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"byway" poems
Dim dawn behind the tamerisks—the sky is saffron-yellow— As the women in the village grind the corn, And the parrots seek the riverside, each calling to his fellow That the Day, the staring Easter Day is born. Oh the white dust on the highway! Oh the stenches in the byway! Oh the clammy fog that hovers And at Home they’re making merry ’neath the white and scarlet berry— What part have India’s exiles in their mirth? Full day begind the tamarisks—the sky is blue and staring— As the cattle crawl afield beneath the yoke, And they bear One o’er the field-path, who is past all hope or caring, To the ghat below the curling wreaths of smoke. Call on Rama, going slowly, as ye bear a brother lowly— Call on Rama—he may hear, perhaps, your voice! With our hymn-books and our psalters we appeal to other altars, And to-day we bid “good Christian men rejoice!” High noon behind the tamarisks—the sun is hot above us— As at Home the Christmas Day is breaking wan. They will drink our healths at dinner—those who tell us how they love us, And forget us till another year be gone! Oh the toil that knows no breaking! Oh the Heimweh, ceaseless, aching! Oh the black dividing Sea and alien Plain! Youth was cheap—wherefore we sold it. Gold was good—we hoped to hold it, And to-day we know the fulness of our gain. Grey dusk behind the tamarisks—the parrots fly together— As the sun is sinking slowly over Home; And his last ray seems to mock us shackled in a lifelong tether. That drags us back how’er so far we roam. Hard her service, poor her payment—she is ancient, tattered raiment— India, she the grim Stepmother of our kind. If a year of life be lent her, if her temple’s shrine we enter, The door is hut—we may not look behind. Black night behind the tamarisks—the owls begin their chorus— As the conches from the temple scream and bray. With the fruitless years behind us, and the hopeless years before us, Let us honor, O my brother, Christmas Day! Call a truce, then, to our labors—let us feast with friends and neighbors, And be merry as the custom of our caste; For if “faint and forced the laughter,” and if sadness follow after, We are richer by one mocking Christmas past.
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Christmas In India
Dim dawn behind the tamerisks—the sky is saffron-yellow— As the women in the village grind the corn, And the parrots seek the riverside, each calling to his fellow That the Day, the staring Easter Day is born. Oh the white dust on the highway! Oh the stenches in the byway! Oh the clammy fog that hovers And at Home they’re making merry ’neath the white and scarlet berry— What part have India’s exiles in their mirth? Full day begind the tamarisks—the sky is blue and staring— As the cattle crawl afield beneath the yoke, And they bear One o’er the field-path, who is past all hope or caring, To the ghat below the curling wreaths of smoke. Call on Rama, going slowly, as ye bear a brother lowly— Call on Rama—he may hear, perhaps, your voice! With our hymn-books and our psalters we appeal to other altars, And to-day we bid “good Christian men rejoice!” High noon behind the tamarisks—the sun is hot above us— As at Home the Christmas Day is breaking wan. They will drink our healths at dinner—those who tell us how they love us, And forget us till another year be gone! Oh the toil that knows no breaking! Oh the Heimweh, ceaseless, aching! Oh the black dividing Sea and alien Plain! Youth was cheap—wherefore we sold it. Gold was good—we hoped to hold it, And to-day we know the fulness of our gain. Grey dusk behind the tamarisks—the parrots fly together— As the sun is sinking slowly over Home; And his last ray seems to mock us shackled in a lifelong tether. That drags us back how’er so far we roam. Hard her service, poor her payment—she is ancient, tattered raiment— India, she the grim Stepmother of our kind. If a year of life be lent her, if her temple’s shrine we enter, The door is hut—we may not look behind. Black night behind the tamarisks—the owls begin their chorus— As the conches from the temple scream and bray. With the fruitless years behind us, and the hopeless years before us, Let us honor, O my brother, Christmas Day! Call a truce, then, to our labors—let us feast with friends and neighbors, And be merry as the custom of our caste; For if “faint and forced the laughter,” and if sadness follow after, We are richer by one mocking Christmas past.
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41
Planned a long road trip In the name of friendship Seven hundred miles that day Home and bed five miles away Midnight sky with fireworks high Red “H” on engine gauge much closer by The sight was quite a fright No longer feeling such delight Pulling to the side My time to bide Until a tow appears To relieve my fears Mosquitos delight They win the fight On the interstate highway Above their lakeside byway Vibrations move the car While passing trucks go far E.T.A. at 1 am Police set flares at 2 am 2:20 rolled around At last the car was found Speedy hookup Not another hiccup Left car at garage Free ride home removed my rage Doubled the driver’s tip Reduced the bother to a blip 3am can go to bed Yet so wired in my head It takes an hour to mellow out In four more, the sun from bed will rout Was it worth it in the end? Any day, I’d do it for my friend.
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Jul 10, 2018
Jul 10, 2018 at 7:05 AM UTC
July 4th road trip
In a tiny allotment right next to the zoo A miniature jungle was planted and grew The flora was dense and the air became hot But confined to a tidy rectangular plot An unthinkable duo of creatures converged And it's said that a spanking new species emerged For a curious beast was reportedly seen Roaming and munching on anything green Make haste! Away! It's the Buffagorilla! A shredder of lettuce and cereal killer With hooves at the front and hands at the rear The Buffagorilla is near! It shambles about at the darkest of hours On hedges it crunches and bunches of flowers On daffolil bulbs and petunia petals With hearty aplomb on a cluster of nettles Covertly perusing with maximum hush It can wander through gardens disguised as a bush No carrot or parsnip is safe in its bed And the marrows are quaking in vegetable dread Depart! Retreat! It's the Buffagorilla! The broccoli butcher and vegetable killer With ape like features and horns of a steer The Buffagorilla is near! So if you hear a mention of butternut theft Or notice a garden, all bare and bereft Insure your potatoes for damage and loss Give the salad a purely precautionary toss For a creature is roaming the byway and track With its legs at the front and its arms at the back And it might be your gooseberries or chervil he spies So I beg you take heed as I once more advise Be gone! Take flight! It's the Buffagorilla! The strawberry napper and cucumber killer Just hide in your cellar and steer well clear The Buffagorilla is near!
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Nov 20, 2013
Nov 20, 2013 at 7:07 PM UTC
The Buffagorilla
In a tiny allotment right next to the zoo A miniature jungle was planted and grew The flora was dense and the air became hot But confined to a tidy rectangular plot An unthinkable duo of creatures converged And it's said that a spanking new species emerged For a curious beast was reportedly seen Roaming and munching on anything green Make haste! Away! It's the Buffagorilla! A shredder of lettuce and cereal killer With hooves at the front and hands at the rear The Buffagorilla is near! It shambles about at the darkest of hours On hedges it crunches and bunches of flowers On daffolil bulbs and petunia petals With hearty aplomb on a cluster of nettles Covertly perusing with maximum hush It can wander through gardens disguised as a bush No carrot or parsnip is safe in its bed And the marrows are quaking in vegetable dread Depart! Retreat! It's the Buffagorilla! The broccoli butcher and vegetable killer With ape like features and horns of a steer The Buffagorilla is near! So if you hear a mention of butternut theft Or notice a garden, all bare and bereft Insure your potatoes for damage and loss Give the salad a purely precautionary toss For a creature is roaming the byway and track With its legs at the front and its arms at the back And it might be your gooseberries or chervil he spies So I beg you take heed as I once more advise Be gone! Take flight! It's the Buffagorilla! The strawberry napper and cucumber killer Just hide in your cellar and steer well clear The Buffagorilla is near!
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36
Can someone tell me What it is to live? Dying seems easy, An every-day event And like weddings, or birth, adorned with flowers, gifts like love, respect, and memories, so many silver spoonfuls of memories. Now I have seen it so many times, the old, the young, the kin, the stranger... In war And peace, In feast And famine. With duty, with a duty of care, an onlooker full of compassion... every-way imaginable. In places undreamed, In inevitable areas... In the family pews On rainy dismal days, And on the faraway ghats Before a hot afternoon; each experience leaving a feeling that one shouldn't be there. Now everyone has packed and shuffled, And I have wrung my hands for the last time, I tell myself unconvinced. Now that everyone has left me In this landscape, I look around And recognise nothing. Age does not matter, each one an orphan, each telling themselves that it is for the last time... Lead me away from that funereal path where they all are and are not, simultaneously; something else awaits me, down this byway, across a different track, In a different part of the mountain.
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Jan 10, 2011
Jan 10, 2011 at 2:47 AM UTC
Tell
Yesterday was the last day of Summer September rain pounds like the inevitable drummer We planned on scaling the Shenandoah mountains just before sunset our calves aching and our hands clenched tightly yet intertwined with each other inhaling the rich color lamenting how it disappears behind the horizon to forget We talked of driving along that scenic Smoky mountain byway stumbling into a local diner off the highway the first expedition to fathom sleeping in that rustic cabin breathing in dying cedar embers as we drifted away We intended swimming that final night at the Lakes pool diving under the water when lifeguards whistled their final rule pretending that we could not hear trudging into the car with dripping gear leaving behind damp seats as concerns for some future fool But there was the appointment about the lipoma and the tele-con with the customer in Tacoma opportunities come slowly but hasten to pass over Today is the first day of Autumn We should do something in Autumn
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Aug 31, 2015
Aug 31, 2015 at 7:52 PM UTC
Last Day of Summer
There's a gypsy in the heart of me, that wants to run the road; a vagabond is lurking there, to the fields, my heart's been sold. There's a restless soul that's yearning, to wonder at the wild; a carefree, urging spirit, of an enchanted child. There's a ***** inside my blood, that never will be still; to hear and see all nature, until I've had my fill. There's a traveler in my mind, who hears the seashore's song; to walk along the beaches, to escape the cities throng. There's a gypsy in my musings, that clamors for the highway; ever searching, ever seeking, an endless, nameless byway.
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Mar 19, 2017
Mar 19, 2017 at 1:57 PM UTC
Wanderlust.
In the middle of the internet theres a hole the size of the peoples heart Wrapped in Bubble fusion irregular class pass vision byway of the whisper game to the front of the bus reboated out of highway water rascals groove flow locking echos print d na na na na bleh tires rolled through our mud but we making ***** smiley faces
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Jan 18, 2015
Jan 18, 2015 at 10:36 PM UTC
hippies guard the water
Two tight butts both belch into the bowl. Toilet. At night, I fight tight butts of the whole world. What kind of story can I write with a pen, when the common story sold by a friend is one of the short ones told with a gleam in the eye No ink, just a sharp in the hand. No stink, though, I just want it over, man. My living room is no tomb, it's entrance and exit, byway to the highway but the shoulder's overflowing, growing closer to me than you think and neighbor, you're the 216.
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May 19, 2017
May 19, 2017 at 12:26 AM UTC
Toilet
Standing at the crossroads of a busy city byway Is a man who yells at anyone even if they avoid his eye 'cause he's got something to say *Jesus is here to stay! He lives in your heart and rides the subway He is coming back for you ... Someday! but Hallelujah!* there is just a distant echo and remnants of his passion as you step into the intersection upon a You May Walk sign all that's left behind is the ringing in your ears and an adrenaline rush as you sped up, before and after the crossroad of Fire and Eternal Damnation not being a believer At the mouth of the Alley that guards a revolving Hells door sits a single example of humanity unwashed that silently gazes upon a new day He's also got something to say but is rendered mute by condemnation a single black mark against a nation, his nation The one he fought for, and died for his soul never made it back His body, empty of compassion turned to the streets looking for something, anything he will never get back Yes, he's got something to say even if he will never spill his horror That is where, today, went what sat alone in my pocket There went my last dollar
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Jan 29, 2014
Jan 29, 2014 at 5:35 AM UTC
a coin in a rusty tin
Why had Andy chose to quit smoking? He had no job,                         no ambitions,                                               no passions. No reason for salient speculation on the beaming waters of the immaculate Pacific horizon from those unaffordable balconies you see in movies, with sports cars rushing toward them on that unnamed California byway. **** them all,” he thinks, crinkling the now emptied package. He'd rather be reformed and forgiven             or punished for what he‘s done. Not both. Stretched on the rack for his failure. To acquire a Malibu suite. To cup silicone ******* To fix the loose handle on their porch‘s door,               and smile while reciting, “I do.” “One more won’t hurt,” says Andy, as the woman in his shirt wraps her hands around the shoulders. The cloud circles his head, as they laugh about the sunset.
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Feb 10, 2012
Feb 10, 2012 at 12:57 AM UTC
Compulsion
You have left the girl I love Like a shade that has given up Possession. You The you I write poetry to. The you I cry for and treasure. The you I search for. You, the you I miss. I am beginning to realize That you may not stay with one person. That maybe you will live with me for a while Behind the face of a girl I adore madly And then at any moment She may become scared of you And cast you out Evict you- And by extension, me. And then I must search once again for where you've gone Who you've found a home with now. I love just one person. I love you. But you Keep moving. You keep being forced away from me. I've felt your love and it Was all I ever needed. And then you were torn away again And I was alone With the girl whose eyes used to hold your soul. I was alone with her And it is worse than death to understand that the person you love Lives on But has suddenly become something so new and different So distant That the only thing you recognize is her face. It is confusing, Terrifying, Torturous, Maddening. You You You Where are you? Whose eyes have you found a new shelter behind? Let me find you and love you before the cowardly humanity in her rejects you and leaves you homeless once more. You and I Are a tragic love story Always almost there. And I am sorry I spend so much time Searching for you in people you've already left. I see that face Those eyes I hear that voice and feel that soft skin And I just can't believe you are gone from her And I try and try, The fool, But.... she looks So much like you still. God, I miss you. I miss you like I'd miss a rib or one of my lungs. I try to find you in the places you once were Any evidence Any little thing Because I am afraid to begin anew Looking for you in this cold Brutal Enormous world. I am angry at her for rejecting you Like a bad transplant, For killing the girl I love By changing. And I am angry at you For not fighting harder. Where are you? Who Are you now? You You You The only person I have ever loved. A shadow that disappears when you look directly at it, A firefly leading me through a deadly dark world, A dream I wake from far too often Lonely and bereft. You. Are gone again. And I am too fragile to go searching without a light just yet Checking every face for your spark Peering into the abyss That I know is mapping every inch and byway of my mind with cold eyes Just because I feel that somewhere in the dark You are waiting. I am too fragile And yet I can't stop Can't give up Can't rest: I need you more than blood More than lungs I need you more than my precious sanity That I trade by the sigh More than time That I sell by the grain (It sure Adds up.) I don't want to be old Before I know what your real face looks like Before I look into your true eyes And finally feel safe and whole. You're looking for me I can feel it. And I am calling to you You You You My love My universe. *Who are you This time?*
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Jul 2, 2014
Jul 2, 2014 at 11:03 PM UTC
You
You have left the girl I love Like a shade that has given up Possession. You The you I write poetry to. The you I cry for and treasure. The you I search for. You, the you I miss. I am beginning to realize That you may not stay with one person. That maybe you will live with me for a while Behind the face of a girl I adore madly And then at any moment She may become scared of you And cast you out Evict you- And by extension, me. And then I must search once again for where you've gone Who you've found a home with now. I love just one person. I love you. But you Keep moving. You keep being forced away from me. I've felt your love and it Was all I ever needed. And then you were torn away again And I was alone With the girl whose eyes used to hold your soul. I was alone with her And it is worse than death to understand that the person you love Lives on But has suddenly become something so new and different So distant That the only thing you recognize is her face. It is confusing, Terrifying, Torturous, Maddening. You You You Where are you? Whose eyes have you found a new shelter behind? Let me find you and love you before the cowardly humanity in her rejects you and leaves you homeless once more. You and I Are a tragic love story Always almost there. And I am sorry I spend so much time Searching for you in people you've already left. I see that face Those eyes I hear that voice and feel that soft skin And I just can't believe you are gone from her And I try and try, The fool, But.... she looks So much like you still. God, I miss you. I miss you like I'd miss a rib or one of my lungs. I try to find you in the places you once were Any evidence Any little thing Because I am afraid to begin anew Looking for you in this cold Brutal Enormous world. I am angry at her for rejecting you Like a bad transplant, For killing the girl I love By changing. And I am angry at you For not fighting harder. Where are you? Who Are you now? You You You The only person I have ever loved. A shadow that disappears when you look directly at it, A firefly leading me through a deadly dark world, A dream I wake from far too often Lonely and bereft. You. Are gone again. And I am too fragile to go searching without a light just yet Checking every face for your spark Peering into the abyss That I know is mapping every inch and byway of my mind with cold eyes Just because I feel that somewhere in the dark You are waiting. I am too fragile And yet I can't stop Can't give up Can't rest: I need you more than blood More than lungs I need you more than my precious sanity That I trade by the sigh More than time That I sell by the grain (It sure Adds up.) I don't want to be old Before I know what your real face looks like Before I look into your true eyes And finally feel safe and whole. You're looking for me I can feel it. And I am calling to you You You You My love My universe. *Who are you This time?*
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119
i've been synthesising my sleeping pattern for 9 years, i haven't experienced lucid dream for wakes upon turning 365 x 9 equal for 3285 mornings, or afternoons, i can drink lukewarm whiskey & coke and feel happy, but i managed it, simulating the natural byway into sleep and mythology, nine years of synthetic sleep patterns, i should have been encrusted in the Auschwitz medical experiment of sleep deprivation, thank **** no Muslim will mind wearing satan's postbox - unless you're willy-nilly and Lenin and politically correct - like bi-, swings both ways, they tried to shoot Trump while i got a spare tire to boot... oh please **** off with your Muslim friends to Saudi Arabia and satchel up on Bangladeshis building up the new pyramids of of Dubai... cos there's a nation of saints somewhere, somehow? this ain't the antagonising hypocritical Vatican mind you, also, you know what Islam means to me? it doesn't mean a submission to god... given then 72 virgins for martyrs, it just means: competing with king Solomon; so there, i "said" it, get a jihadist on my *** straight away, i'll be waiting, eating strawberries and a yogurt watching Wimbledon, oh come one, do it nice and pretty with me like a Barbie doll, i can't be bothered with your ******* attempting the altogether possible, but seemingly impossible - it just gets boring after a while fearing mortality with your Marmite smeared ninjas attempting an American cheeseburger of sports that's played alongside the Oakland Raiders, Philadelphia Eagles, New England Patriots... oh wait, you can't antagonise me, because you didn't fish with a bait like Mickiewicz, or Tuwim... or Prus... yawn.
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Jun 21, 2016
Jun 21, 2016 at 7:32 PM UTC
9
i've been synthesising my sleeping pattern for 9 years, i haven't experienced lucid dream for wakes upon turning 365 x 9 equal for 3285 mornings, or afternoons, i can drink lukewarm whiskey & coke and feel happy, but i managed it, simulating the natural byway into sleep and mythology, nine years of synthetic sleep patterns, i should have been encrusted in the Auschwitz medical experiment of sleep deprivation, thank **** no Muslim will mind wearing satan's postbox - unless you're willy-nilly and Lenin and politically correct - like bi-, swings both ways, they tried to shoot Trump while i got a spare tire to boot... oh please **** off with your Muslim friends to Saudi Arabia and satchel up on Bangladeshis building up the new pyramids of of Dubai... cos there's a nation of saints somewhere, somehow? this ain't the antagonising hypocritical Vatican mind you, also, you know what Islam means to me? it doesn't mean a submission to god... given then 72 virgins for martyrs, it just means: competing with king Solomon; so there, i "said" it, get a jihadist on my *** straight away, i'll be waiting, eating strawberries and a yogurt watching Wimbledon, oh come one, do it nice and pretty with me like a Barbie doll, i can't be bothered with your ******* attempting the altogether possible, but seemingly impossible - it just gets boring after a while fearing mortality with your Marmite smeared ninjas attempting an American cheeseburger of sports that's played alongside the Oakland Raiders, Philadelphia Eagles, New England Patriots... oh wait, you can't antagonise me, because you didn't fish with a bait like Mickiewicz, or Tuwim... or Prus... yawn.
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37
Home is a bus station A byway between, A place to rest my head Before the next departure. I’ve seen rain through the windows, I’ve sat through cool midnights. The station fills and empties, People with their luggage arrive And wait for the next bus out, Standing in a line at the door. Home is the next station, The nearest side of the road With a view of the stars. It’s an x on the map, A hazy line connecting the dots Between me and you. My ticket is stamped My bag tightly packed, And with time I’ve come to know That where I’m truly at, A map can never show. Life is a bus station, With its comings and goings Its periods of waiting and of rushing. Charon, the perpetually impatient, Drives his bus into the loading bay And checks tickets at the folding doors. With teared eyes I wave, At the back of a bus as it drives Into the dreary autumn sun set, Down the interstate and out of the city. Life is a bus station, The place between Where the crooked lights are on Through the windows they shine a lighthouse’s winking eye to a captain Trapped in the tumulting waves Of a wrecking sea storm. The bus honks at it leaves, And we wave to the driver Who bravely heads down the road That we all walk down in the end
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Oct 19, 2018
Oct 19, 2018 at 6:54 PM UTC
Halfway House
Black rain falls ice cold emotionless desolate tarmac roads puddles of ugliness form devouring light drawing in the world dark matter the abyss lies beyond headlight's reach reflected buildings distort as cars spin aquaplaning tyres across mirrored mercurial surfaces downdraught suppresses exhaust fumes as dragon automobiles slither their hissing way neon lit fire breathing monsters of road and byway home is measured by the length of the next queue rather than miles per hour
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Sep 26, 2019
Sep 26, 2019 at 4:34 PM UTC
Commute
Searching every hole and cranny, Wading deep in the lake of life, Following every path and byway, Lingering, always lost inside myself. Holding life beneath the lamp of sadness, Examining how each part does not fit, Piecing parts of the cosmic puzzle so, Never, ever fitting the circle in the square. Past lives,  family ever, ever spinning, Knowing how they want to rule me, Trying daily to create my path of wonder, Cramming their views deep inside my soul. Longing for the sweet girl living near, To ride in on a horse of fiery flames, Saving my soul and placing it in a box, So she can determine if I am truly living. Tasting the rain, so ever dancing free, Whistling the wind, the cooling motion, Seeing dark clouds spinning like a top, Never coming to face my, my own reality. Noticing in a magic mirror placed before me, Aging, loosing, this  youthful, fleeting force, Staring at the old man, tired, searching still, But never discovering the purpose of my life.
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Dec 6, 2013
Dec 6, 2013 at 9:04 PM UTC
Lingering
Bread of hearth that wreathe my wire bare the byway that always wits our touchstone here and paint her screen that market dream with nature while fantasia is always rapture again while wholly political
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Dec 15, 2017
Dec 15, 2017 at 8:18 AM UTC
Amour
Blinkers of deception blocked all view Which gave an impression verily askew Much like a tunnel with direct vision The peripheral objects not sighted This be how the eye is well blighted The optic ***** is so oft mislead By those carrying a fraudulent masthead We've been trapped in their shadow's vision Unmasking them is a revelation A clear picture of misinterpretation Ne'er be tricked in a straight light byway For there's always dark tones lingering Which don't exhibit that they're loitering Be not a mole in a blinded hallway
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Sep 6, 2014
Sep 6, 2014 at 2:56 AM UTC
Hallway (Rosarian Sonnet)
now those eidolic dread horses have scarred your slumber, passed 9, passed 10,  and even your furniture has silent, open mouthed, nightmares over the too soon dead, dead school friends who never ended their crossings, and see, see, she stoops, in shroud  ghastly knelt as in prayer, but you can’t see, see through the tricks  of light that scream “she is there”, your crumpling chest  boiling as the bones in your legs subside while those, without body,  cross the empty room, no need to surmise that which lies bereft and restless may yet have something to say and you, you are the luckless soul who lives upon their byway and now,  now the voices, the voices start, those grody sounds, that won’t stop, stop your heart, beneath the floor, within the walls, the precedent for dull footfalls calling, calling to us one by one with no clear sight of saint or villain, a spectral round of hide and seek, directed by a floorboards creak, each time we search there’s nothing, nothing there, but of this guest we’re so aware, who was first, it or us, we can’t be sure, sure it wasn’t brought  from distant shores, for it never raised its head or voice before, before that gift from land of Vlad was carried over our threshold and ushered in something, something cold,  the bearer of an ancient fear, something as of yet unclear, or are we in thrall of phantoms more explainable   This is a combination and refinement of what were two separate poems, previously published, to make by far a more satisfying whole. I believe it more convincingly captures some of the fear and panic I was trying to convey and should be read in a breathless manner as if you were living in a world that was entirely scripted by Samuel Beckett
0
Feb 17, 2015
Feb 17, 2015 at 10:45 AM UTC
(aɪˈdəʊlɒn)
now those eidolic dread horses have scarred your slumber, passed 9, passed 10,  and even your furniture has silent, open mouthed, nightmares over the too soon dead, dead school friends who never ended their crossings, and see, see, she stoops, in shroud  ghastly knelt as in prayer, but you can’t see, see through the tricks  of light that scream “she is there”, your crumpling chest  boiling as the bones in your legs subside while those, without body,  cross the empty room, no need to surmise that which lies bereft and restless may yet have something to say and you, you are the luckless soul who lives upon their byway and now,  now the voices, the voices start, those grody sounds, that won’t stop, stop your heart, beneath the floor, within the walls, the precedent for dull footfalls calling, calling to us one by one with no clear sight of saint or villain, a spectral round of hide and seek, directed by a floorboards creak, each time we search there’s nothing, nothing there, but of this guest we’re so aware, who was first, it or us, we can’t be sure, sure it wasn’t brought  from distant shores, for it never raised its head or voice before, before that gift from land of Vlad was carried over our threshold and ushered in something, something cold,  the bearer of an ancient fear, something as of yet unclear, or are we in thrall of phantoms more explainable   This is a combination and refinement of what were two separate poems, previously published, to make by far a more satisfying whole. I believe it more convincingly captures some of the fear and panic I was trying to convey and should be read in a breathless manner as if you were living in a world that was entirely scripted by Samuel Beckett
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2
A center stripe on such a road would be no more than affectation, The prospect of two vehicles on the same stretch of this blacktop Which ambles from nowhere to nowhere, old logging path Morphed into a convenience for fishermen or bird watchers Heading to the odd bits of Adirondack Park land Scattered higgeldy-piggeldy in its path All but a mathematical impossibility. Indeed, the fog lines are barely visible, a series of dots and dashes Along the crumbling berm of the shoulders, And the signs testifying to the calamitous curves ahead Are faded and pock-marked In testament to generations of pellet-gun marksmanship And twelve-ounce projectiles. There remain the odd traces of the byway’s former usefulness: Rusted blades or unevenly-spoked wheels Left behind by ancient logging outfits, The odd abandoned hunting camp, and here and there, Visible through gaps in thick, ancient stands of pine (Having outlasted the original settlers and logging concerns Through the sheer stubborn implacability of biology), You might see an anomalous abandoned bus up on blocks, And there are those who have sworn they have seen them Adorned with curtains in the windows, But that is most certainly a trick of the light, A mis-apprehension of something half-glimpsed By the drivers as they sped by.
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Nov 20, 2017
Nov 20, 2017 at 8:11 PM UTC
Along Joe Indian Pond Road, Town of Parishville, St. Lawrence County
AND NOW, THE END IS NEAR, THE TIME TO FACE THE FINAL CURTAIN. MY FRIEND, IT'S BEEN CLEAR, MY DESTINY, SECURED AND CERTAIN. I LIVED A LIFE OF FAITH, I'VE TRAVELED WIDE AND NARROW HIGHWAYS, AND MORE, MUCH MORE THAN THIS, I DID IT GOD'S WAY. REGRETS, I'VE HAD A FEW, BUT THANK THE LORD, TOO FEW TO MENTION. I DID WHAT WAS RIGHT TO DO AND FOLLOWED THROUGH WITH SOME EXCEPTIONS. I PLANNED A CHARTERED COURSE TOOK CAREFUL STEPS ALONG THE BYWAY, AND MORE, MUCH MORE THAN THIS, I FOLLOWED GOD'S WAY. YES, THERE WERE TIMES, I'M SURE YOU KNEW, WHEN I SAID AND DID WHAT I OUGHT NOT TO DO...BECAME CONFUSED AND FILLED WITH DOUBT; YOU SHOWED THE WAY AND THINGS TURNED OUT. I HEARD YOUR CALL, AND I STOOD TALL, AND FOLLOWED GOD'S WAY. I'VE HAD MY UPS. I'VE HAD MY DOWNS. I HAD SOME WINS, MY SHARE OF LOSING. AND NOW, AS I LOOK BACK, THOSE TIMES I STRAYED, MADE LIFE CONFUSING. TO THINK, I DID ALL THAT, BUT SADLY SAY, MOSTLY THE HARD WAY...SAVED MY HIS GRACE, LEFT NOT A TRACE, FOR THAT IS GOD'S WAY. FOR WHAT IS A MAN WHAT HAS HE GOT? IF NOT THE LORD IN THE NUMBER ONE SPOT! HE'LL NEVER KNOW OR TRULY FEEL, TO LIVE IS TO LOVE AND SERVE AND KNEEL! THE RECORDS SHOWS WHEN WILL WE KNOW TO FOLLOW GOD'S WAY? FOLLOW GOD'S WAY. BY MILTON L. DELGADO
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May 25, 2019
May 25, 2019 at 1:24 PM UTC
GOD'S WAY (the only way)
Bike engine, as raw muscle echoes plain, baying to moon, in a questioning feign. Hugging corners of this old byway leaving mind, by tussle to weigh. Roaring on this lonely odyssey, journey never slow and easy. Shadows linger upon sun, open regrets, never one.
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Oct 25, 2015
Oct 25, 2015 at 6:57 AM UTC
Regrets, never one
*I was once a pedestrian on Fayetteville Highway , on a midnight jaunt down a dark byway With the North Star to reconnoiter my trail Struggling to get home fast Destined to catch hell Puppy love reared the head of Medusa as the band played My Sharona My date made it hard to think - as I primped in front of the sink The weight of a psychotic heart was a heavy load so I made a break for the open road Wet grass doused my white jeans , my silk shirt reflected moon beams , a killdeer chuckled at my quandary Yet better to be alone than sorry*...
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Jan 1, 2017
Jan 1, 2017 at 1:58 PM UTC
Fayetteville Highway ...
and they made me feel like the elephant man (hey! hey the fifth cartilage limp movement!): china's up 2% on the scrooge market of investing into blah blah, while Nokia made investments into Samsung... and the Hawaiian sun never scorched people so much as the volcano of Pompeii had once: and as i now understand, some people don't understand a simple word like no. medieval europe was right into fit girls, appreciating their beauty in an iron maiden or burning on a stake, pacified western society is into warlocks, they have all the torture instruments in the shape of a pill... peacocks we can eat, beautiful humans we need to torture, so when medieval europe got rid of beautiful women, modern europe is getting rid of beautiful men, because, like, why not? god, writing these words almost makes me feel like a god, a detached human being, only three years i can count as fathomable in terms of being competitive on the dating scene, all the year prior and proceeding after i find too much of an Elvis antidote to the english stiff upper lip... i'm having nightmares along the lines of: so i was sitting under a citrus tree and newton fell on my head... i guess i invented the circle but didn't invent the wheel... wheel being the byway interpretation of a circle and a sphere... but you know how it goes... torture tactics had to change for the cultural emblem that the crucifix is to remain.
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Mar 12, 2016
Mar 12, 2016 at 7:28 PM UTC
well wolah wolah wolah
philosophy has but one maxim, given the post-socratics: read slowly; learn to orchestrate: what is lost in punctuation (and recognised as asthma); forget being lost in translation, remember what's lost in punctuation. philosophy is the only prose that measures the reader's speed of scattered eyeing of the page... revel in the poetics of the non-arable for the eyes likened to a withered forest of scarce trees on the deathbed of autumn - i know, missing comma, but you make your mind up when to pause - all this is a playground of your choosing: when to crawl, and when to swing; and when to stitch snout to the plough of unearthing precious truffle mushrooms. is this really a poem of what humanity is, worth encoding by a single man, or if, what then, representative, representing, simply according to a byway of the fact that man walked on the moon (applause), and coerced with holocaust (the cruxifix) a historical discussion about the midrib... well, grin the grim paradox of the lighthouse search for the ships yet to be shattered against the rocks, against the reality: the drowning lives with our lives assured on the shore for our imagination to be fed... so that the drowning ones might make our memory edible with practice of sing-along of lyrics remembered - this rather than what's to be new and rejuvenated?
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Mar 22, 2016
Mar 22, 2016 at 9:09 PM UTC
lost in punctuation