tone was like milk. The girl took great pride in that. She went as far as saying that Dia’s grey saree made her look like a crow. Dia was too upset to say anything in return, so she quickly walked home. She walked to her room and did not come out till the next day. Jasmine had noticed her daughter’s sour behavior and snappy remarks, so she asked what was wrong. Dia tearfully told her the truth. Her mom laughed and said that good friend’s squabble over anything and forget it 2 days later. Gave her money for ice cream and a movie and left for work. Her grandmother while doing the dishes told her that it was normal for girls for fight because women are competitive, they always want the best for themselves and have no problem belittling someone else to get it. Dia asked why, she got the usual response. “that’s how girls are” Dia through her grandma was being extra negative that day.

When Dia turned 18, she met a young man through one of her classes. She was studying health sciences and aspired to be a dentist when she was much older. Teeth always fascinated her since she was young. Her friend was a taller a bit older (21) and studying to be an Emergency Medical Technician. Dia and this boy had been friends for awhile now. He came from a good family and had no siblings. But she always thought him to be a friend. They studied together, hung around and had fun. He on the other hand started asking too many questions and took up a lot of her time. He was nice, positive and always made her laugh, but she had to let him know how she felt about him. She thought of speaking to her mom about this. Her father had heard everything instead. He sat beside her, listened to everything, and told her to wait for the boy to come to her and then break him the news gently. There was no need to talk to him first and cause a scene at the college campus. This would affect her studies and make her look her bad. This upset Dia in a major way. A woman was able to have feelings, but she could not voice them out? She could not take the first step in a relationship?  She mumbled her thanks and took a long shower that night, thinking everything over. The next day she approached her father again. He gave her a long look and said that if she broke things off with him first, he could go around spreading rumors or get her in trouble at school. No one likes a bold woman who always speaks her mind. She should just focus on her studies. Dia did not press him any further. She went on with her everyday life and lost him as a friend in a month’s time.

A week shy of her 21st birthday, Dia received an acceptance letter from a prestigious university. She was ecstatic and did cartwheels after reading the letter. Her parents had no qualms about her studying at a university that was far away from home or living in a hostel. She had matured into a young woman who they could trust and she had not made a faulty decision till now. Dia was not interested in parties, drinking, or staying overnight with friends. She was a good girl. However, they only let her go after letting her know that they would start looking for a boy once she graduated from her program. Dia said yes without thinking to much about this. Graduation was still 4 years away.

Dia went to complete university in less then 4 years time. She did not waste any time after graduation and enrolled into dental school. She had flunked only 1-2 courses during one semester. Her grandmother had died during one of them and her grades fell just slightly. This brought upon change in the Banerjee family. Her father had changed after his mom’s death. He was no longer in a rush to get Dia married and stopped working. He picked up a hobby and worked on that. Her mother took a break from teaching and now worked as a guidance counsellor for teens at a reputable high school.

During this time Dia was going steady with another dentistry student, with her parent’s permission. He was alright in most ways but sometimes pressured her to take their relationship to the next level. She always resisted and asked him to wait till they get married. Woman had to remain pure till they got married. If one’s purity is gone or lost it would bring great shame to the family and the couple. He said he he understood until one day he did not anymore. In a fit of rage, he let her know she belonged to him and he could do what he liked. They would be getting married soon so why did it matter. She resisted the urge to strike him and let him know that she belonged to no one but herself. He called her names before calling it quits. It hurt, but Dia knew that she would meet the right man sooner or later. Her parents did not say anything to her regarding this.

When Dia was 25 she did meet someone, he was a doctor and she went to become a dentist. They did not a have a grand wedding but a small private ceremony. They had paid for everything and Dia sent her parents on a much-needed vacation. Her husband, he did not pressure her to do anything she did not like. He grew up abroad and helped her in all the things that men did not normally do back home like cooking, cleaning, shopping because this was considered to be “ Woman’s work” and was “normal” This surprised her at first but amazed her later on. One night after too much wine and fun her husband went to bed.  Dia was still awake giddy from the wine and had other things on her mind. She gently woke her husband up. He was not pleased. “Let me sleep woman, its not the time to do anything and I have to get up early. He left it at that and was snoring in minutes.

She looked at him and frustration and wondered why it was normal and acceptable for men to satisfy their needs wherever and whenever possible, but a woman was always rebuked when she wanted something from her husband. She had certain needs and rights over him. She quickly undressed, slipped into a nighty, and went to sit in the balcony for a bit. The moon was out and the world was dead asleep.
Dia poured herself the last of the wine and thought about everything.

A woman always has two choices to fight or to follow the rules. Since birth woman are groomed into becoming a certain type of woman, once they get to that stage they are either married off or left to work and hop from one relationship to another. They were taught to be quiet, obedient, smart and always fully covered.

Why did a woman need to be covered at all times? Not just her body but her mind as well. She must keep mum about her wants, her needs, and desires. She always must think about the others and society before deciding on something. No one looks up to a woman who speaks her mind and focuses on herself. No one appreciates an independent woman. She must always be dependant on a male somebody (father, brother, husband, son). She must always do what she is told and taught because that is the way it is. That is how girls are.

This is all Dia grew up listening to. Who came up with the rules? Society. A society, where men dictated most things and told woman what they should and should not do. When a man will never understand what women go through or why they must handle and balance out so much. School, home, family, career. A woman always has to choose.

Everything comes down to a choice and she will forever have to sacrifice something or the other because it is the womanly thing to do. Men are never really questioned about their choices. They talk, they lead, and the women follow. That needs to change. People need to unlearn these age-old stereotypes. They hurt both the men and women. A man grows up but ends up lacking so much in terms of emotional intelligence and respect for the other gender. He grows without understanding what gender equality means and why it is needed.  A woman grows up but not without sacrifice, selflessness, and crippling obedience. She is seen as inferior, weak, or untamable if she does not do what she is told, asks too many questions and wants to better herself in some way or form.

A woman’s identity should not be made from excuses and lies.
Dear mummy, do you remember the day,
That we went out shopping clothes, for my 10th birthday?
When I stepped in the shop and I saw what was around
- all those wonderful colours - I could hear my heart pound!

Hundreds of skirts and frocks and frills;
And I smelt them and felt them, and thought “Buy one, I will!”
I quickly, swiftly, scanned the shelves,
And finally spotted, the one I wanted for myself!

It was a lovely cotton frock, with a lovely white patch
In the shape of a dog - and a white collar to match.
It was the best frock I’d seen and it made my day.
And to top it all, it was a splendid light grey!

“Grey?!” you wailed. “Are you sure?
That’s not a real colour. Let’s look some more.”
“Oh!” I thought “All I need to do,
Is to tell mummy that grey’s a colour too!”

But I tried and I tried, but you didn’t see
And I almost cried, when you said grey is not for me.
“Why mummy why? Why do you think that’s true?
So many things are grey! And they’re lovable too.

Like dark fluffy clouds, just before they’re going to rain.
And squirrels and cats, and sewage drains.
Alright, alright, maybe drains you don’t adore,
But what about dogs, baby elephants and more!”

But you gave me that look of sheer surprise,
Wondering why I liked grey, better than lavender dyes.
“Girls don’t wear grey, ma, At least I don’t think they should.
Aren’t you a girl? Or have I misunderstood?”

“Of course I’m a girl, And not anything less.
But that never crossed my mind, when I saw that lovely dress!
I just really loved it. I can’t explain why.
Could you tell me why you like lavender? Give it a try!”

“Because lavender is soft!”, you said. “And lavender is nice,
And lavender is so soothing, to my eyes!”
“No wonder you love lavender! That is so cool!
That’s exactly why I love grey mummy! Did I break some rules?”

“It’s not because I’m a boy or because I want to rebel,
It’s because I love the colour, I’m sure you can tell!”
And then I waited to hear what you said.
Would you smile or just shake your head?

“I understand ma, why you love grey.
I don’t love it. But you could love it anyway!
You think it’s bright and I think it’s dull!
And that has nothing to do with you being a girl!”

Dear mummy, do you remember that day?
When you listened and asked instead of looking away?
When you taught me how to respect and learn,
And how to stay and understand instead of doing a turn.

Your words remind me of how you let go
Of years of training of what a girl should do and know.
Thank you for teaching me how to deal with my fears.
I still have that frock with me, after twenty five years.
Robert C Howard Aug 2013
at the fete du bons vieux temps - Cahokia, Illinois

White clouds of rosin dust
Flew off Geoff's fiddle strings
As his earth dance
Soared above the pulsing
Of friends on bass and guitar.

Tuniced men bowed
To their bonneted ladies
Bedecked in colonial frocks.
In turn each pair sashayed
Down and up the line,
Whirled and laced their way
Through outstretched hands
Of family, friends and neighbors
Shaping an arch at line's end
For all the rest to pass beneath.

All across our country's timescape
Countless bridal pairs
Have sealed their sacraments
Spinning in the whirlwind
Of the Virginia Reel -
With each interclasping of arms
A blessing upon their unions.

Geoff lifted his bow from the strings,
And bowed with his band to receive
The applause rippling the air
Like the patter of ancestral rain
Nourishing the sweet soil
Of our common earthly essence.

February, 2007
Included in Unity Tree published by Createspace and available from Amazon.com in both book and Kindle formats
Dead lover Dec 2015
Gazing at the window pane,
I see a road with 8 lanes. .
I live near an international airport,
Also not much far from the court.

The roads are always full with life,
and is visible a life taking another life..
A kidnapping here, A **** there..
Dress properly, to do none would dare...

Take away the right to wear frocks, from a girl under ten
Toned legs are arousing, and legs 're visible in them..
Take away a girls right to walk alone in streets,
When on a public property, as a public property people shall treat

Nobody spares you here...
Strangers,
Teachers,
Uncles,
brothers,
Step fathers
And even fathers!

Nobody understands love here, Everything is love making.
A girl in pain, 'cause of rod which in her body is shaking.

We have murderers,
We have ISIS agents,
We have corrupt officials,
We have suiciding peasants...
We have kidnappers,
We have hackers,
We have looters,
We also have sharp shooters,
We also have all age hookers...

Come, see my city,
And then on it, **do pity..
Is it just my developed city or are all the same?
Tryst Aug 2014
The warble frocks and debutantes,
Soprano trilling nightingales,
The extras dressed as elephants
And tenors with their penguin tails;
They mingle at the opera house
With canapés on silver trays;
Then dine on pigeon, goose and grouse,
To reminisce their finest plays;
When Romeo found Juliet
The crowds were on their feet for days,
When mighty Caesar’s end was met,
The press regaled with highest praise;
Such fine upstanding citizens,
So crisply draped, so brightly gowned;
The marvel of these denizens,
So rarely seen, so well renowned.
Mary Gay Kearns Dec 2018
I could not vote for you
My heart was with the lame
Pretty maids in open frocks
I could not but fuel pain.

So in shocked surprise my vote
Was cast ruefully
And where perfection danced
My vote ran away.

Love Mary ***
Strickly come dancing
Ashley and Lauren.
Julie Grenness Sep 2016
Yes, it's the Spring Racing Carnival again,
What a glorious sunny Spring day!
All the frocks are gathered to the fray,
Should I wear my fascinator again?
Need  I really wear all  this lingerie?
Look, my dress trimmed in broderie anglaise,
Here we are at the races again,
What horses? They don't rate,
Good excuse for best champagne,
Party frocks are gathered to the fray!
Feedback welcome.
My garden blossoms pink and white,
A place of decorous murmuring,
Where I am safe from August night
And cannot feel the knife of Spring.

And I may walk the pretty place
Before the curtsying hollyhocks
And laundered daisies, round of face--
Good little girls, in party frocks.

My trees are amiably arrayed
In pattern on the dappled sky,
And I may sit in filtered shade
And watch the tidy years go by.

And I may amble pleasantly
And hear my neighbors list their bones
And click my tongue in sympathy,
And count the cracks in paving-stones.

My door is grave in oaken strength,
The cool of linen calms my bed,
And there at night I stretch my length
And envy no one but the dead.
Sam Temple Dec 2015
**** blocked by
wannabe rock stars
in tube socks
standing on the block
like the 2001 Rock
ready to drop candy *****
and knock blocks off of
those who would mock
**** strap wearing
disk jockey’s –
cocky cockney Spock impersonators
lock glocks in boxes so the foxy chicks
won’t flock to the professed
smock of Sherlock Holmes
or dock their paper ships
on the jagged rocks
jutting up from the oceanic
tectonic plate –
frocks adorned with Reeboks
shock the locksmith
busily hocking his shops’
noxious fume makers
while the unorthodox musk ox
in bobby-socks
gently rocks
to the sounds walking out from
the talking box –
Hazel Connelly Sep 2012
I've won a day at the races
For me and my friend Doreen Maguire
Posh frocks and new hats
That's what we require.

So off we go shopping
Hair and nails done on the way
Well we girls want to lookj our best
For the big race day.

Now Doreen's buxom and curvy
Me I'm thin as a latt
Or you could say slim and slender
And Doreen's just fat.

We went in loads of shops
Nothing seemed to fit the bill
Everything was kind of frumpish
And we're definitly not over the hill.


Then we came accross this shop
In a side street in the town
It's called Reds Closet Boutique
And we both came out with a gown.

We got fascinators to match
Shoes, accessories and bags too
Doreen got something in pink
I got something in blue.

It was the day of the races
We were up with the lark
Had our lunch at Tom and Jerry's
Then off to Haydock Park.

The horses are under starters orders
And I'd backed the grey
Well it came home last
But it was winning all the way.

Now we came to the last race
And we're digging deep in our pocket
Doreen said put it on this
It's called Super Rocket.

Well it romped hom at 50/1
This horse called Super Rocket
And me and Doreen Maguire
Went home with brass in our pocket.

© Hazel
In my room, I hear raindrops
on my windowsill and  rush outside,
desperately try to stop
my jeans from soaking through to the inside.

In the garden, I can hear footsteps
from the neighbours,
“What a lovely day for it” he says - oh the depths
that his observation labours.

I look over the fence and see the bras
are hanging behind the jocks
in sequence, under my breathe I pass
a slight remark about the colour of my frocks (for the sexist lots).  

The beehive is so ironic,
neighbourly love is so platonic.
jinjahman Nov 2010
Precipice candle-lit
camouflaged burns torn
woken fast in ****** bayonet
frocks insatiably milk churned

I tripped and called out your name
on falling prowling came to mind
through an unknown gate, late
and then I woke dizzy
spokes unfettered but meaning less
than before
while wheeling down hills of never ending
clever proportions swung
towards Home

Precipice candle-flicked
dark on the front
escaping to the black
houses of clutter
where no one lives
and camouflage licks
dashed hopes from the wounds
of all fires ever there
inflicted and spooned

undertow slept
as I dreamed
pistacchio nuts in dry lap
watching a harmless movie
go away Scene
come back in the Act
splinter my porous nut
over a hard stone of sultry solace
Mateuš Conrad Sep 2016
even the queen doesn't wear as many pompous garments
throughout the year, as she does  upon coronation,
or the annual opening of the parliament -
high almighty she sits, in the chamber
of the house of lords, before the
"commoners" / middle-class pimps
lords of the manor of Cambridgeshire
are later summoned by black rod -
all the knock knock jokes stem from there:
black rod - knock knock.
the commons' - who's there?
black rod - black rod!
the commons' - black rod who?
black rod - black rod you wouldn't even care,
                    the pigs' trough is waiting.
but even the queen doesn't wear
all the garments she's entitled to upon
this occasions - i mean the full garment...
so is the commoner's approach to
vocabulary... on a printed page of a book
a poem looks: so much more menacing!
it's as if i actually have stamped
each poem, and they're not r.t.s. (return
to sender) example of bypassing
and destroying the the royal mail
with a magician's snap of the fingers...
but as honesty goes, the internet made
one magic trick, snap of the fingers,
and a thousand centipedes of postmen
disappeared in a second... gone... flushed
down the social-cohesive toilet...
it's called: improvement... the Chinese
are like: bring them over, we have
a billion and we need the leg work,
done and dusted, the last meaningful
letter i ever received was... i don't remember:
safe to say: never.
i am actually comparing something,
opened a beer, sat on a windowsill,
and thought to myself: after i digest
Stephen King's media outlet with his
many ghost writers, i'll smoke a cigarette
and read that ghastly thing that has my
name and picture printed on it...
it's ****** hard to read your own thoughts
back: given elephant narcissus in the room
and the bay leaf sensation in your mouth
rereading the ******* -
oh, by the way, in my culinary arsenal,
on today's menu: pork tikka masala -
i know, a heresy, tikka masala paste extra,
but to infuriate the palette:
not ground cumin and coriander, seeds,
a bay leaf... cloves (not necessary),
and cardamon pods -
                                freshly chopped tomatoes,
creme freche instead of double cream and
yogurt - garam masala, Kashmiri chilly powder,
paprika, turmeric... anti-dementia exercise:
what the **** did i put in?
50% youth unemployment in Greece,
45% and 40% in Spain and Italy respectively,
well, if you're going to have an existential
crisis, i.e. you're not in denial about old age
and how the Dutch and the Swiss and the Belgians
are the great humanitarians of our time...
might as well have one now.
funny enough, most people will not be saving up
for a pension... they'll be saving up for
euthanasia... honest to god, the lemmings are coming!
the lemmings are coming! in human terms:
that's not a myth.
****... what a digression... even the queen doesn't
wear the many garments presiding over her
role as being understood upon the annual
opening of parliament: in layman's terms,
i mean that to be synonymous with vocabulary...
a.i. says one as an abstract version
of all the other pronouns...
   the royal says we: because there's always
an entourage of lackeys and servants -
all the commoners get stashed in i, the over-exemplified i:
egoism, you, he, she, and the paranoid collective
of the royal's we, i.e. they...
it came to me rereading the Frederick II
Hohenstaufen Linguistic Experiment
-
i realised, because of certain words having
a near ~synonymous status:
mainly because they're so closely bound,
and like triplets, you can't have three different
wombs to get the bunch out
(oh, i have fried twins on toast,
once or twice, twin yokes in one egg,
i wonder: would they ever... er...
become Siamese? division gone awry,
or God teaching angels mathematics,
someone's bound to slip up... oh come on...
give room for some ****** simplicity!) -
what i want to reiterate is: even the queen doesn't
wear all the required authoritarian garments
throughout the year: look at her taste in
frocks... a puppet without a puppeteer -
now that's authority, wink-wink-oi-oi
nudge of the elbow, 'ello 'ello 'ello 'ello;
the same goes for me, you and every other
Jack and Jill... three words...
all statistical... mode... median... mean...
now, i haven't the foggiest how to differentiate
you a meaning for each... thus
looking at the poem i mentioned:
ontological modes - i.e. certain words can't
provide ontological modes -
attacking the verbiage, you honestly haven't
read continental thought, roll a spliff,
****** off... anyway...
it's like the queen's story... let's say her
garments are necessary analogy: she doesn't
wear all the pompous cloth and pearl
every day, unless it's everyday in a painting...
that's the same with vocabulary...
plus mode, median and mean are congested into
an alphabetical coercion -
let's say zoological and anthropoid -
so far apart you can almost keep them freshly
imprinted to a satisfying differential immediacy -
i.e. you can give me a meaning of the two words...
but mean (1) is soon followed by median (2)
                later comes the meaning of mode (3 -
in alphabetical order... even though
the alphabet has only a quantum chronology -
  compact a, first, then b - stranger that it
wasn't supposed to be necessarily e) -
which is why we seem to unhinge from specific
vocabularies - in education we are strained
at times to learn specific vocabularies,
but later discard them, we're actually repelled by
categorised vocabularies: niche vocabularies -
from the moment of hinging unto certain
words, we immediate unhinge from them...
leave school, learn to earn money...
as with the queen: we don't wear all the garments
of the vocabularies we were exposed to...
the difference being: she gets reminded...
the majority of us never get reminders
about using certain words: even in pub trivia
general knowledge quizzing, or that's the last
resort... for the most part, that's
what the dictionary is for:
                            it's prime utility has an
   a posteriori ontology -
                whereas the thesaurus (rex) has an
a priori ontology: which is why writers look up
words on the synonymous scale to create an exotic
jungle, which would otherwise look like the meadows
of Hyde Park... plus the dictionary states a word's
etymology - which doubles the proof that
a dictionary has an a posteriori ontology / nature
    of being used -
                                 in abstract, yes, ontology:
                 nature of being per se - box of chocolates
and Forrest Gump's wisdom on: you never know
what the kaleidoscope will show off and what you'll
get: mint?! yuck!
                             but as i already stated:
even the queen doesn't wear all the garments
required for the annual opening of parliament
every day... as with us and our lesser jewels:
words - not all words are there to be kept on
close surveillance through the year -
                     it's worthwhile remembering that
each of our faculties has a weakness...
and not all words are permanently loyal to us,
primarily through environmental fluctuations
governing their use, outside of a chemists?
would you necessarily hear nouns used in a chemist
outside a chemist? probably not...
so that's how i do mental crosswords -
well, i have absolutely no clues -
you have a bank balance an average Chinese
might have of 3000 ideograms -
    find me the tetraideogrammaton!
    earth wind & fire... & water...
                       but that's how i known i'm doing
crosswords in my head... a long forgotten word...
revisited... and instead of creating clues and guess
work: i have a narrative, anew -
a word once used in an examination paper,
later discarded, now revisited for my pleasure -
but we never have a complete account balance
of our vocabulary, that's always fluctuating like
stock-market share prices -
                we're like the queen without her
authoritarian garments most of the time -
                              we have (on purpose) set up
various bank accounts for specialised topics /
obscure knowledge - i really don't know if this
was a good idea - crosswords and obscure knowledge
trivia - again, like at school, this is a way
to misplace the greatest outlet of memory:
the optic foundation - the photographic something or other...
which, by way of consent has the power to
show us the dark room being opened -
      the Black Dot Eraser - happens all the time:
the Black Dot Eraser is like a concentrated form of
something, prone to insane gravity of pulling everything
into a nano-metre dot... a blind censor -
                      who says: i haven't seen anything prior,
and even with your words attempting to illuminate
the sense that hasn't graciously been bestowed upon me:
i will not see anything after.
                       unappealing the quest for
a unifying sense datum... of the five variations,
      given the five senses, how can we every reach
a simple i i i i i                 rather than a variable
                                      i i I I i?
      it's a basic schematic - a variation of?
some words (datum in exclusiveness) have variations
   in being ascribed sense - given there are give senses,
not every word (datum as exclusive of 4, but inclusive
   of at least 1) can be ascribed a placebo uniformity:
   i i i i i -                           since the nature of a datum is
   to show us fluctuation:
                                      e.g. i i I I i...
   given that different people, react to a word differently
in each sensual medium: the fluctuation of
   being given a piece of information inscribed in a word
when ingested by hearing, seeing, speaking, etc.
well... that's that: 200 camels came by the oasis
and drank 200 litres of water each (that is their
actual capacity after crossing a desert) -
                                                            and that's that:
testimony to the superiority of the oryx.
Laces that blew along with the wind
Draped around her body that defined her
A beauty carved by nature
She smiled at her friends and laughed at their jokes
Worked hard over every lesson
And also became the college beauty.
Twirling laces and silky frocks adorning her slim body and reflecting a grace that never could be denied
Simple but ambitious at heart
She fluttered her lashes many a time
To catch the attention of the smartest man in her batch
Though coyly posing she sought the attention of many a man  
Sole for the smartest man.
Many a man came for her hand but
She kept on waiting and waiting
Realising her flaw she worked day and night
Covering her lessons, reading many philosophers,
She worked hard and the day of exam was declared
Focussing on her points and shortlisting her methods she systematically covered her portions
Delighted she waited for the hour
The teacher distributed the question sheet and the time ticked by
Cautiously she wrote her answers one by one
She handed her paper and walked out
To her surprise she saw the smartest guy lost in thoughts
When the result was declared
The Tailor's daughter stood first
Unable to grasp she stood silently meditating
The smartest guy without hesitating for the first time noticed her and passed a smile
She jumped with joy conquering her dream
the tailors daughter walked dangling her plumet, velvet clothes floating with laces
and the mild wind kissing her her silky woven dress
and soft brown skin she trotted to the tailor's shop.

— The End —