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We come to a complete stop.
At a red light.
We wear our arms like seat-belts-
crossed for protecting our pilot lights.˚
I can't help but wonder how many airbags might deploy
if a meteor crashed headfirst and heavyset into the planet
and pancaked us eternally into this moment-
and how our fossils would look confused;
funeral flowers on a wedding cake.

None of this matters, we're both thinking it,
God is a foster child playing with his erector set.

You grin with as much conviction as a dented automobile,
breaking the months of silence to say,
"I miss you."

We can never fold these road maps back the way they came.

Somewhere existentially above this moment, there is an asterisk
that confirms
you- are here.

There was a younger version of me that you never got to meet,
he was here once,
stupid as a slinky.
Shaken like an Etch-A-Sketch.
Crooked as the question mark that punctuated his voice.
I looked good in hydroplane,
my eyes- bigger than my belly,
so I drank my weight in promises- I knew would be hard to keep within arms reach.
I also knew an encyclopedia's worth of how it felt to lie to myself.
I did it for twenty-three years
until I finally let go of stupid and held on to reason.

At some age I wrote letters to my favorite musicians,
using the sloppiest side of my penmanship, I'd ask for answers
and my mother, like a paperclip, used to tell me - she'd say,
"Kiddo, just because they don't respond
doesn't mean they didn't get the message."

She kept her chest of hope upstairs, away from the living room.
She only opened it on the hallow end of October;
that's where she kept the blankets.

Shy, I kept my hope chest covered in a T-shirt-
at the very least.
I never opened up.
I emptied my toy box of all its fiction, filled it with voices.
Deployed an army of rubber wrestlers, martial arts amphibians
and those inanimate toy soldiers with plastic parachutes attached
in search of the confidence I knew was supposed to belly-flop inside of me.

It hid, unfound for decades.
Until you entered.

Hawaiian domino effect, circus of chain reactions, avalanche of affirmation, chest-plate yielding gravity mouth speaking brightest anything forever night light, all apex and eyelash and cheekbone.
You -from big island- broke me.
I opened like the dry side of an umbrella, kept my back turned for shielding you.
I showed up for love on time, like a subway train in echelon city
wanting these arms to feel less like turnstiles.

All my sign languages were in waves.
All my ceilings turned to skies.
All my jitters packed into my hunger stomach.
Typing hyper with caffeinated hands
a swarm of nervous words bee-hiving in my butterfly chest.
Something like a hummingbird
when I finally drop your name like an alarm clock whisper
my lungs empty like cathedrals on the day after Christmas.

I brought the sermon to your Sundays,
you brought the choir to my masses.
We built a church around these esophagus bell towers.
Held ourselves up to the stained glass and showed off our light;

I swear I don't believe in a lot of things, God knows,
but there's always a but,
so much as I believe in the eternal depth of everything,
so much as I believe that we'd have plenty of water if it weren't for salt,
so much as I believe in eight marbles rolling around a gas lamp,
I believed we'd find a way.

'Cause in all the ways my sky could never hold you- and I mean this-
I believed in you- same way some people believe in Jesus.

Because you never judged my albatross mouth when I said things like,
"Self deprecation is the new love."
You kissed me-
less like doorstop,
more like lighthouse illuminating windmill.

You were a merry-go-round pivot decorated in Kona coffee beans, Christmas lights, cough syrup, paper mache pineapples, plastic dinosaur bones, a collection of worn-out Asics, board shorts and a dubstep remix broadcast through the static of a blown-out rotary phone.

You were everything I could get my hands on-

A full-tilt action-packed kaleidoscope jungle
with blender tongue and volcano heart.
I looked good in your sad panda coat tails,
teaspoon swallowing my doubts
while you Tarzaned my ability to breathe,
gave me ocean view and weak knees.
Is that sea breeze in your aftermath or are there already tears in my happiness?

You came camouflage out of my blind spot dressed in magnet armor,
diving board and drum set.
We passionbent cymbals into cannonballs.

I found comfort between your breastplate and your shoulder blades,
where you held me like a promise
when all my wishing was for want
and all your wanting was for wishes

Granted,

I know that there were days when you couldn't help but wake up like gorilla speaking Pidgin
and I couldn't help but waking up like an abandoned highway with a chip on my shoulder-
some maps don't show this much detail, Google Earth-

Which is why I always came through for you like a well-lit citrus truck stop
pressed against the dusk in your moonlight life crisis.
We only saw stars.
From our moon base.
In bewilderment, in our hunger, we learned
that if you hold me to my vending machines you'll get what you pay for.

So here it is, the truth, as I have always known it,
delivered to you on the outskirts of an echo,
my voice, supporting my existence like a monolith.

I'm standing in the middle of a you-shaped hole.
It's as wide as a promise crater-
we built it together.
It's not my favorite place to stand
but the exit strategies are made in the shape of a me that I haven't constructed yet.
I had a lot of things planned.
I referred to things as "ours",
when I really meant "please".

Bury me in your time lapse.
When your emotional excavators discover me in your sediment
they'll find me all pterodactyl-
wings spread wide as potential, sky-diving toward forgiveness,
forever.

Truth is, I'm wingless.

We met at a stop sign.
Our paths crossed.

There's a lot of accidents at some intersections.
Maybe it's because that's not where those two roads were supposed to meet.

We can't time machine argue with the way things landed.

We weren't an avoidable accident.
We were just two cars that really wanted to dance.

I don't know what I'm trying to say but I know when I mean it.

There's a tyrannosaurus rex cradled head-to-tail just behind my curator heart-
all fossil spine, monster teeth, jaw head and piano hands.
His presence says a lot about the past.
There's an asterisk on the surface,
above this moment,
that confirms with absolute certainty,

˚something wicked awesome happened here.
The (˚) is supposed to be an (*)
You can hear me read this here: http://tumblr.com/xft51gwrf0
T2m Sep 2014
With a quill over paper
For muse, we are excavators
We pour out our hearts
So joy, love, peace to impart
To hold a torch over emotional darkness
To fill each others hollowness
Its for the love we write

When we write
We are called poets
A name fitting and right
But your theft just says you are mentally poor
Reducing you further to a mere thief
And nothing close to a P
Not to talk of a poet.

The moon is not a thing you can steal
Trust me its pure folly
That's a dumb idea to conceive
Posting others' poems
Posting like a poet?
Like seriously
How does that sound to 'your' hearing?
DUMB
Even so, to even dare, you must be too dumb to realize its dumb

To acknowledge is not so hard
Its just adding one more line on your pad
I want to deceive myself that you are not too dumb to know that
If you didn't know, now you do.

PS: You could post my poem
That does not make you a poet
It just makes you a thief
Suffice it to say, the worst kind
Without robbing me of the fact that I'm a POET
Wk kortas Sep 2018
The casket was coming up, swaying and wobbling
Like a novice skater’s layover spin,
The workings proceeding apace,
The stillness of the August heat
Punctuated by disinterested growl of the backhoe,
The occasional out-of-place jocularity by the excavators
The creaky jingle of the chains holding the muddied box
As it proceeded skyward in its clumsy poor-man’s Resurrection.
The affair was being observed by an elderly couple,
Old enough to be of no particular age.  
Their car had Carolina plates,
But their inflections, their casually-tossed idioms
They noted that ruefully The grass needs mowed)
Marked them as natives.
They’d returned (Last time, most likely,
The wife uttered mournfully)
To take their son with them; he’d drowned when was five? six?
(The years will do that to a body, apparently)
In Kinzua Creek some half-century ago,
Back when little boys weren’t under a mandate
To be safe from themselves, as it were.  
He was our boy! We’ve never forgotten him!
The old man said, the words snapping off
In a manner that spoke of something else altogether,
How the whistle at the Montmorenci
Went off at three and eleven for second shift,
And your *** had better be there,
As those were good jobs that didn’t wait for bereavement leave,
Because there was always someone
Just itching to take your spot on the line,
And anyway life went on,
At least in the sense that television screens went all to snow
And tires went flat and fuses blew
And eventually a dead child
Is not always in the forefront of your thoughts,
Only tiptoeing in when the Press ran a picture
Of the Montmorenci Area Class of whenever,
Or there was an item about some other family
Who opened their front door
To a grim sheriff’s deputy with his hat in his hand.  
Eventually, after some time
And in defiance of both the odds and gravity,
The casket was settled into the back
Of the undertaker’s huge old black Caddy,
And the couple cane-toddled back to their car,
Following out the through the old spider-like gates
And onto the main road.
The brief procession fading from sight,
Until there was nothing left to see
Save the hillsides covered in old growth pine.
Marshal Gebbie Feb 2011
Orange hazards blink in gloom
Autumn mist in early light,
Traffic cones direct the flow
Attenuators keep it tight.
Through the mist construction looms
A mighty swath comes into sight
A structure massive, incomplete
Sweeps past the Birdcage portal light.

Burrowed deep within the Park
Surmounted by its stark white beams,
The tunnel curves towards the Bridge
To emerge near the Victory screens.
Symmetry in huge largess
Biblical in size and form,
Built by puny hands of flesh
Man inspired, conceived and born.

Columns in the concrete mass
Loom as sentries, side by side,
Level in majestic sweep
Through the tunnel’s corner glide.
Massive beams locked overhead
Cap the roof’s gigantic clasp,
Reinforced by gridlocked steel
Bound within the concrete’s grasp.

Mounds of blue, congealed wet clay
Layered in an old sea bed,
Hauled away from ancient crib
By Fletcher excavators red.
Roaring diesel truck and tray
Loaded overburden high,
Water blasted ***** and span
Keeping highways clean and dry.

Monstrous cranes with hanging rig
Lower weights of ponderous steel,
Gently to the tunnel base
Led by Dogman’s coaxing feel.
Urgency in every move
Hard hats drill with diamond core,
Fixing massive panel slabs
To the looming concrete’s bore.

Well below incoming tide
Pounded by the drenching rain,
Four inch pumps snake to the sump
Ensuring flood control’s maintained.
Foremen bark and keep control
Hard hats share a secret smile,
Safety first for every man
Think before you lift that pile.

Gate girls smile at passers bye
Politely chiding those who stray,
Holding up a halting hand
With trucks inbound in hazards way.
Smoko at the Bowling Club
Murmur of a hundred souls,
Grubby in their hi vis vests
Munching on the caterers rolls.

Morale amongst the working men
Is high because they feel the cause,
A project that is so worthwhile
They KNOW that it  deserves applause.
Traffic roars above it all
Passing in a steady stream,
Brake lights on the viaduct
Cop cars flash and sirens scream.

This project has a consciousness
A Heart, a mind, a soul.
And an inspirational spirit
Which guides us to the goal.
To eliminate the bottleneck
In Auckland's traffic day
And to streamline the system
Of our vehicular motorway.

Politicians snarl right now
Champing at the huge expense,
But by next year’s finish date
Congratulations will commence.
The jewel in the crown they say
Is found within our park of green,
The Victoria Park Tunnel, friend,
Is a true magnificence, to be seen.


Marshalg
Victoria Park Tunnel
5 February 2011
Kurtis Emken Oct 2012
Alright,
I'm standing
in a rain soaked field
looking due North at the
stacked glorious nothing.

And the vapid brands that
stamped and covered these walls
are an echo of their vibrant
former hues.  

The people drive round
and down trying to get
to their brown house maybe.
The parking lots are planar
grey graves, commemorating
the former lives of the

ghosts of shopping malls past
dying ghosts of shopping malls past.

Right on, I'm
walking through the Holocaust
memorial with my coat buttoned
to my throat.  The dying lights of
the Sharper Image really makes
a mockery of what they left.

There is the shell of a Banana Republic.
There's Old Navy, Gamestop, Footlocker
Shoes.  This is the food court where I hit
on that girl who ended up being as
forgettable as a food court meal.

Okay,
now I'm
looking out just one mile south at the
excavators pushing the dirt and the rock
Digging into land bought by the City,
to build up a new store or twenty

This new real estate is assured to
bring "vibrancy" to our local economy.
Those old stores aren't the right location
so let's just leave, they never existed and

a single family of mallards swim is
circles in Yorkshire Lake.  Calmly watching
as the engines get closer, not really expecting
their time is over to bring in the future of

the ghosts of shopping malls past.
Another ghost of shopping malls past.
Marshal Gebbie Oct 2010
Written in the language of the hard hats and dedicated to each and every one of us who have endured this horrible ****** Winter weather*

Rain in gouts from June till now
There's blue clay mud forever,
Orange excavators ply
With sturdy tracked endeavour.
Lakes of water, turgid brown,
Are Swirling  with the flow
Of four inch pumps in overdrive
With ****** all to show.

Streaming rainfall day by day
As dogged men press on
To concrete saw and generator's
Screaming, nearby song.
Welders, under shelter, flash
Their lurid silver light
And ghosts of reinforcing bars
Reflect like day is night.

Mightily the ironwork
Descends by crane to trench
And snaking snout of concrete pump
Disgorge their load to bench
The magic of the bentonite
Performs it's subtle dance
And the concrete locks for centuries
As thunderous skies advance.

Knee deep in the morass
With perplexed furrowed brow,
An engineer is pondering
A sticky problem he has now
How to isolate contaminants
From mud to water flow,
How to guarantee the purity
As seaward tonnes of it does go

And still the deluge thundered down
Relentlessly it poured,
Day to day and month by month
Despite the plea's implored.
Relentlessly the hard hats
Bent their sodden backs to task
And forged a mighty work of progress
.... More than anyone could ask!

Amazing the endeavor,
Just amazing how they work
How men can face adversity
And simply will not go beserk!
How bounteous camaraderie
Generates between ranks.
When the hardship is shared
And the boss smiles... thanks.

For the roof beams are settling
And those deep holes begin
The tunnel takes shape
As slanting rain whistles in
And the big trucks do loiter
To idle there for a bit,
As the loud water blasters
Clear the clogged wheels of ****.

And the public all clamoured
To wait and queue in the stall
To watch and to witness
A quite remarkable call.
For the old Birdcage tavern
On that grim cloudy day
Promptly lifted her skirts
And slowly scuttled away.

All the glue and epoxy
And the rivers of nails,
And concrete trucks queuing
As the ******* flails.
And steel by the megaton
All rusted and twitched
And worriers worrying
Till the problems are fixed.
And the augers are drilling
In a great tandem arc
And nobody knows
Where the **** they can park!!!
  
Then the bright sunshine breaks
And the smiles all appear
And the work rate accellerates
For the way is now is clear
To inter that  dear old Vic tunnel
Down deep in the sod
Then you'll hear us all chortle
"We've ****** done it ...Thank God!"


Marshalg
Victoria Park Tunnel
3 October 2010
Jayantee Khare Jul 2017
A fruit and vegetable vendor,
simple and humble,
Always seen with his handcart,
alongside the road, which was parked.
On my way back
from the gym,
Bought the fruits and vegetables
daily from him.

Neither the quality!
Nor the variety!!


But his  greetings "Namaste Didi" with that innocent smile,
caught my attention for a while.
That friendly gesture
made me feel familiar.

Balming the lonely and tired soul,
in the foreign soil,
in this city of strangers,
accommodating many dwellers.

While lost in own thoughts,
or busy in the cell-phone chats.
But this simple guy never failed,
seeing me come, he sweetly hailed.
"Namaste Didi"

Once, when I resumed
after a vacation,
Found dozers, excavators
busy in construction.
An all new road, footpath
for beautification,
It's the "smart city" project's
much awaited implementation.

I realized, that something was amiss!
"Namaste Didi", welcoming, friendly voice!

I looked for him all around,
Standing near a pole, he was found.
Neither cheerful, nor fruit or vegetable?
Uttered him, now the business not feasible.
Not allowed to park his cart anywhere,
As "The Smart City Mission" started here.

Go to the big stores now,
for the daily needs,
Roadside vendors
pulled out like weeds.

Neither friendly smile, nor simplicity!
"Namaste Didi" swallowed by "the smart city"!!

Do we really need a "smart city",
or simply a city?
addressing the needs of all,
retaining its simplicity.
The social warmth
and existing friendliness,
Accommodating all
with self sustenance.

**Isn't socialism, just a myth!
No offence, this way I think!!
Didi means sister in hindi....people address didi to the ladies showning respect and warmth....
Some people are so simple and humble that you can't ignore them..
Since i am advocating simplicity in this,
I have written this poetry with the use of simple words...
It's a true incidence happened nearby..which made me think like this.
In india smart city mission is in progress...
Marshal Gebbie Aug 2023
Everything is BIG here.

Meals are big, bums are big, cars are huge and the skies are a million miles wide.

Janet and I are travelling in the Northwest of the United States of America, spending time with Boaz and Lisa in Idaho, Steve Yocum in Oregon and Greg and Linda in Washington State.

The trip is a "quickie" in that we are fitting one helluva lot into just three weeks duration.
Never in all my days have I seen such huge quantities of food served up in restaurant meals, plastic bags discarded, American flags fluttering and all the young, blonde girls in tattered, impossibly short cut offs and sleeveless tops talking loudly, incomprehensibly at a million miles an hour ......Just blows you away!!
Monstrous pickup trucks, Rams, Broncos, big V8s travelling the freeways continuously. Sheriffs, troopers and Road cops all wearing firearms on the hip, in their souped up pursuit vehicles parked on the roadside shoulder, eyeballing everyone as they pass, with a mean, accusatory glare.
Out on the range there is a million square miles of nothing but sage brush and basalt rock....and searing, baking heat.
114 degrees in the painted desert of Moab. Beautiful though with vaulting red sandstone cliffs and rearing stone arches against the blue-est of blue skies.
Standing pillars of ancient sedimentary rock born in depositions laid down in vast oceans of bygone eras, millions of years ago.

History is painted vast in this immensity. The gigantic and abrupt catastrophic inundation of a vast and deep inland sea, swelled suddenly by floodwaters of rivers diverted by lava flows from subterranean fissures....Unimaginable torrents abruptly released, gouging out ancient lava beds to create gigantic waterfalls and deep, sheer sided chasms.

Cascades that constituted the biggest river flow ever known in the history of the planet, washing away everything from the epicentre of the continent in Utah through Idaho to the Pacific ocean in the rugged coast of Oregon. Such was the Bonneville flood of 12,000 years ago illustrated today by the gigantic chasms created in the beds of basalt and rhyolitic larva throughout Idaho and the fields of massive, round, house sized boulders strewn from the floods origin near what is now, Salt Lake City in Utah to the coast in Oregon, a thousand kilometers away.

The two weeks stay with Boaz and Lisa just disappeared in a flash. They took us down to Moab painted desert, Zion National park, the Craters of the Moon, Monument National Park and up to Stanley and the Sawtooth mountains by the mighty Salmon river. Janet and I took advantage of a couple of push bikes hanging in the garage and spent most days cycling the local trails and visiting Starbucks for a celebratory cappuccino or two....Those bikes saved our bacon, walking trails in that heat was ******. Great hospitality enjoyed here. watched reruns of Sopranos on Boaz's 70 " SmartScreen TV and enjoyed Arnie's escape from postwar Austria to Mr Universe and fame and fortune @ Hollywood with Boaz whilst enjoying chilled margaritas in the hot tub.

The camaraderie of meeting an old mate of 45 years past, Steve Yocum of Oregon  a fellow writer and author. Both of us intent on shooting the breeze, putting the world to right. In some ways a sad exercise in that no longer can either of us make things right for with age upon us, neither has influence. We can huff n puff n blow the house down....but it seems, nobody pays the slightest bit of attention. The penalty of age is invisibility. The relief in it all is that, really, nobody actually gives a hoot!

Just two Old Dogs letting off steam..... it's rather cathartic actually! Thanks to Stevo, Ian and lovely Heidi for the accommodation, great hospitality and warmth.

The cool atmospheric relief of the serene and calm, Puget Sound in Seattle, Washington state gave welcome respite from the intense heat of the interior and the serenity of our cottage accommodations and startlingly beautiful garden surrounds. A forest of conifers and deciduous trees harboured gardens of blooming roses, hollyhocks and multihued cone flowers, emerald lawns carve swarths of sunlight in avenues of deep, green shade....a delight for the sunburnt brows of yesterday's heat.
Woken by the bassoon blast of the passing early morning ferry out in the waterway, to stroll out to sit at the very edge of the sandy, pebble beach and gentle surge of the deep, clear saline waters of the magnificent Puget Sound.
The peace of early morning crisp cool air, a seascape of moored fishing boats on mirrored waters, the distant Olympic range rearing to its' full 7,000 ft against a powder blue sky left us quite breathless with the utter beauty of it all....add to that a lovely breakfast offering of fresh berries, kiwifruit slices and yogurt and a chilled glass of fresh squeezed orange juice...and we absolutely, couldn't want for anything more. To Greg and Linda our love and thanks for giving up your beautiful bed, travelling us around beautiful Seattle and being our airline coach to and from Portland. We shall return the warm hospitality next time you hit NZ and Taranaki.

Vulcanism has dominated the terrain in Idaho, Montana, and Utah. Continental drift westward of the land mass has brought about a steady transference eastward of the massive geothermal hot spot which currently lies in Yellowstone park and which is the source of all volcanic activity within the park..
Idaho, in ancient times, wore the volcanic mantle of the region in having truly gigantic rhyolitic ash and magmatic eruptions. These cataclysmic eruptions emptied deep cavernous, subterranean magma chambers which collapsed under their own weight leaving vast circular calderas in the landscape. Subsequent plate tectonic activity caused deep faulting allowing huge flows of sticky magma to surge to the surface like searing hot black toothpaste, spreading across the plains obliterating all evidence of the rhyolite caulderas, surfacing the state, to this day, with millions of acres of hard black basaltic rock.
Here and there, rhyolite has wormed its way to the surface building gigantic domes, over the centuries these have weathered leaving statuesque, dramatic flat-topped mesa scattered across the landscape.
Altogether a truly unique and enthralling terrain for visitors to behold and one which reveals a dramatic insight to the volcanic and tectonic violence of the recent past and gives a definite air of mystique to the beholder.

In a land of 360 million people, supermarkets are downright huge...and they contain the spoils of the nation's plenty.
Acres of dazzling variety... and cheap by international standards. The very best of prime beefsteak, sides of pork, Alaskan cod freshly caught and displayed in rows of chilled enticing exhibit. Every possible vegetable and fresh picked fruit known to man in piled pyramids of brilliant, colourful display. Beautiful ornate furniture, beds, mattresses, tiers of car tyres of every conceivable brand and size, wheelbarrows, fertilizer, fresh flowers in mountainous display, ***** in barnlike chillers. Supermarket trolleys for giants..... and gird yourself for a marathon hike in collecting your basket of groceries...and give yourself half a day....you'll need it!

America has momentum, huge momentum. Across vast tracts of country lie networks of highway. Multilane concrete that tracks mile after mile carrying huge trucks with 40 tonne loads. Incessant trucks, one after another,  thundering along carrying the lifeblood of America, merchandise,  machinery, infrastructure, steel, timber and technology. Gigantic mobile freezers hauling food from the grower to the markets. Hauling excavators, harvesters,  bulldozers and giant Agricultural tractors. Night and day this massive source of production careers across the nation transporting the promise of America, the momentum which drives the Stars and Stripes onward, ever onward.

On the margins of the cities of Portland and Salem the unhoused gathered in squalid tent communities. In the beautiful city of Seattle I saw many down and out unshaven, untidy individuals with hopelessness in their eyes, pushing supermarket trolleys containing their sparse possessions. I drove through rural communities, some of which, reflected hardship and an air of despair. Run down dwellings in need of maintenance and repair, derelict rusty vehicles adorning the **** strewn frontages.
Not 20 kilometers away in Ketchum and Sun Valley Idaho the homes were palatial in grounds tended by gardeners and viticulturalists. Porsches and Range Rovers graced the ornate, rusticated porticoes. Wealth and privilege in evidence in every nuanced nook and cranny.
America is, indeed, a land of contrasts, a land of wealth, privilege, and plenty..... and yet a land that, somehow, tolerates and abides a fragile paucity which emblazons itself, embarrassingly, within the national profile.

On a hot day in Twin Falls, Idaho, I walked into a huge air-conditioned sporting goods store specifically to look at guns....and in the long glass cases there were hundreds of them. From snub nosed revolvers to Glocks, 38s, 45 caliber even western style Colt 45s and the ***** Harry Magnum with the long, blue gun barrel and classic, prominent foresight.
In the racks behind the counter are hung fully and semi-automatic rifles of myriad types...all available for sale providing the buyer has appropriate licensing.
In a land where mass shootings proliferate weekly, I ask myself....does this availability of lethal weaponry make sense?

The aching beauty of the mountain country in Northern Idaho, Oregon and Washington state cannot be overstated. The Sawtooth mountains, the Cascades, Mt Ranier, Mt Hood and the Olympic range. Ridgelines of towering conifers as far as the eye can see, waves of green deciduous running down to soft grassy clearings with boulder strewn, rushing streams and the cascade of plunging waterfalls. The magnificence of the natural beauty of this rugged, heavily timbered mountain country just defies description being far, far isolated from the attentions of man.

To happen upon this country from the far distant reaches of the South Pacific is a culture shock, to be suddenly exposed to the extreme largess. It is difficult to calibrate, hard to encompass, impossible to assimilate....but the people encountered warmed us with their generosity of spirit, their willingness to welcome travelling strangers into their homes....and, of course the invaluable time we spent with our family….and for these factors alone together with the huge magnificence that is this........
GRAND AMERICA.
We are truly, truly grateful.

Janet & Marshal
Foxglove@Taranaki.NZ
Mateuš Conrad Apr 2016
******* and your little intelligentsia
group therapy sessions
basing its roots in caveman cartesian
theoretic - i know you know that
the blank canvas are the *******
and that artists work on that -
because normally grey citizens are no
blank canvas but a subordination -
but still, *******, why not concentrate
on the blank economics of a beggar
to exercise your little intelligentsia
get-together sessions?
there are less social securities in that
department of inquiry -
mental health and art... what's that?
you jealous of the caverns of the mind
crafting an escape pod to your
****** exercise of mechanisation -
**** on me, crosswords! su doku!
all matters of encryption!
endear your lack of creativity with
the synonymousness act of creativity
decoding encryption,
because you obviously can't encrypt
on a complete lack of encoding parameters (blanks).
you can't encrypt originality unless
you start with encrypting nothingness
with stars... and how often does that happen?
perhaps once... i care to make you
feel something akin to bombastic,
a football stadium size of appreciation lost -
skull kickabout with commentary:
to create the post-relativity warp
of quantity-quality, akin to space-time,
for indeed the answer to science's
space-time hyphenated couplet
is quantity-quality - and that's hardly a measurable
consideration, since there are too many particulars
involved, i.e. too many individuals, choices
and disparaging wills - too many particulars
in the hyphenated couplet quantity-quality,
since science is offering universal breadcrumbs
with its space-time rationalisation
for each and every for a share in populating
an insignificance, whether on a personal
scale or an impersonal / collective scale -
and both are indeed expressed,
the famous parasitical comparison found
in too many numbered essays by individuals -
but still humanism has a quantity-quality parabola,
while science has its space-time parabola,
and indeed both in dip, provide waves,
for example the former with Plato and Neoplatonism,
and for example the latter with
the revisionists of Einstein - the revisionist excavators
arguing precision to 100% proof of measurement
in exponential scaling of the mind theorising
a bus trip to Saturn like a bus-trip parallel-akin
to a 1 mile trip on the same vehicle in the earthly atmosphere.
T2m Sep 2014
Love most have died centuries ago
She died with Juliet and Romeo
Now her bones lay dust infested
Romeo's to the left
Juliet's to the right.
Wishing they discussed,
Try to figure out how it all turned sour.

If love is dead,
Who or what are we then?
Excavators, that's who we are
Digging furiously, who cares how far
The grave of the duo love birds must be near
Find it, find love at its undiluted sphere.

Enveloped in this fantasies box
Love becomes no more than a hoax
Love is what it is
A beautiful broken bike if you please
Its too dangerous to ride
Yet no choice but the ride
So if you must, put on your safety gear.

Love does not live inside TVs
Nor magazines
She has left the internet and movies
She now lives in the simplicity of you and I.

You may have looked too hard
Yet you still can't find.
This you must figure out
You are looking in the wrong sites.
Deneka Raquel Apr 2015
Where I come from only a ferry stands between me and paradise.
And paradise is separated by oceans of water too fast to swim across.
Water too deep to thread and the air,  fresher and I am accustomed to.
There are more corbeaus than humming birds where I come from.
The stench of decay rises from houses made from bones.
Ashes mix to paint clouds and,
Mourning ushers mornings making melancholy known to sunlight .

Sunlight however is mostly appreciated by excavators,
Happy to exhume new corpses.
Rain falls from firearms instead of the sky and tears pour from open wounds instead of tear ducts.
And night is every horror movie given existence.
And night is every nightmare given existence.
And Paradise is somewhere behind the line where the sky kisses sea.
And sunsets are swallowed whole.

Deneka Thomas 2015
javert Mar 2019
as the birds fly south for winter
the excavators come home to roost.
they bow their heads to the ground,
wishing for wings to tuck their necks under.
everyone guards piles of salt and twisted metal
brushed cold and golden by the sun.
a boat lifts its arms to the sky,
all rattling chains and gentle, grasping claws.
gentlemen, best prices for scrap here:
all metals, all amounts.
the highway crawls home.
Heidi Franke Apr 13
A mountain from a range,
Of such everlasting granite.
Carved over ages,
Shook from under footing
Like statues who will
Not wilt or crumble
Only to manifest
Into the space around it
Reminding me that as weak
As I feel, Inside of me is a similar
Persistence that won't be moved
By the capricious whim of man and imbecilic masses who follow.
I will seize your sharp shank and excavators trying to make me into something I am not.
I am a woman with equal rights
And dignity far beyond your pompous attempts to roil this robust range down. Your false statues will crumble when the mirror knocks at your midnight door. Here, look at yourself.
Abortion is healthcare. Women's rights are human rights. Keep abortion legal.
Rusty Shuping Feb 2014
The soft breeze shifts bringing the scent of brackish water to quavering nostrils.
Salt, oyster shells, and the wonderful smells where three waters of disparity come together. Inlet, bay, and waterway push and pull like struggling personas.  
Strong fragrances of salt, fish, black sandy mud with tiny bits of shells, burnt diesel, and syrupy brown tannin from the trees. Large patches of reeds built up on mounds of mud and oyster shells, held in place by marsh grass and sea oats.
The oysters in their beds spit little streams as you pass by, beckoning, come closer. The little bearded bivalve’s mouths gaping to say we will shred your flesh if you give us a chance, wooing…step closer in the slippery slimy mud.
Small ***** sit by their holes in the black goo. The fiddlers march as though carrying a violin, their songs are clicking all the same pitch with no discernible harmony. They roll out tiny ***** as expert excavators leaving hole for escape from man and fowl.
The little birds, sandpipers scurry around- their skinny twig like legs moving faster than the eye can follow, putting one in front of the other, always moving forward never backing up making quick tight turns running from the water then chasing the bits of food as the foamy crooked line of surf pulls away.
Pausing to pick up a tiny speck of food too small to notice, her bony toes mark the mud writing in a cuneiform like language, probably a dead tongue not spoken for millennia. Beautiful shapes pointing, spelling out instruction and direction.
Lasting only seconds until the wind and water wipe the earthen canvas clean. A new page is opened tempting and luring the small writer with tidbits of food, enticing her to write line after line of an ongoing novel that will never be finished.
Rhea Oct 2020
Some like to journal on paper
Some scribe into their skin
But my testament hides
Behind guarded lips
Primal etches in a cavern

My mouth the masterpiece
Of misfortune’s skilled eye
The colors there bewilder
Red, black, green, purple, blue
A rainbow amidst the dark

A master of media
Poverty often crafts
The most intricate of spoils
Among the discarded class
Our mouths a showcase of toil

Charcoal smears the tops of my teeth
Red paint adorns my gums
Abstract strokes of white in front
Deep purple patches peek in back
The one hurting is mystic green

But when throbs wake my sleep
Ripe stench repels my taste
And pills hold no respite
I know a piece has rotted
And my collection must shorten

Emergency receives me
Teeth matching their coats
I share my exotic tapestry
Its realism, pain—my story
They cannot appreciate

And I lose one by one
The slow craftsmanship
Of life’s daily brushstrokes
With no compensation
And a receipt of crushing dues

A hundred years from today
Excavators will unearth history
They will decode messages left
In script, skin, and scraps
Piecing together our lives

I tour my dwindling sculptures
And wonder what will be left
When I am a studied remnant
How will they share my tale
Of slow anguish without glory
After a day on ER

— The End —