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Muse of my native land! loftiest Muse!
O first-born on the mountains! by the hues
Of heaven on the spiritual air begot:
Long didst thou sit alone in northern grot,
While yet our England was a wolfish den;
Before our forests heard the talk of men;
Before the first of Druids was a child;--
Long didst thou sit amid our regions wild
Rapt in a deep prophetic solitude.
There came an eastern voice of solemn mood:--
Yet wast thou patient. Then sang forth the Nine,
Apollo's garland:--yet didst thou divine
Such home-bred glory, that they cry'd in vain,
"Come hither, Sister of the Island!" Plain
Spake fair Ausonia; and once more she spake
A higher summons:--still didst thou betake
Thee to thy native hopes. O thou hast won
A full accomplishment! The thing is done,
Which undone, these our latter days had risen
On barren souls. Great Muse, thou know'st what prison
Of flesh and bone, curbs, and confines, and frets
Our spirit's wings: despondency besets
Our pillows; and the fresh to-morrow morn
Seems to give forth its light in very scorn
Of our dull, uninspired, snail-paced lives.
Long have I said, how happy he who shrives
To thee! But then I thought on poets gone,
And could not pray:--nor can I now--so on
I move to the end in lowliness of heart.----

  "Ah, woe is me! that I should fondly part
From my dear native land! Ah, foolish maid!
Glad was the hour, when, with thee, myriads bade
Adieu to Ganges and their pleasant fields!
To one so friendless the clear freshet yields
A bitter coolness, the ripe grape is sour:
Yet I would have, great gods! but one short hour
Of native air--let me but die at home."

  Endymion to heaven's airy dome
Was offering up a hecatomb of vows,
When these words reach'd him. Whereupon he bows
His head through thorny-green entanglement
Of underwood, and to the sound is bent,
Anxious as hind towards her hidden fawn.

  "Is no one near to help me? No fair dawn
Of life from charitable voice? No sweet saying
To set my dull and sadden'd spirit playing?
No hand to toy with mine? No lips so sweet
That I may worship them? No eyelids meet
To twinkle on my *****? No one dies
Before me, till from these enslaving eyes
Redemption sparkles!--I am sad and lost."

  Thou, Carian lord, hadst better have been tost
Into a whirlpool. Vanish into air,
Warm mountaineer! for canst thou only bear
A woman's sigh alone and in distress?
See not her charms! Is Phoebe passionless?
Phoebe is fairer far--O gaze no more:--
Yet if thou wilt behold all beauty's store,
Behold her panting in the forest grass!
Do not those curls of glossy jet surpass
For tenderness the arms so idly lain
Amongst them? Feelest not a kindred pain,
To see such lovely eyes in swimming search
After some warm delight, that seems to perch
Dovelike in the dim cell lying beyond
Their upper lids?--Hist!             "O for Hermes' wand
To touch this flower into human shape!
That woodland Hyacinthus could escape
From his green prison, and here kneeling down
Call me his queen, his second life's fair crown!
Ah me, how I could love!--My soul doth melt
For the unhappy youth--Love! I have felt
So faint a kindness, such a meek surrender
To what my own full thoughts had made too tender,
That but for tears my life had fled away!--
Ye deaf and senseless minutes of the day,
And thou, old forest, hold ye this for true,
There is no lightning, no authentic dew
But in the eye of love: there's not a sound,
Melodious howsoever, can confound
The heavens and earth in one to such a death
As doth the voice of love: there's not a breath
Will mingle kindly with the meadow air,
Till it has panted round, and stolen a share
Of passion from the heart!"--

                              Upon a bough
He leant, wretched. He surely cannot now
Thirst for another love: O impious,
That he can even dream upon it thus!--
Thought he, "Why am I not as are the dead,
Since to a woe like this I have been led
Through the dark earth, and through the wondrous sea?
Goddess! I love thee not the less: from thee
By Juno's smile I turn not--no, no, no--
While the great waters are at ebb and flow.--
I have a triple soul! O fond pretence--
For both, for both my love is so immense,
I feel my heart is cut in twain for them."

  And so he groan'd, as one by beauty slain.
The lady's heart beat quick, and he could see
Her gentle ***** heave tumultuously.
He sprang from his green covert: there she lay,
Sweet as a muskrose upon new-made hay;
With all her limbs on tremble, and her eyes
Shut softly up alive. To speak he tries.
"Fair damsel, pity me! forgive that I
Thus violate thy bower's sanctity!
O pardon me, for I am full of grief--
Grief born of thee, young angel! fairest thief!
Who stolen hast away the wings wherewith
I was to top the heavens. Dear maid, sith
Thou art my executioner, and I feel
Loving and hatred, misery and weal,
Will in a few short hours be nothing to me,
And all my story that much passion slew me;
Do smile upon the evening of my days:
And, for my tortur'd brain begins to craze,
Be thou my nurse; and let me understand
How dying I shall kiss that lily hand.--
Dost weep for me? Then should I be content.
Scowl on, ye fates! until the firmament
Outblackens Erebus, and the full-cavern'd earth
Crumbles into itself. By the cloud girth
Of Jove, those tears have given me a thirst
To meet oblivion."--As her heart would burst
The maiden sobb'd awhile, and then replied:
"Why must such desolation betide
As that thou speakest of? Are not these green nooks
Empty of all misfortune? Do the brooks
Utter a gorgon voice? Does yonder thrush,
Schooling its half-fledg'd little ones to brush
About the dewy forest, whisper tales?--
Speak not of grief, young stranger, or cold snails
Will slime the rose to night. Though if thou wilt,
Methinks 'twould be a guilt--a very guilt--
Not to companion thee, and sigh away
The light--the dusk--the dark--till break of day!"
"Dear lady," said Endymion, "'tis past:
I love thee! and my days can never last.
That I may pass in patience still speak:
Let me have music dying, and I seek
No more delight--I bid adieu to all.
Didst thou not after other climates call,
And murmur about Indian streams?"--Then she,
Sitting beneath the midmost forest tree,
For pity sang this roundelay------

          "O Sorrow,
          Why dost borrow
The natural hue of health, from vermeil lips?--
          To give maiden blushes
          To the white rose bushes?
Or is it thy dewy hand the daisy tips?

          "O Sorrow,
          Why dost borrow
The lustrous passion from a falcon-eye?--
          To give the glow-worm light?
          Or, on a moonless night,
To tinge, on syren shores, the salt sea-spry?

          "O Sorrow,
          Why dost borrow
The mellow ditties from a mourning tongue?--
          To give at evening pale
          Unto the nightingale,
That thou mayst listen the cold dews among?

          "O Sorrow,
          Why dost borrow
Heart's lightness from the merriment of May?--
          A lover would not tread
          A cowslip on the head,
Though he should dance from eve till peep of day--
          Nor any drooping flower
          Held sacred for thy bower,
Wherever he may sport himself and play.

          "To Sorrow
          I bade good-morrow,
And thought to leave her far away behind;
          But cheerly, cheerly,
          She loves me dearly;
She is so constant to me, and so kind:
          I would deceive her
          And so leave her,
But ah! she is so constant and so kind.

"Beneath my palm trees, by the river side,
I sat a weeping: in the whole world wide
There was no one to ask me why I wept,--
          And so I kept
Brimming the water-lily cups with tears
          Cold as my fears.

"Beneath my palm trees, by the river side,
I sat a weeping: what enamour'd bride,
Cheated by shadowy wooer from the clouds,
        But hides and shrouds
Beneath dark palm trees by a river side?

"And as I sat, over the light blue hills
There came a noise of revellers: the rills
Into the wide stream came of purple hue--
        'Twas Bacchus and his crew!
The earnest trumpet spake, and silver thrills
From kissing cymbals made a merry din--
        'Twas Bacchus and his kin!
Like to a moving vintage down they came,
Crown'd with green leaves, and faces all on flame;
All madly dancing through the pleasant valley,
        To scare thee, Melancholy!
O then, O then, thou wast a simple name!
And I forgot thee, as the berried holly
By shepherds is forgotten, when, in June,
Tall chesnuts keep away the sun and moon:--
        I rush'd into the folly!

"Within his car, aloft, young Bacchus stood,
Trifling his ivy-dart, in dancing mood,
        With sidelong laughing;
And little rills of crimson wine imbrued
His plump white arms, and shoulders, enough white
        For Venus' pearly bite;
And near him rode Silenus on his ***,
Pelted with flowers as he on did pass
        Tipsily quaffing.

"Whence came ye, merry Damsels! whence came ye!
So many, and so many, and such glee?
Why have ye left your bowers desolate,
        Your lutes, and gentler fate?--
‘We follow Bacchus! Bacchus on the wing?
        A conquering!
Bacchus, young Bacchus! good or ill betide,
We dance before him thorough kingdoms wide:--
Come hither, lady fair, and joined be
        To our wild minstrelsy!'

"Whence came ye, jolly Satyrs! whence came ye!
So many, and so many, and such glee?
Why have ye left your forest haunts, why left
        Your nuts in oak-tree cleft?--
‘For wine, for wine we left our kernel tree;
For wine we left our heath, and yellow brooms,
        And cold mushrooms;
For wine we follow Bacchus through the earth;
Great God of breathless cups and chirping mirth!--
Come hither, lady fair, and joined be
To our mad minstrelsy!'

"Over wide streams and mountains great we went,
And, save when Bacchus kept his ivy tent,
Onward the tiger and the leopard pants,
        With Asian elephants:
Onward these myriads--with song and dance,
With zebras striped, and sleek Arabians' prance,
Web-footed alligators, crocodiles,
Bearing upon their scaly backs, in files,
Plump infant laughers mimicking the coil
Of ******, and stout galley-rowers' toil:
With toying oars and silken sails they glide,
        Nor care for wind and tide.

"Mounted on panthers' furs and lions' manes,
From rear to van they scour about the plains;
A three days' journey in a moment done:
And always, at the rising of the sun,
About the wilds they hunt with spear and horn,
        On spleenful unicorn.

"I saw Osirian Egypt kneel adown
        Before the vine-wreath crown!
I saw parch'd Abyssinia rouse and sing
        To the silver cymbals' ring!
I saw the whelming vintage hotly pierce
        Old Tartary the fierce!
The kings of Inde their jewel-sceptres vail,
And from their treasures scatter pearled hail;
Great Brahma from his mystic heaven groans,
        And all his priesthood moans;
Before young Bacchus' eye-wink turning pale.--
Into these regions came I following him,
Sick hearted, weary--so I took a whim
To stray away into these forests drear
        Alone, without a peer:
And I have told thee all thou mayest hear.

          "Young stranger!
          I've been a ranger
In search of pleasure throughout every clime:
          Alas! 'tis not for me!
          Bewitch'd I sure must be,
To lose in grieving all my maiden prime.

          "Come then, Sorrow!
          Sweetest Sorrow!
Like an own babe I nurse thee on my breast:
          I thought to leave thee
          And deceive thee,
But now of all the world I love thee best.

          "There is not one,
          No, no, not one
But thee to comfort a poor lonely maid;
          Thou art her mother,
          And her brother,
Her playmate, and her wooer in the shade."

  O what a sigh she gave in finishing,
And look, quite dead to every worldly thing!
Endymion could not speak, but gazed on her;
And listened to the wind that now did stir
About the crisped oaks full drearily,
Yet with as sweet a softness as might be
Remember'd from its velvet summer song.
At last he said: "Poor lady, how thus long
Have I been able to endure that voice?
Fair Melody! kind Syren! I've no choice;
I must be thy sad servant evermore:
I cannot choose but kneel here and adore.
Alas, I must not think--by Phoebe, no!
Let me not think, soft Angel! shall it be so?
Say, beautifullest, shall I never think?
O thou could'st foster me beyond the brink
Of recollection! make my watchful care
Close up its bloodshot eyes, nor see despair!
Do gently ****** half my soul, and I
Shall feel the other half so utterly!--
I'm giddy at that cheek so fair and smooth;
O let it blush so ever! let it soothe
My madness! let it mantle rosy-warm
With the tinge of love, panting in safe alarm.--
This cannot be thy hand, and yet it is;
And this is sure thine other softling--this
Thine own fair *****, and I am so near!
Wilt fall asleep? O let me sip that tear!
And whisper one sweet word that I may know
This is this world--sweet dewy blossom!"--Woe!
Woe! Woe to that Endymion! Where is he?--
Even these words went echoing dismally
Through the wide forest--a most fearful tone,
Like one repenting in his latest moan;
And while it died away a shade pass'd by,
As of a thunder cloud. When arrows fly
Through the thick branches, poor ring-doves sleek forth
Their timid necks and tremble; so these both
Leant to each other trembling, and sat so
Waiting for some destruction--when lo,
Foot-fe
RAJ NANDY Nov 2014
Friends, in the Introductory portion we have seen how Herodotus
gave birth to the subject of 'History'. Now I conclude this true story
by quoting a poem by the English poet Edgar O' Shaughnessy, which
is very appropriate for my Story! Please take your time to read, there is no hurry! Thanks, -Raj Nandy.

        HISTORIANS  AFTER  HERODOTUS
Herodotus became the trail blazer with his narration
of History,
Inspiring several Greek and Roman chroniclers as  
we subsequently get to see!
There was Thucydides, Livy, Sallust, Xenophon, and
Polybius,
Not forgetting chroniclers like Julius Caesar, Tacitus,
and the oft quoted Plutarch!
The Roman scholar Cicero had called Herodotus the
‘Father of History’;
But later the Greek historian Plutarch criticized him
for his many hearsay inaccuracies!
Even though Herodotus had cautioned his readers in
his Historical narrations, -
About those hearsay accounts and doubtful portions!
Greek historian Thucydides, who was a junior and a
contemporary of Herodotus,
For his accurate historical rendering of ‘The
Peloponnesian War’ between Athens and Sparta, -
Was praised by later scholars very much!

CYCLIC AND LINEAR PATTERNS OF HISTORY:
Herodotus believed in Nemesis and a repetitive
pattern of History.
While Thucydides with his strict investigation drew
a line between myth and reality!
Thucydides viewed history as a political struggle
based on the nature of man;
And felt that since human nature does not change
often, -
The past events would reoccur once again !
The Greeks believed in this cyclic notion of History,
Also developed a prose style to narrate their stories!
Unlike the Greeks, Roman History did not begin in an
oral Homeric tradition,
But they had a ready-made Greek model for their
historical narrations!
Roman historiography began after the Second Punic
War against Hannibal of Carthage,
When Quintus Flavius Pictor wrote Rome’s History
in Greek, instead of Latin!     (around 200BC)
Cato the Elder, was the first to write in Latin Rome’s
History,
While the Roman Livy born in Padua in 59 BC, was
praised for introducing a ‘milky richness’ of style  
for narrating these true stories !
From Julius Caesar’s accounts we learn about the
Gallic Wars and events of those ancient days;
But he Romans had used History for propaganda
and self-praise !
Also to make the conquered world to look up to them
with wonder and admiration;
For the Romans were creating History with their
conquests in a steady progression!

CYCLIC VIEW OF TIME AND HISTORY
Perhaps the cyclic view of Time has influenced the
cyclic concept of History to a great extent,
Since this cyclic view was held by many of those
Ancients !
Ancient doctrine of 'eternal return' like the seasons
of Summer, Autumn, Winter and Spring, existed
in old Egypt, and the Hindu religion;
Also with the Greek Pythagoreans and Stoic
conceptions;
As well as in the Mayans and the Aztec Civilizations!
In the East, cyclic theory of History as succession of
dynastic rule developed in China,
While the Vedic Hindus developed their theory of
Cycles of Yugas!    (epoch or era)
Writing of Indian History had commenced with
the Colonial British initially,
Who had criticized India for its lack of a sense of
History and Historiography!
The ancient Hindus were more concerned with
religious philosophy, and the essence of existence,
Rather than getting absorbed with historical details!
The Hindus divide cosmic time into cyclic eras of
Satya, Tretra, Dwapara, and Kali Yugas;
With each era covering many thousands of our
human eras!
These Yugas or Cyclic segments of time is said to
repeat itself in a cyclic motion, -
Which had perhaps mystified their early views
of a clear Historical perception.
However, later Indian historians have corrected
the earlier British interpretations, -
By dividing Indian History into Ancient, Medieval
and Modern Periods,
Replacing the earlier Hindu, Muslim, and British
Periods as Colonial segregation!
And also by correcting the British Aryan Invasion
Theory as Aryan Migration;
Based on more accurate historical research and
better perception!

CHRISTIAN AND LATER VIEWS OF HISTORY:
St. Augustine during the 4th century AD, systematized
the Christian view of History, -
As a struggle between the City of God and the City
of Man, where the City of God gains victory, -
Establishing peace and prosperity!
The Christian view is therefore Linear with a
positive beginning and an end;
A providential view from the Creation of Adam
till the Day of Last Judgment!

THE RENAISSANCE: (14TH - 17TH CENTURIES):
During this period the theological view gradually
begun to fade, giving rise to the Cyclic concept of
History,
As illustrated by the decline and fall of the mighty
Roman Empire, immortalized by Edward Gibbons
in his narrated story!
This cyclic view was also maintained by Oswald
Spengler, Nikolai Danilevsky, and Paul Kennedy,
during the 19th and the 20th Centuries.

AGE OF ENLIGHTENMENT : THE 18TH CENTURY
This period advocated the use of reason to obtain
objective truth, when human beings made all the
difference freed from superstition and bigotry;
Which led to favoring a Linear and a progressive
view of History.
Voltaire symbolizing the spirit of this age had
supported human wit and education, -
Since only enlightened people could give History
a positive direction !
For Karl Marx Feudalism was followed by Capitalism,
and Capitalism by Communism.
History of existing Society as the History of Class
Struggle - was Karl Marx’s new concept!
For social material forces drove History, and this
‘historical materialism’ as a revolutionary view, -
many later Scholars did accept!

SOME MODERN CONCEPTS ABOUT HISTORY
Now I share the views of three of our renowned
Historians; the German Oswald Spengler, the
British Arnold Toynbee, and the American
Carroll Quigley,
To provide you with three different concepts
of History.
Oswald Spengler (1880-1936):
Spengler’s reputation rests on his work titled
‘Decline of the West’, considered as a major
contribution to social theory;
Where he rejects the ‘Linear’ view in favor of
definite, observable, and unrelated cycles of
History!
Rejecting the Eurocentric view of History and its
Linear division into ‘Ancient-Medieval-Modern’
Eras,
Spengler recognizes eight ‘high cultures’ which
evolve as organism, following the cycles of
growth, development, and decline;
And his views astonished the Western mind!
These high cultures were the Babylonian,
Egyptian, Chinese, Indian, Mexican ( Mayan&
Aztec), Classical (Greece& Rome), Arabian,
and Western or Euro-American!
Cultures have a life span of about a thousand
years each,
So the Western Civilization too shall decline one
day, - Spengler did teach!

Arnold Toynbee (1889-1975):
Toynbee’s 12 volumes on ‘A Study of History’
covers a wider spectrum of 23 Civilizations,
Where he rejects Spengler’s cynical theory of
growth and decline of Western Nations!
“Civilization is a movement and not a condition,
a voyage not a harbor”, Arnold said;
Like human beings Civilizations were free to chart
their own course with the capacity to ‘consciously’
choose its destiny, he had felt!
Arnold moves on to formulate his Theory of
‘Challenge and Response’, since by responding to
such challenges Civilizations could move on !
These challenges could be social or environmental
he had said;
The Greeks responded to their growing population
by taking to the seas and maritime trade,
And also prospered as their overseas colonies had
begun to spread!
Toynbee’s Civilization start to decay when they lose
their moral fiber,
He perhaps over emphasized the religious and
cultural aspects, ignoring those economic factors!
But his views were certainly more popular than
the cynical Spengler!

Carroll Quigley (1910-1977):
Quigley’s scientific trained mind could not accept
either of the above views,
So he created a synthesis of Spengler and Toynbee,
while paying History its dues!
Quigley laid down seven stages for the evolution
of Civilization;
Commencing with Mixture, Gestation, Expansion,
Conflict, Universal Empire, Decay, and Invasion!
His Civilizations are neither groups nor individuals,
But each is a system which share some common
traits.
In Quigley’s model each system come into being
adapted to their environment;
But since environment always changes, Quigley
states with some relish, -
Systems which cannot adapt themselves, must
necessarily perish!

WE ARE ALL LIVING PARTICIPANTS IN THE
  LONG UNFOLDING HUMAN STORY!
“Know Thy Self” said Socrates, and the Delphic
Oracle had pronounced that he was wisest of
the Greeks!
To know ourselves truly we must know about
our past,
For this evolutionary process shall continue as
long as the Human species last!
Today we remain as a living monument to the
past,
We continue to make History as long as humans
on this planet shall last!
Our planet earth is around 4.5 billion years old;
While the first ****-erectus emerged around
two million years hence - we are told!
By walking ***** the two hands became free to
develop,
With flexible fingers and the rotating thumb;
Which was crucial for shaping the destiny of
the Human species on earth!
Our Civilization proper dates back to about
five thousand BC,
Thus an emerging pattern we can easily see!
With the development of human consciousness
we have learned to delve inwards, -
To discovered within a vast macro world!
Now, I would love to conclude this narration by
quoting from the English poet Arthur William
Edgar O’Shaughnessy’s book ‘Music and
Moonlight’;       (1874)
Do try to follow the philosophical content relevant
to the Cyclic History of Mankind!

“We are the music makers,
And we are the dreamers of dreams,
Wandering by lone sea-brakers,
And sitting by desolate streams;
World losers and world forsakers,
On whom the pale moon gleams;
Yet we are the movers and shakers
Of the world for ever, it seems.

With wonderful deathless ditties,
We build up the world’s great cities,
And out of a fabulous story
We fashion an empire’s glory.
One man with a dream, at pleasure,
Shall go forth and conquer a crown;
And there with a new song’s measure
Can trample an empire down.

We, in the ages lying
In the buried past of the earth,
Built Nineveh with our sighing,
And Babel itself with our mirth;
And overthrew them with prophesying
To the old of the new world’s worth;
For Each Age Is a Dream That’s Dying,
Or One That Is Coming To Birth.”

Thanks my readers and poet friends,
Sincerely hope you will now appreciate
History better, and love its contents!
**ALL COPYRIGHTS ARE WITH THE AUTHOR
RAJ NANDY OF NEW DELHI
Friends, those who have read part one will find the concluding portion in this narration of mine, which I tried my best to simplify! Mentioned the two basic views of History, the Linear & the Cyclic views in my narrated Story! Hope you liked the poem quoted at the end by me ! Thanks, -Raj
Nat Lipstadt Jul 2013
Mashup

Part I

I mashup me, myself, and perhaps thee too.


Excerpts from my poems about poets, poetry and the process of compositions. In chronological order, earliest to latest.
---------------------------------------------------------­------------------

With words we paint,
With syllables we embrace,
Tasked and ennobled,
We are forever fully employed,
Missionaries to all,
You too, are one as well,
Your fate can't be renounced,

when the rusted unborn poem notion is almost done,
but remains unpublished,
for no beginning, no title, can be found,

Then I recall the cornucopia days,
when poems spilled forth like
there would never be a when they wouldn't,

I revisit my old friends, couplets, twins and triplets,
seeded inside every tear, happy or sad,
sweetly and freely,

my old friends, reread,
words rearranged in new combinations,
old poems, plants bearing new fruits,
re-titled all of them, one name,
a collection entitled,
My Solace.


My eyes, my eyes, see only the
Totality of this moment.
When mastery of multi-tasking
Is the single best poem this man ever
Penned with his entirety,
Of which not word survived
For its unspoken silence was its glory.

My compact with you is to
remind us all, through
music, dance, words (poetry) and love,
This is the only compact
with the power of human law.


Color me flesh ****,
Color me blue bottled,
Red ripped asunder,
The sweetness ascribed to my love poetry,
A subtraction of the bitterness of a failed life.
Colorist of my seams, my woven words,
I am white now, my canvas completed,
Waiting for another poet to write over it,
And chaining new words to what was prior writ.

Al,  what you did not ask was this:
With each passing poem,
I am lessened within, expurgated,
In a sense part of me, expunged,
Part of me, passing too,
Every poems birth diminishes me.


You ask me how I find the time,
(To write)
But time is not the issue,
For they, are all prepared, needing only recognition,
For they, are all in readiness, needing only composition.

For who's who in poetry
is all of us!
saviors and failures,
recorders and decoders,
night writers of the oohs and aahs
of dreams and nightmares.

When this poet cannot,
no longer, anymore,
tastes his poems upon your lips,
keep your poems within his heart,
then he breathes no more,
and becomes one who was, yet is,
because of you, in poetry.

Awful poetry, some good, you will write.
But write and write till your heart be calmed,
For even ancient kings felt the anguish  of the soul,
And we profit even today by King David's psalms.


This wizened fool has his hands full,
Mouths to feed, bread to earn and bake,
As midnight is almost nigh,
He rests prone and adds a verse to this old poem
He long ago scribbled down, grimace-smiles now,
Realizing there is little difference tween him and the
Sad Eyed Teenagers of the Lowland.

For poetry salves his wounds still, even now,
Unashamedly, he thinks, hallelujah!

The poem is the afterbirth,
A conflicts resolution, an outcome,
Battlefield debris, the residue of
An exacting vision, a sentiment surging,
And your army of words, inadequate to the task,
Fighting to capture that insight flashed,
Each word a soldier, disheveled,
Crying, let me live, let me be saved,
Let me make a poem,
Let it be inscribed upon my victorious flag.

The poem is the sweat left upon the brow,
Having exercised the five senses,
The salt of struggle and debate,
It's completion, each word,
Both a victory and a defeat.

To write but a single line,
That uplifts the heart,
Eases pain, gives delight to strangers,
And makes you laugh out loud
With shivery pleasure,
That usurps a whole day and night,
That is a poet's true measure.

Mastery of the poetic,
Measured not in quantity,
But in tears of satisfaction
When others love the taste
Of newly born stanzas
Upon their lips,
couplets born and transcribed
In the wee hours of the morn.


You can have my love, my soul,
But leave to me the labor of poetry.
Loving you with words is my domain,
The speciality of my terrain,
So no more hasta la pasta if you please,
And by the bye, I would love some
Tonight, say around eight,
At a restaurant where the moon is
The only light illuminating our faces.

Until you have bent your ear to Shakespeare's sonnets,
Till you have laughed with Ogden Nash,
Wept with Frost, visited Byron's ghost,
Read the songs of King Solomon,
And once you
Despair of being their equal,
Shed your winter coat of worry,
***** your courage to the sticking point,
Begin to write then with reckless courage,
Unfettered abandon, make a fool of yourself!

Scout the competition.
Weep, for you and I will never surpass
The giants who preceeded us, and yet,
Laugh, cause they thought the same thing as well...


All I can say is
En Garde!
I will be coming back soon enough.
because you are my best poem,
and the there will always be another stanza needed...

I am no Houdini, it's quite simple,
After 5 years, I read her like a book,
A book of my poems that she has inspired,
Entitled the Mysteries of True Love.


Each letter, a morsel in your mouth,
Each phrase, a fork full of pleasure,
Each stanza, a full fledged member in a tasting menu,
Perfect only in conjunction with the preceding flavor,
and the one that follows,  and the one that follows.

Taste each poem upon thy tongue and then pass it on,
you know how....

Each word, whether chewed thoroughly,
or lightly placed upon a bud for flavor,
needs the careful consideration of your mouth.

When I hear Shakespeare
My own voice is stilled, it's poverty exposed,
I am ashamed of every word I ever wrote.
Hush me not, for t'is true,
Yet I write on for an audience of one, on but one subject,
A subject, a life, mine,
yet, still unmastered, even after decades of trying.

My poverty exposed, unmasked
for what it is worth, or not.


Lest you think this is paean to men
Another grand male boast,
Be advised this ditty be writty
By a man who, while no longer gritty,
Just put jelly on his scrambled eggs
And ketchup on his toast!

Mmmmmmm there might be a poem
Lurking in that too...

So baby,
shut it down,
turn me on,
make me warm for real,
glide your now practiced fingertips on my grizzled cheek,
whisper a phony "ugh,"
cause I know, you will read
this iPad love poem
and cherish us for evermore.


Soul of brevity, poetically,
I'll never be, this insightful critique,
("Your poems are too long")
I've received in multiplicity, from sources internationally,
perhaps, lucky me, you've read this far?

Surely still a chance that an angel will touch my lips,
my internal parts sign a final treaty, inside an armistice,
night sweats sighs a thing fully forgot,
poetry writing can now be dispatched,
maybe that will be my Act III,
if I can stay awake for it.

Walk a Single Word.
To write a poem, a single word select,
embrace it with a fullness that lovers, family and friends
and the *** who cut you off in the middle lane
do daily provide

Grasp said word, walk it onto a yellow, blue lined, legal pad,
touch said word with the whisper of a single tear, a single curse,
like a pebble in a pond,
said word will miracle expand
hugging you with concentric circles of lines of poetry,
visionary words and stanzas that almost complete themselves
and you

The rhymes you will require, the meter you will select,
no need to struggle, hug your child and as Abraham told Isaac,
God and Google will provide

The simple trickster, a wordsmiths, even your average poet laureate,
got nothing on you that you don't already possess, to offer them
Plenty stiff competition.


Therefore,
My life is mine to take,
Should I wish to choose the
Place, date, the time
To let the poetry cease,
I will announce it mostly gladly
with a blessing of
Shehecheyanu* and a
Smiling "by your leave."

Sometimes the pen, unnecessary.
The poem, fully formed, in his mouth, born.

Silent back labor, unbeknownst the existence
Of such a thing, yet knowing now
His contractions, coming fast and furious,
Eyes many centimeters dilated,
The sac's fluid breaks upon the poet's tongue,
He pronounces in a single breath his
Immaculate Completion

When his hand to mouth, goes,
Like Moses, when he touched the burning coals,
The words are signaled, freedom!
The words announce:
We are now created, conceived and
This new oxgenated atmosphere is now our
final resting place.

This child, the poem, this exhalation,
Once freed, is lost to him,
It's been renamed, retitled,
by hundreds of newly adopted parents as
Ours.


Words needed to create another love poem for my beloved,
Nose and toes, ******* and eyes all regularly poetically,
Cherished,
Now I have knuckled under
And competed a full poetic body scan
And have paid tribute to each n'every part of you,
Even your knuckles...which I am busy kissing
While writing this poem in my distracted mind.

The next time it be for the morning meal,
I will eat it in bed,
far from their kitchen hiding places,
And celebrate my heroics with original
Frosted Flakes and milk,
And extra sugar just for spite!
The bedroom fairies, living under the pillow,
Emerge to beg in iambic pentameter,
Won't get nary a bite,
Until they they return the poems they stole
From my midnight dreams.


I am exhausted. So many gems to decorate
My body, my soul. I must stop here,
So many of you have reached out, none of you overlooked.

Overwhelmed, let us sit together now
And celebrate the silence that comes after the
Gasp, the sigh, that the words have taken from
Our selves, from within.


On and on thru the night,
Riffing, rapping, rambling, and spitting,
Ditties and darts, couplets and barbs,
Single words and elegies,
Free verse and a lot of fking curse words,
It was a moment, a time
that deserved
to be preserved,
and so this poem got writ

You may think this story apocryphal
Which is another way of saying untrue,
But I got his boarding pass and it is signed,
To this crazy poetry dude, long may you rasp,
And it is signed by Mr. P. Simon, a big fan,
And it has never since that day,
Left my grasp


Some poems never end,
Nor meant too.
Alliterative phrases, invitations,
Add a verse, a word, even a sound,
An exclamation of delight,
A stanza in its own right.

Unfinished work, forever additive, collaborative.
Modify mine, pass it on.

Read somewhere some poems never end,
Now I understand that better,
Cause there are no bandages, stitches that can close,
Cause there are no pills, switches that can shut off,
The ripping sound, the cutting noise, the raging inside
Heard blocks away, almost reaching a house where you live,
And dying in the same **** place that
Poems come from after midnight.


And even if I am stranger now,
I'll prove useful to have around,
Giving you poetry precisely couture designed by command,
So I fully expect to be hugging you happy
Soon enough.
You'll see.

No matter combo or organized, a good nights sleep
Elusive
So poetry is my default rest position,
My screen savior.

**So when I warn,
All my poems are copywrighted,
My meaning simple, words crystal,
They belong to us, but mostly to you
Who are reading these words
Mashup Part II  Is now posted.

It appears that I write a lot on this topic.   Anyway all theses are indeed snippets from poems  I wrote  and have posted here.  Started with the oldest poems May 18 and working my way thru 'em
Paolo C Perez Oct 2012
His Funeral was today.  Well, his wake rather.  It was in his old colonial home on Elm Street, a bought of irony that Paolo would never get.  Anyway, it was an odd set up at his house. Family and friends downstairs in the living room, acquaintances and honorable mentions meandering through the hallways clearly more interested in the intricate little floral patterns that adorned the wallpaper than how his family was holding up.  The company of the house was split, everyone either legitimately full of sorrow, or completely full of ****.  In everyone’s grasp either handkerchiefs or hand grenades it was as if the invitation read “Come see it to believe it!” In the study across the hall a small memorial was set up.  Big cards, tons of photos, some flowers, anyone who actually cared stayed there and stared at his once happy face, who knew what it looks like now.  
He had died of some sort of overdose, one that destroyed his heart, so he would have looked fine in an open casket.  The doctors say it was *******.  I don’t believe them.  Paolo had his fun in college, ***, *****, sure, but coke?  There’s no way.    The services weren’t to take place for another two hours, so his family rolled him onto the second floor balcony.  It was actually his dad’s decision, something about a “disgrace” and not wanting to look at his face.
Apparently his mom had felt bad letting her dead son chill on the porch for a few hours, so she rolled him across the hallway to his own room him and kind of laid him out on the bed, as if letting her baby boy take his eternal sleep where he’d have had most of his shorter ones.  
Picturing him lying up there was the first negative connotation I ever had with the image of him on that bed.  He had that kind of headboard that when we started getting at it the bed would hit the wall with each rhythmic movement.  Steady and almost tribal as our bodies danced to the ever increasing beat of a talking drum.  Our clothes off and our skin glazed with sweat it was like my own personal method for getting high. Now don’t get the impression that our relationship was based purely on a physical connection, we’d been dating for three and a half years, the love was there all right.  
We had met in the strangest of ways, through a mutual friend that I was kind of, almost, sort of, but not really having a “thing” with, you know?  Cisco was his name.  So we were together one day and he, being the adorable spaz that he was, had forgotten that his own birthday party was that same night.  He asked if I didn’t mind tagging along, it was a celebration for him and two friends whose birthdays followed his in sequence.  
This had been going on for several weeks, and I know we weren’t dating but I still had a feigning interest in the guy.  So we arrive to this girl, Cristina’s, house and I noticed this other boy almost immediately.  In a backwards cap and pair of boot cut jeans he was jumping around, tossing his arms, right in the middle of reciting some hilarious anecdote to any of his friends who hadn’t heard it yet; even those who had seemed riveted.  He was so full of charisma and with such assurance.  Besides that he was kind of cute so, though pathetically, I tried flirting with him for the rest of the night; he didn’t really catch on.  We left that night without having exchanged more than ten words between each other, I thought I’d never see him again, turns out I was wrong.  
“Broadway CAREols.  Show others that you care by enjoying a night of with your favorite blend of Christmas ditties and Broadway biddies” And before you ask, Yes, I did come up with that title, I think it was great and it was at the top of each flyer in big red and green letters and if you asked me “If you could do it again…” I would do it the same each and every time don’t judge me.
It was a show I had to direct for a community service project and of all people he played the piano for my show.  Only me and several other girls made up the cast, and I knew how easy it was to mistake a positive attitude for flirtation when it comes from a handsome young man.  He ran the music over three or four times individually with each cast member before the night of the show, but when Paolo and I worked that night he stopped me and just sang. For me.  
Each night after rehearsal I had to give him a ride home, I was a year older and thus had my license a year sooner.  I’d never mind allowing myself more time to bask in the glow of his perfectly understated confidence, so I was happy to oblige.  Technically Connecticut state imposed a law forbidding new drivers under the age of 18 to be on the roads past 11 at night.  My mom, being a government employee, really stressed this one.  His house was a solid ten minutes drive from our rehearsal spot, and my mom often warned me to allow myself enough time to get back home before 11.  What started as me beginning to drive faster and faster during the trip home ended as a routine each night, where I would finally allow him to step out of my car just as the clock read 11:00 PM.  
Our first kiss was in that car, my first uncontrollable breakdown was in the car, hell the first time he told me he loved me was in that car…right at the lip of the driveway.  I learned to ride my brakes perfectly to the point where I could park just beyond the edge of the sidewalk yet just before the point where the porch light would flash on, reminding his mother that his son is out past ten on a school night.  It was so warm.  I’ll never forget the cadence of his laughter as it trailed off, seamlessly merging with that next statement “Anna, I love you”.  I could have sworn the porch light went on.  

Now I know it may seem like I don’t care for his being dead right now, but the thing is, I did something.  I did something really bad.

You see, I had mentioned that he was up in his room, right?  Still, stiff, simply waiting to be brought down in a few hours as the catalyst to another round of tears.  Now don’t get me wrong, I did my share of crying the night before.  He’d been in the hospital for only a few days and when they told us he was dead…God, he was just so young, two years into college, the friend you have who was chasing his dreams down with a brand new pair of sneakers.  That kid the whole town knew because of the multitude of silly town functions he attended.  He would always insist.  Every other weekend was one silly thing or another “Oh you’re gonna love this.  Two words – ‘Poetry showdown’.  If you can’t take the heat, don’t stay in the kitchen”
The day of the funeral I just had to see him.  I snuck up the two floors to his room on the third floor.  As I neared his door at the top of that final flight of stairs each creak of the floorboard seemed to resonate through the house, followed by the hollow silence of my stillness.  I paused with each step as if stepping in larger spans of time would make what I was doing seem less suspicious, should someone hear me.  Upon touching his doorknob I felt an immediate chill. I couldn’t tell whether it was some ghostly feeling of being in the presence of a dead person, or the fact that the thermostat had been turned down to keep his body prime for viewing.
I held my breath as I opened the door, and blinked a couple times when I saw him.  He was wearing what everyone else was in downstairs, black tuxedo and a dark tie.  I know he would have scowled had he known he was going to be buried in a constricting penguin suit.  We had a conversation about it, you know?  Out on Academy Hill, right in the middle of a picnic. We were in enough shade that his transition lenses were only half tinted, and when he sat up, it was abruptly.  Pushing my head off his chest he kind of leaned in to the cemetery in the distance and pointed out how sad it is that no one really ever gets the chance to choose how they want to spend the rest of eternity dressed in.  He would have preferred his puma sneakers, still white after seven months, his striped green and blue socks, his only pair of ripped designer jeans and that express shirt he loved so much because it showed off his natural physique.  
I moved closer, inching toward him at first, then quicker as I broke through a place where I just relaxed, and for a moment he wasn’t dead.  For a moment he was just sleeping, all ready in his fancy get up simply waiting for me to wake him up.  I found myself sitting next to him, my eyes cast downward, half expecting his gaze to meet mine, and while stroking his hair I got an idea.  It happened quickly, and I kind of have a problem with acting upon my impulses, it’s something he used to criticize me on that and I never really improved.  Without thinking I threw open his drawer and pulled out what I knew he’d have wanted to be dressed in, should he have gotten the chance to create a will concerning his death-wear.  As I pulled of his starchy shirt my hand brushed against his chest, chilled as the room was, eerie as nothing else.  I finally got him down past his pants and saw, of all abominations, that he was outfitted in a fresh pair of tighty whities.  God, it’s as if the funeral home was asking to be haunted by his tormented soul.  I found his single pair of silk boxers and reassembled him in the way I knew he’d have wanted to be.
So great, now everyone will think I’m a loon for having desecrated his body.  Well what do they know; I’m the only one who ever really knew him! But how the hell would I explain it to his parents when the pallbearers march in and there he is, laying face up in his street clothes?  
This wasn’t right.  He didn’t belong here, he needed to be somewhere comfortable, someplace he enjoyed, not sitting upstairs in a suit with the lights off and the air blasting.  He hated the cold!  Certainly he would have hated a hundred people staring at his dead and lifeless shell, and he would, without a doubt, hate being six feet under, pushing daises at the Nichols Road cemetery.
I wrapped my arms around him, and as the building adrenaline made my breaths deepen I inhaled several moments of ecstasy off his clothes that still clung to his musty scent.  I lowered him gently to the floor and took care as I dragged him across the carpet to his door.  After fumbling, for what felt like several minutes, on his door handle I got him onto the awning introducing the stairs.  I even made it down the first flight of stairs without freezing up at the tiniest creak when I heard someone coming my way.  ******, they must need to use the bathroom, why couldn’t they just use the one downstairs like any normal person?  Without hesitation I throw open up the window near bottom of the stairs, heaving myself and him, sending us tumbling onto the garage roof.  Ignoring my probable bruises I spring up and slam the window behind me while taking special care to hide us both as far away from the bathroom window as possible.
Sitting up there, my heart racing, I felt his hand in mine and it was probably because my palms had gone clammy but I swear for a span of time he was alive again.  I closed my eyes and felt the breeze in my hair and was transported to a place where I spent a single moment in each day we ever shared.  Each beach side sandcastle, each afternoon spent cloud gazing, those same afternoons turning into evenings of star gazing, each and every night spent utterly and irrevocably lost with this silly boy that chose to love me.  
I was torn from my oasis as I heard the bathroom’s occupant exit and continue downstairs.   Knowing that my van was parked on the other side of the street I pushed his body as close to the edge of the roof as I could without his falling off and let him be. I hopped back inside and ran downstairs, but not before flying through the doors of the memorial and interrupting his mothers eulogy.  In an act of sheer brilliance I mustered a few tears and tore out the back door.  Everyone figured I was just so taken away by his death that I couldn’t stand to be there anymore.  Who knew anxiety could be mistook for remorse so easily?
I ran down the driveway, losing the grace I had composed in my dress in high heels the moment I slammed that door.  I jumped into Emmet, my van, because only crazy people drive around in un-named vehicles.  
I pulled out of my spot, nearly ruining the paint job on both my and his Uncle Ed’s car.  I flew my trunk door open and set the third row down, the general idea being his landing securely in my back seat.  I reversed up the driveway with the precision of a surgeon and the speed of a leopard right back to the edge of the garage where I had tossed his body.  I jumped out of my car nearly forgetting to put it into park before I shut off the engine.  I barely got halfway around my car before becoming transfixed on his hand, hanging off the gutter as if reaching for mine to grab hold and pull him to sweet salvation.  I jumped up a few times, unsuccessfully before I took off my shoes and got a good running start.  I flew up, grabbed his arm and ****** towards the car in a sideways downward motion.  He nearly cracked his head on the pavement coming down, he would have too if it wasn’t for my body breaking his fall.  I got up, too distracted by the sheer volume of my own heart to realize the pain I felt.  I shoved him into my back seat, slammed the trunk, stumbled into the car, stuck it in reverse and stepped on gas without even putting my shoes back on.

I told you I had done something bad.
This is a first draft, please, I welcome your critiques.
1.

New Year met me somewhat sad:
  Old Year leaves me tired,
Stripped of favorite things I had,
  Balked of much desired:
Yet farther on my road to-day,
God willing, farther on my way.

New Year coming on apace
  What have you to give me?
Bring you scathe, or bring you grace,
Face me with an honest face;
  You shall not deceive me:
Be it good or ill, be it what you will,
It needs shall help me on my road,
My rugged way to heaven, please God.

2.

Watch with me, men, women, and children dear,
You whom I love, for whom I hope and fear,
Watch with me this last vigil of the year.
Some hug their business, some their pleasure-scheme;
Some seize the vacant hour to sleep or dream;
Heart locked in heart some kneel and watch apart.

Watch with me, blessed spirits, who delight
All through the holy night to walk in white,
Or take your ease after the long-drawn fight.
I know not if they watch with me: I know
They count this eve of resurrection slow,
And cry, "How long?" with urgent utterance strong.

Watch with me, Jesus, in my loneliness:
Though others say me nay, yet say Thou yes;
Though others pass me by, stop Thou to bless.
Yea, Thou dost stop with me this vigil night;
To-night of pain, to-morrow of delight:
I, Love, am Thine; Thou, Lord, my God, art mine.

3.

Passing away, saith the World, passing away:
Chances, beauty and youth sapped day by day:
Thy life never continueth in one stay.
Is the eye waxen dim, is the dark hair changing to gray
That hath won neither laurel nor bay?
I shall clothe myself in Spring and bud in May:
Thou, root-stricken, shalt not rebuild thy decay
On my ***** for aye.
Then I answered: Yea.

Passing away, saith my Soul, passing away:
With its burden of fear and hope, of labor and play;
Hearken what the past doth witness and say:
Rust in thy gold, a moth is in thine array,
A canker is in thy bud, thy leaf must decay.
At midnight, at ****-crow, at morning, one certain day
Lo, the Bridegroom shall come and shall not delay:
Watch thou and pray.
Then I answered: Yea.

Passing away, saith my God, passing away:
Winter passeth after the long delay:
New grapes on the vine, new figs on the tender spray,
Turtle calleth turtle in Heaven's May.
Though I tarry, wait for Me, trust Me, watch and pray.
Arise, come away, night is past, and lo it is day,
My love, My sister, My spouse, thou shalt hear Me say.
Then I answered: Yea.
There’s a Devil of a night each year, the night of Mr. Haim!
When the devilish and ghoulie ones come out to play their monster’s game.
And why some would seek to trick or treat on this scary day of dead?
Careful now cause gremlins, trolls …sprites and wolves, will offer up their dread!
Quiet, shush, I hear a pack of creepy-crawly boots…

Ra’atan-Zu and the Boogedy-Boo!
And the skeleton bones, clink…
And the skeleton bones, clink…
The skeleton bones clink.

That crafty-smith of horns and hooves is spying on these kiddies,
As Ra’atan-Zu and the Boogedy-Boo are hunting strays to do their dastardly-ditties.
Quiet, shush, I hear a pack of creepy-crawly boots,
And their costumes, oh-so-foul, the evilest of suits!
And there she is, that little girl who can’t keep up, in a tasty mushroom ensemble.
And the skeleton bones clink in her path to give her quite a tomble!

Ra’atan-Zu and the Boogedy-Boo!
And the skeleton bones, clink…
And the skeleton bones, clink…
The skeleton bones clink.

And Sammy Haim, that smithy-devil, a ***** hoof -igniting ghoul’s desire,
He’s howling out, demanding now, “Put that child to the fire!”
And little does he know, no little bit, not even a small clue,
Neither Ra’atan-Zu nor Boogedy-Boo intend on giving him his due!
For once a year on Halloween they get one night to spaz,
Get down and *****, wild and crazy and play a little jazz!
That little mushroom of a girl will play a tiny fiddle,
Ra’atan-Zu and the Boogedy-Boo, a jazzy duet with child in middle!'

Ra’atan-Zu, Boogedy-Boo and a little girl too as they get down actin’ a spaz! Playin’ all night, howling to the moon and kickin’ out some wicked jazz!

And the skeleton bones, clink…
And the skeleton bones, clink…
  The skeleton bones clink.

Halloween narrative rhyme.
Coyote Apr 2013
Through the centuries, ecclesiastical types have called poets deviants and inferred we would burn in Hell for our heresy. I've often wondered what the rhymes of a condemned poet might look like...*


#1
The serpent got
a ***** wrap
as well as did
the Jews
And if you read
between the lines
you won't believe
The news

#2
As I'm not
a Christian
I think it
quite odd
That I should
be punished
by a biblical
God

#3
God the father
and his boy
appear to find
the greatest joy
deciding who
will sing or fry
in pits of Hell
or Heaven’s sky
Me thinks I’d
rather burn in Hell
for truth be told
I don't sing well
Besides in Heaven’s
realm I hear they’ve
put a ban on wine
and beer

#4
Scribbled notes
on wrinkled pages
offer up my
rants and rages
To the gods
both big
and small
who really
don't exist
at all

#5
Going to Hell
is not my intention
For Hell I believe
is your little
invention
Ingeniously
Crafted for
scaring the
masses
By threatening
Flame if they
don't kiss your
*****.

#6
Such a simple
happenstance
No books to
study true
No condemning
sermons from
the everlasting
Jew
And since
His love
is only for
the chosen
and the few
I think I'll pass
on Sunday Mass
I've better things
to do

#7
Galileo’s castrated
brilliance shackled
to an empty cross
as demonic paramours
burn in the city square

#8
Rest assured
the herd will
follow the absurd
proclamations’
and the institution's
philosophical solution
to the daily grind
that binds us all
to this stalled
morality we
have mistaken
for God

#9
'Peace on earth
and love thy neighbor'
Cried the man with
cross and saber
Even as he slaughtered
millions for the crime
of pagan birth

#10
Cups and saucers
filled with gold
but not a cent
may we behold
for we are not
among the few
selected by the
ancient Jew
1483

The Robin is a Gabriel
In humble circumstances—
His Dress denotes him socially,
Of Transport’s Working Classes—
He has the punctuality
Of the New England Farmer—
The same oblique integrity,
A Vista vastly warmer—

A small but sturdy Residence
A self denying Household,
The Guests of Perspicacity
Are all that cross his Threshold—
As covert as a Fugitive,
Cajoling Consternation
By Ditties to the Enemy
And Sylvan Punctuation—
PrttyBrd Apr 2015
Innocent words of wonder
Burn the purest of souls to ash
The Goddess of love,
She spews her lyrics in tinkling sighs
Completed by the one whose light burns brightest
He lights the path of others
Consuming their shadows as they pass
A dragon of fire to fight the darkness
And she sings in sweet daffodils
Satin petals and the Heavens open wide
She sings of pain and the dragon feeds
She sings of joy and he watches
As the words are once again absorbed into her essence
The Goddess welcomes this guardian of light
Never knowing that her words
Pilot the fire that eats the shadows that surround him
Bitter pangs of abrasive truth
Wrapped in delightful ditties of eternal enamoration
He fights her darkness
She fuels his fire
4415
Down the quiet eve,
Thro' my window with the sunset
Pipes to me a distant *****
Foolish ditties;

And, as when you change
Pictures in a magic lantern,
Books, beds, bottles, floor, and ceiling
Fade and vanish,

And I'm well once more . . .
August flares adust and torrid,
But my heart is full of April
Sap and sweetness.

In the quiet eve
I am loitering, longing, dreaming . . .
Dreaming, and a distant *****
Pipes me ditties.

I can see the shop,
I can smell the sprinkled pavement,
Where she serves--her chestnut chignon
Thrills my senses!

O, the sight and scent,
Wistful eve and perfumed pavement!
In the distance pipes an ***** . . .
The sensation

Comes to me anew,
And my spirit for a moment
Thro' the music breathes the blessed
Airs of London.
Erin Lewis Aug 2012
Precariously perched pidgons
Coo with cautious curiousity
Wondering why we wander
On faltering feet rather than fly

Just  little ditty
A quiet play on words
Just little rhythms and rhymes
That are fun to be heard
In this Monody the author bewails a learned Friend, unfortunately
drowned  in his passage from Chester on the Irish Seas, 1637;
and, by occasion, foretells the ruin of our corrupted Clergy,
then in their height.


Yet once more, O ye laurels, and once more,
Ye myrtles brown, with ivy never sere,
I come to pluck your berries harsh and crude,
And with forced fingers rude
Shatter your leaves before the mellowing year.
Bitter constraint and sad occasion dear
Compels me to disturb your season due;
For Lycidas is dead, dead ere his prime,
Young Lycidas, and hath not left his peer.
Who would not sing for Lycidas? he knew
Himself to sing, and build the lofty rhyme.
He must not float upon his watery bier
Unwept, and welter to the parching wind,
Without the meed of some melodious tear.
         Begin, then, Sisters of the sacred well
That from beneath the seat of Jove doth spring;
Begin, and somewhat loudly sweep the string.
Hence with denial vain and coy excuse:
So may some gentle Muse
With lucky words favour my destined urn,
And as he passes turn,
And bid fair peace be to my sable shroud!
         For we were nursed upon the self-same hill,
Fed the same flock, by fountain, shade, and rill;
Together both, ere the high lawns appeared
Under the opening eyelids of the Morn,
We drove a-field, and both together heard
What time the grey-fly winds her sultry horn,
Battening our flocks with the fresh dews of night,
Oft till the star that rose at evening bright
Toward heaven’s descent had sloped his westering wheel.
Meanwhile the rural ditties were not mute;
Tempered to the oaten flute,
Rough Satyrs danced, and Fauns with cloven heel
From the glad sound would not be absent long;
And old Damoetas loved to hear our song.
         But, oh! the heavy change, now thou art gone,
Now thou art gone and never must return!
Thee, Shepherd, thee the woods and desert caves,
With wild thyme and the gadding vine o’ergrown,
And all their echoes, mourn.
The willows, and the hazel copses green,
Shall now no more be seen
Fanning their joyous leaves to thy soft lays.
As killing as the canker to the rose,
Or taint-worm to the weanling herds that graze,
Or frost to flowers, that their gay wardrobe wear,
When first the white-thorn blows;
Such, Lycidas, thy loss to shepherd’s ear.
         Where were ye, Nymphs, when the remorseless deep
Closed o’er the head of your loved Lycidas?
For neither were ye playing on the steep
Where your old bards, the famous Druids, lie,
Nor on the shaggy top of Mona high,
Nor yet where Deva spreads her wizard stream.
Ay me! I fondly dream
RHad ye been there,S . . . for what could that have done?
What could the Muse herself that Orpheus bore,
The Muse herself, for her enchanting son,
Whom universal nature did lament,
When, by the rout that made the hideous roar,
His gory visage down the stream was sent,
Down the swift Hebrus to the Lesbian shore?
         Alas! what boots it with uncessant care
To tend the homely, slighted, shepherd’s trade,
And strictly meditate the thankless Muse?
Were it not better done, as others use,
To sport with Amaryllis in the shade,
Or with the tangles of Neaera’s hair?
Fame is the spur that the clear spirit doth raise
(That last infirmity of noble mind)
To scorn delights and live laborious days;
But, the fair guerdon when we hope to find,
And think to burst out into sudden blaze,
Comes the blind Fury with the abhorred shears,
And slits the thin-spun life. RBut not the praise,”
Phoebus replied, and touched my trembling ears:
RFame is no plant that grows on mortal soil,
Nor in the glistering foil
Set off to the world, nor in broad rumour lies,
But lives and spreads aloft by those pure eyes
And perfect witness of all-judging Jove;
As he pronounces lastly on each deed,
Of so much fame in heaven expect thy meed.”
         O fountain Arethuse, and thou honoured flood,
Smooth-sliding Mincius, crowned with vocal reeds,
That strain I heard was of a higher mood.
But now my oat proceeds,
And listens to the Herald of the Sea,
That came in Neptune’s plea.
He asked the waves, and asked the felon winds,
What hard mishap hath doomed this gentle swain?
And questioned every gust of rugged wings
That blows from off each beaked promontory.
They knew not of his story;
And sage Hippotades their answer brings,
That not a blast was from his dungeon strayed:
The air was calm, and on the level brine
Sleek Panope with all her sisters played.
It was that fatal and perfidious bark,
Built in the eclipse, and rigged with curses dark,
That sunk so low that sacred head of thine.
         Next, Camus, reverend sire, went footing slow,
His mantle hairy, and his bonnet sedge,
Inwrought with figures dim, and on the edge
Like to that sanguine flower inscribed with woe.
Ah! who hath reft,” quoth he, Rmy dearest pledge?”
Last came, and last did go,
The Pilot of the Galilean Lake;
Two massy keys he bore of metals twain.
(The golden opes, the iron shuts amain).
He shook his mitred locks, and stern bespake:—
RHow well could I have spared for thee, young swain,
Enow of such as, for their bellies’ sake,
Creep, and intrude, and climb into the fold!
Of other care they little reckoning make
Than how to scramble at the shearers’ feast,
And shove away the worthy bidden guest.
Blind mouths! that scarce themselves know how to hold
A sheep-hook, or have learnt aught else the least
That to the faithful herdman’s art belongs!
What recks it them? What need they? They are sped:
And, when they list, their lean and flashy songs
Grate on their scrannel pipes of wretched straw;
The hungry sheep look up, and are not fed,
But, swoln with wind and the rank mist they draw,
Rot inwardly, and foul contagion spread;
Besides what the grim wolf with privy paw
Daily devours apace, and nothing said.
But that two-handed engine at the door
Stands ready to smite once, and smite no more.”
         Return, Alpheus; the dread voice is past
That shrunk thy streams; return Sicilian Muse,
And call the vales, and bid them hither cast
Their bells and flowerets of a thousand hues.
Ye valleys low, where the mild whispers use
Of shades, and wanton winds, and gushing brooks,
On whose fresh lap the swart star sparely looks,
Throw hither all your quaint enamelled eyes,
That on the green turf **** the honeyed showers,
And purple all the ground with vernal flowers.
Bring the rathe primrose that forsaken dies,
The tufted crow-toe, and pale jessamine,
The white pink, and the ***** freaked with jet,
The glowing violet,
The musk-rose, and the well-attired woodbine,
With cowslips wan that hang the pensive head,
And every flower that sad embroidery wears;
Bid amaranthus all his beauty shed,
And daffadillies fill their cups with tears,
To strew the laureate hearse where Lycid lies.
For so, to interpose a little ease,
Let our frail thoughts dally with false surmise,
Ay me! whilst thee the shores and sounding seas
Wash far away, where’er thy bones are hurled;
Whether beyond the stormy Hebrides,
Where thou perhaps under the whelming tide
Visit’st the bottom of the monstrous world;
Or whether thou, to our moist vows denied,
Sleep’st by the fable of Bellerus old,
Where the great Vision of the guarded mount
Looks toward Namancos and Bayona’s hold.
Look homeward, Angel, now, and melt with ruth:
And, O ye dolphins, waft the hapless youth.
         Weep no more, woeful shepherds, weep no more,
For Lycidas, your sorrow, is not dead,
Sunk though he be beneath the watery floor.
So sinks the day-star in the ocean bed,
And yet anon repairs his drooping head,
And tricks his beams, and with new-spangled ore
Flames in the forehead of the morning sky:
So Lycidas sunk low, but mounted high,
Through the dear might of Him that walked the waves,
Where, other groves and other streams along,
With nectar pure his oozy locks he laves,
And hears the unexpressive nuptial song,
In the blest kingdoms meek of joy and love.
There entertain him all the Saints above,
In solemn troops, and sweet societies,
That Sing, and singing in their glory move,
And wipe the tears for ever from his eyes.
Now, Lycidas, the shepherds weep no more;
Henceforth thou art the Genius of the shore,
In thy large recompense, and shalt be good
To all that wander in that perilous flood.
         Thus sang the uncouth swain to the oaks and rills,
While the still morn went out with sandals grey:
He touched the tender stops of various quills,
With eager thought warbling his Doric lay:
And now the sun had stretched out all the hills,
And now was dropt into the western bay.
At last he rose, and twitched his mantle blue:
Tomorrow to fresh woods, and pastures new.
Little shadows, little shadows
Dancing on the chamber wall,
While I sit beside the hearthstone
Where the red flames rise and fall.
Caps and nightgowns, caps and nightgowns,
My three antic shadows wear;
And no sound they make in playing,
For the six small feet are bare.

Dancing gayly, dancing gayly,
To and fro all together,
Like a family of daisies
Blown about in windy weather;
Nimble fairies, nimble fairies,
Playing pranks in the warm glow,
While I sing the nursery ditties
Childish phantoms love and know.

Now what happens, now what happens?
One small shadow's tumbled down:
I can see it on the carpet
Softly rubbing its hurt crown.
No one whimpers, no one whimpers;
A brave-hearted sprite is this:
See! the others offer comfort
In a silent, shadowy kiss.

Hush! they're creeping; hush! they're creeping,
Up about my rocking-chair:
I can feel their loving fingers
Clasp my neck and touch my hair.
Little shadows, little shadows,
Take me captive, hold me tight,
As they climb and cling and whisper,
"Mother dear, good night! good night!"
Nat Lipstadt Nov 2016
one thousand poem children



one thousand poems has mine soul commissioned,
a thousand more neath stone vault doors do attend,
patiently waiting revisions, rescission, catch and release permission,
waiting room patients, looking to buy a more favorable diagnosistician

this prolificacy,
nether curse or blessing,
this profligacy,
poem children fathered by single mom mothered,
borne nightly in dreams borne
from the northern, the southern,
the brains twilighted hemispheres,
who coordinate, drawing deep,
consulting a bartender's manual
a creation guide of mixology,
'how to intoxicate the brain'

cheap gin, multi-generational scotch,
visionary vermouth, the reddened cassis of life,
memories in the white grapes of possibilities,
futures unrealized, colorful takes and retakes,
a directors bespoke make-believe tales,
impossibilities, divine and mundane,
all into one admixture into the venous cavities poured,
nerves to blood to consciousness,
courtesy of the ganglia

the brain stem transmits them
fully formed to my
good morning sunshine
cracked and dried lips for re-emission

nigh head upon the pillow,
the hair trigger,
my rapid eye heartbeats, each a demanding sweetheart,
some performed to a discordant metronome,
in a controlled rage, my mental waste,
eliminated

the residuals,
purified with language as the
orchestrator, debate moderator

dreams, once recoded, once accorded,
the disordering tempestuous,  
neurons cease-to-fire,
now just words, just words, just womb excretions

did I admit to a thousand?

more like tens of ten,
one, two per eventide,
have washed  ashore, for some thirty years recorded

my brain pixilated,
its big shot game controller,
demanding purchase of more;
more storage space, more games,
not admitting in advance,
that it filters blends, conflates and purges

by combining
psalms and ditties, infantile rhymes and
new vocabularies of  human aging idiocies,
though newly acquired, immediately forgot,
so always room enough for
one more episode


I study the brain, I study sleep,
study living and dying occurring at
their point of intermediation,
dreams


*this more knowledge gives no relief,
it becomes this poem becoming,
testifying that I prosecute myself
based on the evidence,
and if insufficient,
dream up nascent visionaries
from places that come unlocked,
tales from the vault vivisected,
the proper verdict
assured

sixty six years
of accumulation,
and still know so little of
proper space utilization,
writing poems proper

but nightly come the dreams,
nightly comes the trial,
comes the judgements,
comes a man-made customized
whitewall tired judgement,
and to you
submitted for
judicial review

strange that each one of you
becomes, adopts, adapts my visage,
my words in you, reflected,
a jury of my peerage peers,
which is why my appeals are
always returned in the file labelled
"denial"

until the next nights dream
O SORROW!
   Why dost borrow
   The natural hue of health, from vermeil lips?--
   To give maiden blushes
   To the white rose bushes?
   Or is it thy dewy hand the daisy tips?

   O Sorrow!
   Why dost borrow
   The lustrous passion from a falcon-eye?--
   To give the glow-worm light?
   Or, on a moonless night,
   To tinge, on siren shores, the salt sea-spry?

   O Sorrow!
   Why dost borrow
   The mellow ditties from a mourning tongue?--
   To give at evening pale
   Unto the nightingale,
   That thou mayst listen the cold dews among?

   O Sorrow!
   Why dost borrow
   Heart's lightness from the merriment of May?--
   A lover would not tread
   A cowslip on the head,
   Though he should dance from eve till peep of day--
   Nor any drooping flower
   Held sacred for thy bower,
   Wherever he may sport himself and play.

   To Sorrow
   I bade good morrow,
   And thought to leave her far away behind;
   But cheerly, cheerly,
   She loves me dearly;
   She is so constant to me, and so kind:
   I would deceive her
   And so leave her,
   But ah! she is so constant and so kind.

Beneath my palm-trees, by the river side,
I sat a-weeping: in the whole world wide
There was no one to ask me why I wept,--
   And so I kept
Brimming the water-lily cups with tears
   Cold as my fears.

Beneath my palm-trees, by the river side,
I sat a-weeping: what enamour'd bride,
Cheated by shadowy wooer from the clouds,
   But hides and shrouds
Beneath dark palm-trees by a river side?

And as I sat, over the light blue hills
There came a noise of revellers: the rills
Into the wide stream came of purple hue--
   'Twas Bacchus and his crew!
The earnest trumpet spake, and silver thrills
From kissing cymbals made a merry din--
   'Twas Bacchus and his kin!
Like to a moving vintage down they came,
Crown'd with green leaves, and faces all on flame;
All madly dancing through the pleasant valley,
   To scare thee, Melancholy!
O then, O then, thou wast a simple name!
And I forgot thee, as the berried holly
By shepherds is forgotten, when in June
Tall chestnuts keep away the sun and moon:--
   I rush'd into the folly!

Within his car, aloft, young Bacchus stood,
Trifling his ivy-dart, in dancing mood,
   With sidelong laughing;
And little rills of crimson wine imbrued
His plump white arms and shoulders, enough white
   For Venus' pearly bite;
And near him rode Silenus on his ***,
Pelted with flowers as he on did pass
   Tipsily quaffing.

'Whence came ye, merry Damsels! whence came ye,
So many, and so many, and such glee?
Why have ye left your bowers desolate,
   Your lutes, and gentler fate?'--
'We follow Bacchus! Bacchus on the wing,
   A-conquering!
Bacchus, young Bacchus! good or ill betide,
We dance before him thorough kingdoms wide:--
Come hither, lady fair, and joined be
   To our wild minstrelsy!'

'Whence came ye, jolly Satyrs! whence came ye,
So many, and so many, and such glee?
Why have ye left your forest haunts, why left
   Your nuts in oak-tree cleft?'--
'For wine, for wine we left our kernel tree;
For wine we left our heath, and yellow brooms,
   And cold mushrooms;
For wine we follow Bacchus through the earth;
Great god of breathless cups and chirping mirth!
Come hither, lady fair, and joined be
   To our mad minstrelsy!'

Over wide streams and mountains great we went,
And, save when Bacchus kept his ivy tent,
Onward the tiger and the leopard pants,
   With Asian elephants:
Onward these myriads--with song and dance,
With zebras striped, and sleek Arabians' prance,
Web-footed alligators, crocodiles,
Bearing upon their scaly backs, in files,
Plump infant laughers mimicking the coil
Of ******, and stout galley-rowers' toil:
With toying oars and silken sails they glide,
   Nor care for wind and tide.

Mounted on panthers' furs and lions' manes,
From rear to van they scour about the plains;
A three days' journey in a moment done;
And always, at the rising of the sun,
About the wilds they hunt with spear and horn,
   On spleenful unicorn.

I saw Osirian Egypt kneel adown
   Before the vine-wreath crown!
I saw parch'd Abyssinia rouse and sing
   To the silver cymbals' ring!
I saw the whelming vintage hotly pierce
   Old Tartary the fierce!
The kings of Ind their jewel-sceptres vail,
And from their treasures scatter pearled hail;
Great Brahma from his mystic heaven groans,
   And all his priesthood moans,
Before young Bacchus' eye-wink turning pale.
Into these regions came I, following him,
Sick-hearted, weary--so I took a whim
To stray away into these forests drear,
   Alone, without a peer:
And I have told thee all thou mayest hear.

   Young Stranger!
   I've been a ranger
In search of pleasure throughout every clime;
   Alas! 'tis not for me!
   Bewitch'd I sure must be,
To lose in grieving all my maiden prime.

   Come then, Sorrow,
   Sweetest Sorrow!
Like an own babe I nurse thee on my breast:
   I thought to leave thee,
   And deceive thee,
But now of all the world I love thee best.

   There is not one,
   No, no, not one
But thee to comfort a poor lonely maid;
   Thou art her mother,
   And her brother,
Her playmate, and her wooer in the shade.
Kevin Eli Mar 2015
When I walk out my door, I hear the birds sing in silent symphony.
At the bus stop, the sounds of low humming engines and rolling tires.
Outstretched clouds of pure white follow horizons.
The percussion of rain clinks on boulders, drumming quietly.
Bee's wings play muted notes on flowers, sweetly collecting.
There is so much more than radio static and dull ads full of ditties.
Nature's ensemble invented the beat, rhythm, and the harmony.
Nat Lipstadt Jun 2013
My Night With Paul Simon

On the night train, the red eye plane,
Flying home to NYCeeeeeeeeeeeee,
From the city of Los Angeleeeeeeez

Feeling flush, dropped some cash,
Got me a seat in extra large first class

Seat 2C, plenty of room for my toes,
To wiggle  to dance,
lay down some poetry tracks,
pretending I'm a **** jive,
bad *** from the
make-believe west coast

A short guy, with fedora down low,
An older man,
looking about nine years older
than somebody I might know,
hiding his eyes @ 9pm
neath some excellent Raybans,
slip slides into 2D,
gives me a smile,
And says Hi, I'm Paul

I look once at his face and say,
Listen Rhymin' Simon,
I'd know you any place,
No worries, your secret,
with me is safe,
Cause dudes in row 2,
gottta stick together, be cool,
We're riding first class,
over the land of the free

What ya do for a living he asks,
A little of this and a little of that,
All of which, ain't no **** good at!
So I spend my cold, hard time
laying down cold hard verse,
Can't stop, cause it's my daddy's dying curse

He said that's cool,
I like to do that too.
Guitars on planes
drive passengers insane,
They take up too much
overhead compartment space,
I just scribble me some rhymes and
Let the music come
when I got two feet
on the ground in the city
we both come from.

Paul:  You got any stuff writ
on that yellow sheet,
or just pretty blue lines,
a big pad of nothing?

Dude: Man you may got diamonds
on the soles of your shoes,
But pay me some 'spect,  
you talking to the man who penned
Sad Eyed Teenagers of the Lowland
on Hello Poetry, gad ****!

Paul smiled and said
you can call me Al,
And if you feel like blowing some lines together,
We got five hours till we can see
the house that Ruth built.

Dude: Hit me with your best shot,
I'll show you what I got

Paul: And she said honey take me dancing
But they ended up by sleeping
In a doorway
By the bodegas and the lights on
Upper Broadway
Wearing diamonds on the soles of their shoes

Dude: Just cause the union of the  monkeys
in the Bronx Zoo done gone on strike,
Don't mean the lion ain't
still king of the hill
inside this New York city jail

Paul: And the sign said,
"The words of the prophets are written
on the subway walls
And tenement halls"
And whispered
in the sounds of silence

Dude: A home-grown poet.
I am, Soul enslaved to words.
The alphabet - My oxygen molecules,
I am both, Addict and dealer
A ****** poet ******

Paul: You don't need to be coy, Roy
Just listen to me
Hop on the bus, Gus
You don't need to discuss much
Just drop off the key, Lee
And get yourself free

Dude: Contact with the atmosphere
makes self pity die,
my blue blood turn red,
the TNT tightness in my chest exploded
I got no place  to store these words,
the cops think I'm some kind of Terrorist

On and on thru the night,
Riffing, rapping, rambling, and spitting,
Ditties and darts, couplets and barbs,
Single words and elegies,
Free verse and a lot of fking curse words,
It was a moment, a time
that deserved
to be preserved,
and so this poem got writ

*You may think this story apocryphal
Which is another way of saying untrue,
But I got his boarding pass and it is signed,
To this crazy poetry dude, long may you rasp,
And it is signed by Mr. P. Simon, a big fan,
And it has never since that day,
Left my grasp
Nat Lipstadt Jun 2013
Time to Get Serious: In the Poet's Nook

Yes it is verifiable, just as prior alluded to,
a few frayed and weathered Adirondack chairs,
wizened gray, like occupant, all seen better days,
overlooking the Peconic Bay,
where inspiration glazes over the calmest waters,
your ancestors eyes ere forebear.

Despite prodigious production o'er past weeks,
ditties, love laughing tributes, silliness aplenty,
these works of dishes washed, odes to Paul Simon,
what to wear to your funeral, knuckle kissing, etcetera...
Though some contained soft shelled, mints of juleps hints,
little sundries, items for sale re suicidal thoughts,

no one takes-tales you serious

Be it tormented rain, intemperate gusts
whipping lashes of sand
excuses real, manufactured and yet,
despite opportunities always existed,
but you answered the question unasked,
you're unready, more likely, fearful.
to pen more in the Inner Temple, in the nook.

In the nook, the poems float by,
you need only extend arm and
grab them whole,
ripened by the delivering breezes,
If you unmask pretense, and wear a seat belt

But here I am, and the welcome I receive is the one
deserved, for one who has joined the ranks of deniers

Favorable prevailing breezes service the sailboats pleasantly,
turn surly and unmanageable from neglect and disuse poetically,
this wind mocks this coward, taunting:

We have waited, fall and spring, for you, our sacrificial lamb.
Your return we smelled, the odor of barbecue and suntan oil,
We observed your beach touring, your eyes upon the moonlight
Highflying, highlighting the path you follow
when walking upon the Water,
when nobody knows, nobody sees


You scarce provided the deep reveal
that is our woeful provenance,
So, having returned, unleash or leave,  
expose your La Mancha countenance,
Fulfill your daddy's curse,#
Portray the siren shriek of our gulls insistent,
the blood cold words, as of now,
yet unfastened, un-cast,
the forge lit and fired,

Are you ready, self-appointed, poetry smithy, wright-man?%


On knees bent you should have approached,
For the inspiration, years rendered, unpaid, and unacknowledged,
But most of all because of these interlopers attached to you,
So many children, green shoots, babes visiting the bay,
New friends hoisted upon us without permission!


Do they understand despite the solemn serenity
of the place you attend,
This is the observatory
where the stars and scars,
undiscovered and unexposed,
become our property to carry-cross the ocean?


Do they comprehend that black is the only color permitted
and the sunshine coverlet is meant to keep
the unmotivated, the uninitiated,
who think that writing poetry is easy,
unaware, and far away from us, the truth purveyors


Nothing produced from this place
where routine means the gorge tastes bile,
When surcease is welcome relief,
Where dancing on ice in bare feet
Is step one to ripping your chest open by your own hands,
The toxins thus released rejuvenated by salted air,
Can be finally be transcribed
Onto paper
And by human, realized.


Warn them once and then begin, you,
Get serious, delve, with hurricane unambiguity,
to torrential words upon the unsuspecting,
let them taste the rawness, only the truth provides,
let them know salt tears so briney,
They will flee this place, n'er to return.



June 9th
2013
Late afternoon.
#What ya do for a living he asks,
A little of this and a little of that,
All of which, ain't no **** good at!
So I spend my cold, hard time
laying down cold hard verse,
Can't stop, cause it's my daddy's dying curse

My Night with Paul Simon
~~~~~~~~~~~~~~~~~~~~
This poem is part 1; part 2 is "In the Poet's Nook: Perhaps I should write less"
Valsa George Nov 2016
Oh Bard, wielding a tool mighty and spiky
Mightier than either the sword or rod,
You reign as monarch in fancy’s domain
Sketching life in all variety and mode

Which with pain and strife fraught
Or bright with gaiety and grace
In finer yarn than the gossamer thread
On a fabric of words in befitting verse

You steal away from the noisy crowd
Into the stillness of the cloistered cell
To dwell with Fancy’s mystic charms
Weaving downy dreams at will

You recount forgotten tales of yore
Of ****** battles won and lost,
Of lovers united, amour defiled,
Conjuring memories from abysmal past

You hearken to the moans of lovelorn souls
And sing of beauty in ditties fine
Triggering sparks into flames grow
In umpteen hearts that pine and whine

Babbling with the brook rushing swift,
Racing with the deer loping past,
You wander into mysterious woods
Where flowers, their richest odors cast

Your ears intent on the song of birds
That comes floating from the far off groves
And the whir of cicadas on the bark of trees
Breaking the calm of twilight eves

Alone you saunter the stretching strands,
Watching virulent breakers in fury heave
Often your heart dancing with the tide
And swinging with the rhythm of rising wave

You feast on the gleam of the auburn sun
And the speckled blue of the infinite skies
Watching the day dying in flame
And the night in a diadem of stars vies

All that’s lovesome meets your eyes
And commune to you in profuse delight
Which you turn into rhyme and rhythm
For the whole of mankind to devour and digest

From your harp flow symphonies sweet
Songs of longing, love and lust
Of idyllic happiness, peace and bliss,
Fuelling hearts with vigorous zest

Though outlawed by the great sage of Greece,
Branding the poet, aberrant and a fool
Oft beneath the façade of his wayward thoughts,
Lie heaps of wisdom for the discerning soul.
When Socrates likened poets to seers and prophets, his disciple Plato banished them from his ideal Republic calling them mad men. But we know that poetry is the best medium to inspire human hearts.  As Kierkegaard says… “A poet may be an unhappy man who hides deep anguish in his heart, but whose lips are so formed that when the sigh and cry pass through them, it sounds like lovely music.... and people flock around the poet and say: 'Sing again soon’ “ – As poets, let us sing our heart out!
Nat Lipstadt Jan 2014
Reworked and resubmitted, and this time to stay.
Anything you say can and will be used...


excited utterances,
acerbic witticisms,
utter stupidities,
elegant inanities

can and most assuredly
will be used
evidentially, eventually,
about you
in the court of poetic
justice

as inspiration,
original source material,
proofs of our collaboration
with the enemy,
whom Pogo
fathomed long ago, is
us

a Vermeer-vectored light ray
will reveal with luminous clarity,
all that you have spoken,
been secret-thinking,
template of colors for
future etch-a-sketchers,
inspiration for future poets,
far, far better than
me

this dishonorable, low repute,
poetic eavesdropper,
poet-as-recorder:
revels in the smoke and ash of
absurd, common sensible
trash,

the trite and tragic,
the pith and prissy,
the calm and hissy

all your lovely revelations
of human frailty
and asininity,
most adorable,
(except for those scarface
treatises I despise as
never justified
self-pity)

that you n' I are blessed
to have combinated
in a manner most
curiously original,
now recorded in my
digital memory,
proving positive the unique,
discreet charmes de notre
humanité

Even your silences are
most curious fodder,  
the sighs you sigh
so hard
and yet again, even
harder

unfair game, mined as
veins of golden material
for my aquatic scribblings,
as I float downriver on
currents of compulsion
to promote vicariously,
our joint disjointedness,
our grade A, prime choice,
recombinant and genetically improved
absurdities

Rembrandt will honor us,
we as the Comedic Elders of the City,
paint us upright
avec expressions most suitably gravitas,
but see the poetic jester,
funning underneath the table,
in manner most levitas,
out-sticking his
protubered tongue,
like a common geni-***,
a la maniere de
Einsteiny
and he will be
the one
future generations recall

when I cross over the Styx,
limbs turned to
potash, dust and trash,
my blush transferred to earth,
to color the good earth red,
my body eradicated yet,
our body of work extant
a written record of us,
our very own
Dead See Scrolls,
shall be an amuse bouche
for our loyal satrapped
retainers

Let the scholars

dicker and obfusicate,
delve and explicate,
each turn of phrase

write tomes on the
catacombs, where in
jar and cracked vessel discarded,
these Poems and Catechisms,
the collected processes
of our mutualism,
your edicts,
pronouncements and verdicts
captured as
dots and dashes,
zeroes and ones,
wait most patiently
for shepard boys to find  
in the year 2300

you err most grievously,
if you relegate
this note
to the dustbin of
simple ditties.

take these words
at plain face,
and
look not askance
at this fair warning,
for I am
but a tragic,
empty vessel
for you to fill,
you are the raconteur,
me, just a  
poet poseur~extraordinaire,
street urchin,
word merchant,
all my verbally,
wordly goods expropriated
from the wind,  
where your scattered thoughts
lie about, carelessly
unattended

Mock me not,
for anything
you say to our chagrin,
will be fully attributed
and recorded on the Web
of long-lived
embarrassments

A fevered dream
you might say,
rumors and excuses of a
vision of drug induced haze?

a theorem most plausible,
but the redacted versions
will not conceal
that all my words
were Indo-rooted in
a dialect called
collaborative

this I pen
partly as apology,
partly thank you note,
written notice,
subpoena served,
for as long
as you emote,
my fingertips
will gleefully record
with love abundant
in their artful device,
your mutterings, putterings,
and in-cahooting

right here, shall be,
wrought and wrote,
treasured and kept
anything you say
that can and will be used...
to express our communitas

Written June 1, 2011
The cuckoo-throb, the heartbeat of the Spring;
The rosebud’s blush that leaves it as it grows
Into the full-eyed fair unblushing rose;
The summer clouds that visit every wing
With fires of sunrise and of sunsetting;
The furtive flickering streams to light re-born
’Mid airs new-fledged and valorous lusts of morn,
While all the daughters of the daybreak sing:—

These ardour loves, and memory: and when flown
All joys, and through dark forest-boughs in flight
The wind swoops onward brandishing the light,
Even yet the rose-tree’s verdure left alone
Will flush all ruddy though the rose be gone;
With ditties and with dirges infinite.
Thou still unravish'd bride of quietness,
    Thou foster-child of silence and slow time,
Sylvan historian, who canst thus express
    A flowery tale more sweetly than our rhyme:
What leaf-fring'd legend haunts about thy shape
    Of deities or mortals, or of both,
        In Tempe or the dales of Arcady?
    What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
        What pipes and timbrels? What wild ecstasy?

Heard melodies are sweet, but those unheard
    Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear'd,
    Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave
    Thy song, nor ever can those trees be bare;
        Bold Lover, never, never canst thou kiss,
Though winning near the goal yet, do not grieve;
    She cannot fade, though thou hast not thy bliss,
        For ever wilt thou love, and she be fair!

Ah, happy, happy boughs! that cannot shed
    Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unwearied,
    For ever piping songs for ever new;
More happy love! more happy, happy love!
    For ever warm and still to be enjoy'd,
        For ever panting, and for ever young;
All breathing human passion far above,
    That leaves a heart high-sorrowful and cloy'd,
        A burning forehead, and a parching tongue.

Who are these coming to the sacrifice?
    To what green altar, O mysterious priest,
Lead'st thou that heifer lowing at the skies,
    And all her silken flanks with garlands drest?
What little town by river or sea shore,
    Or mountain-built with peaceful citadel,
        Is emptied of this folk, this pious morn?
And, little town, thy streets for evermore
    Will silent be; and not a soul to tell
        Why thou art desolate, can e'er return.

O Attic shape! Fair attitude! with brede
    Of marble men and maidens overwrought,
With forest branches and the trodden ****;
    Thou, silent form, dost tease us out of thought
As doth eternity: Cold Pastoral!
    When old age shall this generation waste,
        Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say'st,
    "Beauty is truth, truth beauty,--that is all
        Ye know on earth, and all ye need to know."
Nat Lipstadt Jun 2013
Dedicated to you.
Fair Warning: a long road ahead*

MAJOR WARNING: Anything you say can and will be used...


Excited utterances,
Acerbic witticisms,
Utter stupidities,
Elegant inanities,
Can and assuredly will be used
Evidentially, eventually,
about you in the court of poetic justice,
as inspiration, original source material,
proofs of our collaboration
with the enemy,
whom Pogo fathomed long ago,
is us

A Vermeer-vectored light ray
will reveal with luminous clarity,
all that you have spoken,
been secret-thinking,
template of colors for future sketchers,
inspiration for future poets,
far, far better than me

this dishonorable, low repute,
poetic eavesdropper, poet-as-recorder:
revels in the smoke and ash of
absurd, common sensible trash,
the trite and tragic,
the pith and prissy,
the calm and hissy,
all your lovely revelations
of human frailty and asininity, most
adorable

that you n' I are blessed
to have combinated
in a manner most
curiously original,
now recorded in my
digital memory,
proving positive the unique,
discreet charms de notre
humanity

Even your silences are
most curious fodder,  
the sighs you sigh so hard
and yet again, even harder,
unfair game, mined as
veins of golden material
for my aquatic scribblings,
as I float downriver on
currents of compulsion
to promote vicariously,
our joint disjointedness,
our grade A, prime choice,
recombinant genetic,
absurdities

Rembrandt will honor us,
we, the Comedic Elders of the City,
paint us upright avec expressions
most suitably gravitas,
but see the poetic jester,
find him underneath the table,
in manner most levitas,
out-sticking his protubered tongue,
like a common geni-***,
a la maniere de
Einsteiny

When I cross over the Styx,
limbs turned to
potash, dust and trash,
my blush transferred to earth,
to color the good earth red,
my body eradicated yet,
our body of work extant
a written record of us,
our very own
Dead See Scrolls,
shall be an amuse bouche
for our loyal satrapped
retainers

Let the scholars
dicker and obfusicate,
delve and explicate,
each turn of phrase,
write tomes on the catacombs,
where in jar and cracked vessel discarded,
these Poems and Catechisms,
the collected processes of our mutualism,
your edicts, pronouncements and verdicts
captured as
dots and dashes,
zeroes and ones,
wait most patiently
for shepard boys to find  

You err most grievously,
if you relegate this note
to the dustbin of simple ditties.

Take these words at plain face,
and look not askance
at this fair warning,
for I am but a tragic,
empty vessel for you to fill,
you are the raconteur,
me, just a  
poet *poseur
extraordinaire,
street urchin, word merchant,
all my verbally, wordly goods expropriated
from the wind,  where your scattered thoughts
lie about, carelessly,
unattended

Mock me not,
for anything you say to our chagrin,
will be fully attributed
and recorded on the Web
of long-lived embarrassments

A fevered dream you might say,
rumors and excuses of
visions of drug induced haze?
a theorem most plausible,
but the redacted versions will not conceal
that all my words were Indo-rooted in
a dialect called,
collaborative

This I pen
as apology, thank you note,
written notice, subpoena served,
for as long as you emote,
my fingertips will gleefully record
with love abundant in their artful device,
your mutterings, putterings,
and in cahooting,
right here, shall be,
wrought and wrote,
treasured and kept
Anything you say can and will be used...to express our community

Written June12011
Nat Lipstadt Sep 2013
My poetry is an acquired taste,
So come, dear one,
Place your tongue in my mouth.
Pace yourself, there is so much,
Spoke and unwritten,
That fruitions only when spit-shared.

Flick your tongue-tip to mine,
Sealing bond, the salt caramel of my rhymes,
The iambic meter of my tamarind prose,
The buds, flowering, poems forming,
Watered by the admixture of joint, minted saliva.

My poetry, so very complicated,
Hints of currants and ash,
Soil volcanic, basaltic vowels, oh's and eyes,
Cursed verses that commence with I,
Nonetheless, despite soil inhospitable rued,
Compositions flourish, born wetland soluble.

Yours, for the taking,
Yours, for the tasting.

You place your fingers on my waist,
My body of work to contemplate,
My ditties, you spit out,
You want courses, not appetizers,
You want truths, not fluff, lies, menu tastings.

Columbus and Magellan, thy fingers named,
Trace the curvature of my ***,
With tip and tipsy stroked caresses,
You laugh with the pleasure of all the sssssss's.
Hissing all the day your satisfaction,
Capturing my writs, by your tongue's duress,
Recipient-thief of my literary largesse.

I am dressed all in white,
Stripped bare to my native coloring,
Except for two brown nippled spots, you lick,
Imbibing milky thoughts  from fountain-heads *****,
Savoring, relishing, stanzas that praise love's flavor.

With every line, every word-painting accessioned,
You make my soft parts hard,
My hard parts soft, but my liquidity,
My tears, they, that, you drink straight,
Licking, liking, and oohing and ahhing,
You tongue curled, upside down arching,
The storage point of your seduced gatherings.

To drain me full, your incisors cut,
Straight lines, entry points for your *******,
Taking, draining, leaving nothing,
Not even one aleph or bet escaping.

When you acquired my poetry, my verbosity,
Pillaging soul's hiding place, took and *****,
Your acquired the best, breaking my nape,
Imprisoned on and by my island's seascape,
Blanched and pained, a blank tape,
I am tasteless, witless, mockingly, tongue-tied.
Written tonite while driving upon moonlight country roads, departing one island, crossing another,
only to ferry to a third. As I was driving, unable to retain all, but wine and Bach's Brandenburg, withdrew new lines, before I broke, surrendering to a dreamless sleep
Nat Lipstadt Nov 2014
prefer celery to carrots
light scrunch over an orange hard crack,
straw red over berries bluest,
coffee over tea,
skies white clouded
over
all clear, unadulterated uni-tone,
blondes, brunettes, redheads,
even pink or blue haired,
well, ain't going there
(wink wink,
too smart for that...)

but that's just me

colors viral virulent  over manhattan grey~black,
a good Pinot over a glass of Jack,
beach and sea undefined
over lake delimited, outlined bounded,
ocean caught fresh over farm raised,
city slick over country sweet,
striped bass over monk,
tuna bests salmon,
but both miso coated please...

Italian Indian Ethiopian
Sushi and occasionally Chinese,
all grand,
but my kosher deli and dogs, pickles,
yellow mustard ball parked,
tops them all
especially when serving
all-you-can-eat
over tasting portions...

but that's just me

right over left,
naked better than ****,
polite over rude,
Rembrandt tops Vermeer,
but his light nonethess,
extra over ordinarie...

Swiss over white American,
Gruyere beats goat cheese,
citrus tops apples,
sweet melon my
secret passion,
paprika and oregano,
never ever cilantro,
milk over OJ,
especially, grade A
milk of human kindness,
all flavors

love my poems centered,
(except for this one)
with no sugar added,
but a lot of cream and sweat,
both a necessity, not a luxury,
prefer mesmerizing,
crafting hard, laboring,
me writing, you imbibing,
leaving you oohing and loving
me
because of the appreciation built in
over
ditties that are semisweet
sugar nadas that populate the
easy come easy go away
poem of the day

but that's just me

like myself hard
cause when I melt,
to a child's grin shyest,
laughter silly me provoking
it is ever so better so...
tears, any kind, don't mind
laughing and sorrowing pouring,
let genuine be my only test
speed limit barrier unlimited

sorta saved a street crossing
phone-occupied-woman yesterday,
put my arm across her body
fast hard, unasked
so she wasn't
bicycle crashed,
both looks well received,
the *** and the gratitude,
but latter over former,
if I had to choose,
but I dont

but that's just me

Joanie M. over Judy C.,
Amy over Adele,
Eva Cassidy over all...
Zombies over Beatles,
Blunt over Taylor,
Rhyming Simon over Billy Joel,
no typos over flaring,
glaring no caring...

your poetry over mine,
cause it amazes,
cause mine,
just old familiar crazies,
just runaround Sues from yester pester days,
transcribed for a someday later
future grimacing laugh of
good god did I write that!

but that's just me

wrote quite the many
literary escapades
this morning,
like the yore,
good old days,
when every glance,
remark passing
made me run
to tablet them
in perpetuity ASAP

placed them before you
scattered thither and dither,
like all that jazz notes
running hands over planes geometric,
most just average,
but all there in hopes
you would love me better

but that's just me

sneaking inside you with
a wink, a tink-ering whimsy,
a stupid smile, a wicked sinning
humongous grinning
with a belly laughing,
havoc raising, me crazing,

*but that's just me
11-1-14
thinking I like celery better than carrots, and the rest you just read...
Neville Johnson Sep 2016
Extreme Poetry
Fights, fumes, resists, entices, twists, endures, seduces
Rhymes at times
Or so rarely you want it to explode, implode
Or just mellow out
But you don't stop reading
Unless it bores
Or you're just too tired
Ditties and sonnets
And ABAB and the like are all very well
But real men and women go for
The rough and tumble of truly free verse
Where words are the masonry
Spitting at you in spurts
Confounding, astounding
Welcome to consternation nation
Where assonance bucks up against alliteration
And the inevitable invasion of syllables and vowels
A perverse form of Password that traipses over diction when it wants
Because there are no rules in Extreme Poetry
Having fun with poetry!
Getting Ready
On the go
Doing things
Need a blow

Giddy gaggle
Endless Gags
Toothy giggles
Tongues a wag

Dressing up
Getting down
Goofing off
Clownin round

Pretty girls
Wearing pearls
Dancing Swirls
Fluffy Furls

Blowing Kisses
Giving Hugs
Singing Ditties
Cut a Rug

Buoyant Banter
Flashing Smiles
Bubbly Blabber
Smoking Milds

Shakin *****
Gettin Down
Wigglin *******
Goofy Gowns

Keep a Groovin
Boogie all night
Shake Them Legs
Les Dames et Dynomite

Oakland
8/23/01

Music Selection:
Jackson 5
Dancing Machine
Darkly Nov 2016
"...and then we get up at the **** crack of dawn, eat cereal for breakfast, take a cool shower to put some pep in our steps, then get in the car and drive around listening to our favorite music until the coffee shop opens."

pause

"And when we've finished our morning coffee and people-watching we walk around town looking at all the crap we want to get when we've saved up enough money for it and then get a slice of pizza or something. You know what happens next? We take our favorite books or whatever and go chill in a hammock that we set up in a corner of the college campus. You want me to bring my guitar so you can listen to the silly ditties I come up with on the spot? Sure. You want to go to a movie? Just say the word."

pause

"I don't really care what we do, as long as we're content. I'm just throwing out ideas."

pause

"I just want to give."

puts down mic and walks off stage
Once more with feeling.
Andy Plumb Sep 2013
In a fleeting panic
my body aching
my head in manic
I was fitted for depression
by my fashion shrink
cosmic blue straightjacket
boots of shocking pink
Day-Glo eyelashes
and a faux stole of mink
I walked the streets of Soho
and climbed the Factory walls
a girl betwixt
a boy between
everybody’s darling
till morning came to town
in my corset of denial
I took cover in the rain
and sang naughty little ditties
seeping from the recesses of my brain
I tripped my way to Bellevue
where a thousand plastic junkies
awaited my return
I fell into their fancy
and we frolicked amidst our lies
and hopped aboard an east bound train
to a velvet paradise
Andrew Oct 2010
The Doctor named Seuss was such a great man.
He wrote words so deftly like few others can.
In fact, to this day we honor his rhyme,
Or, I do, at least, to waste all my time.

It's odd how with frequence I get up the urge
To write tiny ditties: a poetry surge.
I'm volted to pen any number of things,
Shocking, to me, like a staticky sting.

Whenever I am s'posed to be working,
I notice that my duties I'm shirking.
Perhaps without pressure my mind is more fun,
But by the same token, I get nothing done.

Maybe I study so well that it spills
Onto my other thinking-type skills.
My mind works so hard that it often requires
More wood to fuel my thinking cap's fires.

Anyways, I'm probably ******* for my test.
I wish I could say that I studied my best,
But honesty stabs me for truth til I'm ******:
The truth is that I fail when I "study."
October 1, 2010
Beneath the weeping Willow tree
There sat a tiddly Monk
And no one knew and no one cared
Just why that Monk got drunk;
But everyday the clock struck twelve
You’d see him sitting there
Chirping cheerful ditties,
In a drunken slur.
Then one young boy, he stopped and asked,
“What troubles you my Lord?”
Ungraciously the monk replied
Or should I say, he roared!
“I have to taste the Holy wine,
It is my job you see.
But I cannot recommend it
Till I’ve tasted two or three,
And sometimes if the wine is corked
It can be five or six
So you see it’s not my fault
That I am in this fix.”
The boy said, “It’s not good my Lord
That a Holy man should be
Inebriated to the hilt
And sat beneath a tree.”
After giving one loud burp
The Monk he sat and cried,
“I’ll try to give it up my son
But many times I’ve tried.”
“The boy said Lord it’s come to me
This sudden blinding flash
My Dad would volunteer I know
But you’d have to pay him cash.”
“Your Dad would do this for me son,
Are you sure he’d volunteer?”
“It’s wine I know, but I think so
Although he’d prefer beer.”
“Is he a man of God?
Is he climbing Jacob’s Ladder?”
The boy said, “I don’t know
But he loves the ‘Bull and Bladder’.”
“Bring him to me soon my son
You’re the answer to my prayers
I thought I was forsaken
But now that someone cares,
I’ll walk the straight and narrow
And really sort my life.
Now what other sins have I?
Oh yes! I shouldn’t have a wife.
Do you think he’ll take her too?
This Father of yours son.”
“Well yes, he’s only human,
When all is said and done.
But that will cost, I’m sure you’ve guessed,
These things they don’t come cheap.
My Dad is sensible I know
And a robbing little creep.”
“That’s it then son.  Go forth.” He cried.
“Bring your Father here.
It will be worth it this I know
Even if it costs me dear.”
The boy pushed forth his hand
He expected a large tip
But the Monk pulled out a bottle
And he offered him a sip.
“I’m too young to drink my Lord,
You should be ashamed.
Although I know it is the wine
So you cannot be blamed.
But if you don’t cough up right now
And offer cash to me
You can sit there drunken all your life,
Beneath the Willow tree.”
Nat Lipstadt Jul 2017
the sign on the railway station says "Common Destination,"
the ties of our tracks are uniform, creosote covered, splintered,
spaced uniformly as is the wont of the arm-in-arm soldiers,
different regiments in the same army, though as they march,
some on the high, some the low road, in defense of the values,
right, right, right.

no believing in forever land, dreamt of poems forever burning,
real life farenheit bonfires lit by brown uniforms and such, thus,
now, when a poem completed and shared, 
it is instantly disfigured,
by flames harnessed to lick
the slate page clean, immediately, 
presenting yet  another opportunity,
to protest, persistently,
endless be my own turnkey hands renewing,
my write to right.

my write to right,
my pupose; my only intent, even in love poems,
ogdiddy witty ditties, long dialogues with the creator, all purposed,
all written while standing one on left foot, are we not all
poets of the ways to increase the sum total of
righteous and kindness in the world.

'tis right to write,
but go further and farther,
write to right.

to ease, comfort, shoulder and hand extensions, be the lean-to,
the shelter when there is no shelter, for there is no
owning words, and no limitation on clear vision and
the right to write.
https://hellopoetry.com/poem/2022913/the-right-to-write/

The Right To Write
Who remembers the greats,,historians and stars of stage and screen when their lights are extinguished.
All their import diminished in the scheme of things.
What lasts and why do we care when our history is wiped out or rewritten.
Each generation smitten with laying down rules, only to have them overthrown,
a mere stone thrown in an ocean of white noise.
Do we stand poised on the edge, or out on a ledge?.
I shed my own light on a page, waging a war on the world,
a stray curl twisted in deepest thought brings thought unsought,
and soon I'm caught up in a snare.
Who will care if writing becomes restricted
as predicted, the same with books they want them burned
and poetry spurned in an attempt to **** thought?
Who will lead the drive to reach the stars,
and climb the stair to who knows where?
Will our pathway be light or dark, is this our future or merely a lark?  How blighted would life be without written word,
imagination kicked to the curb?
The hell with the planets the moon and the stars
belt out your song in just eight bars,
write your fate on a forbidden page'
sage thoughts in rhyme perhaps in double times
rewinding our history, for one more adept
where the orators spoke and the audiences wept  
when anthems sung rang out so proud
we all stood up and sang aloud in joyful praise
the patriotism of saner days.  
Now all is chaos and we're the pawns
as darkness falls on priceless dawns
no paper, no ink, no sky of pink
no endless tale, no hope at all
the poets all crumble into a heap,
perhaps to sleep an endless sleep.  
Yet days will come when an errant breeze
will stir the cobwebs in the trees
and willful minds will start to think
and shuttered eyes begin to blink
then thoughts will stir with magic flair
until a word appears, then another
and another spinning endless spheres.  
Then up it rises from grave and ground
a surging of an endless sound
one can hear it all around.  
Rhythm and rhyme line after line
sung to a tune in three quarter time  
until people once again take pen in hand
and let their emotion and thought expand.
Perhaps poetry is our forever land
a turnkey that debunks future histories?
Never cease and desist always resist
and persist. insisting on our right to write
be it day or be it night, in war or peace, the least
amongst us has the right, the staid and true or the
fly by night.  Write on my friends and take thee heed
thank God we're such a persistent breed.
Don Bouchard Nov 2012
Deny we the possibility of order
Ignore we an Outside Law
Suggest we an endless possibility
Worlds without end
Positions simultaneous
Moving in all directions or none
Claim we the future as ours

Defy we realities of law external
Look we inward-outward simultaneously
To become one or none or all
Reject a single story
Saw we the Arms from Truth
Reduce we the Other to I

Forget we the order of Universes
Without-Within
The clockwork structures
Atomic
Celestial
Genetic
Physical
Biological
In and or-ganic

Reorder or Retell we the Cyclical Tales
Birth and Rebirth
Seasons and Times
Journeys of stars swirling through space
Endless flights of planets
Endless migrations of living things
Each rhyming to universal rhythms
Watts and amperes circular-linear mysteries
Predicting futures from their undisputed histories

Deny we external truth
Held here in the gracious grasp of gravity
Warmed gently by a tolerant star
Inhabitants of a universe
Unable to explain itself
Or even how its atoms came
To repel and to attract
In perfect tensions
Or to unleash energies
Predictable and measurable
In milliseconds and millenniums

---------------------------

Marionettes macabre
Cut loose from our strings
Dancing slowing dirges
Proclaiming opening spaces
Beneath closed skies
Denying a Maker
Rejecting hymnody to sing
Ditties laden with lies.
Processing the post-structuralist arguments and postulations I am reading.... Reminiscing over long (1970s) teenaged conversations about the beautiful possibilities of Anarchy...and then we all grew up and went into the Matrix....
Marieta Maglas Jun 2015
(Geraldine, Maya, and Pedra were in the kitchen to drink some Jasmine Yin Zhen tea.)

Between Bosphorus and Dardanelles, the waters are calm.
Geraldine Said, ''I love the life at sea on this tall ship.''
Maya said, '' Let me see the meaning of the lines in your palm! ''
''I worked a lot; I can't feel my hands when something I grip.''

Maya insisted, '' Let me rub your hands with Gilead' balm! ''
''I can't stand the hustle and bustle of big cities.
Can you predict my future after reading my palm?
''You'll be surrounded by death coming from the waves' ditties.''

''What is this balm? '' '' It's an extract from the bakha shrubs.''
''Where did you find this shrub? '' ''This extract is brought from Chios,
Where this tree grows near the sea, to make this balm and drugs.
It's good for the stomach and prevents the skin infections.

I used it to make bread tsoureki.'' ''It's sweet, '' Pedra said,
''This tree excited the cupidity of invaders-
The groves of Jericho.'' Maya touched her, ''Are you afraid? ''
''Went there to fight Titus, Joshua and the crusaders.''

Pedra took a long look at her, ''Do you have children? ''
''I have two boys who live in southern Ottoman Empire.
My husband died.'' ''Why did you come here? '' ''I'm a poor woman.
Now, it’s war; I want to work here, not to walk through the fire.’’

(Maya left the kitchen. On the deck, Marco, Rosa, and Cruz stopped for a few minutes their walk to admire the Marmara Sea in approach to Çanakkale.)


''Anybody who wants to pass through the Dardanelles
Must pay a tax. So, we must sit at anchor in waiting
For an opening at this small Port of Çanakkale, ''
Said Cruz. '' About buying fuel, the ****** are still debating, ''

Said Marco.'' This city is placed on two continents.''
'' The shape of the strait is akin to that of a river.''
'' Its history started with Troy. The tidal currents
Make this time of wait at anchorage a deceiver.''


''The Dardanelles is the most dangerous waterway, ''
Said Rosa, '' Maya and Naimah are talking fiercely.''
Cruz said, ''They've seemed not to know each other until today.''
''What happened, Maya? '' ''He can't stop speaking viciously.''

(To be continued...)

Poem by Marieta Maglas
Oh old days of past lives lived -
West coast ridin’
Thumbin’ ‘bout the coast -
San Diego up to L.A. -
Zoomin’ through Big Sur with strange friends,
Stranger than strangeness itself.
Arrive Santa Cruz,
Cops called,
No transients allowed,
Caravan keep tumblin’ northbound -
San Francisco Bay,
Oh, that Oakland scene
With Park Prophets
And worn-out crack minds
Panhandling supermarkets
Begging coins for fire -
The Sun isn’t enough -
Old man needing dirt
Paid with by pity,
Smoking up the score
Singing little ditties
On Piano, beating keys
loud, Loud, LOUD
until Cops called
by neighbors afraid of God,
claiming Jesus freaks of being demons,
Oh old days of past lives lived -
Walking Telegraph to Berkeley
In the rain Rain RAIN,
Stolen bicycle,
Making friends, People’s Park
No more noise -
Just rain fallin’ fallin’ fallin’
And in the rain, I do miss those lives -
Those faces. And I know, forever I will. Forever I will. Forever I will.
Bless.
Nat Lipstadt May 2014
Time to Get Serious: In the Poet's Nook
Originally posted here on
June 9th 2013

Yes it is verifiable, just as prior alluded to,
a few frayed and weathered Adirondack chairs,
wizened gray, like occupant, all seen better days,
overlooking the Peconic Bay,
where inspiration glazes over the water

Despite prodigious production o'er past weeks,
ditties, love laughing tributes, silliness aplenty,
these works of dishes washed, Paul Simon,
what to wear to your funeral, knuckle kissing, etcetera...
Though some contained soft shelled, mints of juleps hints,
little sundries, items for sale re suicidal thoughts,

no one takes-tales you serious

Be it tormented rain, intemperate gusts
whipping lashes of sand
excuses real, manufactured and yet,
despite opportunities always existed,
but you answered the question unasked,
you're unready, more likely, fearful.
to pen in the Inner Temple, in the nook.

In the nook, the poems float by, you need only extend arm and
grab them whole, ripened by the delivering breezes,
If you unmask pretense, and wear a seat belt

But here I am, and the welcome I receive is the one
deserved, for one who has joined the ranks of deniers

Favorable prevailing breezes service the sailboats pleasantly,
turn surly and unmanageable from neglect and disuse poetically,
they mock this coward, taunting:

We have waited, fall and spring, for you, our sacrificial lamb.
Your return we smelled, the odor of barbecue and suntan oil,
We observed your beach touring, your eyes upon the moonlight
Highflying, highlighting the path you follow when walking upon the
Water when nobody knows, nobody sees

You scarce provided the deep reveal that is our woeful provenance,
So, having returned, unleash or leave,  expose your La Mancha countenance,
Fulfill your daddy's curse,#
Portray the siren shriek of our gulls insistent,
the blood cold words, as of now, yet unfastened, un-cast,
the forge lit and fired,
Are you ready, self-appointed, poetry smithy, wright-man?%

On knees bent you should have approached,
For the inspiration, years rendered, unpaid, and unacknowledged
But most of all because of these interlopers attached to you,
So many children, green shoots, babes visiting the bay,
New friends hoisted upon us without permission!

Do they understand despite the solemn serenity
of the place you attend,
This is the observatory
where the stars and scars,
undiscovered and unexposed,
become our property to carry-cross the ocean?

Do they comprehend that black is the only color permitted and the
sunshine coverlet is meant to keep the unmotivated, the uninitiated,
who think that writing poetry is easy,
unaware, and far away from us, the truth purveyors

Nothing produced from this place
where routine means the gorge tastes bile,
When surcease is welcome relief,
Where dancing on ice in bare feet
Is step one to ripping your chest open by your own hands,
The toxins thus released rejuvenated by salted air,
Can be finally be transcribed onto paper
And realized.

Warn them once and then begin, you,
Get serious, delve, with hurricane unambiguity,
to torrential words upon the unsuspecting,
let them taste the rawness, only the truth provides,
let them know salt tears so briney,
They will flee this place, n'er to return.


June 9th
2013
Late afternoon.
#What ya do for a living he asks,
A little of this and a little of that,
All of which, ain't no **** good at!
So I spend my cold, hard time
laying down cold hard verse,
Can't stop, cause it's my daddy's dying curse
Marcus Lane Mar 2011
A Yank with a terrible voice
Singing ditties of dubious choice,
Gave a concert at woik
In the heart of New Yoik,
And ended up making it woice.
Ok, then, YOU think up rhymes for voice!!
Payton Hayes Feb 2021
She sang with a beauty that made the sun shine brighter with every tune that floated up to the sky.
But one day she stopped singing.
A strange little boy told her, that no one gave a single **** about her little ditties.

She didn't cry.

She simply stopped singing, and went on about her life.
She kept to herself and the world began to wonder why everything seemed so quiet.
Then the sun stopped shining.
He couldn't go on, making the world a brighter place, if she couldn't sing her songs to him each day.
One night, the moon visited the girl.

"My child, you know that the Sun longs to hear your voice again. Do not worry what little boys tell you, they cannot make the music that you can. This night will last for many years if you do not raise your voice. Go on, summon the Sun."

Reluctantly, she stepped outside, and with a rusty voice,  she sang as loudly and as honestly as she could.

And as tears rolled down her cheeks, the Sun rose in the east, with tears that evaporated into steam as quickly as they came.

And the strange boy fell in love with the way she looked
to him when she sang to the sky.
This poem was written in 2016. It's inspired by the Legend of Zelda. :)
Nat Lipstadt Feb 2015
My Night With Paul Simon
(Posted originally on June 5, 2013)

On the night train, the red eye plane,
Flying home to NYCeeeeeeeeeeeee,
From the city of Los Angeleeeeeeez

Feeling flush, dropped some cash,
Got me a seat in extra large first class

Seat 2C, plenty of room for my toes,
To wiggle  to dance, lay down some poetry tracks,
pretending I'm a **** jive,
bad *** from the
make-believe west coast

A short guy, with fedora down low,
An older man,
looking about nine years older
than somebody I might know,
hiding his eyes @ 9pm
neath some excellent Raybans,
slip slides into 2D,
gives me a smile,
And says Hi, I'm Paul

I look once at his face and say,
Listen Rhymin' Simon,
I'd know you any place,
No worries, your secret,
with me is safe,
Cause dudes in row 2,
gottta stick together, be cool,
We're riding first class,
over the land of the free

What ya do for a living he asks,
A little of this and a little of that,
All of which, ain't no **** good at!
So I spend my cold, hard time
laying down cold hard verse,
Can't stop, cause it's my daddy's dying curse

He said that's cool,
I like to do that too.
Guitars on planes
drive passengers insane,
They take up too much
overhead compartment space,
I just scribble me some rhymes and
Let the music come
when I got two feet
on the ground in the city
we both come from.

Paul:  You got any stuff writ
on that yellow sheet,
or just pretty blue lines,
a big pad of nothing?

Dude: Man you may got diamonds
on the soles of your shoes,
But pay me some 'spect,  
you talking to the man who penned
Sad Eyed Teenagers of the Lowland
on Hello Poetry, gad ****!

Paul smiled and said
you can call me Al,
And if you feel like blowing some lines together,
We got five hours till we can see
the house that Ruth built.

Dude: Hit me with your best shot,
I'll show you what I got

Paul: And she said honey take me dancing
But they ended up by sleeping
In a doorway
By the bodegas and the lights on
Upper Broadway
Wearing diamonds on the soles of their shoes

Dude: Just cause the union of the  monkeys
in the Bronx Zoo done gone on strike,
Don't mean the lion ain't
still king of the hill
inside this New York city jail

Paul: And the sign said,
"The words of the prophets are written
on the subway walls
And tenement halls"
And whispered
in the sounds of silence

Dude: A home-grown poet.
I am
Soul enslaved to words.
The alphabet - My oxygen molecules,
I am both,
Addict and dealer
A ****** poet
******

Paul: You don't need to be coy, Roy
Just listen to me
Hop on the bus, Gus
You don't need to discuss much
Just drop off the key, Lee
And get yourself free

Dude: Contact with the atmosphere
makes self pity die,
blue blood turn red,
the TNT tightness in my chest exploded
I got no place
to store these words,
the cops think I'm
some kind of
Terrorist

On and on thru the night,
Riffing, rapping, rambling, and spitting,
Ditties and darts, couplets and barbs,
Single words and elegies,
Free verse and a lot of fking curse words,
It was a moment, a time
that deserved
to be preserved,
and so this poem got writ

You may think this story apocryphal
Which is another way of saying untrue,
But I got his boarding pass and it is signed,
To this crazy poetry dude, long may you rasp,
And it is signed by Mr. P. Simon, a big fan,
And it has never since that day,
Left my grasp
why some call me

stillcrazynafteralltheseyears,
SNL provoked me to repost it

— The End —