Me pulls to you ..... so strongly attracted to you
color of your skin so ****, ******, and very attractive and beautiful
In my opinion you are the most beautiful in the all universe space, measurement, worlds
My compliments, the truth, and no there is no flattery. In my opinion, this is how looks the most beautiful girl in the world. You are a very beautiful girl. You're a very **** girl. You are perfect. You are a masterpiece. You phenomenon of beauty that can not be repeated. So juicy, so exotic. It seems to me that you have an amazing beauty. You are the most beautiful in the universe all the dimensions of all worlds, you are a supreme being supreme creation, the crown of evolution. You're beautiful melody of love. You are so beautiful, just magic.
You to the point attractive ****. What you want to do countless times having ***.
I only dream if only one your kisses that blossom my soul. And from the touch of your hands on my body, and your lustful-touch for my private parts. I only dream to merge with you forever, body and soul, I only dream of an eternal, continuous *** only with you alone. I only know one thing, that I will forever love only you
Only at your most beautiful, stripped the body, you want to watch and view forever.

Every cell and molecule of my body and my soul is overwhelmed with love only for you. I long to be your beloved husband for all eternity and all lives, and even after death

Do you desire, you are perfect. Soup-navel **** genius. Do you like the sound of "the sound of a roaring engine ****** smart cars": VUM) VUM) vuuuuuuuuoooooooooooooooooooooooooommmmmm) You paradise, you're mens happinesse. Easy, clean, gentle, heavenly delight. You dream of a lifetime. You're pretty unrealistic. On even to the extent to which she can be beautiful, it's just unbelievable. You are the best gift of fate. Before your powerful ****** charm simply irresistible. You're the most beautiful girl in the whole universe. It's a great, great. You luxurious gem. This delicate pearl skin, you sample the true human beauty and femininity. All the other girls compared to you quite simply uy) uy) uy) uy) uy), believe me you are very vip **** girl. Most also come up on the throne of honor honored the goddess, the great pedestal. Majestic music sounds, so subtly and sensitively praising your beauty for you. In your arms a man feels in the higher realms of pleasure. **** regal lioness. Graceful affectionately snarling tigress. Puff) bang) bang) bang) bang) mega glue your beauty kills all competitors by felling. Amazingly beautiful. Sultry, cool and ****-Mego. You are elite, you're a lux, you extra class Your beauty captivates the hearts of men. The queen of all men, divinely beautiful, majestic lady. **** kitten. Mens ******* myself in the pants, with excitement at the sight of you. My heart you certainly won. Imagine that you are on the sandy planet, and every speck of gold pure gold, these grains of sand, the golden thoughts about you and only about you. You stunned, and I from you noodle. You just incredible girl, unbelievable. You're a *** symbol. You is Brand, (dreaming about you) cool, greattbl, superebl. You're like a beautiful peacock, revealing to the people the infinite perfection of their external and internal beauty. Words gently kiss and hug. The outline playful. Queen of ardent passion, so a bit awe velvet body. You idol of femininity and nature ... anywhere in the world to find such a beautiful sight as yours, which is just crazy, captivating with their enchantments of love, and you can not escape from the past and it is impossible to pass, look pierces the tenderness of their feelings.
you thermonuclear *** bomb you lux extra class.
Your passionate gaze iceberg melt. A look of love, perfect beauty. You are an incredibly beautiful girl, you're a mega-explosion of a nuclear bomb.  Boooooooooooooooooooommmmmmmmm), a brain explosion, demolition of all its rivals mega wave. Sweet, sweet as honey. You're sweeter than any candy. You have the talent to charm the guys for their beauty. Your beautiful image of a gentle heart overflows with love for you. Goddess of all men. You are the most gentle in the world. You are wonderful. You as a model in these photos. Original and stylish. Pretty number one in the world. You like to radiate special energy of love and pulling for you. With you all the time you want to be, always and forever. With no one way can not be as good as you. You are infinitely deep and beautiful as the universe itself. Because it is simply not possible. After all, you're stylish, cool, cool. As you have all that is in the ideal image of a woman. Fantastically beautiful. Moon Flower, gently shimmering in the sunlight. How beautiful are your eyes, like a mermaid I want to plunge back to see you sitting on his throne, beautiful creature mermaid her voice beckons you, only your arms, I shall find eternal rest. Awesome adhesive modest. I can not believe my own eyes, how beautiful you are.  you like cream with chocolate .... same tender .... sweet ...... "Your charm charms as analgesia. Do you use it perfectly. Beautiful eyes look like hypnosis. Such a nice warm look. Concealing in itself a treasure of delicate beauty. Infinite height. from that soars from the love of you soul. I like your figure beautiful nymph ... I conquered your soft intriguing, mysterious look ... marvelous sweet charm tempts and drags a.
You are my sweet dream.
I give myself to you forever.
Your loyalty and sincere love.
That's all I want.
You only one I ever want.
You are my love, my fondest wish.
Your photo makes me so *****
I wait from you of reciprocity and understanding.
My word is my tongue that gently caresses your skin and soul.
Gentle and sweet flesh of thy nothing in this universe is not.
Hot passion of your reality in this I do not find.
My words and my eyes tell you only one thing.
The best you never find.
In) during) during) during) during) during) during) during) during) during) Check it out, acclaimed, reviewed, look. Composed for you, about you, tenderly loving s) a) a). **** Barbie, Babe attractive, graceful lady, tender crumb, kitty) kitty) charming cat, sweet baby. One only your smile, this is a great victory and the men feat. Rather Go up to the throne of the goddess honored the great pedestal. Lyrical music sounds just as sensitively and subtly praising your infinite beauty for you. You're a real beauty icon. Designed for real mens, and gentlemen. Vuuuuuuuufffffffffff) tuff) tutuf) tutuf) speak very gently and quietly) tshshshshshshshsh) sounds quiet hypnotic music of love) I'm fascinated by your sensual, delicate charms, leads to you inexplicable wonderful attraction, about how beautiful your magic your charms so vague and so beautiful like brave a charming dope) of your charismatic charm my calls so subtly, subtly and clearly, so sensuously and easily, fervently and passionately, and so ****, ****, cute and appetizing, attractive, beauty, beckoning your temptation, seduction, you're tempting, seductive life you my call, just you alone all the time waiting and call about how much obsession, just the warmth of your feelings gently warms and the confluence of feelings showers my thy soul seizes you soft velvet and silk, you're hot sweet gentle sweetness) only happiness) happiness) and serenity) verily, thou great priceless personality, being at the mercy of your hot emotions and sweet emotion, want to be in them always and forever), I gain peace and paradise on earth, the gentle heat of your mouth, and the warmth of your tender eyes , takes in the wonderful world of your bliss, perfect minute clock, and second only to you, and I want to be just with you, because you have life, you're my only reality, you are my world and the whole universe, keep true allegiance to you, and I just

quietly and timidly say that the only one you love. Without you, life is impossible. You're perfect, you're Suite) glossy, glamorous cute Moore) Moore) Cutie) Ya) ya) dastish fantastish) perfecto) shiiiiiiiiiiiiiiiiiiiiiiiiik) You just mmmmmmmmmmm). This sweeeet) beautifuuuuuuuuul) well just aaaaaaaaaaaaahhhhh) pass out of love for you. Being with you is the continuous buzz, yummy relish) you so photo-film ****-genic photogenic, for movie movie-genic, urrrrrr). We humbly bow to your greatness, great, beautiful goddess, you are perfection. You cool muse, you're cool motif gives your beautiful image of a mega positive, you're a real Kulnev neo) neo) creative, "you're a real jackpot, juicy freshshshshshshsh)" you're the main leitmotif of this world, you're center of the world, a great Bagheera, the pearl of the world. Yes it's true because I think you only one I admire. The idol of all idols, the goddess of all goddesses. Take my word, because it's all true, and I sincerely hope that you give me at least not much pleased. Chorus: "You're **** Bugatti, Maserati best, fastest Ferrari, Pagani elegant. You stylish Bentley, luxury lambordizhni, royal Rolls Royce, wonderful noise voice, only for a cool boys ", voo tyzh) bad, whip. Your extraterrestrial beauty in a nutshell is this: "beautiful and saucily". And I long to see your gentle green light. abruptly, clearly, accurately, rarely smooth, sweet, stylish, strong, powerful, precise, transcripts, honorable. When you're near everything it is not important, so slow and so pointless. Great, great, grand girl yooo) Great, great, grand girl yooo) Great, great, grand girl yooo) ...... Yop) Thank you exist, let sit next to you, take my word for all this is not flattery, be your this is such a great honor, but this is a boon to any man, veeeest) Because you are the most cherished love and the dream of every man. Oooo) Olya-la-la **** figure in this world only you. All attention is focused only on you, everything pales in comparison around with you, and I want to be next only to you, but you pridnalezhat one. You are luxuriously best bust, sweet with sweet lips and mega **** predatory gaze from his amorous feelings rage, my wash only about you say, look what they do to me from the love of you are doing, your beautiful image on forever in itself charms shining, inspires, subordinates, intoxicating. **** goddess. Number one in the world. My low bow only to you) worship only you) Uffffffff) When you're around, getting hot, bright, nice, snip) snip) Vuoks) as a flamethrower let go the flame of his fine feelings, heart pounding more often you zhzhosh not for children, I want to see often, so sultry, beautiful, navel-soup finally, uhhhhhhhhhhh) love is so strong that even begins to hurt the heart. Luxury queen of all parties and catwalks, you unattainable pinnacle, all societies, beeeem) cupid shot of powerful magnum, oooo) complete demolition of all reason, can not hear anything except for you, and now can be seen, only you feel now just you and I I think that I was created just for you. Thank you, thank you, that drew on this as I am. For you, this is only for you, but it's all for you, all for you. I suffer, expect all the time I love you. You're the most desirable woman in the world. Epic, lyric, simpotichnaya) You're beautiful in everything in this world, only you're beautiful. You are endowed with charismatic energy inexplicably beautiful charm ... .ihi) ...... Mochi-mochi-mochi, manenko, manenko, manenko such mainka, mainka, krasotulechka, slyadkaya-slyadkaya girl Lapushka, adorable, cutie, baby, cute flower, candy, umnichka, bird, swallow, Rybonka, kitten, sun-golden-favorite-of-the-most-expensive, good-natured as fluffy hare .................. PSA) PSA) Oooh yeaaah) PSA-PSA) honor) worship, revere, and boundless respect, PSA-PSA) is the only real girl in this PSA, PSA world) you're the most epic, lyrical, lovely) PSA-PSA) you are best of the best, but you have no equal, PSA-PSA) you're the most endowed the title of the most beautiful in the history of mankind, PSA-PSA) you are the most important, the most glorious hero, the only one worthy of a goddess. PSA-PSA) is any place adorn, and instantly all the guys for their beauty by felling you fought, PSA, PSA) and all competitors envy into a deep depression makin PSA-PSA). Because you from herself beauty and eroticism idea tirelessly all its beauty and all are striking. Poetic, exotic, ****** lyrically. Living next to you harmony, grace, take my word, words can not convey, and I want to give you his heart. The sweetest voice only you, the skin so tender and pure, like a beautiful flower, on the face of my delight. So serene, so peaceful and quiet, static, nice and smooth, their places of origin is not in the universe, the soul like a light cloud in the sky hovering, always remembers you, you my love gives. The rays of your love life shines gently nurtures and warms, under your angel wings minds gradually falls asleep. A truly happy life does not happen without you. Next to you, my soul is in heaven remains, and only you, only one truly trusts. Your personality is loud, cool, beautiful, unique. Loud) loud) loud) You're a valuable copy of human beauty tadts-tadts-tadts) tadts-tat) tadts-tat) tadts-tat) uooo) uooo) uooo) tadts-tadts-tadts) tadts-tat) tadts-tat) tadts -tat) uooo) uooo) uooo) oooooo) you higher hooooootest bella mamasita, so moschnobl) with you all the time you want to be srochnobl) tochnobl) you're so cute, I love devotedly, furiously and fanatically. All zabyvaetsya around when you're around, captivated by your unique gentle gaze. Diamond beautiful, deep sapphire, stratsno rubirno, amazing emerald, pearl cute, I was very hooked, very surprised, so beautiful that a tear struck, and tenaciously for his soul took in your deep beautiful distance afield, was happily and easily, and suddenly the shower glittered and blossomed. One only makes your **** look and feel embarrassed blush. See how I want to enjoy it. It makes harder and harder to fall in love with you, I want to again and again appear near you, and never to say goodbye to you, and do not give up when you're around wants to smile with happiness, and you always stay on. Soft) soft) soft) How marvelous your gentle eyes, a beautiful shine, so deep beautiful color, hi) and the lips gifted hot, passionate force, like a sweet juicy berry, shine sweet tender crumb precious shine temptation, fantasy) romantic) ****** ) to you so goes the lipstick) gentle, spectacular pretty perfect) yes) so accurately) not lying, exactly) so refined, so perfect it all, only you, you can safely say all envious yeeeah) baa) baa) beeeee) each part of your body, is true, unattainable, infinitely ****, perfectly gospodstvennoe, divine perfection, which is the business card of your wonderful personality, a genuine sample of the sweet candy, delight, joy. You are an ideal model for the most famous, the channels, magazines, you have the sweetest voice in the world, so it is ideal in television and radio broadcast, a perfect icon of the media, the beautiful goddess of the VIP, I think so. And only love and honor. You are the most precious value in this universe. Heart and love is boundless open and so clean and perfect for you, all I say is not in vain, my love for you is a whole universe dedicated to you. You are beautiful in every way, so different, so special, your presence, gives a special feeling of harmony and peace, you are like a hot flaming fire of love and creation. Bright spark your feelings enliven, inspire. You are like a breath of life, fresh, cold water, your nature is so beautiful, so deep. Your acts as the earth itself give rise to life. You merry wind of freedom, infinitely great, free, you are giving hope and life, really need you like the air. Ooty) Ooty) Ooty) multi-billion-dollar celebrity babe, baby on triliard. I give you a well-deserved medals: for the record for the beauty of the world, a record for the entire beauty of the universe, the medal: in the beauty of a well-deserved
Author: Musin Almat Zhumabekovich

MY FROG MASTERS

How thoughtful were the rainfalls
To water our gardens and flowers
The flowers spread wide garments
To celebrate their terminal beauty

The joyful frogs occupied my pond
To orchestrate their vocal prowess
They taught me to take blind leaps
Like lightning bouncing in the skies

Squatted, stretched, beeped down
I was a millstone on the pond floor
My slippery pond mates wondered
How soft I was in the maritime arts

Mortally rescued in a muddy mood
The clouds sent in rescuing showers
To confirm my firm loss to the frogs
Like a grain of salt cast into the seas


673. MONEY BAGS IN THEIR BODY BAGS

The money bags shopping for their body bags
Waggled through the makeshift supermarkets

Their ancestral homes they plotted modernity
Like the general gathering fine forces together

To the villages they made to return with pride
Like pregnant elephants caught up in the mud

Their desolate villages are deep and sickening
Glowing flamingly in the crucibles of local gins

The dusty and gravy pathways are like furnace
Burning the leather off from their frozen souls

Traditional birth attendants cut off their cords
And zipped the money bags in their body bags

674. A GLORIOUS DAY

The new day spoke powerfully
Like a war making superpower
And his voice roared forcefully
Like the skies forced to shower

The sunrays came dynamically
Like love responding to silence
Beauty crawled in submissively
Like the mixed arts and science

One eagle soared energetically
Like lions feuding in the colony
Far clouds relocated peacefully
Like souls betrayed to harmony

The breeze sighed thoughtfully
Like horses galloping on the lea
Inspiration unfolded thankfully
Crowns monuments with a pea

675.  THE FOG BANK

The sun had gone to pay our bill in the fog bank
The world foggily crawled into the strong rooms
Darkness demonstrated her strong mindfulness
Provided for the strong gale with lurking shrieks

The black paint billers snowballed to our dreams
With the bill of exchange for wild sunny excesses
Ghostly bats emerged with the bill of indictment
In demonstration of our acrophobic dispositions

We packaged the sunrays for our folk memories
To reassure the day of our eternal followerships
We cherish our follow-throughs in our dark beat
To usher the sunlight out of the hollow fog bank

676. THE PROTRACTED INTERNECINE FEUD

These things had happened before we were born
Like sulphur deep into our fresh hearts they burn
Now we stumble on the bumpy terrains in horror
Like one frightened by ghosts in a standing mirror

The internecine feud has razed our men of valour
With their carcasses dumped in their cold parlour
Our community cattle graze in the barren pasture
Like the unrepentant sinners awaiting the rapture

For our plight the once glorious sky is grown pale
Like the ***** fetching territorial waters with pail
The storms have rolled off the catalogues for rain
All our efforts to mop up the mess end up in vain



677. THE AREA LEADERS

They cracked coconuts on the heads for the crown
And embraced our days with their castaway pollen
Sadness and sorrow have dyed our garment brown
With the strongest song sung when night has fallen

These are the blinding dusts from our barn’s grains
They breed cunning serpents in the soft pasturages
They are failed cargoes on our broad societal trains
They dedicate our common committee to outrages

Now our days seek deliverance from their tentacles
Like the colourful fields immersed in gloomy beauty
They play our eyeballs with the stenciled spectacles
With our consciences to sight and found us off duty

To rescue us the colossal clouds were born gadarene
Our communal life was willed to pageants of gaieties
Then moonlight stories held us for a larger gathering
Now all the objects we sight dress up like cold deities

678. THE LAST DESCENDANTS

The rapacious thunderstorms ***** the skies for their tears
The hot embers were born to glow mourning the late forest
The moon crawled out of the blue like a great grandmother
Cuddling her descendants wrapped up in her ancient shawls

The wild waves were weird weavers weaving withering wails
The captioned wigs gyrated on stunning shoes upon auctions
The little creatures crouched in primeval baskets of the night
To gnaw at the generational tubers in the creative farmlands

The dazzling specimens of dentitions relaxed in water basins
Like bright red artistic architectures on potent ocean boards
Golden hearts glow in the threatening prisms of the furnace
As beautiful sunset defines her beauties in her nightly corset

It had been a sweet pill for the past descendants to swallow
Depending on the colonial masters for loaves, lore and lures
Our creativity had been packaged in their mortal depravities
Like the tranquil days resting sorrowfully upon the dark oars

The centenarian thunders downgraded our minute whispers
We had been kept upon our toes by the eternally sworn foes
At last our worthy artworks have worn their wormy catwalks
The refreshed dawns greet our easting days in their greenery



679. VICTIMS IN THE VALLEY

The victims in the dark rally
Caged, dried and browning
Therein their meanings tally
With waves born drowning

In the depth of a cold valley
Horrible nobles are cultures
Like pilgrims in the dark alley
Willed to ravenous vultures

The victims all robed in tears
With hearts like potter’s clay
For pains they have no fears
Only mimed games they play

For victory awaits the victims
Alien to a blind mimed game
Glorious are eternal rhythms
For death Christ died to tame

680. THE GIANT SCARS

These are our giant threatening scars
Engraved on our demonstrative heads
Our sympathies crawled on superstars
Weeping for us on their moonlit beds

They threatened us with nasal sounds
Like thunderclouds seasoned to burst
For us their galleries are out of bounds
Behind the iron bars plagued with rust

Our patience passed their wildest tests
Like the lions roaring in the thick jungle
On the heart of the Lord our faith rests
Like numbers posted on the right angle

681.  A LADY

In a lady’s handbag
Is her hidden hunchback
Stuffed with her heart ache
For the pains relieving groom

In a lady’s tender smile
Is hidden miles of similitude
Marked with the zebra crossings
For the ever winning marathoner

In a tender lady’s heart
Is hidden her cowboy’s hat
Soaring within the white clouds
To soothe the earth with the latter rains

682. BRING BACK OUR GIRLS

Bring back our homesick girls
Their vacant cradles are bleeding
Bring back our innocent girls
On the chariots of fire descending

Bring back our suckling girls
Their feeding bottles are weeping
Bring back our infant girls
Their mothers’ ******* are heavy

Bring back our harmless girls
The united universe is thundering
Bring back our dewy girls
In the sharp sun rising in the skies

Bring back our beautiful girls
Like light plucked from darkness
Bring back our glorious girls
Aboard the shore-bound waves

Bring back our worthy girls
On their fresh faces our lights seek to glow
Bring back our living girls
Our fountains of joy are bubbling to burst

For our returned girls the skies shall bear
Roaring rivers, singing seas, chiming clouds
With gongs and songs, pianos and praises
Dulcet dulcimers and documentable dances
With healthy hymns and eloquent embraces
All nations shall into a common cathedral flow

683. ****** GENEOLOGIES

They electrify their demonic high tables with old fears
Only their ****** genealogies are bookmarked to reign
The sight of their portables whetted our eyes to tears
We are reinforced by the clouds born to the later rain

Our skins have renovated the sickening cattle wagons
With our dreams flying upon huge smokes in the skies
Beneath their tables we abridge their creaking jargons
Upon their floors with our generational landmark tiles

The dew drops dropped like old crops upon our brows
To soften the veils falling to the flaming edged swords
The flaming hearted sword of the penetrating sunrays
Born to pluck us alive from our hotly bandaged bruises

684. LET US SPEAK UP

The light is climbing downstairs
And danger is sprouting abroad
Our feet are listening for a word
Let us speak up lest they go deaf

The light is melted on the glades
And terror grazing our eyelashes
Our feet are listening for a word
Let us speak up lest they go deaf

The light is late and lately buried
The mourners are on danger list
Our feet are listening for a word
Let us speak up lest they go deaf

The light has divorced the grave
Her grave clothes are dew dyed
Our feet are listening for a word
Let us speak up lest they go deaf

Silence is a forgotten tombstone
Lost in the din of cold morticians
Our feet are listening for a word
Let us speak up lest they go deaf

685.  THE SUN

The sun smiles on all prescriptively
Like the waves spreading on shores
The green grass glows descriptively
Like the full moon upon dark sores

The sun is a tailor fixing the buttons
Preparing the sky for incoming stars
Like the weaverbird weaving cottons
To conceal the day’s damnable scars

The sun is a marker on diurnal pages
Tall grace he bestows on the flowers
The sun retains his graces for all ages
Bees and butterflies are his followers

Our common laughter is endangered
When sun bows down in big setbacks
All mortals have the starlets fingered
When the night comes on drawbacks

686. UNTIL HERE

(For Lou Lenart and his team)

Their floods came seeking Jewish bloods
Like streams they roared for our dreams
They emerged as columns of soldier ants
Like whirlwinds they zoomed towards us

Until here we were crumbs for the reptiles
Until here we were like airborne cloudlets
But here the sudden change unveiled to us
From here the elusive victory embraced us

With skeletal jets we fought like bold lions
Soared like eagles and spoke like thunders
We conquered columns of invading armies
The bleeding armies turned back and blank

From here we turned from victims to victors
From here enemies’ defeat our greatest feat
Upon this memorable bridge it all happened
Victories leapt upon our pool like joyful frogs

687.  JOY UNLIMITED

The fledging sun offers its rays
And the rays offer golden trays
For our joy a platform to spray
Rowdy paratroops like thunder
To scoop roses from pure oasis

Our joy is ripe upon celebrations
Our celebrations with decorations
Decorations with documentations
Documentations for all generations
Generations in our joyful habitations

688. ANOTER RAINING DAY

The dark clouds are wandering river basins
Spiral bounded by breakable outer casings
The rivers and the seas display empty cups
For the swift blessings descending the tops

The rains come as defense troops’ missiles
And the drowning lands look like imbeciles
Now we are groaning in the watered claws
With the liberated scales marking our flaws

The retreating clouds crawl away in a belch
Dumping the missing cargoes on the beach
The winds bow in a state of shock in a cord
Praying and fasting for a visit from the Lord

689. GRANDMOTHER

Grandmother, please wake and get up
The sky is quarreling with her husband
Soon they will spill their freezing sweat
On our bodies for us to catch dead cold

Grandmother, please sneeze not louder
The sky and her husband are quarreling
Soon they will send old floods like gales
To sweep mankind away from the world

Grandmother, you are everything I have
My moon, my sun and my morning stars
Provoke not the couples with your cough
Lest they refill their greasily wraths again

Grandmother, the big reptiles have come
With their lethal grandchildren following
They are laced with secret burial shrouds
With sympathetic tears tearing their eyes

Grandmother, I kiss you a shaky goodbye
With broken pains roaring within my soul
Grandmother, where are your groundnuts
To conduct my solo heart as you sing away

690.  A NIGHT WALK THROUGH THE FOREST

Lured away on an alluring dream by fables
I trudged along the grassy paths with fears
Upon my steps spilling the prevailing dews
The shadows bowed their heads in silence
Like the soul issued with a death sentence

The night crawlers emerged above boards
Throwing light upon contrary communities
In their hearts and eyes were painful tears
Crawling down their exaggerated eye *****
Like a handbag filled with rotten cosmetics

The shadows were bold animators’ shelves
Stage managing the horror motion pictures
In the ghostly commodities I met wild hosts
Lifeworks evaporated from my fresh breath
Like foreign tragedies in common comedies

The sorrowful shadows cast away their veils
Like the candles letting go of the weird wax
Sadly I sat in the sack for conflicting fetuses
Another sun appeared like a serial divorcee
Counting the testicles of another naked day

691.  SUBJECTIVE SUBJECTS

The sad sun descended upon her haunting melodies
Reeling from mysterious layers for electoral riggings
To harden the flowerbed for flower girls born tender
Disenfranchised voters came weeping in barren polls
Dressing the blank nest for the fat electoral parodies
With the mourners the faulty bells they came ringing
Like the angry water castigating a ****** port fender
And the smokes climbed upon their wide aerial poles
Arching over the emptied shelves with liberal singing
They subjected their subjective subjects to all objects

Thirty feet tall Madonna, is one of the things-

My ultra-stylish city that grew up,

Rave, raunchy catwalks beneath those chandeliers-

The Toyota drives by the Manhattan Beach, amidst bikini wardrobe.

When I read those Taxi-dance barbettes-

I wish I could lost in their growling gowns,

All my wishes fulfilled one day and flew me down there-

My boasting finance job and some pals were African browns!

It was that ultimate visa down the Fashion Avenue-

Most of their lipstick glosses were supported by Chelsea revenue.

I could not breathe the invisible virus against my immunity,

The enigmatic pleasures that lived inside the skyscraper community-

I had no qualms while cherishing the barbeque restaurants poisoning,

My fascinations without imaginations had no logical reasoning-

Many of us at Saint Clair’s ward#3, NYC, were at once there fugitive-

Now moaning like chickens to be butchered, we are all *** positive!


Did you know that…

Pop diva Madonna is a gay icon and the gay community has embraced her as a pop culture icon. She was introduced to the gay community while still a teenager. It was her ballet teacher, Christopher Flynn, a gay man, who first told Madonna that she was beautiful. He introduced her to the local gay community of Detroit, Michigan, often taking her to the local gay bars. Flynn encouraged Madonna to walk away from her full scholarship to the University of Michigan and to move to Manhattan.



The disease of AIDS…
Was first uncovered in homosexual men
From Manhattan


Synopsis

What happens when your dreams turn into reality? It’s a paradigm that you celebrate, live life to the fullest. There is however, life that exists beyond this celebration, sometimes good and sometimes not so good like you expected. And when it becomes not so good like you expected, you spat with bitterness and associate the term bad. Anything against your wish and will is then bad and one day you might fall into live with this bad. All I can say is that they are individual retrospection.

This is what Manhattan Dreams exactly captures. The first half can successfully open the door of fascinations that a college teenager in search of a lucrative career and living might jump into- “Style, fashion, exuberance, beaches, skyscrapers, stardom and what not!” Everything is colorful about Manhattan, even the way it is spelt and pronounced. A financial job inside a long cherished skyscraper, international friends, restaurants, pubs, smoking, the kind of gay evenings are not only meant for Hollywood films but can happen to someone like you. And then one day, the world economy complains your presence there as a fugitive, you are fired from your job and your world crashes to a clinic or a hospital confirming you *** positive. What will you do then?

That is what you are getting from the second half of the poem. As if the drama has reached a ****** like after the interval in a film. There seems a sudden pause in life from where there leads the road to uncertainty, disappointment and delusion. This is where the poem ends, because this is where the human mind stops thinking often. A never before kind of bitterness cataracts the dreamy visions and the object of your dream becomes an excuse of your current defeat.

Manhattan Dreams is not a criticism of the gay culture. Neither it attempts to de-criminalize the society nor does it pollute the appeal of Manhattan at all. It is the victim’s individual retrospection in the other side of his celebrated life which is no more a celebration now. The stylish Manhattan is both a dream and a reality. It has nothing to do with your personal glory or agony. Depending upon the situation in your life it might serve as your forefront or background.

Fashion designers love foraging through the antique markets of Clignancourt in Paris and Portobello Road and Alfie’s Antiques markets in London snuffling out vintage pieces for inspiration. The flurry of romantic Victoriana on the catwalks for autumn can clearly be blamed on this obsession.

There has been an undercurrent of reserved, covered-up fashion ever since Pierpaolo Piccioli and his former co-designer Maria Grazia Chiuri introduced a more demure aesthetic to Valentino five years ago. Longer skirts, prim higher necklines and covered arms have become the slow trend of recent seasons creating a hyper-feminine look.

Riccardo Tisci at Givenchy and Sarah Burton at Alexander McQueen have long been beguiled by the Gothic romanticism of Victorian fashion with their use of corsetry and dark dramatic lace and velvet for eveningwear.

In fact, London-based vintage fashion dealer Virginia Bates admits she doesn’t remember there ever being a time when Gothic Victoriana didn’t feature in at least one designer’s collection. “The fascination with the romantics, poets, artists and even horror [classics and films] give designers a great source of inspiration,” she says. “It’s an irresistible era.”

Certainly a lot of it has appeared on the catwalks this season at McQueen, Marc Jacobs, Burberry (shown only a month ago in the see-now, buy-now collection), Simone Rocha, Preen, Bora Aksu and Temperley London, as well as at smaller brands such as Alessandra Rich, Three Floor created by Yvonne Hoang and A.W.A.K.E.

There were dark distressed Linton tweeds, unravelling knits and black tulle in Simone Rocha’s autumn collection. Rocha was pregnant when she started designing it and was inspired by Victorian dress and motherhood, in particular the nightgowns and matrons.

“All the wrapping and swaddling of babies,” she says, before elaborating on how “the Victorian ideals of properness were made perverse with the conservative and covered-up pieces contrasted by the sheer and embroidered fabrics.”These gauzy vaporous fabrics succeeded in making her eerily romantic silhouette look rather contemporary and daring.

Subversion is key to making such a prim and proper period in fashion history modern and relevant for women today. Marc Jacobs, for instance mixed long Victorian coats, ballooning crinolines and crochet doily collars with sweatshirt tops and laser-cut leather for skirts and jackets together with some scary Goth horror make-up. Nothing is, or should be literal.

As Justin Thornton of Preen says “we love the Victorians, the laces and the white shirts, but it is the vintage pieces rather than the era that inspire us”. His partner Thea Bregazzi has collected aristocratic laces and ruffly vintage shirts from Portobello Road market for as long as he has known her and these frequently find their way into their collections, “but linings would be ripped, garments will have holes in them – it is a deconstructed look”.Virginia Bates once owned a famous vintage fashion emporium in Holland Park with a client list including the biggest names in fashion from John Galliano to Donna Karan and Naomi Campbell. Now she only works with private clients and designers and they, especially, she says were looking for genuine Victorian pieces when planning their autumn collections.

“A black fitted jacket with inserts of handmade lace [that is] embellished with crystal and jet beads, ***** and silk lined ... How exciting and inspiring is that? Silk and fine lawn shirts, soft and flowing with ruffles. Don’t we all want to wear one and live the dream?”

Thankfully a few designers do right now, and there were lots of heavenly creatures in fragile asymmetric lace dresses toughened up with leather corsetry at Alexander McQueen, and richly coloured swishy dresses at Bora Aksu. While Christopher Bailey cherry-picked the centuries in his Burberry collection, lighting upon frilled white cotton shirts, nipped in jackets and military capes from the Victorian era. Given that Victoria reigned for more than 60 years there is a lot of history for designers to plunder, so this will not be the last we will see it.Read more at:http://www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses

It’s the tail end of fashion week in Paris, the busiest week of the year for fashion buyers.

When I meet Clodagh Shorten, owner of Samui, the game-changing boutique that put Cork on the fashion map, she’s already been here four days and is on her tenth buying appointment — there’ll be at least another five before she leaves in a couple of days time.

These appointments, private bookings with designers, allow her to get up close and personal with the clothes that have just been showcased on catwalks.

She’s deciding which pieces will best suit her customers.

Today, we meet at Schumacher, the stunning German label known for its easy chic look.

A beautiful white space, with lush cream velvet sofas, bare walls and white rails (nothing here to distract from the main event — the clothes), this room, prime space in Paris, is rented by the designer year-round just so they have the right venue to sell at Fashion Week.

It gives some indication of the power Fashion Week wields.

Clodagh is here with her right-hand woman, Samui manager Mary-Claire O’Sullivan.

There are two rails — the keepers and the ‘ones that got away’.

They’ve already seen this collection in London.

Today they are here to fine-tune.

This is unusual, Mary-Claire explains — at most appointments, they are seeing the clothes for the very first time.

“This is a big spend,” they tell me, and they’ll stay as long as they need “to get it right”.

Piecing together a collection is something akin to a jigsaw puzzle.

All the items are photographed — later they will be analysed back in the apartment they rent during Fashion Week.

The mix has to be right.

So the coats, a sleeveless waistcoat, are moved to the rail on the right.

They won’t make it to Cork.

Coats were already picked up this morning at another appointment.

Like I said, a jigsaw puzzle.

Two models are on hand to try on clothes when requested — I hear ‘can I just see this on one more time’ a lot.

There’s no haggling over prices in these sales negotiations — it’s all too civilised.

The price is set, as is the instore mark-up. These lauded designs must cost the same the world over.

Clodagh and Mary-Claire share a language and a wavelength. They can finish each other’s sentences and, while I don’t so much as sniff a hint of tension, they tell me they can disagree on buys.

“Clodagh doesn’t want a yes woman,” Mary-Claire says simply.

From Schumacher, Clodagh leads the way through the Parisian cobbled streets, phone held aloft, Google Maps to direct her.

Her wheelie bag is constantly behind her — inside there’s the laptop for orders and a camera for instant access to photographs of collections.

Her calculator is another permanent fixture in the showroom.

Today, Clodagh is dressed in an Australian label coming soon to Samui, Ellery. The lush black fabric sways and moves with her body; an outfit like that makes you really appreciate her eye for fashion. It’s sensational.

For this 5.30pm appointment we are heading to see another new label for Samui — Paskal (Clodagh will wear a piece from this line tomorrow).

The Ukrainian designer is looked after by an agency so in this showroom there are pieces by a handful of brands.

Again, the setup is the same — private appointments, models on hand.

Clodagh and Mary-Claire have to be more careful here — this is a new label and it’s more fashion forward so black is prioritised.

Not every client at Samui will wear this line. Every purchase, I realise, is a gamble.

“We’ve made mistakes, of course we have,” says Mary-Claire though you get the feeling that could be a rare event.

Pieces bought by these two women rarely end up in Samui’s sales rack.

They know their customer, plain and simple.

There is so much trust there, some clients are simply sent collections each season, allowing Clodagh to make the call for them.

So much of their day is spent discussing various clients (never by name in my presence) — what they might like, the best size.

It is effectively the ultimate personal shopping experience.

The number of items and sizes are limited, so customers know they are truly getting one-off pieces.

As we leave, kisses over, the agency head tells them, “you’re our favourites” and you just know it’s not empty fashion talk.

People genuinely love Clodagh and Mary-Claire. And they respect what they do.

Samui is open 16 years now. Clodagh mastered her trade at Monica John before stepping out on her own. Mary-Claire joined her eight years ago.

It has been one of the few boutiques in Cork to not just survive the downturn but to positively thrive.

As the economy spluttered around her, Clodagh very masterfully decided to go high end.

First came Moncler — the top people here had to come and view Samui to see if it was the right match for their esteemed label.

It was — and, increasingly, doors began to open.

Carven, Marni, Rick Owens — people really began to sit up and take notice of Samui.

Now labels are often vying for space on the shop floor. Still though, it takes work to secure the big new names.

Clodagh spends a lot of time on planes, networking, meeting the key players. And it’s not as simple as a visit to Fashion Week twice a year either.

These days pre-collections are key too: these pieces will be on the shop floor for longer.

So Clodagh and Mary-Claire travel in January to Paris for pre- collections, Milan in February for Moncler, Paris in March. The same cycle begins again in June for A/W pre-collections, with S/S Fashion Week in September.

Clodagh is always pushing, always striving for new.

She was devastated to say farewell to Transit, the brand with her from the very beginning. It was simply time for a change she tells me.

They love seeking out new labels, nurturing them, sharing them with their customers.

The next morning we meet at 9am for Dries van Noten.

Clodagh stocks around 50 different labels, most exclusive to Cork. This Belgian designer is one of them.

Here again is a very fashion forward line.

There’s a minimum €20,000 spend here, and that’s the amount Clodagh and Mary-Claire can play with.

This is a much busier showroom, a slick operation. Buyers are everywhere, the models weaving between them.

They are assigned a seller and a table, laptop at the ready to secure the sale.

Sophie, today’s seller, walks them through the long rails and talks to them about the collection, the fabrics, the colour, the catwalk, the vision.

Clodagh and Mary-Claire repeat the process a second time alone, a third time again with Sophie.

There are little standing breaks for coffee — refreshments and lunch are provided by the designer.

Clodagh and Mary-Claire know to carry snacks everywhere. The buying process can be a long one; Dries could be an all-day event.

The price point is much higher here so, again, each piece has to be carefully thought out. Checked and checked again.

These A/W deliveries will land in store in July.

Watching them make their Samui edit on that March morning, I just know the Dries selection will be a show-stopper this Autumn.

I leave them to sign on the dotted line, wishing them success for the rest of their gruelling schedule as I head for Charles de Gaulle.

“People don’t realise what goes into this,” says Clodagh. And she’s right.

None of us can possibly grasp what it must have taken for one woman to put Cork on the fashion radar.Read more at:http://www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses

Women on the march was the story of the weekend. And so it was with perfect timing that 23 years after he diversified into designing for women, Sir Paul Smith included clothes for women on his Paris catwalk during menswear fashion week for the first time. The designer has scrapped his slot showing womenswear during London fashion week in favour of a blockbuster Paris show in which clothes for both genders are shown together.

There is an industry-wide trend toward unisex catwalks, but the move felt organic for Paul Smith, whose womenswear has its roots in men’s tailoring. First on the catwalk was a woman in a trousersuit in the black-and-green check of Black Watch tartan, alongside a man wearing a tailored coat in the same fabric over beige trousers.

Backstage, the designer said putting the show together has reminded him why he started designing for women in the first place. “Grace Coddington and Liz Tilberis, all these incredible women, were dressing supermodels like Linda Evangelista in my clothes for men,” he recalled.

But one of the secrets of Paul Smith’s cheery, straight-talking brand is that it is more sophisticated than it lets on. The womenswear on the catwalk was not simply borrowed-from-the-boys, but fine-tuned for the female body. The attitude and fabrics are taken from menswear, but the tailoring – a higher and more defined waist, a longer jacket, a strong shoulder – is calibrated to flatter the female form.

A dandy aesthetic running through the men’s velvet suits and fitted waistcoats was adapted for women with colourful Fair Isle-knit sweater dresses, and silk blouses with a painterly feather print.

The show was staged under the glass roof of the grand École Des Beaux-Arts, just a few streets from where Sir Paul Smith staged his very first fashion show in a friend’s apartment on the rue de Vaugirard, that time to an audience of 35 people, with friends as models and a soundtrack he had compiled on a cassette.

But it was very British, not just stylistically but in the emphasis on British-made fabrics – in many cases modern, lightweight versions of fabrics Smith first used in the 1970s. The brightly coloured feathers, which appeared on men’s suit linings as well as silk womenswear, were inspired by an illustrated 18th-century book of British birds.

In the face of the unstoppable rise of a sports aesthetic in menswear, Smith remains a staunch defender of the suit. “People think that suits are stuffy, or that you can’t move in them,” he said backstage. “But it’s not true.” Soft, narrow suits were styled for life outside the office, worn with trainers and with poloneck knits.

The Paul Smith show was followed by Kenzo, also showing men’s and women’s collections together for the first time. In London, Burberry and Vivienne Westwood have both recently merged their collections for men and women. The trend for unisex catwalks, which is driven both by the rise of a genderless, sports-influenced aesthetic and a social media appetite for catwalks that are newsworthy moments, appears unstoppable.Read more at:http://www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses

Daisy Lowe‘s body positivity and refusal to bow to fashion industry pressures have cemented her place as one of Britain’s hottest exports.

From international catwalks to Pirelli calendars, the 27-year-old’s career in front of the camera has gone from strength to strength - all because she’s unapologetically herself.

To celebrate her latest endeavour - a partnership with lingerie brand Triumph UK - the model sat down with The Huffington Post UK to let us in on her secrets.

What does having a positive body image mean to you?

Being comfortable in your own skin, embracing all your flaws and accepting that you are who you are.

Being individual is a beautiful thing.

Where does your confidence come from?

It’s definitely something any person living in today’s society has to learn and grow up to achieve. I’m still working on it on a daily basis.

Everything that I put into my body makes a difference. How much I work out makes a difference. Surrounding myself with people I can laugh a lot with and around whom I can be 100% myself.

What advice would you give to those struggling with self-image?

Love the parts of you that you don’t enjoy so much and be kind to yourself - that’s something that I have to constantly remind myself to do. Go and do something that inspires you or makes you happy.

How do you banish self doubt on bad days?

Meditation and mindfulness helps. Having a check-in with yourself and trying really hard to be present.

We can look outside ourselves and think about what other people are doing, -especially with social media - but if you can try your best in the exact moment that’s all that matters, because that’s all that really exists.

What would you like to see change in the fashion industry?

There’s a lot more room for variation as far as models go - we should be promoting that all shapes, sizes and ethnicities are beautiful.

It would be lovely for plus size models not to be called ‘plus size’ - they’re being used for the same jobs. We’re all just models - wearing beautiful clothes that make people feel good about themselves and helping designers to sell their creations. I’d love to see more ‘in-between’ size models too.

How do you decide what to wear in the morning?

The darker and greyer the world is outside, the more I wear bright colours - as long as you’re sunny in yourself! I’m such a creature of comfort – I’m a huge fan of pulling on a pair of stretchy comfy jeans (Lowe swears by high-waisted styles by Paige, Frame and J Brand) and I love a bit of cashmere.

Jewellery wise, I always wear Crystal necklaces or chains by Loquet. I’m also a fan of a cute tea dress and ballet shoes. I love that Brigitte Bardot/Jane Birkin 60s/70s vibe mixed up with a bit of 90s grunge.

What are your favourite shopping spots?

Lark Vintage in Somerset is amazing, and in London I love Mairead Lewin Vintage. Those are top secret - I never usually tell anyone those.

Brand wise, I love James Perse, Cocoa Cashmere, Erdem, Simone Rocha and Ganni - I have a leather jacket from there I haven’t taken off for a year. I also have a troubling Saint Laurent addiction.

Talk me through your daily skincare routine.

I love the P50 W Lotion by Biologique Recherche, it’s done absolute wonders for my skin and makes it much more clear.

I also swear by the Crème de la Mer Genaissance de la Mer serum, moisturising soft cream and eye concentrate.

For my body, I use Aesop A Rose By Any Other Name cleanser and Balance Me for their luxurious moisturisers and body oils made with natural ingredients.

What are your makeup bag staples?

Tom Ford is a go-to. I use the Traceless Perfecting Foundation, which has SPF, and the concealing pen around my nose and eyes.

I like to keep my makeup really simple, so I’ll use the Laura Mercier Paint Wash liquid lip colour in petal pink on both my lips and cheeks.

For eyes, I swear by Tom Ford Waterproof Extreme Mascara and Kevin Aucoin eyelash curlers.

What’s the best tip you’ve picked up from a makeup artist?

My makeup artist would **** me if I ever slept in my makeup. Another great tip is to make sure you conceal around your nose. If your nose is red it makes your whole complexion look uneven.

Also, always apply lipstick all the way into the corners of your mouth to continue the line.

What’s the weirdest thing you’ve done in the name of beauty?

When I was younger I used to make these weird DIY face masks with my friends. We made one with mashed banana, avocado, honey and peanut butter. Peanut butter on active teenage skin was not the best idea.

Any other beauty secrets you can let us in on?

My facialist Arezoo Kaviani is amazing. She’s a real healer at heart. She does a deep cleansing ****** with extraction and LED light therapy.

I also tried a collagen wave ****** recently, which was great.Read more at:http://www.marieaustralia.com | www.marieaustralia.com/formal-dresses

Even a World So Ugly As This        
  
  
                  Is Full of Beautiful Things.  
  
  
  
  
It was one of those evenings  
when men feel that truth, goodness and beauty  
are one.  
                            
  
  
  
  
  
Waste no day with too-much sleep,  
              Darling,  
The wilderness beckons.  
  
  
Let us rustle the trees.  
Remember to laugh, Remember to sing.  
  
Fill again my head with constellations.  
Fill again my head with consolations of sound.  
For i am inseparable from you, and you from me as well.  
  
  
Remember to dance, Remember to dream.  
Remember to listen, Remember to see.  
For even a world as ugly as this  
      Is full of beautiful things.  
  
  
All other questions of the mortal coil  
More or less become clear  
In the unwinding.  
  
Hushed and heedless,  
The sunflower, chico, and the fountain  
Twi-lit with honey.  
Forests grand with oaks, and the lunar zig-zag which paints the mountain.  
  
  
The slow dripping noise beside you,  
The cool *** of night become icicle morning.  
  
A thousand thousand impish clamors call out!  
The elfin quietude.  The flighty bird. The brotherhood.    
  
The mirror changes with moods.  
  
The brother, the sister.  The merry-go-round of laughing children.  
The daughter with a bouquet of curls beaming gold, red, brown sincerity.  
The freckled enchantment of lovers perennially in Idumaean night.  
  
  
The artistry of female radiance on which all things are born and balanced.  
Beauty such as to drive a mind to madness.  O  
And the splendid metaphysics of the male,      
The shimmering brandy of honed muscle and action.  
  
I am recalling, the ebony of her form,  
Perfect in inexhaustible allurement!  
  
I am recalling, the pale fragility of another,    
Perfect in exquisite pulchritude!  
  
The friendly mutt whose voice exalts sonnets of pure love.    
The great haunches of colts at full run.  
Tendrils of primordial music bloom on the wind!  
  
  
Under the water the world drowns and continues on.  
Yet the measure of mocking men produces only sand  
Fit to fill a broken hourglass.  
  
Let not gladness be empty banter amongst us  
Ye city of perplexed imaginings!  
City of labyrinths, curves, catwalks, and spires.  
An elegant evening strolling with you produces charming memories.  
  
In abandoned churches the ***** blessed us heathens with greater timbre and romances  
Than a thousand caterwauling religions.  
  
  
With Juliet's rose between my teeth  
My jaunty daydream burst out laughing !  
In the snug lamplight of home again  
Vines and evergreen ropes of oleander twined up to the roof and quite through!  
& Together we climbed it to find the proof.  
  
  
Refine your strength, refine your shame.  
By all means, breath deep, lustily!  
  
Even the body which drags weary feet.  
Even the nervewrack'd hours dark and steep .  
Midnight strikes quickly and time melts away, completely.  
  
Apprehend again the heart  
Before it washes away in the storm.  
This and all things that we cannot untie  
Should not bind us to an early grave.  
  
  
Here i grow too old for fearing frivolous shadows.  
The eyes fill with sleep - and then reopen.  
The eyes fill with sleep - and then they do not.  
The conversation carries on .  
  
At times perhaps we hear the ocean  
      grinding grinding  
Those orphaned spirits of old Edens,  
What soon again we are to become.  
  
  
But what is a home unwanted?  
                       it is nothing!  
  
And what is a life unlived in?  
                  it is nothing!  
  
  
The surgeon with steady and learned hands.  
The mechanic with hard and learned hands.  
The soldier. The mother.  The strength of one in solitude.  
The strength of those whom lean upon each-other.  
  
Bubbling bedfellows of rivers rambling  
in a forest of Birch and wildflower.  
The Odyssey in the park with you, under a pagan serenade of moons.  
The red blood of pomegranates passed between.  
  
The throb and churn of engines is lovely in its way.  
The darkness is lovely in its way.  
The present, the past, the future - all the sunsets,  
Sonorous in their way.  
  
Weep and weep into the dusk.  
But what do you imagine bitterness shall win you?  
  
    
The natural harmony and dis-harmony.  
Towers of strained hardening.  
The mud and the water.  The fire which governs.  
Grapes upon the vine, and diamonds in the mine.  
I provoke myself onward.  
  
And say let us speak hastily, neighbor,  
For what time is there to waste  
On expectant verses, and platitudes to over-made faces?  
  
I for one do not care much for dawdling beneath false skies.  
The realist parts of me know too well of life's harsh cruelties, and yet,  
                  realize also that reality is the theater of artifice.  
                  - and you are ever free to see it as you wish.  
  
  
The mirror changes with moods.  
  
  
I for one prefer the perfume of the moment.  
Nothing simplified, and perhaps, yes everything!  
The human smells and earthy musks.  The animal abruptness.  
The persisting imagination, the infinite onward.  
  
I for one prefer to hear the music outpouring  
loud and rockus,  
            Rather than the bells that morn us.
And so...
...From the Benevolent Ashes, We Rise!

in the catwalks, high above

this city, sleeping

in the parapets, twisting 

through darkened fire 

escapes to stars, lost 

in this complex maze 

the architects left 

behind - hope

runs out of the arteries

of their dreams

What's Hot?
Not me
Not a sarcastic response about the Sun
But maybe that ***
That just walked by.
We're going to need to buy more Catwalks around here

From parturition to bereavement
Your destiny is there
To gather to embrace
Or discard without a care.

From the moment that a father
Holds a newborn in his hands
And dares his thoughts to venture
To his baby’s future plans.
From the little boy who ponders
How to scale the mountain high
And sets his sights to conquer
Till he reaches clear blue sky.

From the moment that a damsel
In her frilly party frock
Plans a life of strutting catwalks
Clad in classy, fashion stock.
When a young man battles conscience
In his fight with lust’s hot sin
And temptation’s call to deviate
To ******* or crime or gin.

From the sloth of doing nothing
In letting time just trickle by,
To the driven soul who strives
To win each challenge with each try.
From the numbness of exhaustion
Clad in cancer’s deathly quilt,
Where the chance of a tomorrow
Depends on, largely, how you’re built.

As the cloak of family mantle
Shoulders mortgage, wife and child
With responsible compliance
To secure commitments filed.

And the burden of an aged life
When capacities do fade,
There’s a burning need to champion
The good destiny's, displayed.
Wherein to demonstrate the honour,
To the new incoming teens,
In showing destiny’s importance
To fulfilling our bold dreams.

Through the realm of our potential
In the great unknown ahead,
The joy of running with our destiny
Makes the future read as read.


Marshalg
@thebach
27 August 2011

I could grow old with you
Baby girl,
But I’m not looking for love,
My sweet doll,
‘Cause nowadays
I’ve a six shooter on my hip that I keep loaded
With three bullets
And three lies
And the pocket on my side
Has a lighter
And a key for a night,
They accept the fire
Because all six hit
Even though they went through the other side,
Always equipped with a smile
In case the tide rolls out
Or rolls in
Or whether she sink her feet into
The wet sand next to mine,
Standing on my two
All the time
And that too is all I’ve got left
For now,
But then
I’ll just breathe
when she catwalks up
With those grown dry eyes
And her own gun
To my stomach,
Red dripping from the jacket
As she whispers.

“Bleed slow, honey”

Having stormed the 2015 catwalks, the 1970s trend is now tilting its felt beret towards our make-up bags. Good news for the party season, when a red lip and a metallic wash on the lids are ideal for anyone who struggles beyond the realms of a slick of foundation, bronzer and mascara.

Because while the era's make-up is rich in glamour, colour and confidence, it's also easy to emulate. So channel Jerry Hall and Diana Ross, and let Alex Babsky, UK make-up ambassador for Lancôme, show you how to get the look with a contemporary update.

Take one (above)

"Choose one element of the glam look - a shimmery or emerald eyeshadow, for example - and temper it with a subtle approach to the rest of your make-up. Think a nod to the 1970s, not Studio 54 pastiche," advises Babsky.

Here, he layered powder over cream shadow, in just one colour, "for more oomph" - using Stargazer Eye Dust in 17 (£4) and Anthony Vaccarello for Lancôme Hypnôse Eyeshadow Palette in Green Fever (£38). The strong eyes are balanced by "soft, liquid bronzer fusing into light, illuminating foundation, with a non-clumpy mascara [Lancôme Hypnôse Volume-à-Porter, £22.50] and natural brow".

Glow show

"The basis for all these looks is a perfected, but barely powdered, slightly sheeny skin finish," says Babsky. Look for an illuminating foundation, such as Lancôme Miracle Cushion (£29.50), which Babsky used here, or apply liquid illuminator underneath your foundation; tryLaura Mercier Foundation Primer - Radiance (£29) or Lancôme La Base Pro Hydra Glow (£28.50). "Leaving your skin with a reflective, 'real' finish allows you to incorporate bold make-up accents without it becoming overdone," says Babsky.

Shining Star

The sticky gloss of the 1970s has been superseded by a new generation of high-shine lip lacquers. "They almost roll on for a super-glistening finish. You don't need to blot, and they are a lot more comfortable on the lips," explains Babsky, who here used Lancôme Rouge In Love lipstick in 185N (£22).

Lighten up

"These are all quite 'made up' party looks, with a shine reminiscent of the glossy 1970s, but with a new lightness," says Babsky. Where 1970s make-up textures were often thick and gloopy, the 2015 version is all about taking advantage of today's finer, more languid textures. "A real must is a cream or liquid bronzer to give winter skin a much-needed moisturising glow," he says.

Here, Babsky used Giorgio Armani Maestro Liquid Summer Bronzer(£39.50) with a fine layer of Lancôme Belle de Teint (£35) over the top.

read more:www.marieaustralia.com/formal-dresses-sydney

www.marieaustralia.com/formal-dresses-melbourne

Oh, there is light in such places:
The galleries of Soho, the catwalks of Milan,
The boardwalks of Blackpool,
But it exists to flatter, to obfuscate, to tell alluring lies,
A trompe l’oeil of a family picnic
Etched on the wall of an abandoned orphanage,
The siren song crooned by a spider
To the enraptured and wholly credulous fly.

Ah, but the illumination here!
The sun reflecting off the roofs
On those Bob Evans and Shoney’s you would shun,
The starlight backed by a host of owls, a symphony of crickets,
All serving to peel away the layers of artifice and cunning,
To be shucked away like so many cornhusks,
Allowing the secrets of the universe to be whispered to you,
Faintly yet unmistakably, and once moved by these epiphanies
What is to stop you from running along the narrow, unlined streets
And green open spaces in mad, unfashionable celebration,
Exempt from the clucking of the chic and the congnoscenti?

BLACK CAT

What does a black cat look like
In the light of an ancient moon,
Which can address his finest ways
While he catwalks the lands in gaze,
Paris is the place he craves to be
This any other cate would see,

Why the old cat walks around?
His eyes possessed the town
Until the light of the velvet moon
Helps him feel at easy where he could
Find a place to sleep,

This ancient cat knows what is best
While he lays his little head for rest
Where he could get up to do his best
On gentle grass in a social life
grace is always on his side,

Oh, how he dreamed about alleys where
food is in the cans of garbage bags
where kitties are play around
doing what they know in a world that is
evil and cold.

Poetic Judy Emery © 2017
The Queen of Darken Dreams Poetic Lilly Emery

Old men have thigh gaps;
wide expanses between those wizened poles,
Skin hanging loosely from faltering limbs.
Despite the thick broth gently forced down their weary throats,
their creases are not smoothed out;
the thigh gap remains.
Memories of firm flesh
haunt their dreams,
Caress their night terrors.
And all the while,
Strutting models court
Fluorescent catwalks;
their coltish limbs permeated by
crippling expectations.
On all sides they fall,
the weak and starving.
Yet absence is not the sickness.
Careful lies envelop
full plates of food.
Retching echoes
accompany the slam of the bin.
And as the pregnant waste spirals
downwards, to the sound of sobbing,
The old men smile
And collapse.

It’s okay to take risks
Here,
This dreaming threshold
Where we wander with the spirits.

You can balance upon
The narrowest ledge,
Cross catwalks
Hanging a hundred feet
Above boiling oceans of
Lava plains.

You can’t
Get hurt
Here

Go ahead,
Stick your
Hand in that strange crevice,
Put your whole arm in,
Feel around,
Discover a new mystery.
You’re safe here.

This place is magic
And you and I can actually tread
On the shimmering patterns.

You’ll know when it’s time to jump,
To leap off the edge,
To careen down to the earth.
You’ll feel it coming,
Feel it building.
We’ll carry you up,
And if you trust us
To hold you up,
If you really believe it,
Then you’ll
Fly.

A wave of tears gradually carries away the tides of night
Alongside the river that weeps in its current plight
Unheard songs play, to the dead man who loves to sing
A dead silent night, for two lovers to bury the hatchet
In the tomb of being dead asleep in their shared beds-
Waiting for what falsehoods all sweet dreams bring

As the rhyme for a kiss is hiss; the cobra that loudly speaks,
She purrs and catwalks the runway- while her love is expensive
But we pay for it all, as the clock writes out a free verse

Filling poems to the taste of love, for the apple of my eye
A taste so bitter;- with a snake inside that bit my tongue
In a sole of time, the heart breaks- as roses tend to be forgotten
And unfortunately, the apple to my love had gone rotten.

Does it really matter?
You still love me,
Congratulations.
And apparently he knows.
How does he feel,
About you making doe eyes at your ex?
If you loved me that much,
You should never have ended it.
But here we are.
The curtains drawn,
Lights out,
Catwalks and seats empty.
But still you return from your new role,
To sneak around backstage,
And try to corner the leading man,
Of a derelict show.
A  masterpiece you used to be apart of,
Until you decided that,
It...I...wasn't worth your time.

Why do your weaknesses elude me;
my black magnets
keep you at a distance
because
you're facing their
repelling poles

your hair strands are currents,
thoughts;
mind of their own,
tentacles
gesturing hypnosis...
who are they;
what are we,
but extensions,
body parts,
extremities,
intentions,
of a hive mind
unidentified

but I’ll walk these narrow bridges,
shifting as they are,
these catwalks,
hanging ledges,
and breach I will
the curtains of your
ink-spilled masquerade
to taste the sweet and salty
that you’ve saved for me

and you will know
in the contours that hold me,
the right substance
beneath telltale textures
of requited sensation

and we won't fathom the bonds
but touch what they bind us into
smearing the need for questions

It is hard
to watch you struggle
in those heels

your sullen vacant face
stretched
across catwalks
of nightclubs
breaking ankles over
the next bigger ****

In back alleys
of phat parties
under golden showers
for top pay -

******* pink
and brown
and you

A salacious parade
that lives
to lap you up
despite your pain

I can't watch it anymore

...but I just may pay

You’ll not see their like come race season,
Having left the premises to be replaced
By the preening breast-augmented and face-lifted set,
Shaking their heads and clucking sadly if one inquires
If they might have something
A touch smaller than a Franklin in their wallets,
Their smooth patter, replete with references
To Paris junkets and Milan catwalks
Occasionally interrupted by one of their more prosaic counterparts
(Hard-core players following the nags up from Belmont)
Stopping in to partake in one vice they’d sworn off earlier
While loudly disclaiming the other which had ruined
An otherwise perfectly lovely afternoon
(They’ll down their draughts in short order,
Most likely headed for the harness track
To drop a twenty on some longshot
Which bears the name of a long-departed grandmother.)
This time of year, though, they are ubiquitous
As the black and salted slush,
Sad souls slouching in after a bracing walk from Skidmore campus
Or some down-at-the-heels apartment on Alger Street,
Forlornly popping into some quiet booth
With the familiar long-distance stare seen in those
Beginning to grasp the truth that one
Is an object of prey in a very small pond indeed
(Likely a semester, no more than two certainly,
From having their undergraduate epaulets
Torn unceremoniously from their shoulders)
Being as quiet and unobtrusive as church mice
Until a half-dozen or so Coors Lites
Leads them to pontificate on the injustice of the universe
And if they have not decided to stagger home
Or degenerated into desolate tears of self-pity,
They are wont to dispute the existence of the Almighty,
Saying with a conviction which would be impressive
If expressed by Beelzebub himself
That he does not exist, that he cannot exist,
Though the body of proof cited in support of the proposition
Tends to be fragmented and rife with circular reasoning
(We know that they’re most likely drinking with false ID,
But they are invariably pedestrians—let them have their moment,
Only threats to themselves, after all.)
As for myself, I’m of the opinion that faith in the Hereafter
Is that rarest of bets, an absolute bet-the-chalk- dead- cert
Where you walk to the betting window clutching house money.

My actions can no longer be defined
As I dance across the catwalks of my mind

I dare not let myself slip

Gazing down I see a faded clown waving back at me

Mouthing words that sound so absurd coming from a painted expression

''Descend so I can ascertain your motives'' it cried

Climbing down I see it's merely my reflections sense of humour and I screamed

''Suspend my silence for the sake of nonsense I suppose you have that
right!''

Startled by my outburst I watch myself begin to crack and falter

I panic knowing this is no place for a showdown

I fall at my feet and hysterically shatter for stability

Gathering up my pieces I mumble my motives

''How dare you disturb the cleanliness I have brought to this madness''

Putting them in my pocket I make my way back to normalcy

My actions can no longer be defined

I dance across catwalks in my mind

I dare not let myself slip

Gazing down

I see a faded clown waving back at me

Mouthing words that sound so absurd coming from a painted expression

''Descend so I can ascertain your motives!''

When I come down...

I see it's merely my reflections sense of humour and I screamed

''Suspend my silence for the sake of nonsense I suppose you have that right!''

Startled by my outburst

I watch myself begin to crack and falter

I panic knowing this is no place for a showdown

I fall at my feet and hysterically shatter for stability

Gathering up my pieces I mumble my motives

''How dare you disturb the cleanliness I have brought to this madness''

Putting them in my pocket I make my way back to normalcy

I

for weeks prior to your death i sat with a premonition
of bad writing and a toothache -
not that i ever thought much about my writing -
or that i would have to think very little of it:
more on the lines of - id est quid est -
                                      mind you - i took my mind
off writing by working in the garden  -
the pergola had to be erected so an evergreen could
be cut down -
and the wisteria that was hugging it
could be cleaved from it and dropped onto the:
prior mentioned pergola...
there was some light cement work on the fence:
a little trench had to be dug so the neighbour's
weeds would not burrow beneath...
                all that since i last saw you -
come late july - most certainly - no... wait...
come to think of it... it was late august...
me and your son-in-law (my father) were driving
across all of europe -
and on the way back i remember the heat on
the belgium france border...
                 it was an immense sensation of
whale lung thrown onto a frying pan of a stoney
beach... or at least: the sensation of stickiness
is how it could be imagined -
                perhaps that's how you can ever
begin to read a bruno schulz's cinnamon shops -
immediately from the first sentence:
that barrage of ultra- something or other:
ubergrammar - no... just that necessary style i am
yet to accustomed myself to...

II

that was 3 months ago - and i'm still learning
that: we live by regrets and memories -
which are hardly sins -
just as i remember, you'd say...
'call me every month and check up on me,
call me up and say "hey grandpa! how's
it going?!" i know we both can't talk
on the telephone - to talk you need to see
hands move, you need a face to peer at...'
that is my regret...
although the last words we exchanged
were about you wanting to buy me the rest
of karl ove knausgaard's mein kampf...
which, 3 months later, i knew you would...

IIIa

i've finally sat down to scribble something
down - if i were using my right hand
and a pen on a piece of paper
you'd immediately recognise my hand-writting
and tell me how unrefined it is:
that i'm chicken-scratching -
that i write like: kura pazorem -
   and i'd tell you: precursor of the next
stage in the process: i'll be typing
through and through...

      you died on the 23rd of october
at 5:30am if i remember, 5:10am
sounds better - circa -
            your wife (grandma) called
circa 11am on the 22nd of october and left
a message - i was out walking
complaining: how i'm not alone enough,
premonition after premonition -
she called in a confused state although
i beg to differ - that you were heaving
your last pangs of life
in a hospice - or that she just placed you
there...
i had my ticket booked for the 24th hoping
to catch you: just yet...
on the 23rd i was told at 8am...
your daughter my mother told me
upon waking, then left the house to pretend
nothing had happened...
i got up, cleaned the house...
i begged a deity or simply ex nihil that
i might cry that i might be left with
a sinking sensation...
by evening i was sitting with a headache
worth a siamese twin and hardly
welcoming the next morning where
i would fly out...
    sketchy: barely any details...
and that's how sorrow, grief, anguish...
began to creep in...
the tears your daughter cried...
i would gentle waver in a pseudo-dance
with her in the bathroom
as she cried into my shoulder
and would later
blow her nose into my t-shirt...
it pained me that i was unable
to release my heart from these piles
of rock...

IIIb

it's the 1st of november: guy fawkes night...
i'm sitting sipping a 30% cherry *****
and pretending to chase it down with some pepsi...
3 months ago i told you i quit smoking,
i lied and i didn't lie:
i continued to smoke 2 a day -
when i wanted to write, when i pretended to write -
and on the odd occasion that i proved
to myself that i was writing: i smoked 3 per evening...
hardly the usual pack a day...
3 months ago when i last saw you
i didn't smoke a single one...
for the last 3 weeks i saw you...

IV

the most vivid image i have of you is you
picking up knausgaard's autumn and reading
an extract about eating apples -
how he never leaves apple cores -
just eats the whole apple so that there's
a pleasure and then a debt at the core:
of bitterness -
i pondered this twice on a walk...
if you leave enough flesh around the core...
three bites along the length of the apple...
and you fiddle the apples seeds
with your tongue and teeth...
there's hardly any bitterness of...
eating an apple like a magician...
hardly any lesson invoked concerning life...
but that wasn't our usual conversation:
you already exhausted your cameo cinema
of memory to the point where
i would remember the surnames /
names of the people in your life...

colonel zydaczek in your days
as a military gendarme...
on parade in warsaw...

V

the intricacy of the hell that is family...
i can't be fooled about how unhappy your marriage
was...
kept for reasons of propriety or some other:
safety mechanism or the best kept excuse imaginable...
what might have been preserved if...
say... if i were the sort of man that was born
into the 20th century -
                many years prior to 1986...
you would have been a great-grandfather for
at least 10 years...
it was hardly necessary to be the only grandchild
but that i was... and remained...

VI

you're dead and i'm still three-quarters alive:
how can i write some solace for myself:
how can death become this spectacular cut-off
point where i can no longer harvest
any memories of you...
you're dead and i'm lingering -
not completely debilitated:
just unsure whether a mountain is this
grand metaphor for something
that is:

today i tested whether grief is an aphrodisiac,
i ****** off to humbert humbert's
fantasy since it was already freely
available and felt no need to go beyond
what was already taboo...
then i took a shadow and i knew that
if on high: herr omni- c.c.t.v. cyclop eye
would not be looking at such details...

you're dead and i'm not going to beg
for rhymes and odes -
to write some miraculous epitaph -
beside cutting up onions today -
tears! finally! tears! i managed to cry
authentic tears once more!
it only took cutting up an onion to do so!
but, with such tears...
no softening of the heart -
heart's still a stone...
and brain is still... hardly a whirlwind of
disposed thoughts
and only: pickled with eye, ear and tongue
extensions:
pretty hoarding fungus chappie: sort of...

VII

i'm happy to tell you the world is still
"happening": whether by concerns for dasein
or a lack of thereof... but the mud / **** flinging has
never been greater...
you took the best of what autumn had to
offer...
a bouquet of bronzes and geld,
of frivolous yellows and burnt orange translating
itself into bold deepenings
of transcending prime artifacts of:
her gown of sweet scented rot: of(f) brown...
you should have seen the light
as it married itself to a fleeting of once
formerly amen of green...
the blistering sky as blue as a aristocracy of
angelic blood: formidable events took
place: i imagine you were in conversation
with someone...

VIII

the ceremony itself was unspectacular...
if the restrictions weren't in place:
i imagine many more people would have come...
three women stood out from
the rest, i imagined them to be your
former lovers...
i stood at the entrance of the church
not wanting to talk to anyone...
closing my eyes i moved from side to side
like a tree teased by the wind...
you were attired in prof. trim of navy
as i was... black can hardly be associated
with mourning or with a funeral...
i chanced upon navy...
grey was also visible...
but black is for paupers / plebs...
something more refined was in order...
navy or a darkening - charcoal grey...
we talked about this: or at least i imagine it
to be so: black is reserved for
priests and for crows...

IX

since your death i have found a return to england,
every time i left you, i left dear mother,
poland,
i guess not anymore...
since the headache of all the formalities:
and your son (my uncle) being so unbelievably
circa 50 years old...
never mind... and your wife (my grandmother)
i landed in england as i only landed
in her ***** only once prior:
the first time -
hardly excited like the first time -
but content that i... don't really have anything
to return to: that feral land...
for the first time i can become
so carelessly formal: expediently pressed
to poker my stay in those black-holes of
a land: you were dying like a patriarch
of former communism when
abortions rights were atheistically pronounced
and liberally secular...
the women came onto the streets
in protests of their rights being removed:
that they would have to give birth
to deformed foetuses...
notably? because by biological deficiency:
they would still have to be born...
since ****** or **** didn't play a role...

barbarous land of catholicism...
and all this time i was like:
so... what's it like then?
i ******* into a tissue and flush it along
with the crocodiles...
am i committing genocide?!
if i were given a fixed amount of *****!
perhaps... but this ***** comes
like glue or salt in the oceans!

Xa

in the prosektorium...
             the dissecting-room... the morgue...
after all... i knew that walking around town
and putting up the necrologue would be easy...
3 x 100ml of ***** bravado and i was:
pirate-chested hairy!
my long coat and all the your pearls of beauty
would start calling me gwandp'ah...
the bureaucratic details of your death:
someone had to identify you in the coffin...
i was expecting something: completely different...
i'm not sure someone can prepare
you: prepare you seeing a dead body...
esp... a dead body attired for a ceremony...
hell... i've seen a roadkill before:
a fox... i kept feeding a fox for a month...
seen a fox up-close...
i imagine a dead body "by accident" is a lot different
to... i've seen a  man knock another man
dead - one blow to the head
and a pancake on the street...
it's a bit different... seeing someone...
so well presented: for: the ceremony...

Xb

upon entry i remember the colour of the tiles:
what a bewildering window-shopping
reference, a sponge of a waiting room,
i don't really knew what it was that it was
supposed to be waited for:
identifying you:
you adamant to not get new porcelain worth
of teeth: milkshake baron you...
slurp up the rest of your meals...
i supposed... you and your missing
prosthetic teeth...
but first came into view your shoe:
which wasn't yours...
but as an extension of your feet
i guess it was...
it was "just there"...
             NUR DA...
                     peeping from above
the horizon of the coffin...
teasing me before i would come
antlitz zu antlitz...

arms folded: immaculately cut fingernails...
a bruise from the igrawka
of dryp dryp dryp...
your sunken cheeks...
your lips stitched together:
yet your sunken cheeks...
your inability to borrow a jaw... strong enough:
that pearl of a pear of your chin...
your frivolous last expectation
of the already lost hair...
of course i couldn't be a pure
atheistic / materialist -
i was a child again: i wouldn't call it
a soul: i would call it
the sigma-of-animation...
the sum-of-animation...
obviously this was missing...
that detail that essence was lost:
the earth implored for the body to be
paid as ransom...

but there you were: face somehow
recognizable: yet returned to the generic
project of the dead, the babes
and all those daddy-long-legs
anorexic models parading exhausted
beauty on catwalks of:
skin a leopard... dress a skeleton etc.

now we have conceived that:
i want to drink to tell the truth...
i will not revise this like some comedy
sketch:
it's not the best i can do:
it's all i can...
let's not pander to critique or a lack
or audience...

Xc

i do remember a "little" detail concerning
you...
you were a philately enthusiast, weren't you?
no wonder only i among the closest kin
wanted to sleep in the room
where you least heaved:
spewed some blood and were
surrounded by books...
and there be postage stamps!
i "stole" 4 albums with a collection of
them... i hardly think of selling them
to pay for electricity...
believe me: sooner i dead in belgian
euros or swiss franks at a dignitas clinic
since i'll be left completely solo
than have to...
sell them to sustain myself...
but as it happens... your wife...
my grandmother... was furiously tasked:
well... tasked me...
with withdrawing the 500zl per day
of all you 7000zl worth...

money money money:
i do wonder what grandma will spend all that
money on...
i don't think i'll want to inherit:
but these stamps are...
well... i have photographs of you from
1965 when you were still a young man...
but you were my grandfather:
i own your identity card...
with a photograph taken circa 15 years ago...

the circus / the church already stated:
you have died you are relieved from
all things temporal...
why the spatial details at all matter:
coordinates "hier" coordinates "da"...
and "sein" and "abwesend"...

you became a brother at the funeral...
you were no longer hierarchal with contest
for power broking future and past...
my brother: not my grandfather...
the priest: father, said so...
       *******' load of hierarchy:
fiddling sputnik violins from kindergarten...
roman catholicism...

grandmother still stresses her upbringing
ever-more...
she still thinks we are vermin-people
and that ****** should have started
with us rather than with the hebrews...
you and i know that's
a ceremony of: no comment...

how would you have detailed this approach:
i know how you would have:
it's not even worth mentioning since
we would already graze upon a superiority
complex with an inability to brush it off
with a laugh...
because we wouldn't laugh...
it would be a a headache to detail:
and i was born with this "other" half
included...

XI

look! we're nearing the devil's dozen...
which comes to the clue:
13: as jesus the hey-zeus!
       proto-paul and the propaganda
of how the hebrews and the wounded greeks
overthrew the romans...
ruled for a bit... and then...
come... the ottoman turks...
sort of... gave head....

XII

we could joke: ich: the plural ownership of they,
ich: haben - that deutsche and i,
one might always expect a dog to bark
come the night...
no no... this all too much detail for all:
the necropolis of poland that's nuanced
egypt - they have to buy up lease
for their graves...
carve out graves without dates of death:
they buy out 2nd mortgages of pyramid
democracy and crux...
the hebrews left pretended to giggle:
hard torn with the ashes...
me buying up history which could
never compete with an anglo-1960s
detail: snippet...

XIII

that i find an oyster wriggling in
the shell that's a skull that's somehow
a chewing gum's worth of a tongue...
this phantom of ***** white that's white
that's also stained with burgundian lashes
of agony of sipping wine
while spilling it over the cranium
of golgotha...
scalped...
learn to detail this new graffiti....

XIV

i talked to Paul before i took toward
the darkness and two ****** pretending
to be virgins upon the mt. of Kierkut...
he asked me how tall i was...
then he stood a step one above the tally
of my count, above me...
to measure up...
  and as he talked i had no face:
he would only concentrate on the region
that was supposed to be an ownership of
my heart...
once... i talked to a nurse on defeaning
tube train...
i was lip-reading...
but this thief: he told me... Piccadilly Gardens
of Manchester...
in the prisons with
the russians... and those that punched above
their weight... would inject vaseline or
whatever might... cushion a "sudden"
disappearance of knuckles to
make a full-fat-pouch of a fist...

poluse... not ******...
this guillotine measured "short" would bemoan
his luck with women...
around us... women walked like
sacred cows...
any old mongol would have... would have...
soud-hampton high on Herra...
this is just after your funeral...
i had to take a walk and pretend to
breathe and own a dog...
my list of excuses writing you
are drying up...
what with the promises of the islamic
republic of the world...
all these untouched all these
unloved virgins of the wriggling harem...

XV

arktyka - antarktyka -
antarktyka - arktyka -
             sąd - sad -
  sad - sąd -
      judgement - orchard -
           arctic - antarctic...

XVI

an... AFFOGATO...
well... that's 30ml of espresso...
and... a scoop of ice-cream...

XVII

what daughters-in-law there could have been:
if... bread was skimmed...
and the milk was...
trickling down from heaving...
stones instead of believing oneself
to be a courtesan of cows...
what promises governed the hebrews...
when... for what was their lot:
and subsequent loot...
the qurun drilled a blackening portal...
the arabs celebrated...
the russians would always inherit
siberia...
estonia was given  snippet
of the baltic sea curated by the danes...
lithuania shrunk into memory and beyond...
germany frau benß fur immer merz...
the huns / gargoyles in southern greece:
i.e. and northern macedonia...
balkan pirouettes of detail:
regained pride...

ah! ya!
ß = "z"
s = s
c = k
z = "c"                 jawohl!

XVIII

herrbittebonbon!
and your finger sticky from all that
SS-toffee...
translation: herr! bitte! bonbon!
which you always were...
the 1939 prior to the "adventures"
of the 20th century...
which sedated the grand yawn
of the british empire come
the zenith last exhaustion of
the 1960s and then some
"tremor christ" quasi canadian
for the finicky "end-of" summary
of a ******* football match-up...

the ottoman Janissaries vs.
the egyptian Mamluks!
   vs. the Mongolian horde!
                 in german it must sound
universal:
ist der straße gerad(e)?
to hell with asking in one's native
spreschen... future bent... nuanced got...
this returned alt vater spreschen...
i come with a shadow that
king arthur combated...

XIX

i would be writing a wriggle of russian:
if i were also writing enough finesse of
diacritical detail(s)
but given this diacritical blank:
dyslexia prone pro-latin english
UMPIRE stutter EMEMEM EM...
i would be: but apps don't work
with cyrillic or ancient turkic...
chopper
čopper... wait... what use is that...
extra P?
            çopper?
hiding the "jew" the god... the mammon...
H - one leg one arm of
the tetragrammaton...

        i don't actually mind...
it's not a conspiracy low i.q. "theory":
the dictates of rhyme and fact...
best posit a revision of
punctuation:
the hyper-stressed: newly arrived at
jerusalem kippah brethren are:
insomniac: "somehow"!

it's more a: huh?!
"they" missed the poetry train
and the hyper-cultural-reinvention
of the 1960s... still stricken-blind by
what... erik lehnsherr (henry hillside)
had to endure...
what are these puffs of blistering
a pyramid a sight... these halves?!

like we'd had to total: amost...
a crew of party poopers...
we were we are... these shadow-deafness
"equipment" best excusing:
           für immer fortschritt!

     tsukunft: in ergets nit...

  so much for hebreq married to germanic...
and not to the neighbour... zunge...
yiddish wasn't born from ****** tonguing
long: oi! oi! lithuanian spears!
the last remains of paganism...
by prior to moscow... blah ah ha ha...

it's not like the jews married themselves
to ****** or russian...
they said their jingle-bells with
pseudo-germanic:
yiddish... didn't they?

**

i've just seen a corpse readied for a funeral...
coffin and all...
walking through a graveyard
at night is... all too easy...
come to think of it...
i want to sleep in one...
my mortal democratic oath:
i can wait...
no matter...
give me two sponges and enough of them
soaked in acid to wait...
allow my tongue to get drunk...
my ears to succumb to deafness...

how you could deviate from german
with a spice of the odd 'ebrew...
you could...
yeah... i'm one part convinced this
secular niqab tactic does work:
as long as the arabs own
all the yachts and the air-conditioning
and all the camel milk and leather...
but... once they show...
entry points for disgruntled
mongolians...
        
        my corpse is waiting
for the 22nd century for all this to become
a promethenian platitude worth
of yawn as any... prior:
or future:
but thank god...
i'll be left without having made
any genetic investment...
perhaps an idea of mine...
perhaps some artifact that i allowed
myself to keep for a transition
period...

der ende!
as it happens... the world is...
my grandfather died...
i have little concern for the better half of it...
i'm cradling a wound of a quarter...
i guess that's how you
contest things passing guised in
matters of a temporal inquest...
however it goes...

drunk this night...
sober... two nights solid tamed with...
the worst kind of sober:
a socially expected sort of horrid;
a 14 day self-isolation presccription;
otherwise? me?
jog-friendly... whiskey and cat's whiskers!
*******! birth of h'america come
november!

empires die in afghanistan:
among the pashtun women.
oh yeah... lived for being fed the soul
of Karen and Mr. Surprise: a Gein Mommy's
Lover Boy -
butz the baconz iz oh soz sizzlez! ya?!

beautiful model
catwalks in white wedding gown
buyer falls in love.

Cats
We are looking
after a cat
it is white and yellowish.
I feed it and clean
the litter box.
The catwalks around mewing
and shedding hair
on sofas and beds.
I hate the ******* cat it is
not friendly, sometimes the cat
go on the veranda on
the seventh floor
and it isn't falling down.
I like a dog can bond with it
take it for a walk and they will not
hide in empty boxes
or in your cupboard.
The lady ‘cat owner
will come and pick up the moggy
her little wonder
today and it will not be missed.