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"caricatures" poems
On my skin I wear the bands of shielded sun. Commitment to the heart makes this skin colour run. With one liberal hand, I tear down these branches being hung, to shower in yellowed leaf confetti. These forest roots ran like hair line skull fractures, under canopies blooming red from the sunlight rapture and now these trees leave their taller brothers to fall as ashes, with ivy on my ankles, stifling hope up to my chin. Living memories, my forest sheltered, scrambled for home; small pretty beasts, unrefined, breathing caricatures with bones. Screaming they beg for attention, inattentive to this situation as a whole. Our own view is all we can consider. This house of cards built on paper-cuts, from the trees before. I'm now growing wiser to my winter freeze and your summer thaw. I need all of these things I hate about me, and they can never be ignored; a psychological pre-disposition, the only one I can afford.
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Sep 1, 2013
Sep 1, 2013 at 10:59 AM UTC
Deforestation of sunbeams
Mirrors telling lies    makeup          Painting illusions,                    Stains                       On                      Lips Making caricatures from my face, a Character in its place, playing Narcissist    every    day. If I love me they will come, If I love me they will stay. This part masks insecurity, If I say I love me, won't they?
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Jan 7, 2014
Jan 7, 2014 at 2:20 PM UTC
Playing Narcissist
There’s no point in *********** today, Because I’m not looking for skin... Today it’s cosmic electricity. Because I can’t smell the screen's pheromones, And there’s something to be said for chemistry. Because I can touch my own ******* But familiarity is hard-pressed to impress. Because the only scraping and biting here Is far from raunchy; my teeth are restless. Because people have **** opinions and nuances, And today I see caricatures but no people. Because it’s all poor, uninspired acting, And the only singular thing I want is truth. The only singular thing I want. Is truth. Nothing against *********** Today or ever. But there are some lonely stretches When I’m perched on the edge of the world, Aroused to adventure, And Life is buzzing past me And I desperately want to rip into it And savor and lick and **** out its seed And reach into its hair and pull hard As we bruise and break each other And SCREAM OUT -- LIFE! Where redtube just won’t cut it.
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Sep 9, 2012
Sep 9, 2012 at 4:50 AM UTC
There's no point in *********** today.
sure, first we had the schism of the church & state... "oddly" enough... we now live in the 2nd tier of schism -   the segregation of                   state & media... no?     really?          we're not?!            i'm kind of enjoying this ongoing schismatics -     the segregation of church from state, at least left us with the Vatican (i.e. the church-state) - but this, current... segregation of state from the media?       **** me cram my testicles into a monkey-wrench and subsequently watch me laugh... and there i was thinking, that psychiatrists, were the new priests of the secular age... prescribing the alt. to the metaphor of cannibalism in the form of big pharmacological pills, to replace the wafer for bread, or the watered down wine / grape juice of the...     so how does that party trick goes? is that the wine turned into blood? symbolically:    turned water into wine:    flag-wise...   white,        cardinal...   and then burgundy of cardinal red teasing the bishopric coloring of purple? i'm not here to undermine the faith...    i'm here for the self-deprecating humo(u)r... you don't even require atheism to get a laugh out of the conundrum - you, simply need... the deviation from the catholic rites...            an apostasy - but sure as **** it's there... secularism has allowed journalism a monastic status... first came the schism of church from state -    which remained intact in the church-state of the Vatican... so... FAIL... secondly had to come the schism of the state from the media...                i'm watching a schism take place...   apparently...         the comparative concern of church's divorce from the state was easy, having imploded into the Vatican... but the divorce of the media from the state?         apparently... not so easy... the media is already locking-down on obstructing the schism - arguing from an entertainment perspective...        a century or so later, and still, the persistent, media symbolism -      of crafting caricatures of a state...    as the state embodied in nothing more than subordination to its will... media is the new church... and if the separation of the state from the church took so long... how much time, do you "think", it will it take, for the state to segregate itself, from the media baronage? i suspect - as much time as it took to segregate itself from the church's cardinal-lineage.
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Aug 3, 2018
Aug 3, 2018 at 11:34 PM UTC
an apostasy humour
sure, first we had the schism of the church & state... "oddly" enough... we now live in the 2nd tier of schism -   the segregation of                   state & media... no?     really?          we're not?!            i'm kind of enjoying this ongoing schismatics -     the segregation of church from state, at least left us with the Vatican (i.e. the church-state) - but this, current... segregation of state from the media?       **** me cram my testicles into a monkey-wrench and subsequently watch me laugh... and there i was thinking, that psychiatrists, were the new priests of the secular age... prescribing the alt. to the metaphor of cannibalism in the form of big pharmacological pills, to replace the wafer for bread, or the watered down wine / grape juice of the...     so how does that party trick goes? is that the wine turned into blood? symbolically:    turned water into wine:    flag-wise...   white,        cardinal...   and then burgundy of cardinal red teasing the bishopric coloring of purple? i'm not here to undermine the faith...    i'm here for the self-deprecating humo(u)r... you don't even require atheism to get a laugh out of the conundrum - you, simply need... the deviation from the catholic rites...            an apostasy - but sure as **** it's there... secularism has allowed journalism a monastic status... first came the schism of church from state -    which remained intact in the church-state of the Vatican... so... FAIL... secondly had to come the schism of the state from the media...                i'm watching a schism take place...   apparently...         the comparative concern of church's divorce from the state was easy, having imploded into the Vatican... but the divorce of the media from the state?         apparently... not so easy... the media is already locking-down on obstructing the schism - arguing from an entertainment perspective...        a century or so later, and still, the persistent, media symbolism -      of crafting caricatures of a state...    as the state embodied in nothing more than subordination to its will... media is the new church... and if the separation of the state from the church took so long... how much time, do you "think", it will it take, for the state to segregate itself, from the media baronage? i suspect - as much time as it took to segregate itself from the church's cardinal-lineage.
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/I dreamed that wrinkled fingers pointed me backward down the road to teach me about faith./ there’s this plastic imitation leather peeling off of my steering wheel and it caught the edge of my chin tonight: like a fingernail if I closed my eyes. I re-find that people are flawed, that I value flaws in a certain lilt or lighting— I fall deeply in love with confidence like that but fail to pull it to my own cheeks. we’re microwave dinners, have you noticed that? showcasing our dreams in caricatures we later regret. we’re rotating in heat—pressurizing for perfection, warming our raw insides to blend with what we see. (it felt like a fingernail if I closed my eyes.) spines are expressive—they make us easier to read. no spine is more inclined to bring eyes the rising sun than yours. our spines are expressive—they make us easier to write.
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Jun 4, 2014
Jun 4, 2014 at 9:11 PM UTC
if I was a janitor for the rest of my life I’d be happier than your teacup yorkie
The words you produce are poison The type that spreads fear It's an echo of oppression That mutters close to ear You think it's just for fun Just a quick win For you it's a passing comment But for me it's embedded in my skin 'They're just words' you say, You're a freak, man, **** 'Remember what you're worth' That's what it really like, You don't think before you say Whenever you speak these slurs You perpetuate the hate Masking me in caricatures So next time you begin to say, Those little words to me Please check your ego, And ******* let me be.
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Jan 11, 2015
Jan 11, 2015 at 9:18 PM UTC
Word on the street
here is something that mother told me about god complexes: “everyone believes themselves to be gods among men: even that hideous monster from your half-remembered Hellenistic dreams will retreat back to his craggy hideaway and continue with his hedonistic ways. the poor creature: he will don a halo, iconize himself in caricatures pretending that if for a moment his veins flow ichorous that Icarus may have envied when his wings beat in tandem with the footfalls of the sun chariots’ horses. “the sun shines upon hallowed ground, though Polyphemus will avoid Helios’s scornful gaze. he herds sheep––his only acolytes–– an unabashed king in his realm, like a god plays war, or as a child would play house, humming hallelujah, veins running gold-blooded. when moon rises, he will hang his weary shadow at his door and retreat to his fire-pit. perhaps this will be the closest he will be to the gods, basking in the heat of Hestia’s humble hearth. “in the end,” mother said, “Nobody will end up deified. Icarus may have rained down wax and feathers in godlike fury before tilting his head to Helios once more; Polyphemus waded into the sea, eyes clouded in godlike fury before resigning himself to fate, head bowed.”
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Oct 16, 2016
Oct 16, 2016 at 12:24 PM UTC
POLYPHEMUS
The soul, O ganders, flies beyond the parks And far beyond the discords of the wind. A bronze rain from the sun descending marks The death of summer, which that time endures Like one who scrawls a listless testament Of golden quirks and Paphian caricatures, Bequeathing your white feathers to the moon And giving your bland motions to the air. Behold, already on the long parades The crows anoint the statues with their dirt. And the soul, O ganders, being lonely, flies Beyond your chilly chariots, to the skies.
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Invective Against Swans
I laugh at the sound of the wind As it echoes through my mind Telling me stories of memories I had previously left behind with caricatures of faces I can no longer remember in reality And songs from past places That bring me down with the emotional gravity And I was my thoughts spin around and around I get dizzy from the intensity and my sanity Can no longer be found Yet I can still hear the wind And I laugh at the sound
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Sep 15, 2016
Sep 15, 2016 at 8:17 PM UTC
Laughing Until The Crazy Settles In
Good Witches do not wear dresses of peonies they do not say “I am a Good Witch” they are not caricatures of happiness Good Witches wear sunsets like cloaks they run with bare feet exposed limbs and snake hair through forests and foggy minds They jump over stone walls laughing as the sticks crack beneath them they drum their midnight black claws against tables as if they were raised by wolves and divine your future in sidewalk cracks modern-day Cassandras, better listen listen they do not say “I am a Good Witch” they smirk, bear fangs forked tongues spilling magik like moonlight and make you figure it out yourself
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Mar 16, 2016
Mar 16, 2016 at 7:32 PM UTC
Good Witch
I felt you kiss the edges of my gypsy soul last night. You laid aside my armour So rusty, yet so bright. All the poets in all the bars hung by Morganna's violet hair casting ideals towards the stars wept when they landed elswhere. I let you take the diamond from between my broken teeth; and laid the hunter to rest tonight never to repeat. Our bodies told a story full of puns and lifeless caricatures, for the people we once were that lived within this parchment of our long forgotten dreams.
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May 30, 2012
May 30, 2012 at 11:46 AM UTC
Gypsy Soul
We being so hidden from those who Have quietly borne and fed us, How can we answer civilly Their innocent invitations? How can we say "we see you As but-for-God's-grace-ourselves, as Our caricatures (we yours), with Time's telescope between us"? How can we say "you presumed on The accident of kinship, Assumed our friendship coatlike, Not as a badge one fights for"? How say "and you remembered The sins of our outlived selves and Your own forgiveness, buried The hatchet to slow music; Shared money but not your secrets; Will leave as your final legacy A box double-locked by the spider Packed with your unsolved problems"? How say all this without capitals, Italics, anger or pathos, To those who have seen from the womb come Enemies? How not say it?
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The Children Look At The Parents
I flirt with falling Weightless in the illusion Catch me, air Catch me, trees Catch me water Dangling over ripples Interrupted, they scatter Soaring circles Arcs in time We are interlocked, intertwined. "It's like titanic" But I'm the only one with my arms spread wide I shuffle my feet closer to the edge All is emptiness And fullness "I feel like I'm floating" Two smiles hover either side The third has found solid ground And my favourite people in all the world are here And scattered in the other-land Left behind: One *** ***** of foreign species One single-authored message "He stole the paper back" Eyes are anxious caricatures But that's just how he do. Under now, Earth clings: "Don't leave me again" We serenade our climb With discordant harmony
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Oct 2, 2014
Oct 2, 2014 at 5:38 AM UTC
Discordant Harmony
I am the kind of guy who goes to bars alone with my headphones in, munching on a cigar with half my brain on iambic pentameter and the other half on the feeling of a girls thigh under my lips. I love the moon and I love the sun but both can be too bright and too dim at the same time. Red lights don't exist and my soul wants to be wild. The colors of the world scream at me in silence and I smile with closed eyes, just living in the few seconds given to me by whoever is holding the knife next to the string. This world, these people, living their lives like caricatures of trendy Hollywood films and fashion magazines leave me weary and disoriented. The laughing man next to me in ragged clothes and missing teeth calls to my curiosity more than the man in a pressed tux trying to sell me expensive cologne on expensive advertisements. I don't understand, but I want to. There is a pain I feel every morning and every evening. It flows through my bones and courses through my veins like a patient army, building their palisades around my heart. It makes my mind swirl in anger and beauty. The pain on being here. The pain of floating through the universe on a spinning fishtank. The pain in every breath. The hell in the foundations of eden. The pain of my existence.
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Feb 8, 2015
Feb 8, 2015 at 1:46 PM UTC
The Pain of Existing
The corner restaurant is a rendezvous of ghosts: wholesome weeping wannabes, caricatures of caricature people, large heads and drooping eyes, haunting cold coffee mugs, burgers with fries, buzzing waitresses exhausted has two kids back home and a young guy, his hands deep in soapy waters and plates, sweat stained shirt and forever o clock shadow wishing he was someplace far, he's new but that one's not, that one flipping canned meats, beer gut hanging low, been here since 1975, used to play the guitar for a band, the doors swing open, "Hey man, how long y'all open?", boasting a cigarette mouth, coughing and yellow, "I gotta get on the road but what pies you got?", a 'Nam jacket zipped up, he sits while the jukebox sings a cancerous voice and narcotic trumpet, and two lovers are lost in the saturn moons for hours, wandering alien spaces, the envy of no one, all the clocks crack the midnight bouquet, the register rings, the phone rings, the manager scowls, "Someone give her a hand!" mascara caked mystery howls as her order nearly flips as the struggling waitress loses her tips, and it never ends, the "help wanted" sign shines beneath the neon fright, like moths attracted to lights, a newborn waddles inside.
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May 17, 2015
May 17, 2015 at 9:33 PM UTC
Levitation is Optional: Scene
6 sides Latent enabler Counterpoint to truth, amorphic Dada to life Callous Birth Islands dripped in collagen Mystic, effortless life Tempests laden iota in tune Riven Licked flat, obtuse Crescent stench Pagan cells Hazard the thought Pick the Atlantic cherry Reach further than comfort Pushed & consumed Spirited paste Jesuit told in spheres Lament interest, matted quill Totem, Saxon tribe Inflections of hearsay And Swastikas on parade Guilt of the blacksmith, undecided The arms of tablets Ashtrays & tropospheric light Another page turned Capsules filled with perfume Loose skin lost in relics Temporal lobe Cautioned indignant Pardon the prose Sonnets dissolved in ethanol Caricatures of the fleeting Of our cities last broadcast Absorbed by times gone Glittered pestilence Canceling subordinates, powdered Semtex Soup of the sewer Lift the butcher above your head Nazca lines Suborbital Silk screen with ***** Horizontal qualm toward revulsion Incursion Calm, cued and cubed Lab coats coated in pharmaceuticals Base compound, ionic bond Covalent CNS Sympathetic vibration Default to nature To theorise movement Agitate intolerance, turbulence Beautiful thought Calculate causality Passenger of licked lips Token to latex Croft in ear, to taste Unlaced tips, rings of halothane Bliss Intrigued with obscurity
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Apr 16, 2014
Apr 16, 2014 at 1:33 PM UTC
Boerdijk–Coxeter helix
*Minkymonks are funny things I thought you'd like to know They're neither young nor old But never seem to growth Standing proud in a garden Along the north road sands We passed them on a Sunday On our way to Grans Bright coloured creatures Beside the trees so tall In amongst the flowers Then half way up the wall Occasionally changed Making way for new Creating excitement Coming into view Dragon,horse,leprechaun, Comic caricatures bright We passed in the morning Then back again at night Sitting quietly in father's car In Grans the front room to No television or computer games We knew just what to do Sometimes playing in the garden Or drawing thing we had seen Simple childhood pleasures Those happy days have been.*
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Jan 22, 2013
Jan 22, 2013 at 5:30 AM UTC
Minkymonk Garden
If I am not beautiful, Am I not bountiful? ...........The problem with beauty is that it gets old after that, it can not be sold it is a fleeting commodity it will never, never last If I am not successful am I not relevant? If I am not rich, am I not important? does money really talk? and can fame equal true , unspoiled happiness or peace of mind? If I am not powerful am I merely anonymous? do I contribute anything at all and do I matter? We are living in a world that does not tolerate mediocrity it dwells in mores of hypocrisy and so it breeds profanity it encourages deception and if you want to have your name remembered, take a few lives in your gun powdered hands they will splash your face all over the papers and you can hide behind the curtains of insanity how sad to be lonely but these are the scenes that we condone plastic caricatures we are living in lies and false smiles we have died while we are still alive inhaling the polluted air that we so happily create
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Jun 16, 2015
Jun 16, 2015 at 2:15 AM UTC
I am Not Beautiful
How jealous am I At poetry? That simple words make the lovely firm And compact shadowy abstraction? Every letter holds a bitter love A fiction made with zeal, Drawn from pinpricks, imaginings, A fiction I made real. Within them, sit, the cloth I weave My heroic darling love exists There, sobriety is leastways bearable And pen to paper I can’t resist. I see perfection—her complexion, Written out in words But she is so stolid And doesn’t move Her features fade when I admit, Stale enterprise, the poem done and the page I promptly quit. Rife with guilt and melancholy I’ve done impulse injustice: Concretizing the unknowable, Left caricatures incomplete. Despite the sense, here, stacked before me, The envy for this poem Because it has a solid grasp At the prickings of my heart. And still, what have I And what have he But two-side written jealousy? For more words that breed a love Of which I, voracious, hunt, More beauty, more glamour, rosy viscera, Give poetry that fallacy, That fallacy I want.
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Jan 21, 2014
Jan 21, 2014 at 9:31 AM UTC
[How jealous am I]
i treat all my physical pains, notably the sponge of an ***** hidden inside my cranium like a testament of hellish arithmetic - that's the easiest way of transcending the pain... treat it like an arithmetic sequence, that not even a genius could work out... but of course learn some humanistic deviation from the pain with de Sade - the charcoal rubbing of sadism against placebo most people crumble under... ponces and puny caricatures of humanity: but that's how i see pain,                 an unsolvable arithmetic sequence... and sure, they can laugh...                         but you're the last one laughing... which means you're basically the last / only person laughing.
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Sep 8, 2016
Sep 8, 2016 at 9:16 PM UTC
arithmetic
I An orange overcast this evening splayed pink hues stripes and saccharine beads. The twilight caricatures live golden years. Restless becoming in the garden of her drunken sons their flowers soaked in brass, seams bursting in uncontrollable laughter we pause. To admire the briefness of that era exploding its petals peppering spraying saliently we spill indoors churning across tabletops. My arms hang dead by my sides. Her eyes gaping sway swiftly biting deeply the dottedfaces lurch. Streets fall unconditional amidst tears we comb lips sharply distinctly her stubborn *** stumbling handles loosening she holds my hand my arms hang dead we pause.        II Children babble sunlight across lawns; I hear sirens traffic icecream nips our tongues twinge on windless pipes gust our hair flying smiling at laughter  from the playground behind us. Placid smiles stain enamoured halls; for glimpses we mumble necks crooked sheets flap  draped over bars her eyes waver glisten shiver. A warm breeze dries my hair. III Wallowing I oscillate utmost trep- -idation entangling grappling but hushed beneath foliage eyes downturned soil clings when her fingers impress deeper through to where rivers end. Glowing dawn I turn further lighter almost her hair caught between the floors; gently feverish we see turgid lines the tinniest cracks we pray on tranquil mornings. Window panes blemished it was spring only darker from deafened rivers throbbing; under lucid eyes I fold and heralds blare. We consume the silence sounding from still lakes.
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Aug 26, 2013
Aug 26, 2013 at 9:22 PM UTC
an orange overcast this evening
I An orange overcast this evening splayed pink hues stripes and saccharine beads. The twilight caricatures live golden years. Restless becoming in the garden of her drunken sons their flowers soaked in brass, seams bursting in uncontrollable laughter we pause. To admire the briefness of that era exploding its petals peppering spraying saliently we spill indoors churning across tabletops. My arms hang dead by my sides. Her eyes gaping sway swiftly biting deeply the dottedfaces lurch. Streets fall unconditional amidst tears we comb lips sharply distinctly her stubborn *** stumbling handles loosening she holds my hand my arms hang dead we pause.        II Children babble sunlight across lawns; I hear sirens traffic icecream nips our tongues twinge on windless pipes gust our hair flying smiling at laughter  from the playground behind us. Placid smiles stain enamoured halls; for glimpses we mumble necks crooked sheets flap  draped over bars her eyes waver glisten shiver. A warm breeze dries my hair. III Wallowing I oscillate utmost trep- -idation entangling grappling but hushed beneath foliage eyes downturned soil clings when her fingers impress deeper through to where rivers end. Glowing dawn I turn further lighter almost her hair caught between the floors; gently feverish we see turgid lines the tinniest cracks we pray on tranquil mornings. Window panes blemished it was spring only darker from deafened rivers throbbing; under lucid eyes I fold and heralds blare. We consume the silence sounding from still lakes.
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Tumbleweed Ted Old John Merchant, Joan Harling Edith Smith David Wilkinson, Mike Waldron Marie Ainsworth Ruth Bell, Lucy Ritchie A list undignified by death In an instant deflated, unwound Vibrant yet now not a breath Missing, lost, not found I mourn every one of their names And all that each one implied Merely a lifetime ago They came, they lived, they died. The bluntness has ruined my mood With the arrogant stealing of life It demanded all my attention Then cynically wielded the knife I'm trying but their voices are fading As my brain's recordings wear out And the clarity of all their faces Is blurred with the pallor of doubt So all I have now are some photos Flat caricatures of their lives Each one replacing my memory With a past that cannot be revived Relentless my list will grow longer Crushing for each name a line And my heart will grow ever more heavy Till the last name that's added, is mine.
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Nov 22, 2010
Nov 22, 2010 at 2:53 AM UTC
Missing in action
Summer lies while river rats gnaw on posts weathered from the reverence tides. Hunching over limestone slate, picture pissed-eyed states of the caricatures. Loss of limbs in dissociative fugue. St. Anthony's fire up along the coast. Ergot Dreams: Such splendid things! Waking up in a pool with callosum yarns spinning words of concern. And i've come so close time and time to find the pinhole tube light. Words keep seeping out, I hear my mother holding me here. Frozen solid. Stuck in a cot. Letting the little ******* off his chain just to hear him stream How many lives to burn in the ecclesia pyre while jesus sweeps the remainders off to sea? Maybe I have died again, living in this ferrous skin. Seeded fledgling after all.
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Jul 30, 2014
Jul 30, 2014 at 8:55 PM UTC
Secret Tables
Manila    is  fray Tough enough to die,     Brave enough to see ****** against         the billboards    ***** on the marketplace    ***** men haggling for prices    the corners are squalid -- rats with ambitions   of men take  their places    in     the esteros    a car-horn blares, wanes old moon music.       I sing songs of malversation. Trains all graffiti.      My heart like a jailbird freed somewhere          in the big sur; love assuages nothing,     comes with a cheap price           a freak December night in Roxas blvd.      i sit on marble benches and dream         of artilleries, garlands on snuff-nosed             barrels, nuns   grieving  dust      in    the ground.    communal bathrooms          drunk in foolish caricatures,    the tabloids     displaying  flowerheads --         the democracy in the streets a ****     for      kings,  no    love to   lull         me    to infantile    sleep          tortured are   the   bulls     matadors    hiding  behind    faces red   like        faces    of    statesmen   flushed with           the   spirit   of   bourbon    whereas we are    here   river-facing        northern tip of its  undying source   like    wives    on  balustrades   waiting       to catch   the fragrance   of   inamoratas,    light  reenters           interstice   of   chary webs of  dull heads   hemmed in like   canopies   in the throat      of     overthrown ponds,   scraps      of metal    sold    for a  night's  worth         of    gin   and   Sinatra,   Deep within   the   grave, the dead   laughing        at the dead living. Atop   waters,    yachts peering   into   drowning  fish,        in   the middle, a   jam   of buses          belching    lassitudes that    strangle     the console,    the man    in all  of us        the same,   cursing behind   the wheel    and everybody    else    different               dancing    at   the   top   of our   heads.
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Feb 27, 2016
Feb 27, 2016 at 5:04 AM UTC
Limbo
Manila    is  fray Tough enough to die,     Brave enough to see ****** against         the billboards    ***** on the marketplace    ***** men haggling for prices    the corners are squalid -- rats with ambitions   of men take  their places    in     the esteros    a car-horn blares, wanes old moon music.       I sing songs of malversation. Trains all graffiti.      My heart like a jailbird freed somewhere          in the big sur; love assuages nothing,     comes with a cheap price           a freak December night in Roxas blvd.      i sit on marble benches and dream         of artilleries, garlands on snuff-nosed             barrels, nuns   grieving  dust      in    the ground.    communal bathrooms          drunk in foolish caricatures,    the tabloids     displaying  flowerheads --         the democracy in the streets a ****     for      kings,  no    love to   lull         me    to infantile    sleep          tortured are   the   bulls     matadors    hiding  behind    faces red   like        faces    of    statesmen   flushed with           the   spirit   of   bourbon    whereas we are    here   river-facing        northern tip of its  undying source   like    wives    on  balustrades   waiting       to catch   the fragrance   of   inamoratas,    light  reenters           interstice   of   chary webs of  dull heads   hemmed in like   canopies   in the throat      of     overthrown ponds,   scraps      of metal    sold    for a  night's  worth         of    gin   and   Sinatra,   Deep within   the   grave, the dead   laughing        at the dead living. Atop   waters,    yachts peering   into   drowning  fish,        in   the middle, a   jam   of buses          belching    lassitudes that    strangle     the console,    the man    in all  of us        the same,   cursing behind   the wheel    and everybody    else    different               dancing    at   the   top   of our   heads.
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