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Two girls there are : within the house
One sits; the other, without.
Daylong a duet of shade and light
Plays between these.

In her dark wainscoted room
The first works problems on
A mathematical machine.
Dry ticks mark time

As she calculates each sum.
At this barren enterprise
Rat-shrewd go her squint eyes,
Root-pale her meager frame.

Bronzed as earth, the second lies,
Hearing ticks blown gold
Like pollen on bright air. Lulled
Near a bed of poppies,

She sees how their red silk flare
Of petaled blood
Burns open to the sun's blade.
On that green alter

Freely become sun's bride, the latter
Grows quick with seed.
Grass-couched in her labor's pride,
She bears a king. Turned bitter

And sallow as any lemon,
The other, wry ****** to the last,
Goes graveward with flesh laid waste,
Worm-husbanded, yet no woman.
He would declare and could himself believe
That the birds there in all the garden round
From having heard the daylong voice of Eve
Had added to their own an oversound,
Her tone of meaning but without the words.
Admittedly an eloquence so soft
Could only have had an influence on birds
When call or laughter carried it aloft.
Be that as may be, she was in their song.
Moreover her voice upon their voices crossed
Had now persisted in the woods so long
That probably it never would be lost.
Never again would birds’ song be the same.
And to do that to birds was why she came.
'O babbling brook,' says Edmund in his rhyme,
'Whence come you?' and the brook, why not? replies.

    I come from haunts of coot and hern,
    I make a sudden sally,
    And sparkle out among the fern,
    To bicker down a valley.

    By thirty hills I hurry down,
    Or slip between the ridges,
    By twenty thorps, a little town,
    And half a hundred bridges.

    Till last by Philip's farm I flow
    To join the brimming river,
    For men may come and men may go,
    But I go on for ever.

'Poor lad, he died at Florence, quite worn out,
Travelling to Naples. There is Darnley bridge,
It has more ivy; there the river; and there
Stands Philip's farm where brook and river meet.

    I chatter over stony ways,
    In little sharps and trebles,
    I bubble into eddying bays,
    I babble on the pebbles.

    With many a curve my banks I fret
    By many a field and fallow,
    And many a fairy foreland set
    With willow-**** and mallow.

    I chatter, chatter, as I flow
    To join the brimming river,
    For men may come and men may go,
    But I go on for ever.

'But Philip chatter'd more than brook or bird;
Old Philip; all about the fields you caught
His weary daylong chirping, like the dry
High-elbow'd grigs that leap in summer grass. [grig = cricket - m.]

    I wind about, and in and out,
    With here a blossom sailing,
    And here and there a ***** trout,
    And here and there a grayling,

    And here and there a foamy flake
    Upon me, as I travel
    With many a silvery waterbreak
    Above the golden gravel,

    And draw them all along, and flow
    To join the brimming river,
    For men may come and men may go,
    But I go on for ever.
Breaking the hush of the summer day
Chee-keeee trills the bird as it waits for prey
Catches one swallows skyward easy
Then for the next gets ready.
You love its intent solemn eyes
The brown neck and the blue shine
Its impassive posture that’s only a disguise
To pounce on the prey and merrily dine.
It perches on the lightest twig
A dreamer and a hunter in one rolled
Scanning the water for a large swig
Big enough for its beak to hold.
Sometimes the wait may be long
You imagine his eyes in sleep droop
Then in a flash proving you wrong
The blue streak would on the catch swoop.
Rain brings it an ecstatic thrill
It loves to be drenched in the showers
To reap the harvest of a daylong meal
Never tired of long hunting hours.
If it ever god forbid so happens
You don’t see anymore this creature
Know streams have dried up there’re no rains
And with them has vanished Kingfisher!
He that had come that morning,
One after the other,
Over seven hills,
Each of a new color,

Came now by the last tree,
By the red-colored valley,
To a gray river
Wide as the sea.

There at the shingle
A listing wherry
Awash with dark water;
What should it carry?

There on the shelving,
Three dark gentlemen.
Might they direct him?
Three gentlemen.

"Cable, friend John, John Cable,"
When they saw him they said,
"Come and be company
As far as the far side."

"Come follow the feet," they said,
"Of your family,
Of your old father
That came already this way."

But Cable said, "First I must go
Once to my sister again;
What will she do come spring
And no man on her garden?

She will say 'Weeds are alive
From here to the Stream of Friday;
I grieve for my brother's plowing,'
Then break and cry."

"Lose no sleep," they said, "for that fallow:
She will say before summer,
'I can get me a daylong man,
Do better than a brother.' "

Cable said, "I think of my wife:
Dearly she needs consoling;
I must go back for a little
For fear she die of grieving."

Ask no such wild favor;
Still, if you fear she die soon,
The boat might wait for her."

But Cable said, "I remember:
Out of charity let me
Go shore up my poorly mother,
Cries all afternoon."

They said, "She is old and far,
Far and rheumy with years,
And, if you like, we shall take
No note of her tears."

But Cable said, "I am neither
Your hired man nor maid,
Nor your ape to be led."

He said, "I must go back:
Once I heard someone say
That the hollow Stream of Friday
Is a rank place to lie;

And this word, now I remember,
Makes me sorry: have you
Thought of my own body
I was always good to?

The frame that was my devotion
And my blessing was,
The straight bole whose limbs
Were long as stories-

Now, poor thing, left in the dirt
By the Stream of Friday
Might not remember me
Half tenderly."

They let him nurse no worry;
They said, "We give you our word:
Poor thing is made of patience;
Will not say a word."

"Cable, friend John, John Cable,"
After this they said,
"Come with no company
To the far side.

To a populous place,
A dense city
That shall not be changed
Before much sorrow dry."

Over shaking water
Toward the feet of his father,
Leaving the hills' color
And his poorly mother

And his wife at grieving
And his sister's fallow
And his body lying
In the rank hollow,

Now Cable is carried
On the dark river;
Nor even a shadow
Followed him over.

On the wide river
Gray as the sea
Flags of white water
Are his company.
wind doesnt move me like it used to flickering candle bought for hope, who
Is remedy of sugargoods and drinking? --being alone when you get home.
I miss the feeling of comfort fooling me
As if this dream would last all daylong
Regurgitating validation like song
As if i actually believed in us.
While you are too busy
Romanticizing worth.  

Life- i am in love with you
But i hear you are insane
So I sleep in
New color to paint the world. Never turn your back on me never turn your back on me again _ matthew good
Jack Rosette Apr 2011
I have ye to thank,
all ye actors and poets and marvels
(and DCs and everything in between)
for I have lived with ye, and amongst ye,
and ye have gently inspired genuine genius
in all ye holes in the wall
and all ye pens and strings and voices.

I thank you for the endless memories
of conversations of unnecessary furor and consuming hysteria
of brilliant surprises from elegant unknown talents
of tossed salad people and places and history and interaction
of a night lost in glowsticks but preserved in pictures
of a time my time in between periods of blank walls
of a blinding bolt forward in presence of mind.

For was it you
who told me about your grandfather
a man so brilliant that a mere conversation with the dean
at sixteen granted him admission to Columbia?
who told me of Canadian interlocutors
intimately engaged, only after your party had left?
who told me of amazing cliffside adventures
in education and nature's nomenclatures abound?
who discussed my heritage against that of a concrete world
of exploding dreams and collapsing stars at once,
where you take a bite but might get the proverbial worm?
or you, against that of a simple hicktown
where tractors run tandem with buicks in school lots?

Might it have been you
who watched with me psychedelic documentaries
and named canaries after variations of drug store medications?
who gallantly tolerated my most obnoxious outrageous disgusting
interesting unaffected out-of-their-mind friends?
who took me to absurd spots at absurd hours to breathe absurdity,
then churted we'd go, back the building we'd known?
who brought me in groups to feast on uncomfortable meats,
but between the awkward and networked gossip pipelines,
were enjoying the food and friends and flattery?
who drunk on dreams, droned on into darkness,
and dripped into ears of a man in his cave,
a man playfully perplexing you by pondering preposterous?

It must have been you
whose beautifully woven music reached my ears,
enveloped my being, seldom alone, and even when solo,
scattered brains with banter and brilliance combined...
who, with an open door and wide smile,
welcomed me to the mind's great opera house,
and gave audience to my own logical saga...
who in the weekend's weak end became crazy dazed amazings,
lazing in listless lack of activity, or senselessly celebrating
sins and kinship, all ways seeking erasure...
who gave me so many names against the grain,
jrosay or nerp or j or jackattack or just plain jack,
your classmate hallmate roommate or just plain friend...
who sat and sang and slew, dragons myths, moods,
and hit and clicked and ripped and spilt, toxins, guilt,
and hurt and failed and walked with me...


at least i hope it was you
you who paved platforms and bridges to raze amazing
and left vast caches of spectacular aptitude
or you who spread brilliance like plagues defined loosely,
grossly self-aware in great stares of embarrassed arrogance
and defeated demons crying freedom and bleeding love
you gave worlds great engravings, new meaning
to be me in new worlds new dreams new things
nooses spread shredded across mind fields
you lovingly led leaders over languid anguish
dangled carrotsticks and heritage bringing peace
you found you finding a place in space in winding time
under universal roofing aloof of stinking sewage
found a truth around music and beauty

shopping cart hearts that gather dust and poetry
blissful obituary tears splashing across my memory
loco rangers of brilliant oblivion armed with toothy news
slaying my molded upbringings refreshing genius

fair chance soul trade and daylong flatlines
double barreled shotgun roulette
blank charge buckshot
noisemakers both

that trigger
firing
you
?
I dedicated this poem to the people in my freshman year living-learning community at the University of Michigan. There are many references to specific moments from that academic year, but you certainly don't have to understand them to understand the poem's message. It is structured to mimic the progression of the academic year, and then beyond.
Daylong I grind for bread
Seek scope for a piece of loaf
Fill the bowl to feed the bowel
Keep losing the strands of thread
That amid the labor dwell!

Evening I search my coffer
For picked scraps day’s offer
Find little as toil’s return
A few pennies and much heartburn!

Night finds me a coveted treasure
Can’t count them without measure
Were buried in the daylong grind!

Released the threads rule my head
Freed from the clutch of bread

*Bowl and bowel leave my mind!
Erin Suurkoivu Sep 2016
You are beautiful and I am not.
We are the habits of our forefathers.

We can choose to forget them, let them
Drain away like sand through glass,

Distant dust of history. As much as we try
To remember, desire is stronger than memory.

Sometimes I turn to sculpt soft clay,
Loose and stark in my hands.

And then I abandon the mess. I should keep
My fingertips stained red for effort.

I remember dreaming a vision:
Heroine of my own story,

Walking the grey beach in winter,
Projected far into the future when I might realize it.

Clay does not sculpt itself.
Prayers go unanswered. Here

I dwell in my own lit house,
Multiple yellow lights

Floating in the dark, mirror for
The starry night that I might see.  

We’re the only species with
Wings on our feet. We’ve molded

Paper into something precious.
Currency of kings. Gold origami.

Honeyed words remain my nectar.
Rome is a daylong process that is for ever.

To shape is a practice
Known by time and being,

That I may become a living embodiment.
That I might find grace in a raised arm, a bent leg.

That I might see myself through a filter of love.
That I might remember there are no

Comparisons.
That we are beautiful for our very selves.
From my poetry collection, "Blood for Honey", available at Lulu.com and Amazon.
Onoma Feb 2015
...Away...
the full-bodied overran spiritedly
its cup--
fetched in movements, musical.
Impress of eyes laved
by their transpiration...
as that daylong Star that
trembles the hills--
where from in plain you come.
Sole proponent of emergence,
enfleshed pathway...
inherit thy haunts.
Whereupon lightning forks
its thunder...as a
joyous weeping dances
the thirsting rose...
the heart of the matter,
thusly enfleshed pathways
meet.
K Balachandran Oct 2013
******* rocks are singing a mellow song,
emanating from the warmth  daylong,
received from the sun, that left them behind,
melted in to a red haze and gone in to ocean.
The dusky night moving on tip-toe is pleased
all ears, discerns and imbibes its meaning
for her to join seamlessly at the right moment.
The  stars, gentle still, are thrilled by this musical's
complex emotions, join in with their contribution,
subtle notes of winks, gleams and twinkle.
Chris Behrens Feb 2013
Once, in thirty summers past,
I walked in shadows, moonlit cast
And broke my daylong journey's fast
with sausage, honeymead and bread.

Then in among the piney trees
A sounding crash my nerves did seize
And set my rushing blood to freeze
A sounding crash to wake the dead

I stood at once and looked around
For what had made that terror-sound
and peering through the branches found
An old man working, felling trees.

Carefully, I wandered to
and brought the man back into view:
An ancient woodsman dressed in blue
with woodsmoke drifting on the breeze.

Silently, I stood there, lurking,
For a time, and watched him working
Then I hailed him, with that irking
He met me with an icy stare

He loosed his tongue and dropped his axe:
"beneath the stone and craggy cracks
slept the dragon Cathagorax
Grown old in years beyond his share."

Young Cantabridge the brave and fair
left his father's bedside care
And called to all who gathered there,
Who'll put their courage to the test?"

He cried to them, "I have a plan,
to **** this creature if I can,"
No other, single, mortal man
Would join him on his foolish quest.

And on his way, the young man going
the creature then, in dark ways knowing
Awaken-ed, his hatred growing
prepared his evil darkling cast.

Darkling words and phrases chanting
Screaming, shrieking, raving, ranting
And finally completed, panting
Settled to the ground at last.

Cantabridge stepped in the cave
his face afear-ed, grim and grave
A final warning cry he gave
among the icy water floes.

"Worm my father couldn't fell
******* steel and fly to hell!
Its ring will be your funeral bell
and bring your seasons to a close!"

Wings swept down and armor flashed
Claws rent flesh and hammers crashed
Contending sinews groaned and smashed
And formed a hymn of battle-cries.

Falling down, dank and muddy
Bodies broken, torn and ******
Each warrior turned to study
Each other's watchful, waiting, eyes.

Cantabridge, with strength afleeting
By darkling magic, heart un-beating
Realizing and retreating
His victory had turned to death.

He thrashed about, his body lying
Struggling and vainly trying
Against the magic, finally dying
and with that breathed his final breath.

And in my bed, awake and dreaming
I saw a vision of him, seeming
Like a ghost with armor gleaming
Lying dead and in the sun.

So here upon this piney tree
I hammered, ere I talked with thee,
And in the valley, I could see
The fun'ral pyre for his son

In the moonlight, by the river
I searched and in the night air shivered
and for the woodsman's son delivered
a single, wild, yellow rose.

So on that night, I stood and turned
and watched them while the pyre burned
For the warrior boy who'd learned
The darkling magic a dragon knows.
Raj Arumugam Nov 2011
this is the life...oh, reading
daylong and in candlelight
and perusing scrolls and poems and the Classics
and the Analects,
it tires one...but this, sitting in the veranda
and with fresh air
and the gentle breeze and one’s mind light and easy...
and contemplating a rose
or seeing the green of a leaf...
the mind cleared of ideas and vague abstractions
and the weight of words and persuasion,
O this is the life...
the mind sits still now
in itself
the being in
the quiet of an evening
the satisfaction of solitude
in an emptiness, a presence
beyond books, thoughts and patterns
this is the life, this is the moment...
poem based on painting “Taking a rest after reading books”, Jeon Seon (1786-1856), Korea
Jwala Kay Mar 2013
I have twenty one years made and done
‘til now, and maybe a few more,
then I can shed and stop.

The day when I need not feel
clumsy on a good lecture.
I need not get stumped on other’s pranks.
I need not be glad on silly compliments.
I need not sigh on departures after
a daylong fretting.
I need not cry on random sympathy notes.
I need not crave on any satin sandals.
I need not try on impressing fellow earthlings.
I need not fall on my knees for prayers.
I need not smile on dainty mute creatures.
I need not feel shattered on my love being ridiculed.
I need not hide on some pretence of modesty.
I need not rage on abuses, for hell’s sake.
I need not share on the hope of gratitudes.
I need not stay on alive for
I’ll be dead for dreams, by then.
Daylong I bemoan justice denied to me
Till breaking through my nightly peace
They gather around me seeking justice.

In someone’s eyes I sculpted a rain
In someone’s life a desert
In someone’s loss I found my gain
Broke someone’s delicate heart!

On someone’s face etched a dark shadow
A scar in someone’s mind
From someone’s face stole moon’s glow
In the dark left someone behind!


They surround me breaking night’s peace
Each someone I hurt on the way
My wrongs' phantoms come for justice
From the ruins of the gone by day!
I wish I could be like the street urchin
Unpampered uncared but not sad
Wear daylong a cloudless grin
Be in manners and etiquette bad!

I want to be bad
I need to be bad
Am too shackled by the good

I want to be like him
The street urchin
Carelessly capriciously crude!


Too long I have been by the good enslaved
Hold captive in its pretentious cask
Too long for good I have naggingly craved
Let it cut out for me all my task!

*I want to be bad
I need to be bad
Am dying for the untasted brew

I want to be like him
The street urchin
Treating good too good to be true!
Onoma Nov 2013
...Many matters steeped--yellowed...
play the day...inasmuch made as what
play the body.
Tho'...there's will beyond day and body...
to be done...where day outgrew body,
body...day.
Particulars ironed out, at arm's length...
one Adam...ruddy eorthe...reaching...
many matters steeped--blackened...
play the night...inasmuch made as what
play the body.
Nightlong-Daylong...the more, supervised
play by...One at One with Will...tho' seconded...
done.
That it were, yet is...done, done, DONE!
oh dear, it appears
i have fallen quite hard
with tears
and laughter
and a shard of
desperation.

snap your heart in half,
i never could
thats why i stay
despite your hesitance, your
imperfection in your path
so maybe i should
go away
but i need you, and you need me more

you are the intricate disease
i've found in my veins
the words come natural for you
you owe me no
extraordinary fees
daylong rains
my heart is beating for you
i need you close, closerclose

put me together and
set me free
just to break me apart
is this what love has become
this love was unplanned
you and me
from the start
to the end, the running sun

come to be
where i am
Onoma Oct 2014
Chafed sticks forested--
lunar sliver threads tied them up
as to bundle with conviction.
An angel gone rare loaded the
forest upon its back...slumbering
birds shook awake midway to
heaven.
Played through the angel's lattice
of light, their throats the musical
prodigy of their carrier.
Darkness went off the air...static
was the break of a pieced together
sound barrier.
The earliest rustles of echoic being
ran down the place all spaces meet.
Such uplift is not imaginal, but the
all-encompassing care of...things
trying the patience of their mold.
This is the desolate you...daylong
giving birth to the search party of
you...that rare angel shaking free
the residents of desolation midway
to heaven...for a song...just fine
with spending itself--you on you.
JJ Hutton Apr 2018
Still hexed, unemployed, another daylong bout
between too much silence and too much noise,
a sweetness opens the hymnal: sing, rejoice.

And I'm an American male child, born in 1990.
Summon me a moment, Effexor one-fifty,
instant nostalgia, a natural reaction.

Polly Anna, hailing from Tulsa, has a key.
She's in my robe, dancing on the balcony.
And we're not drinking
as much as we used to be, yet talking
baby names by three.

And I can feel it, a future good memory
unfolding in real time. Her dark shape,
growing darker, shadows from bedroom
to bathroom and back again.

Oh, the profane things we whisper
to get ourselves out of character,
unguarded, empty-headed, free.

The notes of trained movement,
of calibrated ****** phrase, harmonize.
The walls, the lamp, the bedside table,
the mattress, the blankets—the room entire
converges.

My name takes on two more syllables.
Her name becomes soundless.
Hold time. Bend, baby. Boundless.
some feeble tunes the ears catch
hushed dialogues overheard
in the shadows a lighted patch
windborne caught one word

you they haunt daylong chase
nibble your thoughts and tease
not revealed from greyish haze
yet keep your mind in leash!

what are they you wonder aloud
shadows in wispy outline
all those naggers hidden in shroud
you feel but can't define

day and night they gnaw inside
a lump of mass sans sense
drag you low climb you tide
fly you unseen distance!

with them within life you roam
spelled in all you do
why your mind they make their home
you haven't the slightest clue

only a few you can hold in hands
purge with the flows of ink
most them die stillborn strands
to a depth quietly sink!
JJ Hutton Apr 2018
Still hexed, unemployed, another daylong bout between too much silence and too much noise, I turn on the TV and watch our show. Season 4, Episode 13, "Whitecaps."

And it's the scene after the Russian mistress has called, and Carmella—played to long suffering perfection by Edie Falco—kicks Tony out of the house. The scene sticks with me, the way Carmella's body shakes, the deep grooves of her wrinkled face when she says she can't stand to be embarrassed anymore. And I'm caught off guard by two things, one simple, the other not so much. I think about how you must of related to Edie Falco out of the gate, on a surface level. You both share a prominent nose, one you were always self conscious about, but a nose you found beautiful on her face. I always wanted to ask you about it, but I never found a gentle enough phrasing. And the other thing, the complex thing, is how the whole scene runs parallel to our second break up, the bad one, the early morning fight. I remember you striking my chest over and over. I remember grabbing your wrists, trying to restrain you, and you wriggled out of my grasp only to strike your head on a cabinet. I tried to comfort you, and you wouldn't let me drive you home.

You walked. I couldn't find you. By the time I got dressed, you'd found some path unknown to me.

Gentle enough phrasing. That's why it ended one, two, three times, isn't it? My inability to be straight with you, to say how I truly felt without massaging the words to safeguard against any conflict.

I wish I could watch the show with you again. I wish it was 9:00 p.m. I wish we both had work in the morning. I wish we'd watch one episode too many with the dogs snuggling in our laps. I wish we could listen to them paw at the bedroom door as we undressed.

But we've jettisoned ourselves, haven't we? It's irreparable. I think of something you said about depression. You told me that when it was bad, really bad, you could never feel clean. I don't feel clean, no matter how much I wash. I don't feel clean, no matter the quality of deed, the grace of the statement, the preciousness of a future good memory unfolding in real time.
Sequestered May 2016
She burned for him
All daylong;
Waited all nightlong
But he didn't show up.
Expectation
Drowned inside wine;
Intoxicating
Her with disappointment...

Despair dressed desire
In depression;
Embracing her existence.
Feeling bad
Getting worse
I shrivel up under the sun
A prolonged fit of pain
Easily
Mistaken for
An erratic dance
Love, love, love, love
Stuttered by one one word
Makes everything nothing
Nothing to be useless

Love is everything
Love is anywhere
Love is what we feel
Love is what we want

I made her a poem
The time I had a problem
She felt so awkward
The day when I was haggard

She wants to be loved
I gave her my love
I made it so long
Until it was daylong

I stay up all night
Just to make sure she's alright
I was so whole-hearted
But she was so cold-hearted
Oh, you are the sun
that makes eternal spring
return to my heart.
Oh, when I awake
in the dawns first light
my first thoughts are of you
as I lay dreaming waking dreams
as thoughts of you
forever flood my soul
and the music pours from my heart
the songs of my love for you
as I give my blessings
to the day I first saw
your lovely face
and I held you in a warm daylong embrace
never wanting the sun to set
and that wonderful and bewitching day to end
and to never leave your side.
Oh, you shall ever have a home
in my heart
and I shall ever sing your song
the song of my love for you
a song that shall flow
as the ages roll
the dirty poet Aug 2019
the french are crackpot smart
daylong parking in those cafes
gives them copious time to reflect
the results evident in ubiquitous bookstores

but with their prodigious cafe loitering
curb-to-curb restaurants
and cartons of cigarettes
how is it that parisians
don't cascade off their stools
with lung cancer at age 42
leaving craters from their girth
in bistro sidewalks?
Edward Alan Nov 2019
I held the first few wisps
of you from weeks ago at
the bottom of shallow lungs,
now breathing daylong,
fugitive and furtive.

You pivoted reflexively,
found all faults through
water-sapped air, lucid
but flecked with dust in
spindles of limpid light.

I feel the wind thin and thicken
as it wavers, confused
from south to west, again,
again, cold then fresh.
I close the windows.

You're bottled now and warm
still, the longer I hold you
in my chest. I practiced
this as a child, when
I first dreamt about you.
Scott Jurewicz Nov 2019
Let me lay down to rest,

in a sleep that is owed,

on a calm verdant crest

of an old country road

Sing to me a whispered song

and grant my simple plea

Let me stay the whole daylong

beneath a perfect tree

— The End —