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"flamenco" poems
Flamingo high, flamingo low, when flamingo stretchy-leggy, then flamingo grow. Cheeky beaking, shifty sifting, lifting up a flipper; notty neck and naughty pecks, while dancing with a kipper. Flaming heck and flaming Oh! Flaming flamingularonimo! I tango and flamenco and I imitate a swan, but this winking pink flamingo's blinking going going gone.
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Sep 22, 2011
Sep 22, 2011 at 11:28 AM UTC
Flamingoing
This poem is composed by: a Nonet, a Kyrielle Sonnet, a Free verse part, a Terzanelle and another Free verse part: In a juerga there’s nothing around But voices, flamenco guitars , Dancing bodies in moonlight, Vibrant gypsy dresses, Passion, obsessions, Bullfighter’s blades, Silk shawls, Dancers, Capes. Old men have faces scorched and cracked, Flamenco women to attract, Like barks of olive trees in night. Shirts dazzle white in the moonlight. Girls have boot heels and huge roses, Men clench their teeth , step opposes, Hands clap and shout in a dance fight, Shirts dazzle white in the moonlight. Guitars are beaten at high speeds, Castanets scratch the music’s seeds, Rhythmic fingers snap air to bite, Shirts dazzle white in the moonlight. Old men have faces scorched and cracked, Shirts dazzle white in the moonlight. Hands becoming wings In their shadows on the wall, Red becoming black and Black becoming white, Motion vibrating the guitar's string, Cubic movements of colors, In their dance , Shadowy wings becoming scarfs, Flamenco woman arching her body, Showing her passion… From the soul to dissolve The dancing sounds detach From the soul to dissolve When the movement they catch, They may change all around, The dancing sounds detach. Drums and tambourines’ sound, Exotic wrists and swirls, They may change all around. The weightless grace makes girls Steal treasures from the air, Exotic wrists and swirls. With beautiful black hair, Rise like birds , fall like leaves. Steal treasures from the air, Having tricks up their sleeves, From the soul to dissolve, Rise like birds ,fall like leaves From the soul to dissolve. Spicy slippery steps Waiting for a clue, Picking up portions of pink Of hyper-femininity , Overflowing screwy sounds In heavy red chromesthesia, Morphing themselves into glamorous , Red feminine movements, Men looking like marble statues being alive, Seemingly cracking. Slowly diminishing their dancing rhythm, Steps sickling sweet sounds To hear the horn of some lost happiness.
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Jun 5, 2012
Jun 5, 2012 at 4:36 PM UTC
THE FLAMENCO DANCE (Complex Poetic Form)
This poem is composed by: a Nonet, a Kyrielle Sonnet, a Free verse part, a Terzanelle and another Free verse part: In a juerga there’s nothing around But voices, flamenco guitars , Dancing bodies in moonlight, Vibrant gypsy dresses, Passion, obsessions, Bullfighter’s blades, Silk shawls, Dancers, Capes. Old men have faces scorched and cracked, Flamenco women to attract, Like barks of olive trees in night. Shirts dazzle white in the moonlight. Girls have boot heels and huge roses, Men clench their teeth , step opposes, Hands clap and shout in a dance fight, Shirts dazzle white in the moonlight. Guitars are beaten at high speeds, Castanets scratch the music’s seeds, Rhythmic fingers snap air to bite, Shirts dazzle white in the moonlight. Old men have faces scorched and cracked, Shirts dazzle white in the moonlight. Hands becoming wings In their shadows on the wall, Red becoming black and Black becoming white, Motion vibrating the guitar's string, Cubic movements of colors, In their dance , Shadowy wings becoming scarfs, Flamenco woman arching her body, Showing her passion… From the soul to dissolve The dancing sounds detach From the soul to dissolve When the movement they catch, They may change all around, The dancing sounds detach. Drums and tambourines’ sound, Exotic wrists and swirls, They may change all around. The weightless grace makes girls Steal treasures from the air, Exotic wrists and swirls. With beautiful black hair, Rise like birds , fall like leaves. Steal treasures from the air, Having tricks up their sleeves, From the soul to dissolve, Rise like birds ,fall like leaves From the soul to dissolve. Spicy slippery steps Waiting for a clue, Picking up portions of pink Of hyper-femininity , Overflowing screwy sounds In heavy red chromesthesia, Morphing themselves into glamorous , Red feminine movements, Men looking like marble statues being alive, Seemingly cracking. Slowly diminishing their dancing rhythm, Steps sickling sweet sounds To hear the horn of some lost happiness.
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66
I wanna dance the mambo,the cubin cuba mambo, I wanna dance the cha cha,hips movement with the cha cha! or maybe try the salsa, deep ,sensual, is the salsa. I wanna dance the samba,the fun brazilian samba, or maybe the lambada,brazilian hot lambada! My favourite s' the tango,intense ****** tango, Lost in the  flamenco,ardent spanish flamenco. May even try the polka,high energy in polka, the Czech bohemian polka! I wanna go and party,good time ,dancing the rumba, latino americano,cubano, africano. I wanna do the hip hop,hip hop,hip hop,don't stop. Dance reign  in the ballroom, as I dance the Ball Room,under and above, With you ,I dance my last dance,the classic dance of love. Are you ready partner ?
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Nov 9, 2010
Nov 9, 2010 at 2:54 AM UTC
Cabaret Show (Shall we dance ?)
flat at flake lake flame lame flamenco cool flamingo goof flapped lapped flayed layed flavor vortex flannel electricity flag lag flash lash flaxen axen flab lab flail ail flattering ring flaw law flair air
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Mar 16, 2014
Mar 16, 2014 at 11:40 AM UTC
Fa (sol) La
She never made it To Morocco Rode ’cross the desert With her Bedouin lover Shopped for bargains In the Souks of Rabat Sipped mint tea From a frosted glass. She never went sailing In a catamaran And on a moonlit beach Made love in the sand Or drank espresso In a café in Lima Or danced the flamenco In Puerto Rico. She married a man Cause no one else offered Had three kids And moved to the suburbs Wrapped up her dreams In brown butcher paper Tied them with twine And shelved them for later . She never made it To Morocco Her life was four walls Plastered in stucco And she sighed as she thought Of the things that she lost The dreams that she wrapped And shelved in the past.
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Nov 15, 2011
Nov 15, 2011 at 9:32 PM UTC
Lucy Jordans Daughter
red tile roof ... whitewash balcony in romanesque cemicircle , fridge full 'f                         1 litro bottles Alhambra cerveza -- clawfoot tub, coldwater (couture) $1000/week: (i could live on that) lucky strike spirals in spanish summer, bare feet on the railing upturned to sun beaming on pearly albayzin of granada. afternoon mojitos with a new woman ev'ry week. (reading magazines) spend 75 drunk nights ( reading ,   smoking ,   swilling gin ) & typewriter whirring out pages (underwood airbus laissez-faire) flamenco on a record player back in the house one of those spanish girls slipping off a white dress (which falls like a soft breath of cloud down to the ground and sits there still as death) as she gets into the jacuzzi. & spend 75 high days throwing change into fountains, hand up skirt of my carmen-du-jour. climb drydust hills with guinness tallcans in plastic borsa drinking dark beauties as golden orb hung in clouds keeps on grinning heatwaves. (feelin' like maybe perhaps possibly i be free)
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Jul 15, 2012
Jul 15, 2012 at 3:44 PM UTC
dream 162 / tres meses
Scandinavian movies Bring a lot of fog in my life. My life is so foggy My dreams are  groggy.. Elvira Madigan looks at him While he is shaving… Scandinavian movies I like to watch them. They stop this crazy Flamenco That my heart dances They bring the coldness of Fjords in it. Doctor Glas reads the verdict: “This is a chronic disease Underneath her soul is sinful grease Darkness blackness, the lack of light She is so tired to fight So tired to fight. She loves There is no cure yet She is a liar Her love is not pure Her life is dirt, distilled sin She is so tired to fight She won’t ever win.” Elvira Madigan kisses her lover I am imagining I am kissing you Elvira Madigan leans forward, kisses him He still has a blade in his hand, He unclamps the vessel with his desires, He unclamps his hand The blade falls off This is so dangerous Like …..Love. Scandinavian movies I like to watch them.
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Feb 12, 2015
Feb 12, 2015 at 6:11 PM UTC
Scandinavian movies
A juerga with flamenco guitars, With fires blooming like red flowers, Corpses dancing in moonlight The dance of wounded souls, Vibrant red dresses White shirts like birds, Falling shawls, Dancers, Sky, Claps, Cubic Movements of Color, music's Seeds, hands being wings In shadows on the wall, From soul detaching passion's Lights, motion vibrating the string, Resonance for a new dimension.
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Oct 24, 2012
Oct 24, 2012 at 8:11 PM UTC
Flamenco Dance (Mirrored Nonet)
While My Guitar Gently Sleeps boogie woogie is on my mind my toe tapping a thousand times slapping snare and top hat crash back to sleep dreamy night fade away is it a festival of jazz marching by raz-ma-taz New Orleans style clarinet and trumpet and tuba blow blind melon singing do-dah do-dah-day Latin fever makes me thrash trying to remember the tricky steps the cha-cha of the island girls watching how the shapely hips sway Spanish marimba mambo twist taps clacking as the flamenco flies big box acoustic cat gut strings fingers twitching wanting to play square dance cowgirls and dudes strut thumbs in their pockets stomping boots fiddles and steel race through my heart gonna do it all do it all someday roll over and change the world another day dreamy night fade away once again screaming guitars in triple tones while my guitar gently sleeps away Gomer LePoet...
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May 22, 2013
May 22, 2013 at 3:45 PM UTC
While My Guitar Gently Sleeps
Lady of dance so eloquent, Flamenco born from her wombs' true intent, Castanets clatter, as tambourine rattles, with excitement, accrued within whirls, she prances and dances within circles, all flashing, to reach her prince charming, was truly so dashing, her hair rolled up in a tight fitting bun, As she swirled up to reach her finale, twas said, she was here no longer, she was truly dead, she deceased many years, hence past, For every so often her vengeance she cast, Prince so vain, found another sweet lover, left her alone with her pain, left her mark on the spot, where her true love stopped, Gave her no attention, well too little to mention, took her life with such a harsh knot, when the moon is bright, on one sorrowful night, She'd appear to dance for the crowds, The watchers looked on, not terrified, by the sight of the tragic flamenco bride! Copywrite, Olivia Kent 24/03/2013.
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Aug 25, 2013
Aug 25, 2013 at 12:10 PM UTC
The Flamenco Bride!
I remember when you donned -your polka-dot dress And danced the flamenco Such pretty and delicate hands -the men who play guitar Who played flamenco You are suddenly young again -the older boys gather And you dance flamenco
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Mar 16, 2015
Mar 16, 2015 at 5:47 PM UTC
My Old Friend From Spain
Her quickly flicking      heels and hands Her fan it flutters--      Dancing. A silk-swift turn,     with graceful place Of foot, and wrist,     and hand, to face. With movements slow,      then sudden dip An open fan       with subtle flick. Her eyes, alone,         hot glittering pits. One glance enough           to sear your wits. Fast stop, twist-turn      for flicked-up skirt, Her movements close--        Coquettish. Arms thrown aloft,   hard-panting sigh. Thrown roses then-- she's finished.
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Oct 6, 2010
Oct 6, 2010 at 1:09 PM UTC
Flamenco
You are the fragrance of dark coffee. You're slow jazz and flamenco guitar -- depending on the weather. You're the sweet smell that happens after it rains; and the soft pitter-patter of the rain that sings me to sleep -- You're that too. And the caffeine and the lost jazz musician and the cold rain hitting his face as he walks home to the song of a memory and the smell of rain on brick -- almost sounds romantic, doesn't it? You make my world romantic. And not in the lovey-dovey sense of the word, not just that. Romance as in the knight who seeks great treasure, Mark Twain in his steamboat down the Mississippi, The old sailor who sails the seas just for the constant surprise of just how beautiful the world is -- Romance as in adventure. And you make me feel like the best kind of music, And you make my  heart beat faster than caffeine, And you make me feel as beautiful as when the moonlight shimmer against the dark clouds and it looks more exquisite than anything Van Gogh did. And you -- You're more handsome than a starry night, Better than the smell of good coffee, more than any prior fabrication I'd ever had of "perfect--" And I love you. More than the smell of rain on brick.
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Apr 14, 2013
Apr 14, 2013 at 3:10 PM UTC
To Him on Valentine's Day
You are the pure soul of 5 year old girl awed by the infinity of the starry sky. You are the poetry that I humbly try to translate into words. The scent of your neck intoxicating my senses, The bad girl tempting one to sin the sweetest sin of all. The magic number of our passion, old Chinese symbol that finally reveals its truth. Sweet flirt and ***** thoughts, Eyes and eyelashes, The fear of my fears. A forest baby doe scared and confused in the jungle noise of animal screams, The idol in my dreams     My thoughts are like butterflies landing on your ******* your neck, your back, fluttering up and settling on the bottom of your tattoo, crawling below… the texture of your soft skin and the hairs on your legs standing on their end.     You are the Flamenco music that I can’t listen to anymore, the guttural songs linking us to our primal ancestors, drums and clapping like the whole world applauding for you and me. The love chart that tells it all.     The day you held my hand, in front of fifteen hundred people, And the most beautiful scene, alone in the cinema stall, touching an irresistible image imprinted in your mind.   Transparent lies that make me smile, temptations away, the love that we seek where we can’t find it – sweet irony of life.   You are the punishment you beg for being a bad girl, Your risks, masochistic game that makes you feel alive, a life feeling like running fingers through hot coals.   Your unrestrained dialogue with your sub-conscious, painful and rich, open window into your soul for the magician to read it.   The power outside me and you that has connected loose threads of our hearts, the Yin and Yang clashing and meshing like two birds becoming one. You, wild beast unafraid to devour yourself and your pray at the same time, fearless, insane, addictive.   The dream of holding hands.    February 2, 2013
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Aug 26, 2023
Aug 26, 2023 at 11:15 AM UTC
Twenty-three portraits I painted of you
You are the pure soul of 5 year old girl awed by the infinity of the starry sky. You are the poetry that I humbly try to translate into words. The scent of your neck intoxicating my senses, The bad girl tempting one to sin the sweetest sin of all. The magic number of our passion, old Chinese symbol that finally reveals its truth. Sweet flirt and ***** thoughts, Eyes and eyelashes, The fear of my fears. A forest baby doe scared and confused in the jungle noise of animal screams, The idol in my dreams     My thoughts are like butterflies landing on your ******* your neck, your back, fluttering up and settling on the bottom of your tattoo, crawling below… the texture of your soft skin and the hairs on your legs standing on their end.     You are the Flamenco music that I can’t listen to anymore, the guttural songs linking us to our primal ancestors, drums and clapping like the whole world applauding for you and me. The love chart that tells it all.     The day you held my hand, in front of fifteen hundred people, And the most beautiful scene, alone in the cinema stall, touching an irresistible image imprinted in your mind.   Transparent lies that make me smile, temptations away, the love that we seek where we can’t find it – sweet irony of life.   You are the punishment you beg for being a bad girl, Your risks, masochistic game that makes you feel alive, a life feeling like running fingers through hot coals.   Your unrestrained dialogue with your sub-conscious, painful and rich, open window into your soul for the magician to read it.   The power outside me and you that has connected loose threads of our hearts, the Yin and Yang clashing and meshing like two birds becoming one. You, wild beast unafraid to devour yourself and your pray at the same time, fearless, insane, addictive.   The dream of holding hands.    February 2, 2013
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I am the red ripe apple  of the sinful tree the honey suckle of the bumble bee the pink blushed  rose of the secret garden the stubborn spoilt lass never in pardon the youngest daughter of the shining sun the castle dream girl in  sands of fun the jealous lover of the crescent moon the blowing wind in a strong monsoon the first white swan in the silver lake the seizmic tremor of  a hot earthquake the scarlet love bird on each window pane the falling tear drop of  clear crystal rain the candle's flicker of each passionate flame the  mystery madam,mademoiselle or dame? the  copper butterfly in each serene meadow the Sunday's church girl in snow flake's shadow the brown eyed maiden of  the deep blue seas the pretty woman of ripe strawberries the old fashioned  girl in sweet proposal the gold  stringed harp in music's motion the colored smile on a rainbow's face the flamenco dancer  covered with  lace the little mermaid in pirates'streams the wafting wave in  glittered dreams the twinkling star of black silk skies the little lantern  light of fire-flies the Cindirella in glass slippers the happy verse of each romance the soft wind's voice in a whispered breeze the wood wind chime in sweet melodies the Wishing feather of a free  white dove the veiled young lady in the power of love.
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Nov 8, 2010
Nov 8, 2010 at 3:26 AM UTC
* WHO AM i ?*
She was eighteen, He was Twenty-three, With an old brown Ford And a smile in the trees. And with his smile came light, The kind that appears in early Spring, In the morning, and only when You’re Twenty-three. She wore this black Flamenco dress, Everyday, and, if I remember correctly, That was some dress… Tight from blade to knee, And billowing from the back, Begging for every young man to see. It’s skirt, when she twirled, could cover a camera, Mute the sound, Get attention from all over town. But what she saw was, in all her spinning beauty, His tree-tall grin, And it took her in, To that desperately sought-out end of a quest, Where mothers held their daughters against their ******* It was love, perhaps too young, But it was love, It was, It was. He’s a good man!, she’d always fight, Left home, one time, in the middle of the night. Seventeen, too handsome for his own daring good, That dark-eyed boy and his Redwood-smile Hopped a south-bound train, And he looked back, like in some old movie: Cue the Angry sky, the loneliness, the pouring rain. He needed to move along, and he had a feeling, In every sense, that he would; You know, chalk it up to that daring good. Well, child? Well, what? *Well, is that enough? What happens when he’s twenty-four? Is it you, for which he’ll walk the floor, Or leave home, one time, in the middle of the night? For seventeen, still handsome, still free, Is not so different, child, from twenty-three…* But it was love, perhaps too young, But it was love, It was, It was. And Mama, he can dance, Please remember that! What was it that drew you, Like some artist’s red line, All those years ago, To some twenty-something, With hair like a wheat field and eyes like the sun- In your prime, and also in his, It wasn’t sin, but something drew you to him. His hard work, his humor, his wit- Mama said, and stopped. And the way his leather soles spoke, In circles and crooked lines- When the light began to shine, They’d whirl and sway, Every time some guitar played. Whenever the word “no” she’d been told, Mama rushed for him to hold.
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Oct 18, 2012
Oct 18, 2012 at 4:53 PM UTC
Of Trees, and Smiles, and Dresses, and Things.
She was eighteen, He was Twenty-three, With an old brown Ford And a smile in the trees. And with his smile came light, The kind that appears in early Spring, In the morning, and only when You’re Twenty-three. She wore this black Flamenco dress, Everyday, and, if I remember correctly, That was some dress… Tight from blade to knee, And billowing from the back, Begging for every young man to see. It’s skirt, when she twirled, could cover a camera, Mute the sound, Get attention from all over town. But what she saw was, in all her spinning beauty, His tree-tall grin, And it took her in, To that desperately sought-out end of a quest, Where mothers held their daughters against their ******* It was love, perhaps too young, But it was love, It was, It was. He’s a good man!, she’d always fight, Left home, one time, in the middle of the night. Seventeen, too handsome for his own daring good, That dark-eyed boy and his Redwood-smile Hopped a south-bound train, And he looked back, like in some old movie: Cue the Angry sky, the loneliness, the pouring rain. He needed to move along, and he had a feeling, In every sense, that he would; You know, chalk it up to that daring good. Well, child? Well, what? *Well, is that enough? What happens when he’s twenty-four? Is it you, for which he’ll walk the floor, Or leave home, one time, in the middle of the night? For seventeen, still handsome, still free, Is not so different, child, from twenty-three…* But it was love, perhaps too young, But it was love, It was, It was. And Mama, he can dance, Please remember that! What was it that drew you, Like some artist’s red line, All those years ago, To some twenty-something, With hair like a wheat field and eyes like the sun- In your prime, and also in his, It wasn’t sin, but something drew you to him. His hard work, his humor, his wit- Mama said, and stopped. And the way his leather soles spoke, In circles and crooked lines- When the light began to shine, They’d whirl and sway, Every time some guitar played. Whenever the word “no” she’d been told, Mama rushed for him to hold.
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66
My living disposition leads me to assert that I am not dead! Yet, my silence screams ancient transcriptions across geographical contour lines which are considered to be far removed from the metaphorical grid of contemporary societal norms, where the seductions of the vampyre and her haunting dynamics cast their eerie spells within this captivating fishbowl of galloping horses. The Prince of Wallachia is able to explain. Let us converse with The Count. Whenever there is emphasis upon specific detail in this age of certain vanity, I find that, in 1456, I am truly bereft of valedictorian and flamenco odours, because this royal prince of acoustic arrangement has generated a harmonious expression which humbly corrects my intrapersonal assumptions across the mountainous regions of Transylvania. Conflict resolution is therefore a mere figment of sociological and anthropological constructs, which fornicate with the façade of egocentrism and fabricates vain attempts to maintain social elitism within a blanket of darkness. How do we find ourselves in the position of being so diametrically opposed to reality?
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Dec 11, 2015
Dec 11, 2015 at 12:47 AM UTC
Freedom of Speech
I was born for Nebraska I was born for the Massif Central I was born for the mountain top shrine with nothing but the music of nature to distract me I was born for the weekly news on some sleepy island in the Pacific I was born for Covent Garden The Pangea of Culture New Orleans trumpets; the flamenco player twisting lime into his drink I was born for the cotton fields I was born for the salt marsh for the tug-boat all out of fresh water I was born for the Ganges I was born in the shadow of the Hajj I was born for the G-dless land of Death Valley the streets of Harlem I was born into the spirit of old Afghanistan I was born on the false strings of liberated women- I was born on a stage of puppets a backdrop of Glaswegian tenements or of fjords unvisited beside Scandinavian seas I was born for Rugby Cement I was born to be fixed in place This wandering mind These restless legs I was born with a travelling soul in a town where I can barely walk
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Aug 19, 2015
Aug 19, 2015 at 8:52 PM UTC
Born.
The first wind calls a coolness to wait around the tips of ears, tickling and teasing away like zephyr in the air with child-like wisps. The second wind is married with specs of dust like ants in a pool of honey. Jealous clouds follow like a thick coat holding warmth from us. The third wind brings a bleak— ness. A flamenco show in the air now is performed by specs of sickness—twirling—vomit—coughing—death. The fourth wind is a mistress caught less tepid; throwing trees; swinging tall buildings like spiked morningstars and taking away the song. The fifth wind shivers hard against the glass air; howls, then shakes, then breaks the sky into momentary cracks of white fire. The sixth wind sheds misery from between the dirt and the celestial shroud into little vials, then freezes them for a short while. The seventh wind showers the earth in a shifting of silence and still sympathy and Within the storm a small hummingbird twists with the sky.
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Jan 31, 2013
Jan 31, 2013 at 11:33 AM UTC
Winter
The skin at the bed of her nails shone, tight. Forever healing, windows that rattle With the changing of her moods. Love was a locket, an heirloom That insisted its presence Upon her bedside table. She could turn out every light And it would still be there. Steady metronome, Lifeless thud, Invasive thought. The carpet gathered artefacts from late night walks. Bad habits clung to the walls. No pillow talk, only muffled strings, Failed symphonies, Conversations three years old: Memories that play Chinese whispers Across the faces in the ceiling. Irregularity of breath, Sleep comes, clothed in Zopiclone; A mind that never rests. Narcosis in the morning, Nausea over dried toast, Sweet flamenco on the radio, But there is nothing to calm her bones. The red wine cast last night’s shadow, Hollow in the eyes, first hit of daylight, First hit of nicotine To prove she is still alive. Anxiety: the ball and chain, Always dragging her behind. Living as a ghost, The people at the bus-stop stare, The traffic, the signs, the passers-by, The doldrums in the headlines, The rain upon her window; The heart attack and vine. Prescription pills in the afternoon To get her through the day, Until she can get her fix, Have her fill, And finally hide away. The high-street parade comes alive after dark, Lanterns on the lake, the fish-bowl Of a small town, familiar tongues that roll; Memorised anecdotes across the ashtray, The lipstick on her teeth. Clumsy in victory, each stumble confined To look as if she has walked through life Without ever missing a stride. There is nowhere to breathe But in the solitude of her insanity. She paints the walls To the colours of her moods: Grey in the long, long winter, Blue in the onset of June.
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May 22, 2016
May 22, 2016 at 7:02 PM UTC
June
The skin at the bed of her nails shone, tight. Forever healing, windows that rattle With the changing of her moods. Love was a locket, an heirloom That insisted its presence Upon her bedside table. She could turn out every light And it would still be there. Steady metronome, Lifeless thud, Invasive thought. The carpet gathered artefacts from late night walks. Bad habits clung to the walls. No pillow talk, only muffled strings, Failed symphonies, Conversations three years old: Memories that play Chinese whispers Across the faces in the ceiling. Irregularity of breath, Sleep comes, clothed in Zopiclone; A mind that never rests. Narcosis in the morning, Nausea over dried toast, Sweet flamenco on the radio, But there is nothing to calm her bones. The red wine cast last night’s shadow, Hollow in the eyes, first hit of daylight, First hit of nicotine To prove she is still alive. Anxiety: the ball and chain, Always dragging her behind. Living as a ghost, The people at the bus-stop stare, The traffic, the signs, the passers-by, The doldrums in the headlines, The rain upon her window; The heart attack and vine. Prescription pills in the afternoon To get her through the day, Until she can get her fix, Have her fill, And finally hide away. The high-street parade comes alive after dark, Lanterns on the lake, the fish-bowl Of a small town, familiar tongues that roll; Memorised anecdotes across the ashtray, The lipstick on her teeth. Clumsy in victory, each stumble confined To look as if she has walked through life Without ever missing a stride. There is nowhere to breathe But in the solitude of her insanity. She paints the walls To the colours of her moods: Grey in the long, long winter, Blue in the onset of June.
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56
*Intricately laid by a master mason centuries ago, the cobbles have become shiny and worn through use. If we listen closely at the  echoes contained within, what would we hear? The din of old, the clatter of hooves, the patois of tradesmen, the fisher wives bellows? Or, just life as it was, moving along at a pace we today find slow? The sun beats down on the Spanish stone, firing them hot and languid, pace has slowed, need has slowed, greed has slowed. Dusty cobbles leading to cool houses, siesta has called and all obey. The midday sun beats down, only tourists looking for quaint shops remain, decrying the heat, ready to swoon. Sweat drips onto the dusty cobbles, and is soon boiled away. Blood has dripped on these cobbles, human and beasts. Only to be scrubbed by the crow black crones that sit and watch the day. Afternoon lull, boats bobbing slowly up and down, babies rocked by a quiet lullaby. The sun lowers bathing the cobbles in a pink, orange glow, quiet now, Spain is sleeping, forgetting her past, the Moors are long gone, the Armada been and gone, bullfights are frowned upon, their Kings and Dictator laid to rest, only foolish tourists throng the dusty cobbles, oblivious to their history, looking for that awful gift. Spain's pain is echoed in her cobbles, few hear it, but know this, if you listen you'll hear the heat, the pain, civil war, pride and flamenco feet*.
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Jul 3, 2014
Jul 3, 2014 at 10:55 AM UTC
Dusty cobblestones
People wobbling in the heat haze like a real time hall of mirrors Street performers sing & flamenco & mime The snap of digital cameras & excited chatter outside the cathedral Sangria cold & fruity as it slides down easily The tram glides past the beggars & hawkers Gypsies’ curses in coarse andalucian as rosemary favours are repelled Excited Asians watching every move Large Americans loudly exclaiming their delight as the light fades into dusk Now the Feria comes alive all lights & ferris wheels & music so much music Men on horseback women ride sidesaddle all in traditional dress A throwback to a time before bailouts & austerity Sing & Dance & Eat & laugh & joke As dusk becomes evening the ottoman turrets light up The cooler night air seems to remove inhibitions as people from different worlds celebrate humanity with cheers & smiles Muchos Gracias & Bueno & Buena Noches in various accents fill the night as the spell is broken
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May 15, 2014
May 15, 2014 at 10:05 AM UTC
Sangria In Sevilla
The grace in the way things move feels like the fibers of a mantilla veil until the wind blows and turns grace to something worthy of fear. I've got everything going and they're all wondering if I'm coming along but all I want is to keep going my own way even when I'm a little lost in deciding what really is my own. I've got the veil I've always had happy to know I had much more beneath than beyond but I think he proved me wrong. The trouble with going and still going strong is that I do it best when he's gone. I know what I want isn't the best thing but I want it just the same nobody could blame me either way. Now the wind's blowing and blowing embers burning my veil clean away. I'm finding all I hid was worth something to someone besides me and now that I'm happy to be alone they all want a piece. Content beneath my mantilla watching the best and the worst inch by I had no Holy Week and kept no days holy but my own. Burnt to the scalp I'm learning to dance without the skirts and shawls that made holy what I thought it had to be. Fear driving my fingers to Flamenco twists and my feet to wind-blown flames I've got nothing to lose because the worst is mine to claim and the best isn't coming but going my own way.
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Jun 13, 2014
Jun 13, 2014 at 10:22 PM UTC
Flamenco Flame
I fell down in the pit And somebody stomped on my glasses. People nowadays have no manners or compassion I swear. All this pushing and shoving for material gain. Just sat right there on the floor and cried so.rude. I just wanted a nice night out you know a good meal with a glass of wine and a  little dancing. Guess I'm going to call it a night. Mosh Pit phobia for life. Who knew.
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May 24, 2014
May 24, 2014 at 1:03 AM UTC
Flamenco In The Mosh Pit