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This English Thames is holier far than Rome,
Those harebells like a sudden flush of sea
Breaking across the woodland, with the foam
Of meadow-sweet and white anemone
To fleck their blue waves,—God is likelier there
Than hidden in that crystal-hearted star the pale monks bear!

Those violet-gleaming butterflies that take
Yon creamy lily for their pavilion
Are monsignores, and where the rushes shake
A lazy pike lies basking in the sun,
His eyes half shut,—he is some mitred old
Bishop in partibus! look at those gaudy scales all green and gold.

The wind the restless prisoner of the trees
Does well for Palaestrina, one would say
The mighty master’s hands were on the keys
Of the Maria *****, which they play
When early on some sapphire Easter morn
In a high litter red as blood or sin the Pope is borne

From his dark House out to the Balcony
Above the bronze gates and the crowded square,
Whose very fountains seem for ecstasy
To toss their silver lances in the air,
And stretching out weak hands to East and West
In vain sends peace to peaceless lands, to restless nations rest.

Is not yon lingering orange after-glow
That stays to vex the moon more fair than all
Rome’s lordliest pageants! strange, a year ago
I knelt before some crimson Cardinal
Who bare the Host across the Esquiline,
And now—those common poppies in the wheat seem twice as fine.

The blue-green beanfields yonder, tremulous
With the last shower, sweeter perfume bring
Through this cool evening than the odorous
Flame-jewelled censers the young deacons swing,
When the grey priest unlocks the curtained shrine,
And makes God’s body from the common fruit of corn and vine.

Poor Fra Giovanni bawling at the mass
Were out of tune now, for a small brown bird
Sings overhead, and through the long cool grass
I see that throbbing throat which once I heard
On starlit hills of flower-starred Arcady,
Once where the white and crescent sand of Salamis meets sea.

Sweet is the swallow twittering on the eaves
At daybreak, when the mower whets his scythe,
And stock-doves murmur, and the milkmaid leaves
Her little lonely bed, and carols blithe
To see the heavy-lowing cattle wait
Stretching their huge and dripping mouths across the farmyard gate.

And sweet the hops upon the Kentish leas,
And sweet the wind that lifts the new-mown hay,
And sweet the fretful swarms of grumbling bees
That round and round the linden blossoms play;
And sweet the heifer breathing in the stall,
And the green bursting figs that hang upon the red-brick wall,

And sweet to hear the cuckoo mock the spring
While the last violet loiters by the well,
And sweet to hear the shepherd Daphnis sing
The song of Linus through a sunny dell
Of warm Arcadia where the corn is gold
And the slight lithe-limbed reapers dance about the wattled fold.

And sweet with young Lycoris to recline
In some Illyrian valley far away,
Where canopied on herbs amaracine
We too might waste the summer-tranced day
Matching our reeds in sportive rivalry,
While far beneath us frets the troubled purple of the sea.

But sweeter far if silver-sandalled foot
Of some long-hidden God should ever tread
The Nuneham meadows, if with reeded flute
Pressed to his lips some Faun might raise his head
By the green water-flags, ah! sweet indeed
To see the heavenly herdsman call his white-fleeced flock to feed.

Then sing to me thou tuneful chorister,
Though what thou sing’st be thine own requiem!
Tell me thy tale thou hapless chronicler
Of thine own tragedies! do not contemn
These unfamiliar haunts, this English field,
For many a lovely coronal our northern isle can yield

Which Grecian meadows know not, many a rose
Which all day long in vales AEolian
A lad might seek in vain for over-grows
Our hedges like a wanton courtesan
Unthrifty of its beauty; lilies too
Ilissos never mirrored star our streams, and cockles blue

Dot the green wheat which, though they are the signs
For swallows going south, would never spread
Their azure tents between the Attic vines;
Even that little **** of ragged red,
Which bids the robin pipe, in Arcady
Would be a trespasser, and many an unsung elegy

Sleeps in the reeds that fringe our winding Thames
Which to awake were sweeter ravishment
Than ever Syrinx wept for; diadems
Of brown bee-studded orchids which were meant
For Cytheraea’s brows are hidden here
Unknown to Cytheraea, and by yonder pasturing steer

There is a tiny yellow daffodil,
The butterfly can see it from afar,
Although one summer evening’s dew could fill
Its little cup twice over ere the star
Had called the lazy shepherd to his fold
And be no prodigal; each leaf is flecked with spotted gold

As if Jove’s gorgeous leman Danae
Hot from his gilded arms had stooped to kiss
The trembling petals, or young Mercury
Low-flying to the dusky ford of Dis
Had with one feather of his pinions
Just brushed them! the slight stem which bears the burden of its suns

Is hardly thicker than the gossamer,
Or poor Arachne’s silver tapestry,—
Men say it bloomed upon the sepulchre
Of One I sometime worshipped, but to me
It seems to bring diviner memories
Of faun-loved Heliconian glades and blue nymph-haunted seas,

Of an untrodden vale at Tempe where
On the clear river’s marge Narcissus lies,
The tangle of the forest in his hair,
The silence of the woodland in his eyes,
Wooing that drifting imagery which is
No sooner kissed than broken; memories of Salmacis

Who is not boy nor girl and yet is both,
Fed by two fires and unsatisfied
Through their excess, each passion being loth
For love’s own sake to leave the other’s side
Yet killing love by staying; memories
Of Oreads peeping through the leaves of silent moonlit trees,

Of lonely Ariadne on the wharf
At Naxos, when she saw the treacherous crew
Far out at sea, and waved her crimson scarf
And called false Theseus back again nor knew
That Dionysos on an amber pard
Was close behind her; memories of what Maeonia’s bard

With sightless eyes beheld, the wall of Troy,
Queen Helen lying in the ivory room,
And at her side an amorous red-lipped boy
Trimming with dainty hand his helmet’s plume,
And far away the moil, the shout, the groan,
As Hector shielded off the spear and Ajax hurled the stone;

Of winged Perseus with his flawless sword
Cleaving the snaky tresses of the witch,
And all those tales imperishably stored
In little Grecian urns, freightage more rich
Than any gaudy galleon of Spain
Bare from the Indies ever! these at least bring back again,

For well I know they are not dead at all,
The ancient Gods of Grecian poesy:
They are asleep, and when they hear thee call
Will wake and think ‘t is very Thessaly,
This Thames the Daulian waters, this cool glade
The yellow-irised mead where once young Itys laughed and played.

If it was thou dear jasmine-cradled bird
Who from the leafy stillness of thy throne
Sang to the wondrous boy, until he heard
The horn of Atalanta faintly blown
Across the Cumnor hills, and wandering
Through Bagley wood at evening found the Attic poets’ spring,—

Ah! tiny sober-suited advocate
That pleadest for the moon against the day!
If thou didst make the shepherd seek his mate
On that sweet questing, when Proserpina
Forgot it was not Sicily and leant
Across the mossy Sandford stile in ravished wonderment,—

Light-winged and bright-eyed miracle of the wood!
If ever thou didst soothe with melody
One of that little clan, that brotherhood
Which loved the morning-star of Tuscany
More than the perfect sun of Raphael
And is immortal, sing to me! for I too love thee well.

Sing on! sing on! let the dull world grow young,
Let elemental things take form again,
And the old shapes of Beauty walk among
The simple garths and open crofts, as when
The son of Leto bare the willow rod,
And the soft sheep and shaggy goats followed the boyish God.

Sing on! sing on! and Bacchus will be here
Astride upon his gorgeous Indian throne,
And over whimpering tigers shake the spear
With yellow ivy crowned and gummy cone,
While at his side the wanton Bassarid
Will throw the lion by the mane and catch the mountain kid!

Sing on! and I will wear the leopard skin,
And steal the mooned wings of Ashtaroth,
Upon whose icy chariot we could win
Cithaeron in an hour ere the froth
Has over-brimmed the wine-vat or the Faun
Ceased from the treading! ay, before the flickering lamp of dawn

Has scared the hooting owlet to its nest,
And warned the bat to close its filmy vans,
Some Maenad girl with vine-leaves on her breast
Will filch their beech-nuts from the sleeping Pans
So softly that the little nested thrush
Will never wake, and then with shrilly laugh and leap will rush

Down the green valley where the fallen dew
Lies thick beneath the elm and count her store,
Till the brown Satyrs in a jolly crew
Trample the loosestrife down along the shore,
And where their horned master sits in state
Bring strawberries and bloomy plums upon a wicker crate!

Sing on! and soon with passion-wearied face
Through the cool leaves Apollo’s lad will come,
The Tyrian prince his bristled boar will chase
Adown the chestnut-copses all a-bloom,
And ivory-limbed, grey-eyed, with look of pride,
After yon velvet-coated deer the ****** maid will ride.

Sing on! and I the dying boy will see
Stain with his purple blood the waxen bell
That overweighs the jacinth, and to me
The wretched Cyprian her woe will tell,
And I will kiss her mouth and streaming eyes,
And lead her to the myrtle-hidden grove where Adon lies!

Cry out aloud on Itys! memory
That foster-brother of remorse and pain
Drops poison in mine ear,—O to be free,
To burn one’s old ships! and to launch again
Into the white-plumed battle of the waves
And fight old Proteus for the spoil of coral-flowered caves!

O for Medea with her poppied spell!
O for the secret of the Colchian shrine!
O for one leaf of that pale asphodel
Which binds the tired brows of Proserpine,
And sheds such wondrous dews at eve that she
Dreams of the fields of Enna, by the far Sicilian sea,

Where oft the golden-girdled bee she chased
From lily to lily on the level mead,
Ere yet her sombre Lord had bid her taste
The deadly fruit of that pomegranate seed,
Ere the black steeds had harried her away
Down to the faint and flowerless land, the sick and sunless day.

O for one midnight and as paramour
The Venus of the little Melian farm!
O that some antique statue for one hour
Might wake to passion, and that I could charm
The Dawn at Florence from its dumb despair,
Mix with those mighty limbs and make that giant breast my lair!

Sing on! sing on!  I would be drunk with life,
Drunk with the trampled vintage of my youth,
I would forget the wearying wasted strife,
The riven veil, the Gorgon eyes of Truth,
The prayerless vigil and the cry for prayer,
The barren gifts, the lifted arms, the dull insensate air!

Sing on! sing on!  O feathered Niobe,
Thou canst make sorrow beautiful, and steal
From joy its sweetest music, not as we
Who by dead voiceless silence strive to heal
Our too untented wounds, and do but keep
Pain barricadoed in our hearts, and ****** pillowed sleep.

Sing louder yet, why must I still behold
The wan white face of that deserted Christ,
Whose bleeding hands my hands did once enfold,
Whose smitten lips my lips so oft have kissed,
And now in mute and marble misery
Sits in his lone dishonoured House and weeps, perchance for me?

O Memory cast down thy wreathed shell!
Break thy hoarse lute O sad Melpomene!
O Sorrow, Sorrow keep thy cloistered cell
Nor dim with tears this limpid Castaly!
Cease, Philomel, thou dost the forest wrong
To vex its sylvan quiet with such wild impassioned song!

Cease, cease, or if ‘t is anguish to be dumb
Take from the pastoral thrush her simpler air,
Whose jocund carelessness doth more become
This English woodland than thy keen despair,
Ah! cease and let the north wind bear thy lay
Back to the rocky hills of Thrace, the stormy Daulian bay.

A moment more, the startled leaves had stirred,
Endymion would have passed across the mead
Moonstruck with love, and this still Thames had heard
Pan plash and paddle groping for some reed
To lure from her blue cave that Naiad maid
Who for such piping listens half in joy and half afraid.

A moment more, the waking dove had cooed,
The silver daughter of the silver sea
With the fond gyves of clinging hands had wooed
Her wanton from the chase, and Dryope
Had ****** aside the branches of her oak
To see the ***** gold-haired lad rein in his snorting yoke.

A moment more, the trees had stooped to kiss
Pale Daphne just awakening from the swoon
Of tremulous laurels, lonely Salmacis
Had bared his barren beauty to the moon,
And through the vale with sad voluptuous smile
Antinous had wandered, the red lotus of the Nile

Down leaning from his black and clustering hair,
To shade those slumberous eyelids’ caverned bliss,
Or else on yonder grassy ***** with bare
High-tuniced limbs unravished Artemis
Had bade her hounds give tongue, and roused the deer
From his green ambuscade with shrill halloo and pricking spear.

Lie still, lie still, O passionate heart, lie still!
O Melancholy, fold thy raven wing!
O sobbing Dryad, from thy hollow hill
Come not with such despondent answering!
No more thou winged Marsyas complain,
Apollo loveth not to hear such troubled songs of pain!

It was a dream, the glade is tenantless,
No soft Ionian laughter moves the air,
The Thames creeps on in sluggish leadenness,
And from the copse left desolate and bare
Fled is young Bacchus with his revelry,
Yet still from Nuneham wood there comes that thrilling melody

So sad, that one might think a human heart
Brake in each separate note, a quality
Which music sometimes has, being the Art
Which is most nigh to tears and memory;
Poor mourning Philomel, what dost thou fear?
Thy sister doth not haunt these fields, Pandion is not here,

Here is no cruel Lord with murderous blade,
No woven web of ****** heraldries,
But mossy dells for roving comrades made,
Warm valleys where the tired student lies
With half-shut book, and many a winding walk
Where rustic lovers stray at eve in happy simple talk.

The harmless rabbit gambols with its young
Across the trampled towing-path, where late
A troop of laughing boys in jostling throng
Cheered with their noisy cries the racing eight;
The gossamer, with ravelled silver threads,
Works at its little loom, and from the dusky red-eaved sheds

Of the lone Farm a flickering light shines out
Where the swinked shepherd drives his bleating flock
Back to their wattled sheep-cotes, a faint shout
Comes from some Oxford boat at Sandford lock,
And starts the moor-hen from the sedgy rill,
And the dim lengthening shadows flit like swallows up the hill.

The heron passes homeward to the mere,
The blue mist creeps among the shivering trees,
Gold world by world the silent stars appear,
And like a blossom blown before the breeze
A white moon drifts across the shimmering sky,
Mute arbitress of all thy sad, thy rapturous threnody.

She does not heed thee, wherefore should she heed,
She knows Endymion is not far away;
’Tis I, ’tis I, whose soul is as the reed
Which has no message of its own to play,
So pipes another’s bidding, it is I,
Drifting with every wind on the wide sea of misery.

Ah! the brown bird has ceased:  one exquisite trill
About the sombre woodland seems to cling
Dying in music, else the air is still,
So still that one might hear the bat’s small wing
Wander and wheel above the pines, or tell
Each tiny dew-drop dripping from the bluebell’s brimming cell.

And far away across the lengthening wold,
Across the willowy flats and thickets brown,
Magdalen’s tall tower tipped with tremulous gold
Marks the long High Street of the little town,
And warns me to return; I must not wait,
Hark! ’Tis the curfew booming from the bell at Christ Church gate.
Long ago in a poultry yard
One dull November morn,
Beneath a motherly soft wing
A little goose was born.

Who straightway peeped out of the shell
To view the world beyond,
Longing at once to sally forth
And paddle in the pond.

"Oh! be not rash," her father said,
A mild Socratic bird;
Her mother begged her not to stray
With many a warning word.

But little goosey was perverse,
And eagerly did cry,
"I've got a lovely pair of wings,
Of course I ought to fly."

In vain parental cacklings,
In vain the cold sky's frown,
Ambitious goosey tried to soar,
But always tumbled down.

The farmyard jeered at her attempts,
The peacocks screamed, "Oh fie!
You're only a domestic goose,
So don't pretend to fly."

Great ****-a-doodle from his perch
Crowed daily loud and clear,
"Stay in the puddle, foolish bird,
That is your proper sphere,"

The ducks and hens said, one and all,
In gossip by the pool,
"Our children never play such pranks;
My dear, that fowl's a fool."

The owls came out and flew about,
Hooting above the rest,
"No useful egg was ever hatched
From transcendental nest."

Good little goslings at their play
And well-conducted chicks
Were taught to think poor goosey's flights
Were naughty, ill-bred tricks.

They were content to swim and scratch,
And not at all inclined
For any wild goose chase in search
Of something undefined.

Hard times she had as one may guess,
That young aspiring bird,
Who still from every fall arose
Saddened but undeterred.

She knew she was no nightingale
Yet spite of much abuse,
She longed to help and cheer the world,
Although a plain gray goose

She could not sing, she could not fly,
Nor even walk, with grace,
And all the farmyard had declared
A puddle was her place.

But something stronger than herself
Would cry, "Go on, go on!
Remember, though an humble fowl,
You're cousin to a swan."

So up and down poor goosey went,
A busy, hopeful bird.
Searched many wide unfruitful fields,
And many waters stirred.

At length she came unto a stream
Most fertile of all Niles,
Where tuneful birds might soar and sing
Among the leafy isles.

Here did she build a little nest
Beside the waters still,
Where the parental goose could rest
Unvexed by any bill.

And here she paused to smooth her plumes,
Ruffled by many plagues;
When suddenly arose the cry,
"This goose lays golden eggs."

At once the farmyard was agog;
The ducks began to quack;
Prim Guinea fowls relenting called,
"Come back, come back, come back."

Great chanticleer was pleased to give
A patronizing crow,
And the contemptuous biddies clucked,
"I wish my chicks did so."

The peacocks spread their shining tails,
And cried in accents soft,
"We want to know you, gifted one,
Come up and sit aloft."

Wise owls awoke and gravely said,
With proudly swelling *******,
"Rare birds have always been evoked
From transcendental nests!"

News-hunting turkeys from afar
Now ran with all thin legs
To gobble facts and fictions of
The goose with golden eggs.

But best of all the little fowls
Still playing on the shore,
Soft downy chicks and goslings gay,
Chirped out, "Dear Goose, lay more."

But goosey all these weary years
Had toiled like any ant,
And wearied out she now replied
"My little dears, I can't.

"When I was starving, half this corn
Had been of vital use,
Now I am surfeited with food
Like any Strasbourg goose."

So to escape too many friends,
Without uncivil strife,
She ran to the Atlantic pond
And paddled for her life.

Soon up among the grand old Alps
She found two blessed things,
The health she had so nearly lost,
And rest for weary limbs.

But still across the briny deep
Couched in most friendly words,
Came prayers for letters, tales, or verse
From literary birds.

Whereat the renovated fowl
With grateful thanks profuse,
Took from her wing a quill and wrote
This lay of a Golden Goose.
On top of my labour
In the farmyard
I often proffer you
Milk, cheese, manure and hide
To render grand
Your life,
Then how come
You express
Your gratitude
With a knife?
A punitive measure may await one while expecting a reward.
Like an ox or a cow.which in a developing country are used for ploughing purpose
A Child’s Story

Hamelin Town’s in Brunswick,
By famous Hanover city;
The river Weser, deep and wide,
Washes its wall on the southern side;
A pleasanter spot you never spied;
But, when begins my ditty,
Almost five hundred years ago,
To see the townsfolk suffer so
From vermin, was a pity.

Rats!
They fought the dogs, and killed the cats,
And bit the babies in the cradles,
And ate the cheeses out of the vats,
And licked the soup from the cook’s own ladles,
Split open the kegs of salted sprats,
Made nests inside men’s Sunday hats,
And even spoiled the women’s chats,
By drowning their speaking
With shrieking and squeaking
In fifty different sharps and flats.

At last the people in a body
To the Town Hall came flocking:
“’Tis clear,” cried they, “our Mayor’s a noddy;
And as for our Corporation—shocking
To think we buy gowns lined with ermine
For dolts that can’t or won’t determine
What’s best to rid us of our vermin!
You hope, because you’re old and obese,
To find in the furry civic robe ease?
Rouse up, Sirs! Give your brains a racking
To find the remedy we’re lacking,
Or, sure as fate, we’ll send you packing!”
At this the Mayor and Corporation
Quaked with a mighty consternation.

An hour they sate in council,
At length the Mayor broke silence:
“For a guilder I’d my ermine gown sell;
I wish I were a mile hence!
It’s easy to bid one rack one’s brain—
I’m sure my poor head aches again
I’ve scratched it so, and all in vain.
Oh for a trap, a trap, a trap!”
Just as he said this, what should hap
At the chamber door but a gentle tap?
“Bless us,” cried the Mayor, “what’s that?”
(With the Corporation as he sat,
Looking little though wondrous fat;
Nor brighter was his eye, nor moister
Than a too-long-opened oyster,
Save when at noon his paunch grew mutinous
For a plate of turtle green and glutinous)
“Only a scraping of shoes on the mat?
Anything like the sound of a rat
Makes my heart go pit-a-pat!”

“Come in!”—the Mayor cried, looking bigger:
And in did come the strangest figure!
His queer long coat from heel to head
Was half of yellow and half of red;
And he himself was tall and thin,
With sharp blue eyes, each like a pin,
And light loose hair, yet swarthy skin,
No tuft on cheek nor beard on chin,
But lips where smiles went out and in—
There was no guessing his kith and kin!
And nobody could enough admire
The tall man and his quaint attire:
Quoth one: “It’s as my great-grandsire,
Starting up at the Trump of Doom’s tone,
Had walked this way from his painted tombstone!”

He advanced to the council-table:
And, “Please your honours,” said he, “I’m able,
By means of a secret charm, to draw
All creatures living beneath the sun,
That creep or swim or fly or run,
After me so as you never saw!
And I chiefly use my charm
On creatures that do people harm,
The mole and toad and newt and viper;
And people call me the Pied Piper.”
(And here they noticed round his neck
A scarf of red and yellow stripe,
To match with his coat of the selfsame cheque;
And at the scarf’s end hung a pipe;
And his fingers, they noticed, were ever straying
As if impatient to be playing
Upon this pipe, as low it dangled
Over his vesture so old-fangled.)
“Yet,” said he, “poor piper as I am,
In Tartary I freed the Cham,
Last June, from his huge swarms of gnats;
I eased in Asia the Nizam
Of a monstrous brood of vampire-bats;
And, as for what your brain bewilders,
If I can rid your town of rats
Will you give me a thousand guilders?”
“One? fifty thousand!”—was the exclamation
Of the astonished Mayor and Corporation.

Into the street the Piper stepped,
Smiling first a little smile,
As if he knew what magic slept
In his quiet pipe the while;
Then, like a musical adept,
To blow the pipe his lips he wrinkled,
And green and blue his sharp eyes twinkled
Like a candle flame where salt is sprinkled;
And ere three shrill notes the pipe uttered,
You heard as if an army muttered;
And the muttering grew to a grumbling;
And the grumbling grew to a mighty rumbling;
And out of the houses the rats came tumbling.
Great rats, small rats, lean rats, brawny rats,
Brown rats, black rats, grey rats, tawny rats,
Grave old plodders, gay young friskers,
Fathers, mothers, uncles, cousins,
Cocking tails and pricking whiskers,
Families by tens and dozens,
Brothers, sisters, husbands, wives—
Followed the Piper for their lives.
From street to street he piped advancing,
And step for step they followed dancing,
Until they came to the river Weser,
Wherein all plunged and perished!
- Save one who, stout a Julius Caesar,
Swam across and lived to carry
(As he, the manuscript he cherished)
To Rat-land home his commentary:
Which was, “At the first shrill notes of the pipe
I heard a sound as of scraping tripe,
And putting apples, wondrous ripe,
Into a cider-press’s gripe:
And a moving away of pickle-tub-boards,
And a leaving ajar of conserve-cupboards,
And a drawing the corks of train-oil-flasks,
And a breaking the hoops of butter-casks;
And it seemed as if a voice
(Sweeter far than by harp or by psaltery
Is breathed) called out ‘Oh, rats, rejoice!
The world is grown to one vast drysaltery!
So munch on, crunch on, take your nuncheon,
Breakfast, supper, dinner, luncheon!’
And just as a bulky sugar-puncheon,
All ready staved, like a great sun shone
Glorious scarce and inch before me,
Just as methought it said ‘Come, bore me!’
- I found the Weser rolling o’er me.”

You should have heard the Hamelin people
Ringing the bells till they rocked the steeple.
“Go,” cried the Mayor, “and get long poles!
Poke out the nests and block up the holes!
Consult with carpenters and builders,
And leave in our town not even a trace
Of the rats!”—when suddenly, up the face
Of the Piper perked in the market-place,
With a, “First, if you please, my thousand guilders!”

A thousand guilders! The Mayor looked blue;
So did the Corporation too.
For council dinners made rare havoc
With Claret, Moselle, Vin-de-Grave, Hock;
And half the money would replenish
Their cellar’s biggest **** with Rhenish.
To pay this sum to a wandering fellow
With a gypsy coat of red and yellow!
“Beside,” quoth the Mayor with a knowing wink,
“Our business was done at the river’s brink;
We saw with our eyes the vermin sink,
And what’s dead can’t come to life, I think.
So, friend, we’re not the folks to shrink
From the duty of giving you something for drink,
And a matter of money to put in your poke;
But, as for the guilders, what we spoke
Of them, as you very well know, was in joke.
Beside, our losses have made us thrifty.
A thousand guilders! Come, take fifty!”

The Piper’s face fell, and he cried
“No trifling! I can’t wait, beside!
I’ve promised to visit by dinner-time
Bagdat, and accept the prime
Of the Head Cook’s pottage, all he’s rich in,
For having left, in the Calip’s kitchen,
Of a nest of scorpions no survivor—
With him I proved no bargain-driver,
With you, don’t think I’ll bate a stiver!
And folks who put me in a passion
May find me pipe to another fashion.”

“How?” cried the Mayor, “d’ye think I’ll brook
Being worse treated than a Cook?
Insulted by a lazy ribald
With idle pipe and vesture piebald?
You threaten us, fellow? Do your worst,
Blow your pipe there till you burst!”

Once more he stepped into the street;
And to his lips again
Laid his long pipe of smooth straight cane;
And ere he blew three notes (such sweet
Soft notes as yet musician’s cunning
Never gave the enraptured air)
There was a rustling, that seemed like a bustling
Of merry crowds justling at pitching and hustling,
Small feet were pattering, wooden shoes clattering,
Little hands clapping and little tongues chattering,
And, like fowls in a farmyard when barley is scattering,
Out came the children running.
All the little boys and girls,
With rosy cheeks and flaxen curls,
And sparkling eyes and teeth like pearls,
Tripping and skipping, ran merrily after
The wonderful music with shouting and laughter.

The Mayor was dumb, and the Council stood
As if they were changed into blocks of wood,
Unable to move a step, or cry
To the children merrily skipping by—
And could only follow with the eye
That joyous crowd at the Piper’s back.
But how the Mayor was on the rack,
And the wretched Council’s bosoms beat,
As the Piper turned from the High Street
To where the Weser rolled its waters
Right in the way of their sons and daughters!
However he turned from South to West,
And to Koppelberg Hill his steps addressed,
And after him the children pressed;
Great was the joy in every breast.
“He never can cross that mighty top!
He’s forced to let the piping drop,
And we shall see our children stop!”
When, lo, as they reached the mountain’s side,
A wondrous portal opened wide,
As if a cavern was suddenly hollowed;
And the Piper advanced and the children followed,
And when all were in to the very last,
The door in the mountain-side shut fast.
Did I say, all? No! One was lame,
And could not dance the whole of the way;
And in after years, if you would blame
His sadness, he was used to say,—
“It’s dull in our town since my playmates left!
I can’t forget that I’m bereft
Of all the pleasant sights they see,
Which the Piper also promised me:
For he led us, he said, to a joyous land,
Joining the town and just at hand,
Where waters gushed and fruit-trees grew,
And flowers put forth a fairer hue,
And everything was strange and new;
The sparrows were brighter than peacocks here,
And their dogs outran our fallow deer,
And honey-bees had lost their stings,
And horses were born with eagles’ wings:
And just as I became assured
My lame foot would be speedily cured,
The music stopped and I stood still,
And found myself outside the Hill,
Left alone against my will,
To go now limping as before,
And never hear of that country more!”

Alas, alas for Hamelin!
There came into many a burgher’s pate
A text which says, that Heaven’s Gate
Opes to the Rich at as easy rate
As the needle’s eye takes a camel in!
The Mayor sent East, West, North, and South,
To offer the Piper, by word of mouth,
Wherever it was men’s lot to find him,
Silver and gold to his heart’s content,
If he’d only return the way he went,
And bring the children behind him.
But when they saw ’twas a lost endeavour,
And Piper and dancers were gone for ever,
They made a decree that lawyers never
Should think their records dated duly
If, after the day of the month and year,
These words did not as well appear,
“And so long after what happened here
On the Twenty-second of July,
Thirteen hundred and seventy-six”:
And the better in memory to fix
The place of the children’s last retreat,
They called it, the Pied Piper’s Street—
Where any one playing on pipe or tabor
Was sure for the future to lose his labour.
Nor suffered they hostelry or tavern
To shock with mirth a street so solemn;
But opposite the place of the cavern
They wrote the story on a column,
And on the great Church-Window painted
The same, to make the world acquainted
How their children were stolen away;
And there it stands to this very day.
And I must not omit to say
That in Transylvania there’s a tribe
Of alien people that ascribe
The outlandish ways and dress
On which their neighbours lay such stress,
To their fathers and mothers having risen
Out of some subterraneous prison
Into which they were trepanned
Long time ago in a mighty band
Out of Hamelin town in Brunswick land,
But how or why, they don’t understand.

So, *****, let you and me be wipers
Of scores out with all men—especially pipers:
And, whether they pipe us free, from rats or from mice,
If we’ve promised them aught, let us keep our promise.
Lux
Those who were marginalized by the braids and serpentine lights, devotions were made in San Juan allowing electromagnetic discharges from the imperceptible space-time of Vernarth's parapsychological quantum; alluding to clarities that achieved everything by having Patmia in the material and incorporeal from the start of the stained glass windows and archetypes by Transfer Quantum that burned the chins of hominids who believed to be immortal as if they were looking in this position for the direction between the eyebrows and the chin , for the Euclidean incidence crossing all the pools that are between quantum means of transfer of ions and cations. The oscillations of the sparkling field of consciousness of the containers were of ethical variables that became perpendicular to the space of draft or levitation of the designations that originated with accelerated electric charges on Patmos, developing albiceleste skylights over the harmonic equations as they elongated in proportions of quanta that They argued greater than those that circulated elliptically from Grikos to Skalá, and then to Profitis with assiduous progenitors of long-wave quanta. The magnificence of the halo became rectilinear up to the high altar that was atomized from the unskillful penumbra to reabsorb the inclinations of physical life in the Macedonians and the Achaemenides when they were trapped by the loss on the propagation of the Lux, which was imposed in hemicycles where they were they reclined to relax in the lux of rest of the path of the reasoning that made pederasty in the links with the minuscule obtuse lights, reeling from the clothing and its finite speed of what measures the ability to be undetermined in the margins of error of the antagonists when originating flow rates, greater in his dermis to regenerate towards any other that could be clothing of greater speed.

Thus was the scenario of dimensional magnitude between the powers that did not have contact, but their dimensionless energies on a surface that reached absorbent to the one that rectifies the concretive of the error that partially abused them. Their legacies would pass to a supplementary electromagnetic plane, separating their masses and retaking orientation from where they returned, where if the ideal of the final rational was refracted where everything would be vivid darkness. The obstacles classified them in the closure of the average height and the average surface, to then redirect to the maximum height and maximum surface propagating in irregularities of the Ego "Believing that they were never overcome in the diffuse perception of the metal mirror." The incident rays of the Lux would go to meet the multi-incident plane of the Mashiach, the wave angles were refracted throughout the sinuous law as radiosity passed over the greater mass that was normalized from the tangent that was projected 180 meters above the eyebrow. and Vernarth's chin, along with the recharged electromagnetic strengths of Alexander the Great's reactivation bezels, which at times seemed to levitate over the Lux's high frequencies and vary independently with its crowded functionalities, among scattered restraints that it presented to both weightless behind. from the decayed marble sawdust, separating from its phosphorescence that bounced between the rigging of solid surfaces and semi-solid ones, when realizing that the sea and the silica were confessed to the Pronoia of Delphi. Inducing Vernarth for the first time into a Pronoia versology on the Athena of Delphi, prompting them to separate from the world and it's holistic to divide into three portions of the dissociation of consciousness from the end of the Lux of Parapsychology, which had hosted them for centuries and centuries. . The Pronoia conspiracy systematized the reaction that would reunite them after this oracular parapsychology, making the adversaries believe that they were discrepancies of clinical parapsychology, equating warlike causes in the containment of Delphic neuroscience. From this quantification, the predominance of Vernarth's Lux de Pronoia was announced, linking peculiar segmentation of submit logical historicity in this work as a starting thesis, which speculates the same for those who have to make an analysis of historical dogmatic imperialism as a justification for mythological normality. The Lux thesis aimed to show that the dimensions of the mythology and the submitology, when exposed in physical quanta, made a tendency of irresolution in the abode of spiritual Tractatus reasoning and not in the instinctual one, which watches over recitals where history and its collective memory indicate outbursts of moderation. The role of the submithology  is to pretend that this normality is made close to the instruction after yours temporary for causes of your deep patrimonial, that makes them captives from the social complexity, with the disambiguation of certain criteria by maximizing the hidden truth of the ascending opposition forces that they have generated great conflagrations, intuition being the unreflective pseudo-reality with historical formalities that stumble into the terrified directionality of the myth that was to be reality. The tiny spaces of the verve left by the silent mechanics of the Persians became defensive when they saw their emissaries incoherently in the verticality of Allah when they saw that the confusing world with anxiety exaggerated predictions and failures invulnerability of a lineage that always had. been condemned to the desert.

Everything conspired with a Pronoia of siege, before the exegesis that sought purification and that was how they headed and misdirected their mistakes in the active train of the recess of their abstracted retreat, in a universe that also abandoned them after the subsequent train of Aurion waking them in their illusions with swords, and stealthy spears in dreams that specified safe rest. The ferocities of the proto-souls of assault carried away the translucent bodies of the Persians, and the Hellenes in acts of honor made such congenital paths of the understandable vocabulary that he did not speak. The prism was located in the cautious measure of its contractile dispersion with white separations of mantles, earth, and water scalded by dynamics that formed colorful activations with their withdrawal phenomena in the immaculate albino Lux that dissolved all of the facet optics that it made. Lux's great brain in the instant that the Thuellai airs transfigured the nuances of the Atros monastery, with objects that refused to be absorbed by the black hue, generating mechanical waves of equivalence in their identical interference that caused two opposing forces to distill the coherent differential that had to be overexposed in the category of historical Submitology. The two inverted waves separated, the Hellenes moaned and hiccupped for having to become identical when separating from their immaterial bodies, doing wonders that would house additional souls that would complement a transitory becoming towards the garden of the angels that provided them with identical beams of light, interfering in what animated the lights of pageantry, with the antithesis of interference where they resided in constancy knowing that they felt possessed of benefits of the eternal length of existence, but with pressures of mutable in some involuntary constancy and amplitude of having parallel directions with Saint John the Apostle and the Siblis. The phenomenon of polarization of both empires was denatured in a transverse way in all the electric fields after this feat, inciting unique fields of the pure and selective ascending ecosystem, which generated polaroid substances at the angle of ninety degrees above the browbones and chin of Vernarth, to approach the Pronoia of concatenation with Alexander the Great refracting unscathed hyper-vital and transcendent faces of infinity. Like any other phenomenon, the Lux crossed both bodies like two Xiphos swords that processed the electromagnetic valve, by iridium that converted with all the coarse Lux that crossed the succumbed immateriality and stopped the shaft and the nail that hang in the typology of electromagnetic radiation from the Hellenic world between them, making an ominous redemptive fire that was regimented to leave them both in the middle of a farm where there were farmyard animals, stockpiled pastures and a house that absorbed them as parents who would love them as beings of Lux. Thus, this primary parapsychological quantum network penetrated the level of the archangels that made them be together in planes of manumission, and that does not admit bi-quantum personality or bi-parapsychology that can cancel out the portent of the helmets and the lineage that does not dazzle if they are not made of iron.

The life of the other world began to be encompassed in all the Subtraigus beings that would correspond to the astral plane that was confirmed after the Kalidona Romantics deduced the Unicorn Uilef or Uilef Monókeros after Pronoia. Kalidona being an uninhabited island and the Uilef sleeps in between copulating with Spinalonga and Kolokythas along with other smaller islets, plus two hundred that will make up six islands of the twenty-six tetragram of Alef. Here Drestnia went with her consort of Etréstles from the Koumeterium of Messolonghi to find fateful encounters of Pantheism based on the majestic copulation of beauty, among twenty-six numbers that prevailed in virtuosos who took refuge in Kalydon or Kalidona, preparing for their rampage with grafted grotesque derived bodies of the Falangist Hellenes who were arranged of their musculature, so that they directed the finesse of the civility of Hesiod, Terpando, Archiloco, Baquílides, tragic like Etréstles, Aeschylus Sophocles, Euripides and comedian like Aristophanes.
Lux
O what is that sound which so thrills the ear
Down in the valley drumming, drumming?
Only the scarlet soldiers, dear,
The soldiers coming.

O what is that light I see flashing so clear
Over the distance brightly, brightly?
Only the sun on their weapons, dear,
As they step lightly.

O what are they doing with all that gear,
What are they doing this morning, morning?
Only their usual manoeuvres, dear,
Or perhaps a warning.

O why have they left the road down there,
Why are they suddenly wheeling, wheeling?
Perhaps a change in their orders, dear,
Why are you kneeling?

O haven't they stopped for the doctor's care,
Haven't they reined their horses, horses?
Why, they are none of them wounded, dear,
None of these forces.

O is it the parson they want, with white hair,
Is it the parson, is it, is it?
No, they are passing his gateway, dear,
Without a visit.

O it must be the farmer that lives so near.
It must be the farmer so cunning, so cunning?
They have passed the farmyard already, dear,
And now they are running.

O where are you going? Stay with me here!
Were the vows you swore deceiving, deceiving?
No, I promised to love you, dear,
But I must be leaving.

O it's broken the lock and splintered the door,
O it's the gate where they're turning, turning;
Their boots are heavy on the floor
And their eyes are burning.
Tim Knight Aug 2013
Cheer me up with a knitted cancer hat
and a joke about tomorrow's goal
being that of getting to the end,
safe and unharmed past the chemotherapy combat.

Clear me up with plastic pills that
sit on the tongue and slit the throat
and the surrounding gum,
all to get better and to get back on the feet.

Cheat me with wise words that you
pawned off of pages and curdled
website phrases that offer
nothing more than a little comfort for yourself.

*Take me to where tracks lead to tracks that lead to douglas fir lined, dirtier farmyard tracks and let me breathe in that sap, that golden wood-coated scent that'll wrap itself around my nostrils and hat.
written by Cambridge based poet, Tim Knight of CoffeeShopPoems.com
Tryst Aug 2014
Rita was a battery hen
And every day was bleak;
For her, life's stage was just a cage,
And meagre corn her only wage,
But things all changed for Rita when
She learned that she could speak.

She overheard the farmer say
"That cage is getting weak,
That's not just dust, but flakes of rust
And if the hens gave one quick ******
They'd all be free to run away
And we'd be up the creek!"


She waited till the dark of night,
Then pushed into the gaps;
The bars were old, the bars were cold,
It seemed as though the bars would hold,
But Rita shoved with all her might
And felt the cage collapse!

She ran right out the farmyard
In the moonlight, dim and pale;
No more is known of where she's flown,
I hope she found a lovely home,
Perhaps she'll send a greeting card
To tell of her next tale!
For Joe Cole's "Freedom" challenge
Listen my children and you shall hear
Of the midnight ride of Paul Revere,
On the eighteenth of April, in Seventy-five;
Hardly a man is now alive
Who remembers that famous day and year.

He said to his friend, “If the British march
By land or sea from the town to-night,
Hang a lantern aloft in the belfry arch
Of the North Church tower as a signal light,—
One if by land, and two if by sea;
And I on the opposite shore will be,
Ready to ride and spread the alarm
Through every Middlesex village and farm,
For the country folk to be up and to arm.”

Then he said “Good-night!” and with muffled oar
Silently rowed to the Charlestown shore,
Just as the moon rose over the bay,
Where swinging wide at her moorings lay
The Somerset, British man-of-war;
   A phantom ship, with each mast and spar
Across the moon like a prison bar,
And a huge black hulk, that was magnified
By its own reflection in the tide.

Meanwhile, his friend through alley and street
Wanders and watches, with eager ears,
Till in the silence around him he hears
The muster of men at the barrack door,
The sound of arms, and the ***** of feet,
And the measured tread of the grenadiers,
Marching down to their boats on the shore.

Then he climbed the tower of the Old North Church,
By the wooden stairs, with stealthy tread,
To the belfry chamber overhead,
And startled the pigeons from their perch
On the sombre rafters, that round him made
Masses and moving shapes of shade,—
By the trembling ladder, steep and tall,
To the highest window in the wall,
Where he paused to listen and look down
A moment on the roofs of the town
And the moonlight flowing over all.

Beneath, in the churchyard, lay the dead,
In their night encampment on the hill,
Wrapped in silence so deep and still
That he could hear, like a sentinel’s tread,
The watchful night-wind, as it went
Creeping along from tent to tent,
And seeming to whisper, “All is well!”
A moment only he feels the spell
Of the place and the hour, and the secret dread
Of the lonely belfry and the dead;
For suddenly all his thoughts are bent
On a shadowy something far away,
Where the river widens to meet the bay,—
A line of black that bends and floats
On the rising tide like a bridge of boats.

Meanwhile, impatient to mount and ride,
Booted and spurred, with a heavy stride
On the opposite shore walked Paul Revere.
Now he patted his horse’s side,
Now he gazed at the landscape far and near,
Then, impetuous, stamped the earth,
And turned and tightened his saddle girth;
But mostly he watched with eager search
The belfry tower of the Old North Church,
As it rose above the graves on the hill,
Lonely and spectral and sombre and still.
And lo! as he looks, on the belfry’s height
A glimmer, and then a gleam of light!
He springs to the saddle, the bridle he turns,
But lingers and gazes, till full on his sight
A second lamp in the belfry burns.

A hurry of hoofs in a village street,
A shape in the moonlight, a bulk in the dark,
And beneath, from the pebbles, in passing, a spark
Struck out by a steed flying fearless and fleet;
That was all! And yet, through the gloom and the light,
The fate of a nation was riding that night;
And the spark struck out by that steed, in his flight,
Kindled the land into flame with its heat.
He has left the village and mounted the steep,
And beneath him, tranquil and broad and deep,
Is the Mystic, meeting the ocean tides;
And under the alders that skirt its edge,
Now soft on the sand, now loud on the ledge,
Is heard the ***** of his steed as he rides.

It was twelve by the village clock
When he crossed the bridge into Medford town.
He heard the crowing of the ****,
And the barking of the farmer’s dog,
And felt the damp of the river fog,
That rises after the sun goes down.

It was one by the village clock,
When he galloped into Lexington.
He saw the gilded weathercock
Swim in the moonlight as he passed,
And the meeting-house windows, black and bare,
Gaze at him with a spectral glare,
As if they already stood aghast
At the ****** work they would look upon.

It was two by the village clock,
When he came to the bridge in Concord town.
He heard the bleating of the flock,
And the twitter of birds among the trees,
And felt the breath of the morning breeze
Blowing over the meadow brown.
And one was safe and asleep in his bed
Who at the bridge would be first to fall,
Who that day would be lying dead,
Pierced by a British musket ball.

You know the rest. In the books you have read
How the British Regulars fired and fled,—
How the farmers gave them ball for ball,
From behind each fence and farmyard wall,
Chasing the redcoats down the lane,
Then crossing the fields to emerge again
Under the trees at the turn of the road,
And only pausing to fire and load.

So through the night rode Paul Revere;
And so through the night went his cry of alarm
To every Middlesex village and farm,—
A cry of defiance, and not of fear,
A voice in the darkness, a knock at the door,
And a word that shall echo for evermore!
For, borne on the night-wind of the Past,
Through all our history, to the last,
In the hour of darkness and peril and need,
The people will waken and listen to hear
The hurrying hoof-beats of that steed,
And the midnight message of Paul Revere.
Jayanta Apr 2015
Now orchids are blooming here,
Sun rises by the call of ‘Koel’!
Sun beam around by the call of ‘Keteki’!
Everywhere fragrance of ‘Keteki flower’ spread out!  

It is the time of blossoming!
It is the time of celebration!

A gala for......
“Merriment of brotherhood,
Gaiety of collectively
High spirited choir with nature!”

People are celebrating spring..  
Dancing under the Banyan tree
On the mid of the farmyard;
Biting the drum with a wish
The Sounds go to sky and break the clouds
Thunder and rain follows.....
With promises
To watering the crops in summer;
People call it
“Madam ‘Bordoi-chila’ coming to her mother’s place!

Everyone venerate
For nature and season!
They pray to nature
Though their amiable laughs and ovation  
Showcasing gaiety of connectivity and togetherness
With a wish for nature’s blessing for production!
From today ‘Rongali Bihu’ is celebrated in Assam,India; ‘Rong’ means cheerful festivity and ‘Bihu’ the festival of Spring, which is link to agricultural activities. After this festival people will start their wet paddy/summer paddy cultivation with preparation of land. It is celebration for seven days. First day is marked for care of domesticated animal, particularly cattle.  ‘Bihu’ dance and song are the major part of celebration. Here, a variety of Orchid, call of koel (locally called as Kuli; Koel - Eudynmys scolopaceus- is a member of the Cuckoo order of birds), Keteki (Brain fever bird, scientific name Hierococcyx varius);  Keteki flower (Pandanus odoratissimus)are symbolize as the sign of spring. ‘Bordoi-chila’ myth link to thunder storm, this particular as per its roots means butterfly dancer.
vircapio gale Oct 2015
the censorship meme
alive inside me as a child:
some books were worth the mention of--
war and **** were not.

untimely at a pennsylvanian writers' club
where fear lodged quiet smile-halves
in talking clouds and farmyard metaphor,
to weekly bray the corner of an antique movie-house

newcomers weren't to share their work
we three were welcomed as an audience at best
we passed the others' writers' chapter-copies on
on which i scribbled notes of praise
on notes of theme-entwining anti-argument
and **** zests of vast significance:
notes of floral yearning, meadowed love--
iron skies and ahistoric dreams--
off and on archaic themes
of which we weren't to share
i've been told i shouldn't "censor myself"
when i'm just engaged in editing:
the difference may be vague along a certain line
but i haven't shared anything in a long time.

does spam elucidate the issue of how best to navigate the interwebz?
preemptive dismissal of anything resembling or smelling like spam or what might be associated with the production of spam: id est, not owning a smartphone and neglecting to have internet access via one's computer, and also disabling netflicks from the wii
(∴) spam makes my life better by teaching me how to avoid life as is currently envisioned by contemporary humans
Terry Collett May 2014
I had ridden back from work
that Saturday midday
with Milka's brothers
and we parked our bikes

in the farmyard
and Yaakov said
want to come in
for a coffee?

Sela said
and see Milka
while you're there
he laughed

and we all went in
the farm house
and their mother fussed
and asked me

what I would like
and treated me like a son  
and said
sit down Benny

and so I sat
and waited
for the boys
to change out

of their work clothes
I have made
a fruit cake Benny
would you like some?

their mother asked
that'd be nice
I said
and watched

as she moved
about in the kitchen
is Milka about?
I asked

she's out with her dad
they've gone to market
o ok
I said

they'll be back soon
she said
she handed me
some cake on a plate

and mug of coffee
Milka likes you
her mother said
but I told her

to take things steady
as she's only 16
and there's plenty
of time ahead of her

I looked at Milka's mother
as she fussed about
in the kitchen
putting a ***

on the stove
clearing away others
yes plenty of time
I said

trying not to think
how Milka and I
nearly got caught
in bed the other week

when I was alone
in the farmhouse
with her
she has all these fancies

about her how much
she wants children
where she wants to live
and so on

the mother said
I told her
Benny's only
a young man yet

he doesn't want
all that at his age
I ate the cake
nodded

and thought of Milka
rushing to get dressed
in her room
while her mother

talked with a farmhand
in the farmyard
or the time
at my place

one Friday
during my lunch hour
at my house
while all others

were out
she lying there
on my single bed
and I kissing her

from neck down
plenty of time
Milka's mother said
they've no sooner

left dolls behind
and they want real babies
she smiled
and I smiled

then ate the cake
and sipped the coffee
while Milka's mother
put some things away

trying to think
of other things
other than Milka lying there
completely bare.
A BOY AND A GIRL IN 1964.
Mateuš Conrad Aug 2016
i'm actually writing in Turkish akimbo on the floor,
****** uncomfortable,
can't do the hunched monkey spine of Blitzkrieg...
the problem lies with my cat,
a Maine **** that's actually a bloodhound
come bed time... his ******* operatic meows
get to me... he will meow down any werewolf's howl
any night of the week, with 200 variations...
he's like a dog when bedtime comes,
he rapes his way into my room,
takes comfort in my writing chair,
keeps me up listening to βετo βετα's
between two selves - i call this the reason
for never stealing from Hinduism...
outside of Hinduism the economic model works
just as effectively as Auschwitz with cows...
come to petted animals, putting yourself
second doesn't... you get to see the many variations
of character in these buggering fur-*****;
****** got gassed, i see it as a natural karma...
because why would he have a Jewish girlfriend
who committed suicide with him the bunker?
i won't pity them... ****** knew the measure
of things, having been gassed himself
he knew the wounds: and so will millions who
thought world war i was fought in vain...
remind me... as once the northern invaders
accommodated the Roman alphabet and dropped
the runes... what you conquer you express
as an incorporation of certain qualities...
luckily the German work ethic was unshaken...
but it shook the English sensible life:
work! work! work! ready meals in between:
two favourites! two! cheese cauliflower and lasagne.
to keep up the once colonial Herrwettlauf in
charity limbo... you ain't donating to any Africans...
Bobbie Geldof fooled you...
it goes into milking the ivory skinned skin-heads
once retired... Africa is more than just a suntan...
it goes back into ensuring we don't work
in Chinese factories under lynching-contracts...
case no. 0 (or contract) - we'll just call you when we need you,
otherwise we'll contract the cheap steel and cheaper
salt from the Dead Sea:
new social order... after all that colonial piracy i'm sure
we can afford investing in a body mass indexes...
is this how efficiency is structured?
quality control and quantity control...
well, capitalism knows quality control...
but it does't have the foggiest about quantity control:
hence so much waste, and supermarkets throwing out
food into the gutter... the quality control is there,
but the quantity control is missing: always excess, always
excess, always excess... sure i get the Muslim
argument about drunken Brits in Spain and Leicester...
but what about those Saudi children speeding
in their sports cars? no one going to criticise them?
after 50 years... our shame will be a greater
instigator of global warming than a diesel engine...
cheeks puffing up into rose and rose and everything's
finally not so rosy as we thought.
so here i am, writing in uptight akimbo without
the writer's hunch of reverse Darwinism,
all because my Maine **** is acting like a bloodhound,
gets depressed before bedtime...
why are these animals needing my bogus company?
when it comes to music i'm selfish; ah! he
doesn't like the night and the modern orchestra of
grizzly exhaust engines doing the baritone with rasping
the new church bell (phlegm) with a hark uvula...
it's called Irish poker for a prayer...
the van de graaff toy generator is on in the darkened room -
then the typing ****** him off, he's off...
thank **** for that...
but why is it that the once infamous Axis strategies
are creeping into those that strove to defeat them?
we are getting Japanese karaoke culture,
we're getting welcoming euthanasia programs spanning
the dicta of Belgium and Switzerland,
as people want dignity in their death...
they're queuing up to the once known enemy...
maybe it's because these Axis powers were
never colonialists...
                                 just finishing watching Indian
Summers
season two you get the picture...
god and the dodgy monkeys...
stay... sit! stay... sit! **** it, let's lynch that Eton ****
of privy accents... ol chap... ol chappy...
trot along... the turban bomber and half
the thought that a Pole learning obedience from
Russian and German would learn to be cinnamon
skinned in England... i'm almost suspecting the
Irish are the SS in the project.. generation of the Vietnam
saint soaked in gasoline... oddly enough
that has no place in Europe, apologies that i don't
share the sentiment... it's obviously the
counter crucifixion scene and emblem,
but only in: LET'S MAKE AMERICA GREAT AGAIN...
i told you be afraid of the blonde ferret...
i see the prognosis just like Britain exiting the European
union... California is not even America,
who gives a **** about the American Secular Vatican, anyway?
it will be like as if Canada was part of America
and resembled Scotland in the Jackshit Union...
gross the vote on the puppet...
the Democrats will get New York (the equivalent
of London) - i don't know how to twin Reading,
and that blue belt of remain campaigners linking the two,
half of who would speak as much of French
as an advert concerning the sales of socks...
or enough German to order a pint of beer in a Bavarian
pub... well, Canada would vote like Scotland,
one revolutionary figure (who was actually Muslim,
and never cared for African-American concerns
of Baptism... singing hallelujah was never part
of the do)... can't be replaced with another revolutionary
figure... he was never exactly a Martin Luther King Jr.,
more of Malcolm X than you thought...
that strip between London and Reading
will be translated into Ronald Reagan's resurrection...
a billionaire is more ridiculous than
an actor? well... who we going to call the pretty boy
and the favourite of media cartoonists? boots on the ground,
a society that doesn't practice dialectics is not
only rude, but out-of-date...
the debate of the park bench now resides in separate
stadiums, monologues that involve something
that physics unearthed: two sources of negativity
existing in two places, at the same time...
if this is a debate, then i got the postal code wrong...
the dialectics of knowing nothing became: i still know
nothing, but i have 4 million people supporting me.
i imagine the cavemen to be less subjective that we
try to imagine ourselves as resembling, Michael Palin
in the Sahara... cavemen worked on instinct, not on
appeal to the intellect... that thing
about the jokes of the vibrating lips and the index finger
moving against them to invent the Mongolian harmonica...
given the complication of urban life... well...
you'll hardly revise that bit... that part of life is gone...
i assumed that the more we evolved the less
naked we became... but given evolution and having
created this parasitic symbiosis with the natural
elements... the more i think of it: the more naked we're
becoming - the more dependent -
the original sin as conceived from the delusion that we
were disabled by our originally conception of nakedness...
it only comes now... once the dependency kicks in
and we're all in bow-ties and cocktail dresses...
hello Herr Fetish and page 3 milking of the farmyard
cows of our imagination - Islamic eye-fetish,
we heard of footfetish... must be about oral ***...
knees baby knees, Arab has eyefetish on your knees...
i have a fetish for hands... see how the cameraman zoomed
in on the hands of the women fencing?
once instinct governed us... and instinct's expression
of intelligence was: i challenge the alpha male,
i'll get **** with his concubines in the harem...
these days intellect governs us... and intellect's
expression of instinct is: i challenge the alpha male,
i'll whip up a horde of lawyers, file a lawsuit
and get away it because he nudged me in a supermarket...
honestly, i don't think educating people was a great
evolutionary step forward...
we have more law-prose liposuction on the pages of
history than a Tolstoy could muster a novel -
and because we taught everyone literacy,
the once necessary backbone of our economy,
the workers... well... let's just say that the Founding
Fathers made their muscles into oysters and molluscs,
floppy protein spaghetti... wiggle wiggle, yeah, wiggle wiggle, yeah...
defeating Communism in a place of the world that was
prone to some sort of religiosity, enzyme John Paul II -
i'd bruise his forehead and lips against those airport tarmacs
i'd get to be the inventor of sand-paper and
the Antichrist's assault on the biblical reference:
it only takes on saint to defeat the congregation... it starts with him...
or with that Calcutta Lady and Hitchens...
and oh... lookie here... up pops Hydra China:
America will be great again... but chances are...
the hot dog and the hamburger will never be re-invented...
watch the pendulum... op op oop oops here it swings
while the Hawaii communal laugh about starving
on coconuts.
cheryl love Jun 2013
There was a race at the farm
This caused a great deal of alarm
A stampede of wildebeest
Were stopped by old geese
But the rest of the animals were calm.

The Geese thought the situation funny
And so did the farmyard bunny
But the wildebeest were too strong
And their plan went wrong
So the Geese ended up giving the Wildebeest money.

They called the race off as nobody won
But the farmer was running with his gun
The pigs hid in the trough
The rest shot off
And once more the race had begun.




That night they lay tired in their beds
The Geese were snoring in their shed.
The chickens thought they were lucky
They could have gone to Colonel Kentucky
And thanked the geese for saving their heads.

The moral of this story is plain
Do not mess with angry geese again.
There is no doubt about
That a farm should not fall out
As they have only got themselves to blame.
Bardo Mar 2020
Roddy's Rooster, man! you couldn't
  oust her
Standing up there on his dunghill fair
Announcing to the whole world, to All
  everywhere
My ****! He's the greatest doodle doer
O! that Roddy's Rooster.

He don't need no booster, does
  Roddy's Rooster
He'd even go after the goose sir
Don't you fouster with this Rooster
You'd only lose sir
Now vamoose sir.

Very dapper and quite the scrapper
Patrolling his perimeter
Strutting around the farmyard pound
Invariably, henhouse bound
If you were to meet him
It'd be "Put up your dukes sir
Me! I'm Roddy's Rooster".

With his tail feathers all fluffed up
Like a feather duster
And his chest all puffed out
Quite the Dandy and always randy
What a Suitor that Roddy's Rooster
And O! what a Wooer, that wooey
  doodler.

                         I I

He came a cropper though one day
When he fell in the Hopper
Now he's a good deal shorter
And not half as cocky as before,
Now he sits on his wall lamenting his
  fall
Thinking of the days when he used to
  have a ball
Has Lady Luck that Grand Old Duck
  deserted him I wonder.

Sad to see, now he's a bit gammy
More Bandy than Dandy
He still South's in the Summer
But has doubts in the Winter,
Now he likes to crow his woes and
  lows away
Climbing up onto his dunghill, he
   greets the day
But now in a high shrill falsetto
  voice
He sings  in a whole different way
" I've been round the Ringer but I'm
  still quite a Dinger
**** a Doodley Doo"
Now... now he's a ****** Blues singer!

O! that Roddy's Rooster.
Roddy's Rooster Yeeaahh!
A bit of fun. An inspirational tale during these dark uncertain days. And a Very Happy St Paddy's day to All.
Big Virge May 2019
You Know ... ?  
I Need To Pick ... Bones ...  
In These ... ****** ...  

... "Comfort Zones" ... !!! ...  

Do You Think Yours ... ?  
Will SAVE You ... ? ...  
  
If You're ...  
... ON YOUR OWN ... !!?!!  
  
How Can This Place ?  
.... " Save You  " .... !?!?!  
From ... NEW Al Capones ... ?!?  
  
Or ...  
  
Save You From THOSE ...  
Who ... DON'T Want To Atone ...  
For ... Problems They've Made ...  
Like Our Lack of ... "OZONE" ...  
  
This AIN'T ... " Charlie Brown !?! "  
  
..............." Linus .............  
Leave Your Towel HOME ... !!! "  
  
Folks .....  
What Will You Do ... ?  
If Your ...  
  
Comfort Zone ...  BLOWS ... !!!!!  
  
... " UP IN YOUR FACE " ... !?!  
  
Just Like Farmyard Hay ...  
On A ... COLD Breezy Day ... !!!  
  
Or ... Youthful Aggression ...  
Ends Up In ... " Your Plate " ... !???!  
  
Let's Keep It REAL ...  
... In Fact ...  
Let's Keep It ... TRUE ... !!!!!  
  
cos' TRUTH In The End ....  
Will DEFINE ...  
  
What is ... " YOU " ... !?!  
  
A ... " Comfort Zone FOOL " ... !!?!!  
  
Or A .... WISE MAN ....
Who's ... " SCHOOLED " ... !!!  
  
Schooled In ... What's FACTUAL ...  
and SCHOOLED In The TRUTH ... !!!!!
  
TRUTH As In ... NATURE ...  
NOT ... Technological Tools ... !!!  
  
Like ...  
Mobiles For ... Children ...  
They're Being ... "MISUSED" ... !!!  
  
These Words Aren't Just ...  
....... "My Views" ...... !!!!!  
  
These Words ARE ...  
... THE TRUTH ... !!!!!!!!
  
Mobiles ... Are Now Used ...  
By ... IGNORANT Youth ...  
To Film ... VIOLENT Actions ... !?!  
  
Just ...
Check In The News ... !!!  
  
Don't Get It Confused ... !!!!!  
You CANNOT Trust Everything ...  
In ... News Reviews ... !!!!!  
  
But DON'T ... overlook ...  
These Types of Issues ... !!!!!
  
Can A ... "Comfort Zone"... ?  
......... " Save You " ........... ?!?  
From ... Youthful Abuse ... ?  
  
Ignore ..................................  
  
If You ... Choose ... !?!  
But ... DON'T Ever Say ...  
You ... Weren't Given Clues ... !!!!!!
  
On How To ....... AVOID .......  
A Case of ... " Muddy's Blues " ...  
  
Water Is NATURAL ...  
Rivers ... Run DEEP ...  
  
But ...  
  
This Is MY VIEW ... !!!  
  
"COMFORT ZONES" ...  
  
You Can ... KEEP ... !!!!!  
  
They Are ...  
For The  ... WEAK ... !!!
  
Who Think They ...  
Can't Weep ... ???!???  
  
I've ...
WEPT For ... " My Mother " ... !!!  
Now She's ... SAFE In Sleep ... !!!
  
You SEE ...  
My Mother Was Sick ...  
For ... Most of My Youth ...  
Which Is Why I'm ... So Able ...  
To Deal With ....... The TRUTH ....... !!!!!
  
SIXTEEN ... Odd Years ... !!!!!  
  
I Feared Shedding Tears ...  
But Now That I'm OLDER ...  
I've Dealt With ... My Fears ... !!!
  
How Many of ... YOU ... ?????  
Would Prefer Some ... New Shoes ...  
  
Rather Than ...  
Have To ... DEAL With ...  
The Things I've Been Through ... ?!?  
  
SEEING ... Your Mother ...  
DISTRESSED By ... Her Lover ... ?!?  
  
Who RAN ... "undercover" ... !?!  
cos' He ... NEVER LOVED HER ... !!!!!  
  
His ACT Was ...  " A BLUNDER " ...  
He ... CAN'T Now RECOVER ... !!!!!!!!
  
Cos' ... Anger I HOLD ...
Now Rumbles Like ...  
  
... " THUNDER " ... !!!!!!  
    
He's In His ... "COMFORT ZONE" ...  
While Your ... Mobile Phone ROAMS ..............................................................  
  
I Don't Have ... Comfort Zones ...  
or A ... " Million Pound Home " ... !!!!!  
  
I'd Rather Be ... "HAPPY" ... !!!!!  
and ... NOT Have To MOAN ....  
  
About ... Tax For My Car ...  
Or The ... "CONGESTION CHARGE" ... !!!!!  
  
I'm Trying To ... MAKE IT ...  
and SHINE Like A ... " STAR " ... !!!!!  
  
Who ...
DOESN'T Just Say  ... " The Same " ...  
  
.... " BLAH DI BLAH BLAH " .... !!!!!  
  
Did You Laugh ... ???  
... " Ha Ha Ha " ... !!!!  
  
But Life ... ISN'T FUNNY ... !!!!  
  
Life's Moving TOO FAST ... !!!  
TOO MANY ... Gun Blasts ... !!!!!  
  
With ...  
  
NO MORE ... " JOHN SHAFTS " ... !!!  
  
TOO MANY ... EMPIRES .... !!!!! ....  
With ... " VADERS For HIRE " .... !!!!!  
  
TOO MANY ... MP'S ... !!!!  
Who ... NEED TO RETIRE ... !!!!  
  
Too Many of US ... !!!  
With ... "Lustful Desires" ... !!!!  
  
Can You ... FEEL MY FIRE ... !?!  
It's ... Making Me TIRED ... !!!  
  
I'm ...  
TIRED of ... TRYING ....  
  
When ....  
So MANY ...  KEEP LYING ... !!!!!!  
  
LYING ... To THEMSELVES ... ???!???  
About Their .... "MENTAL HEALTH" .... !!!  
Because of ... " THEIR WEALTH " ... !!!?!!!  
  
MONEY Is ..... "Paper" ..... !!!  
It's NOT A ... Life Saver ... !!!!  
  
I'm The ... " BLACK " ...  
.... " CAPED CRUSADER " .... !!!!!
  
So ....  
Do Me A FAVOUR.... !!!  
  
REMEMBER THESE WORDS .... !!!  
  
God Is ... YOUR MAKER ...  
But If You're ... NOT CAREFUL ... !!!  
  
He May Be ...  
  
" YOUR BREAKER " ... !!!  
  
Read ... IN BETWEEN Lines ...  
STOP TAKING ... "Coc' Lines" ... !!!!!  
  
Try ...  
Talking With A ... Coc' Head ... ?!?  
  
They're ... " OUT OF THEIR MINDS " ... !!!!!  
  
REPEATING Themselves ...
Pretty Much ... ALL THE TIME ... !!!!!  
  
Now ...  
In These ... LAST LINES ...  
Are Words For ... "The BLIND" ... !!!  
  
OPEN ... Your Eyes ...  
and Then You'll ... REALISE ...  
  
You're NOT ALONE .... !?!
We ALL Have To ... " LIVE HERE " ...  
  
Earth Is ... "OUR HOME" .... !!!!!  
  
DON'T ... EVER Presume ...  
You DESERVE ... What You Own ... !!!!!  
and DON'T ... EVER THINK ... !!!!  
  
You DESERVE ...  
Your Own ... " THRONE " ... !!!  
  
cos' ...  
Those Who Live ... Like THAT ...  
Are DOGS ... WITHOUT Bones ... ?!?  
  
and THESE ARE ...  
The ... " FOOLS " ...  
  
Who ... Live In ...  
  
.... "COMFORT ZONES" .... !!!!
Words for the wise...
It can be ...

A Dangerous place to trap yourself in ...
Mateuš Conrad Sep 2016
writing poetry can be rather humbling,
you have to bow before the traffic wardens,
pat the backs of bus drivers,
it is a humbling art,
               there's no real canvas,
and in the digital age: there's not much ink.
you have to humble yourself
             in ****** terms: great if you're a woman...
oh ****... if you're a man...
            and you can't seem to ever become
"the artist" -
                           poetry on the side is
acceptable, but poetry written with the aghast
missing: but i'm also a plumber - is
   another conundrum -
                so yes, poetry is a bit like
telling Picasso he can sit among the 5 year old's
  exhibition of their crayon masterpieces -
it's truly humbling...
                              sexually it's like
being impotent or at the very least: castration,
and never mind you actually obtaining
a castrato voice for the Vatican choir...
                truly is: a humbling experience.
  the philosophers attacked, then the psychiatrists,
and the novelists just wrote a paragraph
            and that was that:
the hand moves, the clock ticks...
                       poets are leeches, the end, and a happily
ever after.
                   it truly is a cenobite affair -
or as one says it: a tad bit monkish -
                                 now, plot a monk in
society: what do you get? oh sure, fervently wanking
myself to sleep, been doing it since the age of 8
before i could produce the *****:
         it's subliminally muscular orientated -
nothing about the ****, let alone the jazz...
   you bothered? i'm not bothered... you bothered?
    i'm not bothered...
                       and where (if not in poetry)
would you find no characters and an uninhibited
narrator who said: well... **** David Copperfield
and Jane Eyre - i'm going solo...
                    and i know, i have my little
soppy story... who doesn't?
                     but the choke / joke of the matter is...
being exposed to solely happy stories doesn't
make you happier -
                                according to Nietzsche i
have no shame because i exploit my experiences -
that too... why keep a private life sacred when
it's burdened not by the shadow of a tree of
knowledge... but a crucifix?
                          also a tree... oh look! he's waving
a hello! god knows how he did that!
that trick is better than that walk on water...
i'm all beetroot flustered with my cheeks grin-pink.
           sarcasm... or, the way to write
the less humbling sort of poetry... or to escape
musicology (namely rhyme, or the one note song
by Tenacious D) using a rickety raft that
poetry is... get the humours in,
   **** the furies,
           **** the fates...
                               ensemble: F... is a holy letter...
now the chance to hypnotise someone...
             and whoever said fairies gets a bonus...
   but it is, truly, humbling...
   sexually it's like this motion toward the trans
movement - chop my ***** off insert a pseudo-****
and job done... inject the right amount of hormones...
grow a beard... and Thomas' your uncle...
   of Bob... or Sinjit... or whoever taught you
the joke in mathematics class when describing
infinitesimal calculus (Herr Crickmore,
former trader / broker)                                      -
(oops, left the hyphen wide)                   never mind,
but the thing is... even though poetry
is a humbling experience...         i find novelists a bit
like lumberjacks...    they're hacking a tree,
and they're hacking and hacking a tree...
                 and they keep hacking the ****** tree
until a tree becomes a five-hundred page bestseller
   and about 1000 boxes of toothpicks
   and 2000 boxes of matchsticks (roughly, jokingly,
because it's probably more) -
                well sure...
                     i don't write poetry to entertain,
or to: "voice my concerns" -
                         i have very little care for the former,
and even less care for the latter -
            i have no idea why there's so much
patting-on-the-back for essayists and novelists -
       one clue gives it away:
                   they write so much... because they
could speak for so long without enough lubricants
akin to whiskey or water...
           silence? well... that's an altogether different
lubricant...as it is: i hate character constructs -
   and i hate an even blander narrator -
poetry is a humbling experience: after all, they treat
poets as if they're ******* when "serious" trades
provide for society -
                                    and you know why the mentally
ill sometimes **** people? the same reason as the above
stated... the populist medical pyramid is there...
i walked past a pyramid today, well, a scrap of it:
raising money for cancer patients...
                    reality? 19 pence drugs to preserve life
are scraped because *** drugs are more necessary...
never seen people have more fun...
          but all other ailments?
  too weird... too science-fiction... don't exist.
        well... ain't that nice... cancer gets the priority
and all the glamour of advertisement and
oh god... all that running the mile for charity in pink...
   with Stephen Hawking levitating waving
a telekinetic chequered flag at the finish...
            but the rest of humanity's ailment?
imaginary - or at least that's what it feels like.
if there was ever a pyramidal indentation in
humanity's perception, there's one now -
a hierarchy - as with cocktail parties and the glamour
of the *******-in-a-monkey-wrench literati dinner parties -
             well, those pyramids are well and truly
    ingrained in our minds...
                  and i thought that the point of hierarchy
was bound to how many holidays you took
   and what sort of television you owned...
guess not...                            but always, always!
    always that need to reach for a hierarchy...
                 and who were the first to voice their
concerns? the melancholic -
   5 in 1, 5 in 1 year asphyxiated at York University...
    and this is not the Homeric kinds...
                      all the time i'm
turning the huh? of the perplexity of existence
           (because, to be honest,
i don't know what life is: not thinking and cocktail parties?)
              d'ah ****?
                                   sure, the old testament
said enough about the voice in the wilderness...
well... try finding a wilderness i'll find you
a nursery rhyme: Ol' McDonald had a farm...
        time to see where that voice once found
in the wilderness went... oh look...
                                     it's no longer a voice...
and it's not in the wilderness: or the farmyard...
              it looks like it turned into
a thought                                                  in the abyss.
cheryl love Apr 2014
There was a race at the farm
This caused a great deal of alarm
A stampede of wildebeest
Were stopped by old geese
But the rest of the animals were calm.

The Geese thought the situation funny
And so did the farmyard bunny
But the wildebeest were too strong
And their plan went wrong
So the Geese ended up giving the Wildebeest money.

They called the race off as nobody won
But the farmer was running with his gun
The pigs hid in the trough
The rest shot off
And once more the race had begun


That night they lay tired in their beds
The Geese were snoring in their shed.
The chickens thought they were lucky
They could have gone to Colonel Kentucky
And thanked the geese for saving their heads.

The moral of this story is plain
Do not mess with angry geese again.
There is no doubt about
That a farm should not fall out
As they have only got themselves to blame.
Your voice echoes out to me,
like a funeral bell that never stops ringing.

Like the incoming tide,
eroding the mountain that is my sanity.

Like a cuckoo clock
whose alarm is always set for the early hours.

Like a farmyard
whose animals are poisoned with laughing gas.

Like a twisted finger
that always pokes at my bruised forehead.

Like a hungry seagull
crying for food when an entire feast is laid out.

Like an invitation,
asking you to attend the party of an old enemy.

Like a hammer
that goes on a mad rampage inside a china shop.

Like a game of chess,
trying to be intelligent but just ends up being boring.

Like a deck of cards,
one nudge and you end up crashing down on us all.
why did he not bother to contact me
that is the big question which shall remain
from our conversations he did abstain
other matters were more pressing for he
his mind sidetracked to sweeter terrain
the grass was much greener at that place
it held sway o'er my unattractive space
a well lit spot made the seeing real plain
he employed an axe to chop the line
dead was the telegraph no more chit chat
pickings of delectable kind he'd pursue
mine were akin to a dull farmyard swine
one once was as blind as cave dwelling bat
but one now knows the color of his hue
j a connor Oct 2021
Look at ewe said the sheep
Sheep don't care
Prefer to eat, fat cow
Why involve cattle, it's not market day
Trust a goat to **** in
Cadence Apr 2018
I choose to displease you
So this garden can bear fruit

The fox is sweet
But not to me
He wants to eat my chickens whole
The fowl are fools
Too fat to fly
Blood and feathers in the coop

Now your request is nothing less than foxes in my hen-house
I can see there’s things you need, but it will never come from me now

This barbed wire may seem dire
Desparare times, desparate measures
The foolish fowl make choices now only on which seed to peck
The coop now guarded night and day, a count is made, the locks are checked
Though these hens desire the freedom to roam as they please
It has been decided
The hens will be supervised
The fox will be reminded
If we find another chicken dies
We reinforce, remove the threat, create a safer boundary line
Francie Lynch Apr 2016
I measured the steps
From the back screen door,
Past the rock water well
And the garden plot,
Down the gravel drive.
The crush of stones beneath
Were the sounds of anticipation.
At the end,
The road stretched and ribboned,
Grey, beneath the harvest sun.
I numbered the fence posts
Up to the tree with embedded wire,
Demarcating the next acre.
The telephone poles like guards
With cats-of-nine tails,
Red-winged blackbirds and wrens
Hanging on trapezes, upsidedown,
With rigamortis clutches.
The few cattle stood cooling in the pond,
The chickens pecked the farmyard dung.
Each day my steps imperceptibly decreased,
Speeding up the monotony of my walk.

I missed the sheep shaped clouds,
But saw them move
Across verdant dales,
Following the stream,
Like lambs.

Today, I look out my kitchen window
To see where my son,
My disheartened, lonely boy,
Counts the steps to Brigden Sideroad,
Feeling the gravel
Hard beneath his feet.
Brigden, Ontario, Canada
Briz Mar 2014
Last wish

The old guy lay in hospital, his family round the bed;
listening to his dieing wish
& this is what he said.

“I've always been a farmhand & mucked out barn & stable.
I've done my bit, at shiftin' ****,
to put food on the table.

You need to know, before I go, don't let me be cremated.
It's something I've thought long about
– a thought I've always hated.

Bury me by the cowshed, among the old bluebells.
There, let me lay, 'til judgement day,
amid the farmyard smells.

Yes, bury me under the dung-heap,
although it seems absurd.
Far better than cremation
-I wish to be inturd!”

Briz 6/6/13
Michael Edwards Jan 2019
‘’Let’s play darts’’ the animals cluck
but when they get the arrows out
ducks chicken out and chickens  duck.
Terry Collett Nov 2012
Lisa dresses for school,
buttons up the blouse
with fumbling fingers.
She stares down at her

bed where she and Mona
had lain the day before.
The same sheets, pillows
having no doubt her hair,

her smell. She puts on her
school tie, loops it through,
her fingers sensing the
smoothness of the cloth.

She remembers how they
had made love on that bed,
how they had lain naked and
hot and kissing. Best Sunday

ever, she muses, looking away,
stepping into her school skirt,
pulling it over her waist.
Her mother had called out

to her some minutes before.
Breakfast ready, not in the
mood for food. She looks out
the window at the farmyard

across the way, cows heading
out to the fields, her father
following, bellowing, a stick
in his hand, his arms raised

to move them on. She sits on
the bed and takes a pillow
and holds it to her nose
and sniffs. Mona’s scent,

borrowed from her mother,
she had said. She feels along
the sheet with her hand.
They had laid there, their

bodies, their lips kissing,
their hands holding. No one
had known they were
making love. Her parents

and family had thought them
drying after getting drench
in the Sunday downpour.
She closes her eyes, imagines

Mona is still there, thinks
she feels her hands around
her waist. Her mother’s voice
calls from downstairs. She sighs,

stands up and slips on her
socks and shoes. Leans down
and puts a kiss on her top
pillow where Mona had

laid her head, now she has only
images and memories instead.
Bardo Aug 2019
O! I went to the loo to do a number
    two
Only one cubicle was vacant, the rest
    they were all taken
"Looks like a full house today" I
     thought to myself
Man! I was bustin' to go
As I sat there on my throne in my
    cockpit all alone
There came this funny rumbling
    sound from down below
And then, this fearsome volley.... a  
    fantastic farting
And then, a great release
As finally I dropped my bombs with
    studious aplomb
O! what a relief !

"Man! ", I said to myself, " I must
      lay off that Aloe Vera juice
That stuff it goes right through you "
But then, something strange, from the
    cubicle right next to me
Came this other big thunderous ****
    explosion
A big fat blubbery balloony one
It sounded like a tuba gone wrong
And then! And then, another one! this
    one further down the line
This time a big bubble and squeaky
    one
And then! yet another! a funny little
    flute-ey one
Like it just squirreled out in the nick
    of  time
And then finally, another!!! a big Big
    Bellow like from some wonky
        trumpet
A real rasper, he must have thought he
    was doin' the solo
Man! It was so funny, one right after
    the other, you had to laugh
It was.... well, it was Gas !!!
Lucky no one struck a match
Or else it might have been... yea!
    Jumpin' Jack Flash !!!

It was like listening to a whole scale of
    *** notes
Such a strange symphony, these
    wondrous excursions in Sound
For a moment there, it reminded me a
     bit of Beethoven,
It was no celestial choir that's for sure
It was something altogether more dire,
Like something you'd hear in a
    farmyard byre
The animals all gathered at the trough
It was like all the bottoms were
    conversing with one another,
        having a chat
Plotting a rebellion even, an uprising,
    a coup d'etat
Against that other much more
    celebrated Opening
That much vaunted Hole in the Face,
    the Mouth!
That puffed up preening Prima Donna
    with his preposterous outpourings
His Monstrous, pompous inflated Self-
   importance
Sitting up there stuffing himself and
    forever spouting nonsense
"Sure, we do all the work down here",
  the Bottoms were saying, " and we
    talk a lot more sense as well"
They posed the question "Can a Bottom speak more Truth than a
    Mouth ?"
These defiant derrieres, these proud
    posteriors
With their proud exultations
Sticking a firm ******* up at that so-called world of respectability up
     there
That world of petrified good manners
Suffocating! Oppressing! with its
    stifling mores and traditions
Yea!....for sure, the rebel Masses, they
    were just a bunch of Bad *****.

O! the air it was blue just like Pepe Le
    Pew
I could have sworn I seen a big blue
    gaseous cloud ascending
Heading up toward the ceiling
Like a great Cloud of Unknowing
    except with a bit more foreboding
Reminded me of William Wordsworth
    & his lonely cloud a-wandering
But then I thought, did Wordsworth,
    Shelley or Keats ever write
An Ode to His **** ?
Was it too dark a side to show, too
    dark a place to go
The Dark Side of the Back Side
The Dark Side... of the Moon.

Pepe! Pepe Le Pew, that old Don Juan,
    Casanova of the old cartoons
It was then, my Love, it was then I
    thought of you
I smiled and said to myself"I know
    what I'll do
I'll blow out another sweet blue
    raspberry one just for you....
Oh yea!....that one was lovely, that one
    was true
I think that one had your name
    written on it
O!  I do".

And now as Pepe might say " Adieu! adieu!.....Sweet, sweet Adieu! ".

                       Ende
This is really lowering the tone. 'Bout time I wrote a real stinker, this one stonks to high heavens, it probably won't go into the stratosphere but it'll certainly go into the Ozone layer By the way the "Moon' bit, to moon someone as a verb means to show your bottom to them. Also Apologies to Beethoven, man was a genius apparently.  - By the way, Does my *** look big in this???
MRQUIPTY Jul 2016
sure, *****
strut a pace
with the
subtle
redirection
of the
head.

spurs sharp
and maiden
blooded.
plumed fine.
head and chin
the red of
warrior men.

when set
to crow. cooped
low, this beast,
beak pushed
against
farmyard feet.
no.
Marshall Gass Apr 2014
It was all silk and sawdust
Mamas skirts rustled a sunday mass
and dad wore his bowler hat tilted at an angle
(dirk bogarde -like look)

But he was a farmer.
soon after the service was over
he'd hang his hat by the cowsheds
and wallow in green slushy poo
irrespective of how much it stank
and how natural  he looked
throwing sawdust over the caked green pancakes
and shovelling all that crap into a corner,
with sundays best clothes on!

Mama insisted he change first
but no. "The cows need attention
as much as god does, Mama"

We did not argue with his farmyard philosophy
but that's where we cut our teeth
and tasted a mans love for his animals
both human and beast and that's where
we understood that sunhats, bowlers
and polished walking sticks
were just statements that didn't come
from a book- but society. Somehow
he mixed the two learnings
to get along with everything.

I missed him when he milked his last cow
and lay down forever in that quiet evening
as the sun set in an orange sky. The brightest star
that night climbed over the eastern ridges
to grace the night. Dad?



© Marshall Gass. All rights reserved.
Fay Slimm Aug 2016
Too long hangs rain in our valley.

Sky's clouded face cracks to cry drizzle-patterns
over sown ground
and growing seedlings face hazard.

Too long has water earth-wronged.

Makes mud by changing each leaf to sponge
that ***** out green to
leave brown where verdant belongs.

Small lakes rise in the hedgerow-rose.

As tears of lime run down from hilly meadows
sad rinsing brings whispers
of wet killing by un-seasonal cold.


Too long shudder of feathers droop.

While across far horizons a fox runs foodless
as damp cubs look for sun
while prey floods in the hen-coop.

Too long a chill has made harvest weep.

Thatched cottages drip in the village street,
trees bleed moss and weight
burdens the thick-coated sheep.

Swathed in neglect droops each garden.

Knee-deep in unattained tasks the farmyard
sprouts idle days as folk bide
time waiting for signs of drying to start.

To long hangs rain in our valley.
Terry Collett May 2014
Milka was by the duck pond
we'd been to the cinema
to see an Elvis film
I’d bought us ice creams

and we were sitting there
getting some air
I thought my brothers
would be there

she said
they said they would
just to show me up
being with you

I watched her
as she spoke
her tongue licking
in between conversation

they just said that
to wind you up
I said
they've gone fishing

with your big brother
they always
do that to me
she said

get me wound up
that's brother for you
I said
the ducks swam

around the pond
there were geese
as well and other birds
pecking up bread

spread around
my mother almost
caught us
the other day

Milka said
that was close
I looked
at the ducks

you said your mother
would be out for ages
I said
I thought she would

Milka said
I remembered hearing
her mother
talking out

in the farmyard
to a farm hand
your mother's here
I recalled saying

to Milka as she lay
on her narrow
single bed
what O god

and she had thrown
on clothes
and cursing
under her breath

I put my jeans
back on
watching as her mother
chatted to the guy

get out
Milka said
go downstairs
make out

I’m in the loo
I just made it
as her mother
came in

the ducks swam around
I finished
my ice cream
as Milka licked away

her small tongue licking
her eyes gazing
at the swan
that had come down

large and white
swimming smooth
I kissed her neck
lips to flesh

warm and soft
and she giggled
and I loved the way
her bottom wiggled.
BOY AND GIRL BY A DUCK POND IN 1964.
Why did he not bother to contact me
That is the big question which shall remain
From our conversations he did abstain
Other matters were more pressing for he
His mind sidetracked by sweeter terrain
The grass twas much greener at that place
It held sway over my unattractive space
A well lit foyer made the seeing real plain
He deployed an axe to chop the line
Dead twas the telegraph no more chit chat
Pickings of delectable kind he'd pursue
Mine were akin to a dull farmyard swine
I was as blind as a cave dwelling bat
But I now know the color of his hue
Mary Gay Kearns Jul 2018
Tall Nettles cover up the corner, as they have done
These many springs, the rusty harrow, the plough
Long worn out and the harrow made of stone:
Only the elm **** tops the nettles now.

This corner of the farmyard I like the most:
As well as any bloom upon a flower
I like the dust on the nettles, neve lost
Except to prove the sweetness of a shower.


By Edward Thomas.
This is just so unbelievably magnificent .
Love Mary x
(cheesy)

Woe
Woe
and thrice
whoa
wait a minute
steady Neddy
this isn't a day at the Coliseum
that's been done,

Hear ye
Hear ye
here,
wait a minute
what's going on

Hello
Hello
Hello
and not in a Seagoon voice
Spike spoke
( a Milligan joke )

Okay so it's nearly early but neither late
I am reading the tea leaves
resistant to fate
and I think I might wait
until the sun goes
down.

know that before the **** did crow
he was just another farmyard bird and yet his crowing's been heard for two thousand years.
Olivia Kent Aug 2015
When you can't reach the stars at the top of the stairs.
When your eyes become blinded in your darkened domain.
All you find is storm, upon storm.
Barrage balloons and a million blue moons ,none that I can find, pray someone remind me that life's really good.
I find no interest but, I know that I should.
When lost moments are gone and you can't see the sky, the nails on your fingers scratch hard, you're wanting to cry,but your tears are all gone, stolen by one, who says that you're stupid.
Tears came back, they're chasing the tracks of the scratches of nails, where snails become slugs, salt hating bugs.
Disintegrate into puddles of slush.
Reminiscent tears, begin more to gush as they flush out bad feelings of battling with demons.
Want more soft furnishings to cushion my head, I fight onwards and upwards, wish I was dead.
I doesn't always follow, as sometimes I'm mellow, tinged with spots of cowardly yellow.
The bus passed the stop and I just can't step off.
The world keeps on turning, somewhere a sparks still burning.
Never know why, I just need a good cry.
I want a good sob.
I know that I do.
My world is beaten black shades of blue.
I sit in the corner and rock like the clock on the shelf, with the crocodile tears, just a big fish out of water, they call me a flounder.
A bit of a chicken, scratching the farmyard.
Guess what ladies and gentlemen the poet's a ******.
Not too hard to work out I guess, yep, everyone knows that the poet's a mess.
Large black dog, swirls round my head, still wish I was dead, born a coward always will be, stay in bed, take some proper medication..no not suicidal, some delicious anti-d's.
All shall pass, soon I shall be me again,
Honestly.
(c) Livvi
Merry Feb 2018
Walking through cluttered art
A placid pace through a placid place
A green yard gone red with rust
Metal sculptures
Giant windmills
Broken, missing pieces
Wire birds twisted around walls
Bent out of shape
Graffitied and damaged
Stop signs

A farmyard
By memories of childhood
Pleasant associations
Of family and fortune
Where strangers become friends
Friends unknown
I meet the sunken eyes of my Grandfather
Over a table decked with games and festivities

A depressed omen
That hails wisdom
From years gone by
And years that will pass
Where experience
Shall meet practice

In games that doth test
Character and adversity protest
Where seeking advice
Bends the shape
Of already broken shapes
Inhumane aspect
Of people most suspect

Success and favours
Changing clothes
Changing personas
To meet the ever-changing situation
In the journey of my dreams
In the journey of my lives
I will overcome the challenge
And take my claim
Of success
And favours
My good fortune
Through
Divination of divine dreams

— The End —