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"cusped" poems
Coming home from a fair, cusped between your lap a globe of darting eyes, your hands rested atop the thin film of a world as you endlessly peer in. Are you scrying over your future career? Here a tungsten bulbous body, a chunk of flame, swills itself in spins and mindless dances, as you think you could be so careless like them to live hazily in a framed bubble of treasured youth, fed by some divine fate looking over you. Golden scales make your skin, binds you as if you were a chocolate in a wrapper for people to circus over– every flicker being edible. Or maybe you're like those tinned peach slices, posing in a cage for all   as a marvel to feast with until you end up rotting, there in your tomb-space, muttering an open mouth, “help me” before they serve you up on a silver-lined dish. I assure you, you'll forget these childish thoughts of aspirations and dreams sooner than you think: no matter how much you think they want you, I'll bet they'll let yourself drown in coming weeks.
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Apr 20, 2014
Apr 20, 2014 at 6:15 PM UTC
Goldfish
You gave in to my courtship, I cusped your face in my hands, That was when we met in Amritsar, I had clutched your cute fingers, Nervous you seemed while smiling. I can never forget that luckiest day, Whatever anybody might bray, Your eyes are truthful darling love, I am very thankful to the dove, Thankful to the dove of love.
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May 26, 2015
May 26, 2015 at 2:22 AM UTC
Dove Of Love
For each and every other, There's something to be said. There’s something to be said for – The security guards With coke nails. There something to be said for – The alcoholics That moonlight as bartenders. There’s something to be said for – The huddled mother, Cradled child and cusped copper. There’s something to said for – The recluse with word, Broken atop a glass of wine. For each and every other, There’s something to be said, But one knows not another word.
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Jan 23, 2016
Jan 23, 2016 at 8:39 PM UTC
The "Other"
Sumer, the people of ancient Mesopotamia. Known to us as nascent humanity; Spreading across the world quickly, Like news of a calamity. They existed thousands of years ago, A civilisation truly gifted, Knowledge of whom many of us forgo. They were but one shade in a kaleidoscope of human presence. Kings of the Fertile Crescent – Establishing empires or mastering commerce, Starting fires or learning to converse. Mankind in its infancy, A bloom of activity and artistry. In our attempts at deciphering our history, We turn to the relics of their poetry, Discoveries that are a historian’s ultimate victory. ‘The love song of Shu-Sin’ – The world’s oldest, known reference to love. Written thousands of years ago, Possibly older than we do know. It is a rite of marriage, a recital; In it lies a passage, one that needs a revival. It is about a vow that we have now twisted, An exquisite message that leaves one’s spirit lifted. The bride promises the following to the groom; To act as a refuge when all that seems to loom is doom and gloom. To caress, love, and soothe. To savour beauty and intimacy, To be like honey, sweet and smooth. The king - a man who was thought divine, A man whose life was valued more than yours or mine, A man who could eternally wine and dine – That man was still no sultan to love. His heart was still in the palms of his beloved, Their naked frames intertwining, arched and cusped. His hold on her is not one of force, Nor a promise of power, But rather earned in due course, Like the development of a beautiful flower. I grieve beyond words when I think Of how love, nowadays, is on the brink. The glue that holds life itself together, Discarded by many, like an ex’s letter. I look at the eyes of people I’d love to be with, And in their expression, I discover a graveyard of sad memories. Scars that feel indelible, past histories - Souls that look like war-torn territories. I look at my own eyes in the mirror, And see a starving spirit, growing thinner. I see a window for restoration, becoming slimmer. Sometimes I hopefully wonder – is there a glimmer? Is there another hungry apparition, On a desperate search for heavenly admission? I seem to have forgotten how to love, And do not know how to rid myself of this condition.
0
Aug 22, 2018
Aug 22, 2018 at 7:11 AM UTC
I forgot how to love
Sumer, the people of ancient Mesopotamia. Known to us as nascent humanity; Spreading across the world quickly, Like news of a calamity. They existed thousands of years ago, A civilisation truly gifted, Knowledge of whom many of us forgo. They were but one shade in a kaleidoscope of human presence. Kings of the Fertile Crescent – Establishing empires or mastering commerce, Starting fires or learning to converse. Mankind in its infancy, A bloom of activity and artistry. In our attempts at deciphering our history, We turn to the relics of their poetry, Discoveries that are a historian’s ultimate victory. ‘The love song of Shu-Sin’ – The world’s oldest, known reference to love. Written thousands of years ago, Possibly older than we do know. It is a rite of marriage, a recital; In it lies a passage, one that needs a revival. It is about a vow that we have now twisted, An exquisite message that leaves one’s spirit lifted. The bride promises the following to the groom; To act as a refuge when all that seems to loom is doom and gloom. To caress, love, and soothe. To savour beauty and intimacy, To be like honey, sweet and smooth. The king - a man who was thought divine, A man whose life was valued more than yours or mine, A man who could eternally wine and dine – That man was still no sultan to love. His heart was still in the palms of his beloved, Their naked frames intertwining, arched and cusped. His hold on her is not one of force, Nor a promise of power, But rather earned in due course, Like the development of a beautiful flower. I grieve beyond words when I think Of how love, nowadays, is on the brink. The glue that holds life itself together, Discarded by many, like an ex’s letter. I look at the eyes of people I’d love to be with, And in their expression, I discover a graveyard of sad memories. Scars that feel indelible, past histories - Souls that look like war-torn territories. I look at my own eyes in the mirror, And see a starving spirit, growing thinner. I see a window for restoration, becoming slimmer. Sometimes I hopefully wonder – is there a glimmer? Is there another hungry apparition, On a desperate search for heavenly admission? I seem to have forgotten how to love, And do not know how to rid myself of this condition.
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I  know  the  world    has only    space       for    a woman   and  her  heart,   her  ******* emblazoned in  the trees, her  depths  in voluminous   books – let only   the   saltine  water    touch   her brindled   body   atilt   amongst  the lilies   in the  silver  dawn          and   that her    cusped   hands  demand  a softer  hue of  love    whereas the   salacious  wind  continues   its   grasp  championing  things   both  fragile       and   sturdy:  the   world  slides  in the  coloured  curve of   a woman          and  the men dare  too,  follow  the road  where they meet first  with   death   sitting   still with  the  roses  like   a    splendid   fragrance   stilled in the mind       leading     you   to a  garden  which   thorns   are ensconced           in  a smoothness   that  sings    salutations    to love – as  I   remain  to be nose-deep   sheath   after    sheath,  ****   after   ****   stalking   the            perfume   of   the  world  a  woman   owns.
0
Jan 16, 2016
Jan 16, 2016 at 4:07 AM UTC
Womanearth
Spinning around the revolting door. Floated pauper casting ashore. Rainbow shadows on fields of **** Drowned delusion and fleets of drop. Highway hymns held on leaves. forgotten smiles for haloed thieves. Cusped cup over escaping steams. Misty morning. Disappearing dreams.
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Sep 3, 2014
Sep 3, 2014 at 7:04 AM UTC
Misty Morning
I don't care About all the other jewels you hold in cusped hands, You make me feel as valuable as each and every one of them. I want to adorn your skin, just to leave a subtle hint To make you feel beautiful with the way I complement, Throwing compliments to your feet, on my knees Begging you, please, just one Chance to release these feelings. A day of your love. A second of your touch, I just want to say that I've had the experience. I crave your kiss, I crave your tongue. Your body is where my fingers long to run, Across every flawless inch of skin Every rise, every dip Let me burn you with fingertips And scorching lips, Whispering promises of rhythmic hips. I just want one day. One measly minute. One tiny, insignificant Miniscule second; To taste your heaven. To etch every detail Into my brainstem. -SLuR
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May 10, 2016
May 10, 2016 at 2:02 PM UTC
Desperate want.
I'm beating myself up today with regret I woke up suddenly realizing that I never noticed In the moments I had and the time I spent with her I never noticed her shirt I never noticed the way it clung to her like sad sultry poem Or the way it slipped off her arms like cold raindrops And the way it cusped to her neck as I wish I could During the time that I spent crying to her And speaking to her soul and feeling her eyes Praying that the time between us wouldn't end I let that giant piece of her slip right through my mind and my fingers I never noticed that shirt she wore on that day in that moment of time And now I will never see it the way it needed to be seen like it did then
0
Dec 17, 2012
Dec 17, 2012 at 7:35 PM UTC
Her Shirt
I want shut eye And to shut off Making it worth the wait Laying in the double duvet There will be nothing done today - starting from the early AM Of course when In apathetic stance Which sounds so concerned I asked and answered, So repulsed and sure And then again in collaboration So what? If there is itch tangle or sore Nothing lasting or making sense because of it, and then wishing off to shut Asking and then answering again So what. Given your hands in the benevolent shadows gloom I grasped the deep, and true colors bloom In fire-lit hindsight The ways that bodies exhausted temporal efforts Through and over Christmas warmth and holidays alike Wishing for repetitive cuts Lines thick and robust Yet to bend above the high bar Living in exorbitant envy and simultaneous lust I wished for words to keep a man up As Edgar Allen Poe to return And Onto nightmares haunt And in profuse soliloquy I discussed Addressed and caressed the audience and applauded with further praise and *** laude the asked answer of so what. Carefully to plot With a protractor and fingers Then put - in holes all around problems and solutions- No hole without end instead whole in my hands cusped I repeat my concern and eternal quest of lines so crossed - In-absolute and aloof and lost Returned the question of so what?
0
Jul 10, 2014
Jul 10, 2014 at 12:26 PM UTC
So What
it was raining that morning – so much the effloresce of colors making their way back into the sky; there were the strangest forms of clouds, their bodies assuming shapes and geometries, obscured angles like that of two coiled lovers on a bed, whose bones ache the septuagenarian but still at ease when it comes to building fire; no birds were out that day and the busy binatog vendor blared into the streets like an unwanted nuisance, it was already afternoon when you had your eyes wake up to mine, your simian jaw curved to a hook of the C in crescendo, your voice the twilight and the familiar passing of birds, the gush of blood inside of you; there are such speeds that ultimate a crash, or a fragment – the semantics of motion do not appeal to both of us, but we ceaselessly exist in those moments when all of your movements summon, say, the sea, but that is a metaphor used overtime, overwrought and taken out of its blue – say, your grandfather’s pendulum watch impaled to the wall on a heady standstill, face to face with a linoleumed wall that shouted its age – its superficial maquillage falling out of its slenderness fashioned to secretive ****** something both you and I know, something that does not come well with age, something that only some shadows choose to eschew in light.   in a faraway place, there might be parakeets but this time, underneath the cusped sky and the parasol that was drenched by drizzle that we let dry by the doorstep, there is something about the gnash of rusting metal-work that tells me time has its own way of claiming things, renaming them, and bringing them back in awry stances nestled in tight, wrestling nooks of space, dark and dust on ground – keeping us leaping in place,     swift with dreams of wings and aviaries, be it elocutionary with farce or just keeping it real by the unreal of our imaginations – like birds swell in the sheen   of the sky’s flayed bone, sliding in and out of the fringes of the aureole until such gardens   are flustered with monochrome: this perfect dagguerotype of day.
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Jan 25, 2016
Jan 25, 2016 at 8:13 PM UTC
Strange Birds
it was raining that morning – so much the effloresce of colors making their way back into the sky; there were the strangest forms of clouds, their bodies assuming shapes and geometries, obscured angles like that of two coiled lovers on a bed, whose bones ache the septuagenarian but still at ease when it comes to building fire; no birds were out that day and the busy binatog vendor blared into the streets like an unwanted nuisance, it was already afternoon when you had your eyes wake up to mine, your simian jaw curved to a hook of the C in crescendo, your voice the twilight and the familiar passing of birds, the gush of blood inside of you; there are such speeds that ultimate a crash, or a fragment – the semantics of motion do not appeal to both of us, but we ceaselessly exist in those moments when all of your movements summon, say, the sea, but that is a metaphor used overtime, overwrought and taken out of its blue – say, your grandfather’s pendulum watch impaled to the wall on a heady standstill, face to face with a linoleumed wall that shouted its age – its superficial maquillage falling out of its slenderness fashioned to secretive ****** something both you and I know, something that does not come well with age, something that only some shadows choose to eschew in light.   in a faraway place, there might be parakeets but this time, underneath the cusped sky and the parasol that was drenched by drizzle that we let dry by the doorstep, there is something about the gnash of rusting metal-work that tells me time has its own way of claiming things, renaming them, and bringing them back in awry stances nestled in tight, wrestling nooks of space, dark and dust on ground – keeping us leaping in place,     swift with dreams of wings and aviaries, be it elocutionary with farce or just keeping it real by the unreal of our imaginations – like birds swell in the sheen   of the sky’s flayed bone, sliding in and out of the fringes of the aureole until such gardens   are flustered with monochrome: this perfect dagguerotype of day.
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1 Method: Witness nothing but the body     hurtling at best, if not dilapidated. Cusped in space, never held. Behead the music,     if not the conductor. It will happen when everything has   expired in the threshing. Wring me pure, make me delicate,   chain me in the wrongness.     Embody this figurine pierce it with stem   break it gossamer as petals imperiled ad infinitum        sleek as a metaphor rising from rinsed perfume. 2 Chance Operation:   Say when she caresses / this mired  setting:   it is   of  preparation.   Seize this mean when preparatory.  Turn you as inside-out cleared from veiling.   In a vitrine you wish to be freed from,   examined, never granted meaning;   Mundane the discovery.   A throb of fever gone from tepid bath   walking into space, abled.           Acute blunder is study, wash me with theory.   Sullen is the word for it, entitled to acute error.   Say when    it  ceases,    tranquilized. Never waking up, fastens to 3 Dreamwork:   Always still is the heart.   I envy the water midstream. Fingers partition      when infiltration is sure of. A conscious removal    merits the continual of lobotomies.   Augur this dim presence, make it raw again       infallibly, make it my body. Forge my skin out of    and  listen to  it. Feel the drone   of  this machine    making space less tolerable. This begins       an end, but of what pursuit is this here    always  a  vision Blinded  by   definition          away    from   here?
0
May 22, 2016
May 22, 2016 at 3:08 AM UTC
Process
1 Method: Witness nothing but the body     hurtling at best, if not dilapidated. Cusped in space, never held. Behead the music,     if not the conductor. It will happen when everything has   expired in the threshing. Wring me pure, make me delicate,   chain me in the wrongness.     Embody this figurine pierce it with stem   break it gossamer as petals imperiled ad infinitum        sleek as a metaphor rising from rinsed perfume. 2 Chance Operation:   Say when she caresses / this mired  setting:   it is   of  preparation.   Seize this mean when preparatory.  Turn you as inside-out cleared from veiling.   In a vitrine you wish to be freed from,   examined, never granted meaning;   Mundane the discovery.   A throb of fever gone from tepid bath   walking into space, abled.           Acute blunder is study, wash me with theory.   Sullen is the word for it, entitled to acute error.   Say when    it  ceases,    tranquilized. Never waking up, fastens to 3 Dreamwork:   Always still is the heart.   I envy the water midstream. Fingers partition      when infiltration is sure of. A conscious removal    merits the continual of lobotomies.   Augur this dim presence, make it raw again       infallibly, make it my body. Forge my skin out of    and  listen to  it. Feel the drone   of  this machine    making space less tolerable. This begins       an end, but of what pursuit is this here    always  a  vision Blinded  by   definition          away    from   here?
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Rumbling thunders but wounded voices were more distinctly heard… Pouring wonders for my eyes flutter more than that beautiful bird…. Innocence blinded me to see hidden malice…Building Avenues for hope is the only solace… Well, this hope also doesn’t hold any promise!! All that’s Lurking my mind uninformed about the time… Life isn’t a meritocracy of counting days it has got meaning even if there is no joy with the loved ones all uncertain in its own ways !….. Like a cusped dandelion spores are blown… I choose to stay away for it’s okay to feel alone rather to be felt thrown….though I mourn and mourn… Time is passing, days are crawling…. Life is moving… But the sand in the hour glass isn’t falling…
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Jul 27, 2020
Jul 27, 2020 at 5:52 AM UTC
HOUR GLASS
The wit just drips off your words But I'm not really there My palms are wet and cusped and filled with the liquid formation of what I'm given Advice I grip onto and try to let absorb into me Try to taste it, to feel it, to see it Trying to know if it applies Something that lets me know that there is direction to this life Signs and signals I've been purposefully missing for so long Avoiding all the warning signs that leave me exhausted beyond amount Maybe they're speaking to me Desperation is all my body language has became at times like these Desperate for the period at the end in the midst of all the question marks I don't have enough words or connecting brain signals to give adequate responses to Long run and ever going An object in motion will stay in motion until stopped But all my tactics to work around things have succeeded until all the sudden everything meets in a forced crash It always meets somewhere and when it does I'm left in the rubble and aftermath Trying to sort through all of the connecting parts left unconnected that I could have kept together if only I had But I never do It all crumbles and compacts until more things are adding up that I keep apart until they eventually meet And they're all sharp Biting and unavoidable But I don't stop Focusing all of my attention on sawing one down instead of stopping the making of others but because instant gratification has always been my favorite forte I've only ever succeeded in getting nowhere but lost
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Aug 18, 2015
Aug 18, 2015 at 5:20 AM UTC
Sharp
The wit just drips off your words But I'm not really there My palms are wet and cusped and filled with the liquid formation of what I'm given Advice I grip onto and try to let absorb into me Try to taste it, to feel it, to see it Trying to know if it applies Something that lets me know that there is direction to this life Signs and signals I've been purposefully missing for so long Avoiding all the warning signs that leave me exhausted beyond amount Maybe they're speaking to me Desperation is all my body language has became at times like these Desperate for the period at the end in the midst of all the question marks I don't have enough words or connecting brain signals to give adequate responses to Long run and ever going An object in motion will stay in motion until stopped But all my tactics to work around things have succeeded until all the sudden everything meets in a forced crash It always meets somewhere and when it does I'm left in the rubble and aftermath Trying to sort through all of the connecting parts left unconnected that I could have kept together if only I had But I never do It all crumbles and compacts until more things are adding up that I keep apart until they eventually meet And they're all sharp Biting and unavoidable But I don't stop Focusing all of my attention on sawing one down instead of stopping the making of others but because instant gratification has always been my favorite forte I've only ever succeeded in getting nowhere but lost
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