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judy smith May 2015
Tired of being called names and listening to complaints from your partner because you snore at night?

But more than that, it is important to keep a check on your snoring as an excess of it can be an indicator of many diseases, one of them being sleep apnea, says Dr Kaushal Sheth, ENT surgeon, "People develop sleep apnea when their airway collapses partially or completely during sleep due to various medical conditions. This causes the oxygen levels in the blood to decrease and can be potentially life threatening when it becomes obstructive sleep apnea."

Elaborating on it further, Dr Jayashree Todkar, bariatric surgeon and obesity consultant says "Snoring is an indication of obstacles in a person's breathing. When excessive fat accumulates around the stomach, the lungs do not get ample space to expand when we inhale oxygen; this in turn leads to obstacles in the process of inhalation-exhalation."

However, there are many myths surrounding snoring which is a very common problem. To sleep better one must get rid of the myths that surround snoring and only accept the facts, says Dr Viranchi Oza, BDS as he gives us a lowdown of some stories around snoring:

Myth: Everybody snores, therefore it's normal.

Fact: Snoring is not a normal condition. Labelling it as 'normal' diminishes the seriousness of the condition. Snoring is not just about annoying your partner, it is a sign that the body is struggling to breathe properly during the night. Snoring on a frequent or regular basis has been associated with hypertension and can also be an indication of sleep apnea (pauses in breathing). Sleep apnea sufferers have been reported to have diminished gray cells in their brains, most likely due to the oxygen deprivation of untreated sleep apnea. If left untreated, sleep apnea increases the risk of cardiovascular disease over time. In addition, insufficient sleep affects growth hormone secretion that is linked to obesity. As the amount of hormone secretion decreases, the chance of weight gain increases.

Myth: Snoring only affects the health of the snorer.

Fact: Snoring doesn't just negatively affect the health of the person snoring, but also the health of the person lying next to them in bed. A typical snorer usually produces a noise that averages around 60 decibels (about the level of vacuum cleaner), but with some people this can reach 80 or even 90 decibels (about the level of an average factory). Sleeping with a partner who snores during the night has been shown to increase the blood pressure in the other person, which may be dangerous for their health in the long term. Snoring also causes the partner to have fragmented sleep and lose up to one hour of sleep

every night.

Myth: Snoring comes from the nose, so if I unclog my nose, my snoring will stop.

Fact: Having a stuffy nose can definitely aggravate snoring and sleep apnea, but in it's not the cause. A recent study showed that undergoing nasal surgery for breathing problems cured sleep apnea in only 10% of patients. Snoring vibrations typically come from the soft palate, which is aggravated by having a small jaw and the tongue falling back. It's a complicated relationship between the nose, the soft palate and the tongue.

Myth: I know I don't snore, or have apnea. I am fine.

Fact: Don't ignore your wife when she tells you that your snoring doesn't let her sleep. When a partner snores it is very difficult for the spouse to sleep. There are people who snore excessively and suffer from sleep apnea, but feel absolutely normal. However, snoring increases their risk of getting a heart attack and stroke. The only definitive way to prove that you don't have sleep apnea is by taking a sleep test. Screening questionnaires like the GASP or the Epworth have shown high reliability in identifying patient risk for sleep apnea.

Myth: If I lose weight, I'll cure myself of sleep apnea.

Fact: Sometimes. It's definitely worth trying, but in general, it's very difficult to lose weight if you have sleep apnea. This is because poor sleep aggravates weight gain by increasing your appetite. Once you're sleeping better, it'll be easier to lose weight. This is the one ingredient with many dietary and weight loss programs that's missing or not stressed at all. It's not enough just to tell people to sleep more.

Myth: Health problems such as obesity, diabetes, hypertension and depression have no relation to the amount and quality of a person's sleep.

Fact: More and more scientific studies are showing a correlation between poor quality sleep and insufficient sleep with a variety of diseases. Blood pressure is variable during the sleep cycle, however, interrupted sleep negatively affects the normal variability. Recent studies have shown that nearly 80% cases of hypertension, 60% cases of strokes and 50% cases of heart failures are actually cases of undiagnosed sleep apnea. Research indicates that insufficient sleep impairs the body's ability to use insulin, which can lead to the onset of diabetes. Fragmented sleep can cause a lowered metabolism and increased levels of the hormone Cortisol which results in an increased appetite and a decrease in one's ability to burn calories.

Myth: Daytime sleepiness means a person is not getting enough sleep.

Fact: Do you feel very sleepy even during the day despite the fact that you had a long night of proper sleep? Excessive daytime sleepiness can occur even after a person gets enough sleep. Such sleepiness can be a sign of an underlying medical condition or sleep disorder such as narcolepsy or sleep apnea. Please seek professional medical advice to correctly diagnose the cause of this symptom.

Myth: Getting just one hour less sleep per night than needed will not have any effect on your daytime functioning.

Fact: This lack of sleep may not make you noticeably sleepy during the day. But even if you've got slightly less sleep, it can affect your ability to think properly and respond quickly. It can compromise your cardiovascular health and energy balance as well as the ability to fight infections, particularly if the pattern continues. Lack of sleep has also been associated with road accidents (up to 60% of road accidents involve lack of sleep) and air crashes (Air India Mangalore plane crash in 2010 was due to lack of sleep). Sleeping for less than six hours a night is equivalent to legal levels of alcohol intoxication.

Myth: Sleep apnea occurs only in older, overweight men with big necks.

Fact: Although the stereotypical description does fit people in the extreme end of the spectrum, we now know that even young, thin women that don't snore can have significant obstructive sleep apnea. Sleep apnea begins with jaw structure narrowing and later involves obesity. It's estimated that 90% of women with this condition are not diagnosed. Untreated, it can cause or aggravate weight gain, depression, anxiety, diabetes, high blood pressure, heart disease, heart attack and stroke.

Myth: Snoring can't be treated.

Fact: Have you given up on your snoring thinking that it cannot be treated? There are many different options for treating snoring.

Some treatment options are rather drastic, possibly requiring surgery or prescription drugs, but prior to exploring such options it would be wise to first seek out alternative treatments. You must visit a sleep specialist to get the right diagnosis.

Myth: Extra sleep at night can cure you of problems with excessive daytime fatigue.

Fact: Not only is the quantity of sleep important but also the quality of sleep. Some people sleep eight-nine hours a night but don't feel well rested as the quality of their sleep is poor. A number of sleep disorders and other medical conditions affect the quality of sleep. Sleeping more won't alleviate the daytime sleepiness these disorders or conditions cause. However, many of these disorders or conditions can be treated effectively with changes in behaviour or with medical therapies.

Myth: Insomnia is characterised only by difficulty in falling asleep.

Fact: There are four symptoms usually associated with insomnia:

- Difficulty falling asleep

- Waking up too early and not being able to get back to sleep

- Frequent awakenings

- Waking up feeling tired and not so fresh

Insomnia can also be a symptom of a sleep disorder or other medical, psychological or psychiatric problems. Sometimes, insomnia can really be a case of undiagnosed sleep apnea.Read more here:www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/bridesmaid-dresses
david badgerow Oct 2011
It was daytime:

I was seperating siamese twins
at the waist
Like a government
trying to quell a rebellion;

I was reconfiguring
scarred old wooden toys
for Santa;
shining scuffed shoes--
pennyloafers with nickels
in the slots.

It was daytime:

I was decapitating
red-haired stepchildren
who had grown
sour from neglect;
removing brilliant succubi attached
to a wholesome family's
soul.

I was snacking on a
nerds rope,
washing babies mouths out
with soap,
slapping pink cheeked
toddlers on their feet.
Daan Feb 2014
The words come out wrong,
wishing seconds could be hours
still not enough
you must think I'm weird

I want to stop myself from getting hurt
all the time
all day
but I can't

Because you're so pretty, pretty unreachable
There's always another guy
I want to be that guy and not
Cause everyone hates that guy.

But you don't
You love him
why don't you love me?

It's like you don't even try
It has always been my
intended action
failed
nailed on the spot

useless piece of uselesness
being useless and stuff
I have had enough
I want to leave daytime.
Step out, night into we go
studying, front row, below
average, passed, gone, missing
forever.

Why can't I accept it's gone.
Maybe it isn't?
that's what I'm talking about.
She must think I'm weird.

people don't like weird people
they only like people who turn out to be weird.
Daytime offers dresscodes
dresscodes nighttime loathes.

I judge but I hate being judged
I hate but I hate being hated.
I love but I don't see how one could love me.
If she doesn't, why care for anyone else
she doesn't
what matters doesn't
doesn't that hurt?


Why
day
why
may
I not
be loved
beloved
day, why?

Though it is not 'ed, night brings light
it might not be too bright
but it's better than nothing.
I wish I was nothing.
I wouldn't have to worry
I worry a lot

I'm loved by those who I don't like
and love the ones that don't like me
Who is wrong here?
CAN SOMEONE PLEASE TEACH ME HOW TO NOT THINK ABOUT SOMEone eVERY SINGLE SECOND OF the day.

time, she is unreachable
and way too attractive,
loved in general
which shows you just enough to be of interest
to keep me going

yet not enough to let the night keep glowing.


If daytime is so bad, why not sta
island poet May 2018
“Moby ****,”  Herman Melville

<•>

~for the lost at sea~

after a year of saltwater absence and abstinence,
return to the island caught between two land forks
surrounded by river-heading flows
bound for the ocean great joining

the Atlantic welcomes the fresh water fools,
bringing with them hopefully, but hopeless gifts of obeisances,
peace-offerings endeavoring to keep their infinite souls

sea accepts them then drowns the
warm newcomers in the unaccustomed
deep cold salinity, which
sometimes erodes
sometimes preserving
their former freshwater cold originality

I’m called to depart my beach shoreline  unarmed,
no kayak, sunfish or glass bottomed boat needed,
walk on water and my toes, ten eyes to see the bottom,
no depth perception limitation,
reading the floor’s topography,
millions of minion’s stories infinite,
many Munch screaming

god’s foot, heavy upon my shoulders,
a daytime travel guide, hired for me,
not a friendly travel companion,  nope,
God a pusher showing off a drug called deep water salvation,
designated for the masses, can handle large parties

my in-camera brain  eyes,
record everything for playback -
the lost and unburied, bone crossword puzzles

walk shore to ship, on soles to souls,
is this my new-summer nature welcome back greeting?

puzzled at the awesomeness of vastness,
conclude this clarification for me of the occluded-deep,
is a stern reminder of my insignificant existence,
my requirement to walk humbly, spare my sin of vanity, and
forgive my trespasses upon the lives of others

perhaps then the infinite of my soul perchance restored,
older visions clarified and future poems
will write themselves
and sea to it my predecessors
be better remembered

Memorial Day 2018
Terry O'Leary Jul 2013
Fat midnight bats feast, gnawing gnats, and flit away serene
      while on the trails in distant dales the lonesome wolverine
            sate appetites as dawn alights and daytime's crystalline.

A migrant feeds on rotting seeds with fingers far from clean
      and thereby’s blessed with barren breast (the easier to wean) -
            her baby ***** an arid flux and fades away unseen.
Mateuš Conrad Sep 2016
the form might be that of a poem, but to be honest,
it has nothing poetic to it -
                  i wanted to feel angry -
to vent anger out,    i drank during the daytime:
daytime and drinking?
                                                       ­         bad idea.
                               daytime drinking
and fasting and smoking
and coffee? a doubled-up bad idea...
         but i wanted to feel
a wrathful voice... i got bored of my otherwise
gentlemanly attire and what not,
i wanted to waste my tongue into
anger... best propeller of the act?
drink during daytime...
                          when night falls,
the lazy one comes out.
                   consider this -
some use language to encrypt, not
to to simply memorise rhyming and
bounce bounce the bubbly pink ball
on stage...
                    Pavlov's lapping tongue
of a dog overheating -
             philosophy deals with
double phonetic encryption,
                  that's a psychological reevaluation
of what language is, from the standard
of the three tier cake:      consciousness,
                                      s­ub-  " and un- "    -
again Christianity plays a great deal with
the point of a trinity -
                               that's the secular version,
a populist version for each individual
regardless of the church's credo -
                    but as i was saying:
philosophy deals with a doubled variation
of phonetic encoding:
                      primarily for one reason:
this is primer for idea forming -
               isn't it?
                             the first level is that of
being able to read the encoding -
   like a music score...
                                   to write a s k
              and then say the word: ask.
but the second tier of encoding sound is
to translate it into optics -
                   the basis of idea forming -
not the basis of making sounds, but to peer
more deeply into any sort of narrative -
sometimes a single word can pull
the gravity of thought
                                 away from the narrator
ego, and into the realm of the id:
        which doesn't narrated, but
    conjures up ideas: to me the source of
all "magic" formulae -
                          here again, a classic plagiarism
working on the basis of a trinity -
          i dare say dualism is so unfashionable
to most people, as is monism -
             people prefer triangles to explain
their psychological life,
          and circles to explain the physical life...
   dualism is out of fashion that
it would seem to be more (dangerously) fashionable
to be of split-mind - but never mind that -
romanticising any medical condition is
a faux pas.
                                i was spurred on
by reading a review of O'Hara's poetry,
namely the poem sardines -
                  the reviewer writes how the poet
'actually writes his poem by breaking down
language into its most basic units - words.'
well... technically this is where the other point
of phonetic encoding comes in, the third tier...
words aren't as basic as you might think -
they reside in the realm of meaning,
but also a realm of being bound to a thesaurus -
(apologies, i'm not trying to be pedantic,
  you might see where this might be going,
in terms of sharpening the point of
               what's language and
the basics of language - yes, a niche topic,
as usual, pedants ahoy)
                          words are components
(or compounds)... letters are units, akin to
mathematical digits...
                          but then again,
kilometres are units -
                                 as are miles and hours...
surely then if worded
                   the representation would be that
of a/z                             rather than
                                   p/o/r/r/i/d/g/e          
      a/z seems like a better basis for unitary
conceptualisation of language
                        using a, b, c... z as the basic
units of language... yes... much more so than words...
            because the third tier of encoding
is based primarily on letters,
                                       yes, we know the
plight of the Palestinians, but the Jews have something
i want, and use, quiet frequently,
although with variation - there's no
              toying about with gematria -
i don't accept this method of investigation -
              i find absolute futility in it -
not that i can't grasp it, but i find it useless -
         it's this third tier where ideas are formed
without any distinct orthodoxy -
                           so:
tier 1. phonetically encoding a s k to say: ask
tier 2. phonetically encoding a s k to think:
                                      what am i going to ask for?
tier 3. phonetically encoding a s k to then
            (primarily) venture into encoding
                                              a s k i n g f o r p a t i e n c e.
we're not dealing with Chinese ideograms,
    we're dealing with a linear juxtaposition encoding
   e.g.
     a b c d e f g h i j k l m n o p (q r s t u v w x y z)
the bracket? i first learned the English alphabet
as a sing-along... to my memory i forgot the rhythm
of the song (i was 7 at the time) and subsequently
             the rest of the sequence... but that doesn't
necessarily mean my vocabulary suffered because of it...
still linear juxtaposition encoding, as above, only
         n y m p h  (x y s t)
                             a b c d e f g i j k l o q r s t u v w x z
                   (a b c d e f g h i j k l m n o p q r u v w z)
                                           e x o t i c s (friz)
          a b d f g j k l q r u v w x z
                              (a b c d e g h j k l m n o p q u v w)
                 ...
                                    
     ...
                         (b c e g
                                                            - interlude -
   well, technically, you could say that diacritical
marks are used for the purpose of dissecting
words into syllables, that's not to say
          latin compound fixations on meaningful
  prefixes, such as: aqua-        or omni-
                   (yes, the etymological section
of the dictionary is the most interesting part
of that book - as counter to Darwinism,
                     or something less intrinsic with
visuals, and focused more on a shorter history
of mankind, the less ridiculous time-frame,
         or history without Alexanders and Socrates -
                  SS... the English hasn't fixed
the notation of pluralism here...
            something akin to ß      or σ          or     ς
                    is begging to come out of this problem...
lets just say the ending variation of sigma denotes
the plural, so, etymology, or history without
       Alexanders and Socrateς / cruder or more
masculine Socrateç... Tess' - as in: it belongs to Theresa)
        as Plato noted, i too, like Socrates
are investigating how my name ought to be written,
by the looks of it, from what i discovered
               i apply diacritics as syllable identifiers,
or: how to cut words up -
   ergo? even though this is not orthodox,
my name, should be written as
                   Máteuš -
                                               the acute a
stresses the cutting up of the word, i.e. the first
syllable is identified, primarily because diacritics
stress non-prefixes, i.e. simpler variations of
what a prefix is (a loan word), or a sound that
has an ancient meaning, for example pre-
or pro-, meaning the word was forced into the shackles
of being accompanied by a hyphen
when the ancient tongue disintegrated and its grammar
was no longer adequate to accommodate
the barbarian tongues of the north...  
so it has come to this: diacritical marks are not
exactly aesthetic concerns where not writing an
acute o but rather u is displeasing to the eyes...
      it's about seeing where the syllable incision has
been made... shame the English never adopted it...
but then again: the Empire blah blah blah, Star Wars
blah blah blah... special relationship with America
blah blah blah... that old chestnut -
                  or can anyone forget their eccentricity
of doth and         all that Canterbury *******?
   or even Shakespeare's English?
                                  i'm on it... well,
apologies... internet encrypting, acronyms and
eight and L8 for late. it was never adopted -
        and never will be... ****-naked Charlie
and ****-floral-naked Angie...
              sitting in a tree, one two, one two three.

  - post-interlude -

              (b c e g...
                                           i really can't be bothered
   trying to finish this little scrabble -
           i mean, looking up words
                       so i'm left with the last possible letter,
or no letter at all...
                                  what with
    the six vowels a, e, i, o, u, (y)
                                                  nymph as a word (though)
is the closest you'll get to the pronunciation of
     y (why)               in                   Polish...
                            ny-                 or -ymph
                                 obviously cut off the μ and φ...
but if you're really bored...
                  you could probably finish that
little game... for no reason, whatsoever -
        as already stated i'm more interested in things
contained in the interlude, but then again games like
this provide the capacity to abstract and return
with actual application of an idea.
It's Friday night, I knock back five
Then stumble out to hit the club
I catch your eye looking for mine
Looking for a lover you don't have to love

A harried glance, we start the dance
With roaming, groaning hands
And sweat, and grit, and scripted friction
A masterclass of sham romance

But you're not you and I'm not me
And these red cups won't set us free
And I regret the way we met
As faceless strangers in a drunken sea

I wish it were morning
To watch the wind play in your hair
I wish it were morning
To see the sunlight in your stare
I wish it were morning
When I could tell you what I think
I wish it were morning
Without the help of all these drinks

The ***** on your breath, it smells like death
And your lips don't taste quite right
And your Levi jeans pressed up against me
Just aren't doing it tonight

The hiccup when you flirt, and the ***** on your shirt,
Match the beer-stains on your shoes
With your empty flask, and your haggard mask
I just can't stand the sight of you

And while I'd like to spend the night
And wake up warm between the covers
I tip my hat instead, and see you off to bed
Because poets are daytime lovers.
First-ever attempt at a song.
seethroughme Oct 2009
i am
the daytime
devil
i walk
in the light
of your mind
you will never
see me
i live
in the whiteblind
that you thought
to be
so pure
the burning twin
of darkness
is on this side
of the door
to strip away
your eyelids
to force you
to see
more
Ronald J Chapman Dec 2014
She is mysterious, as strange as a daytime dream,
So remarkable, I see a
Princess dressed in a kimono covered with cherry blossom leaves,
Floating down river, under a canopy
Of pink and white Sakura trees.

She is so extraordinary, as unique as a double rainbow at sunrise,
So dreamy, as dreamy as a seaside sunset,
Her unconditional love scatters,
Like cherry blossoms in a fresh breeze,
Seen in rippling waves of sunshine.

So fantastical, as fantastic as a pink rose blooming in the desert,
So magical, as magical as our dreams coming true,
Princess Sakura singing, like an Angel,
She spreads her wings and flies away,
Like vanishing Sakura, leaves at the end of spring.

Princess Sakura, you will live forever in my dreams...

© 2014 Ronald J Chapman All Rights Reserved.
Cherry Blossom Girl - Air
http://youtu.be/f4GtILnrcx8
Busbar Dancer Feb 2016
Speaking of how
these Ladies of the Night
must hate Daylight Savings Time
since the sun doesn’t set until nine, and
the cloying summer scent of honeysuckle
drowns the smell of their knock-off Gucci Guilty.
Except there’s that one A.M. Pro
who works the whole stretch in front of
The Towing and Recovery Museum
from 7 something till lunch.
She’s tried to keep a low profile, but
is hoping to meet that one lonesome soul
who needs to get blown
at ten o’clock in the ******* morning.
Sometimes I wave at her when I drive by,
wishing her the best,
whatever that may look like...

The fasten seatbelt warning light is flashing on my dashboard but
I’m buckled in, rest assured.
That’s probably important, but
it’s like what Don Q whispered to Sancho through the Spanish gloom:
“I need you.”
If the moon smiled, she would resemble you.
You leave the same impression
Of something beautiful, but annihilating.
Both of you are great light borrowers.
Her O-mouth grieves at the world; yours is unaffected,

And your first gift is making stone out of everything.
I wake to a mausoleum; you are here,
Ticking your fingers on the marble table, looking for cigarettes,
Spiteful as a woman, but not so nervous,
And dying to say something unanswerable.

The moon, too, abuses her subjects,
But in the daytime she is ridiculous.
Your dissatisfactions, on the other hand,
Arrive through the mailslot with loving regularity,
White and blank, expansive as carbon monoxide.

No day is safe from news of you,
Walking about in Africa maybe, but thinking of me.
Jazzelle Monae Jun 2014
I have always been
obsessed
with the stars
and when I saw
the constellations
speckled across your cheeks
and the bridge of your nose
I found that
stargazing
was much easier
during daytime
© 2014 by Jazzelle Monae. All rights reserved.
laura Nov 2018
daytime
All these boys do is meet
behind the shed, 4:20 alert
dagger of the day climbing rocks
and making bets on their teams
pressing feet on gold coins
dropped from birch trees
and well trodden hills
Idiocy comes in many forms—

I join em and ignore the world
the cries replaying hundreds of time
during the daytime, night time,
onward.
Come in summer
Taste "Rabri"sweet n sour
Enjoy daytime sleeps for sure
Lunch with green sangri,
fofliya and rayata cups
with amazing bajra cakes
Dinner with dish of
" Moth-Bajra kheech"
with a lot of cheese
See how "Rohida" flowers rocks
amidst hot air strokes
Come in rain
Sketch on beautiful brown sand
by your fingers using as pen
engrave your foot prints for fun
and smell heart touching scent
of this warriors mother-land
Eat" gurrhvani churma" with
Ker-sangri, fofliya taste of
this  wonderland
And see camel ploughing fields
Walking in their full speeds
Come in shishir
Taste Matira, Kakar
And ber seasonal fruits
Chew roasted bajra grains
for checking teeth roots
Come in winter
Eat buffalo milk curd full of bowls
Taste "Kachar - Fali "veggies
Dal- Baati- Churma sweet dishes
Have  fair n festival funfares
and traditional marriages cheers
wearing colouful wears
singing folk songs
n lots of chances
of rocking in ghumar dances
Come in spring
Rock and roll in" Holi"fest airs
and visit  lovely" Gangour" fairs
Eat " kheer-dhokla "layers
Visit black buck sanctuary
to see animal cares.
Ashley Varela Oct 2013
Let the rain wash away sober pains of drunk yesterday
Beating vivid like fire in the night  
Let your soul illuminate to new heights
One last breath upon your chest
Running fast, moving without rest.
You left me here
Chained to rot, my dear.
But I am the sun, always moving on.
And when it is time to rest
And my shining light is in its nest
Only the darkness sees my true form.
My sunshine beams weep like willows,
As I wait till dawn with emptiness & pillows
Until the new day recharges my light
As the daylight awakens me ever so bright
**I will be stronger.


Krishna asked, Romeo asked, Majnun asked
Rumi asked, Rabia asked, Kabir asked
"Who are you to make me sick?"
And the reply came in my BELOVEDz voice

"I am LOVE; My purpose is to
Steal you away from your LIFE"


"WHAT?"
They all asked in one voice

LOVE replied in my BELOVEDz voice:

"I steal your heart
I steal your peace
I steal your sleep
I steal your life

Secretly I make possible
For BELOVEDz and LOVERz to meet

Then I reside in your eyes
Glancing at each other
I pierce into your SOUL

I steal your heart-beats
I give goosebumps to you
I weaken your knees
I make you feel dizzy
I create butterflies in your stomach
I make you dream beyond LIFE

"I am LOVE; My purpose is to
Steal you away from your LIFE"


No one knows my story
I come from nowhere
I go nowhere
People think I'm a crazy phenomenon
But I'm mystical & meta-physical form of
Nature - many call it God/dess

I am all around YOU
I am all pervading
I fill your lungs with oxygen
I am the CO2 you emit

I make you see stars in daytime
I make you intoxicated without liquor
I make you search for a falling star
I make you kiss dewdrops on flowers

No one is as existential as me
I've changed the cosmos with my presence
I've transformed animals into humans

Those people who are still animals
I transit them towards humanity
If you are not in LOVE yet
You are still part of ignorant animal life

I make everyone lose their fear
I make humans play a dangerous game
I create rebellion and revolution
I make humans swim ocean of fire
I make meek person brave & courageous
To revolt against out-of-date rituals/ traditions

Once I make my home within two humans
Even though they live afar
I don't let the BELOVEDz and LOVERz
Stay away for a single moment

I make them fly into LOVE dreamz
Without a pause, without a stop
I make them write poems and sing songs

I am seen on earth, I am seen in sky
I am seen in desert, I am seen in oceans
I am seen in flowers, I am seen in moon
I am seen in clouds, I am seen in rains
I am seen in darkness, I am seen in light

"I am LOVE; My purpose is to
Steal you away from your LIFE"




Cool monsoon breeze sway the trees
Cascading rills , meadows
The Valley and Scenic hills
Colour green rich in hue
Breathtaking the view

The rain pours and rushes down
On the windscreen and sunroof
A sweet melodic sound it makes
Like an Artist, paints in gentle slopes

Dark clouds in daytime , stark
Makes the Sun shiver in cold
The bridge ahead ,century old
Winding road  and steep slopes

Passing through the illuminated tunnels
Old melodies played on the radio
The journey ahead ,we steer
The ebullient nature brings cheer
Lonavala is a scenic hill  station on the
Mumbai- Pune Expressway .
17th August experience on the way to Mumbai .
It was beautiful, had to put in words :)
begin end begin he writes come to party in my room ashtray spilled on sheets mirror smeared clothes scattered everywhere i’m reclining on floor pulling on ***** hair writing lonely-hearts poem i don’t care about your photograph i just want to know will you come to party in my room? i have confidences to share secrets to reveal no one to give my body to i need to feel warmth of another there is food if you are hungry i’ll just watch listen to you will come won’t you? please this is no prank are you there? i just wanted to invite you to party you’re my only guest i need you i sound desperate you want to know how long i’ve been this way kind of let myself go grown used to this room that keeps my secret used to sleeping alone in big double bed i think i shall go take hot bath don’t come another night perhaps i can do it quite well myself thank you you probably would have felt out of place anyway - london 1971

nothing wrong with beating off but i prefer female sometimes pretty thing replies Odys you have a way with words actually he prefers woman all times tends to be too impatient rough handling himself needs woman’s gentler slower adoring touch

i wouldn’t mind wife if she is simply **** in residence leaning against doorway posing between me and kitchen he considers let’s get cruel in cruelty one finally realizes one’s own true self-interest who am i? am i cruel enough to be sick-hearted *******? am i capable of oppression torture? do i honestly desire *** slave? do i believe all hope of becoming normal human is gone? he hears her words i have cuffs crop leg spreader flogger hood paddle cane like swelling bruises on my *** never touch my face arms legs i like to be spit on while you pull hair i like servicing man who takes pleasure in giving brutal intense pain *** on my face **** **** on me i'm looking for white muscular egotistic man who is into sadomasochism i enjoy abuse part just as much as *** part is he lightweight no stomach for collared sadism? He mumbles to himself bottom line i respect love women this existence is killing me ignores his thoughts sings aloud we’re used to being rude to each other used to getting crude with each other come on now pretty thing sit next to me

female fantasy number 1 man’s ******* is like handle on slot machine if woman pulls it right way 3 cherries line up in his eyes ***** jingle ring money shoots out ***-hole female fantasy number 2 science invents way in which more money woman spends shopping more weight she can lose

i imagined you were plateful of pancakes you giggled when i poured syrup on your face i smiled pondering how lovely you would taste we sat for a while gazing into each other’s eyes until you got cold rubbery i didn’t want to eat you anymore

maybe he is not so charming anymore maybe Odysseus has become blunt  difficult he tries to be respectful but sometimes he is excessive self-willed time place names have lost any mearing during lively discussion with pretty thing creativity versus craft he confronts original invention requires destruction surely you realize that? pretty thing replies Odys i didn’t realize you were so dominant you seem so playful puppy-like in daytime i never would have guessed you’re such a chauvinistic ******* he questions chauvinistic ******* what’s that suppose to mean? i don’t know what you’re talking about she answers don’t play dumb Odys i know you’re smart at semiotics he asks semiotics what does that mean? I don’t know the word listen you’re right and i’m wrong i apologize i didn’t mean to get so argumentative he reaches for dictionary on floor next to chair pretty thing crosses legs speaks i’m very careful to use simple words everyone can understand but i’m just sign painter isn’t that right Odys? what would i know? he pleads you’re not making any sense we both use brushes paint similar techniques that’s beside the point i apologize she insists you’re way off the subject Odys he begs you’re right i’m wrong whatever i said made you get so upset please forgive me her voice cold terse i need to go home Odys you scare me you’re way too fanatic

thinks to himself promise her anything but give her the finger just when she’s finally starting to fall for whole scam give her the slip 6 to 12 weeks is average life expectancy for modern romance it’s fast world we’re all expendable can’t hear what you’re saying music is too loud rule number 1 no matter how beautiful she is there’s always someone who’s sick of her rule number 2 why would you even be talking with her if she didn’t have *****? rule number 3 they’re all ******* ******! he tries to recall if Bayli ever behaved like ***** he concludes no never did she become one?

in restless sleep he dreams someone tells him Bayli is working at ******* bar he goes to see her Bayli looks young beautiful wearing thong nothing else many men are pursuing her he excitedly approaches but she seems to only vaguely recognize him she questions do i know you? he answers Bayli it’s me Odys! she answers my name is not Bayli Odys who? where do you know me from?” he pleads Bayli, look at me Bayli smiles hesitantly as she looks around for support points finger towards Odysseus 2 bouncers approach shove him against wall force him outside bouncer barks her name is not Bayli now get hell out of here you freaking loser! they go back inside slamming door as he walks away neighborhood kids throw apples at him wakes up confused sad from dream

he vows i don’t need love love is for those too lame to stand alone bear solitude self-avowal love is sign of weakness compliance control love is contract made between two people too spineless to take pleasure in own freedom love is way to take advantage exploit love is convenience pact for mutual security love is cumbersome weight tied around athlete’s neck love is suffering love is a lie illusion cover-up for everyone’s petty lame problems

1984 chicago suffers harsh winter furious winds blow across lakefront Mom and Dad take Odysseus to dinner at posh new restaurant in art galleries district on the way Mom and Dad argue about parking Mom wants to leave car with valet Dad insists they first look for space Mom gets annoyed the wind will ruin my hair drop me and Odys off at door then do what you want Dad says you’re going to miss me when i’m gone Mom snaps we’ll see when are you planning on leaving? Dad wears navy blue blazer white shirt burgundy foulard silk tie he is in good spirits winning personality keeps table lively Mom wears beige cashmere turtleneck darker beige wool skirt brown alligator high heels gold earrings she waves then greets roths weissmans who are led by young hostess they walk past table make brief polite conversation after several rounds of drinks Dad speaks you know, it’s about time Odys are you dating anyone in particular? Odysseus hesitates confesses he has had ****** relations with hundreds of girls his knees begin to shake under table he admits maybe I’m incapable of sustaining intimate relationship with one woman i’m conflicted blocking all these feelings inside never learned how to love can’t hold on to anything all i know how is **** and run Mom interjects don’t use that word! she suggests he travel get some fresh ideas Dad becomes irritated lights cigarette waives to waiter orders another Absolute on the rocks bursts out what the hell do you mean you never learned to love you grew up in a house of love *******! didn’t you learn anything? are you purposely trying to ruin dinner? you watch your step mister or i’ll whack you right here at the table! you make me sick with all your excuses one of these days you’re going to wake up Odys and I hope it’s not too late Mom immediately glances at roth’s weissman’s table then glares sharply at Dad she snaps Max lower your voice! people can hear you we’re in a restaurant can we please change the subject? she instantly regains composure continues i spoke with your sister Penelope today and she let me know she might be landing a new account she’s being wined and dined this evening by c.e.o. of prominent san francisco agency later waiter clears entrees asks if anyone wants after-dinner drink dessert Mom orders coffee apple pie with scoop of vanilla ice cream Dad orders coffee Mom asks what do you wish for in your life Odys? who do you want to be? he exhales long breath answers i used to dream of becoming renown painter but now i’m not sure sad to say don’t know what i want sometimes i think of priesthood but i’ve done too much sinning Dad grows irate who puts these ideas into your head? you ******* ungrateful kid! what the hell is matter with you? Mom interrupts Max don’t lose your temper we’re in a restaurant she glances at roth’s weissman’s table nods with big smile on face Odysseus feels entangled in web of desires deceptions debts he vacillates from one aspiration to next grown comfortable in his failures distrust
Anthony Williams Jul 2014
You're just a tiny bit minimalist in your own unique way
a white star I have to squint to see in daytime sky
not a Mercedes five point but a Nissan Micra car
you park neatly in a three point turn by my netsuke
and put a circular dent on my platonic furniture

Your two humble rooms devoid of any bold sculpture
except a fold-out table and a miniature bubble chair
and a futon for a bed which is troublesome to share
you draw the line at adornments but allow a wallflower

A bulb in a bowl is your ornamental garden feature
mealtimes a nibble on grated carrot celery cucumber
you run so long on empty you're an eco friendly teacher
stretching out the energy is a passion of my lover
engaging in lessons on sustaining a resourceful nature

Your shoes two pointe ballet slip ons easy to care
barely there g-string thin cotton underwear
nothing loud to upset your understated figure
slight as a pin drop your bottom's semi-derrière
sits so light on feet I'd swear you float on air

I rarely get to hear you come before you're in my hair
with a voice pitch high as a smitten kitten's purr
your upper reaches get a score sized single 'A'
nice when it fits into our schemes of feng shui

I carry your bundle home on the roadway rivers of light
yet you only burn one ray of candle power at night
born of scintillating atoms which flow along each vein
containing so much love without clutter in your frame
a brave star small as wings formed of minuscule wire
flutters in your eyes with minimal flare
but deep desire
by Anthony Williams
a bonsai has two elements, the tree and the container, and “once outside its flowerpot the tree ceases to be a bonsai.” Miniturization is not the defining feature of a bonsai; containment is, the strict boundary between the bonsai and the rest of nature. So, too, it was between her nature and mine.
Dondaycee Jun 2018
Aboriginal Daytime
I never understood labels… fear as well,
It all appeared as fables and if it were true I’d choose hell,
…******, why do we fall victim to a linear language?
See, look, you already; -******; Kyi!,
“yessir”
It’s your turn to spell,
“Day is frustrated because of the word fables,
Because of how you conceive it, based off labels,
You take it as a “fictitious tale”,
Fictitious meaning imaginary, fabricated, or not real,
Most people are insecure, they have fear,
If earth is heaven, then this is hell,
Because he knows truth,
He’d rather experience pain than have the wisdom from terms like impossible or fail”
Kyi you’re always creating ignorance, give them validation,
“Day… did you forget that “we” experienced a graduation?
That’s rhetorical though… just a little medication,
Day finds it necessary that we turn our attention back towards the word fable,
Understand that; he doesn’t understand labels,
So when he used the word fable, his intentions were stable,
But humans think linear, from past to present, so his perspective was inable,
He meant; a short story with animals as characters conveying a moral-“
-We are victims who enabled ourselves to disable our ability to enable,
Who enabled our self; to give an authority to ourselves, one that disables; to turn off our ability to enable; to be aware of choice?
If we can’t see, we can’t look ahead,
Therefore the paradox is voice,
Because it’s an illusion,
The illusion of expressing your choice,
Because truth is, you already have,
You just couldn’t see the difference because of labels,
That same difference; existed in fables,
I had to reiterate it because I’m constantly crucified,
I’m misunderstood because I validate reasons to consciously unify,
I wonder if this is what it was like to live when you know who had died,
Because I took a reach and lost a hand like I had to choose a side,
I tried to teach and lost a friend,
Like why couldn’t she be a Bonnie, I would’ve taken a shot; if she cried; and if I died; I’d come back as Clyde hoping she remained divine, because it’s a crime to love when you choose a side; you lose a side,
I fought health, she fought self, I’m talking wealth without suicide,
She became wise and intelligent,
She is light and evidence of what potential is when you abide by it,
I remembered happiness and relevance,
Ignorance and arrogance but I became narcissistic when you arrived; miss…
Missed, you will be,
If, it is Yoda I’m speaking,
Double meaning if its solitude you are seeking,
Because them shots I took earlier backfired, now I’m obviously bleeding,
Looking for air, must repair time; I’m focused; perceiving,
Somehow I went from having a home to habits alone,
The death of me is with the best of me, because the rest of me couldn’t address what’s left of me,
Context clues, it wasn’t safe when eye left; contact in alone,
If I stayed in the past my last laugh would’ve came right after my last,
I had grew, I embraced a new path, I was contacted alone,
Because nobody called, nobody talked,
I was sitting in silence,
Then came Gaia,
She said “acid”, I said “that’s it?”, and every since Ye my existence has been timeless,
I  no longer have white fever,
**** was moving to fast,
My nose was caught up in a white girl and I couldn’t even keep her ***,
I tried to keep her balanced but still she turned green,
Truth is lie and lie is truth, if you couldn’t understand I would’ve defined the mean,
How do you live, is it yin or yang?
With the love or with the fear or are they both the same thing?
Are the polarities chaotic? Are you feeling demotic?
Are you hearing the otic and making it hip?
Are you in this illusion; a state of confusion, because the options you’re choosing ain’t me,
Because the green on the paper, is making me think I hate her, because the ***** that saved us ain’t he,
Females… they want the mind,
But men belong to time,
Both will deny this is true,
Males… Material Mind,
Girl friend’s in a line wanting to take the focus of the fact that life is just you,
She was just used,
He couldn’t choose,
She was confused,
And he was abused,
We decided to live, but she was backwards,
I’m only evil cause I draw back,
Dyslexic lid, she’s was bad words,
There’s a cut off in the dab sword,
Hell low like I’m exiting to enter,
High like I’m existing in picture,
I hope she stay hot, and continue to rise,
It’s a cold world, sinking is wise,
I hope she experience the storms that’ll give her supplies,
I hope she **** me before I ever give Advice Versa,
It’s Aboriginal Daytime; twin flame gon issing as Vice Versa,
****… I wish I heard her.
Marian Feb 2014
They sing a song of melody
Some beautiful tune
That only Fairies sing at night
They ****** in the daytime
They quietly chime in the distance at night
Wind chimes ****** in the forest
Where the Fairies dance at night
In their beautiful Fairy Ring
Where all Fairies gather for the dance
Where we dance in a Ring
Wind chimes are our music
And they chime in the night breezes
A tune for us to waltz to
Even butterflies join the dance
And I am waltzing with the moon
Who smiles happily from his chair
In the dark, dark midnight sky
I love to hear the wind chimes
When they ****** in the Spring
And Summertime breezes
And in the wind of a thunderstorm
When they may chime vigorously
In the rain-scented winds
That send a twister of leaves
Flying through the air
Wind chimes soothe the mind
And tired body at night
And send sweet dreams
Into your head

*~Marian~
Tom Ridley Nov 2014
There are some friends you'll see everyday
You need them, you need friends who you can hang out with, friends that you have your niceties with, ones that the world will so readily recognize you with during the day
The ones who can't know what you did in the dark

There are some you see when there's blood in the air
You need them too, you need friends who you can fight with, friends who can hold their own, ones that the world will know that **** is going down when you're with them
The ones who helped you with what you did in the dark

You need both, because someone's song needs to know what you did in the dark
because your daytime friends are no help in the dark
Unfinished but I might as well throw this up
Christa Davis Jun 2014
Daytime tells the lies
Sun distracts your thoughts,
Showing how it could be
But nighttime is the truth
It screams it and shouts it
Nothing to look at but reality.
Ken Pepiton Nov 2018
How we start is only part of what we eventually do.

Physically that's easy to see. Being human, adamkind,
we see weak starts often in life.
Colts or pups born a week too soon can be loved to lives as pampered pets,
Siring toys for the enjoyment of those who can afford to fuel them,
For generations, with never a single care,
Past that initial trauma and subsequent subjugation to the will of man.

I don't tell horse stories, dog stories or war stories, if I can keep from it.

But when you want to demonstrate the purest of payback,
revenge getting the bad guy in the end,
having a horse be the hero makes behaving like an animal
more noble to the mind of vengeful man.
It's not true, revenge being noble.
That's a very old lie.

Law is to prevent error by disallowing failure. Law.

Relative to the rest of God's creatures, we, adamkind, seem dependent, weak and vulnerable next to bears being weak
a way-less long time
Than we.
We come into this world weak as a baby anything and we stay that way longer
Than any living creature.

I am an American, by birth.
I was not born to a political party or a family with political roots,
"I ain't no Senator's son."
Still,
I was reared drinking mythic cherry wine
sprung from George's failure to lie
Regarding his woodman's knack with a hatchet.

Sitting on the fence rail Abe split,
town fathers where I lived
were said to have decided the most harmonious of towns
have only gainfully employed darker folks,
while white
trash was allowed to loll around because they was
some employer's kin by marriage.

It all seemed pretty normal, as a child.
The loller-arounders let kids listen when they told
Their friends, who could not read, what the newspapers said.

One block from my house there was a vet's and hobo's flop-house clad in corrugated tin, rusted-round the nail-holes all the way to the ground and the rust had spread, so at sunset,...
I only recall the single story shed having one door.
There were always old white men sittin' on the southside of the shed. At sunset, those old men's whispy white hair

appeared as white flowing mare's tale clouds under
a scab-red wall held up by old men with sunset shining faces...

It was a big shed, a low barn, a bunkhouse,
eight or ten 4-foot tin-sheets long on the north and south
Windowless walls.
The one door was on the south side.
Once I saw an old man selling red paper buddy poppies.
He was missing both legs about half-way up his thighs.
The poppy seller rode a square board that had what I think were
Roller-skates, the key-kind, with metal wheels about a 1/2 inch wide.
Nailed to it's bottom. He had handles made from a carpenter's saw
Without it's blade. He pushed himself with those handles.

That looked fun, to a four-year old.
It looks different now-a-days. Knowing
Those red poppies symbolized
The after math automatics of the war to end war.

Who knows the poppy-sellers son? He would be old.
Does he know how his father lost his legs, but lived?
Does he bear the curse of the curse that lost his father's legs?
Does he honor his father's cause or weep at the thought?

Enough is enough.
My family tree branched in America, but only one great grand-parent,
Three generations back from me, was rooted in this land.
My gran'ma's ma, a Choctaw squaw,
That rhymed fine,
But it's not true. My grandma did not know her parents. She was born an orphan,
And her father and mother were likely strangers.

1910 in southwest Arkansas or southeast Oklahoma or northeast Texas or northwest Louisiana
And the color of her skin is all that proved my American heritage.

My grandma was born poor as poor can be,
she never told me how she survived

To survive a 1925 or so car wreck
in eastern Arizona's white mountains.
I never asked what my grandmother knew,
nor how she came to know.

This is my point.
After you and I have gone into forever more,
Our great grand children may wonder
what we did or did not, since we
Are no longer around to give our account.

These days we can leave our story to our great grand children.
Our own children
And our grand children follow us on facebook back to before they were born.
Shall they judge us idlers wielding idle words for laughs,
or  think us knowers of all we found while seeking first the Kingdom of Heaven
In the place Jesus says it is. You know where Jesus said the Kingdom of our kind lies?

The double minded man is unstable in all his ways,
hence Eve and her broader bandwidth corpus colostrum
Come back later, there is a breath system upgrade evolving.

Such changes to the courage of the mind rolls out more slowly
to the root ideas, labouring to find sustenance,
it is a struggle being a radical idea,
we agree, but we have our part,
as do the flowers
and the spore.
Leaven the whole lump, like it or lump it.

The now we live in grew from far deeper roots than
the roots claimed by the
Self-identified nation through it's cartoons/representations of national desires to rally 'round the flag as if it were the fire,
those desires to herd beneath any shelter from the storm,
Your country, your incorporated allegiance
to the inventor and creator and counter of the money under
the protection of the sword and crown representative
of the flame that burns,
The namers of patriot, the rankeers of ideas
who, by their existence,
naturally, over rule you.
Such powers are granted by the individual, not the mob.
You get that?

The desires of the nation over rule the desires of the individuals who
Com-prize the nation.
Whose side are you on, dear reader?

Is the idea we believed believable?
Ex Nihilo, I don't think so because
I can't imagine how now could be
Accidental-ly.

When my hero wore spurs as he went from the jail office to
Miss Kitty's place, (Gunsmoke on A.M. radio)

What did Miss Kitty do?
I had no clue.
In my hero's world people never
Did the wrong thing
While Marshal Dillon was in Dodge.

So did you think Miss Kitty's place was anything other
than a culturally acceptable
reference to professional social ******* workers
under a strong, smart female CEO
with top-level links to the local cops?

All these are rhetorical questions, this being
Rhetorical if you are hearing me say this.
That means, don't nod or raise your hand or shout Amen, kin!

I see your answer my answer and
I know my answer, so you know my answer.

Step-back, 1961, USA Snapshot
Unitas, Benny Kid Perett, Mantlenmarris, the Guns of Navarone.

Why I recall those things, I know not.
Why I did not say I do not know, I do not know.

Though, pausing to think,
knowing contains the doing of it within it, you know.
What's to do?

Outlaws were more my heroes than cowboys, and marshals, and such
Especially the ones that had been forced out by law.

I grew up in a 1950's junkyard with no fence, one mile north of route 66
On the Al-Can highway to Las Vegas, 103 miles away.
My Grandpa was a blacksmith's son,
who rode a horse he broke and his pa had shod
From Texas to Arizona in 1917, at the age of 18.

by the time I knew him,
He was fifty, settled down, nearly, from the war.
Momma had to work, so, daytime, Granddaddy raised me.

Horses weren't, wrecked cars were,
the toys of my childhood.

Grandpa built a junkyard from cars left steam blown
on the old stage road, from before
the railroad.
The Abo Highway hain't been Route 66 for some time yet…
Hoping…


Hoping sometime to polish this bit of this book, I left myself re-minders
Hoping memory of mental realms might rewind or unwind sequentially
When trigger
Neighed.
That worked, Roy Autry and Gene Rogers were names Sue Snow's
Mormon Bishop daddy called me, back when I first recall My Grandpa Caleb, a baptist by confession,

who was, as I recall a *****-drinkin' jolly drunk. While Grandma made beds in some motel, granddaddy built boats and horse trailers
and hot rod 34 Chevies,
and he fixed this one red Indian, I could read the word on the gas tank, I knew the word indian
and this motor cycle was proud to wear the name. I was 4.

A stout-strong man, no fat near any working muscle system,
he could and would
repair any broken thing,
for anybody.
Pop and Mr. Levi-next-door at the Loma Vista Motel, shared a listing in the Green Book, so broke down ******* knew where help could be found after dark in that town.
There was a warnin'ag'in let'n sunset there on darker than grandma's skin.

My Gran'daddy's shop had two gas pumps that were reset with the turn of a crank.
As soon as I could turn that crank, I could pump gas.
I could fill up that red Indian
Motorcycle.
But "m'spokes was too short to kick the starter."
I told my eleven year old uncle
and he told
How he would always remember learning that saddles have no linkage to horse brakes.
"Not knowing what you cain't do kin *** ye kilt."
He grew up in the junk yard, too.
My first outlaw hero.

Likely, I am alive today, because
On the day I discovered I could pump gas as good as any man,
I also discovered that real motorcycles were not built for little boys.
This is an earlier voice which I wrote a series of thought experiments. The book is finished, most parts, some reader feedback as to interest in more, will be high value gifts from you to me, and counted so.
Kyle Kulseth Jun 2018
I thought I heard
               Canadian slang
from the opposite bed-side
Like it's 2009, rub some lines off my face.
Inner space bleeding outward,
deep red, a nosebleed,
angled points on white of The Maple Jack.
               A Nip at the Sal's on Esplanade-Riel.

Grab your runners and toque,
               it's warm, but not forever
and these legs are sore. Polar bears
on the sweater you wore in the Fall--
Churchill, Manitoba, the streets are full of teeth and claws.
Awoke and wanted warmth lacking.
I thought I heard Canadian slang.

I thought I heard "it'll be okay"
from the voices of feathers fletching arrows falling.
     they whisper and screams sink deep behind
                                     eyelids
                                     closing.
A sentence unfinished,
                sinking in flesh
                              in time
                sinking
                              in snow and ice
                sinking
                              in water in Summer
                sinking
                              in memory.

I thought I heard
               plans being made
and shy laughter.
I heard it 5 times. Didn't I?
Days fade, ears dull*
Walking on streets, in the cold
towards her home
I thought I heard laughter--
                                   heard something
                        like laughter--
I thought I heard rain, as the Lodgepoles drank water.

I thought I heard laughter.

I thought I heard wax melt.
I thought I smelled fairness.
I thought you wanting more time
to bleed and blur tenses.
I thought I heard rivers rushing and roaring
                                                 their battle cries--
--asserting their presence.
I thought I heard cars pass and sounds of the daytime
                    and late March walk along bridges.

I could swear I heard something
     Like Canadian slang,
                 sweet
                     water
                  light
                      laughter.
Som­ething.
CloudedVisions Jul 2018
There was a Panda in his room
Ready to fall asleep
He wrapped himself up
Hugged his bed
As he counted all his sheep

The sheep jumped by one by one
As he watched the setting sun
The moon would rise
Stars shine bright
As the nighttime had begun

He rests his head on his pillow
He lays there all alone
In the warmth of night he falls asleep
As he pays his daytime loan

His mind goes dim, as his dreams awake
And he's in a pitch black room
When in front of him a bubble forms
One the size of his head
Past him it begins to zoom

The Panda half walks half crawls to where the bubble lay
Afloat in the air
Suspended above
He raises his voice to speak for it to come
But when his mouth opens, he doesn't know what to say

The bubble sits there laying in wait
Waiting for him to reach
So the Panda puts up his outstreched arm
Reaching for what he thinks would give him great joy
But what he finds is alarm

As he reaches and touches the bubble
The bubble begins to shake
It waivers and pops and rains down debris
And yet he doesn't wake

The Panda looks down
With tear stained eye
He sees the puddle below
And to the bubble he waves good bye

In this puddle left by the bubble
He sees his reflection glow
He sees his face, his tear stained eye
He wants to be set free
But for this little Panda, waking up is slow
this poem is a reflection of me and how I feel.
theblndskr Apr 2017
the universe is swaying
like an  o c e a n   o f   s t a r s
and with a drop, sends
Shining light falling. .

A daytime shooting star
Has sprouted in me.
Inspired by a manga I read;"Hirunaka No Ryuusei". .
. . the world has oceans of people, and u only need one shining light.
Nat Lipstadt May 2019
the spring mantra arrives with distinctive citified sparkles

a family of ducklings splash, mimicking young children,
shaking, spraying, squeaking, babies bath bathing,
jumping in and out of a fountain pool
of a tall-storied Manhattan apartment building,
the mother-leader attends them well for she recalls
the untimely end of the babies of last year,
lost to wanderlust on York Avenue,
cars and taxis as instruments of mass murdering,
but new spring is the season of new birth

the Cercis Siliquastrum tree trunk (!) oddly sprouts
unusual pink flowers
well before it’s branches grow up into a fully blossoming tree,
a signed spring time ritual, but since it is a/k/a, the Judas Tree,
we wonder if spring hints of Cerci Lannister’s fate betrayed,
in this, her final May dance, oh, which Judas brother/lover
will bring us a winter fin finale

the temperature control dial busted, the variability too wide,
the youngers are skipping the interregnum season,
going direct to elect shorts and T-shirt, while those who no longer bloom in the semi-warm, recall the wet chill of past evenings,
voting to dress defensively, wearing their aging skepticism
aware that all changes are exact crossing line-defined, wrapped in
medium weight coats, concealing embarrassing gloves in pocket,
decorative silk scarfs for non-decorative purposed,
all betting the under/over the spring is here all-in not yet sighted

the streets are busy, the momentary pleasantries
of warm sky and sun push the apartment dwellers out,
a magnetic force pulls us to the outside to exhale, in order to inhale,
guises manufactured excuses appear, a loaf of bread, a latte necessity,
the children desert happily their wintery confinement,
by pushing their own carriages, containing in their stead,
their lilting accented nannies, excited by their version of spring break

Me? toy shopping for this month brings rashers of birthdays,
more May galorey, singing come Dancer and Prancer, Ian and Isabel, Alex and not-a-baby anymore Wendy, and because the weather so pleasant, cautions ignored, the credit card swiped repeatedly, frequently and joyously, xmas reimagined, another May time ritual, rooted in the September month of *******, of staying warm, staving off winter *******, and winter planting for spring harvesting

children score grand-multiplicities for god made in his place
grand parental substitutes, each with two hands each equal,
so both must be filled with maypole ribbon, brightly colored
toy bags, presents wrapped in paper unicorns and all manner of
sporting *****, as we turn 2 and 6, 7 and who ate 8?

all that my eyes did see when we surfed strolled the streets,
vignettes fell like the spring rains, they, now, from daytime banished,
to after-midnight to do their breast feeding of tulips and weeds,
letting little children grow up snuggling in still over-heated rooms,
naked legs kicking off winter blankety snow remnants while dreaming of springing onwards and forward
into the party of life by inhaling nature’s

nature.
5-3-19  606pm
It would tie your brain up in a knot,
the clink of glasses on the barman's grate,
and the tones of creaky Dublin croaking,
In darkness, mourning the death, of the daytime light.  

It would I say, to grasp the slender neck,
and to lift it, smiling, glancing beyond the glass,
at winking eyes and clinking pints of plain,
My brain is in a knot, when I think of you.  

I held you on the banks, of the  royal canal,
knew then what all the bards and lovers mean,
say it was the light reflected in their eye,
I never did hear tell, of eyes to rival glass

Yet confound revealing daytime light,
you are liquid of the night, stout and dark,
rebuke me not, till your own brain too,
Has been left in knots, by the dark slender boy.
In me line of work you could get in trouble for publishing this saart of thing.  It's a kind of extended meta(what)phor?  I understand that is a popular and devilish class of device.
The gold that flows, through our elaborate veins,
The crop that is known, by many names,
The gift that alleviates, our daytime pains,
The commodity that plays, one too many games.

Our world is nothing, but a bottomless mine,
Simply waiting, for the wrath and plunder of humankind,  
Oh labourers please, wait your spot in line,
For it was not you that made, this incredible find.

You’re a fool to think, the system needs a redesign,
For your fate and this chain, are forever intertwined.
Stay in your corner, as they wine and dine,
For it is you not them, contained by this chain’s bind.  

Posing as a gift, that elevates their daily grind,
The brown gold is no longer, part of your bloodline,
It was their chains after all, that made this incredible find,
For it now flows away, from the Plateau’s skyline.
  
You continue to hope, for these chains to be redefined,
But to imagine you even exist to them, is asinine,
Yet you believe a consumer movement, would be so inclined,
For you forget that chains were made, to always confine.
This is a poem dedicated to the hard working smallholder coffee farmers around the world. This poem is intended to speak to their struggle, the inequalities of coffee value/supply chains the world over, and the unfortunate reality that these farmers face. This poem can certainly apply to many smallholder farmers and other labourers (landless or not) who suffer similar fates. Note that coffee in some circles is referred to as brown gold because of its economic value.
Lou Apr 2018
Every child broken into a crayon box colours the same.

Jimmy and Bill would know.

The Knight time radio.
Their Daytime TV.

Technology gave us colour in our boxes for entertainment
And Two turn tables to scratch out the screaming.

55 inches in HD wasn't big enough to scribble on

Perfect reception but no one listened to the colours snap.

No one bothered to question why the paper is off the crayon.

I think of all those lost crayolas
being used for shadowing.

A cover inside a cover,
where pages should be in a book.

And here we are,
still drawing in black and white.
*** slavery in the elites is beyond real. Time to start adding light to our drawings.
Kenna Marie Feb 2016
recycling trouble from the past in hopes you'll make time go fast for your slow hourglass
shake the sand, gravitate towards the new plan

pave the ground, it won't be so bumpy now

we tossed the nails to the side, just don't forget the part where you drive
a rock or two will make you swerve, but ruthless words will be there to serve
gas is ready, handy and steady waiting to be levied
the price goes up but our strive runs slow
Mark Sep 2019
I've got the rhythm, but don't look anythang like a Nashvillian soul    
Been living on the streets, so I ain't been on any **** census role    
I'm not my mother's natural birth child, without any apology    
But I’m god’s chosen and gifted, finger picking, guitar prodigy    
   
Sun lights up the whole **** town, whilst it's still night-time    
So, save your smoke doping act, 'til the dark of the daytime    
CUCKUK, CUCKUK, cruisin' down some unnamed highways    
That's what y’all be not knowin', 'bout da Tennessee ways    
   
My Mama once said, just do your music or do something else    
So, I'm legally insane and uncomfortable to be with, I guess    
I don't actually see myself living anywhere forever    
But, how'd ya know, that you've actually arrived, wherever    
   
Sun lights up the whole **** town, whilst it's still night-time    
So, save your smoke doping act, 'til the dark of the daytime    
CUCKUK, CUCKUK, cruisin' down some unnamed highways    
That's what y’all be not knowin', 'bout da Tennessee ways    
   
If they don't ever remember the month or day, since leaving    
Families gettin' together, telling lies, now police intervening    
I sometimes have to forget that I wrote it, to be able to like it    
As long as fans think dope of it, why bother to disable the ****    
Hoed fresh corn all day, everyday, been up since the crack of dawn    
Pretty plenty of backyard swamp talkin' catfish, have since been born    
   
Sun lights up the whole **** town, whilst it's still night-time    
So, save your smoke doping act, 'til the dark of the daytime    
CUCKUK, CUCKUK, cruisin' down some unnamed highways    
That's what y’all be not knowin', 'bout da Tennessee ways    
   
He'd hit a rabbit a sittin' and killed it with the barrel of his gun    
While the dang hammer was a peckin' a wild hog to death    
Like gettin' outta control and hardly takin' a shot of breath    
Or being a drunken redneck, on a 7 day weekend hillbilly whiskey run.
I wrote this for Sunny War. She is a great guitar picker , originally from Nashville, but since the age of 13, she has been living on the streets of LA, USA.
Nigel Morgan Dec 2012
He said I’m the wrong shape. I could do with putting on a few pounds and, almost as an after thought he said, you’ll have to cut your hair – yourself.  I know she was an artist, and a mother, and a gardener. I had to admit to him I didn’t know any painters. My cousin Julie’s a sculptor – same thing he said – but I had to tell him I hadn’t yet looked at her painting, only what he showed us in his presentation.  He then told me exactly where in the National Museum of Wales I could see one of her paintings – Gallery 14 – and its from this period, a Parisiene picture. He suggested I might go to Cambridge and spend a day at a place called Kettles Yard. There are more Winifreds there than anywhere else in the UK, and many pictures by her close friend Christopher Wood.
 
Oh dear. This is difficult. The only thing going for me seems I’m about the right age and I’ve have children, though mine are older than hers in the production. I was so surprised to get this part, but as Michael said over the phone, your profile fits. Except for the weight and the hair, and I know nothing about painting. Why should I? Jeff told me, the composer Morton Feldman once said if you haven’t got a friend whose a painter, you’re in trouble. I’m in trouble. But he has very kind eyes and when he touched me gently on the shoulder after Lizzie and I sung that shells duet I had to look away.
 
Reaching down arm-deep into bright water
I gathered on white sand under waves
Shells, drifted up on beaches where I alone
Inhabit a finite world of years and days.
I reached my arm down a myriad years
To gather treasure from the yester-millennial sea-floor,
Held in my fingers forms shaped on the day of creation….
 
They sleep on the ocean floor like humming-tops
Whose music is the mother-of-pearl octave of the rainbow,
Harmonious shells that whisper for ever in our ears,
‘The world that you inhabit has not yet been created’

 
Mind you, I don’t envy Lizzie being Kathleen Raine. Now that is a difficult part, even though she’s only in Act 2. Raine was definitely odd. He says I have to understand their friendship, because there was something about it that made them both more than they were. I don’t understand that.
 
Jane and the children are amazing already. Martin (my ‘other’ half Ben Nicholson) said they’d been rehearsing with Robert because his wife (Robert’s wife Debbie) is at WNO and they were scared about this one. I’ll say this for him he knows exactly how children interrupt, constantly. It’s clever the way he uses the interruptions to change direction of the dialogue. Conversations are often left unfinished. The bit when that ***** Barbara visits the apartment unexpectedly is brilliant. She’s completely demolished by these kids of her lover.
 
But those letters . . . he said, can you imagine your husband writing to you over a period of 40 years? Quite a thought that. David wrote to me a few times when I was in Madrid for Cosi just after we’d met, but it was all telephone calls after that. Why waste paper, time and a stamp. But I take his point – their letters are so beautiful – and they were separated for God’s sake. He’d gone off with another woman, and even brought her to Paris. And you could not have two totally different women – she ,slight, chain-smoking, work-a-holic, sharp-tongued with that Yorkshire edge, and me with ‘a quiet voice, trying always to be gentle and kind ‘– W would be called an earth-mother these days. She was a kind of hippie, only she had money – mind you most of those hippies of the 60s had money otherwise they couldn’t have done drugs (heard that on Radio 4 last week in a programme about Richard Brautigan). But they wrote to each other almost every day.
 
Dear Ben,.
            Do you know there are several kinds of happiness, and there is one sort which I have found. It is the sort that is within oneself, enjoying fresh promise, and taking all the experiences of life that one has been through, so-called sad ones and so-called happy ones, to make up understanding that is further on than joy or sorrow. I have been extremely lucky – I have had ten years of companionship with an ‘all-time’ painter, working in the medium of classic eternity and that has been better than a lifetime with any second-class person – isn’t it - I have found it so…
 
Best love Winifred

 
What’s clever about the letter sequences is the way the two-way correspondence is handled as a duet and right in the middle of it you’ll get a flashback – like Winifred suddenly remembering her first meeting with Ben.
 
I heard this voice
In the room next door
I couldn’t breath, I couldn’t move
I knew, I knew for certain
This was the man I would marry.
And when we were introduced
He seemed to know this too.

 
We gaily call this an opera, but it’s not. It’s something else. It simply doesn’t do what you think it’s going to do. Even when you do something for a second time the accompaniment doesn’t do what you expect and remembered. It’s this open-form business. Something else I know nothing about. He mentioned Umberto Eco – now I’ve read Name of the Rose. When Braque or Mondrian or Jan Eps visit unannounced I have no idea which one it’s going to be – these guys just used to turn up. Sometimes two at once. W didn’t invite them. They came for her English hospitality (home baking I think) and her beautiful apartment come studio – beautiful, because she made it so. Her French was appalling, and this is difficult because I speak quite well, and now I have to speak like an idiot. Bridget  (playing Cissy the Cumbrian nanny) having her French lesson is a hoot, and with the children correcting her all the time, it’s lovely.
 
He was very sweet when we broke for lunch. Sara, he said, as I collapsed into an auditorium seat to find my bag and mobile, Sara, we’ve got to find you a painter to spend a day with . . . so you’ll know how to stand in front of an easel.  I phoned Sarah Jane Brown who has a studio in Cardiff and she’d love to meet you. Here’s her number. She paints flowers and landscapes – as well as the abstract stuff - just like Winifred. Her tutor at the RCA actually knew Winifred. And with that he disappeared to a dark corner of the theatre and unwrapped his sandwiches. You can tell he’s not into break discussions with Julian or Michael. I think he’s terribly shy. He’s interested in the cast and so he picks them off one by one. Julian I know doesn’t like this. I think everything needs to go through me, he said at the end of yesterday’s rehearsal. Who does he think he is?! Lizzie reminded Julian he was the composer and what he doesn’t know about this whole period and its characters isn’t knowledge. Liz thinks he’s a sweetie – and she’s sung his Raine settings at Branwyn Hall last year – with Robert who was his MD with BBCNOW. Liz knows Julian hasn’t done his usual homework because he’s got this production in Birmingham on the boil. Unknown Colour is a distraction he can do without.
 
This afternoon it’s back to the mayhem of those ensemble scenes in Act 1. They’re quite crazy, but I’m already beginning to feel I can start to be someone other than me. Did you know I have this lovely song? It’s quite Sondheim . . .
 
*I like to have a picture in my room.
Without one, my room feels bare
however much furniture is there;
Pictures play so many roles.
My room has too much going on in it
for something extravagant.
In the morning it is a sanctuary,
in the daytime a factory,
in the evening a place of festivity,
and through the night a place of rest.
 
I want a window in it,  
And a focal point, something alive and silent.
A bunch of flowers on the window sill?
Yes, but they will wither.
A cat curled up on the hearth?
Yes, but it will go away and prowl upon the rooftops.
 
A picture will always be there.
It will make no sound. It will wait.
If it is true I shall never grow tired of it.
I shall see something fresh in it
when I glance at it tomorrow.
It will always be my friend.
Emma Brown Nov 2012
Are you afraid of the dark?
Do you stray from the night?
Are you safe in the glow of a candle’s light?

And do you hold a friend’s hand,
When you pass through the eve,
While imagining evils youth often perceive?

It’s a little bit funny,
And a little bit sad,
But the darkness, you see, really isn’t that bad,

It’s misunderstood,
Hated and feared,
Distrusted and dreaded since the monsters appeared,

They may own it now,
But they didn’t before,
The day was once host to the evils of lore,

But we still fear the things,
That we don’t see or know,
And in the cover of daytime, the evils don’t show,

So we fear the things,
That go bump in the dark,
But the daytime, you see, is no walk in the park,

Those monsters exist,
All around you, I fear,
And because you can’t see them doesn’t mean they aren’t here,

They walk all around you,
In a humanlike guise,
And possess the trusted, the loved and the wise,

Monsters walk in the daylight,
They’re all over the place,
Behind the eyes of a stranger or a familiar face,

But when the sun goes down,
Their masks pull away,
And the monsters emerge from the humans of day,

So you see, night is scary,
But the light is a curse,
So I ask you, please answer:

*Which one is worse?
JP Goss Apr 2014
Morning:
My taken place at the faucet, a peer
Staring into eyes, not sworn to me
And I was standing, looking in the mirror
Speaking as my reflection
Spoke back to me.
I was shocked when he took my hand
Starting speaking about identity
I was shocked he knew so much
More of me
Than I.
He talked about my too-long hair
Or how good I looked in green
Or how messy my morning face could be
Or whether I was feeling smart or lean.
He knew it all:
I’d go so far to say more of me than I.

Evening:
Look to the east! A sun set
—Bravo! At least consistent and THEN gone.
Me? I’ve no such liberty
I couldn’t even tell, bereft a mirror,
The thing I like to call me.
Walking the roads, lined with lights
Bustling, living,
Lined with sights
Constituting the parts of me, invisible
—Added to nothing, they’re indivisible
Closed, exposed, fall and drizzle
Without the gall keep hold
From doors and boughs
In the windows—I’m there now
And THEN I’m gone.

Night:
The stone church’s door where
The righteous moor their souls
Piety flows
In its golden veins
And I’m there no more.
Their God does hate me
Without presence in the
Pews; I’m dross
Since the saint I chose
Was Saint Me beatified
Confirmed from the sinner Laity Goss
—So I turn
To the school affording play in my words
And a tact therefore
But rejects
All but their templates in blue shoes
Who sleight my for company
Only when within them
Or drowning in *****.
—So I turn
To the wilderness
Blooming in virginal grapes
Disrobed save the skin
Unfamiliar,
Self-aware but only on a whim
And whirlwinds that blow
Ice and shrapnel and
Exile me to the country
Where not but dearth may grow
In a single season of mine
—So I turn
Too afraid of that winter
So much more the fall
And me in the mirror
Knows it all, knows it plenty
A casual drop in a casual chat
About identity
—So I turn
Back to the mirror
Back to it all
With showers and pictures in its wall
Staring into eyes, sworn not to me
Speaking as my reflection
Speaks back to me
I was not shocked he knew so much
More of me than I,
Since he strides alongside mine
And only in a certain climb
Telling me
It’s almost time, I’m almost there
But it’s not clear in which direction,
Or where.
Hank Desroches May 2012
Stop thinking.
Stop thinking.
Stop. Stop. Stop.
It’s always darkest before it shows you it can get darker still.
Clouds can still block out the Sun in the middle of the day.
You’re not out of the woods yet.

What a nightmare.
I must report the passing of a dear old friend today
I'm not sure when it happened, but I felt I had to say
That the Vegas that's in movies, books, and on TV
Is not the one that you will find, it's not the one you'll see
I know your expectations are of glitter and of lights
Of singers in the lounges that play into the night
The lounges now are empty of the singers and the bands
Instead they're full of djs, and bad magicians badly tanned,
The song that was Las Vegas is not one thats in your head
The one you know with Elvis, is now gone, you see it's dead
The old hotels are gone now, It's not like it was before
The new buzzword in Vegas is now just, MORE, MORE, MORE
It's now a culture aimed at being bigger than the rest
For now it seems that bigger, means you're now known as the best
There's hotels full of bedbugs and the service is the *****
But, the casino doesn't care if there are people in the pits
The strip is nearly two miles long, and almost half is blank
It's like the desert opened up and ten casinos sank
At one end is the Stratosphere, it's got a real cool view
But, because of it's location it's not easy to get to
The Sahara was next closest, but now the Lady's gone
And to walk from this tram stop at night, well I cannot say it's fun
It's dingy and it's ***** and it's not a place to be
I wouldn't recommend this part, it's not a place to see
Freemont Street, The Old Vegas is off the beaten path
It's an hour ride upon the bus, and a taxi...do the math
It's just a place to go to once, there's no reason to return
And if you ever visit here, I think that's what you'll learn
The middle part of the strip is glitzy and spread out
It's kind of close to what Las Vegas is about
It's not all geared to people who have childeren all in tow
These ultra cool casinos is where you might just want to go
The other end is busy, but it's full of gloom and doom
And on every single corner, you can get girls to your room
There's people handing out small cards with women with a price
Who'll come up to your room and well....let's say they don't play dice
On every bridge across the strip, there's beggars and there's hawkers
They're selling everything from cds to bottled dollar water
It's tourist town, a fast food mess, it's Disneyland on crack
There's lots of things to do down here, but you must always watch your back
Did The Mirage **** it?, when Steve Wynn said let's go really huge
Hotels like this were ten times larger than the Moulin Rouge
It wasn't when Hughes came to town and bought the Desert Inn
You know the land that's now the new home of the casino known as Wynn?
It didn't die when Elvis left, it sill was full of life
But at someime since the town has died, it has fallen on the knife
The strip itself is two miles long, but you know that that's not all
In the years since Elvis left, it's become a big strip mall
There's stores here selling plastic , and the people shop in streams
I'm not sure, but to me NIKE is not the Vegas in my dreams
Rolling in their graves, I bet the stars who made this town
Are sitting in heaven or hell, saying when did it go down
There's more shows now of tribute acts and hypnotists galore
And you can find a Circus from Quebec through nearly every hotel door
At some point rigor mortis set into this old girl
I wish they could revive her, at least give it a whirl
There's buffets selling fried foods, obesity....my lord
And if you don't go out to Denny's, the restaurants you can't afford
My mind has got an image of Vegas that is cool
It involves going out late and spending daytime at the pool
You dress to go to dinner, maybe dancing and a show
And the concierge at the hotel is someone you should know
But now, you go out shopping to the outlet in the day
The casinos are all empty, since there's no one left to play
Getting dressed to go to dinner, means you switch from shorts to jeans
And the ways some people act now, well it's borders on obscene.
So, today I'd like to ask you all, for you may know more than I
But, can anybody tell me, just when did Vegas die?
You were a gypsy- and had to move.
I had a need, a quiet thing to prove
there's an accidental fire burning in the coal mine.
there's a southern gospel choir singing "love in hard times"
she had everything my heart was questing for
but she doesn't kiss me in the daytime anymore

you were a gypsy-the world was yours.
never did i gaze at you with thoughts that weren't pure
there's a river running through it
a strange knocking on my door
but she doesn't kiss me in the daytime anymore.

She was a gypsy-horizon bound
and to this day the greatest beacon I have ever found
there's a deep and tragic longing
there's a salted, barren ground
She was and is and won't be soon restored
She doesn't kiss me in the daytime anymore.

— The End —