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Joey McNamara Aug 2010
Your words mean nothing, nothing to me
Lay down your weapons and just, let it be
This isn't worth trying, why can't you see?
Lay down your body and just, let it all free

Who are you to say those words?
All I want to do is fly, fly with the birds
And yes I know, it's not realistic
At least I can feel optimistic
That this love can work, can work, can work
Let the smiles begin and lay off that smirk
Cos all I want to do is fly, fly with the birds

For one last time let’s feel this
Let yourself fall into the abyss
Let yourself fall into the bliss
And feel loves strong blind kiss

Who are you to say those words?
All I want to do is fly, fly with the birds
And yes I know, it's not realistic
At least I can feel optimistic
That this love can work, can work, can work
Let the smiles begin and lay off that smirk
Cos all I want to do is fly, fly with the birds

Every time we do this I fall to pieces
I can't help how my feeling increases
When I look at you everything ceases
Please grant me of your loves releases

Who are you to say those words?
All I want to do is fly, fly with the birds
And yes I know, it's not realistic
At least I can feel optimistic
That this love can work, can work, can work
Let the smiles begin and lay off that smirk
Cos all I want to do is fly, fly with the birds

Your words mean nothing, nothing to me
Lay down your weapons and just, let it be
This isn't worth trying, why can't you see?
Lay down your body and just, let it all free

Who are you to say those words?
All I want to do is fly, fly with the birds
And yes I know, it's not realistic
At least I can feel optimistic
That this love can work, can work, can work
Let the smiles begin and lay off that smirk
Cos all I want to do is fly, fly with the birds
Cos all I want to do is fly, fly with the birds
Copyright Joey McNamara 2010
Michael R Burch Nov 2020
Poems about Icarus

These are poems about Icarus, flying and flights of fancy...



Southern Icarus
by Michael R. Burch

Windborne, lover of heights,
unspooled from the truck’s wildly lurching embrace,
you climb, skittish kite...

What do you know of the world’s despair,
gliding in vast... solitariness... there,
so that all that remains is to
fall?

Only a little longer the wind invests its sighs;
you
stall,
spread-eagled, as the canvas snaps

and *****
its white rebellious wings,
and all

the houses watch with baffled eyes.



Flight 93
by Michael R. Burch

I held the switch in trembling fingers, asked
why existence felt so small, so purposeless,
like a minnow wriggling feebly in my grasp...

vibrations of huge engines thrummed my arms
as, glistening with sweat, I nudged the switch
to OFF... I heard the klaxon's shrill alarms

like vultures’ shriekings... earthward, in a stall...
we floated... earthward... wings outstretched, aghast
like Icarus... as through the void we fell...

till nothing was so beautiful, so blue...
so vivid as that moment... and I held
an image of your face, and dreamed I flew

into your arms. The earth rushed up. I knew
such comfort, in that moment, loving you.



I AM!
by Michael R. Burch

I am not one of ten billion―I―
sunblackened Icarus, chary fly,
staring at God with a quizzical eye.

I am not one of ten billion, I.

I am not one life has left unsquashed―
scarred as Ulysses, goddess-debauched,
pale glowworm agleam with a tale of panache.

I am not one life has left unsquashed.

I am not one without spots of disease,
laugh lines and tan lines and thick-callused knees
from begging and praying and girls sighing "Please!"

I am not one without spots of disease.

I am not one of ten billion―I―
scion of Daedalus, blackwinged fly
staring at God with a sedulous eye.

I am not one of ten billion, I
AM!



Finally to Burn
(the Fall and Resurrection of Icarus)
by Michael R. Burch

Athena takes me
sometimes by the hand

and we go levitating
through strange Dreamlands

where Apollo sleeps
in his dark forgetting

and Passion seems
like a wise bloodletting

and all I remember
, upon awaking,

is: to Love sometimes
is like forsaking

one’s Being―to glide

heroically beyond thought,

forsaking the here
for the There and the Not.



O, finally to Burn,
gravity beyond escaping!

To plummet is Bliss
when the blisters breaking

rain down red scabs
on the earth’s mudpuddle...

Feathers and wax
and the watchers huddle...

Flocculent sheep,
O, and innocent lambs!,

I will rock me to sleep
on the waves’ iambs.



To sleep's sweet relief
from Love’s exhausting Dream,

for the Night has Wings
gentler than Moonbeams―

they will flit me to Life
like a huge-eyed Phoenix

fluttering off
to quarry the Sphinx.



Riddlemethis,
riddlemethat,

Rynosseross,
throw out the Welcome Mat.

Quixotic, I seek Love
amid the tarnished

rusted-out steel
when to live is varnish.

To Dream―that’s the thing!

Aye, that Genie I’ll rub,

soak by the candle,
aflame in the tub.



Riddlemethis,
riddlemethat,

Rynosseross,
throw out the Welcome Mat.

Somewhither, somewhither
aglitter and strange,

we must moult off all knowledge
or perish caged.

*

I am reconciled to Life
somewhere beyond thought―

I’ll Live the Elsewhere,
I’ll Dream of the Naught.

Methinks it no journey;
to tarry’s a waste,

so fatten the oxen;
make a nice baste.

I’m coming, Fool Tom,
we have Somewhere to Go,

though we injure noone,
ourselves wildaglow.

This odd poem invokes and merges with the anonymous medieval poem “Tom O’Bedlam’s Song” and W. H. Auden’s modernist poem “Musee des Beaux Arts,” which in turn refers to Pieter Breughel’s painting “The Fall of Icarus.” In the first stanza Icarus levitates with the help of Athena, the goddess or wisdom, through “strange dreamlands” while Apollo, the sun god, lies sleeping. In the second stanza, Apollo predictably wakes up and Icarus plummets to earth, or back to mundane reality, as in Breughel’s painting and Auden’s poem. In the third stanza the grounded Icarus can still fly, but only in flights of imagination through dreams of love. In the fourth and fifth stanzas Icarus joins Tom Rynosseross of the Bedlam poem in embracing madness by deserting “knowledge” and its cages (ivory towers, etc.). In the final stanza Icarus agrees with Tom that it is “no journey” to wherever they’re going together and also agrees with Tom that they will injure no one along the way, no matter how intensely they glow and radiate. The poem can be taken as a metaphor for the death and rebirth of Poetry, and perhaps as a prophecy that Poetry will rise, radiate and reattain its former glory...



Free Fall (II)
by Michael R. Burch

I have no earthly remembrance of you, as if
we were never of earth, but merely white clouds adrift,
swirling together through Himalayan serene altitudes―
no more man and woman than exhaled breath―unable to fall
back to solid existence, despite the air’s sparseness: all
our being borne up, because of our lightness,
toward the sun’s unendurable brightness...

But since I touched you, fire consumes each wing!

We who are unable to fly, stall
contemplating disaster. Despair like an anchor, like an iron ball,
heavier than ballast, sinks on its thick-looped chain
toward the earth, and soon thereafter there will be sufficient pain
to recall existence, to make the coming darkness everlasting.



Fledglings
by Michael R. Burch

With her small eyes, pale and unforgiving,
she taught me―December is not for those
unweaned of love, the chirping nestlings
who bicker for worms with dramatic throats

still pinkly exposed, who have not yet learned
the first harsh lesson of survival: to devour
their weaker siblings in the high-leafed ferned
fortress and impregnable bower

from which men must fly like improbable dreams
to become poets. They have yet to learn that,
before they can soar starward, like fanciful archaic machines,
they must first assimilate the latest technology, or

lose all in the sudden realization of gravity,
following Icarus’s, sun-unwinged, singed trajectory.



The Higher Atmospheres
by Michael R. Burch

Whatever we became climbed on the thought
of Love itself; we floated on plumed wings
ten thousand miles above the breasted earth
that had vexed us to such Distance; now all things
seem small and pale, a girdle’s handsbreadth girth...

I break upon the rocks; I break; I fling
my human form about; I writhe; I writhe.
Invention is not Mastery, nor wings
Salvation. Here the Vulture cruelly chides
and plunges at my eyes, and coos and sings...

Oh, some will call the sun my doom, but Love
melts callow wax the higher atmospheres
leave brittle. I flew high: not high enough
to melt such frozen resins... thus, Her jeers.



Notes toward an Icarian philosophy of life...
by Michael R. Burch

If the mind’s and the heart’s quests were ever satisfied,
what would remain, as the goals of life?

If there was only light, with no occluding matter,
if there were only sunny mid-afternoons but no mysterious midnights,
what would become of the dreams of men?

What becomes of man’s vision, apart from terrestrial shadows?

And what of man’s character, formed
in the seething crucible of life and death,
hammered out on the anvil of Fate, by Will?

What becomes of man’s aims in the end,
when the hammer’s anthems at last are stilled?

If man should confront his terrible Creator,
capture him, hogtie him, hold his ***** feet to the fire,
roast him on the spit as yet another blasphemous heretic
whose faith is suspect, derelict...
torture a confession from him,
get him to admit, “I did it!...

what then?

Once man has taken revenge
on the Frankenstein who created him
and has justly crucified the One True Monster, the Creator...

what then?

Or, if revenge is not possible,
if the appearance of matter was merely a random accident,
or a group illusion (and thus a conspiracy, perhaps of dunces, us among them),
or if the Creator lies eternally beyond the reach of justice...

what then?

Perhaps there’s nothing left but for man to perfect his character,
to fly as high as his wings will take him toward unreachable suns,
to gamble everything on some unfathomable dream, like Icarus,
then fall to earth, to perish, undone...

or perhaps not, if the mystics are right
about the true nature of darkness and light.

Is there a source of knowledge beyond faith,
a revelation of heaven, of the Triumph of Love?

The Hebrew prophets seemed to think so,
and Paul, although he saw through a glass darkly,
and Julian of Norwich, who heard the voice of God say,
“All shall be well,
and all manner of things shall be well...”

Does hope spring eternal in the human breast,
or does it just blindly *****?



Icarus Bickerous
by Michael R. Burch

for the Religious Right

Like Icarus, waxen wings melting,
white tail-feathers fall, bystanders pelting.

They look up amazed
and seem rather dazed―

was it heaven’s or hell’s furious smelting

that fashioned such vulturish wings?
And why are they singed?―

the higher you “rise,” the more halting?



Earthbound, a Vision of Crazy Horse
by Michael R. Burch

Tashunka Witko, a Lakota Sioux better known as Crazy Horse, had a vision of a red-tailed hawk at Sylvan Lake, South Dakota. In his vision he saw himself riding a spirit horse, flying through a storm, as the hawk flew above him, shrieking. When he awoke, a red-tailed hawk was perched near his horse.

Earthbound,
and yet I now fly
through the clouds that are aimlessly drifting...
so high
that no sound
echoing by
below where the mountains are lifting
the sky
can be heard.

Like a bird,
but not meek,
like a hawk from a distance regarding its prey,
I will shriek,
not a word,
but a screech,
and my terrible clamor will turn them to clay―
the sheep,
the earthbound.

Published by American Indian Pride and Boston Poetry Magazine



Flight
by Michael R. Burch

It is the nature of loveliness to vanish
as butterfly wings, batting against nothingness
seek transcendence...

Originally published by Hibiscus (India)



The Wonder Boys
by Michael R. Burch

(for Leslie Mellichamp, the late editor of The Lyric,
who was a friend and mentor to many poets, and
a fine poet in his own right)

The stars were always there, too-bright cliches:
scintillant truths the jaded world outgrew
as baffled poets winged keyed kites―amazed,
in dream of shocks that suddenly came true...

but came almost as static―background noise,
a song out of the cosmos no one hears,
or cares to hear. The poets, starstruck boys,
lay tuned in to their kite strings, saucer-eared.

They thought to feel the lightning’s brilliant sparks
electrify their nerves, their brains; the smoke
of words poured from their overheated hearts.
The kite string, knotted, made a nifty rope...

You will not find them here; they blew away―
in tumbling flight beyond nights’ stars. They clung
by fingertips to satellites. They strayed
too far to remain mortal. Elfin, young,

their words are with us still. Devout and fey,
they wink at us whenever skies are gray.

Originally published by The Lyric



American Eagle, Grounded
by Michael R. Burch

Her predatory eye,
the single feral iris,
scans.

Her raptor beak,
all jagged sharp-edged ******,
juts.

Her hard talon,
clenched in pinched expectation,
waits.

Her clipped wings,
preened against reality,
tremble.

Published as “Tremble” by The Lyric, Verses Magazine, Romantics Quarterly, Journeys, The Raintown Review, Poetic Ponderings, Poem Kingdom (All-Star Tribute), The Fabric of a Vision, NPAC―Net Poetry and Art Competition, Poet’s Haven, Listening To The Birth Of Crystals(Anthology), Poetry Renewal, Inspirational Stories, Poetry Life & Times, MahMag (Iranian/Farsi), The Eclectic Muse (Canada)



Album
by Michael R. Burch

I caress them―trapped in brittle cellophane―
and I see how young they were, and how unwise;
and I remember their first flight―an old prop plane,
their blissful arc through alien blue skies...

And I touch them here through leaves which―tattered, frayed―
are also wings, but wings that never flew:
like insects’ wings―pinned, held. Here, time delayed,
their features never merged, remaining two...

And Grief, which lurked unseen beyond the lens
or in shadows where It crept on furtive claws
as It scritched Its way into their hearts, depends
on sorrows such as theirs, and works Its jaws...

and slavers for Its meat―those young, unwise,
who naively dare to dream, yet fail to see
how, lumbering sunward, Hope, ungainly, flies,
clutching to Her ruffled breast what must not be.



Springtime Prayer
by Michael R. Burch

They’ll have to grow like crazy,
the springtime baby geese,
if they’re to fly to balmier climes
when autumn dismembers the leaves...

And so I toss them loaves of bread,
then whisper an urgent prayer:
“Watch over these, my Angels,
if there’s anyone kind, up there.”

Originally published by The HyperTexts



Learning to Fly
by Michael R. Burch

We are learning to fly
every day...

learning to fly―
away, away...

O, love is not in the ephemeral flight,
but love, Love! is our destination―

graced land of eternal sunrise, radiant beyond night!
Let us bear one another up in our vast migration.



In the Whispering Night
by Michael R. Burch

for George King

In the whispering night, when the stars bend low
till the hills ignite to a shining flame,
when a shower of meteors streaks the sky
while the lilies sigh in their beds, for shame,
we must steal our souls, as they once were stolen,
and gather our vigor, and all our intent.
We must heave our bodies to some famished ocean
and laugh as they vanish, and never repent.
We must dance in the darkness as stars dance before us,
soar, Soar! through the night on a butterfly's breeze...
blown high, upward-yearning, twin spirits returning
to the heights of awareness from which we were seized.

Published by Songs of Innocence, Romantics Quarterly, The Chained Muse and Poetry Life & Times. This is a poem I wrote for my favorite college English teacher, George King, about poetic kinship, brotherhood and romantic flights of fancy.



For a Palestinian Child, with Butterflies
by Michael R. Burch

Where does the butterfly go
when lightning rails,
when thunder howls,
when hailstones scream,
when winter scowls,
when nights compound dark frosts with snow...
Where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill
beyond the capacity of moonlight to fill?
When the only relief's a banked fire's glow,
where does the butterfly go?

And where shall the spirit flee
when life is harsh, too harsh to face,
and hope is lost without a trace?
Oh, when the light of life runs low,
where does the butterfly go?

Published by Tucumcari Literary Review, Romantics Quarterly, Poetry Life & Times, Victorian Violet Press (where it was nominated for a “Best of the Net”), The Contributor (a Nashville homeless newspaper), Siasat (Pakistan), and set to music as a part of the song cycle “The Children of Gaza” which has been performed in various European venues by the Palestinian soprano Dima Bawab



Sioux Vision Quest
by Crazy Horse, Oglala Lakota Sioux (circa 1840-1877)
loose translation/interpretation by Michael R. Burch

A man must pursue his Vision
as the eagle explores
the sky's deepest blues.

Published by Better Than Starbucks, A Hundred Voices



in-flight convergence
by Michael R. Burch

serene, almost angelic,
the lights of the city ―― extend ――
over lumbering behemoths
shrilly screeching displeasure;
they say
that nothing is certain,
that nothing man dreams or ordains
long endures his command

here the streetlights that flicker
and those blazing steadfast
seem one: from a distance;
descend,
they abruptly
part ―――――― ways,

so that nothing is one
which at times does not suddenly blend
into garish insignificance
in the familiar alleyways,
in the white neon flash
and the billboards of Convenience

and man seems the afterthought of his own Brilliance
as we thunder down the enlightened runways.

Originally published by The Aurorean and subsequently nominated for the Pushcart Prize



Squall
by Michael R. Burch

There, in that sunny arbor,
in the aureate light
filtering through the waxy leaves
of a stunted banana tree,

I felt the sudden monsoon of your wrath,
the clattery implosions
and copper-bright bursts
of the bottoms of pots and pans.

I saw your swollen goddess’s belly
wobble and heave
in pregnant indignation,
turned tail, and ran.

Published by Chrysanthemum, Poetry Super Highway, Barbitos and Poetry Life & Times



Flight
by Michael R. Burch

Eagle, raven, blackbird, crow...
What you are I do not know.
Where you go I do not care.
I’m unconcerned whose meal you bear.
But as you mount the sunlit sky,
I only wish that I could fly.
I only wish that I could fly.

Robin, hawk or whippoorwill...
Should men care that you hunger still?
I do not wish to see your home.
I do not wonder where you roam.
But as you scale the sky's bright stairs,
I only wish that I were there.
I only wish that I were there.

Sparrow, lark or chickadee...
Your markings I disdain to see.
Where you fly concerns me not.
I scarcely give your flight a thought.
But as you wheel and arc and dive,
I, too, would feel so much alive.
I, too, would feel so much alive.

This is a poem that I believe I wrote as a high school sophomore. But it could have been written a bit later. I seem to remember the original poem being influenced by William Cullen Bryant's "To a Waterfowl."



Flying
by Michael R. Burch

I shall rise
and try the ****** wings of thought
ten thousand times
before I fly...

and then I'll sleep
and waste ten thousand nights
before I dream;
but when at last...

I soar the distant heights of undreamt skies
where never hawks nor eagles dared to go,
as I laugh among the meteors flashing by
somewhere beyond the bluest earth-bound seas...

if I'm not told
I’m just a man,
then I shall know
just what I am.

This is one of my early poems, written around age 16-17. According to my notes, I may have revised the poem later, in 1978, but if so the changes were minor because the poem remains very close to the original.



Stage Craft-y
by Michael R. Burch

There once was a dromedary
who befriended a crafty canary.
Budgie said, "You can’t sing,
but now, here’s the thing―
just think of the tunes you can carry!"



Clyde Lied!
by Michael R. Burch

There once was a mockingbird, Clyde,
who bragged of his prowess, but lied.
To his new wife he sighed,
"When again, gentle bride?"
"Nevermore!" bright-eyed Raven replied.



Less Heroic Couplets: ****** Most Fowl!
by Michael R. Burch

“****** most foul!”
cried the mouse to the owl.

“Friend, I’m no sinner;
you’re merely my dinner!”
the wise owl replied
as the tasty snack died.

Published by Lighten Up Online and in Potcake Chapbook #7

NOTE: In an attempt to demonstrate that not all couplets are heroic, I have created a series of poems called “Less Heroic Couplets.” I believe even poets should abide by truth-in-advertising laws! ― MRB



Lance-Lot
by Michael R. Burch

Preposterous bird!
Inelegant! Absurd!

Until the great & mighty heron
brandishes his fearsome sword.



Kissin’ ’n’ buzzin’
by Michael R. Burch

Kissin’ ’n’ buzzin’ the bees rise
in a dizzy circle of two.
Oh, when I’m with you,
I feel like kissin’ ’n’ buzzin’ too.



Delicacy
by Michael R. Burch

for all good mothers

Your love is as delicate
as a butterfly cleaning its wings,
as soft as the predicate
the hummingbird sings
to itself, gently murmuring―
“Fly! Fly! Fly!”
Your love is the string
soaring kites untie.



Lone Wild Goose
by Du Fu (712-770)
loose translation/interpretation by Michael R. Burch

The abandoned goose refuses food and drink;
he cries querulously for his companions.

Who feels kinship for that strange wraith
as he vanishes eerily into the heavens?

You watch it as it disappears;
its plaintive calls cut through you.

The indignant crows ignore you both:
the bickering, bantering multitudes.

Du Fu (712-770) is also known as Tu Fu. The first poem is addressed to the poet's wife, who had fled war with their children. Ch'ang-an is an ironic pun because it means "Long-peace."



The Red Cockatoo
by Po Chu-I (772-846)
loose translation/interpretation by Michael R. Burch

A marvelous gift from Annam―
a red cockatoo,
bright as peach blossom,
fluent in men's language.

So they did what they always do
to the erudite and eloquent:
they created a thick-barred cage
and shut it up.

Po Chu-I (772-846) is best known today for his ballads and satirical poems. Po Chu-I believed poetry should be accessible to commoners and is noted for his simple diction and natural style. His name has been rendered various ways in English: Po Chu-I, Po Chü-i, Bo Juyi and Bai Juyi.



The Migrant Songbird
Li Qingzhao aka Li Ching-chao (c. 1084-1155)
loose translation/interpretation by Michael R. Burch

The migrant songbird on the nearby yew
brings tears to my eyes with her melodious trills;
this fresh downpour reminds me of similar spills:
another spring gone, and still no word from you...



Lines from Laolao Ting Pavilion
by Li Bai (701-762)
loose translation/interpretation by Michael R. Burch

The spring breeze knows partings are bitter;
The willow twig knows it will never be green again.



The Day after the Rain
Lin Huiyin (1904-1955)
loose translation/interpretation by Michael R. Burch

I love the day after the rain
and the meadow's green expanses!
My heart endlessly rises with wind,
gusts with wind...
away the new-mown grasses and the fallen leaves...
away the clouds like smoke...
vanishing like smoke...



Untitled Translations

Cupid, if you incinerate my soul, touché!
For like you she has wings and can fly away!
―Meleager, loose translation by Michael R. Burch

As autumn deepens,
a butterfly sips
chrysanthemum dew.
―Basho, loose translation/interpretation by Michael R. Burch

Come, butterfly,
it’s late
and we’ve a long way to go!
―Basho, loose translation/interpretation by Michael R. Burch

Up and at ’em! The sky goes bright!
Let’***** the road again,
Companion Butterfly!
―Matsuo Basho, loose translation/interpretation by Michael R. Burch

Ah butterfly,
what dreams do you ply
with your beautiful wings?
―Chiyo-ni, loose translation by Michael R. Burch

Oh, dreamlike winter butterfly:
a puff of white snow
cresting mountains
―Kakio Tomizawa, loose translation by Michael R. Burch

Dry leaf flung awry:
bright butterfly,
goodbye!
―Michael R. Burch, original haiku

Will we remain parted forever?
Here at your grave:
two flowerlike butterflies
―Matsuo Basho, loose translation by Michael R. Burch

a soaring kite flits
into the heart of the sun?
Butterfly & Chrysanthemum
―Michael R. Burch, original haiku

The cheerful-chirping cricket
contends gray autumn's gay,
contemptuous of frost
―Matsuo Basho, loose translation by Michael R. Burch

Whistle on, twilight whippoorwill,
solemn evangelist
of loneliness
―Matsuo Basho, loose translation by Michael R. Burch

The sea darkening,
the voices of the wild ducks:
my mysterious companions!
―Matsuo Basho, loose translation by Michael R. Burch

Lightning
shatters the darkness―
the night heron's shriek
―Matsuo Basho, loose translation by Michael R. Burch

This snowy morning:
cries of the crow I despise
(ah, but so beautiful!)
―Matsuo Basho, loose translation by Michael R. Burch

A crow settles
on a leafless branch:
autumn nightfall.
―Matsuo Basho, loose translation/interpretation by Michael R. Burch

Hush, cawing crows; what rackets you make!
Heaven's indignant messengers,
you remind me of wordsmiths!
―O no Yasumaro (circa 711), loose translation by Michael R. Burch

Higher than a skylark,
resting on the breast of heaven:
this mountain pass.
―Matsuo Basho, loose translation/interpretation by Michael R. Burch

An exciting struggle
with such a sad ending:
cormorant fishing.
―Matsuo Basho, loose translation/interpretation by Michael R. Burch

Does my soul abide in heaven, or hell?
Only the sea gull
in his high, lonely circuits, may tell.
―Glaucus, translation by Michael R. Burch

The eagle sees farther
from its greater height―
our ancestors’ wisdom
―Michael R. Burch, original haiku

A kite floats
at the same place in the sky
where yesterday it floated...
―Yosa Buson, loose translation/interpretation by Michael R. Burch



Critical Mass
by Michael R. Burch

I have listened to the rain all this morning
and it has a certain gravity,
as if it knows its destination,
perhaps even its particular destiny.
I do not believe mine is to be uplifted,
although I, too, may be flung precipitously
and from a great height.

"Gravity" and "particular destiny" are puns, since rain droplets are seeded by minute particles of dust adrift in the atmosphere and they fall due to gravity when they reach "critical mass." The title is also a pun, since the poem is skeptical about heaven-lauding Masses, etc.



Ultimate Sunset
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

he now faces the Ultimate Sunset,
his body like the leaves that fray as they dry,
shedding their vital fluids (who knows why?)
till they’ve become even lighter than the covering sky,
ready to fly...



Free Fall
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

I see the longing for departure gleam
in his still-keen eye,
and I understand his desire
to test this last wind, like those late autumn leaves
with nothing left to cling to...



Leaf Fall
by Michael R. Burch

Whatever winds encountered soon resolved
to swirling fragments, till chaotic heaps
of leaves lay pulsing by the backyard wall.
In lieu of rakes, our fingers sorted each
dry leaf into its place and built a high,
soft bastion against earth's gravitron―
a patchwork quilt, a trampoline, a bright
impediment to fling ourselves upon.

And nothing in our laughter as we fell
into those leaves was like the autumn's cry
of also falling. Nothing meant to die
could be so bright as we, so colorful―
clad in our plaids, oblivious to pain
we'd feel today, should we leaf-fall again.

Originally published by The Neovictorian/Cochlea



The Folly of Wisdom
by Michael R. Burch

She is wise in the way that children are wise,
looking at me with such knowing, grave eyes
I must bend down to her to understand.
But she only smiles, and takes my hand.

We are walking somewhere that her feet know to go,
so I smile, and I follow...

And the years are dark creatures concealed in bright leaves
that flutter above us, and what she believes―
I can almost remember―goes something like this:
the prince is a horned toad, awaiting her kiss.

She wiggles and giggles, and all will be well
if only we find him! The woodpecker’s knell
as he hammers the coffin of some dying tree
that once was a fortress to someone like me

rings wildly above us. Some things that we know
we are meant to forget. Life is a bloodletting, maple-syrup-slow.

Originally published by Romantics Quarterly



Kin
by Michael R. Burch

for Richard Moore

1.
Shrill gulls,
how like my thoughts
you, struggling, rise
to distant bliss―
the weightless blue of skies
that are not blue
in any atmosphere,
but closest here...

2.
You seek an air
so clear,
so rarified
the effort leaves you famished;
earthly tides
soon call you back―
one long, descending glide...

3.
Disgruntledly you ***** dirt shores for orts
you pull like mucous ropes
from shells’ bright forts...
You eye the teeming world
with nervous darts―
this way and that...

Contentious, shrewd, you scan―
the sky, in hope,
the earth, distrusting man.



Songstress
by Michael R. Burch

Within its starkwhite ribcage, how the heart
must flutter wildly, O, and always sing
against the pressing darkness: all it knows
until at last it feels the numbing sting
of death. Then life's brief vision swiftly passes,
imposing night on one who clearly saw.
Death held your bright heart tightly, till its maw―
envenomed, fanged―could swallow, whole, your Awe.
And yet it was not death so much as you
who sealed your doom; you could not help but sing
and not be silenced. Here, behold your tomb's
white alabaster cage: pale, wretched thing!
But you'll not be imprisoned here, wise wren!
Your words soar free; rise, sing, fly, live again.

A poet like Nadia Anjuman can be likened to a caged bird, deprived of flight, who somehow finds it within herself to sing of love and beauty. But when the world finally robs her of both flight and song, what is left for her but to leave the world, thus bereaving the world of herself and her song?



Performing Art
by Michael R. Burch

Who teaches the wren
in its drab existence
to explode into song?

What parodies of irony
does the jay espouse
with its sharp-edged tongue?

What instinctual memories
lend stunning brightness
to the strange dreams

of the dull gray slug
―spinning its chrysalis,
gluing rough seams―

abiding in darkness
its transformation,
till, waving damp wings,

it applauds its performance?
I am done with irony.
Life itself sings.



Lean Harvests
by Michael R. Burch

for T.M.

the trees are shedding their leaves again:
another summer is over.
the Christians are praising their Maker again,
but not the disconsolate plover:
i hear him berate
the fate
of his mate;
he claims God is no body’s lover.

Published by The Rotary Dial and Angle



My Forty-Ninth Year
by Michael R. Burch

My forty-ninth year
and the dew remembers
how brightly it glistened
encrusting September,...
one frozen September
when hawks ruled the sky
and death fell on wings
with a shrill, keening cry.

My forty-ninth year,
and still I recall
the weavings and windings
of childhood, of fall...
of fall enigmatic,
resplendent, yet sere,...
though vibrant the herald
of death drawing near.

My forty-ninth year
and now often I've thought on
the course of a lifetime,
the meaning of autumn,
the cycle of autumn
with winter to come,
of aging and death
and rebirth... on and on.

Originally published by Romantics Quarterly as “My Twenty-Ninth Year”



Myth
by Michael R. Burch

Here the recalcitrant wind
sighs with grievance and remorse
over fields of wayward gorse
and thistle-throttled lanes.

And she is the myth of the scythed wheat
hewn and sighing, complete,
waiting, lain in a low sheaf―
full of faith, full of grief.

Here the immaculate dawn
requires belief of the leafed earth
and she is the myth of the mown grain―
golden and humble in all its weary worth.



What Works
by Michael R. Burch

for David Gosselin

What works―
hewn stone;
the blush the iris shows the sun;
the lilac’s pale-remembered bloom.

The frenzied fly: mad-lively, gay,
as seconds tick his time away,
his sentence―one brief day in May,
a period. And then decay.

A frenzied rhyme’s mad tip-toed time,
a ballad’s languid as the sea,
seek, striving―immortality.

When gloss peels off, what works will shine.
When polish fades, what works will gleam.
When intellectual prattle pales,
the dying buzzing in the hive
of tedious incessant bees,
what works will soar and wheel and dive
and milk all honey, leap and thrive,

and teach the pallid poem to seethe.



Desdemona
by Michael R. Burch

Though you possessed the moon and stars,
you are bound to fate and wed to chance.
Your lips deny they crave a kiss;
your feet deny they ache to dance.
Your heart imagines wild romance.

Though you cupped fire in your hands
and molded incandescent forms,
you are barren now, and―spent of flame―
the ashes that remain are borne
toward the sun upon a storm.

You, who demanded more, have less,
your heart within its cells of sighs
held fast by chains of misery,
confined till death for peddling lies―
imprisonment your sense denies.

You, who collected hearts like leaves
and pressed each once within your book,
forgot. None―winsome, bright or rare―
not one was worth a second look.
My heart, as others, you forsook.

But I, though I loved you from afar
through silent dawns, and gathered rue
from gardens where your footsteps left
cold paths among the asters, knew―
each moonless night the nettles grew

and strangled hope, where love dies too.

Published by Penny Dreadful, Carnelian, Romantics Quarterly, Grassroots Poetry and Poetry Life & Times



Transplant
by Michael R. Burch

You float, unearthly angel, clad in flesh
as strange to us who briefly knew your flame
as laughter to disease. And yet you laugh.
Behind your smile, the sun forfeits its claim
to earth, and floats forever now the same―
light captured at its moment of least height.

You laugh here always, welcoming the night,
and, just a photograph, still you can claim
bright rapture: like an angel, not of flesh―
but something more, made less. Your humanness
this moment of release becomes a name
and something else―a radiance, a strange
brief presence near our hearts. How can we stand
and chain you here to this nocturnal land
of burgeoning gray shadows? Fly, begone.
I give you back your soul, forfeit all claim
to radiance, and welcome grief’s dark night
that crushes all the laughter from us. Light
in someone Else’s hand, and sing at ease
some song of brightsome mirth through dawn-lit trees
to welcome morning’s sun. O daughter! these
are eyes too weak for laughter; for love’s sight,
I welcome darkness, overcome with light.



Prodigal
by Michael R. Burch

This poem is dedicated to Kevin Longinotti, who died four days short of graduation from Vanderbilt University, the victim of a tornado that struck Nashville on April 16, 1998.

You have graduated now,
to a higher plane
and your heart’s tenacity
teaches us not to go gently
though death intrudes.

For eighteen days
―jarring interludes
of respite and pain―
with life only faintly clinging,
like a cashmere snow,
testing the capacity
of the blood banks
with the unstaunched flow
of your severed veins,
in the collapsing declivity,
in the sanguine haze
where Death broods,
you struggled defiantly.

A city mourns its adopted son,
flown to the highest ranks
while each heart complains
at the harsh validity
of God’s ways.

On ponderous wings
the white clouds move
with your captured breath,
though just days before
they spawned the maelstrom’s
hellish rift.

Throw off this mortal coil,
this envelope of flesh,
this brief sheath
of inarticulate grief
and transient joy.

Forget the winds
which test belief,
which bear the parchment leaf
down life’s last sun-lit path.

We applaud your spirit, O Prodigal,
O Valiant One,
in its percussive flight into the sun,
winging on the heart’s last madrigal.



Breakings
by Michael R. Burch

I did it out of pity.
I did it out of love.
I did it not to break the heart of a tender, wounded dove.

But gods without compassion
ordained: Frail things must break!
Now what can I do for her shattered psyche’s sake?

I did it not to push.
I did it not to shove.
I did it to assist the flight of indiscriminate Love.

But gods, all mad as hatters,
who legislate in all such matters,
ordained that everything irreplaceable shatters.



An Illusion
by Michael R. Burch

The sky was as hushed as the breath of a bee
and the world was bathed in shades of palest gold
when I awoke.

She came to me with the sound of falling leaves
and the scent of new-mown grass;
I held out my arms to her and she passed

into oblivion...

This is one of my early poems, written around age 16 and published in my high school literary journal, The Lantern.



Lines for My Ascension
by Michael R. Burch

I.

If I should die,
there will come a Doom,
and the sky will darken
to the deepest Gloom.

But if my body
should not be found,
never think of me
in the cold ground.

II.

If I should die,
let no mortal say,
“Here was a man,
with feet of clay,

or a timid sparrow
God’s hand let fall.”
But watch the sky darken
to an eerie pall

and know that my Spirit,
unvanquished, broods,
and cares naught for graves,
prayers, coffins, or roods.

And if my body
should not be found,
never think of me
in the cold ground.

III.

If I should die,
let no man adore
his incompetent Maker:
Zeus, Jehovah, or Thor.

Think of Me as One
who never died―
the unvanquished Immortal
with the unriven side.

And if my body
should not be found,
never think of me
in the cold ground.

IV.

And if I should “die,”
though the clouds grow dark
as fierce lightnings rend
this bleak asteroid, stark...

If you look above,
you will see a bright Sign―
the sun with the moon
in its arms, Divine.

So divine, if you can,
my bright meaning, and know―
my Spirit is mine.
I will go where I go.

And if my body
should not be found,
never think of me
in the cold ground.



The Locker
by Michael R. Burch

All the dull hollow clamor has died
and what was contained,
removed,

reproved
adulation or sentiment,
left with the pungent darkness

as remembered as the sudden light.

Originally published by The Raintown Review



Keywords/Tags: Sports, locker, lockerroom, clamor, adulation, acclaim, applause, sentiment, darkness, light, retirement, athlete, team, trophy, award, acclamation


Keywords/Tags: Icarus, Daedalus, flight, fly, flying, wind, wings, sun, height, heights, fall, falling, ascent, descent, imagination, bird, birds, butterfly, butterflies, hawk, eagle, geese, plane, kite, kites, mrbfly, mrbflight, mrbicarus
Jeremy Stacy Mar 2020
Fly, fly how high? Will I live or will I die?

To be the bad guy how high do I fly, I don’t know until I try.
How much does it cost to fly, I don’t know until I buy.
Am I confident or am I shy? I don’t know until I fly.
To the moon or to the sky, how high, will I fly?

Fly, fly how high? Will I live or will I die?

I see the problems as I fly, but shake it off and don’t bat an eye.
I cant deny to fly so high.
I must apply, I have to fly, fly away until I die.
An unlimited supply is the sky, so fly, fly.

Fly, fly how high? Will I live or will I die?

I’ve flown so high, I am in the sky.
I feel so great, I feel so high.
In the sky the rest of the world is on stand by.
In the sky I’m my only ally.

Fly, fly how high? Will I live or will I die?

I’ve been so reckless, i’ve been so sly
I’ve flown so high it’s time to die
I let it go with one last sigh
Is it noble to retry because I fly so high yet miss the bulls eye?
Instagram jstpoetry
jane taylor Jun 2016
this time is dark and dreary
why do i live it out?
i’m in the dirt and dusty road
what’s this life all about?

i look up and it seems like miles
‘till i could reach the sky
someone told me that i could go
but i know it’s a lie

but somethin’ says
fly high butterfly
come on, you won’t die
fly high butterfly
come on reach for the sky
fly high butterfly
come on butterfly fly

fly high butterfly

i feel that i can’t do it
i wanna stay the same
though this is hard and rough terrain
to me it’s home i say

then groundhog day it is again
please stop it i implore
the wounds need healin’ i am hurt
can’t take it anymore

but somethin’ says
fly high butterfly
come on, you won’t die
fly high butterfly
come on reach for the sky
fly high butterfly
come on butterfly fly

fly high butterfly

i crawl up to my empty shell
i curl up inside
i wait, i’m frightened, what to do?
i feel like i will die

i melt down into nothingness
i cannot take the pain
but something’s changin’ i wake up
to see life once again

cuz somethin’ said
fly high butterfly
come on, you won’t die
fly high butterfly
fly on up to the sky
fly high butterfly
come on butterfly fly

i flew and saw the light
i’m alive butterfly
now i know that this is the life
have the courage fly

fly high butterfly

©2016janetaylor
this is a song i wrote the music and lyrics to
https://youtu.be/idWIrkCVKPw
the neptune benefit tooth extraction concert


with briano alliano


hi dudes, i am briano alliano and i am up here on neptune

doing a benefit concert to help athena help my earth body

with his tooth extraction, and the first song is i am bop and

i am unskinny, here goes



you see i am walking around looking silly, oh yeah

i party really hard, yeah

and i put gasoline to pump up my car yeah

and that makes me feel all so cool

my selected teeth are leaving my mouth yeah

i will party yeah, and that’ll make me cool

that makes me feel like i am bop, and i am unskinny

you see partying is the way to be

you see i am feeling all so strange

and when i was young i was called strange

by young dudes who were jealous of me

i party in the club with a seafood basket and a coke, yeah

yeah, green coke is what i like the best

and i am bop, and i am unskinny and i feel so radical

oh yeah, i do, yeah

i am having my tooth extractions

oh yeah, that will make me feel like i am falling overl, oh yeah

and that makes me bop, who is very unskinny, bop pity hoop

this next song, dudes is a ******* of our behaved prime minister

hey, mr abbott, why are my dentist bills so high

abbott replied, in these hardened economic times

we have to tighten our belts, and heads back to his mansion

and reverse cycle air conditioning

and we call out

hey, mr abbott

hey mr abbott

hey mr abbott

why are you giving us problems with dental care

you are stuffing us around, fella

so what is the problem, mr abbott, what f..k is going on

you are making poor people suffer, day in day out

and hey mr abbott, how do you suppose to think we feel about it

ya silly old fool, what’s wrong wit5h ya mr abbott

and now after i gave our behated prime minister a serve

here is my song called 15 miles

15 miles to get to the end

without some people driving us round the bend

ya see they are pushing us around every day and night

i am finding it hard to cross the stateline


you see i go to space every time i sleep

and when i am there, i have no time to peep

i throw methane all over the dead

brad, randy, mark and paul had a lot on them

and now i feel like tipping methane all over fred

and as i did that, i felt so great

then we go 15 miles to get to the end

without some people driving me round the bend

this concert, dudes raises the awareness of my dental surgery through athena

and i lay it out for my friend philomena

and travelling for 15 miles right on time

to get all the way to reach the state line

PARTY

PARTY

PARTY

PARTY

We’ll do that every day and night

as we reach the great australian bite, right now

and, dudes here is another song, called fly burgers

fly burgers, are as tasty as can be

fly burgers, are good enough for me

just catch a blowie between two buttered buns

add some lettuce and tomato

and have a lot of fun

at the footy, the flies are cooking on the plate

they are saying ya little young dudes

you are sitting up too late

just catch a well cooked blowie

and get out the bowl

put the fly in the burger mix

yeah, drown ‘em in a hole,

YEAH

fly burgers are good enough to eat

fly burgers are such a tasty treat

just catch a blowie between two buttered buns

then add lettuce and tomato

and have so much fun

now in a restaurant a fly comes in

and parks on the griller

you feel like going to the zoo

and talk to a gorilla

just catch that flaming’ blowie

and add lettuce and tomato

and cook the fly, yeah that is sweet

as tasty as gelato

fly burgers are good enough to eat

fly burgers are such a tasty treat

just catch a blowie between two buttered buns

add some lettuce and tomato

and have a lot of fun

in the summer friends drop round

to enjoy the atmosphere

some bring coke, some bring wine

and the australians all brought beer

the bbq man noticed a fly upon his back

he got the swat, and whacked it up,

OH HERE JACK

fly burgers are good enough to eat

fly burgers are such a tasty treat

just catch a blowie between

two buttered buns

add some lettuce and tomato

and have so much fun

now the hospital has been busy this year

since fly burgers were on the menu

people saying that fly burgers

put germs right in you

an old man, a young boy

both died of poisoning

and nobody knows if it was

the fly burgers that did them in

fly burgers are good enough to eat

fly burgers are such a tasty treat

just catch a blowie between tw2o buttered buns

add some lettuce and tomato

and have a lot of fun, and have soooo much ****** fun,

DUDES PARTY

DUDES PARTY

DUDES PARTY

YOUNG DUDES WANT TO HAVE FLY BURGERS ON BBQ PLATES ALL OVER THE WORLD

SO DO FAM——LI——ES

and have so much fun, oh yeah


here is the next song, called the club is open


you see the club is open, is open is open

you see the club is open for the patrons to enjoy

you see the club is open, is open, is open

you see the club is open for the patrons to enjoy

you see come on carry me, ya see a clubber, i will always be

the club is open for the patrons to enjoy

ya excellent service is so cool

yeah mate yeah, we break no rule

you see the club is open for the patrons to enjoy

and now i will get this methane smoothie and throw it all over the crowd, yeah

this will be cool, man

and now dudes, the dental surgery is complete

the benefit concert is over

i will fly back to Canberra

the tooth extraction is complete, i am leaving neptune

see ya next time,

tata love, from the oldie in myself
Magean Martin Jul 2011
♪I will fly to the top of the mountains
i will soar to the end of the sea
i will do what ever it takes
to be by your side
and i will fly again...fly

I would Spread my wings
to reach the sun, oh
i could lift you higher
than anyone has done, yeah

I would heal your heart
from miles away
i will be there
and i will stay, yeah

I will fly to the top of the mountains
i will soar to the end of the sea
i will do what ever it takes
to be by your side
and i will fly again...fly

I would clear your path
from all the harm, Yeah
I would light your way
through all the dark, Oh

I would heal your heart
from miles away
I will be there
and i will stay, Yeah

I will fly to the top of the mountains
i will soar to the end of the sea
i will do what ever it takes
to be by your side
and i will fly again

I will fly to the top of the mountains
i will soar to the end of the sea
i will do what ever it takes
to be by your side
and i will fly again...fly

I will fly to you
(fly to you)
I will fly again....fly♪
I wrote this about 2 years ago. When the time came i dedicated it to my dad. =)
briano alliano at saturn club rings


hi dudes and welcome to my show, the first song is born to PARTY

you see i was born to PARTY, on a sarturday night

i don’t care what the oldies say, i will just party anyway

you see i have a reason, everything is going well



so i will just party hardy, yeah i feel so cool

i want to be like the young dudes of this land

and get into the party spirit every way i can

i don’t really need a reason, no, i am cool anyway

you see i was born to party, so i will do it anyway

i will sink into the ground man, wearing high heel shoes

i will go to my mates house, with dreams of moving in

he was a bit mental, as he couldn’t understand

that i was born to party, and that is what i do

you see we will grab a methane and squirt it everywhere

and then grab a beer or two, yeah that is quite yobboish

you see we get drunk which means we are high on life

every day of the yeah, so we were born to party

like the young dudes do, ya see don’t spike my drink, man

i am too cool for you, you see i have a point in life, to never

unattend my drink, you see i know the tablet will make you drowsy

so he could kidnap you, bu i am too cool for that

you see i was born to party, and that is what i do

i was born to party, fun for me and you

hi dudes and now here is rock the party

you see i feel like i am having fun rock the party rock the party

i wanna party while the night is young, rock the party rock the party

i cheer for the ACT brumbies, well, they lost well, they lost

you see the bar is a open a open a open, and the party is turning on all the party going dudes

and the beer is selling quickly along with the gassy methane, man

ready to tip the methane on us, man, we will party

you see i saw a house which was great, and my mate wanted me to move in

so i thought about it, it’ll be fun to party, fun to party fun to party on

moving on up and moving on down and marilyin monroe put on a broadway show on neptune so cool

then sam kinison sang wild thing, and i liked his add lib, you know my heart is longing for you dude

making you wanna scream, rock the party rock the party

then i ate some cheese and bacon *****, and gusted them down with coke

the party started to form in my mouth and making me feel so cool

before i went to sleep i listened to kiss, bon jovi and a broadway show, called spiderman

and i ate mars bars and drink juice, yeah that sounds so radical

saturday night is the night to rock the party rock the party

and i opened a keg of methane and tipped it all over adam walsh and brett

to improve the quality of the olsen twins, to make them PARTY again

so really we are getting into a great rock the party rock the party

and we’ll party all saturday night long

hi dudes and now here is another tune called my life is a stinker

you see last night i was wondering why i haven’t performed on stage

could it be that i was too **** shy, or was it i was just not ready

i really want it all so ****** much, to show the world how to party party

but this is how i just relax, and let my life pass me by

you see my life is a stinker, every day and night

i want to party, but it’s a secret just between you and me

you see i spend my money on fun and games, mainly done with alcohol

i buy my girl some raggedy old fashioned sort or doll

she yelled at me from 10 to 10, it was hard for me to cope

and the only way to get past this, is switch on the TV to hear the pope

my life is a stinker, every day and night, i wish you would leave me alone, please mate yeah alright

ooooooh cosmos

my way of entertainment is the poetry slam, and bad slam no biscuit yeah

i entertain everyone oh yeah, i shake their ****** boogie, yes my dear

then my name is called and i enter the stage and slam

my poetry like it’s a good thing, dude, every day and night

my life is a stinker, every day and night

you see we will party hardy every night, no i say no to fights

cause my life is a stinker, take me away from the psych ward

that isn’t the place for me, i am too nice for that place

hi dudes, and here is another song called fly burgers

fly burgers are good enough to eat

fly burgers are such a tasty treat

just catch a blowie between two buttered buns

add some lettuce and tomato and have so much fun

now at the footy, the flies are cooking on the plate

they are saying, momma, you are stopping up too late

just catch a well cooked blowie, and throw him in the bowl

where you have the burger mix, yeah that is so cold

fly burgers, are good enough to eat

fly burgers, are such a tasty treat

just catch a blowie between two buttered buns

add some lettuce and tomato

and have so much fun

in a restaurant a fly comes in and parks on the griller

you feel like honking like dharma’s old yeller

but instead you get two buttered buns and lettuce and tomato

get the fly and serve him up, tasty as gelato

fly burgers are good enough to eat

fly burgers are such a tasty treat

just catch a blowie between two buttered buns

add some lettuce and tomato’'

and have so much fun

in the summer friends drop round to enjoy the atmosphere

some bring coke some bring wine

and most of them brought beer

the bbq man noticed a fly upon his back

he gets the fly and serves him up, OH HERE JACK

fly burgers, are good enough to eat

fly burgers are such a tasty treat

just catch a blowie between two buttered buns

add some lettuce and tomato

and have so much fun

the hospital has been busy this year since fly burgers were on the menu

people say fly burgers put germs right in you

an old man and a young boy, both died of food poisoning

but nobody knows if it was the fly burgers that did them in

fly burgers are good enough to eat

fly burgers are such a tasty treat

just catch a blowie between two buttered buns

add some lettuce and tomato, my dray

and have some and have so and have so much fun

hi dudes, this is a song called i am a family party dude

i am a family person who is looking everywhere for a party

at the club on grand final daY, and on poetry slam day

where we yell out bad slam no biscuit bad slam no biscuit

all the ****** day, we could be celebrating your daughters graduation

from a school she so adored

then we drag out the old songs, and the young dudes get bored

you see partying is so much fun, no matter how hard you try

you see you try and be a fun loving guy like who really loves to p a r t y

oooh, i wanna rock and roll all night, and party every day

how much coffee do you drink to whisk the hangover away

i used to go to the blind beggars inn, to really let my hair down

now, i party at home with youtube, yeah that sounds so rad

you see i am a family party dude, who wants to have some fun

i want music and sport, yeah alrighty, that sounds like my type of fun

cool man, cool you, i say cool me, i am a family party dude

the man of the party is here, last night i went to the club to watch the brumbies they lost i won

the chance to go home and party in front of youtube, with bon jovi and kiss as well as spiderman the musical, pretty rad

then i fell asleep on the couch, ready to come to you, and show you how to party hardy, yeah that is true blue

hey true blue, don’t say the party’s over, just because you go home, doesn’t mean you can’t party

you see i used to go to night clubs and swing with the cool dudes there, hey true blue

you see i am a family party dude, i party everywhere

i am getting younger by the minute, and i still love life, so party on dudes, no fear

i get up late on sunday morning, after this great party in the stars

and after this, i will go to jupiter and neptune to muck around in bars

tipping methane all over everyone, yeah that sounds radical dude

PARTY PARTY PARTY on saturday night, yeah i am so cool

cool you, yeah cool me, the coolest dude of the cosmic realm

ready to party yeah we will
Ghazal Feb 2014
Watch all the flowers
Dance with the wind
Listen to snowflakes
Whisper your name
Feel all the wonder
Lifting your dreams
You can fly
(Fly)

Fly to who you are
Climb upon your star
You believe you'll find your wings
Fly
To your heart

Touch every rainbow
Painting the sky
Look at the magic
Glide through your life
A sprinkle of pixie dust circles the night
You can fly

Fly to who you are
Climb upon your star
You believe you'll find your wings
Fly

Everywhere you go
Your soul will find a home
You'll be free to spread your wings
Fly
You can fly
To your heart
(Fly, fly)

Rise to the heights of all you can be
(Fly, Fly)
Soar on the hope of marvelous things


Fly to who you are
Climb upon your star
You believe you'll find your wings
Fly

Everywhere you go
Your soul will find a home
You'll be free to spread your wings
Fly
You can fly
To your heart....
please write a comment
Jackie Mead Sep 2017
The Frog and The Bee lived merrily on a log, in a bog in the middle of two Rivers, the River Louse and the River Wry.

They were best friends with the Mouse who had a house on the River Louse and the Elf with one ear and the Fly with one eye who lived on the River Wry.

One day the Frog, on the log in the middle of the bog, said to his dear friend the Bee, it's about time that you and I, the Mouse with the house on the River Louse, Elf and Fly had another adventure.
The Bee buzzed excitedly and said 'what did you have in mind?'
"Well" said the Frog, who lived on the log in the middle of the bog on the River Louse, where the Mouse had his house “I was thinking that you and I and the Fly with one eye could get together with the Mouse, who has a house on the River Louse,and the Elf with one ear and set out for the town of Cry which is on the River Wry”.
” I've heard” said the Frog, who lived on the log in the middle of the bog on the River Louse, where the Mouse had his house “that there is a horse living by the course of the River who because he is getting older needs some help getting his master and friend round the very long bend.”
“I thought you and I and the Fly with one eye and Elf with one ear and the Mouse with a house on the River Louse could come up with a plan to get the barge, the horse, his master and friend around the River bend at the town of Cry on the River Wry”.
“What a great idea” said the Bee to the Frog, who lived on a log in the middle
of a bog, let's go summons our friends, the Mouse with a house on the River Louse and the Fly with one eye and the Elf with one ear and help the master and his horse round the River course”.

So the Frog and Bee set out to find the Mouse with the house on the River Louse and the Fly with one eye and the Elf with one ear and explain to them that there was a horse who needed their help to get a barge and his master and friend around the River bend.
The Mouse with the house on the River Louse and the Fly with one eye and The Elf with one hear were easy to persuade, they all agreed to let Frog, who lived on a log in the middle of the bog, to take the lead.
Frog said to the Elf with one ear “we need to you to be the eyes for the Fly with one eye and help him find his way to the town of Cry on the River Wry”.  
To the Fly with one Eye, Frog, who lived on a log in the middle of the bog said “we need you to help the Elf with one ear and be his ears, working together to find your way to the town of Cry on the River Wry”

The friends set out on their way to the town of Cry on the River Wry, Frog, who, lived on a log in the middle of the bog, croaked very nosily as he hopped from lily pad to lily pad from River Louse, where the Mouse with the house lived, to River Wry and their destination the town of Cry.

The Bee buzzed happily on the shoulder of the Frog, who lived on a log in the middle of the bog, and accepted the ride with his friend to the River bend at the town of Cry on the River Wry.

The Fly with one eye and the Elf with one ear set out together, the Elf with his perfect eye sight led the way to the town of Cry on the River Wry.  The Fly with his perfect hearing kept the Elf safe from harm and alerted him to any creature that may be nearing.

It was a beautiful afternoon and the friends would get to the town of Cry on the River Wry soon, the Frog and the Bee, the Fly and the Elf and the Mouse with the house on the River Louse, would help their friend the horse and his master get around the very long course of the River at the town of Cry on the River Wry.

After several hours, the friends all agreed it wouldn’t be long now until their friend the horse would be in sight and they would use all of their skills and all of their might to help their friend navigate around the bend of the river at the town of Cry on the River Wry.

The Frog croaked to the Bee, look our friend is in front of you and me, the horse is close to the River bend and he will soon need all his friends to help him round the bend close to the town of Cry on the River Wry.

The horse was pleased to see his friends, the Frog, who lived on a log in the middle of the bog, the Bee and the Mouse who had a house on the River Louse, the Fly with one eye and Elf with one ear, he began to neigh and cheer, at last he would have some help from his friends to get him, the barge and his master and friend around the river bend.

The Frog, who lived on a log in the middle of the bog, asked the horse “how can we assist you and your master?”.  The horse replied ” of course I need good eyes and ears and lots of noise to guide the master, the barge and me, the horse, of course, around the river bend.”
The Frog, who lived on a log in the middle of a bog, replied “I have an idea, the Elf with one ear has perfect eyes and the Fly with one eye has perfect ears, myself the Bee and the Mouse with a house on the river louse can all make lots of noise, together we will all work to assist your master and you, the horse, around the river course".
The horse did neigh as if to obey and went to find his master.  With a collar around his neck attached to the barge he lowered his head and began to walk.
The Frog, who lived on a log in the middle of a bog and the Mouse who had a house on the River Louse and the Bee made as much noise as a trio of three could possibly.
The Frog, who lived on a log in the middle of the bog, did croak, the Mouse with a house on the River Louse, did squeak and the Bee did buzz and together they made an awful lot of fuss, and the horse did neigh as if to say, he heard them all just fine.

The horse continued to walk and the Fly with one eye and the Elf with one ear did appear, and encouraged the horse to walk on, the Fly with its perfect ears did listen to his friends, The Frog who lived on a log in the middle of the bog, the Mouse who had a house on the River Louse and The Bee, and talked the horse around the river bend.  
The Elf with one ear and its perfects eyes did talk to the horse and describe the course of the river at the town of Cry on the River Wry.

In no time at all the horse, the barge and the master, his friend had gotten all the way around the large bend of the river at the town of Cry on the River Wry.
The horse did neigh as if to say "Thank You" to his friends, the Frog who lived on a log in the middle of the bog, the Bee, the Mouse with a house on the River Louse, The Fly with one eye and the Elf with one ear and invited them to stay for tea.  
The Master was so pleased that he fell to his knees and said to the creatures big and small "thank you for your help today it is fair to say that without your noise, your perfect sight and perfect talk the horse would not have made the walk around the river bend".
"Now" said the master to the new set of friends "lets set up camp past the river bend and have a cup of tea", "thank you" said the Frog, who lived on a log in the middle of the bog and the Bee, "we’d love a cup of tea".

So this very odd group of friends sat around and made mend with a cup of tea and a fire to keep them warm as they swapped stories for the night and tomorrow the friends would make their way home.

The Frog, who lived on the log in the middle of the bog, turned to his special friend the Bee and said “thank you for believing in me”
Another story based poem, it's a bit epic, thank you to anyone who takes the time to read it.
Michael R Burch Oct 2020
Poems about Flight, Flying, Flights of Fancy, Kites, Leaves, Butterflies, Birds and Bees



Flight
by Michael R. Burch

It is the nature of loveliness to vanish
as butterfly wings, batting against nothingness
seek transcendence...

Originally published by Hibiscus (India)



Southern Icarus
by Michael R. Burch

Windborne, lover of heights,
unspooled from the truck’s wildly lurching embrace,
you climb, skittish kite...

What do you know of the world’s despair,
gliding in vast... solitariness... there,
so that all that remains is to
fall?

Only a little longer the wind invests its sighs;
you
stall,
spread-eagled, as the canvas snaps
and *****
its white rebellious wings,
and all
the houses watch with baffled eyes.



The Wonder Boys
by Michael R. Burch

(for Leslie Mellichamp, the late editor of The Lyric,
who was a friend and mentor to many poets, and
a fine poet in his own right)

The stars were always there, too-bright cliches:
scintillant truths the jaded world outgrew
as baffled poets winged keyed kites—amazed,
in dream of shocks that suddenly came true...

but came almost as static—background noise,
a song out of the cosmos no one hears,
or cares to hear. The poets, starstruck boys,
lay tuned in to their kite strings, saucer-eared.

They thought to feel the lightning’s brilliant sparks
electrify their nerves, their brains; the smoke
of words poured from their overheated hearts.
The kite string, knotted, made a nifty rope...

You will not find them here; they blew away—
in tumbling flight beyond nights’ stars. They clung
by fingertips to satellites. They strayed
too far to remain mortal. Elfin, young,

their words are with us still. Devout and fey,
they wink at us whenever skies are gray.

Originally published by The Lyric



American Eagle, Grounded
by Michael R. Burch

Her predatory eye,
the single feral iris,
scans.

Her raptor beak,
all jagged sharp-edged ******,
juts.

Her hard talon,
clenched in pinched expectation,
waits.

Her clipped wings,
preened against reality,
tremble.

Published as “Tremble” by The Lyric, Verses Magazine, Romantics Quarterly, Journeys, The Raintown Review, Poetic Ponderings, Poem Kingdom, The Fabric of a Vision, NPAC—Net Poetry and Art Competition, Poet’s Haven, Listening To The Birth Of Crystals (Anthology), Poetry Renewal, Inspirational Stories, Poetry Life & Times, MahMag (Iranian/Farsi), The Eclectic Muse (Canada)



Album
by Michael R. Burch

I caress them—trapped in brittle cellophane—
and I see how young they were, and how unwise;
and I remember their first flight—an old prop plane,
their blissful arc through alien blue skies...

And I touch them here through leaves which—tattered, frayed—
are also wings, but wings that never flew:
like insects’ wings—pinned, held. Here, time delayed,
their features never merged, remaining two...

And Grief, which lurked unseen beyond the lens
or in shadows where It crept on furtive claws
as It scritched Its way into their hearts, depends
on sorrows such as theirs, and works Its jaws...

and slavers for Its meat—those young, unwise,
who naively dare to dream, yet fail to see
how, lumbering sunward, Hope, ungainly, flies,
clutching to Her ruffled breast what must not be.



Springtime Prayer
by Michael R. Burch

They’ll have to grow like crazy,
the springtime baby geese,
if they’re to fly to balmier climes
when autumn dismembers the leaves...

And so I toss them loaves of bread,
then whisper an urgent prayer:
“Watch over these, my Angels,
if there’s anyone kind, up there.”

Originally published by The HyperTexts



Learning to Fly
by Michael R. Burch

We are learning to fly
every day...

learning to fly—
away, away...

O, love is not in the ephemeral flight,
but love, Love! is our destination—

graced land of eternal sunrise, radiant beyond night!
Let us bear one another up in our vast migration.



In the Whispering Night
by Michael R. Burch

for George King

In the whispering night, when the stars bend low
till the hills ignite to a shining flame,
when a shower of meteors streaks the sky
while the lilies sigh in their beds, for shame,
we must steal our souls, as they once were stolen,
and gather our vigor, and all our intent.
We must heave our bodies to some famished ocean
and laugh as they vanish, and never repent.
We must dance in the darkness as stars dance before us,
soar, Soar! through the night on a butterfly's breeze...
blown high, upward-yearning, twin spirits returning
to the heights of awareness from which we were seized.

Published by Songs of Innocence, Romantics Quarterly, The Chained Muse and Poetry Life & Times. This is a poem I wrote for my favorite college English teacher, George King, about poetic kinship, brotherhood and romantic flights of fancy.



For a Palestinian Child, with Butterflies
by Michael R. Burch

Where does the butterfly go
when lightning rails,
when thunder howls,
when hailstones scream,
when winter scowls,
when nights compound dark frosts with snow...
Where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill
beyond the capacity of moonlight to fill?
When the only relief's a banked fire's glow,
where does the butterfly go?

And where shall the spirit flee
when life is harsh, too harsh to face,
and hope is lost without a trace?
Oh, when the light of life runs low,
where does the butterfly go?

Published by Tucumcari Literary Review, Romantics Quarterly, Poetry Life & Times, Victorian Violet Press (where it was nominated for a “Best of the Net”), The Contributor (a Nashville homeless newspaper), Siasat (Pakistan), and set to music as a part of the song cycle “The Children of Gaza” which has been performed in various European venues by the Palestinian soprano Dima Bawab



Earthbound, a Vision of Crazy Horse
by Michael R. Burch

Tashunka Witko, a Lakota Sioux better known as Crazy Horse, had a vision of a red-tailed hawk at Sylvan Lake, South Dakota. In his vision he saw himself riding a spirit horse, flying through a storm, as the hawk flew above him, shrieking. When he awoke, a red-tailed hawk was perched near his horse.

Earthbound,
and yet I now fly
through the clouds that are aimlessly drifting...
so high
that no sound
echoing by
below where the mountains are lifting
the sky
can be heard.

Like a bird,
but not meek,
like a hawk from a distance regarding its prey,
I will shriek,
not a word,
but a screech,
and my terrible clamor will turn them to clay—
the sheep,
the earthbound.

Published by American Indian Pride and Boston Poetry Magazine



Sioux Vision Quest
by Crazy Horse, Oglala Lakota Sioux (circa 1840-1877)
loose translation/interpretation by Michael R. Burch

A man must pursue his Vision
as the eagle explores
the sky's deepest blues.

Published by Better Than Starbucks and A Hundred Voices



in-flight convergence
by Michael R. Burch

serene, almost angelic,
the lights of the city ——— extend ———
over lumbering behemoths
shrilly screeching displeasure;
they say
that nothing is certain,
that nothing man dreams or ordains
long endures his command

here the streetlights that flicker
and those blazing steadfast
seem one: from a distance;
descend,
they abruptly
part ———— ways,
so that nothing is one
which at times does not suddenly blend
into garish insignificance
in the familiar alleyways,
in the white neon flash
and the billboards of Convenience

and man seems the afterthought of his own Brilliance
as we thunder down the enlightened runways.

Originally published by The Aurorean and subsequently nominated for the Pushcart Prize



Flight 93
by Michael R. Burch

I held the switch in trembling fingers, asked
why existence felt so small, so purposeless,
like a minnow wriggling feebly in my grasp...

vibrations of huge engines thrummed my arms
as, glistening with sweat, I nudged the switch
to OFF... I heard the klaxon's shrill alarms

like vultures’ shriekings... earthward, in a stall...
we floated... earthward... wings outstretched, aghast
like Icarus... as through the void we fell...

till nothing was so beautiful, so blue...
so vivid as that moment... and I held
an image of your face, and dreamed I flew

into your arms. The earth rushed up. I knew
such comfort, in that moment, loving you.



Flight
by Michael R. Burch

Eagle, raven, blackbird, crow...
What you are I do not know.
Where you go I do not care.
I’m unconcerned whose meal you bear.
But as you mount the sunlit sky,
I only wish that I could fly.
I only wish that I could fly.

Robin, hawk or whippoorwill...
Should men care that you hunger still?
I do not wish to see your home.
I do not wonder where you roam.
But as you scale the sky's bright stairs,
I only wish that I were there.
I only wish that I were there.

Sparrow, lark or chickadee...
Your markings I disdain to see.
Where you fly concerns me not.
I scarcely give your flight a thought.
But as you wheel and arc and dive,
I, too, would feel so much alive.
I, too, would feel so much alive.

This is a poem I wrote in high school. I seem to remember the original poem being influenced by William Cullen Bryant's "To a Waterfowl."



Flying
by Michael R. Burch

I shall rise
and try the ****** wings of thought
ten thousand times
before I fly...

and then I'll sleep
and waste ten thousand nights
before I dream;

but when at last...
I soar the distant heights of undreamt skies
where never hawks nor eagles dared to go,
as I laugh among the meteors flashing by
somewhere beyond the bluest earth-bound seas...
if I'm not told
I’m just a man,
then I shall know
just what I am.

This is one of my early poems, written around age 16-17.



Stage Craft-y
by Michael R. Burch

There once was a dromedary
who befriended a crafty canary.
Budgie said, "You can’t sing,
but now, here’s the thing—
just think of the tunes you can carry!"



Clyde Lied!
by Michael R. Burch

There once was a mockingbird, Clyde,
who bragged of his prowess, but lied.
To his new wife he sighed,
"When again, gentle bride?"
"Nevermore!" bright-eyed Raven replied.



Less Heroic Couplets: ****** Most Fowl!
by Michael R. Burch

“****** most foul!”
cried the mouse to the owl.
“Friend, I’m no sinner;
you’re merely my dinner!”
the wise owl replied
as the tasty snack died.

Published by Lighten Up Online and in Potcake Chapbook #7.



Lance-Lot
by Michael R. Burch

Preposterous bird!
Inelegant! Absurd!
Until the great & mighty heron
brandishes his fearsome sword.



Kissin’ ’n’ buzzin’
by Michael R. Burch

Kissin’ ’n’ buzzin’ the bees rise
in a dizzy circle of two.
Oh, when I’m with you,
I feel like kissin’ ’n’ buzzin’ too.



Delicacy
by Michael R. Burch

for all good mothers

Your love is as delicate
as a butterfly cleaning its wings,
as soft as the predicate
the hummingbird sings
to itself, gently murmuring—
“Fly! Fly! Fly!”
Your love is the string
soaring kites untie.



Lone Wild Goose
by Du Fu (712-770)
loose translation/interpretation by Michael R. Burch

The abandoned goose refuses food and drink;
he cries querulously for his companions.
Who feels kinship for that strange wraith
as he vanishes eerily into the heavens?
You watch it as it disappears;
its plaintive calls cut through you.
The indignant crows ignore you both:
the bickering, bantering multitudes.



The Red Cockatoo
by Po Chu-I (772-846)
loose translation/interpretation by Michael R. Burch

A marvelous gift from Annam—
a red cockatoo,
bright as peach blossom,
fluent in men's language.

So they did what they always do
to the erudite and eloquent:
they created a thick-barred cage
and shut it up.



The Migrant Songbird
Li Qingzhao aka Li Ching-chao (c. 1084-1155)
loose translation/interpretation by Michael R. Burch

The migrant songbird on the nearby yew
brings tears to my eyes with her melodious trills;
this fresh downpour reminds me of similar spills:
another spring gone, and still no word from you...



Lines from Laolao Ting Pavilion
by Li Bai (701-762)
loose translation/interpretation by Michael R. Burch

The spring breeze knows partings are bitter;
The willow twig knows it will never be green again.



The Day after the Rain
Lin Huiyin (1904-1955)
loose translation/interpretation by Michael R. Burch

I love the day after the rain
and the meadow's green expanses!
My heart endlessly rises with wind,
gusts with wind...
away the new-mown grasses and the fallen leaves...
away the clouds like smoke...
vanishing like smoke...



Untitled Translations

Cupid, if you incinerate my soul, touché!
For like you she has wings and can fly away!
—Meleager, loose translation by Michael R. Burch

As autumn deepens,
a butterfly sips
chrysanthemum dew.
—Basho, loose translation/interpretation by Michael R. Burch

Come, butterfly,
it’s late
and we’ve a long way to go!
—Basho, loose translation/interpretation by Michael R. Burch

Up and at ’em! The sky goes bright!
Let’***** the road again,
Companion Butterfly!
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Ah butterfly,
what dreams do you ply
with your beautiful wings?
—Chiyo-ni, loose translation by Michael R. Burch

Oh, dreamlike winter butterfly:
a puff of white snow
cresting mountains
—Kakio Tomizawa, loose translation by Michael R. Burch

Dry leaf flung awry:
bright butterfly,
goodbye!
—Michael R. Burch, original haiku

Will we remain parted forever?
Here at your grave:
two flowerlike butterflies
—Matsuo Basho, loose translation by Michael R. Burch

a soaring kite flits
into the heart of the sun?
Butterfly & Chrysanthemum
—Michael R. Burch, original haiku

The cheerful-chirping cricket
contends gray autumn's gay,
contemptuous of frost
—Matsuo Basho, loose translation by Michael R. Burch

Whistle on, twilight whippoorwill,
solemn evangelist
of loneliness
—Matsuo Basho, loose translation by Michael R. Burch

The sea darkening,
the voices of the wild ducks:
my mysterious companions!
—Matsuo Basho, loose translation by Michael R. Burch

Lightning
shatters the darkness—
the night heron's shriek
—Matsuo Basho, loose translation by Michael R. Burch

This snowy morning:
cries of the crow I despise
(ah, but so beautiful!)
—Matsuo Basho, loose translation by Michael R. Burch

A crow settles
on a leafless branch:
autumn nightfall.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Hush, cawing crows; what rackets you make!
Heaven's indignant messengers,
you remind me of wordsmiths!
—O no Yasumaro (circa 711), loose translation by Michael R. Burch

Higher than a skylark,
resting on the breast of heaven:
this mountain pass.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

An exciting struggle
with such a sad ending:
cormorant fishing.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Does my soul abide in heaven, or hell?
Only the sea gull
in his high, lonely circuits, may tell.
—Glaucus, translation by Michael R. Burch

The eagle sees farther
from its greater height—
our ancestors’ wisdom
—Michael R. Burch, original haiku

A kite floats
at the same place in the sky
where yesterday it floated...
—Yosa Buson, loose translation/interpretation by Michael R. Burch



Descent
by Michael R. Burch

I have listened to the rain all this morning
and it has a certain gravity,
as if it knows its destination,
perhaps even its particular destiny.
I do not believe mine is to be uplifted,
although I, too, may be flung precipitously
and from a great height.



Ultimate Sunset
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

he now faces the Ultimate Sunset,
his body like the leaves that fray as they dry,
shedding their vital fluids (who knows why?)
till they’ve become even lighter than the covering sky,
ready to fly...



Free Fall
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

I see the longing for departure gleam
in his still-keen eye,
and I understand his desire
to test this last wind, like those late autumn leaves
with nothing left to cling to...



Leaf Fall
by Michael R. Burch

Whatever winds encountered soon resolved
to swirling fragments, till chaotic heaps
of leaves lay pulsing by the backyard wall.
In lieu of rakes, our fingers sorted each
dry leaf into its place and built a high,
soft bastion against earth's gravitron—
a patchwork quilt, a trampoline, a bright
impediment to fling ourselves upon.
And nothing in our laughter as we fell
into those leaves was like the autumn's cry
of also falling. Nothing meant to die
could be so bright as we, so colorful—
clad in our plaids, oblivious to pain
we'd feel today, should we leaf-fall again.

Originally published by The Neovictorian/Cochlea



The Folly of Wisdom
by Michael R. Burch

She is wise in the way that children are wise,
looking at me with such knowing, grave eyes
I must bend down to her to understand.
But she only smiles, and takes my hand.
We are walking somewhere that her feet know to go,
so I smile, and I follow...
And the years are dark creatures concealed in bright leaves
that flutter above us, and what she believes—
I can almost remember—goes something like this:
the prince is a horned toad, awaiting her kiss.
She wiggles and giggles, and all will be well
if only we find him! The woodpecker’s knell
as he hammers the coffin of some dying tree
that once was a fortress to someone like me
rings wildly above us. Some things that we know
we are meant to forget. Life is a bloodletting, maple-syrup-slow.

Originally published by Romantics Quarterly



Kin
by Michael R. Burch

for Richard Moore

1.
Shrill gulls,
how like my thoughts
you, struggling, rise
to distant bliss—
the weightless blue of skies
that are not blue
in any atmosphere,
but closest here...

2.
You seek an air
so clear,
so rarified
the effort leaves you famished;
earthly tides
soon call you back—
one long, descending glide...

3.
Disgruntledly you ***** dirt shores for orts
you pull like mucous ropes
from shells’ bright forts...
You eye the teeming world
with nervous darts—
this way and that...
Contentious, shrewd, you scan—
the sky, in hope,
the earth, distrusting man.



Songstress
by Michael R. Burch

Within its starkwhite ribcage, how the heart
must flutter wildly, O, and always sing
against the pressing darkness: all it knows
until at last it feels the numbing sting
of death. Then life's brief vision swiftly passes,
imposing night on one who clearly saw.
Death held your bright heart tightly, till its maw–
envenomed, fanged–could swallow, whole, your Awe.
And yet it was not death so much as you
who sealed your doom; you could not help but sing
and not be silenced. Here, behold your tomb's
white alabaster cage: pale, wretched thing!
But you'll not be imprisoned here, wise wren!
Your words soar free; rise, sing, fly, live again.

A poet like Nadia Anjuman can be likened to a caged bird, deprived of flight, who somehow finds it within herself to sing of love and beauty.



Performing Art
by Michael R. Burch

Who teaches the wren
in its drab existence
to explode into song?
What parodies of irony
does the jay espouse
with its sharp-edged tongue?
What instinctual memories
lend stunning brightness
to the strange dreams
of the dull gray slug
—spinning its chrysalis,
gluing rough seams—
abiding in darkness
its transformation,
till, waving damp wings,
it applauds its performance?
I am done with irony.
Life itself sings.



Lean Harvests
by Michael R. Burch

for T.M.

the trees are shedding their leaves again:
another summer is over.
the Christians are praising their Maker again,
but not the disconsolate plover:
i hear him berate
the fate
of his mate;
he claims God is no body’s lover.

Published by The Rotary Dial and Angle



My Forty-Ninth Year
by Michael R. Burch

My forty-ninth year
and the dew remembers
how brightly it glistened
encrusting September,...
one frozen September
when hawks ruled the sky
and death fell on wings
with a shrill, keening cry.

My forty-ninth year,
and still I recall
the weavings and windings
of childhood, of fall...
of fall enigmatic,
resplendent, yet sere,...
though vibrant the herald
of death drawing near.

My forty-ninth year
and now often I've thought on
the course of a lifetime,
the meaning of autumn,
the cycle of autumn
with winter to come,
of aging and death
and rebirth... on and on.

Originally published by Romantics Quarterly as “My Twenty-Ninth Year”



Myth
by Michael R. Burch

Here the recalcitrant wind
sighs with grievance and remorse
over fields of wayward gorse
and thistle-throttled lanes.
And she is the myth of the scythed wheat
hewn and sighing, complete,
waiting, lain in a low sheaf—
full of faith, full of grief.

Here the immaculate dawn
requires belief of the leafed earth
and she is the myth of the mown grain—
golden and humble in all its weary worth.



What Works
by Michael R. Burch

for David Gosselin

What works—
hewn stone;
the blush the iris shows the sun;
the lilac’s pale-remembered bloom.

The frenzied fly: mad-lively, gay,
as seconds tick his time away,
his sentence—one brief day in May,
a period. And then decay.

A frenzied rhyme’s mad tip-toed time,
a ballad’s languid as the sea,
seek, striving—immortality.

When gloss peels off, what works will shine.
When polish fades, what works will gleam.
When intellectual prattle pales,
the dying buzzing in the hive
of tedious incessant bees,
what works will soar and wheel and dive
and milk all honey, leap and thrive,
and teach the pallid poem to seethe.



Child of 9-11
by Michael R. Burch

a poem for Christina-Taylor Green, who
was born on September 11, 2001 and who
died at age nine, shot to death...

Child of 9-11, beloved,
I bring this lily, lay it down
here at your feet, and eiderdown,
and all soft things, for your gentle spirit.
I bring this psalm — I hope you hear it.

Much love I bring — I lay it down
here by your form, which is not you,
but what you left this shell-shocked world
to help us learn what we must do
to save another child like you.

Child of 9-11, I know
you are not here, but watch, afar
from distant stars, where angels rue
the evil things some mortals do.
I also watch; I also rue.

And so I make this pledge and vow:
though I may weep, I will not rest
nor will my pen fail heaven's test
till guns and wars and hate are banned
from every shore, from every land.

Child of 9-11, I grieve
your tender life, cut short... bereaved,
what can I do, but pledge my life
to saving lives like yours? Belief
in your sweet worth has led me here...
I give my all: my pen, this tear,
this lily and this eiderdown,
and all soft things my heart can bear;
I bring them to your final bier,
and leave them with my promise, here.

Originally published by The Flea



Desdemona
by Michael R. Burch

Though you possessed the moon and stars,
you are bound to fate and wed to chance.
Your lips deny they crave a kiss;
your feet deny they ache to dance.
Your heart imagines wild romance.

Though you cupped fire in your hands
and molded incandescent forms,
you are barren now, and—spent of flame—
the ashes that remain are borne
toward the sun upon a storm.

You, who demanded more, have less,
your heart within its cells of sighs
held fast by chains of misery,
confined till death for peddling lies—
imprisonment your sense denies.

You, who collected hearts like leaves
and pressed each once within your book,
forgot. None—winsome, bright or rare—
not one was worth a second look.
My heart, as others, you forsook.

But I, though I loved you from afar
through silent dawns, and gathered rue
from gardens where your footsteps left
cold paths among the asters, knew—
each moonless night the nettles grew
and strangled hope, where love dies too.

Published by Penny Dreadful, Carnelian, Romantics Quarterly, Grassroots Poetry and Poetry Life & Times



Transplant
by Michael R. Burch

You float, unearthly angel, clad in flesh
as strange to us who briefly knew your flame
as laughter to disease. And yet you laugh.
Behind your smile, the sun forfeits its claim
to earth, and floats forever now the same—
light captured at its moment of least height.
You laugh here always, welcoming the night,
and, just a photograph, still you can claim
bright rapture: like an angel, not of flesh—
but something more, made less. Your humanness
this moment of release becomes a name
and something else—a radiance, a strange
brief presence near our hearts. How can we stand
and chain you here to this nocturnal land
of burgeoning gray shadows? Fly, begone.
I give you back your soul, forfeit all claim
to radiance, and welcome grief’s dark night
that crushes all the laughter from us. Light
in someone Else’s hand, and sing at ease
some song of brightsome mirth through dawn-lit trees
to welcome morning’s sun. O daughter! these
are eyes too weak for laughter; for love’s sight,
I welcome darkness, overcome with light.



Reading between the lines
by Michael R. Burch

Who could have read so much, as we?
Having the time, but not the inclination,
TV has become our philosophy,
sheer boredom, our recreation.



Rilke Translations

Archaic Torso of Apollo
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

We cannot know the beheaded god
nor his eyes' forfeited visions. But still
the figure's trunk glows with the strange vitality
of a lamp lit from within, while his composed will
emanates dynamism. Otherwise
the firmly muscled abdomen could not beguile us,
nor the centering ***** make us smile
at the thought of their generative animus.
Otherwise the stone might seem deficient,
unworthy of the broad shoulders, of the groin
projecting procreation's triangular spearhead upwards,
unworthy of the living impulse blazing wildly within
like an inchoate star—demanding our belief.
You must change your life.



Herbsttag ("Autumn Day")
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

Lord, it is time. Let the immense summer go.
Lay your long shadows over the sundials
and over the meadows, let the free winds blow.
Command the late fruits to fatten and shine;
O, grant them another Mediterranean hour!
Urge them to completion, and with power
convey final sweetness to the heavy wine.
Who has no house now, never will build one.
Who's alone now, shall continue alone;
he'll wake, read, write long letters to friends,
and pace the tree-lined pathways up and down,
restlessly, as autumn leaves drift and descend.

Originally published by Measure



The Panther
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

His weary vision's so overwhelmed by iron bars,
his exhausted eyes see only blank Oblivion.
His world is not our world. It has no stars.
No light. Ten thousand bars. Nothing beyond.
Lithe, swinging with a rhythmic easy stride,
he circles, his small orbit tightening,
an electron losing power. Paralyzed,
soon regal Will stands stunned, an abject thing.
Only at times the pupils' curtains rise
silently, and then an image enters,
descends through arrested shoulders, plunges, centers
somewhere within his empty heart, and dies.



Come, You
by Ranier Maria Rilke
loose translation/interpretation by Michael R. Burch

This was Rilke's last poem, written ten days before his death. He died open-eyed in the arms of his doctor on December 29, 1926, in the Valmont Sanatorium, of leukemia and its complications. I had a friend who died of leukemia and he was burning up with fever in the end. I believe that is what Rilke was describing here: he was literally burning alive.

Come, you—the last one I acknowledge; return—
incurable pain searing this physical mesh.
As I burned in the spirit once, so now I burn
with you; meanwhile, you consume my flesh.
This wood that long resisted your embrace
now nourishes you; I surrender to your fury
as my gentleness mutates to hellish rage—
uncaged, wild, primal, mindless, outré.
Completely free, no longer future's pawn,
I clambered up this crazy pyre of pain,
certain I'd never return—my heart's reserves gone—
to become death's nameless victim, purged by flame.
Now all I ever was must be denied.
I left my memories of my past elsewhere.
That life—my former life—remains outside.
Inside, I'm lost. Nobody knows me here.



Love Song
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

How can I withhold my soul so that it doesn't touch yours?
How can I lift mine gently to higher things, alone?
Oh, I would gladly find something lost in the dark
in that inert space that fails to resonate until you vibrate.
There everything that moves us, draws us together like a bow
enticing two taut strings to sing together with a simultaneous voice.
Whose instrument are we becoming together?
Whose, the hands that excite us?
Ah, sweet song!



The Beggar's Song
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

I live outside your gates,
exposed to the rain, exposed to the sun;
sometimes I'll cradle my right ear
in my right palm;
then when I speak my voice sounds strange,
alien...
I'm unsure whose voice I'm hearing:
mine or yours.
I implore a trifle;
the poets cry for more.
Sometimes I cover both eyes
and my face disappears;
there it lies heavy in my hands
looking peaceful, instead,
so that no one would ever think
I have no place to lay my head.



Ivy
by Michael R. Burch

“Van trepando en mi viejo dolor como las yedras.” — Pablo Neruda
“They climb on my old suffering like ivy.”

Ivy winds around these sagging structures
from the flagstones
to the eave heights,
and, clinging, holds intact
what cannot be saved of their loose entrails.
Through long, blustery nights of dripping condensation,
cured in the humidors of innumerable forgotten summers,
waxy, unguent,
palely, indifferently fragrant, it climbs,
pausing at last to see
the alien sparkle of dew
beading delicate sparrowgrass.
Coarse saw grass, thin skunk grass, clumped mildewed yellow gorse
grow all around, and here remorse, things past,
watch ivy climb and bend,
and, in the end, we ask
if grief is worth the gaps it leaps to mend.



Joy in the Morning
by Michael R. Burch

for my grandparents George Edwin Hurt and Christine Ena Hurt

There will be joy in the morning
for now this long twilight is over
and their separation has ended.
For fourteen years, he had not seen her
whom he first befriended,
then courted and married.
Let there be joy, and no mourning,
for now in his arms she is carried
over a threshold vastly sweeter.
He never lost her; she only tarried
until he was able to meet her.



Prodigal
by Michael R. Burch

This poem is dedicated to Kevin Longinotti, who died four days short of graduation from Vanderbilt University, the victim of a tornado that struck Nashville on April 16, 1998.

You have graduated now,
to a higher plane
and your heart’s tenacity
teaches us not to go gently
though death intrudes.

For eighteen days
—jarring interludes
of respite and pain—
with life only faintly clinging,
like a cashmere snow,
testing the capacity
of the blood banks
with the unstaunched flow
of your severed veins,
in the collapsing declivity,
in the sanguine haze
where Death broods,
you struggled defiantly.

A city mourns its adopted son,
flown to the highest ranks
while each heart complains
at the harsh validity
of God’s ways.

On ponderous wings
the white clouds move
with your captured breath,
though just days before
they spawned the maelstrom’s
hellish rift.

Throw off this mortal coil,
this envelope of flesh,
this brief sheath
of inarticulate grief
and transient joy.

Forget the winds
which test belief,
which bear the parchment leaf
down life’s last sun-lit path.

We applaud your spirit, O Prodigal,
O Valiant One,
in its percussive flight into the sun,
winging on the heart’s last madrigal.



Breakings
by Michael R. Burch

I did it out of pity.
I did it out of love.
I did it not to break the heart of a tender, wounded dove.

But gods without compassion
ordained: Frail things must break!
Now what can I do for her shattered psyche’s sake?

I did it not to push.
I did it not to shove.
I did it to assist the flight of indiscriminate Love.

But gods, all mad as hatters,
who legislate in all such matters,
ordained that everything irreplaceable shatters.



The Quickening
by Michael R. Burch

I never meant to love you
when I held you in my arms
promising you sagely
wise, noncommittal charms.

And I never meant to need you
when I touched your tender lips
with kisses that intrigued my own—
such kisses I had never known,
nor a heartbeat in my fingertips!



It's Halloween!
by Michael R. Burch

If evening falls
on graveyard walls
far softer than a sigh;
if shadows fly
moon-sickled skies,
while children toss their heads
uneasy in their beds,
beware the witch's eye!

If goblins loom
within the gloom
till playful pups grow terse;
if birds give up their verse
to comfort chicks they nurse,
while children dream weird dreams
of ugly, wiggly things,
beware the serpent's curse!

If spirits scream
in haunted dreams
while ancient sibyls rise
to plague black nightmare skies
one night without disguise,
while children toss about
uneasy, full of doubt,
beware the devil's eyes...
it's Halloween!



An Illusion
by Michael R. Burch

The sky was as hushed as the breath of a bee
and the world was bathed in shades of palest gold
when I awoke.
She came to me with the sound of falling leaves
and the scent of new-mown grass;
I held out my arms to her and she passed
into oblivion...

This is one of my early poems, written around age 16 and published in my high school literary journal, The Lantern.



Describing You
by Michael R. Burch

How can I describe you?
The fragrance of morning rain
mingled with dew
reminds me of you;
the warmth of sunlight
stealing through a windowpane
brings you back to me again.

This is an early poem of mine, written as a teenager.



www.firesermon.com
by Michael R. Burch

your gods have become e-vegetation;
your saints—pale thumbnail icons; to enlarge
their images, right-click; it isn’t hard
to populate your web-site; not to mention
cool sound effects are nice; Sound Blaster cards
can liven up dull sermons, zing some fire;
your drives need added Zip; you must discard
your balky paternosters: ***!!! Desire!!!
these are the watchwords, catholic; you must
as Yahoo! did, employ a little lust
if you want great e-commerce; hire a bard
to spruce up ancient language, shed the dust
of centuries of sameness;
lameness *****;
your gods grew blurred; go 3D; scale; adjust.

Published by: Ironwood, Triplopia and Nisqually Delta Review



Her Grace Flows Freely
by Michael R. Burch

July 7, 2007

Her love is always chaste, and pure.
This I vow. This I aver.
If she shows me her grace, I will honor her.
This I vow. This I aver.
Her grace flows freely, like her hair.
This I vow. This I aver.
For her generousness, I would worship her.
This I vow. This I aver.
I will not **** her for what I bear
This I vow. This I aver.
like a most precious incense–desire for her,
This I vow. This I aver.
nor call her “*****” where I seek to repair.
This I vow. This I aver.
I will not wink, nor smirk, nor stare
This I vow. This I aver.
like a foolish child at the foot of a stair
This I vow. This I aver.
where I long to go, should another be there.
This I vow. This I aver.
I’ll rejoice in her freedom, and always dare
This I vow. This I aver.
the chance that she’ll flee me–my starling rare.
This I vow. This I aver.
And then, if she stays, without stays, I swear
This I vow. This I aver.
that I will joy in her grace beyond compare.
This I vow. This I aver.



Second Sight (II)
by Michael R. Burch

Newborns see best at a distance of 8 to 14 inches.
Wiser than we know, the newborn screams,
red-faced from breath, and wonders what life means
this close to death, amid the arctic glare
of warmthless lights above.
Beware! Beware!—
encrypted signals, codes? Or ciphers, noughts?
Interpretless, almost, as his own thoughts—
the brilliant lights, the brilliant lights exist.
Intruding faces ogle, gape, insist—
this madness, this soft-hissing breath, makes sense.
Why can he not float on, in dark suspense,
and dream of life? Why did they rip him out?
He frowns at them—small gnomish frowns, all doubt—
and with an ancient mien, O sorrowful!,
re-closes eyes that saw in darkness null
ecstatic sights, exceeding beautiful.



Incommunicado
by Michael R. Burch

All I need to know of life I learned
in the slap of a moment,
as my outward eye turned
toward a gauntlet of overhanging lights
which coldly burned, hissing—
"There is no way back!..."
As the ironic bright blood
trickled down my face,
I watched strange albino creatures twisting
my flesh into tight knots of separation
all the while tediously insisting—
“He's doing just fine!"



Letdown
by Michael R. Burch

Life has not lived up to its first bright vision—
the light overhead fluorescing, revealing
no blessing—bestowing its glaring assessments
impersonally (and no doubt carefully metered).
That first hard

SLAP

demanded my attention. Defiantly rigid,
I screamed at their backs as they, laughingly,

ripped

my mother’s pale flesh from my unripened shell,
snapped it in two like a pea pod, then dropped
it somewhere—in a dustbin or a furnace, perhaps.

And that was my clue

that some deadly, perplexing, unknowable task
lay, inexplicable, ahead in the white arctic maze
of unopenable doors, in the antiseptic gloom...



Recursion
by Michael R. Burch

In a dream I saw boys lying
under banners gaily flying
and I heard their mothers sighing
from some dark distant shore.

For I saw their sons essaying
into fields—gleeful, braying—
their bright armaments displaying;
such manly oaths they swore!

From their playfields, boys returning
full of honor’s white-hot burning
and desire’s restless yearning
sired new kids for the corps.

In a dream I saw boys dying
under banners gaily lying
and I heard their mothers crying
from some dark distant shore.



Poet to poet
by Michael R. Burch

I have a dream
pebbles in a sparkling sand
of wondrous things.
I see children
variations of the same man
playing together.
Black and yellow, red and white,
stone and flesh, a host of colors
together at last.
I see a time
each small child another's cousin
when freedom shall ring.
I hear a song
sweeter than the sea sings
of many voices.
I hear a jubilation
respect and love are the gifts we must bring
shaking the land.
I have a message,
sea shells echo, the melody rings
the message of God.
I have a dream
all pebbles are merely smooth fragments of stone
of many things.
I live in hope
all children are merely small fragments of One
that this dream shall come true.
I have a dream...
but when you're gone, won't the dream have to end?
Oh, no, not as long as you dream my dream too!
Here, hold out your hand, let's make it come true.
i can feel it begin
Lovers and dreamers are poets too.
poets are lovers and dreamers too



Life Sentence
by Michael R. Burch

... I swim, my Daddy’s princess, newly crowned,
toward a gurgly Maelstrom... if I drown
will Mommy stick the Toilet Plunger down
to **** me up?... She sits upon Her Throne,
Imperious (denying we were one),
and gazes down and whispers “precious son”...

... the Plunger worked; i’m two, and, if not blessed,
still Mommy got the Worst Stuff off Her Chest;
a Vacuum Pump, They say, will do the rest...

... i’m three; yay! whee! oh good! it’s time to play!
(oh no, I think there’s Others on the way;
i’d better pray)...

... i’m four; at night I hear the Banging Door;
She screams; sometimes there’s Puddles on the Floor;
She wants to **** us, or, She wants some More...

... it’s great to be alive if you are five (unless you’re me);
my Mommy says: “you’re WRONG! don’t disagree!
don’t make this HURT ME!”...

... i’m six; They say i’m tall, yet Time grows Short;
we have a thriving Family; Abort!;
a tadpole’s ripping Mommy’s Room apart...

... i’m seven; i’m in heaven; it feels strange;
I saw my life go gurgling down the Drain;
another Noah built a Mighty Ark;
God smiled, appeased, a Rainbow split the Dark;
... I saw Bright Colors also, when She slammed
my head against the Tub, and then I swam
toward the magic tunnel... last, I heard...
is that She feels Weird.



Beast 666
by Michael R. Burch

“... what rough beast... slouches toward Bethlehem to be born?”—W. B. Yeats

Brutality is a cross
wooden, blood-stained,
gas hissing, sibilant,
lungs gilled, deveined,
red flecks on a streaked glass pane,
jeers jubilant,
mocking.

Brutality is shocking—
tiny orifices torn,
impaled with hard lust,
the fetus unborn
tossed in a dust-
bin. The scarred skull shorn,
nails bloodied, tortured,
an old wound sutured
over, never healed.

Brutality, all its faces revealed,
is legion:
Death March, Trail of Tears, Inquisition...
always the same.
The Beast of the godless and of man’s “religion”
slouching toward Jerusalem:
horned, crowned, gibbering, drooling, insane.



America's Riches
by Michael R. Burch

Balboa's dream
was bitter folly—
no El Dorado near, nor far,
though seas beguiled
and rivers smiled
from beds of gold and silver ore.

Drake retreated
rich with plunder
as Incan fled Conquistador.
Aztecs died
when Spaniards lied,
then slew them for an ingot more.

The pilgrims came
and died or lived
in fealty to an oath they swore,
and bought with pain
the precious grain
that made them rich though they were poor.

Apache blood,
Comanche tears
were shed, and still they went to war;
they fought to be
unbowed and free—
such were Her riches, and still are.

Published by Poetic Reflections and Tucumcari Literary Review



Kindergarten
by Michael R. Burch

Will we be children as puzzled tomorrow—
our lessons still not learned?
Will we surrender over to sorrow?
How many times must our fingers be burned?
Will we be children sat in the corner,
paddled again and again?
How long must we linger, playing Jack Horner?
Will we ever learn, and when?
Will we be children wearing the dunce cap,
giggling and playing the fool,
re-learning our lessons forever and ever,
still failing the golden rule?



Photographs
by Michael R. Burch

Here are the effects of a life
and they might tell us a tale
(if only we had time to listen)
of how each imperiled tear would glisten,
remembered as brightness in her eyes,
and how each dawn’s dramatic skies
could never match such pale azure.

Like dreams of her, these ghosts endure
and they tell us a tale of impatient glory...
till a line appears—a trace of worry?—
or the wayward track of a wandering smile
which even now can charm, beguile?

We might find good cause to wonder
as we see her pause (to frown?, to ponder?):
what vexed her in her loveliness...
what weight, what crushing heaviness
turned her lustrous hair a frazzled gray,
and stole her youth before her day?

We might ask ourselves: did Time devour
the passion with the ravaged flower?
But here and there a smile will bloom
to light the leaden, shadowed gloom
that always seems to linger near...
And here we find a single tear:
it shimmers like translucent dew
and tells us Anguish touched her too,
and did not spare her for her hair
of copper, or her eyes' soft hue.

Published in Tucumcari Literary Review



Numbered
by Michael R. Burch

He desired an object to crave;
she came, and she altared his affection.
He asked her for something to save:
a memento for his collection.
But all that she had was her need;
what she needed, he knew not to give.
They compromised on a thing gone to seed
to complete the half lives they would live.
One in two, they were less than complete.
Two plus one, in their huge fractious home
left them two, the new one in the street,
then he, by himself, one, alone.
He awoke past his prime to new dawn
with superfluous dew all around,
in ten thousands bright beads on his lawn,
and he knew that, at last, he had found
a number of things he had missed:
things shining and bright, unencumbered
by their price, or their place on a list.
Then with joy and despair he remembered
and longed for the lips he had kissed
when his days were still evenly numbered.



Nucleotidings
by Michael R. Burch

“We will walk taller!” said Gupta,
sorta abrupta,
hand-in-hand with his mom,
eyeing the A-bomb.

“Who needs a mahatma
in the aftermath of NAFTA?
Now, that was a disaster,”
cried glib Punjab.

“After Y2k,
time will spin out of control anyway,”
flamed Vijay.

“My family is relatively heavy,
too big even for a pig-barn Chevy;
we need more space,”
spat What’s His Face.

“What does it matter,
dirge or mantra,”
sighed Serge.

“The world will wobble
in Hubble’s lens
till the tempest ends,”
wailed Mercedes.

“The world is going to hell in a bucket.
So **** it and get outta my face!
We own this place!
Me and my friends got more guns than ISIS,
so what’s the crisis?”
cried Bubba Billy Joe Bob Puckett.



All My Children
by Michael R. Burch

It is May now, gentle May,
and the sun shines pleasantly
upon the blousy flowers
of this backyard cemet'ry,
upon my children as they sleep.

Oh, there is Hank in the daisies now,
with a mound of earth for a pillow;
his face as hard as his monument,
but his voice as soft as the wind through the willows.

And there is Meg beside the spring
that sings her endless sleep.
Though it’s often said of stiller waters,
sometimes quicksilver streams run deep.

And there is Frankie, little Frankie,
tucked in safe at last,
a child who weakened and died too soon,
but whose heart was always steadfast.

And there is Mary by the bushes
where she hid so well,
her face as dark as their berries,
yet her eyes far darker still.

And Andy... there is Andy,
sleeping in the clover,
a child who never saw the sun
so soon his life was over.

And Em'ly, oh my Em'ly...
the prettiest of all...
now she's put aside her dreams
of lovers dark and tall
for dreams dreamed not at all.

It is May now, merry May
and the sun shines pleasantly
upon the green gardens,
on the graves of all my children...
But they never did depart;
they still live within my heart.

I wrote this poem around age 15-16.



Kingdom Freedom
by Michael R. Burch

LORD, grant me a rare sweet spirit of forgiveness.
Let me have none of the lividness
of religious outrage.

LORD, let me not be over-worried
about the lack of “morality” around me.
Surround me,
not with law’s restrictive cage,
but with Your spirit, freer than the wind,
so that to breathe is to have freest life,
and not to fly to You, my only sin.



Birthday Poem to Myself
by Michael R. Burch

LORD, be no longer this Distant Presence,
Star-Afar, Righteous-Anonymous,
but come! Come live among us;
come dwell again,
happy child among men—
men rejoicing to have known you
in the familiar manger’s cool
sweet light scent of unburdened hay.
Teach us again to be light that way,
with a chorus of angelic songs lessoned above.
Be to us again that sweet birth of Love
in the only way men can truly understand.
Do not frown darkening down upon an unrighteous land
planning fierce Retributions we require, and deserve,
but remember the child you were; believe
in the child I was, alike to you in innocence
a little while, all sweetness, and helpless without pretense.
Let us be little children again, magical in your sight.
Grant me this boon! Is it not my birthright—
just to know you, as you truly were, and are?
Come, be my friend. Help me understand and regain Hope’s long-departed star!



Litany
by Michael R. Burch

Will you take me with all my blemishes?
I will take you with all your blemishes, and show you mine. We’ll **** wine out of cardboard boxes till our teeth and lips shine red like greedily gorging foxes’. We’ll swill our fill, then have *** for hours till our neglected guts at last rebel. At two in the morning, we’ll eat cold Krystals out of greasy cardboard boxes, and we will be in love.

And that’s it?
That’s it.

And can I go out with my friends and drink until dawn?
You can go out with your friends and drink until dawn, come home lipstick-collared, pass out by the pool, or stay at the bar till the new moon sets, because we will be in love, and in love there is no room for remorse or regret. There is no right, no wrong, and no mistrust, only limb-numbing ***, hot-pistoning lust.

And that’s all?
That’s all.

That’s great!
But wait...

Wait? Why? What’s wrong?
I want to have your children.

Children?
Well, perhaps just one.

And what will happen when we have children?
The most incredible things will happen—you’ll change, stop acting so strangely, start paying more attention to me, start paying your bills on time, grow up and get rid of your horrible friends, and never come home at a-quarter-to-three drunk from a night of swilling, smelling like a lovesick skunk, stop acting so lewdly, start working incessantly so that we can afford a new house which I will decorate lavishly and then grow tired of in a year or two or three, start growing a paunch so that no other woman would ever have you, stop acting so boorishly, start growing a beard because you’re too tired to shave, or too afraid, thinking you might slit your worthless wrinkled throat...



Mending Glass
by Michael R. Burch

In the cobwebbed house—
lost in shadows
by the jagged mirror,
in the intricate silver face
cracked ten thousand times,
silently he watches,
and in the twisted light
sometimes he catches there
a familiar glimpse of revealing lace,
white stockings and garters,
a pale face pressed indiscreetly near
with a predatory leer,
the sheer flash of nylon,
an embrace, or a sharp slap,
... a sudden lurch of terror.

He finds bright slivers
—the hard sharp brittle shards,
the silver jags of memory
starkly impressed there—
and mends his error.



Shadowselves
by Michael R. Burch

In our hearts, knowing
fewer days—and milder—beckon,
how are we, now, to measure
that flame by which we reckon
the time we have remaining?

We are shadows
spawned by a blue spurt of candlelight.
Darkly, we watch ourselves flicker.

Where shall we go when the flame burns less bright?
When chill night steals our vigor?

Why are we less than ourselves? We are shadows.

Where is the fire of youth? We grow cold.

Why does our future loom dark? We are old.

Why do we shiver?

In our hearts, seeing
fewer days—and briefer—breaking,
now, even more, we treasure
the brittle leaf-like aching
that tells us we are living.



Pressure
by Michael R. Burch

Pressure is the plug of ice in the frozen hose,
the hiss of water within vinyl rigidly green and shining,
straining to writhe.

Pressure is the kettle’s lid ceaselessly tapping its tired dance,
the hot eye staring, its frantic issuance
unavailing.

Pressure is the bellow’s surge, the hard forged
metal shedding white heat, the beat of the clawed hammer
on cold anvil.

Pressure is a day’s work compressed into minutes,
frantic minute vessels constricted, straining and hissing,
unable to writhe,

the fingers drumming and tapping their tired dance,
eyes staring, cold and reptilian,
hooded and blind.

Pressure is the spirit sighing—reflective,
restrictive compression—an endless drumming—
the bellows’ echo before dying.

The cold eye—unblinking, staring.
The hot eye—sinking, uncaring.



Open Portal
by Michael R. Burch

“You already have zero privacy—get over it.”
Scott McNealy, CEO of Sun Microsystems

While you’re at it—
don’t bother to wear clothes:
We all know what you’re concealing underneath.

Let the bathroom door swing open.
Let, O let Us peer in!
What you’re doing, We’ve determined, may be a sin!

When you visit your mother
and it’s time to brush your teeth,
it’s okay to openly spit.

And, while you’re at it,
go ahead—
take a long, noisy ****.

What the he|ll is your objection?
What on earth is all this fuss?
Just what is it, exactly, you would hide from US?



beMused
by Michael R. Burch

Perhaps at three
you'll come to tea,
to sip a cuppa here?

You'll just stop in
to drink dry gin?
I only have a beer.

To name the greats:
Pope, Dryden, mates?
The whole world knows their names.

Discuss the songs
of Emerson?
But these are children's games.

Give me rhythm
wild as Dylan!
Give me Bobbie Burns!

Give me Psalms,
or Hopkins’ poems,
Hart Crane’s, if he returns!

Or Langston railing!
Blake assailing!
Few others I desire.

Or go away,
yes, leave today:
your tepid poets tire.



The Century’s Wake
by Michael R. Burch

lines written at the close of the 20th century

Take me home. The party is over,
the century passed—no time for a lover.

And my heart grew heavy
as the fireworks hissed through the dark
over Central Park,
past high-towering spires to some backwoods levee,
hurtling banner-hung docks to the torchlit seas.
And my heart grew heavy;
I felt its disease—
its apathy,
wanting the bright, rhapsodic display
to last more than a single day.

If decay was its rite,
now it has learned to long
for something with more intensity,
more gaudy passion, more song—
like the huddled gay masses,
the wildly-cheering throng.

You ask me—
How can this be?

A little more flair,
or perhaps only a little more clarity.

I leave her tonight to the century’s wake;
she disappoints me.



Salve
by Michael R. Burch

for the victims and survivors of 9-11

The world is unsalvageable...
but as we lie here
in bed
stricken to the heart by love
despite war’s
flickering images,
sometimes we still touch,
laughing, amazed,
that our flesh
does not despair
of love
as we do,
that our bodies are wise
in ways we refuse
to comprehend,
still insisting we eat,
drink...
even multiply.

And so we touch...
touch, and only imagine
ourselves immune:
two among billions
in this night of wished-on stars,
caresses,
kisses,
and condolences.

We are not lovers of irony,
we
who imagine ourselves
beyond the redemption
of tears
because we have salvaged
so few
for ourselves...

and so we laugh
at our predicament,
fumbling for the ointment.



Stump
by Michael R. Burch

This used to be a poplar, oak or elm...
we forget the names of trees, but still its helm,
green-plumed, like some Greek warrior’s, nobly fringed,
with blossoms almond-white, but verdant-tinged,
this massive helm... this massive, nodding head
here contemplated life, and now is dead...

Perhaps it saw its future, furrow-browed,
and flung its limbs about, dejectedly.
Perhaps it only dreamed as, cloud by cloud,
the sun plod through the sky. Heroically,
perhaps it stood against the mindless plots
of concrete that replaced each flowered bed.
Perhaps it heard thick loggers draw odd lots
and could not flee, and so could only dread...

The last of all its kind? They left its stump
with timeworn strange inscriptions no one reads
(because a language lost is just a bump
impeding someone’s progress at mall speeds).

We leveled all such “speed bumps” long ago
just as our quainter cousins leveled trees.
Shall we, too, be consumed by what we know?
Once gods were merely warriors; august trees
were merely twigs, and man the least divine...
mere fables now, dust, compost, turpentine.



First Dance
by Michael R. Burch

for Sykes and Mary Harris

Beautiful ballerina—
so pert, pretty, poised and petite,
how lightly you dance for your waiting Beau
on those beautiful, elegant feet!

How palely he now awaits you, although
he’ll glow from the sparks when you meet!



Keep the Body Well
by Michael R. Burch

for William Sykes Harris III

Is the soul connected to the brain
by a slender silver thread,
so that when the thread is severed
we call the body “dead”
while the soul — released from fear and pain —
is finally able to rise
beyond earth’s binding gravity
to heaven’s welcoming skies?

If so — no need to quail at death,
but keep the body well,
for when the body suffers
the soul experiences hell.



On Looking into Curious George’s Mirrors
by Michael R. Burch

for Maya McManmon, granddaughter of the poet Jim McManmon

Maya was made in the image of God;
may the reflections she sees in those curious mirrors
always echo back Love.

Amen



Maya’s Beddy-Bye Poem
by Michael R. Burch

for Maya McManmon, granddaughter of the poet Jim McManmon

With a hatful of stars
and a stylish umbrella
and her hand in her Papa’s
(that remarkable fella!)
and with Winnie the Pooh
and Eeyore in tow,
may she dance in the rain
cheek-to-cheek, toe-to-toe
till each number’s rehearsed...
My, that last step’s a leap! —
the high flight into bed
when it’s past time to sleep!

Note: “Hatful of Stars” is a lovely song and image by Cyndi Lauper.



Chip Off the Block
by Michael R. Burch

for Jeremy

In the fusion of poetry and drama,
Shakespeare rules! Jeremy’s a ham: a
chip off the block, like his father and mother.
Part poet? Part ham? Better run for cover!
Now he’s Benedick — most comical of lovers!

NOTE: Jeremy’s father is a poet and his mother is an actress; hence the fusion, or confusion, as the case may be.



Whose Woods
by Michael R. Burch

Whose woods these are, I think I know.
**** Cheney’s in the White House, though.
He will not see me stopping here
To watch his chip mills overflow.

My sterile horse must think it queer
To stop without a ’skeeter near
Beside this softly glowing “lake”
Of six-limbed frogs gone nuclear.

He gives his hairless tail a shake;
I fear he’s made his last mistake—
He took a sip of water blue
(Blue-slicked with oil and HazMat waste).

Get out your wallets; ****’s not through—
Enron’s defunct, the bill comes due...
Which he will send to me, and you.
Which he will send to me, and you.



1-800-HOT-LINE
by Michael R. Burch

“I don’t believe in psychics,” he said, “so convince me.”

When you were a child, the earth was a joy,
the sun a bright plaything, the moon a lit toy.
Now life’s minor distractions irk, frazzle, annoy.
When the crooked finger beckons, scythe-talons destroy.

“You’ll have to do better than that, to convince me.”

As you grew older, bright things lost their meaning.
You invested your hours in commodities, leaning
to things easily fleeced, to the convenient gleaning.
I see a pittance of dirt—untended, demeaning.

“Everyone knows that!” he said, “so convince me.”

Your first and last wives traded in golden bands
for vacations from the abuses of your cruel hands.
Where unwatered blooms line an arid plot of land,
the two come together, waving fans.

“Everyone knows that. Convince me.”

As your father left you, you left those you brought
to the doorstep of life as an afterthought.
Two sons and a daughter tap shoes, undistraught.
Their tears are contrived, their condolences bought.

“Everyone knows that. CONVINCE me.”

A moment, an instant... a life flashes by,
a tunnel appears, but not to the sky.
There is brightness, such brightness it sears the eye.
When a life grows too dull, it seems better to die.

“I could have told you that!” he shrieked, “I think I’ll **** myself!”

Originally published by Penny Dreadful



Lines for My Ascension
by Michael R. Burch

I.
If I should die,
there will come a Doom,
and the sky will darken
to the deepest Gloom.

But if my body
should not be found,
never think of me
in the cold ground.

II.
If I should die,
let no mortal say,
“Here was a man,
with feet of clay,

or a timid sparrow
God’s hand let fall.”
But watch the sky darken
to an eerie pall

and know that my Spirit,
unvanquished, broods,
and cares naught for graves,
prayers, coffins, or roods.

And if my body
should not be found,
never think of me
in the cold ground.

III.
If I should die,
let no man adore
his incompetent Maker:
Zeus, Jehovah, or Thor.

Think of Me as One
who never died—
the unvanquished Immortal
with the unriven side.

And if my body
should not be found,
never think of me
in the cold ground.

IV.
And if I should “die,”
though the clouds grow dark
as fierce lightnings rend
this bleak asteroid, stark...

If you look above,
you will see a bright Sign—
the sun with the moon
in its arms, Divine.

So divine, if you can,
my bright meaning, and know—
my Spirit is mine.
I will go where I go.

And if my body
should not be found,
never think of me
in the cold ground.

Keywords/Tags: flight, flying, fancy, kites, leaves, birds, bees, butterflies, wings, heights, fall, falling
Viji Vishwanath Dec 2019
Have a wing to fly
That fly so high
Is a wish to buy
As a pie in sky

A wing to fly
With passion of mine
To attain cheesy goals of peace
That make us in ease
With no worry of course
Feels no reason of case
As caught as a prey
In the beaks of a kite
Is a wish of mine

A wish to fly
With the wings of mine
Which no one can deny
But anyone can rely
Is my final destiny
Which is sweet as a candy
That sounds to amplify
As an apple of eye
Is an auspicious ray
In the divine sky

A wing to fly
In the limitless sky
Is something to say
With no lie
In this life’s spy
Is something to enjoy
With full of joy
That never allow to cry
As a weeping alloy
Melted in lab of mines
To spark so bright
As a shiny stone of light
Shines in sky

A wing to fly
Is a dream of a day
In a windy night
Which feels cool as a snow
That speaks a warm hai
Than a good bye
Is a dream of mine

A wing to fly
Is a snowy bridge to sky
Seems as stars in sky
And the angels that fly
With snowy wings that shine
In the night sky
With light of moon
Like a sparkling wine
In crystal glass of mine
Is a wish of dreamy wing of mine

A wing to fly
Which wish so high
Feels shy in moonlight
As an auspicious ray
Wandering in milky way
Is a dream of wish
Which feels so fine
In the land of nice
Which refresh as an ice
Is the snowy wing of mine

A wing to fly
In the outer space
With vibrations of heavenly space
Can be lost in sounds of howling planet
And whistling helium
Or by Jupiter’s roar
Is some what
That captures the soul
In the deep silence of space
That bring best sight
Is the wish of mine

A wing to fly
In the sound of space
With its soothing wave
Is a relaxing music
Makes it a wonderful galaxy
As a sea of light sky
Romancing with moon
In the arms of dark night
Is the loving wing
That desires to swim
As deep as a mermaid in sea
Is the secret wish of mine

A wing to fly
In deeper space of sky
Is a rare heavenly beauty
Which is merely found there
Is a mind blowing play
In the hands of Lord’s creativity
Which really bring us pride
Like an auspicious wing
That fly in great sky
And that not only for today
But forever as a fairy
That smile in every file
Of you and me

That you and me
Fly in this sky
To the heights of galaxy
As the paintings of Da Vinci
Smiles in Mona Lisa’s lips
Which impact in every mind
Of humanly creation
That took birth
In the land of diversity
Is the true wings of mine
That fly to eternal peace
Is a wing to fly on wow
As of a dove’s vow
A wing to fly in you and me in the deep sky as a dove. And to swim as deep as a mermaid in the sea. A wing with a wish to attain Godly peace is like a dove’s vow.
Hi everybody
This is Brian Allan
I am on Jupiter
And I will sing fly burgers
A poem I wrote when I was social
Which is being watched very carefully at present
Here it is
Fly burgers are good enough to eat
Fly burgers are such a tasty treat
Just catch a blowie between two buttered buns
Add some lettuce and tomato
And make sure you wash your hands
You see there is no footy on
Because of the coronavirus yeah
So the flies wouldn’t get caught
On the barbecue
No old man no young boy
Anymore in this world
The flies didn’t do it
But they are still disease carriers
So please wash your hands
Fly burgers are good enough to eat
Fly burgers are such a tasty treat
Just catch a blowie between two buttered buns
Add some lettuce and tomato
And make sure you wash your hands
No restaurants at the moment
So there will be no flies
Parking on the griller
The virus is turning people
From being nice to an old yeller
Don’t worry about the flies
Getting in your food
No restaurant isn’t open
No fly burgers
That is good
Fly burgers are good enough to eat
Fly burgers are such a tasty treat
Just catch a blowie between two buttered buns
Add lettuce and tomato
And please wash your hands
Now hopefully the virus will be over
Before the summer time
So friends can drop round sharing coke and beer and having a great time
At present there is no bbq man
Noticing a fly upon his back
So keep the swat amongst your friends
Don’t spread the virus to jack
Fly burgers are good enough to eat
Fly burgers are such a tasty treat
Just catch a blowie between two buttered buns
Add some lettuce and tomato
And please wash your hands
The hospital is busy this year
Despite nobody having fun
Flies are still spreading germs
Straight flat bang in you
More people dying from the coronavirus yeah
But flies are still spreading germs
Don’t eat fly burgers if you don’t want to die
Fly burgers don’t eat them you stupid fool
Fly burgers as long as you keep your distance swim in the pool
But if a fly lands on you
You will catch a germ
And maybe the virus will hit you
Like a little worm
But if a fly lands on you
You will catch a germ
And maybe and maybe
The virus will hit you hit you
Like. A. Little Worm
No good
Londis Carpenter Sep 2010
NOTE:  This is a short story; not a poem.  (author)

(Sometimes when you don’t know something can’t be done, you discover a way to do it.)

High at the top of a tree in Forest Park, Parker Squirrel lived in a nest that his mother had built from a hollowed out place inside the trunk of an old oak.   A large branch forked away from the main trunk and a hole in the bark conveniently served as a doorway to the outside world.  On one particular morning, Parker poked his head out from the doorway of his home and looked around very carefully at his surroundings.  It wasn’t the first time in his young life that he had peeked at the outside world from his mother’s nest, but this time he was more alert and cautious than he had ever been before.  Today he was orphaned and all alone.  Sometime in the dark of night, while he was hiding deep inside the nest, he was forced to watch in terror when a large owl came and took away his mother.  So today, feeling very timid and afraid, Parker made every effort to look in each direction before leaving his cozy home to explore and search for food.

Just ahead of him he saw that the rustic ranger station stood like a monument, to welcomed visitors to the state park.   On his left he could see the foothills of the purple mountain range.  He knew that these foothills and their woodlands were all part of the place called Forest Park.  Off to his right a dancing brook bubbled along the edge of a grassy meadow.  In its tall grasses he saw a white-tail doe playing with her newborn fawn. There seemed to be no danger in that direction, so Parker stretched his neck upward and watched as white, cotton-ball clouds floated across the azure blue sky.  Finally he looked down at the ground far below just in time to see a large toad quickly hop under the cover of some wild mushrooms.  Still, he sensed no danger.

Unfortunately, in order to see the forest behind him, it was necessary for Parker to leave his nest and climb around to the other side of his oak tree. And that was a problem for Parker, because the little squirrel was still much too timid to take such a chance.  Instead he stretched as far as he could to look around the wide tree trunk and into the woods.

Glancing back into the forest, Parker saw more tall oak trees with their strong, stately trunks.  He saw a scattering of white flowers that revealed the presence of dogwood trees.  A stand of sugar maples displayed their graceful branches and delicate leaves.  He also noticed some early spring flowers and wild mustard plants splashing bright yellow hues against the fresh green Indian grasses where a tiny meadow carpeted the outer edge of the forest floor.

There were no owls!

Even if they were hiding where he couldn’t see them, Parker would know they were there.  He would be able to smell their unmistakable odor.  To nearly all rodents, the owls have a peculiar stench that is putrid and foul.  And even a young squirrel like Parker would recognize it at once.

The young squirrel was fascinated by all he saw.  His furry skin tingled in the warm glow of the bright, noonday sunshine, almost making him forget the tragedy of the previous night.  Parker had only arrived into the world about six weeks ago, but in squirrel time that meant he would soon be approaching young adulthood.  He had always been cozy and comfortable, cradled in the nest his mother had built in the tall oak tree.  He had always enjoyed foraging with her for seeds and nuts.  The pantry was partly filled, even now, with acorns and hickory nuts, which emitted a woodsy aroma that reminded him of his mother.   He loved the wonderful world he saw from his perch and his heart was so happy that he began to chatter a new springtime song, which he seemed to hear playing all by itself inside his head.

Parker was so enthralled by all the new sights and smells filling his senses that he nearly outstretched the length of his body as he leaned outside the doorway to his mother’s cozy nest and suddenly he fell and tumbled onto the forest floor beneath him.  He landed with a horrible thud!  The little squirrel landed on his back into a clump of moss that grew beneath the tall oak, which only moments before had been his citadel.

  “Ouch!” chattered Parker as he recovered his breath.  The fall had knocked the wind from his lungs but as soon as he discovered he could breath again he checked himself all over to make sure he wasn’t seriously hurt.  Then he began to explore the forest floor.

The little squirrel was so excited, as he ran from one discovery to another, that he completely lost track of time.  Before he knew it, he was a long way from his mother’s tree and it was growing dark.   The little squirrel ran from tree to tree looking for his home and finally he stopped at a very tall oak.  Parker was certain that this was the same tree from which he had fallen, so as fast as he could scurry, he climbed up the trunk, searching among its branches for his mother’s nest.  When he failed to find his home in the trunk of the tree, Parker finally realized that he was lost. The young squirrel had exhausted all of his strength running through the woods.

Afraid and suddenly very lonely, Parker was also very sleepy and hungry.   Since he had no food and didn’t know what else he could do, Parker curled up into a ball at the crook of a branch and fell asleep.  Next morning Parker searched the tree again for his home.  To his surprise he stumbled upon a strange nest made up of branches and twigs of oak built close to the trunk of the tree.  This nest seemed substantial and well built.  The interior of the nesting cup was about eight inches across and five inches deep.  Although the nest looked crude from the outside, its bowl was delicately and warmly lined with a combination of moss, feathers and leaves. It was about seventy-five feet from the ground and two fledgling crows were sleeping inside.

An older squirrel might have killed the baby crows for food and driven off the adult birds when they returned, but Parker just climbed inside the nest, curled up beside the sleeping pair, and fell asleep to dream about where he would find his next meal.

Parker’s sleep was interrupted by the noise of the two young birds’ loud clamoring for food.  Their incessant calls were being tended to by the mamma crow, which had returned to the nest and was now busy stuffing their hungry mouths with an assortment of seeds and worms.  As strange as it seems and much to Parker’s surprise, the mother crow also began stuffing his mouth with food just the same as if she was feeding her own children.  Although he didn’t like the earthy taste of the worms, Parker was very hungry and he swallowed every bite.  He found that he was actually quite satisfied with the meal.

Parker soon learned that there had originally been six baby birds occupying the crow nest, but sadly four had recently been taken by the owls in nighttime raids.  Perhaps the loss of her own children was the reason the Mother Crow decided to adopt the baby squirrel and began feeding it along with her own young.  In nature there are many mysteries and not all of them have easy answers.  But, whatever her reason, one thing is very certain.  Parker Squirrel had been officially adopted into the Crow family and he now had a new mother and a new home, complete with a brother and a sister.

Parker’s new siblings were very close to his own age, which meant they soon would begin standing on the edge of the nest and even leave to nearby branches of the tree when they were being fed.  In the course of another week they would be leaving the nest and taking their initial flight while being watched, tended to, and protected by their adult parents.  So Parker had a great surprise awaiting him. He didn’t know it yet, but in just a few days Mamma Crow would be expecting him to learn to fly.  Of course, squirrels, by nature, are curious and quite acrobatic and no one had ever yet told Parker that he couldn’t fly like a bird.   So when the time came for Parker and his siblings to make their initial test flights, he spread his arms and began to flap them hard, as though they were wings, as he leaped from the nest.  Naturally the little squirrel tumbled down once again onto the forest floor with another thud.

Encouraged and nudged along by Mamma Crow and by taunts from his new brother and sister, Parker tried again and again to fly.  Each time he tried flapping his little arms like wings and each time he fell to earth with a thud.  Soon his whole body ached with painful bruises from his many falls.  But even more than the motivation and prodding from his new family, Parker wanted to fly.  There was something inside Parker that made him want to keep trying.  Parker really did want to fly.

Immediately after being adopted, Parker had begun foraging for his own food by pure instinct.  When he found acorns and seeds he brought them by mouthfuls back to the Crow family’s nest.  But now the urge to fly was almost as strong inside him as his urge to scour the forest floor for acorns and nuts.

At night Parker dreamed about flying.  As a younger squirrel he had often dreamed about being a “super squirrel” that flew around the forest, from tree to tree, doing good deeds and fighting off the evil owls with his super powers.  But the urge he felt now to soar through the air was different from the wishful thinking of a childhood fantasy.  Parker felt that he had to fly.  He just had to.

He thought about why he wanted to fly so badly.  It was more than the fact that his new brother and sister could fly.  There was some important reason deep inside him that made him yearn to soar from tree to tree.  As time passed Parker met other squirrels in the forest and he knew very well by now that he was not a crow, so why couldn’t he just be content to be like the other squirrels and forget all about this nonsense of flying after all.  He thought that perhaps it was because he remembered what the owls had done to his mother and what they had done to those siblings from his new family that were taken before he even had a chance to meet them.  Perhaps now, he thought, he was just afraid and only wanted to fly so he could escape the danger of the owls.  Maybe he was just a coward.

The next night when Parker went to sleep he dreamed again of flying.  But there was something different about this dream.  In his dream Parker was not flying like the crows fly.  He didn’t flap his arms up and down like wings.  Instead he just glided and soared with no effort at all.  In this dream he could actually feel the wind flowing over his body as he glided from one tree to another.  When the sun came out and awakened him from his sleep, Parker couldn’t wait to try again.  This time when he jumped from the nest he would not flap his arms because, after all, arms aren’t wings are they?

Before anyone could stop him, Parker leaped from the nest.  He began to fall straight down, but instead of flapping his arms up and down, he stretched his arms and legs out as far as they would reach.  Then, suddenly something happened.  Instead of dropping to the ground with a painful thud, Parker started gliding.  He didn’t fly far enough to reach another tree, but he was able to glide to another branch on his own tree.  After recovering from his own surprise, he looked back to the nest and he saw his mother and brother and sister all standing on the edge of the nest with looks of amazement on their faces.  They were all calling out to him to try it again. This time, having learned what to expect, Parker glided all the way to the next tree.  After a few more tries, Mother Crow was flying right beside him.

One day Mamma Crow told him to follow her.  “Come with me,” she said.  “I want to show you something.”   And he followed her, gliding from tree to tree.  She led him to a new place, deeper into the woods than he had ever been.  Soon they arrived at a place in the forest that almost seemed enchanted.  He was very surprised to see that were lots of other squirrels gliding from tree to tree just like Parker.

“This is your new home,” said Mother Crow to Parker.  “You’re not just an ordinary squirrel, you know, you are a flying squirrel.”

Then she told him, “From the day I first adopted you I knew that you were special. But you had to discover by yourself who you really are.  Here in this place you can be safe and make friends of your own kind.”  After saying goodbye and wishing him well, she waved at him and, looking back one more time, she flew away.

Well, that is how Parker learned to fly and how he discovered who he really was.  After that he continued to live a very happy life with his new friends.  The owls never seemed to trouble him in this part of the woods.  But he never, ever, forgot about Mother Crow and the family that adopted him. Even to this day, Parker often stops by the nest with a mouthful of acorns and nuts.
copyright by Londis Carpenter
Word count: 2414 Views: 29
I meet you without knowing who you are.
I saw your smile and i found love.
You showed me life, you even took my form and you almost forgotten that you are an angel.
You walk with me through the valley of happiness and pain. You even cried for me when I was out of tears.
You climb with me on the mountain of knowledge and I made it. Fly away my angel.

Time was with me but I failed you and you almost lost your wings. Fly my angel, fly.
Tears are my home now and happiness has chosen you, yes you can fly. Fly away my angel.
The river of love is dry now so there is no life  anymore and it's time my angel, fly and fly away my angel.
Your heart is sick, and bleeding so it can't carry my name. Fly away my angel.

I don't want to believe that you are special but time has shown me.
I treated you normal but your form has been aweken, so fly away my angel.
Everyday you gave me, you but now you gone.
Everyday you ask for love and I gave you tears so now you left.
You kissed me but love was not there n now you gone.
Fly my angel, fly and fly away.

Never change your form cause you almost lost your wings and forgotten to fly.
Never cry for the problem cause you are blessed and he has a job for you.
Never stop fighting because he gave you the blade of time.
So now fly my angel, fly and fly away.
By Spherical.
Jackie Mead Sep 2017
There was a fly who only had one eye.
He lived a simple life on the River wry.

One day the fly with only one eye began to cry.
I'm very lonely he said to himself, I feel as though I've been left on the shelf.

From out of nowhere an Elf appeared, an Elf who had only one ear.

Your not alone the Elf did shout, come on over let's hang out.

The Fly with one eye flapped his wings and said loudly so the Elf with one ear could hear,  I'm going to try to fly to the other side of the river wry.

The Elf with one ear said do not fear I'll be your eyes and you'll be my ears.

But half way across the Fly with one eye gave a big sigh and said  to the Elf with only one ear, I do fear that I will not finish the ride to the other side of the river wry.

Do not fear said the Elf with only one ear.  With my perfect eyes I can see that half way across in the middle of a bog on a log are a frog and bee, surely they will help me.

The Elf with only one ear shouted loudly to the frog and bee, can you please help me?

The frog and the bee shouted back "gladly".  But the Elf who only had one ear could not hear the reply from the middle of the river wry.

The Fly with one eye heard the reply and shouted as loudly as he could muster "the frog and bee have agreed gladly to help you and me"

The Elf with one ear was relieved to hear this and set about outlining his plan.

The Fly with one eye would flap his wings and start his trip across the river.

The frog would jump up and down on his lily pad and make a noise which sounded like ribbit, ribbit, the Fly with one eye and the Elf with one ear would use the frog for direction, tuning into it.

Once the Fly with one eye had passed the frog by the bee would set about buzzing loudly, the fly with one eye and the Elf with one ear would follow the buzzing to the edge of the river.

The plan worked the Fly with one eye gave a shout hip hip hip hooray.

The Elf with one ear gave three cheers and the frog and the bee clapped merrily.

Hooray said the Fly with only one Eye and the Elf with only one Ear, let's get all our friends together and bake a cake to celebrate.

The Fly with one eye looked at his friends and knew that life would never be quite the same now he could count on his new found friends, the Elf with one ear and the frog and the bee were like one big family.
For my grandchildren Tansy, Alfie and Roman.
Arcassin B Sep 2015
By Arcassin Burnham


Fly bird fly,
That's the only chance you got,
Fly bird fly,
Being real blunt,
Fly bird fly,
From the sky you were shot,
Fly bird fly,
Down from above as a pyro stunt,
Fly bird fly,
You have purpose in this world,
Fly bird fly,
Reality will hard to face for you,
Fly bird fly,
Your as shiny as a pearl,
Fly bird fly,
There's not anything I wouldn't do,
To keep you alive,
Not only help you survive,
But to help you get through this cruel world,
This isn't you.
It isn't
Idris Muntaqim Jun 2020
A supervillain called the Human Fly is destroying police vehicles during a protest;
The Human Fly is a total mess.

When Peter Parker finds out what the Human Fly is doing, he changes into Spider-Man;
Spidey swings through the air, searching for the Human Fly as fast as he can.

When Spidey finds the Human Fly and the villain sees him, he tries to ***** acid on the web-head;
The Human Fly wants Spider-Man dead.

Spider-Man spins a web on the Human Fly's mouth, which is wise;
The Human Fly has compound eyes.

Spider-Man also spins a web on the villain's eyes, which is great;
The Human Fly is full of hate.

Spider-Man immediately knocks out the Human Fly, which is cool;
The Human Fly is also a fool.

When the Human Fly is defeated, Spidey spins a web on his foe;
The police thank the superhero.

When the police arrest the Human Fly, Spider-Man swings away;
The Human Fly is going to prison and that's all I have to say.
Denis Barter Feb 2018
After seeing a Flea flee,
along with a fast fleeing Fly,
I wondered what Fleas and Flies do
if in fleeing, they flew into a flue?

Now should a fleeing Flea flee,
with a Fly that flies with flu,
does flying with a fleeing Fly,
free the fleeing Fly of the flu?

When seeing a Fly fly into a flue,
followed by a Flea with the flu
does it mean that the Fly that flew
by flying into the flue, was fleeing
from the flu or the Flea with the flu?

When a Flea and Fly are flying
is the Flea fleeing with, or flying from a Fly?  
or was the Fly that flew, fleeing from a Flea?

Or:

When a fleeing fly with the flu, flies into a flue
and a flea with the flu, is fleeing along with the fly
with the flu, into the flue, is the flea flying with
the fly with the flu, into the flue, or is it happenstance?

You tell me! A little bit of fun!

Rhymer.  February 28th. 2018.
Paul Hardwick Nov 2011
There is a fly in the room.

What is it about a fly in a room?

That makes circle the light.
To the fly, that must seam right.

The light does not have to be on.
But around and around, the fly moves on.
Like a dance or maybe a song.

What is it about a fly in a room??

Dose it see that planets spin around and around.
Or is it that the fly does not know what is ground.
For a fly can land upside down.

What is it about a fly in the room???

Little fly’s, big fly’s, they all do the same.
Look see there it goes, around again.
Seams like some sort of madness to me.

What is it about a fly in the room????

So what does the fly think.
Of it;s dizzy dance, or is it, trying to romance.
The light bulb?????

What is it about a fly in a room??????
loveless Apr 2016
I stood on the edge. I looked down from there and I saw people walk by. They looked like some dots painted on a canvas randomly with different colours using spray with a hard brush. They looked liked moving dots or I better say that they looked like moving ants. Colourful ants. I saw trees, I saw buildings, I saw greenery everywhere. For I was standing on the edge of top most building I could find.
I looked towards the sky and I saw sun in front of me. Blazing in the last light of the day. Dying slowly. Setting over the horizon.

The birds flied in the sky coloured in shades of red, orange and yellow. And on the other side of the sky, I could make out the moon up above. The birds filed in groups and you can hear them talking to each other in their languages.

All my life, I've wanted to fly. When I was kid, I used to look at birds in the sky. I used to feel envy of me for them. Envious for these creatures of freedom got what I wanted. They got the wings. I wanted to fly besides them. I used to look at the sky and think of touching me. I wanted to touch the clouds. I wanted to fly to those heights that no one touched ever. I wanted to fly to lands I haven't seen. I wanted to sleep flying in the moonlight. I used to feel the winds blowing on my face and I day dreamt of flying in those wings.

All these years I spend being the prisoner of the lands, my passion grew. It kept on growing until now, strengthening inside my heart.
Now, my passion had reached insanity.

"I want to fly" I said with my eyes closed, feeling the air around me.

A breeze blew. I could feel it. It talked to me. Like inviting me to its embrace. Asking me to spread my wings and fly.

Today I was going to fly. Even though for just some seconds before finally ending my life unless there occur a miracle and that miracle save my life. I can't wait another second of my life without flying.

I was waiting for the final call of the winds.
And the winds finally answered. They blew so fast around me. From front, from behind, from up from down. I was inside the ball of winds.
And I fell.

I was going slow at first but I could feel the air hitting on my face. My hands and my legs opened wide. I was enjoying the sensation I was having. The flow of winds past my ears and my hair. It made me alive. I felt I've loved just now. I was happy I finally got to fly before my death. The more I filed, the more I knew I became close to death. I was flying. I was falling.

Wait.

It hadn't ended yet.

I feel something on my back. It was paining me. On the back just opposite to where heart is on left side and on same counter on the right side. It was paining a lot. Like a baby in there or is shall better day two babies in there and they were trying to come out of me. I was feeling like pain women face during delivery of their child but just a problem was that I didn't had any hole inside my body to provide guidance to them. I was being ripped apart. It was a weird feeling because I was soothened by my passion of flying. I was like feeling happiness and feeling pain at the same time.

"let your wings come out, spread them and fly, fly like you've always wanted to, fly, fly fly" the sound fly kept on echoing. These words were said by the air. The winds. I heard her clear this time.

I tried to rip myself with my body using my will. And they tried to come out with all their force. I was being tore up from my back. Like an axe was used on there. And the sun had set by then. It was dead dark. And they came out. Like a baby bird hatching from its shell. Covered a bit in blood. But they were out. They were my wings. My feathered winds, as white as snow on colour but having crimson red spots on them of my blood. They were attached to me. And I flapped them with my will. I could control them like they were my hands. I flapped them hard and hard. As hard as I could.

And I began flying.
Thank you my angel for I can't have done it without you
Musicgurl97 Jan 2014
one of these days im gonna fly.
fly away from this small town with jocks who take life for granted.
fly away from the people who hurt me.
fly away from judgement.
fly away from disapproving stares at the grocery store.
fly away from my parents arguing.
fly away from my brother's drugs.
fly away from my too busy schedule.
fly away from stress, from obsession, from therapy.
fly away from all that is wrong-with me, with my family, with the world.
oh yes; one of these days you will watch this "tortured soul" fly.
and when im gliding you, i wont be flying.
ill be soaring. and all you will do is gaze, open-mouthed and amazed at the simplicity beneath my wings
Nirali Shah Feb 2014
"You are a bird,You know no bounds

you know yourself..your boundless self"

Fly high..fly far



"For you know your life is short..its now,right now..

that you live in..

you know no past to hold you back"

Fly now,Fly far....



"Go...as far as you can..

where no moment repeats itself

where adventure infects your soul

Fills you heart with living dreams"

Fly far...fly strong



"Know your strength..your limitless strength

And nourish the weak feathers back to health....

For your destiny awaits you...."

So fly now..fly high.... fly far
August 9,2011
Mark Kelley Feb 2019
“Fly Away”

Let’s fly away
To the land where dreams are real
And to be seen
Let’s fly away
To the dreams of what we feel
And what it means
Let’s fly away
To a land where time stands still
To a time where hearts are filled
Let’s fly away

Let’s fly away
From this place of darkened heart
And saddened soul
Let’s fly away
From the heart of hardened times
And heavy toll
Let’s fly away
To heal our broken bones
In our hearts and in our homes
Let’s fly away

Let’s fly away
To a land where truth breathes free
And sounds its horn
Lets’ fly away
To the truth of what’s been seen
And what is known
Let’s fly away
To sing out in the wind
With a magic heart again

Let’s fly away
Kate Mar 2015
I want to know what's it like to fly
I bet it feels great
To have that rush coursing through your veins
Followed by the high pleasure of feeling alive
I want to know whats its like to fly
To stand on the edge without hesitation
Knowing you can't go back and not wanting to either
To lean back and just fall
I want to know what it's like to fly
How just like life, everything rushes past you
In a blur of pictures missing the finer details
All within a blink of an eye
I want to know what's it like to fly
Opening my wings for the first and final time
Like a bird getting pushed out of a nest
I too will fall without fear
I want to know what's it like to fly
Being disconnect from the earth
That you came out of
And the body you grew to hate
I want to know what's it like to fly
No I won't soar but sink
Dropping like an anchor made of steel
Faster and faster and faster
I want to know what's it like to fly
But we were created with two hands and feet
Feet for stomping a pond the ground
And hands for doing horrible remarkable things
I want to know what's it like to fly
My feet lean back into nothingness
All my troubles vanish into happiness
No more, for I am weightless
I hit the concrete
I want to know what's it like to fly
To fly is to be free
Dr Strange May 2015
Fly little birdy fly
Soar high
Look cool in the sky
Fly little birdy fly

Fly little birdy fly
Don't die
Live free for you and I
Fly little birdy fly

Sing little birdy sing
Don't stop
Fulfill your dream
Sing little birdy sing

Sing little birdy sing
Sing because you're free
And because you can
Sing little birdy sing

Smile little birdy smile
For it's gonna be okay
You'll change the world one of these days
Smile little birdy smile

Fly little birdy fly
Fly as you sing
Fly as you smile
Fly little birdy fly
You’d like if I was a rock,
You want me to act all hard
Not capable of shock,
Stable, strong, and without scars

I’m not that heavy
I’m not even tethered
To the ground beneath my feet
Instead I fly like a feather

Fly like a feather,
Up in the sky
Falling victim to the weather
Yeah all day and night, I fly like a feather
Fly like a feather

We all get caught up
In various places
Wearing various faces
Inside various races
Racing to the day
When we finally come face to face
With what we want until we have it
And we wear it as a bracelet
But once you get the bracelet,
Soon you’ll want the necklace
And soon you’ll have a checklist
And soon you’ll go out reckless
And drop all that you have
Until you get the cracked message
That your enemies are headless
Fallen victim to your leverage.
Can I get a beverage?
I’m way too thirsty
I’m a feather in a whirlwind
And all of this wind is whirling
I don’t know what I want
And I want what I can’t control
And I’m admitting it, for once,
That I have many shallow goals
And all of my real goals
Don’t really reach to my soul
I have this beautiful life I stole
Smiling faces, honor role,
But when I’m faced with a storm
Of someone whose wonder I can’t code
Then my mind short circuits
And it’s stuck on flying and rolling

Like a feather
Up in the sky
Falling victim to the weather
Yeah all day and all night, I fly like a feather
Like a feather

What everybody wants from me,
Would that make my life so much better?
Should I try to soak up some water
To make myself a bit wetter
So I can shiver and die
In this cold harsh reality
Instead of daring to keep flying
To keep everyone else without me?
I’m doubting my reasons
My instinctive seasons
That command, keep marching
That command keep bleeding
Out your heart, mind, and soul
Even though it’s so shallow
But sometimes shallow runs deep
When your mind stuck in the shadow
Of your dreams, dreams manipulated by hormones
I’m stuck in fantasies of wanting to not be alone
But there’s attraction involved
And my problem is not solved
Should I go for what I want
Or leave this issue unresolved?
Well, I tried pursuing girls, twice I succeeded
But to sum it up mildly,
My progress was deleted
And my good intentions,
Well, those were defeated
And I got what I deserved
Because I’m chuck full of weakness.
Dreamless, I moved back to isolation
Where I was told how to act
And told to just be patient
But I’m not a monk
And I’m not yet muted
So when I meet a cute girl
My final thesis is proven,

I just fly like a feather
Up in the sky
Falling victim to the weather
Yeah, all day and all night I fly like a feather
I fly like a light feather

What’s better,
Acting normal until you and me are together
Or expressing myself explicitly and making you not get hurt
By showing you how I’m thirsty
Sending texts and writing letters?
Let me know what you prefer
Don’t make this choice subjective.
I’m in your storm, I’m moved by your beauty
It’s the rain and the wind,
The appearance and intelligence
I want this and I turn you away
I can’t escape, I love every day
In my mind there’s nothing,
But there’s so much to say
I don’t think when you fly me,
You just whisk me away
And I’m never worried here
In this storm, this blessing,
Why are my words smart?
Why are my words jesting?
Is this manipulation,
Am I treating you right?
Can I ask more questions
Is this the day before the night?
Is this the light to the dark,
The storm before the calmness
Of the upcoming loneliness
I’ll feel when you don’t return my call?
When your storm stops and never comes again at all?
Well, like, I said, I might want to be a stone,
So once your storm’s done, fine,
I’ll be a feather alone
Until again I’m a feather blown
So light, so free,
So without any control
This is all I’ll ever be!

I fly like a feather
Up in the sky
Falling victim to the weather
All day and all night I fly like a feather
Fly like a feather

I wish we could be together
Up in the sky
Having love, making weather
All day and all night, whether wrong or whether right,
I fly like a feather
Emerald Sapani Dec 2013
FLY
I once knew a girl called fly
A magical girl
One that could fly high,
Higher than the clouds,
Higher than the moon,
Higher than the planets,
Higher than the glazing sun,
Even higher than the highest things ,
Thoughts thoughts millions of them,
You'd be surprised to see all of them floating around you,
But when fly flew through the wondrous clouds,
Bunches of foamy fluffed shapes formed like candy floss,
Up until the highest thoughts,
From Tazmanian clouds to words on the page of a book,
fly died that day,
she never returned home,
her family was sick of worry,
years later her mother followed her little fly in death,
Her father and little brother Miikey, lived for a while but soon Miikey got stabbed with an axe by accident by an old man in the forrest chopping trees,
fly's father was the only one left, he soon died of old age at the age of 106,
soon enough people started to talk about fly's family,
thy said wow look at that kite fly,
fly was proud of that,
and now from this day people talk about fly,
some even say if you sit on the top of the highet hill in high vally on the night the moon is full and at i's highest point you may see a glimps of fly flying through the dead winter night  sky.
Requested a flying poem from my amazing,loving,beautiful,intelligent and kind older sis.
Yanamari Apr 2016
I spread my wings to fly,
Singing to fly,
Wishing to fly,
To be free of imprisonment,
Free of this environment.

I spread my wings to fly,
Beginning to fly,
Grinning to fly,
Hoping for a new world,
A new world of hope.

I spread my wings to fly,
To fly up and high,
Not feeling a sigh,
Escaping my lips.
Not thinking this was another painted fib.

I spread my wings to fly,
Now realising the true colours of the sky,
A beautiful elegant blue,
Not just full of life,
But full of stinging frosts and shrieking swords...

I spread my wings to fly,
But am I really flying?
Am I really flying if I am as I was before?
I spread my wings to fly,
But in reality... I never even left the earth.
A C Leuavacant Aug 2014
In the beginning the grass had died of embarrassment
The rain had dishonoured him
And eventually stopped pouring
after hearing the tale of it's demise
the flowers and their friends had decided that it was not safe where they sat anymore  

they hatched a daring plan
That would lead them far away
they would run away by moonlight
Then set off towards the northern star

The plan was thick and well thought out
But when it came closer to the time
They realised it was full of flaws
As they hadn't any legs to run upon

And soon the sun started singing again
And they did meet with their sad end
Soon they were just a lonely pile of dust upon the ground
Where once children had ran and kites wandered high
Now loneliness beckoned and the unknown lurked around every corner

The two biggest sandstorms in the land had had a disagreement
For one had claimed that dusty spot to start a family for his own
The other had prioritised a centre for his own defence
  
After a long and gruesome battle
Each had killed the other
They lay to rest amongst the dust where once the grass had grown tall
Now nothing grew
just more sand In a prison of freedom

Several years later the calm was disturbed by a figure
A man who had found himself in a terrible way
For reasons that are best unsaid
Time had caught up with him at last
Marked with the six gunshot wounds which rested on his chest
he had managed to fled for his final hour in peace

sand and dust floated past his head
It clattered and clinked as the wind slapped his dying face
Any breath could be his last
A speck of blood on the tattered sand
a mark of his final place of rest.

'Only a matter of time'
Thought the fly
As he followed the dying life to his knees
For he had long since excepted the fact
That the only thing death meant for him was a full stomach
It was the sick cycle of life

The dusty wind brought tumbleweeds
and a few moe grains of sand
The fly perched high
watched as life escaped the lonely figure  
On the ground, he might as well have been sand
For all the good it would do

Flying down like an underestimated dragon
The fly landed on the tip of the man's nose and surveyed the scene
'What a sad day
to have such great happiness'
Thought the fly with a tear arriving at his eye

Before long a noise was heard up above
A swoop and a stamp
A shriek from on top of the fly's tiny head
And the Buzzard landed on the other side of the corpse
Quick and to the point

What a terrifying sight the Mighty bird was to the fly!
For he had been unaware that such monsters lurked so near
But the fly did not think to run away
He was better than that for sure

The Buzzard had began to feast
On bits of flesh that had been left
The fly approached him and cleared his throat
The Bird stopped and looked down at the tiny speck of black
And after a booming laugh
He opened his beak

The two sat upon the man
Each with itself in gravest mind
For each did treasure their families
And wished to make cruel gain of the tragedy

Eventually the mighty bird acted
He was pleased by the death
And believed that what the desert offered was worth fighting for

The fly however was humble
He could see the sadness attached to the sight
And as both of them sat upon the greatest and worst part of each of their days
They stared into each other's eyes
And in that moment they both understood

They both took a glance at the disaster and both flew away in different directions
Leaving the man quite alone
Alone and peaceful

The rain had been watching the two creatures
decided that too many lessons had been learned from it's absence
And before long the grass and flowers had rose again

A few days later the fly was swallowed by rich bullfrog
Who forgot to wash him down
The Buzzard headed north and was met by a boys claim to manhood

In the end the grass did sing with delight at being home once again  
And all this time never did anyone stir from their beds
They might as well have been dead
I've been writing this for a few days and can't seem to get it quite as I want it to be. I still consider it a work in progress.

— The End —