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"ditties" poems
There’s a Devil of a night each year, the night of Mr. Haim! When the devilish and ghoulie ones come out to play their monster’s game. And why some would seek to trick or treat on this scary day of dead? Careful now cause gremlins, trolls …sprites and wolves, will offer up their dread! Quiet, shush, I hear a pack of creepy-crawly boots… Ra’atan-Zu and the Boogedy-Boo! And the skeleton bones, clink… And the skeleton bones, clink… The skeleton bones clink. That crafty-smith of horns and hooves is spying on these kiddies, As Ra’atan-Zu and the Boogedy-Boo are hunting strays to do their dastardly-ditties. Quiet, shush, I hear a pack of creepy-crawly boots, And their costumes, oh-so-foul, the evilest of suits! And there she is, that little girl who can’t keep up, in a tasty mushroom ensemble. And the skeleton bones clink in her path to give her quite a tomble! Ra’atan-Zu and the Boogedy-Boo! And the skeleton bones, clink… And the skeleton bones, clink… The skeleton bones clink. And Sammy Haim, that smithy-devil, a ***** hoof -igniting ghoul’s desire, He’s howling out, demanding now, “Put that child to the fire!” And little does he know, no little bit, not even a small clue, Neither Ra’atan-Zu nor Boogedy-Boo intend on giving him his due! For once a year on Halloween they get one night to spaz, Get down and ***** wild and crazy and play a little jazz! That little mushroom of a girl will play a tiny fiddle, Ra’atan-Zu and the Boogedy-Boo, a jazzy duet with child in middle!' Ra’atan-Zu, Boogedy-Boo and a little girl too as they get down actin’ a spaz! Playin’ all night, howling to the moon and kickin’ out some wicked jazz! *And the skeleton bones, clink… And the skeleton bones, clink…   The skeleton bones clink.* *
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Jun 6, 2016
Jun 6, 2016 at 6:31 PM UTC
On Hallows Eve!
There’s a Devil of a night each year, the night of Mr. Haim! When the devilish and ghoulie ones come out to play their monster’s game. And why some would seek to trick or treat on this scary day of dead? Careful now cause gremlins, trolls …sprites and wolves, will offer up their dread! Quiet, shush, I hear a pack of creepy-crawly boots… Ra’atan-Zu and the Boogedy-Boo! And the skeleton bones, clink… And the skeleton bones, clink… The skeleton bones clink. That crafty-smith of horns and hooves is spying on these kiddies, As Ra’atan-Zu and the Boogedy-Boo are hunting strays to do their dastardly-ditties. Quiet, shush, I hear a pack of creepy-crawly boots, And their costumes, oh-so-foul, the evilest of suits! And there she is, that little girl who can’t keep up, in a tasty mushroom ensemble. And the skeleton bones clink in her path to give her quite a tomble! Ra’atan-Zu and the Boogedy-Boo! And the skeleton bones, clink… And the skeleton bones, clink… The skeleton bones clink. And Sammy Haim, that smithy-devil, a ***** hoof -igniting ghoul’s desire, He’s howling out, demanding now, “Put that child to the fire!” And little does he know, no little bit, not even a small clue, Neither Ra’atan-Zu nor Boogedy-Boo intend on giving him his due! For once a year on Halloween they get one night to spaz, Get down and ***** wild and crazy and play a little jazz! That little mushroom of a girl will play a tiny fiddle, Ra’atan-Zu and the Boogedy-Boo, a jazzy duet with child in middle!' Ra’atan-Zu, Boogedy-Boo and a little girl too as they get down actin’ a spaz! Playin’ all night, howling to the moon and kickin’ out some wicked jazz! *And the skeleton bones, clink… And the skeleton bones, clink…   The skeleton bones clink.* *
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1483 The Robin is a Gabriel In humble circumstances— His Dress denotes him socially, Of Transport’s Working Classes— He has the punctuality Of the New England Farmer— The same oblique integrity, A Vista vastly warmer— A small but sturdy Residence A self denying Household, The Guests of Perspicacity Are all that cross his Threshold— As covert as a Fugitive, Cajoling Consternation By Ditties to the Enemy And Sylvan Punctuation—
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The Robin is a Gabriel
Innocent words of wonder Burn the purest of souls to ash The Goddess of love, She spews her lyrics in tinkling sighs Completed by the one whose light burns brightest He lights the path of others Consuming their shadows as they pass A dragon of fire to fight the darkness And she sings in sweet daffodils Satin petals and the Heavens open wide She sings of pain and the dragon feeds She sings of joy and he watches As the words are once again absorbed into her essence The Goddess welcomes this guardian of light Never knowing that her words Pilot the fire that eats the shadows that surround him Bitter pangs of abrasive truth Wrapped in delightful ditties of eternal enamoration He fights her darkness She fuels his fire
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Apr 4, 2015
Apr 4, 2015 at 9:32 AM UTC
Guardian of the Goddess
Little shadows, little shadows Dancing on the chamber wall, While I sit beside the hearthstone Where the red flames rise and fall. Caps and nightgowns, caps and nightgowns, My three antic shadows wear; And no sound they make in playing, For the six small feet are bare. Dancing gayly, dancing gayly, To and fro all together, Like a family of daisies Blown about in windy weather; Nimble fairies, nimble fairies, Playing pranks in the warm glow, While I sing the nursery ditties Childish phantoms love and know. Now what happens, now what happens? One small shadow's tumbled down: I can see it on the carpet Softly rubbing its hurt crown. No one whimpers, no one whimpers; A brave-hearted sprite is this: See! the others offer comfort In a silent, shadowy kiss. Hush! they're creeping; hush! they're creeping, Up about my rocking-chair: I can feel their loving fingers Clasp my neck and touch my hair. Little shadows, little shadows, Take me captive, hold me tight, As they climb and cling and whisper, "Mother dear, good night! good night!"
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From The Short Story Shadow-Children
When I walk out my door, I hear the birds sing in silent symphony. At the bus stop, the sounds of low humming engines and rolling tires. Outstretched clouds of pure white follow horizons. The percussion of rain clinks on boulders, drumming quietly. Bee's wings play muted notes on flowers, sweetly collecting. There is so much more than radio static and dull ads full of ditties. Nature's ensemble invented the beat, rhythm, and the harmony.
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Mar 17, 2015
Mar 17, 2015 at 2:12 PM UTC
Our Silent Symphony
Thou still unravish'd bride of quietness, Thou foster-child of silence and slow time, Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme: What leaf-fring'd legend haunts about thy shape Of deities or mortals, or of both, In Tempe or the dales of Arcady? What men or gods are these? What maidens loth? What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy? Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play on; Not to the sensual ear, but, more endear'd, Pipe to the spirit ditties of no tone: Fair youth, beneath the trees, thou canst not leave Thy song, nor ever can those trees be bare; Bold Lover, never, never canst thou kiss, Though winning near the goal yet, do not grieve; She cannot fade, though thou hast not thy bliss, For ever wilt thou love, and she be fair! Ah, happy, happy boughs! that cannot shed Your leaves, nor ever bid the Spring adieu; And, happy melodist, unwearied, For ever piping songs for ever new; More happy love! more happy, happy love! For ever warm and still to be enjoy'd, For ever panting, and for ever young; All breathing human passion far above, That leaves a heart high-sorrowful and cloy'd, A burning forehead, and a parching tongue. Who are these coming to the sacrifice? To what green altar, O mysterious priest, Lead'st thou that heifer lowing at the skies, And all her silken flanks with garlands drest? What little town by river or sea shore, Or mountain-built with peaceful citadel, Is emptied of this folk, this pious morn? And, little town, thy streets for evermore Will silent be; and not a soul to tell Why thou art desolate, can e'er return. O Attic shape! Fair attitude! with brede Of marble men and maidens overwrought, With forest branches and the trodden **** Thou, silent form, dost tease us out of thought As doth eternity: Cold Pastoral! When old age shall this generation waste, Thou shalt remain, in midst of other woe Than ours, a friend to man, to whom thou say'st, "Beauty is truth, truth beauty,--that is all Ye know on earth, and all ye need to know."
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Ode On A Grecian Urn
Thou still unravish'd bride of quietness, Thou foster-child of silence and slow time, Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme: What leaf-fring'd legend haunts about thy shape Of deities or mortals, or of both, In Tempe or the dales of Arcady? What men or gods are these? What maidens loth? What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy? Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play on; Not to the sensual ear, but, more endear'd, Pipe to the spirit ditties of no tone: Fair youth, beneath the trees, thou canst not leave Thy song, nor ever can those trees be bare; Bold Lover, never, never canst thou kiss, Though winning near the goal yet, do not grieve; She cannot fade, though thou hast not thy bliss, For ever wilt thou love, and she be fair! Ah, happy, happy boughs! that cannot shed Your leaves, nor ever bid the Spring adieu; And, happy melodist, unwearied, For ever piping songs for ever new; More happy love! more happy, happy love! For ever warm and still to be enjoy'd, For ever panting, and for ever young; All breathing human passion far above, That leaves a heart high-sorrowful and cloy'd, A burning forehead, and a parching tongue. Who are these coming to the sacrifice? To what green altar, O mysterious priest, Lead'st thou that heifer lowing at the skies, And all her silken flanks with garlands drest? What little town by river or sea shore, Or mountain-built with peaceful citadel, Is emptied of this folk, this pious morn? And, little town, thy streets for evermore Will silent be; and not a soul to tell Why thou art desolate, can e'er return. O Attic shape! Fair attitude! with brede Of marble men and maidens overwrought, With forest branches and the trodden **** Thou, silent form, dost tease us out of thought As doth eternity: Cold Pastoral! When old age shall this generation waste, Thou shalt remain, in midst of other woe Than ours, a friend to man, to whom thou say'st, "Beauty is truth, truth beauty,--that is all Ye know on earth, and all ye need to know."
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50
The cuckoo-throb, the heartbeat of the Spring; The rosebud’s blush that leaves it as it grows Into the full-eyed fair unblushing rose; The summer clouds that visit every wing With fires of sunrise and of sunsetting; The furtive flickering streams to light re-born ’Mid airs new-fledged and valorous lusts of morn, While all the daughters of the daybreak sing:— These ardour loves, and memory: and when flown All joys, and through dark forest-boughs in flight The wind swoops onward brandishing the light, Even yet the rose-tree’s verdure left alone Will flush all ruddy though the rose be gone; With ditties and with dirges infinite.
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Ardour And Memory
Oh Bard, wielding a tool mighty and spiky Mightier than either the sword or rod, You reign as monarch in fancy’s domain Sketching life in all variety and mode Which with pain and strife fraught Or bright with gaiety and grace In finer yarn than the gossamer thread On a fabric of words in befitting verse You steal away from the noisy crowd Into the stillness of the cloistered cell To dwell with Fancy’s mystic charms Weaving downy dreams at will You recount forgotten tales of yore Of ****** battles won and lost, Of lovers united, amour defiled, Conjuring memories from abysmal past You hearken to the moans of lovelorn souls And sing of beauty in ditties fine Triggering sparks into flames grow In umpteen hearts that pine and whine Babbling with the brook rushing swift, Racing with the deer loping past, You wander into mysterious woods Where flowers, their richest odors cast Your ears intent on the song of birds That comes floating from the far off groves And the whir of cicadas on the bark of trees Breaking the calm of twilight eves Alone you saunter the stretching strands, Watching virulent breakers in fury heave Often your heart dancing with the tide And swinging with the rhythm of rising wave You feast on the gleam of the auburn sun And the speckled blue of the infinite skies Watching the day dying in flame And the night in a diadem of stars vies All that’s lovesome meets your eyes And commune to you in profuse delight Which you turn into rhyme and rhythm For the whole of mankind to devour and digest From your harp flow symphonies sweet Songs of longing, love and lust Of idyllic happiness, peace and bliss, Fuelling hearts with vigorous zest Though outlawed by the great sage of Greece, Branding the poet, aberrant and a fool Oft beneath the façade of his wayward thoughts, Lie heaps of wisdom for the discerning soul.
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Nov 23, 2016
Nov 23, 2016 at 6:01 AM UTC
An Ode to a Bard
Oh Bard, wielding a tool mighty and spiky Mightier than either the sword or rod, You reign as monarch in fancy’s domain Sketching life in all variety and mode Which with pain and strife fraught Or bright with gaiety and grace In finer yarn than the gossamer thread On a fabric of words in befitting verse You steal away from the noisy crowd Into the stillness of the cloistered cell To dwell with Fancy’s mystic charms Weaving downy dreams at will You recount forgotten tales of yore Of ****** battles won and lost, Of lovers united, amour defiled, Conjuring memories from abysmal past You hearken to the moans of lovelorn souls And sing of beauty in ditties fine Triggering sparks into flames grow In umpteen hearts that pine and whine Babbling with the brook rushing swift, Racing with the deer loping past, You wander into mysterious woods Where flowers, their richest odors cast Your ears intent on the song of birds That comes floating from the far off groves And the whir of cicadas on the bark of trees Breaking the calm of twilight eves Alone you saunter the stretching strands, Watching virulent breakers in fury heave Often your heart dancing with the tide And swinging with the rhythm of rising wave You feast on the gleam of the auburn sun And the speckled blue of the infinite skies Watching the day dying in flame And the night in a diadem of stars vies All that’s lovesome meets your eyes And commune to you in profuse delight Which you turn into rhyme and rhythm For the whole of mankind to devour and digest From your harp flow symphonies sweet Songs of longing, love and lust Of idyllic happiness, peace and bliss, Fuelling hearts with vigorous zest Though outlawed by the great sage of Greece, Branding the poet, aberrant and a fool Oft beneath the façade of his wayward thoughts, Lie heaps of wisdom for the discerning soul.
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1. New Year met me somewhat sad: Old Year leaves me tired, Stripped of favorite things I had, Balked of much desired: Yet farther on my road to-day, God willing, farther on my way. New Year coming on apace What have you to give me? Bring you scathe, or bring you grace, Face me with an honest face; You shall not deceive me: Be it good or ill, be it what you will, It needs shall help me on my road, My rugged way to heaven, please God. 2. Watch with me, men, women, and children dear, You whom I love, for whom I hope and fear, Watch with me this last vigil of the year. Some hug their business, some their pleasure-scheme; Some seize the vacant hour to sleep or dream; Heart locked in heart some kneel and watch apart. Watch with me, blessed spirits, who delight All through the holy night to walk in white, Or take your ease after the long-drawn fight. I know not if they watch with me: I know They count this eve of resurrection slow, And cry, "How long?" with urgent utterance strong. Watch with me, Jesus, in my loneliness: Though others say me nay, yet say Thou yes; Though others pass me by, stop Thou to bless. Yea, Thou dost stop with me this vigil night; To-night of pain, to-morrow of delight: I, Love, am Thine; Thou, Lord, my God, art mine. 3. Passing away, saith the World, passing away: Chances, beauty and youth sapped day by day: Thy life never continueth in one stay. Is the eye waxen dim, is the dark hair changing to gray That hath won neither laurel nor bay? I shall clothe myself in Spring and bud in May: Thou, root-stricken, shalt not rebuild thy decay On my ***** for aye. Then I answered: Yea. Passing away, saith my Soul, passing away: With its burden of fear and hope, of labor and play; Hearken what the past doth witness and say: Rust in thy gold, a moth is in thine array, A canker is in thy bud, thy leaf must decay. At midnight, at cock-crow, at morning, one certain day Lo, the Bridegroom shall come and shall not delay: Watch thou and pray. Then I answered: Yea. Passing away, saith my God, passing away: Winter passeth after the long delay: New grapes on the vine, new figs on the tender spray, Turtle calleth turtle in Heaven's May. Though I tarry, wait for Me, trust Me, watch and pray. Arise, come away, night is past, and lo it is day, My love, My sister, My spouse, thou shalt hear Me say. Then I answered: Yea.
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Old And New Year Ditties
1. New Year met me somewhat sad: Old Year leaves me tired, Stripped of favorite things I had, Balked of much desired: Yet farther on my road to-day, God willing, farther on my way. New Year coming on apace What have you to give me? Bring you scathe, or bring you grace, Face me with an honest face; You shall not deceive me: Be it good or ill, be it what you will, It needs shall help me on my road, My rugged way to heaven, please God. 2. Watch with me, men, women, and children dear, You whom I love, for whom I hope and fear, Watch with me this last vigil of the year. Some hug their business, some their pleasure-scheme; Some seize the vacant hour to sleep or dream; Heart locked in heart some kneel and watch apart. Watch with me, blessed spirits, who delight All through the holy night to walk in white, Or take your ease after the long-drawn fight. I know not if they watch with me: I know They count this eve of resurrection slow, And cry, "How long?" with urgent utterance strong. Watch with me, Jesus, in my loneliness: Though others say me nay, yet say Thou yes; Though others pass me by, stop Thou to bless. Yea, Thou dost stop with me this vigil night; To-night of pain, to-morrow of delight: I, Love, am Thine; Thou, Lord, my God, art mine. 3. Passing away, saith the World, passing away: Chances, beauty and youth sapped day by day: Thy life never continueth in one stay. Is the eye waxen dim, is the dark hair changing to gray That hath won neither laurel nor bay? I shall clothe myself in Spring and bud in May: Thou, root-stricken, shalt not rebuild thy decay On my ***** for aye. Then I answered: Yea. Passing away, saith my Soul, passing away: With its burden of fear and hope, of labor and play; Hearken what the past doth witness and say: Rust in thy gold, a moth is in thine array, A canker is in thy bud, thy leaf must decay. At midnight, at cock-crow, at morning, one certain day Lo, the Bridegroom shall come and shall not delay: Watch thou and pray. Then I answered: Yea. Passing away, saith my God, passing away: Winter passeth after the long delay: New grapes on the vine, new figs on the tender spray, Turtle calleth turtle in Heaven's May. Though I tarry, wait for Me, trust Me, watch and pray. Arise, come away, night is past, and lo it is day, My love, My sister, My spouse, thou shalt hear Me say. Then I answered: Yea.
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61
My poetry is an acquired taste, So come, dear one, Place your tongue in my mouth. Pace yourself, there is so much, Spoke and unwritten, That fruitions only when spit-shared. Flick your tongue-tip to mine, Sealing bond, the salt caramel of my rhymes, The iambic meter of my tamarind prose, The buds, flowering, poems forming, Watered by the admixture of joint, minted saliva. My poetry, so very complicated, Hints of currants and ash, Soil volcanic, basaltic vowels, oh's and eyes, Cursed verses that commence with I, Nonetheless, despite soil inhospitable rued, Compositions flourish, born wetland soluble. Yours, for the taking, Yours, for the tasting. You place your fingers on my waist, My body of work to contemplate, My ditties, you spit out, You want courses, not appetizers, You want truths, not fluff, lies, menu tastings. Columbus and Magellan, thy fingers named, Trace the curvature of my *** With tip and tipsy stroked caresses, You laugh with the pleasure of all the sssssss's. Hissing all the day your satisfaction, Capturing my writs, by your tongue's duress, Recipient-thief of my literary largesse. I am dressed all in white, Stripped bare to my native coloring, Except for two brown nippled spots, you lick, Imbibing milky thoughts  from fountain-heads ***** Savoring, relishing, stanzas that praise love's flavor. With every line, every word-painting accessioned, You make my soft parts hard, My hard parts soft, but my liquidity, My tears, they, that, you drink straight, Licking, liking, and oohing and ahhing, You tongue curled, upside down arching, The storage point of your seduced gatherings. To drain me full, your incisors cut, Straight lines, entry points for your ******* Taking, draining, leaving nothing, Not even one aleph or bet escaping. When you acquired my poetry, my verbosity, Pillaging soul's hiding place, took and ***** Your acquired the best, breaking my nape, Imprisoned on and by my island's seascape, Blanched and pained, a blank tape, I am tasteless, witless, mockingly, tongue-tied.
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Sep 14, 2013
Sep 14, 2013 at 12:23 AM UTC
My Poetry is an Acquired Taste (explicit)
My poetry is an acquired taste, So come, dear one, Place your tongue in my mouth. Pace yourself, there is so much, Spoke and unwritten, That fruitions only when spit-shared. Flick your tongue-tip to mine, Sealing bond, the salt caramel of my rhymes, The iambic meter of my tamarind prose, The buds, flowering, poems forming, Watered by the admixture of joint, minted saliva. My poetry, so very complicated, Hints of currants and ash, Soil volcanic, basaltic vowels, oh's and eyes, Cursed verses that commence with I, Nonetheless, despite soil inhospitable rued, Compositions flourish, born wetland soluble. Yours, for the taking, Yours, for the tasting. You place your fingers on my waist, My body of work to contemplate, My ditties, you spit out, You want courses, not appetizers, You want truths, not fluff, lies, menu tastings. Columbus and Magellan, thy fingers named, Trace the curvature of my *** With tip and tipsy stroked caresses, You laugh with the pleasure of all the sssssss's. Hissing all the day your satisfaction, Capturing my writs, by your tongue's duress, Recipient-thief of my literary largesse. I am dressed all in white, Stripped bare to my native coloring, Except for two brown nippled spots, you lick, Imbibing milky thoughts  from fountain-heads ***** Savoring, relishing, stanzas that praise love's flavor. With every line, every word-painting accessioned, You make my soft parts hard, My hard parts soft, but my liquidity, My tears, they, that, you drink straight, Licking, liking, and oohing and ahhing, You tongue curled, upside down arching, The storage point of your seduced gatherings. To drain me full, your incisors cut, Straight lines, entry points for your ******* Taking, draining, leaving nothing, Not even one aleph or bet escaping. When you acquired my poetry, my verbosity, Pillaging soul's hiding place, took and ***** Your acquired the best, breaking my nape, Imprisoned on and by my island's seascape, Blanched and pained, a blank tape, I am tasteless, witless, mockingly, tongue-tied.
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Extreme Poetry Fights, fumes, resists, entices, twists, endures, seduces Rhymes at times Or so rarely you want it to explode, implode Or just mellow out But you don't stop reading Unless it bores Or you're just too tired Ditties and sonnets And ABAB and the like are all very well But real men and women go for The rough and tumble of truly free verse Where words are the masonry Spitting at you in spurts Confounding, astounding Welcome to consternation nation Where assonance bucks up against alliteration And the inevitable invasion of syllables and vowels A perverse form of Password that traipses over diction when it wants Because there are no rules in Extreme Poetry
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Sep 27, 2016
Sep 27, 2016 at 12:17 PM UTC
Extreme Poetry
Down the quiet eve, Thro' my window with the sunset Pipes to me a distant ***** Foolish ditties; And, as when you change Pictures in a magic lantern, Books, beds, bottles, floor, and ceiling Fade and vanish, And I'm well once more . . . August flares adust and torrid, But my heart is full of April Sap and sweetness. In the quiet eve I am loitering, longing, dreaming . . . Dreaming, and a distant ***** Pipes me ditties. I can see the shop, I can smell the sprinkled pavement, Where she serves--her chestnut chignon Thrills my senses! O, the sight and scent, Wistful eve and perfumed pavement! In the distance pipes an ***** . . . The sensation Comes to me anew, And my spirit for a moment Thro' the music breathes the blessed Airs of London.
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Music
Getting Ready On the go Doing things Need a blow Giddy gaggle Endless Gags Toothy giggles Tongues a wag Dressing up Getting down Goofing off Clownin round Pretty girls Wearing pearls Dancing Swirls Fluffy Furls Blowing Kisses Giving Hugs Singing Ditties Cut a Rug Buoyant Banter Flashing Smiles Bubbly Blabber Smoking Milds Shakin ***** Gettin Down Wigglin ******* Goofy Gowns Keep a Groovin Boogie all night Shake Them Legs Les Dames et Dynomite Oakland 8/23/01 Music Selection: Jackson 5 Dancing Machine
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Mar 17, 2013
Mar 17, 2013 at 9:56 AM UTC
Getting Ready
Through the centuries, ecclesiastical types have called poets deviants and inferred we would burn in Hell for our heresy. I've often wondered what the rhymes of a condemned poet might look like... #1 The serpent got a ***** wrap as well as did the Jews And if you read between the lines you won't believe The news #2 As I'm not a Christian I think it quite odd That I should be punished by a biblical God #3 God the father and his boy appear to find the greatest joy deciding who will sing or fry in pits of Hell or Heaven’s sky Me thinks I’d rather burn in Hell for truth be told I don't sing well Besides in Heaven’s realm I hear they’ve put a ban on wine and beer #4 Scribbled notes on wrinkled pages offer up my rants and rages To the gods both big and small who really don't exist at all #5 Going to Hell is not my intention For Hell I believe is your little invention Ingeniously Crafted for scaring the masses By threatening Flame if they don't kiss your ***** #6 Such a simple happenstance No books to study true No condemning sermons from the everlasting Jew And since His love is only for the chosen and the few I think I'll pass on Sunday Mass I've better things to do #7 Galileo’s castrated brilliance shackled to an empty cross as demonic paramours burn in the city square #8 Rest assured the herd will follow the absurd proclamations’ and the institution's philosophical solution to the daily grind that binds us all to this stalled morality we have mistaken for God #9 'Peace on earth and love thy neighbor' Cried the man with cross and saber Even as he slaughtered millions for the crime of pagan birth #10 Cups and saucers filled with gold but not a cent may we behold for we are not among the few selected by the ancient Jew
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Apr 24, 2013
Apr 24, 2013 at 11:20 AM UTC
Ditties from Hell
Through the centuries, ecclesiastical types have called poets deviants and inferred we would burn in Hell for our heresy. I've often wondered what the rhymes of a condemned poet might look like... #1 The serpent got a ***** wrap as well as did the Jews And if you read between the lines you won't believe The news #2 As I'm not a Christian I think it quite odd That I should be punished by a biblical God #3 God the father and his boy appear to find the greatest joy deciding who will sing or fry in pits of Hell or Heaven’s sky Me thinks I’d rather burn in Hell for truth be told I don't sing well Besides in Heaven’s realm I hear they’ve put a ban on wine and beer #4 Scribbled notes on wrinkled pages offer up my rants and rages To the gods both big and small who really don't exist at all #5 Going to Hell is not my intention For Hell I believe is your little invention Ingeniously Crafted for scaring the masses By threatening Flame if they don't kiss your ***** #6 Such a simple happenstance No books to study true No condemning sermons from the everlasting Jew And since His love is only for the chosen and the few I think I'll pass on Sunday Mass I've better things to do #7 Galileo’s castrated brilliance shackled to an empty cross as demonic paramours burn in the city square #8 Rest assured the herd will follow the absurd proclamations’ and the institution's philosophical solution to the daily grind that binds us all to this stalled morality we have mistaken for God #9 'Peace on earth and love thy neighbor' Cried the man with cross and saber Even as he slaughtered millions for the crime of pagan birth #10 Cups and saucers filled with gold but not a cent may we behold for we are not among the few selected by the ancient Jew
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115
"...and then we get up at the **** crack of dawn, eat cereal for breakfast, take a cool shower to put some pep in our steps, then get in the car and drive around listening to our favorite music until the coffee shop opens." pause "And when we've finished our morning coffee and people-watching we walk around town looking at all the crap we want to get when we've saved up enough money for it and then get a slice of pizza or something. You know what happens next? We take our favorite books or whatever and go chill in a hammock that we set up in a corner of the college campus. You want me to bring my guitar so you can listen to the silly ditties I come up with on the spot? Sure. You want to go to a movie? Just say the word." pause "I don't really care what we do, as long as we're content. I'm just throwing out ideas." pause "I just want to give." puts down mic and walks off stage *
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Nov 26, 2016
Nov 26, 2016 at 10:51 PM UTC
Dear Human,
In a fleeting panic my body aching my head in manic I was fitted for depression by my fashion shrink cosmic blue straightjacket boots of shocking pink Day-Glo eyelashes and a faux stole of mink I walked the streets of Soho and climbed the Factory walls a girl betwixt a boy between everybody’s darling till morning came to town in my corset of denial I took cover in the rain and sang naughty little ditties seeping from the recesses of my brain I tripped my way to Bellevue where a thousand plastic junkies awaited my return I fell into their fancy and we frolicked amidst our lies and hopped aboard an east bound train to a velvet paradise
0
Sep 2, 2013
Sep 2, 2013 at 12:49 PM UTC
Everybody’s Darling (for Edie Sedgwick and Candy Darling)
Beneath the weeping Willow tree There sat a tiddly Monk And no one knew and no one cared Just why that Monk got drunk; But everyday the clock struck twelve You’d see him sitting there Chirping cheerful ditties, In a drunken slur. Then one young boy, he stopped and asked, “What troubles you my Lord?” Ungraciously the monk replied Or should I say, he roared! “I have to taste the Holy wine, It is my job you see. But I cannot recommend it Till I’ve tasted two or three, And sometimes if the wine is corked It can be five or six So you see it’s not my fault That I am in this fix.” The boy said, “It’s not good my Lord That a Holy man should be Inebriated to the hilt And sat beneath a tree.” After giving one loud burp The Monk he sat and cried, “I’ll try to give it up my son But many times I’ve tried.” “The boy said Lord it’s come to me This sudden blinding flash My Dad would volunteer I know But you’d have to pay him cash.” “Your Dad would do this for me son, Are you sure he’d volunteer?” “It’s wine I know, but I think so Although he’d prefer beer.” “Is he a man of God? Is he climbing Jacob’s Ladder?” The boy said, “I don’t know But he loves the ‘Bull and Bladder’.” “Bring him to me soon my son You’re the answer to my prayers I thought I was forsaken But now that someone cares, I’ll walk the straight and narrow And really sort my life. Now what other sins have I? Oh yes! I shouldn’t have a wife. Do you think he’ll take her too? This Father of yours son.” “Well yes, he’s only human, When all is said and done. But that will cost, I’m sure you’ve guessed, These things they don’t come cheap. My Dad is sensible I know And a robbing little creep.” “That’s it then son. Go forth.” He cried. “Bring your Father here. It will be worth it this I know Even if it costs me dear.” The boy pushed forth his hand He expected a large tip But the Monk pulled out a bottle And he offered him a sip. “I’m too young to drink my Lord, You should be ashamed. Although I know it is the wine So you cannot be blamed. But if you don’t cough up right now And offer cash to me You can sit there drunken all your life, Beneath the Willow tree.”
0
Dec 4, 2009
Dec 4, 2009 at 9:14 AM UTC
Inebriated Monk
Beneath the weeping Willow tree There sat a tiddly Monk And no one knew and no one cared Just why that Monk got drunk; But everyday the clock struck twelve You’d see him sitting there Chirping cheerful ditties, In a drunken slur. Then one young boy, he stopped and asked, “What troubles you my Lord?” Ungraciously the monk replied Or should I say, he roared! “I have to taste the Holy wine, It is my job you see. But I cannot recommend it Till I’ve tasted two or three, And sometimes if the wine is corked It can be five or six So you see it’s not my fault That I am in this fix.” The boy said, “It’s not good my Lord That a Holy man should be Inebriated to the hilt And sat beneath a tree.” After giving one loud burp The Monk he sat and cried, “I’ll try to give it up my son But many times I’ve tried.” “The boy said Lord it’s come to me This sudden blinding flash My Dad would volunteer I know But you’d have to pay him cash.” “Your Dad would do this for me son, Are you sure he’d volunteer?” “It’s wine I know, but I think so Although he’d prefer beer.” “Is he a man of God? Is he climbing Jacob’s Ladder?” The boy said, “I don’t know But he loves the ‘Bull and Bladder’.” “Bring him to me soon my son You’re the answer to my prayers I thought I was forsaken But now that someone cares, I’ll walk the straight and narrow And really sort my life. Now what other sins have I? Oh yes! I shouldn’t have a wife. Do you think he’ll take her too? This Father of yours son.” “Well yes, he’s only human, When all is said and done. But that will cost, I’m sure you’ve guessed, These things they don’t come cheap. My Dad is sensible I know And a robbing little creep.” “That’s it then son. Go forth.” He cried. “Bring your Father here. It will be worth it this I know Even if it costs me dear.” The boy pushed forth his hand He expected a large tip But the Monk pulled out a bottle And he offered him a sip. “I’m too young to drink my Lord, You should be ashamed. Although I know it is the wine So you cannot be blamed. But if you don’t cough up right now And offer cash to me You can sit there drunken all your life, Beneath the Willow tree.”
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72
the sign on the railway station says "Common Destination," the ties of our tracks are uniform, creosote covered, splintered, spaced uniformly as is the wont of the arm-in-arm soldiers, different regiments in the same army, though as they march, some on the high, some the low road, in defense of the values, right, right, right. no believing in forever land, dreamt of poems forever burning, real life farenheit bonfires lit by brown uniforms and such, thus, now, when a poem completed and shared,  it is instantly disfigured, by flames harnessed to lick the slate page clean, immediately,  presenting yet  another opportunity, to protest, persistently, endless be my own turnkey hands renewing, my write to right. my write to right, my pupose; my only intent, even in love poems, ogdiddy witty ditties, long dialogues with the creator, all purposed, all written while standing one on left foot, are we not all poets of the ways to increase the sum total of righteous and kindness in the world. 'tis right to write, but go further and farther, write to right. to ease, comfort, shoulder and hand extensions, be the lean-to, the shelter when there is no shelter, for there is no owning words, and no limitation on clear vision and the right to write.
0
Jul 11, 2017
Jul 11, 2017 at 2:18 PM UTC
the write to right (for patty m)
The Doctor named Seuss was such a great man. He wrote words so deftly like few others can. In fact, to this day we honor his rhyme, Or, I do, at least, to waste all my time. It's odd how with frequence I get up the urge To write tiny ditties: a poetry surge. I'm volted to pen any number of things, Shocking, to me, like a staticky sting. Whenever I am s'posed to be working, I notice that my duties I'm shirking. Perhaps without pressure my mind is more fun, But by the same token, I get nothing done. Maybe I study so well that it spills Onto my other thinking-type skills. My mind works so hard that it often requires More wood to fuel my thinking cap's fires. Anyways, I'm probably ******* for my test. I wish I could say that I studied my best, But honesty stabs me for truth til I'm ****** The truth is that I fail when I "study."
0
Oct 1, 2010
Oct 1, 2010 at 8:26 AM UTC
Procrastination in Moderation
(Geraldine, Maya, and Pedra were in the kitchen to drink some Jasmine Yin Zhen tea.) Between Bosphorus and Dardanelles, the waters are calm. Geraldine Said, ''I love the life at sea on this tall ship.'' Maya said, '' Let me see the meaning of the lines in your palm! '' ''I worked a lot; I can't feel my hands when something I grip.'' Maya insisted, '' Let me rub your hands with Gilead' balm! '' ''I can't stand the hustle and bustle of big cities. Can you predict my future after reading my palm? ''You'll be surrounded by death coming from the waves' ditties.'' ''What is this balm? '' '' It's an extract from the bakha shrubs.'' ''Where did you find this shrub? '' ''This extract is brought from Chios, Where this tree grows near the sea, to make this balm and drugs. It's good for the stomach and prevents the skin infections. I used it to make bread tsoureki.'' ''It's sweet, '' Pedra said, ''This tree excited the cupidity of invaders- The groves of Jericho.'' Maya touched her, ''Are you afraid? '' ''Went there to fight Titus, Joshua and the crusaders.'' Pedra took a long look at her, ''Do you have children? '' ''I have two boys who live in southern Ottoman Empire. My husband died.'' ''Why did you come here? '' ''I'm a poor woman. Now, it’s war; I want to work here, not to walk through the fire.’’ (Maya left the kitchen. On the deck, Marco, Rosa, and Cruz stopped for a few minutes their walk to admire the Marmara Sea in approach to Çanakkale.) ''Anybody who wants to pass through the Dardanelles Must pay a tax. So, we must sit at anchor in waiting For an opening at this small Port of Çanakkale, '' Said Cruz. '' About buying fuel, the ****** are still debating, '' Said Marco.'' This city is placed on two continents.'' '' The shape of the strait is akin to that of a river.'' '' Its history started with Troy. The tidal currents Make this time of wait at anchorage a deceiver.'' ''The Dardanelles is the most dangerous waterway, '' Said Rosa, '' Maya and Naimah are talking fiercely.'' Cruz said, ''They've seemed not to know each other until today.'' ''What happened, Maya? '' ''He can't stop speaking viciously.'' (To be continued...) Poem by Marieta Maglas
0
Jun 21, 2015
Jun 21, 2015 at 2:52 PM UTC
Frederick and Geraldine (Part 8)
(Geraldine, Maya, and Pedra were in the kitchen to drink some Jasmine Yin Zhen tea.) Between Bosphorus and Dardanelles, the waters are calm. Geraldine Said, ''I love the life at sea on this tall ship.'' Maya said, '' Let me see the meaning of the lines in your palm! '' ''I worked a lot; I can't feel my hands when something I grip.'' Maya insisted, '' Let me rub your hands with Gilead' balm! '' ''I can't stand the hustle and bustle of big cities. Can you predict my future after reading my palm? ''You'll be surrounded by death coming from the waves' ditties.'' ''What is this balm? '' '' It's an extract from the bakha shrubs.'' ''Where did you find this shrub? '' ''This extract is brought from Chios, Where this tree grows near the sea, to make this balm and drugs. It's good for the stomach and prevents the skin infections. I used it to make bread tsoureki.'' ''It's sweet, '' Pedra said, ''This tree excited the cupidity of invaders- The groves of Jericho.'' Maya touched her, ''Are you afraid? '' ''Went there to fight Titus, Joshua and the crusaders.'' Pedra took a long look at her, ''Do you have children? '' ''I have two boys who live in southern Ottoman Empire. My husband died.'' ''Why did you come here? '' ''I'm a poor woman. Now, it’s war; I want to work here, not to walk through the fire.’’ (Maya left the kitchen. On the deck, Marco, Rosa, and Cruz stopped for a few minutes their walk to admire the Marmara Sea in approach to Çanakkale.) ''Anybody who wants to pass through the Dardanelles Must pay a tax. So, we must sit at anchor in waiting For an opening at this small Port of Çanakkale, '' Said Cruz. '' About buying fuel, the ****** are still debating, '' Said Marco.'' This city is placed on two continents.'' '' The shape of the strait is akin to that of a river.'' '' Its history started with Troy. The tidal currents Make this time of wait at anchorage a deceiver.'' ''The Dardanelles is the most dangerous waterway, '' Said Rosa, '' Maya and Naimah are talking fiercely.'' Cruz said, ''They've seemed not to know each other until today.'' ''What happened, Maya? '' ''He can't stop speaking viciously.'' (To be continued...) Poem by Marieta Maglas
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36
Deny we the possibility of order Ignore we an Outside Law Suggest we an endless possibility Worlds without end Positions simultaneous Moving in all directions or none Claim we the future as ours Defy we realities of law external Look we inward-outward simultaneously To become one or none or all Reject a single story Saw we the Arms from Truth Reduce we the Other to I Forget we the order of Universes Without-Within The clockwork structures Atomic Celestial Genetic Physical Biological In and or-ganic Reorder or Retell we the Cyclical Tales Birth and Rebirth Seasons and Times Journeys of stars swirling through space Endless flights of planets Endless migrations of living things Each rhyming to universal rhythms Watts and amperes circular-linear mysteries Predicting futures from their undisputed histories Deny we external truth Held here in the gracious grasp of gravity Warmed gently by a tolerant star Inhabitants of a universe Unable to explain itself Or even how its atoms came To repel and to attract In perfect tensions Or to unleash energies Predictable and measurable In milliseconds and millenniums --------------------------- Marionettes macabre Cut loose from our strings Dancing slowing dirges Proclaiming opening spaces Beneath closed skies Denying a Maker Rejecting hymnody to sing Ditties laden with lies.
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Nov 18, 2012
Nov 18, 2012 at 12:14 PM UTC
System Down: Entropy & Post-structuring
Oh old days of past lives lived - West coast ridin’ Thumbin’ ‘bout the coast - San Diego up to L.A. - Zoomin’ through Big Sur with strange friends, Stranger than strangeness itself. Arrive Santa Cruz, Cops called, No transients allowed, Caravan keep tumblin’ northbound - San Francisco Bay, Oh, that Oakland scene With Park Prophets And worn-out crack minds Panhandling supermarkets Begging coins for fire - The Sun isn’t enough - Old man needing dirt Paid with by pity, Smoking up the score Singing little ditties On Piano, beating keys loud, Loud, LOUD until Cops called by neighbors afraid of God, claiming Jesus freaks of being demons, Oh old days of past lives lived - Walking Telegraph to Berkeley In the rain Rain RAIN, Stolen bicycle, Making friends, People’s Park No more noise - Just rain fallin’ fallin’ fallin’ And in the rain, I do miss those lives - Those faces. And I know, forever I will. Forever I will. Forever I will.
0
Jan 4, 2014
Jan 4, 2014 at 11:56 AM UTC
rain Rain RAIN - LOUD Loud loud
Precariously perched pidgons Coo with cautious curiousity Wondering why we wander On faltering feet rather than fly Just  little ditty A quiet play on words Just little rhythms and rhymes That are fun to be heard
0
Aug 16, 2012
Aug 16, 2012 at 8:02 AM UTC
Just Some Little Ditties
She sang with a beauty that made the sun shine brighter with every tune that floated up to the sky. But one day she stopped singing. A strange little boy told her, that no one gave a single **** about her little ditties. She didn't cry. She simply stopped singing, and went on about her life. She kept to herself and the world began to wonder why everything seemed so quiet. Then the sun stopped shining. He couldn't go on, making the world a brighter place, if she couldn't sing her songs to him each day. One night, the moon visited the girl. "My child, you know that the Sun longs to hear your voice again. Do not worry what little boys tell you, they cannot make the music that you can. This night will last for many years if you do not raise your voice. Go on, summon the Sun." Reluctantly, she stepped outside, and with a rusty voice, she sang as loudly and as honestly as she could. And as tears rolled down her cheeks, the Sun rose in the east, with tears that evaporated into steam as quickly as they came. And the strange boy fell in love with the way she looked to him when she sang to the sky.
0
Feb 24, 2021
Feb 24, 2021 at 1:10 AM UTC
Sun Song
A Yank with a terrible voice Singing ditties of dubious choice, Gave a concert at woik In the heart of New Yoik, And ended up making it woice.
0
Mar 21, 2011
Mar 21, 2011 at 3:14 AM UTC
New Yoik, New Yoik