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Terry O'Leary Dec 2016
My chamber teems with tensions, taut, that logic can’t withstand,
fragmenting mental masonry with memories unplanned,
as bitter tears from hazel eyes reduce the stone to sand.

Dim shadows cast by candles flit across the haunted room,
beleaguer apparitions, pale, that stalk me through the gloom,
usurping purloined purple forms forgotten ghosts assume.

The tick-tock clock of time rewinds within the mirrored hall
and pendula suspended, pause, while creatures creep and crawl
on images of effigies, through memories that maul.

The madness of the midnight mass! Perchance it interferes
with spiders spinning spiral threads which bridge the chandeliers
when weaving minds' discarded coils to silken souvenirs.

Reflections graced the vacant gaze of idols as they fled!
Their futile, feigned, far-flung farewells now hammer in my head,
marooned like frozen silhouettes in footprints of the dead.

My lovers smile through marbled masks before they turn their backs
(like furnace flames deserting ash or phantoms fleeing cracks)
with faded, painted, wrinkled faces nightmares carve in wax.

Sometimes a gust disturbs the dust and secrets reappear,
which dance in silver slippers through the dusk of yesteryear -
it's not the screams that drown my dreams, but whispers which I fear.

The hangman posts a letter home, his message indiscreet
about the vestal ****** in the café (where we meet
to savour tea and crumpets) down a one-way dead-end street.

The rapping and the tapping at my tattered, time-worn door
repeat reports of migrant myths, of tales of nevermore,
strung far across a sullen sea, most shipwrecked near the shore.

Forget-me-nots, enwrapped in rain the while a wan wind blows,
recall the faintly fickle fates this drifter undergoes –
alone, unknown with tracks interred in teardrop undertows.

My feet, no longer tied or tethered, traipse within a squall
pursuing profiles long forsaken, buried in the sprawl
of spectres spread amongst the dead, some tattooed to the wall.

At times, the belfry towers toll of anarchy and gin,
of smoke and mirrors, rolling dice and other things akin,
impaled on forks down byway roads, and things that might-have-been.

The skies outside, beyond the night with shutters shut and drawn,
begin to glow on shattered shapes escaping ’fore the dawn
as clouds undone beneath the sun release this captive pawn.
Dim dawn behind the tamerisks—the sky is saffron-yellow—
As the women in the village grind the corn,
And the parrots seek the riverside, each calling to his fellow
That the Day, the staring Easter Day is born.
Oh the white dust on the highway! Oh the stenches in the byway!
Oh the clammy fog that hovers
And at Home they’re making merry ’neath the white and scarlet berry—
What part have India’s exiles in their mirth?

Full day begind the tamarisks—the sky is blue and staring—
As the cattle crawl afield beneath the yoke,
And they bear One o’er the field-path, who is past all hope or caring,
To the ghat below the curling wreaths of smoke.
Call on Rama, going slowly, as ye bear a brother lowly—
Call on Rama—he may hear, perhaps, your voice!
With our hymn-books and our psalters we appeal to other altars,
And to-day we bid “good Christian men rejoice!”

High noon behind the tamarisks—the sun is hot above us—
As at Home the Christmas Day is breaking wan.
They will drink our healths at dinner—those who tell us how they love us,
And forget us till another year be gone!
Oh the toil that knows no breaking! Oh the Heimweh, ceaseless, aching!
Oh the black dividing Sea and alien Plain!
Youth was cheap—wherefore we sold it.
Gold was good—we hoped to hold it,
And to-day we know the fulness of our gain.

Grey dusk behind the tamarisks—the parrots fly together—
As the sun is sinking slowly over Home;
And his last ray seems to mock us shackled in a lifelong tether.
That drags us back how’er so far we roam.
Hard her service, poor her payment—she is ancient, tattered raiment—
India, she the grim Stepmother of our kind.
If a year of life be lent her, if her temple’s shrine we enter,
The door is hut—we may not look behind.

Black night behind the tamarisks—the owls begin their chorus—
As the conches from the temple scream and bray.
With the fruitless years behind us, and the hopeless years before us,
Let us honor, O my brother, Christmas Day!
Call a truce, then, to our labors—let us feast with friends and neighbors,
And be merry as the custom of our caste;
For if “faint and forced the laughter,” and if sadness follow after,
We are richer by one mocking Christmas past.
Emily Jul 2018
Planned a long road trip
In the name of friendship
Seven hundred miles that day
Home and bed five miles away

Midnight sky with fireworks high
Red “H” on engine gauge much closer by
The sight was quite a fright
No longer feeling such delight

Pulling to the side
My time to bide
Until a tow appears
To relieve my fears

Mosquitos delight
They win the fight
On the interstate highway
Above their lakeside byway

Vibrations move the car
While passing trucks go far
E.T.A. at 1 am
Police set flares at 2 am

2:20 rolled around
At last the car was found
Speedy hookup
Not another hiccup

Left car at garage
Free ride home removed my rage
Doubled the driver’s tip
Reduced the bother to a blip

3am can go to bed
Yet so wired in my head
It takes an hour to mellow out
In four more, the sun from bed will rout

Was it worth it in the end?
Any day, I’d do it for my friend.
Ben Jones Nov 2013
In a tiny allotment right next to the zoo
A miniature jungle was planted and grew
The flora was dense and the air became hot
But confined to a tidy rectangular plot
An unthinkable  duo of creatures converged
And it's said that a spanking new species emerged
For a curious beast was reportedly seen
Roaming and munching on anything green

Make haste! Away! It's the Buffagorilla!
A shredder of lettuce and cereal killer
With hooves at the front and hands at the rear
The Buffagorilla is near!

It shambles about at the darkest of hours
On hedges it crunches and bunches of flowers
On daffolil bulbs and petunia petals
With hearty aplomb on a cluster of nettles
Covertly perusing with maximum hush
It can wander through gardens disguised as a bush
No carrot or parsnip is safe in its bed
And the marrows are quaking in vegetable dread

Depart! Retreat! It's the Buffagorilla!
The broccoli butcher and vegetable killer
With ape like features and horns of a steer
The Buffagorilla is near!

So if you hear a mention of butternut theft
Or notice a garden, all bare and bereft
Insure your potatoes for damage and loss
Give the salad a purely precautionary toss
For a creature is roaming the byway and track
With its legs at the front and its arms at the back
And it might be your gooseberries or chervil he spies
So I beg you take heed as I once more advise

Be gone! Take flight! It's the Buffagorilla!
The strawberry napper and cucumber killer
Just hide in your cellar and steer well clear
The Buffagorilla is near!
Richmal Byrne Jan 2011
Can someone tell me
What it is
to live?
Dying seems easy,
An every-day event
And like weddings,
or birth,
adorned with flowers,
gifts like love, respect,
and memories,
so many silver spoonfuls
of memories.

Now I have seen it
so many times,
the old,
the young,
the kin,
the stranger...
In war
And peace,
In feast
And famine.
With duty,
with a duty of care,
an onlooker
full of compassion...
every-way
imaginable.

In places undreamed,
In inevitable areas...

In the family pews
On rainy dismal days,
And on the faraway ghats
Before a hot afternoon;
each experience
leaving a feeling
that one shouldn't be there.

Now everyone has packed
and shuffled,
And I have wrung my hands
for the last time,
I tell myself
unconvinced.

Now that everyone
has left me
In this landscape,
I look around
And recognise
nothing.

Age does not matter,
each one
an orphan,
each telling themselves
that it is for the last time...

Lead me away
from that funereal path
where they all are
and are not,
simultaneously;
something else
awaits me, down this byway,
across a different track,
In a different part of the mountain.
David Lessard Mar 2017
There's a gypsy in the heart of me,
that wants to run the road;
a vagabond is lurking there,
to the fields, my heart's been sold.
There's a restless soul that's yearning,
to wonder at the wild;
a carefree, urging spirit,
of an enchanted child.
There's a ***** inside my blood,
that never will be still;
to hear and see all nature,
until I've had my fill.
There's a traveler in my mind,
who hears the seashore's song;
to walk along the beaches,
to escape the cities throng.
There's a gypsy in my musings,
that clamors for the highway;
ever searching, ever seeking,
an endless, nameless byway.
Michael Berman Aug 2015
Yesterday was the last day of Summer
September rain pounds like the inevitable drummer

We planned on scaling the Shenandoah mountains just before sunset
our calves aching and our hands clenched tightly yet
intertwined with each other
inhaling the rich color
lamenting how it disappears behind the horizon to forget

We talked of driving along that scenic Smoky mountain byway
stumbling into a local diner off the highway
the first expedition to fathom
sleeping in that rustic cabin
breathing in dying cedar embers as we drifted away

We intended swimming that final night at the Lakes pool
diving under the water when lifeguards whistled their final rule
pretending that we could not hear
trudging into the car with dripping gear
leaving behind damp seats as concerns for some future fool

But there was the appointment about the lipoma
and the tele-con with the customer in Tacoma
opportunities come slowly but hasten to pass over

Today is the first day of Autumn
We should do something in Autumn
katrinawillrich Jan 2015
In the middle of the internet theres a hole the size of the peoples heart

Wrapped in
Bubble fusion
irregular class pass
vision byway of the
whisper game
to the front of the bus reboated out of highway water

rascals groove
flow locking echos print d na na na na bleh tires rolled through our mud but we making ***** smiley faces
Zero Nine May 2017
Two tight
butts
both
belch
into
the bowl.

Toilet.

At night,
I
fight
tight
butts
of
the whole
world.

What kind of story can I write with a pen,
when the common story sold by a friend
is one of the short ones told with a gleam in the eye
No ink, just a sharp in the hand. No stink, though,
I just want it over, man. My living room is no tomb,
it's entrance and exit, byway to the highway but the
shoulder's overflowing, growing closer to me than
you think and neighbor, you're the 216.
...
Helen Jan 2014
Standing at the crossroads
of a busy city byway
Is a man who yells at anyone
even if they avoid his eye
'cause he's got something to say
Jesus is here to stay!
He lives in your heart
and rides the subway
He is coming back for you
... Someday! but Hallelujah!

there is just a distant echo
and remnants of his passion
as you step into the intersection
upon a You May Walk sign
all that's left behind
is the ringing in your ears
and an adrenaline rush
as you sped up, before
and after the crossroad
of Fire and Eternal Damnation
not being a believer

At the mouth of the Alley
that guards a revolving Hells door
sits a single example
of humanity unwashed
that silently gazes upon a new day
He's also got something to say
but is rendered mute by condemnation
a single black mark
against a nation, his nation
The one he fought for, and died for
his soul never made it back
His body, empty of compassion
turned to the streets
looking for something, anything
he will never get back

Yes, he's got something to say
even if he will never
spill his horror
That is where, today, went
what sat alone in my pocket
There went my last dollar
Why had Andy chose to quit smoking?
He had no job,
                        no ambitions,
                                              no passions.
No reason for salient speculation on the beaming waters
of the immaculate Pacific horizon from those unaffordable balconies
you see in movies, with sports cars rushing toward them on
that unnamed California byway.

“**** them all,” he thinks, crinkling the now emptied package.
He'd rather be reformed and forgiven
            or punished for what he‘s done.

Not both.

Stretched on the rack for his failure.
To acquire a Malibu suite.
To cup silicone *******.

To fix the loose handle on their porch‘s door,
              and smile while reciting, “I do.”

“One more won’t hurt,” says Andy,
as the woman in his shirt wraps her hands
around the shoulders.
The cloud circles his head, as they laugh about the sunset.
MMXII
Mikaila Jul 2014
You
You have left the girl I love
Like a shade that has given up
Possession.
You
The you I write poetry to.
The you I cry for and treasure.
The you
I search for.
You, the you I miss.
I am beginning to realize
That you may not stay with one person.
That maybe you will live with me for a while
Behind the face of a girl I adore madly
And then at any moment
She may become scared of you
And cast you out
Evict you-
And by extension, me.
And then I must search once again for where you've gone
Who you've found a home with now.
I love just one person.
I love you.
But you
Keep moving.
You keep being forced away from me.
I've felt your love and it
Was all I ever needed.
And then you were torn away again
And I was alone
With the girl whose eyes used to hold your soul.
I was alone with her
And it is worse than death to understand that the person you love
Lives on
But has suddenly become something so new and different
So distant
That the only thing you recognize is her face.
It is confusing,
Terrifying,
Torturous,
Maddening.
You
You
You
­Where are you?
Whose eyes have you found a new shelter behind?
Let me find you and love you before the cowardly humanity in her rejects you and leaves you homeless once more.
You and I
Are a tragic love story
Always almost there.
And I am sorry I spend so much time
Searching for you in people you've already left.
I see that face
Those eyes
I hear that voice and feel that soft skin
And I just can't believe you are gone from her
And I try and try,
The fool,
But.... she looks
So much like you still.
God,
I miss you. I miss you like I'd miss a rib or one of my lungs.
I try to find you in the places you once were
Any evidence
Any little thing
Because I am afraid to begin anew
Looking for you in this cold
Brutal
Enormous world.
I am angry at her for rejecting you
Like a bad transplant,
For killing the girl I love
By changing.
And I am angry at you
For not fighting harder.
Where are you?
Who
Are you now?
You
You
You
The only person I have ever loved.
A shadow that disappears when you look directly at it,
A firefly leading me through a deadly dark world,
A dream I wake from far too often
Lonely and bereft.
You.
Are gone again.
And I am too fragile to go searching without a light just yet
Checking every face for your spark
Peering into the abyss
That I know is mapping every inch and byway of my mind with cold eyes
Just because I feel that somewhere in the dark
You are waiting.
I am too fragile
And yet I can't stop
Can't give up
Can't rest:
I need you more than blood
More than lungs
I need you more than my precious sanity
That I trade by the sigh
More than time
That I sell by the grain
(It sure
Adds up.)
I don't want to be old
Before I know what your real face looks like
Before I look into your true eyes
And finally feel safe and whole.
You're looking for me
I can feel it.
And I am calling to you
You
You
You
My love
My universe.

*Who are you
This time?
Mateuš Conrad Jun 2016
9
i've been synthesising my sleeping pattern
for 9 years, i haven't experienced lucid dream
for wakes upon turning
365 x 9 equal for 3285 mornings, or afternoons,
i can drink lukewarm whiskey & coke
and feel happy, but i managed it, simulating
the natural byway into sleep and mythology,
nine years of synthetic sleep patterns,
i should have been encrusted in the Auschwitz
medical experiment of sleep deprivation,
thank **** no Muslim will mind wearing
satan's postbox - unless you're *****-nilly
and Lenin and politically correct - like bi-,
swings both ways, they tried to shoot Trump
while i got a spare tire to boot...
oh please ******* with your Muslim friends
to Saudi Arabia and satchel up on Bangladeshis
building up the new pyramids of
of Dubai... cos there's a nation of saints
somewhere, somehow? this ain't the antagonising
hypocritical Vatican mind you, also,
you know what Islam means to me?
it doesn't mean a submission to god... given then 72
virgins for martyrs, it just means: competing with king Solomon;
so there, i "said" it, get a jihadist on my *** straight away,
i'll be waiting, eating strawberries and a yogurt
watching Wimbledon, oh come one,
do it nice and pretty with me like a Barbie doll,
i can't be bothered with your ******* attempting
the altogether possible, but seemingly impossible -
it just gets boring after a while fearing mortality
with your Marmite smeared ninjas attempting
an American cheeseburger of sports that's played alongside
the Oakland Raiders, Philadelphia Eagles, New England Patriots...
oh wait, you can't antagonise me, because you didn't
fish with a bait like Mickiewicz, or Tuwim... or Prus...
yawn.
Searching every hole and cranny,
Wading deep in the lake of life,
Following every path and byway,
Lingering, always lost inside myself.

Holding life beneath the lamp of sadness,
Examining how each part does not fit,
Piecing parts of the cosmic puzzle so,
Never, ever fitting the circle in the square.

Past lives,  family ever, ever spinning,
Knowing how they want to rule me,
Trying daily to create my path of wonder,
Cramming their views deep inside my soul.

Longing for the sweet girl living near,
To ride in on a horse of fiery flames,
Saving my soul and placing it in a box,
So she can determine if I am truly living.

Tasting the rain, so ever dancing free,
Whistling the wind, the cooling motion,
Seeing dark clouds spinning like a top,
Never coming to face my, my own reality.

Noticing in a magic mirror placed before me,
Aging, loosing, this  youthful, fleeting force,
Staring at the old man, tired, searching still,
But never discovering the purpose of my life.
Nigdaw Sep 2019
Black rain falls
ice cold
emotionless

desolate tarmac roads
puddles of ugliness form
devouring light
drawing in the world
dark matter
the abyss lies beyond
headlight's reach

reflected buildings distort
as cars spin
aquaplaning tyres
across mirrored
mercurial surfaces

downdraught suppresses
exhaust fumes
as dragon automobiles
slither their hissing way
neon lit fire breathing
monsters of road and byway

home is measured
by the length of the next queue
rather than miles per hour
Nick Stiltner Oct 2018
Home is a bus station
A byway between,
A place to rest my head
Before the next departure.

I’ve seen rain through the windows,
I’ve sat through cool midnights.
The station fills and empties,
People with their luggage arrive
And wait for the next bus out,
Standing in a line at the door.

Home is the next station,
The nearest side of the road
With a view of the stars.
It’s an x on the map,
A hazy line connecting the dots
Between me and you.

My ticket is stamped
My bag tightly packed,
And with time I’ve come to know
That where I’m truly at,
A map can never show.

Life is a bus station,
With its comings and goings
Its periods of waiting and of rushing.
Charon, the perpetually impatient,
Drives his bus into the loading bay
And checks tickets at the folding doors.
With teared eyes I wave,
At the back of a bus as it drives
Into the dreary autumn sun set,
Down the interstate and out of the city.

Life is a bus station,
The place between
Where the crooked lights are on
Through the windows they shine
a lighthouse’s winking eye to a captain
Trapped in the tumulting waves
Of a wrecking sea storm.

The bus honks at it leaves,
And we wave to the driver
Who bravely heads down the road
That we all walk down in the end
Bread of
hearth that
wreathe my
wire bare
the byway
that always
wits our
touchstone here
and paint
her screen
that market
dream with
nature while
fantasia is
always rapture
again while
wholly political
Blinkers of deception blocked all view
Which gave an impression verily askew
Much like a tunnel with direct vision
The peripheral objects not sighted
This be how the eye is well blighted
The optic ***** is so oft mislead
By those carrying a fraudulent masthead
We've been trapped in their shadow's vision
Unmasking them is a revelation
A clear picture of misinterpretation
Ne'er be tricked in a straight light byway
For there's always dark tones lingering
Which don't exhibit that they're loitering
Be not a mole in a blinded hallway
Paul Sands Feb 2015
now those eidolic dread horses have scarred your slumber, passed 9, passed 10,  and even your furniture has silent, open mouthed, nightmares over the too soon dead, dead school friends who never ended their crossings, and see, see, she stoops, in shroud  ghastly knelt as in prayer, but you can’t see, see through the tricks  of light that scream “she is there”, your crumpling chest  boiling as the bones in your legs subside while those, without body,  cross the empty room, no need to surmise that which lies bereft and restless may yet have something to say and you, you are the luckless soul who lives upon their byway and now,  now the voices, the voices start, those grody sounds, that won’t stop, stop your heart, beneath the floor, within the walls, the precedent for dull footfalls calling, calling to us one by one with no clear sight of saint or villain, a spectral round of hide and seek, directed by a floorboards creak, each time we search there’s nothing, nothing there, but of this guest we’re so aware, who was first, it or us, we can’t be sure, sure it wasn’t brought  from distant shores, for it never raised its head or voice before, before that gift from land of Vlad was carried over our threshold and ushered in something, something cold,  the bearer of an ancient fear, something as of yet unclear, or are we in thrall of phantoms more explainable  


This is a combination and refinement of what were two separate poems, previously published, to make by far a more satisfying whole. I believe it more convincingly captures some of the fear and panic I was trying to convey and should be read in a breathless manner as if you were living in a world that was entirely scripted by Samuel Beckett
Taken from my 2014 collection "From A to Believe"
http://www.lulu.com/shop/paul-sands/from-a-to-believe/paperback/product-21727929.html
Mateuš Conrad Mar 2016
and they made me feel like the elephant man (hey! hey the fifth cartilage limp movement!): china's up 2% on the scrooge market of investing into blah blah, while Nokia made investments into Samsung... and the Hawaiian sun never scorched people so much as the volcano of Pompeii had once: and as i now understand, some people don't understand a simple word like no.*

medieval europe was right into fit girls,
appreciating their beauty in an
iron maiden or burning on a stake,
pacified western society is into warlocks,
they have all the torture instruments
in the shape of a pill...
peacocks we can eat, beautiful humans
we need to torture,
so when medieval europe got rid of
beautiful women, modern europe
is getting rid of beautiful men, because,
like, why not? god, writing these words
almost makes me feel like a god,
a detached human being,
only three years i can count as fathomable
in terms of being competitive on the
dating scene,
all the year prior and proceeding after i find
too much of an Elvis antidote to the english
stiff upper lip... i'm having nightmares along
the lines of: so i was sitting under a citrus tree
and newton fell on my head...
i guess i invented the circle but didn't invent the
wheel...
wheel being the byway interpretation of
a circle and a sphere...
but you know how it goes... torture tactics had
to change for the cultural emblem that the crucifix
is to remain.
I was once a pedestrian on Fayetteville
Highway , on a midnight jaunt down a dark
byway
With the North Star to reconnoiter my
trail
Struggling to get home fast
Destined to catch hell
Puppy love reared the head of Medusa
as the band played My Sharona
My date made it hard to think -
as I primped in front of the sink
The weight of a psychotic heart was a heavy load so I made a break for the open road
Wet grass doused my white jeans , my silk shirt reflected
moon beams , a killdeer chuckled at my quandary
Yet better to be alone than sorry*...
Copyright January 1 , 2017 by Randolph L Wilson * All Rights Reserved
A P Taylor Oct 2015
Bike engine, as raw muscle echoes plain,
baying to moon, in a questioning feign.

Hugging corners of this old byway
leaving mind, by tussle to weigh.

Roaring on this lonely odyssey,
journey never slow and easy.

Shadows linger upon sun,
open regrets, never one.
Wk kortas Nov 2017
A center stripe on such a road would be no more than affectation,
The prospect of two vehicles on the same stretch of this blacktop
Which ambles from nowhere to nowhere, old logging path
Morphed into a convenience for fishermen or bird watchers
Heading to the odd bits of Adirondack Park land
Scattered higgeldy-piggeldy in its path
All but a mathematical impossibility.
Indeed, the fog lines are barely visible, a series of dots and dashes
Along the crumbling berm of the shoulders,
And the signs testifying to the calamitous curves ahead
Are faded and pock-marked
In testament to generations of pellet-gun marksmanship
And twelve-ounce projectiles.
There remain the odd traces of the byway’s former usefulness:
Rusted blades or unevenly-spoked wheels
Left behind by ancient logging outfits,
The odd abandoned hunting camp, and here and there,
Visible through gaps in thick, ancient stands of pine
(Having outlasted the original settlers and logging concerns
Through the sheer stubborn implacability of biology),
You might see an anomalous abandoned bus up on blocks,
And there are those who have sworn they have seen them
Adorned with curtains in the windows,
But that is most certainly a trick of the light,
A mis-apprehension of something half-glimpsed
By the drivers as they sped by.
AND NOW, THE END IS NEAR, THE TIME TO FACE THE FINAL CURTAIN. MY FRIEND, IT'S BEEN CLEAR, MY DESTINY, SECURED AND CERTAIN. I LIVED A LIFE OF FAITH,  I'VE TRAVELED WIDE AND NARROW HIGHWAYS, AND MORE, MUCH MORE THAN THIS, I DID IT GOD'S WAY.

REGRETS, I'VE HAD A FEW, BUT THANK THE LORD, TOO FEW TO MENTION. I DID WHAT WAS RIGHT TO DO AND FOLLOWED THROUGH WITH SOME EXCEPTIONS. I PLANNED A CHARTERED COURSE TOOK CAREFUL STEPS ALONG THE BYWAY, AND MORE, MUCH MORE THAN THIS, I FOLLOWED GOD'S WAY.

YES, THERE WERE TIMES, I'M SURE YOU KNEW, WHEN I SAID AND DID WHAT I OUGHT NOT TO DO...BECAME CONFUSED AND FILLED WITH DOUBT; YOU SHOWED THE WAY AND THINGS TURNED OUT. I HEARD YOUR CALL, AND I STOOD TALL, AND FOLLOWED GOD'S WAY.

I'VE HAD MY UPS. I'VE HAD MY DOWNS. I HAD SOME WINS, MY SHARE OF LOSING. AND NOW, AS I LOOK BACK, THOSE TIMES I STRAYED, MADE LIFE CONFUSING.
TO THINK, I DID ALL THAT,  BUT SADLY SAY, MOSTLY THE HARD WAY...SAVED MY HIS GRACE, LEFT NOT A TRACE,  FOR THAT IS GOD'S WAY.

FOR WHAT IS A MAN WHAT HAS HE GOT?  IF NOT THE LORD IN THE NUMBER ONE SPOT!  HE'LL NEVER KNOW OR TRULY FEEL, TO LIVE IS TO LOVE AND SERVE AND KNEEL!
THE RECORDS SHOWS WHEN WILL WE KNOW TO FOLLOW GOD'S WAY? FOLLOW GOD'S WAY.


BY MILTON L. DELGADO
I was compelled to change the lyrics of Frank Sinatra's famous song, My Way to God's Way which is my story. Should you be so inclined, you can sing it to the same arrangement as his recording.
Let me know your thoughts!
Mateuš Conrad Dec 2016
in terms of plumbing it's called
a plughole, or a brown bear's
hibernation tactic to lick
some fur after binging on salmon
and wildberries...
  to you i prescribe poetry...
it's what anorexics seem to crave
when they want to get fat
with fictional prose...
             i am prescribing you
   a diet of poetry... to get you all
fat prosaics into shape...
    byway of treating asthma too...
or what's called: letting wine to
be uncorked and pouring it
into an aquarium to whisper a little
about its possible scents enclosed
prior to intoxication...
while disclosing that there was
a goldfish named Bob in the aquarium
while this was going on...
and he said: looking at my fishy lips:
call me... bubblegum.
Mateuš Conrad Mar 2016
philosophy has but one maxim, given the post-socratics: read slowly; learn to orchestrate: what is lost in punctuation (and recognised as asthma); forget being lost in translation, remember what's lost in punctuation. philosophy is the only prose that measures the reader's speed of scattered eyeing of the page... revel in the poetics of the non-arable for the eyes likened to a withered forest of scarce trees on the deathbed of autumn - i know, missing comma, but you make your mind up when to pause - all this is a playground of your choosing: when to crawl, and when to swing; and when to stitch snout to the plough of unearthing precious truffle mushrooms.*

is this really a poem
of what humanity is,
worth encoding by a single man,
or if, what then, representative,
representing, simply according to a
byway of the fact that man
walked on the moon (applause),
and coerced with holocaust (the cruxifix)
a historical discussion about the midrib...
well, grin the grim
paradox of the lighthouse search
for the ships yet to be shattered
against the rocks, against the reality:
the drowning lives with our lives
assured on the shore for our imagination
to be fed... so that the drowning ones
might make our memory edible with practice
of sing-along of lyrics remembered -
this rather than what's to be new and rejuvenated?
Wk kortas Mar 2017
She played, as I remember, quite well,
Her talent settling into some interval
Between “capable” and “professional,”
A knack which would have allowed her
To play coffeehouses at some middling state school,
Or accompany some infant’s lilting lullaby,
But she’d set up shop, as it were,
In rather unusual and commercially unpromising spots:
Less-traveled side streets, the odd dead-end and cul-de-sac,
Even the occasional unpaved byway
(I’d first encountered her, during my walking, brooding stage
On a hilly road just outside the village,
At a point where the tarmac took
An unplanned two-hundred-foot vacation.)
She’d set up as if she expected a crowd,
Case open like two upward palms to receive a cascade of change,
And she performed songs designed to please the masses:
Beatles hits, folk ditties our parents sang to us as little ‘uns
For which I rewarded her with a dime here, a quarter there,
And, once and once only,
A fiver I’d snuck out of my father’s wallet
(He took it out of my hide, and then some)

There had been no romance, per se;
I’d sat close to her, hand on a Levi-ed knee,
And there was the odd kiss, as much brotherly as anything else,
But there were understood limits, never spoken of,
As there was something in her bearing, her posture, her very essence
Which said This is what is, what shall be, and what only ever can be.
A reticence which exercised dominion over all things
(The whys and wherefores over her very presence an Exhibit A;
She said she lived over in Wilcox, but she had no car, no bike,
And that particular irritant in the highway
A good six miles off as the crow flies)
So there was little now, and even less could be,
As it was my final summer of a single, uncomplicated home address,
Being bound elsewhere for the first
In a series of institutions of higher education,
So there was no ever after, happily or otherwise.
I’d never heard what happened to her after that,
Where she may have gone, what may have become of her,
Unaware of any tragic event engendering heart-rendering fiction,
But midway through my freshman year, one of the town newsletters
(Mimoegraphed back-and-front missives
Which my mother sent religiously)
Noted that the last unpaved road in the township
Had  finally been blacktopped,
Which I celebrated, in a fashion,
With a ****** heroic in intent and scope
Ending, as such things often do,
In a near-compulsive fit of weeping,
And my fellow revelers asked Man, what the hell has gotten into you?
And I suspect it was being bereft of an answer
Which had set me off in the first place.
Barton D Smock Jun 2016
my most recent self published Lulu book, [MOON tattoo], was reviewed by Krystal Sierra, and part of what she says is here:

Because of the relationship between the line and white space, the reader turns back to the poem again and again, a practice that speaks to religious tradition, incantation byway of word and image, how the poem itself becomes the way God, or Spirit, communicates with us via channels we understand, the interplay between the word and white space much like what we know and do not know about the nature of the divine. – Krystal Sierra

~

some poems, from [MOON tattoo]:

[level]

brother is digging barehanded in the backyard a hole for what he hopes is the alien of god’s choice. as for existence, my mother’s is low on mine. my father is keeping out of the same sentence any mention of ****** and totem pole. no one including you cares for my sister’s worry that this no this is the bottom of a rock. if asked, I will say I was visiting with my arms the museum of rowboats during the regional spike in baptisms we as a family failed to interrupt.

~

[meditation]

summer was for sexting and for watering the scarecrow’s spine. say it with me this was not that summer. as a ghost might surprise the mother and go to salt, a doll might remember its teeth.

— The End —