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"charing" poems
I gaze at the dark skies, said Nima, it matches my depression in depth and mood, sitting in the hospital ward in my private room my parents paid for. They come now and then, my mother more, to moan and criticise, to moralise about my life and deeds. I wait for Benedict to come; he brings me cigarettes and chocs, brings me news of the outside world. I have met him in London if the quacks allow me out on a day or weekend pass. We stayed one night at that cheap hotel off Charing Cross Road: the bed was old and creaked each time we made love or moved in nightly passion. I do not think he will come today: he works all week days as a rule; I must contend alone with my mood and mind and dark skies and day to day depression in my own way and fashion.
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Jul 30, 2018
Jul 30, 2018 at 2:55 AM UTC
Nima's Days 1967
A heart full of wine and liquor-spotted lips I can’t remember the last time we kissed or how long it lasted for. Yesterday’s makeup across a sham of a smile I always catch a glimpse of you on Sundays; it’s where you used to hold my hand and trace secrets across my forearm. Daisies stripe the path we ambled again and again until the grass was embedded with stumbling prints of your neon Nikes and the soft tap of my feet. I still feel you in my veins The toxin levels rise; I watch it on the monitor. A plastic bracelet wraps my wrist too tight, the way your left hand did. I expected you to burst like a volcano and flood me with heat, scalding my ribs and charing all flesh. I waited for you to make me new, and you didn’t. My hair was the darkest black, and I faded into shadows following you.
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Sep 22, 2014
Sep 22, 2014 at 9:05 PM UTC
Untitled
Benedict met Julie (the druggie and whatever else she was) circa 1967 at the foot of Nelson's Column in Trafalgar Square. She was dressed in a mini skirt, tight top, her hair up. He dressed in his red shirt, pink slacks, black shoes, smiled as he approached. Never guess how many times I've been chatted up as a ***** she said, since I've been standing here. Guess you put them right, he said. Do I look like a ***** she asked. No, of course not, he said, taking in her mini skirt, the tight top, the pressing out **** She sighed. Anyway you're here, where now? She asked. The gallery? He said, indicating the National Portrait Gallery behind. I need a drink, she said. Are you allowed with the medication you're on? Since when did you become my father? She said. He looked at the people round about, the pigeon feeders, the meeting of lovers, visitors from some foreign shores, middle class,   up your *** bores. Ok, he said, let's go have that drink, then take in a gallery or cinema. I feel a need to make a hit, she said. They only let you out of the hospital because they think you can be trusted, he said. Then they shouldn't trust me should they, she said. But they do. It's up to you, but I'm not sticking around if you go back down that alley, he said. I said I felt a need, didn't say I was going to, she muttered. She moved away from the Column; he followed, through the Square, pass the people and pigeons, the kids and parents. He gazed at her *** as she moved ahead, the sway of it, the thighs, sans stockings, her feet   with sandals, treading the ground. She stopped at the edge of the road; he stood beside her, took her hand, felt her warmth. They found a bar in Leicester Square. Ordered drinks, sat down, lit cigarettes, smoked. Guess who I met the other week? He asked. Who? she asked. Charles Lloyd, he said. Who's he? she asked. Jazz sax-player. Met him outside Dobell’s' record shop in Charing Cross Road. Is he famous? She asked. Sure he is. I got him to autograph my copy of his latest LP, Benedict said. What did he say? She asked. Sure man he said and scribbled on the back cover. She looked out of the window; took a long drag of her cigarette. He watched her profile, the lips holding the cigarette, the puffing out of smoke. Thinking of her in the hospital ward, the white dressing gown, the skippered feet, that time they made love in that small room off the ward. Another drink? She said. Sure, he said, and ordered two more. Some place inside her head a wild wave of need swept up the empty shore.
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Jun 7, 2013
Jun 7, 2013 at 3:29 PM UTC
TRAFALGAR SQUARE MEETING.
Benedict met Julie (the druggie and whatever else she was) circa 1967 at the foot of Nelson's Column in Trafalgar Square. She was dressed in a mini skirt, tight top, her hair up. He dressed in his red shirt, pink slacks, black shoes, smiled as he approached. Never guess how many times I've been chatted up as a ***** she said, since I've been standing here. Guess you put them right, he said. Do I look like a ***** she asked. No, of course not, he said, taking in her mini skirt, the tight top, the pressing out **** She sighed. Anyway you're here, where now? She asked. The gallery? He said, indicating the National Portrait Gallery behind. I need a drink, she said. Are you allowed with the medication you're on? Since when did you become my father? She said. He looked at the people round about, the pigeon feeders, the meeting of lovers, visitors from some foreign shores, middle class,   up your *** bores. Ok, he said, let's go have that drink, then take in a gallery or cinema. I feel a need to make a hit, she said. They only let you out of the hospital because they think you can be trusted, he said. Then they shouldn't trust me should they, she said. But they do. It's up to you, but I'm not sticking around if you go back down that alley, he said. I said I felt a need, didn't say I was going to, she muttered. She moved away from the Column; he followed, through the Square, pass the people and pigeons, the kids and parents. He gazed at her *** as she moved ahead, the sway of it, the thighs, sans stockings, her feet   with sandals, treading the ground. She stopped at the edge of the road; he stood beside her, took her hand, felt her warmth. They found a bar in Leicester Square. Ordered drinks, sat down, lit cigarettes, smoked. Guess who I met the other week? He asked. Who? she asked. Charles Lloyd, he said. Who's he? she asked. Jazz sax-player. Met him outside Dobell’s' record shop in Charing Cross Road. Is he famous? She asked. Sure he is. I got him to autograph my copy of his latest LP, Benedict said. What did he say? She asked. Sure man he said and scribbled on the back cover. She looked out of the window; took a long drag of her cigarette. He watched her profile, the lips holding the cigarette, the puffing out of smoke. Thinking of her in the hospital ward, the white dressing gown, the skippered feet, that time they made love in that small room off the ward. Another drink? She said. Sure, he said, and ordered two more. Some place inside her head a wild wave of need swept up the empty shore.
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I think my first mistake was acknowledging the part of me that found your lips the sweetest that I'd ever had. Maybe from there it all went downhill because after that I started to feel the edges of my heart charing every time I heard your name on someone else's mouth. I suppressed the hurt, I thought I'd surpassed this, But I think I just buried it because I thought you'd be worth it in the long run. Because I thought our love was our own, Because I thought we were magic. I didn't realize that magic was fast hands and optical allusions until after you'd made yourself disappear.
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Jun 15, 2015
Jun 15, 2015 at 7:04 PM UTC
my magician
I would have loved to have had *** with Kafka Nima said something about him the photo of him I sat opposite her in the café in Charing Cross Road she had a coke I sipped coffee I feel the same about Marilyn Monroe I said love to have got her in bed Nima looked at me disdainfully you would she said not necessarily for *** I said just to listen to her voice sense her being there the scent of her Nima shook her head ok I’d listen to Kafka and sense his being there but ******** his **** off at the same time she said an old guy on the other side of the café gave her a look have you read any of his books? I asked some she said the one where he turns into a big beetle actually it doesn't say beetle in the book it says gigantic vermin which people has interpreted as a beetle or bug I said she sipped her coke it's his body I want to go to bed with not his book she said he's dead I said died in 1924 shame she said he doesn’t know what he's missed out on I guess he did I said she smiled have to be satisfied with his books then won't I we drained our drinks and went on our way I went to Dobell's Jazz Record shop and bought a Coltrane LP then we walked to the train station where she got a train to the hospital where she was being treated for her drug addiction I went home to play my Coltrane on my record player via another train thinking of her and Kafka and me and Monroe having *** in that cheap hotel off Trafalgar Square where Nima and I once had *** there.
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Jun 19, 2014
Jun 19, 2014 at 1:46 AM UTC
WHAT KAFKA MISSED.
In No Strange Land O World invisible, we view thee, O World intangible, we touch thee, O World unknowable, we know thee, Inapprehensible, we clutch thee! Does the fish soar to find the ocean, The eagle plunge to find the air - That we ask of the stars in motion If they have rumour of thee there? Not where the wheeling systems darken, And our benumbed conceiving soars! The drift of pinions, would be harken, Beats at our clay-shuttered doors. The angels keep their ancient places; - Turn but a stone, and start a wing! 'Tis ye, 'tis your estranged faces, That miss the many-splendoured thing. But (when so sad, thou couldst not sadder) Cry; - and upon thy so sore loss Shall shine the traffic of Jacob's ladder Pitched betwixt Heaven and Charing Cross. Yea, in the night, my soul, my daughter, Cry, - clinging Heaven by the hems; And lo, Christ walking on the water ....
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Apr 11, 2014
Apr 11, 2014 at 5:53 PM UTC
Francis Thomas - I dedicate to Poetry Home away from Home
It’s a normal night a little bit of ***** and the sky has something in it’s teeth, I can’t pick at it all i can do is look as it smiles down at me, the chill peeking into my skin as everything around me seems so content, raspy footsteps around a frozen yard trickle down my earlobes, moonlit cigarette smoke dancing like scissors across my upper lip, the sound of nothing but tearing paper kindling before my eyes, distant cars singing roadside echo’s charing my ears like burning flower pedals, and all that crosses my mind is the how unfathomable the beauty of nighttime is, I find myself daydreaming when the sun sets and sleep walking when it rolls over, the emptiness of eventide is a glass half empty being topped off half full, repressing every ominous feeling of daytime, but the one thing that will subside not is the ubiquitous thought of you.
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Mar 31, 2016
Mar 31, 2016 at 6:12 PM UTC
Eventide°
Having met Julie at Victoria railway station and travelled by tube to Charing Cross Road you sneaked into Dobell's jazz record shop and listened to some Coltrane in the small record booth up close she having got out of the hospital for the day although the drug withdrawal was getting her tight her short skirt was riding high as she sat there squashed up near to you her eyes closing and opening her hands in prayer mode in her lap can we go now? she said I need a drink and smoke so you left the booth giving the guy back the Coltrane record sleeve and left the shop taking it on foot to the café and ordering two coffees and she took out her smokes and lit up and she gave you one too and she talked of how her parents hadn't visited and how the whole show at the hospital was getting her on the edge and you sat watching her the dark hair drawn back with a black ribbon the red high necked jumper the short black skirt her eyes bright as stars her lips making a large O then closing up and going like a narrow slit you remember that quickie we had in that small cupboard? she said those brooms and boxes and then she smiled and you smiled too that was my last time she said last time I had it she said louder she took a drag of her smoke and sat silent watching the smoke rise before her eyes Warwick’s worried about you you said is he now she said sarcastically well he can go pray to his God for me then she said sitting back in the seat yes you thought the *** had been good but quick unexpected out of the blue she in her night gown (and little else) and in the background the music playing from the radio some Beatles' song along the hospital ward what did you think of the Coltrane album? you said breaking the silence in the café bored my **** off she said I’ll get it anyway you replied and she looked out the window darkly as if someone had fingered her slowly then died.
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Jan 7, 2014
Jan 7, 2014 at 10:04 AM UTC
THAT KIND OF DAY.
Having met Julie at Victoria railway station and travelled by tube to Charing Cross Road you sneaked into Dobell's jazz record shop and listened to some Coltrane in the small record booth up close she having got out of the hospital for the day although the drug withdrawal was getting her tight her short skirt was riding high as she sat there squashed up near to you her eyes closing and opening her hands in prayer mode in her lap can we go now? she said I need a drink and smoke so you left the booth giving the guy back the Coltrane record sleeve and left the shop taking it on foot to the café and ordering two coffees and she took out her smokes and lit up and she gave you one too and she talked of how her parents hadn't visited and how the whole show at the hospital was getting her on the edge and you sat watching her the dark hair drawn back with a black ribbon the red high necked jumper the short black skirt her eyes bright as stars her lips making a large O then closing up and going like a narrow slit you remember that quickie we had in that small cupboard? she said those brooms and boxes and then she smiled and you smiled too that was my last time she said last time I had it she said louder she took a drag of her smoke and sat silent watching the smoke rise before her eyes Warwick’s worried about you you said is he now she said sarcastically well he can go pray to his God for me then she said sitting back in the seat yes you thought the *** had been good but quick unexpected out of the blue she in her night gown (and little else) and in the background the music playing from the radio some Beatles' song along the hospital ward what did you think of the Coltrane album? you said breaking the silence in the café bored my **** off she said I’ll get it anyway you replied and she looked out the window darkly as if someone had fingered her slowly then died.
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10236 Charing Cross Road Holmby Hills, CA. 90077 *To go where young rabbits frolic and dance Would be a sweet treat if I had the chance To swim in the water where famous cottontails get wet Where champagne bubbles are spilled by the elite jet set Maybe I might win a million dollar lotto That could be my ticket to enter the grotto Past muscle bound bouncers, inside velvet ropes and stanchions To ogle, google and spill my own bubbles at The ******* Mansion To escape normality and alter reality before I grow old Playing with Playmates and Bunnies and this months Centerfold 10236 Charing Cross Road, Holmby Hills CA. 90077 Without a doubt this is the address of Heaven* Thank you Mr. Hefner
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Apr 24, 2014
Apr 24, 2014 at 11:17 PM UTC
Charing Cross Road
You followed Julie in and out of book shops along Charing Cross Road watching as she picked out a book to view a few pages or run a thin finger down the book’s spine studying her face as she took out a Sartre or Wittgenstein her eyes running along the lines mouthing the big words she talking of her parents the doctors how they were pretty much shot out of the sky when they discovered she was stabled up in some hospital wing for drug plunging or pill popping and you should have seen my mother’s face she said like daddy had ****** her **** she picked out a book by Schopenhauer the old philosopher’s face on the cover staring out you searched her eyes the depth of them the colour the changing hue from what appeared green to blue and green again or so it seemed when have you got to be back in the hospital? you asked 6pm or so she muttered pushing the book back on the shelf wiping her hands on her jeans her small **** indicating their presence as she moved toward you what are your parents going do about you? you asked keep out of sight of their posh friends say I’m abroad or someplace else you noticed her lips as she spoke her tongue moving over them like some waking snake then she moved on and out of the shop and along the road you kept up beside her sensing her hand seeking yours taking one of your fingers she put it to her mouth and gave a **** and eyed you sideways on with that grin she sometimes wore that young middle class English girl playing the *****
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Jan 23, 2013
Jan 23, 2013 at 2:44 PM UTC
YOU AND JULIE AND THE BOOKSTORE.
You followed Julie in and out of book shops along Charing Cross Road watching as she picked out a book to view a few pages or run a thin finger down the book’s spine studying her face as she took out a Sartre or Wittgenstein her eyes running along the lines mouthing the big words she talking of her parents the doctors how they were pretty much shot out of the sky when they discovered she was stabled up in some hospital wing for drug plunging or pill popping and you should have seen my mother’s face she said like daddy had ****** her **** she picked out a book by Schopenhauer the old philosopher’s face on the cover staring out you searched her eyes the depth of them the colour the changing hue from what appeared green to blue and green again or so it seemed when have you got to be back in the hospital? you asked 6pm or so she muttered pushing the book back on the shelf wiping her hands on her jeans her small **** indicating their presence as she moved toward you what are your parents going do about you? you asked keep out of sight of their posh friends say I’m abroad or someplace else you noticed her lips as she spoke her tongue moving over them like some waking snake then she moved on and out of the shop and along the road you kept up beside her sensing her hand seeking yours taking one of your fingers she put it to her mouth and gave a **** and eyed you sideways on with that grin she sometimes wore that young middle class English girl playing the *****
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Julie followed Benedict from bookshop to bookshop then they went in a cafe on Charing Cross Road and sat down by the window and ordered two coffees and lit up cigarettes how's it going at the hospital? he asked gutty she said boring my ******* off I shouldn't be there she inhaled deeply on her cigarette once you're off the drugs you won't be he said I am off the drugs she looked at him well most of the time she said what do they say at the hospital? they said my parents want me to stay there until I'm cleaned off she said but you're out today he said yes on good behaviour she said any sign I've taken anything then I'm locked in and Daddy said they'll have me sectioned if need be he has doctor friends who will oblige and him and Mother being doctors themselves it won't be difficult she said Benedict watched as the waitress brought the coffees and put them on the table and swayed off in a Monroe fashion we could take in a film if you like he said no I don't want to be stuck in some smokey cinema she said I want to be out in the fresh air and see London ok he said what about having a stroll along the Thames Embankment? then after take in a look around an art gallery you are full of fun she said moodily ok where then? he said some room someplace and a good **** she said the word hung in the air like a dark cloud in the cafe people gaped at her I think they've got Lichtenstein at the gallery this month he said Pop Art stuff he added she pulled a face then drew on her cigarette you're in a mood he said maybe you should have stayed at the hospital and twiddled your thumbs on the ward she stared at him releasing smoke from her mouth slowly ok the gallery isn't too bad an idea she said but I'm gagging for a fix my body's screaming for it she went quiet and sipped her coffee he looked at her sitting there dark brown hair tied by a ribbon her eyes staring at the table her fingers holding the cup and cigarette he recalled the time at the hospital when they'd managed to be alone in the small broom cupboard and the quick *** in the dark between brooms and dusters and buckets he smiled what you smiling at? she said cupboard love he said she laughed yes that was good she said unexpected too and any moment some poor cleaner coming for a bucket and seeing us at it she stubbed out her cigarette in an ashtray on the table and they went out the cafe and back along towards Trafalgar Square to the art gallery to see what was there.
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Oct 6, 2013
Oct 6, 2013 at 2:32 AM UTC
WHAT WAS THERE.
Julie followed Benedict from bookshop to bookshop then they went in a cafe on Charing Cross Road and sat down by the window and ordered two coffees and lit up cigarettes how's it going at the hospital? he asked gutty she said boring my ******* off I shouldn't be there she inhaled deeply on her cigarette once you're off the drugs you won't be he said I am off the drugs she looked at him well most of the time she said what do they say at the hospital? they said my parents want me to stay there until I'm cleaned off she said but you're out today he said yes on good behaviour she said any sign I've taken anything then I'm locked in and Daddy said they'll have me sectioned if need be he has doctor friends who will oblige and him and Mother being doctors themselves it won't be difficult she said Benedict watched as the waitress brought the coffees and put them on the table and swayed off in a Monroe fashion we could take in a film if you like he said no I don't want to be stuck in some smokey cinema she said I want to be out in the fresh air and see London ok he said what about having a stroll along the Thames Embankment? then after take in a look around an art gallery you are full of fun she said moodily ok where then? he said some room someplace and a good **** she said the word hung in the air like a dark cloud in the cafe people gaped at her I think they've got Lichtenstein at the gallery this month he said Pop Art stuff he added she pulled a face then drew on her cigarette you're in a mood he said maybe you should have stayed at the hospital and twiddled your thumbs on the ward she stared at him releasing smoke from her mouth slowly ok the gallery isn't too bad an idea she said but I'm gagging for a fix my body's screaming for it she went quiet and sipped her coffee he looked at her sitting there dark brown hair tied by a ribbon her eyes staring at the table her fingers holding the cup and cigarette he recalled the time at the hospital when they'd managed to be alone in the small broom cupboard and the quick *** in the dark between brooms and dusters and buckets he smiled what you smiling at? she said cupboard love he said she laughed yes that was good she said unexpected too and any moment some poor cleaner coming for a bucket and seeing us at it she stubbed out her cigarette in an ashtray on the table and they went out the cafe and back along towards Trafalgar Square to the art gallery to see what was there.
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Nima said the art gallery stank and all those middle class types (she being one herself what with her education and upbringing and all) and the usual bourgeoisie stuff on the walls and she huffed and puffed and so Naaman took her to Leicester Square to some bar he knew and got her a drink and lit her a cigarette and she said she needed a fix got the hunger for it but they’d know at the hospital when she got back and there would be hell to pay and the parents would blow their top them being doctors and all and so what they’d say to her she couldn’t repeat so she just drank her drink and smoked her smoke and Naaman said he quite liked the art in the gallery especially the modern stuff and the Yank guy wasn’t really trying to chat her up he just wanted to draw her attention to the riches of our monarchy oh sure he was she said he was after getting into my pants and she got all verbal against men and Yanks and the **** war in Vietnam and Naaman just sat and listened to her jabbering her eyes lit up like lights in a harbour her small **** moving as she gestured her tight jeans (red cords) hugging her thighs (a feast to his eyes) her fingers holding the cigarette the pink nails the unbitten nails the slim hands then she stopped and drained her glass and said she had to go **** and so he watched her go wiggling her hips her fine tight *** and he thought of that time in the hospital at the last visit when he and she snuck into that small room where they kept brooms and such and had a quick **** she in her nightgown (pulled up) and he half listening out for sounds hoping a domestic didn’t come and want a broom or brush and when she came back he went off with her through the Square and along Charing Cross Road she talking of the state of the toilet back there the things some women do the messy ******* and on she went again her voice jabbering away and he knew she needed her fix needed it bad so he got a tube train to Victoria Station and on to the hospital where she was kept the nurse being quite concerned at her state and took her away and she waved (Nima not the nurse) and blew him a kiss from her palm and he blew one back knowing it wouldn’t reach her lips or *** but would do her no harm.
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Aug 26, 2013
Aug 26, 2013 at 2:07 AM UTC
DO HER NO HARM.
Nima said the art gallery stank and all those middle class types (she being one herself what with her education and upbringing and all) and the usual bourgeoisie stuff on the walls and she huffed and puffed and so Naaman took her to Leicester Square to some bar he knew and got her a drink and lit her a cigarette and she said she needed a fix got the hunger for it but they’d know at the hospital when she got back and there would be hell to pay and the parents would blow their top them being doctors and all and so what they’d say to her she couldn’t repeat so she just drank her drink and smoked her smoke and Naaman said he quite liked the art in the gallery especially the modern stuff and the Yank guy wasn’t really trying to chat her up he just wanted to draw her attention to the riches of our monarchy oh sure he was she said he was after getting into my pants and she got all verbal against men and Yanks and the **** war in Vietnam and Naaman just sat and listened to her jabbering her eyes lit up like lights in a harbour her small **** moving as she gestured her tight jeans (red cords) hugging her thighs (a feast to his eyes) her fingers holding the cigarette the pink nails the unbitten nails the slim hands then she stopped and drained her glass and said she had to go **** and so he watched her go wiggling her hips her fine tight *** and he thought of that time in the hospital at the last visit when he and she snuck into that small room where they kept brooms and such and had a quick **** she in her nightgown (pulled up) and he half listening out for sounds hoping a domestic didn’t come and want a broom or brush and when she came back he went off with her through the Square and along Charing Cross Road she talking of the state of the toilet back there the things some women do the messy ******* and on she went again her voice jabbering away and he knew she needed her fix needed it bad so he got a tube train to Victoria Station and on to the hospital where she was kept the nurse being quite concerned at her state and took her away and she waved (Nima not the nurse) and blew him a kiss from her palm and he blew one back knowing it wouldn’t reach her lips or *** but would do her no harm.
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A heart full of wine and liquor-spotted lips. A backless dress and an inch to breathe. Inch of garment, inch of air suffocating underneath starlit blue I, an abstract decoration, in your cabin of lies. Touched me when you felt it, as if I was the skin of a bear draped over a bookshelf, murdered and witnessed first- hand. Red. Do it ‘cause you love me The pillow, a shade of red, you placed beneath my hair, curling it between fingers. Pouted whispers across my neck Do it ‘cause you love me Slyness and sadness gleaming in your left eye. A birthmark on your bicep, the hue of mulch surrounding flowers holding flowers in place Roots with a fixed circumference Petals with a uniform height Silk of a widow’s nightgown never did compare to the softness of your skin on my skin,       hands,       lips,      body whole oh, dear, oh dear an entire body blanketing mine. Your stance, superior, and I, an invalid, counting cars and tracing with my eyes the plaid of boxers. A predator recovering from a pounce. Purple veins pierced through skin, a sunrise just below layers of naked, parallel lines racing through wrists, legs, a forehead differing shades of her own hair envelope her fingers, delicate and stronger, two limbs of power. Her body breaks; rubble in a storm. The town’s on fire, my love. Lightning struck dust on the south building. God is real, living within your color. I wanted your temper (I’m sorry) tempest to flood me with heat, scalding my ribs and charing all flesh. Patiently waiting for renewal, and you didn’t. Lavender veins, my hair was the darkest black, and I faded into shadows following you. A dumb little girl who took her ******* off whenever you said she could.
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Oct 16, 2014
Oct 16, 2014 at 6:49 PM UTC
Counting Cars
A heart full of wine and liquor-spotted lips. A backless dress and an inch to breathe. Inch of garment, inch of air suffocating underneath starlit blue I, an abstract decoration, in your cabin of lies. Touched me when you felt it, as if I was the skin of a bear draped over a bookshelf, murdered and witnessed first- hand. Red. Do it ‘cause you love me The pillow, a shade of red, you placed beneath my hair, curling it between fingers. Pouted whispers across my neck Do it ‘cause you love me Slyness and sadness gleaming in your left eye. A birthmark on your bicep, the hue of mulch surrounding flowers holding flowers in place Roots with a fixed circumference Petals with a uniform height Silk of a widow’s nightgown never did compare to the softness of your skin on my skin,       hands,       lips,      body whole oh, dear, oh dear an entire body blanketing mine. Your stance, superior, and I, an invalid, counting cars and tracing with my eyes the plaid of boxers. A predator recovering from a pounce. Purple veins pierced through skin, a sunrise just below layers of naked, parallel lines racing through wrists, legs, a forehead differing shades of her own hair envelope her fingers, delicate and stronger, two limbs of power. Her body breaks; rubble in a storm. The town’s on fire, my love. Lightning struck dust on the south building. God is real, living within your color. I wanted your temper (I’m sorry) tempest to flood me with heat, scalding my ribs and charing all flesh. Patiently waiting for renewal, and you didn’t. Lavender veins, my hair was the darkest black, and I faded into shadows following you. A dumb little girl who took her ******* off whenever you said she could.
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Julie stuffed the cigarette into her mouth and hungrily inhaled Benedict was late and she standing by Charing Cross station was annoyed the morning had started bad the nurse on the ward questioned whether she should be allowed out after not taking her medication and who was she meeting? after such questioning and the doctor saying OK but to be back by such and such an hour she felt like a child again as if her parents had been resurrected here and not at home traffic whirled by noise cars hooting vans and lorries passing by people O such people Eliot was right about death undoing so many she exhaled watching the smoke sit on the air before being whooshed off by a passing car last time Benedict said he'd meet her by the station at such and such a time and here she was but not he she leaned against the fence last time they'd gone to the cinema but this time she wanted more time away from such places to be with him not sit and watched a film but where was he? she felt like a ***** standing there smoking one hand supporting one elbow one hand holding the cigarette in such a sluttish way she did feel such a **** wearing the short skirt and the red top her hair drawn severely into a bun at the back of her head last time in Trafalgar Square she'd been almost picked up twice dressing as she had telling them to **** off getting mad even the nurse on the ward thinks she a **** especially after that quick *** with Benedict in that side room she laughed and inhaled her spirits rising with the sight of him coming up the hill from the underground waving his hand madly happy to see him knowing the day after all won't end that badly and the image in her mind of the *** in the cupboard amidst brooms and buckets and mops in the dark and the fumbling and he walking fast towards her that bright expression in his eyes thinking that is how worlds are born while another dies.
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Oct 25, 2013
Oct 25, 2013 at 1:47 AM UTC
WHILE ANOTHER DIES.
Julie stuffed the cigarette into her mouth and hungrily inhaled Benedict was late and she standing by Charing Cross station was annoyed the morning had started bad the nurse on the ward questioned whether she should be allowed out after not taking her medication and who was she meeting? after such questioning and the doctor saying OK but to be back by such and such an hour she felt like a child again as if her parents had been resurrected here and not at home traffic whirled by noise cars hooting vans and lorries passing by people O such people Eliot was right about death undoing so many she exhaled watching the smoke sit on the air before being whooshed off by a passing car last time Benedict said he'd meet her by the station at such and such a time and here she was but not he she leaned against the fence last time they'd gone to the cinema but this time she wanted more time away from such places to be with him not sit and watched a film but where was he? she felt like a ***** standing there smoking one hand supporting one elbow one hand holding the cigarette in such a sluttish way she did feel such a **** wearing the short skirt and the red top her hair drawn severely into a bun at the back of her head last time in Trafalgar Square she'd been almost picked up twice dressing as she had telling them to **** off getting mad even the nurse on the ward thinks she a **** especially after that quick *** with Benedict in that side room she laughed and inhaled her spirits rising with the sight of him coming up the hill from the underground waving his hand madly happy to see him knowing the day after all won't end that badly and the image in her mind of the *** in the cupboard amidst brooms and buckets and mops in the dark and the fumbling and he walking fast towards her that bright expression in his eyes thinking that is how worlds are born while another dies.
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In his study he sits contemplating activities of this case at hand with marvellous mind and fragile heart talks to Watson as what is planned His deerstalker hangs wet in the hallway his cane in the hat stand below he smokes hard on his pipe Watson gets his gun, they are ready to go Adorning their coats Mrs Hudson appears wishing them luck whilst holding back tears Out of Baker Street they hail a Hanson to Charing Cross to pay Moriarty a visit How many times Holmes, Watson sighed have you crossed swords with this villain My Dear Watson Holmes replyed evil deeds must stop and I am willing. By Christos Andreas Kourtis aka NeonSolaris
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Oct 1, 2013
Oct 1, 2013 at 2:51 PM UTC
A Study In Holmes
I watched you as a drop of water run Liquid in this bony place of stanchions Cases, bags and hardened faces. For a time you lasted here Shaken by bad tempered stampings Waitings Delays and Endings. Until at last You fell. And rose again As cloudy light Enchantment for a sky we cannot see.
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Nov 5, 2010
Nov 5, 2010 at 10:29 AM UTC
RAIN AT CHARING CROSS
Mrs Squires and Benedict at the cheap hotel in back street off Charing Cross station and she said come on in let's share this bath and so he undressed and there she was in the water waiting for him and he climbed in and sat opposite her in the big bath her shorter legs between his his longer legs outside of hers she lay back her ******* sleeping puppies her hands touching his feet come on she said don't be shy and she tickled his toes and tried to lift them to her lips he laughed I see Percy's moving she said he looked at his pecker rising in the water needs a wash she said and that was that and after in the room by the noisy gas heater in front of the double bed he dried and watched as she lay there smoking her hair brushed back her nightdress covering her and she said wasn't the show good? yes it was he said toweling his pecker dry the dancers were good too she inhaled he studied her wondered what her husband would say seeing her there what he would have thought of her bathing with some young dude in some cheap hotel once he had dried he put on his dressing gown and lay on the bed beside her and she offered him a cigarette and lit it for him and they watched as their joint smoke rose in swirling patterns later when the lights were out (except for the on and off neon lights from the street outside) they made love in the double bed the springs going some the gas fire hissing like a box of snakes and he thinking of her husband lying in some other bed alone with the lights out and she thinking of the best *** she'd had in years and more to come and the on and off neon lights and somewhere a gunshot or car backfiring and he wondering what her husband would say or think her having a young stud and a good lay.
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Sep 29, 2013
Sep 29, 2013 at 11:35 AM UTC
GOOD LAY.
Mrs Squires and Benedict at the cheap hotel in back street off Charing Cross station and she said come on in let's share this bath and so he undressed and there she was in the water waiting for him and he climbed in and sat opposite her in the big bath her shorter legs between his his longer legs outside of hers she lay back her ******* sleeping puppies her hands touching his feet come on she said don't be shy and she tickled his toes and tried to lift them to her lips he laughed I see Percy's moving she said he looked at his pecker rising in the water needs a wash she said and that was that and after in the room by the noisy gas heater in front of the double bed he dried and watched as she lay there smoking her hair brushed back her nightdress covering her and she said wasn't the show good? yes it was he said toweling his pecker dry the dancers were good too she inhaled he studied her wondered what her husband would say seeing her there what he would have thought of her bathing with some young dude in some cheap hotel once he had dried he put on his dressing gown and lay on the bed beside her and she offered him a cigarette and lit it for him and they watched as their joint smoke rose in swirling patterns later when the lights were out (except for the on and off neon lights from the street outside) they made love in the double bed the springs going some the gas fire hissing like a box of snakes and he thinking of her husband lying in some other bed alone with the lights out and she thinking of the best *** she'd had in years and more to come and the on and off neon lights and somewhere a gunshot or car backfiring and he wondering what her husband would say or think her having a young stud and a good lay.
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It was the summer of love, at least that's what they said. There were guys with long hair and beards and beads, with wide trousers, and loud shirts, and girls with long hair, and dresses like nuns, or short skirts, showing off their not so good legs or thighs. There was Hendricks, Beatles and Stones and playing, music loud, live. Julie was out for the day; the hospital quacks, giving her a day pass, no shooting up, no pill popping. She met Ben in Trafalgar Square, tight skirt and top, hair held in a ponytail, bright eyed, big smile. He was by the fountains having a smoke, eyeing the girls, listening to some long haired guy strum a guitar, his skinny girlfriend doing a dance, her bony legs looking breakable, **** non existent. Been here long? Julie said. No, just a few moments, he lied, not wanting to give her reasons to moan or row. She wanted to go for a beer. So he took her to the bar off Charing Cross Road and ordered two cold beers and lit up some smokes. She spoke of some nurse who almost lost her her pass, all about some **** up, over   drugs, she’d forgotten to take. She said the quacks were ok with it, the tall one is hot, she said, shouldn’t mind him poking around in my parlour. He told her about the Charles Lloyd jazz album he'd bought, how he'd met him outside Dobell's, got a sign copy of the new L.P. She drained her drink and he ordered another two, she took one of  his smokes and lit up and sat back, crossing her legs, her black short skirt riding her thighs, ******* in his eyes. No place for *** she said, unless you know of a bed and room going cheap for an hour or so?  No luck, he said, wishing he did, remembering the fast shaft, the quickie in the hospital broom room, amidst brooms and brushes and buckets or boxes and all. She said her parents rang, and they argued, and she slammed down the phone. They said it was the summer of love, but where they sat, boozing and smoking, it fell pretty flat.
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Dec 18, 2013
Dec 18, 2013 at 2:41 PM UTC
SUMMER OF LOVE 67.
It was the summer of love, at least that's what they said. There were guys with long hair and beards and beads, with wide trousers, and loud shirts, and girls with long hair, and dresses like nuns, or short skirts, showing off their not so good legs or thighs. There was Hendricks, Beatles and Stones and playing, music loud, live. Julie was out for the day; the hospital quacks, giving her a day pass, no shooting up, no pill popping. She met Ben in Trafalgar Square, tight skirt and top, hair held in a ponytail, bright eyed, big smile. He was by the fountains having a smoke, eyeing the girls, listening to some long haired guy strum a guitar, his skinny girlfriend doing a dance, her bony legs looking breakable, **** non existent. Been here long? Julie said. No, just a few moments, he lied, not wanting to give her reasons to moan or row. She wanted to go for a beer. So he took her to the bar off Charing Cross Road and ordered two cold beers and lit up some smokes. She spoke of some nurse who almost lost her her pass, all about some **** up, over   drugs, she’d forgotten to take. She said the quacks were ok with it, the tall one is hot, she said, shouldn’t mind him poking around in my parlour. He told her about the Charles Lloyd jazz album he'd bought, how he'd met him outside Dobell's, got a sign copy of the new L.P. She drained her drink and he ordered another two, she took one of  his smokes and lit up and sat back, crossing her legs, her black short skirt riding her thighs, ******* in his eyes. No place for *** she said, unless you know of a bed and room going cheap for an hour or so?  No luck, he said, wishing he did, remembering the fast shaft, the quickie in the hospital broom room, amidst brooms and brushes and buckets or boxes and all. She said her parents rang, and they argued, and she slammed down the phone. They said it was the summer of love, but where they sat, boozing and smoking, it fell pretty flat.
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Nima looked bored as we walked the art gallery she was only allowed out of the hospital for a few hours promising no drug fixes or ***** can't we go elsewhere? she asked bored here I felt her boredom it seeped into my bones let's go for a coffee I said so we went for a coffee in a coffee bar across the road and had a smoke you were late she said I only have a few hours out of that mad house sorry I popped into the jazz record shop and left me waiting in Trafalgar Square she said what did you buy? nothing yet I said I'll go back later saw a Coltrane LP I liked I said ***** that jazz stuff she said we drained our coffees and walked back to the train station and I saw her on her train and kissed her at the window and the train went off and I watched until she was out of sight then back tracked to the jazz record shop to buy the Coltrane LP thinking of Nima and the time we had a *** in that cheap hotel by Charing Cross and the bed creaking and the odd hot and cold water taps and she and I laying there I walked back to the gallery for a last look around thinking of the Coltrane and the Coltrane sound.
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Jul 13, 2014
Jul 13, 2014 at 11:54 AM UTC
A QUICK DATE.
I had rung Nima in the week at the hospital (the nurse wasn't happy about it but she brought Nima to the phone) she said she'd meet me in London by the Embankment station so on the Saturday I went to the station and waited for her people passed me on their way up West or back into the tube station going elsewhere then I saw her coming out from the underground she smiled when she saw me and hugged me and we kissed glad to see you she said the quacks weren't going let me out but they did eventually why wasn't they going to let you out? I said my mother had said I was not to go out but as I am over 18 they said she had no rights over me so they reluctantly let me go but I have to be back by dusk that's ok I said where do you want to go? I need a drink she said so we walked up the road and found a bar on Charing Cross Road we sat in a corner with our drinks and we lit up cigarettes I should be leaving the hospital soon she said if I stay off drugs and stay with my parents so should be able to see you easier at weekends that'd be good I said at your parent's place? no way there they'd interrogate you like the Gestapo Nima said we'll meet in London some place ok I said we talked on but I was just glad to watch her bright eyes and happy face.
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Jan 25, 2017
Jan 25, 2017 at 3:52 AM UTC
MEETING AT THE EMBANKMENT 1967.
quisiera saber por qué en medio del amor a veces oigo cómo un cuervo le dice a un hombre que quiere verlo por un asunto importante el cuervo se llama Laghupatanaka y en el libro primero del Panchatantra se cuenta que puede hacer casamiento y amistad entre iguales pero no entre la comida y quien se la come un *** se comió a Panini autor del cálculo diferencial un elefante mató a Jaimini inventor del ciclotrón un monstruo marino devoró a Pingala que conocía la electrónica qué valen las virtudes para las bestias hambrientas tampoco vale creer en las promesas del enemigo, de la policía del gobierno del patrón el rebaño sigue al elefante porque le tiene confianza el *** es el rey del bosque pero nadie lo corteja tampoco sé por qué estas reflexiones caen como la nieve en Charing Cross donde te amo y me hundo en ti como en un río de ambrosías y leche y miel y te amo no sé qué pasará con mis despojos pero ellos se irán fuertemente marcados por los días que me amaste y la tristeza de ciertos pensamientos
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624
Lxv
Inflatable bride march, Plastic enormous, Stoical hens, Mystery "pleasures".
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Aug 2, 2017
Aug 2, 2017 at 10:36 AM UTC
Hen Party on Charing Cross Road
As my soul watches that ticking clock, I see visions of your pure beauty hit like a charing shock. These eyelids on mine fall down into rest, I'm bough to majestic dreams in my head been against your chest. I hang still in the air as I wait for your happy words, oh how they mass as the if the gods inked them into herds. These forming letters I conjure up for you run so true, this we feel is for both long-overdue. The wanting and needing to press my fragile lips to yours, I digest thoughts of placing my fingers over your heavenly contours. My hopes for us are pure as two white doves, lets both imagine this shall be someday that purest of loves.
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Sep 17, 2013
Sep 17, 2013 at 6:54 PM UTC
Untitled
aren’t as many second hand bookshops on the charing cross road as there were when I was younger of course, so were they ..
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May 20, 2025
May 20, 2025 at 7:52 PM UTC
used to linger
I meet Nima on the Embankment behind Charing Cross underground station. She's waiting for me with hands in the pockets of her coat, collar turned up, looking down into the Thames. I cross over the road towards her, her back is facing me, slim figure, hair tied back in a ponytail. Been waiting long? I say. She turns and her eyes are tired and drained. Not long; been looking at the water, she says. She kisses me, puts her arms around my waist. What's in the bag? She asks. I bought a LP at Dobell's Jazz Shop. She takes the bag and looks inside. Might have guessed it would be jazz. She hands me back the bag. How are things at the hospital? She shrugs her shoulders. Difficult; the ******** want me to do this and that; had a job to get out today, she says. Let's go get a drink and chat, I suggest. She nods and we walk up towards Charing Cross Road. So how did you get out after all? I sneaked out, she says, got some clothes and here I am. Whose clothes? Don't know; underwear are mine, the rest I borrowed, she says. Won't they be looking for you at the hospital? I ask. Who cares. We take a coffee in a cafe off Charing Cross Road and sit down. You're a drug addict, they're bound to be looking for you, I say. I wanted to see you; needed to get out of that hell hole and the **** nurse and quacks, she says. I give her a cigarette and take one myself and light up. Don't you want to see me? She says. Sure I do, but I'm worried about you. Don't worry. I do. She inhales and looks at me. I want *** and a fix, she says, I know where I could a fix, but I want *** with you, Benny, not just anyone.   I look around at the those nearby in the cafe who heard her. She closes her eyes. I know, no place available, some nights I’m that desperate I fancy the night nurse. I raise my eyebrows. I don't, just saying, she says, her closed eyes still, unmoving. I recall the quickie at the hospital that time. I look at her sitting there, eyes closed, cigarette smoke rising in the air.
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May 11, 2015
May 11, 2015 at 2:29 PM UTC
EMBANKMENT MEETING 1967.
I meet Nima on the Embankment behind Charing Cross underground station. She's waiting for me with hands in the pockets of her coat, collar turned up, looking down into the Thames. I cross over the road towards her, her back is facing me, slim figure, hair tied back in a ponytail. Been waiting long? I say. She turns and her eyes are tired and drained. Not long; been looking at the water, she says. She kisses me, puts her arms around my waist. What's in the bag? She asks. I bought a LP at Dobell's Jazz Shop. She takes the bag and looks inside. Might have guessed it would be jazz. She hands me back the bag. How are things at the hospital? She shrugs her shoulders. Difficult; the ******** want me to do this and that; had a job to get out today, she says. Let's go get a drink and chat, I suggest. She nods and we walk up towards Charing Cross Road. So how did you get out after all? I sneaked out, she says, got some clothes and here I am. Whose clothes? Don't know; underwear are mine, the rest I borrowed, she says. Won't they be looking for you at the hospital? I ask. Who cares. We take a coffee in a cafe off Charing Cross Road and sit down. You're a drug addict, they're bound to be looking for you, I say. I wanted to see you; needed to get out of that hell hole and the **** nurse and quacks, she says. I give her a cigarette and take one myself and light up. Don't you want to see me? She says. Sure I do, but I'm worried about you. Don't worry. I do. She inhales and looks at me. I want *** and a fix, she says, I know where I could a fix, but I want *** with you, Benny, not just anyone.   I look around at the those nearby in the cafe who heard her. She closes her eyes. I know, no place available, some nights I’m that desperate I fancy the night nurse. I raise my eyebrows. I don't, just saying, she says, her closed eyes still, unmoving. I recall the quickie at the hospital that time. I look at her sitting there, eyes closed, cigarette smoke rising in the air.
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