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Terry O'Leary Dec 2015
1.        Eugene And the Pumpkin Pie

Wee Eugene's but a lonely boy
(arrayed in cap and corduroy),
has Jungle Jim (a ragged toy)
and fancied Friends his only joy.

Well, Jim appears from time to time
behind a pane of pantomime,
a charmed mirage, or dream sublime
inside a Cuckoo's nursery rhyme.

Still Eugene always finds a way
(while riding on his magic Sleigh)
to meet with Jim somewhere halfway
between the Moon and Yesterday.

When Jim brought Eu to Timbuktu
to kiss the Queen (a Kangaroo)
and tweak her tail (bright shiny blue),
Eu sneezed instead “achoo, achoo”.  

The baby Roo, surprised, awoke
and thought 'twas but a funny joke
beholding Eugene cough and choke...
well, sounding like old Froggy's croak.

Said Jim to Roo "Eu has a cold,
we mustn't laugh, we mustn't scold
instead we'll let the tale unfold
and frolic in the marigold".

With runny eyes and mighty sniffle
Eu could hardly get a whiffle,
climbed a hill to reach the cliffle ,
searched the sea for ship or skiffle.

Behind the breeze, some sloops were seen,
a grand delight that pleased Eugene,
and Jim, and Roo, and yes, the Queen;
they then set sail for Halloween.

Above the sea, below the sky
they saw a skinny Scarecrow fly -
within its beak (one couldn't deny),
surprise, surprise, a Pumpkin Pie!

The Scarecrow wore a veil and shawl
so really couldn't see at all
and swooped too near the sunny ball,
got grilled and let the pastry fall,

which bounced upon the waves below,
then slid beneath the undertow.
"Why did it fall, where did it go?"
cried Eugene with a gasp of woe.

Roo wondered would it reappear
(for where it went was certainly queer),
but where it went became quite clear
to Eu and Jim while standing near

the Queen who, hungry, hopped awhile
observing Crunch the Crocodile
come floating down the river Nil
with belly full and toothy smile.

2.        Eugene and the Wolverine

Within the sandbox played Eugene,
as well, his little friend named Dean,
a simple-minded Wolverine.

But yesterday was Halloween
when they collected sweets unseen,
all stuffed inside a sad Sardine.

And making sure their hands were clean,
they shared a snack - a tangerine,
a cantaloupe and big fat bean.

But they forgot the Sandbox Queen
whose hungry name was sweet Pauline -
with no invite she felt so mean
and woke the naughty Sand Machine.

Sand trickled in their fine cuisine
which scratched their gums and set the scene
to brush their teeth and in between.

Poor Dean was sad he hadn’t seen
the sandy specks with sparkly sheen,
all hidden like a submarine.

Eu sold his cookie magazine
And bought a brand new limousine
To flee the naughty Sand Machine.

Next time their food they’ll try to screen
from something hard and unforeseen
while tapping on a tambourine
to sooth the hungry Sandbox Queen
and trick the naughty Sand Machine.


3.        Eugene and Antoine

Eugene awoke and looked upon
his Mirror in the morning Dawn.
He saw himself and stopped to yawn
then saw instead his friend Antoine.

Well Antoine said ‘come in, come on
I’ll whisk you with this Magic Wand
then we can journey to the Pond
and sail astride the Silver Swan’.

And once inside the Looking Glass
amazing conquests came to pass
before the midday hourglass
released its sands upon the grass.

Well, first they sought and found the Pond
and hypnotized the Silver Swan
to sail them to the edge beyond,
to Charles, the Froggy Vagabond.

Well Charles was said to be ‘a King’
(whose Crown was hanging from a String)
while hopping with a golden Ring
just waiting for a Kiss in Spring.

Now Antoine said he’d kiss ‘the King’,
(or better said, ‘the Froggy Thing’)
but Eu refused to do such thing
unless the Frog removed the Ring.

The Ring transfixed poor Froggy’s Nose
instead of round his tiny Toes
to keep away the Midnight Crows
(as far as anybody knows).

When Froggy’s Nose was finally free
there was a sudden kissing spree
with Ant and Eu (and Swan made three)
to fix old Froggy’s Destiny.

The Rest is rather imprecise.
As to the trio’s Sacrifice,
the facts alone should now suffice -
the Pond and Froggy turned to ice!

And Swan became a Toucan Bird,
the strangest thing I ever heard,
instead of chirp she only purred
and even then she sometimes slurred.

Though Charles the Frog was mighty cold,
upon the Pond he stiffly strolled
behind the The Ring that slowly rolled
in search of one more nose to hold.

Well, Eu watched Antoine set the Pace
when beating Toucan in the Race
to seek and find a warmer Space
in front of Mother’s Fireplace.

So Antoine waved his charmed Baton
and whisked Eu back to Mum’s Salon -
But looking back, Eu’s friend was yon
behind the silvered Amazon.


4.            Eugene and the Milky Way

Eugene stayed in to play today
inside his secret hideaway;
he laughed and ate a Milky Way
with little fear of tooth decay.

But Dean, his friend, was far away
just driving in a Chevrolet
and didn't wish to disobey
so hurried home with no delay.

What took so long, I couldn't say
but Dean came late, in disarray -
he'd lost, alas, the Milky Way
that he had hidden Yesterday.

When asked, Eugene led Dean astray
about the missing Milky Way,
blamed Pauline in her negligee
who'd fed her little Popinjay.

Then Dean said sadly, in dismay,
"It was a gift for your birthday".
Well Eu felt bad, no longer gay
and offered Dean ice cream frappé.

Soon afterwards they romped in hay
beside the forest near the bay;
but when the sky turned somewhat gray
they flew back home to hide away.

At home, with all his toys at play,
Eugene confessed to Dean, to say
"Dear Dean, look here, I can't betray,
I ate the sweet, it made my day."

Said Dean, "I knew it anyway,
I saw the traces straightaway,
your chocolate lips, the giveaway;
but we're best friends, so that's OK."


5.         Eugene and the Gold Doubloon

Eugene took his nap at noon
and dreamt about Loraine the Loon
reclining in the long Lagoon
adorned in birdie pantaloons.

Then Eu suggested to the Loon
“Let’s pay a visit to the Dune
we’ll search and seek and very soon
we’ll find a shiny Gold Doubloon.”

But naughty Sand Machine typhoons
arrived and whisked them to the Moon
and left the playmate pals marooned
where gold of pirate ships was strewn.

Pale moonbeams played a mystic tune,
and touching on a magic rune,
Wee Eu, he found a pink harpoon
and in his hand a Gold Doubloon.

Instead of sitting on cocoons,
Loraine, she hatched the Gold Doubloon
when suddenly popped a blue Balloon
revealing Royce the red Raccoon.

Well Eu, awaking from his swoon,
was sad he’d lost the Gold Doubloon.
Instead he found a Macaroon
and munched and munched all afternoon.


6.        Eugene and the Dragonfly

When Eugene climbed a mountain high
and wandered down a dale nearby,
he came upon Doug Dragonfly
asleep beside a Tiger’s eye.

Soon Eu was thinking “Now’s the time
to take a rest from my long climb
and waken Doug to tell him I’m
about to pick a bunch of thyme”.

But Doug was quite a grumpy guy
when woken from his dream whereby
he’s dancing with a Butterfly
in magic realms that mystify.

So Doug complained “My dream's now gone
of dancing to the carillon
with Butterflies upon the lawn,
which won’t come back until I yawn.”

Then Eugene said “Well I know what!
A mug of tea and hazelnuts
served with a chocolate Buttercup
will surely help to cheer you up!”

Thereafter, picking tufts of thyme,
they heard the distant bluebells chime
and watched the Fairies pantomime
and dance till Eugene’s suppertime.


7.        Eugene and the Eskimo

Not so very long ago,
a bit before the morning’s glow,
Wee Eugene met an Eskimo
while trudging through the windblown snow.

Bedecked in boots and winter fur,
the Eskimo said “I’m Jack Spur.
Or call me Jack if you prefer,
it might be somewhat easier.”

Soon Jack was passing by to say
“Well could you help me find my way
back through the door to Yesterday,
to where I left my silver Sleigh?”

So Eugene said “I’ll come along,
but listen, hear the breakfast gong,
my Mama’s made the porridge strong
and chocolate milk, if I’m not wrong.”

So, filled with porridge to the brim
and feeling vigor, full of vim,
Wee Eu called Jack and said to him
“Well now we’ll travel on a whim.”

While seeking Yesterday and more
they searched an unseen corridor.
Somewhere behind the mirrored door
was Yesterday, the day before!

Without a fear they slid within,
with Jackie playing violin.
And Moon above was seen to grin
’cause Jackie’s tune was kind of thin.

Though searching long to find the Sleigh
they heard instead an echo stray
quite sounding like the Donkey’s bray,
the Donkey’s bray of Yesterday.

The Donkey’d left to find some food -
well, something fresh and not yet chewed
by Fran the Cow that always mooed
(and sometimes burped when she was rude).

The Sleigh was at the Donkey’s back
and nowhere’s near the railway track,
so Jack took Eugene piggyback,
just stopping once to eat a snack.

The Donkey heard the munch of chips
and wondered if his hungry lips
would ever taste some bacon strips
before the midnight Moon Eclipse.

Well Fran and Donkey, unforeseen,
found Jack at lunch with Wee Eugene
and shared a mighty fine cuisine,
provided by the Sandbox Queen.

Well ,Franny chewed her little cud
and Donkey ate a shiny spud,
and Jacky said “Now we must scud
before the coming springtime flood".

So Jack jumped back upon his Sleigh,
the Donkey droned a farewell bray,
(and Franny burped, need I to say?)
while Eu returned from Yesterday,
surprised to hear his Mother say
“Well, now it’s time for you to play!”


8.        Eugene and the Christmas Tree

Eugene awoke on Christmas morn
to find the Christmas Tree'd been shorn
and presents strewn around, forlorn,
midst bows and tinselled paper torn.

So blowing on his little Horn,
Eu called Eunice, the Unicorn.
The duo flew away airborne
(straped to Eu's side his Sword, a Thorn).

Escaping back to Yesterday,
in search of thyme and Santa's Sleigh,
Eu sought to brave the grinchy Fay,
reclaim the joy of Christmas Day .

Then Eunice and the Reindeer Corps
chased fey Fay to a sandy Shore
where Santa banned forevermore
the Fay to mop and scrub the floor.

Then Santa iced the windowpane
(thus waking Eu from dreams again),
left gifts arrayed, and candy cane,
beneath a Tree with candled mane.
ryyan May 2011
Once upon a time.
In a land far far away.
Their existed a rhyme,
About the greatest game ever played.
This is the said rhyme 
preserved from the acclaim the game has gained.
Passed on to generations about the game at it’s prime. 

A game that should be reclaimed from the fame its gained at the present time.
This game came from the brain of a person
who aimed to have the time of his life. 

Town ball was for all. In any season: spring, summer, winter, or fall.
Town ball was a ball for all: no despair, grief,  or strife, could spawn.
The rules were simple
Hit ball: bases touch all. 

Teams were never full. 
And the field could sprawl.
Everything was in play just like everyone could play.
No obstacle was in the way, no direction out of play.
Yet, according to the natural law of capitalistic America,
An evolution began to make money.
**** you Jean-Baptiste Pierre Antoine de Monet!!
You may have nothing to do with baseball, 

But you spawned the evilest idea of them all. 

That evolution is caused by natural law, 

and the evolution of baseball is the downfall of all that is America.
Baseball was at one time a game of fun; 

good times shared with one another under the sun. 

Eventually they agreed to decree the official rules, 

And it was not Abner Doubleday who would have the last say in history,
for that story is a myth that we should flee from like fools.
Instead it was Alexander Cartwright who penned the knickerbocker rules.
These rules spread to the rest of the clubs,
and eventually it was coined the New York game. 

No longer could anyone play but only the ones who could slug.
If you wanted to win, it would be a sin,
to put in the has been who brought the game shame.
This game spread during the civil war. 

In down time to escape they played for fun instead of being bored.
The game spread like never before,
and soon the game covered the entire eastern shore.
The N.A.A.B.B.P was formed and by 1867 four hundred teams were born,
and in 1870 the Chicago Cubs actually won!
They actually were good before 1908,
heck some people might even say they were great. 

I don’t mean to taint their slate or bait your hate.
I just wish to point out that its been some time since that date,
and you Cub fans still must await.
Meanwhile these gentleman clubs would compete in the heat,
for they wanted to prove they were the ones to beat. 

Yet promoters wanted money so they charged the food you eat.
Then they fenced in the meet.
No longer could you watch the teams compete from the street.
If you wanted to know who would defeat you must enter with a receipt
to show that you payed for your seat.
There you would meet, eat, and greet,
and keep track of the game on your score sheet
Eventually the wood frames turned to concrete

in order to hold more people inside their games.
And the players started to earn fame.
And eventually everyone knew their name.
No longer was the game a game for games sake,
instead it was meant to entertain the fame-craved.
All that matter was the money made at the gate,
and since then the game has never been the same.
Before players would score more and their would be less of a bore.
Fielders caught with their fingers the stingers thrown,
but for catchers that was absurd.

Before, fans would abhor to the idea of a fielder with a glove adorned,
but eventually the planted seed, grew steadily, and the fielders glove was born.
At first their was no web extended between the finger and thumb.
Because that would make it so easy to catch it would be just dumb. 

Yet, somehow the web spread and eventually it won. 

Now any *** could catch between finger and thumb
and the hand would not become numb.
This lead the dead ball era dread at the start of nineteen hundred.
And ego went to Owen Wilson’s head as he lead the league with triples.
Thirty six triples the record was set
and will never be broken it has been said.
But instead its embed into the unread
record book for others to go ahead and try to break with dread.
There were several reasons that lead to the dead ball.
First of all, the same ball was used until it started to unravel.
Second, was that you would draw a strike for every foul ball,
And lastly was the spit ball which would dance to any squall.
All these reasons made the pitchers un-hittable. 

And batters seeing their batting average fall
would take a bar crawl and bawl.
But then a savior came to us all. 

This man hit the ball so far that it would fall somewhere past Senegal.
The claims were esteemed that this man was best of them all. 

Yet, he was traded for money to fund a curtain call. 

This man’s name was George “the Babe” Herman Ruth. 

A pitcher turned outfielder because he was a great hitter is the truth.
The great bambino or Sultan of Swat,
nothing could stop him when he was hot. 

And he hit the dead ball era out of the park and it was forever lost. 

He had more home run’s as an individual, than any team,

Except for the Phillies who were good it seems.

Babe was the hit man

Pitcher he was no longer

The same change came

With this emphasis:
Babe Ruth symbolized what was

the rest of the game. 


They said pitch no more.
Sluggers are what fans adore
outfields became small. 


Power was the talk

Every team must have a guy
who hits with power. 


George “babe” Herman Ruth
and Lou Gehrig, the Yankee’s
became the very best.

Then the depression came and rained on the parade of the baseball game.
Yet, families with radio’s would listen to the games as a sort of hope. 

To escape from the world that they known. 

To escape to a game that reminded them of better days.
Then WWII came and stole away the players. 

Baseball’s talent level was now in multiple layers. 

and because of lack of talent Ted Williams batted over .400 percent
and Joe Dimaggio hit the ball again and again. 

for 56 consecutive games he hit the ball back to where it was sent.
Yet, eventually the players would return and baseball would mend. 

But not before the ladies got their own league. 

and men it did intrigue.
Is this for real?
Or a joke?
They would laugh.

Then they would choke. 

When they saw that this wasn’t just an act.
The girls continued,
“Everyone used to be able to play the good old town ball game!
“This is no longer town ball,” the men said, “the present game is not the same,
Instead its now played for money and fame.”

Oh how the good old days always change.

“Give us money” the women exclaimed,
“We’ll take your fortune we’ll take your fame!”

Some men said, “you complain! Its not the same,
you have to be good to play this game,
you can have your separate league if you need,
But this game of fame is only for white men of age!”

Oh how problems never change
Instead they always stay the same.
Yet, it wouldn’t be long
Before the trumpet would sing its song. 

That segregation would possibly end. 

Not for women but for African Americans. 

Segregation had always gone on. 

***** leagues rose up, but finally segregation’s time was gone 

due to a man named Jackie Robinson. 

And in 1947 he broke through with the Brooklyn Dodgers.
Because his team was convinced they’d make more money by Lou Durocher
Yet it came with its troubles because Not everyone on the team was happy 
And some fans were just down right ******.
Some teams such as our beloved St.Louis Cardinals even threatened to strike. 

They were not going to play if Jackie played because they had that much dislike. 

But Jackie and the Dodgers pushed through all the hate that spewed. 

Other players, managers, and fans  were rude, crude and would start feuds. 
Then they would brood every time Jackie’s name the roster would include.
But after awhile people would conclude that he was actually very good.
And after review others would start to include rather than seclude,

But this integration was long over due.
30 years till segregation could be totally subdued.
The lessons we learn are hard ones that is true. 

And it takes awhile for an entire nations perspective to take a different mood.
Now with baseball integrated the game be televised. 

This allows the money in the game to rise. 

The league now expands west; 

New markets they must test.
But hey! the players want some of this. 

They want to start a free agency. 

But this is the last thing the owners need! 

But the players want to be able to move between teams.

The players want money. Oh how things never change.
But the players got what want. 

They now can negotiate and the owners this does haunt. 

The game now is wrapped inside this twisted shame of money. 

Thats all any body wants so they find ways to scheme. 

Thus steroids came to the scene. 

Players now could be payed more if they played well. 

This meant that to hit the ball far, big muscles they would have to build.
In order to get that edge over everyone else. 

These players used steroids to get their help. 

Yet that was not cool with the public 
Because steroids put you at risk. 

They are dangerous at best,
and the league didn’t want to run the risk. 

Plus what about records that have stood the time test?
Are they going be broken now and no longer exist?

All because someone drugs themselves to have a bigger biceps and chest?
Someone please lay this all to rest! 

Baseball today is such a shame. 

Its boring with all of the commercial and pitcher change breaks. 

Something needs to change. 

Because its been turned into a sideshow. 

Thats the only reason why kids even go. 

To see the park, get hot dogs,
and baseballs that when put in the dark they glow. 

Then when you get home. 

you ask them what they remember about the game 

and they say, “I don’t know”. 

This game used to be interesting. 

But now I find my channels flipping. 

Even Golf is more fun to watch. 

at least they hit that ball a lot!
Baseball should but I doubt ever will, 

Get rid of all the pitchers it has to refill. 

No more pitching changes; That would increase the thrill!

Maybe players could hit the ball if wasn’t coming 100 mph every throw. 

and instead of pure talent pitchers had to use strategy,
of when to and not to throw 

That 100mph hour fastball.
Get rid of the sideshow. 

Then maybe kids would go. 

Maybe then we’d go back to being enthralled. 

Back when Baseball was actually Baseball. 

But I doubt it will because money is what matters now.
Sideshows make money so its always going to be allowed.
But I’d like to disavow
I’d like to dropout. 

I never really watched it much in the first place. 

but now I know of a better game.
Oh and one final thing to say. 

We should just go back to town ball. 

That game sounds so much cooler than baseball. 

You could really make some unique obstacles

Put in a fountain or maybe even a wall.
It just sounds like a lot of fun. 

I plan to play it this summer some. 

Everyone will be welcome. 

And we’ll have fun under the sun. 

And it won’t really matter who will win. 

Because its about having fun, building character,
and growing relationships
The end.
anne p murray Apr 2013
He was casually walking one evening in a bustling place called New Orleans in the year of 1845. Nonchalantly strolling down Bourbon Street, a street lined with beautiful homes; graceful verandas; elegant parlors, and... Marie Laveau.

His name was Moine Baptiste. He was a black, French Creole. A man who lived for his music, Quadroon *****, the blues, jazz, and  places where he and Charlie would play their rip-roarin' music in the place called "The Big Easy".

Charlie the sax, was Baptiste’s long, time friend, since he first started playing the 'sax' at the young age of eight.

Moine Baptiste, Plessy Ferguson and all the guys played their Cajun, jazz and blues music at clubs like, 'Antoine’s Bar',  'The Maison Bourbon Jazz Club' and 'The Funky Pirate', all which were popular clubs in the French Quarter on Bourbon Street in New Orleans.

In those days dusky stable hands would lead horses around the stables engaging in desultory conversation that went something like this:
"Hey where y'all goin' from here?" they'd query. "From here we're headin' for the "Big Apple", one would offer in reply.  "You'd better fatten up them skinners or all you'll get from the apple will be the core," was the quick rejoinder.
Resulting in the assigned name, Those Big AppleYears".

Close by on another beautiful, tree lined street was 'Esplanada Avenue'. It was the most elegant street of all in the French Quarter.

Esplanada Avenue claimed fame to a somewhat elusive, secret Bordello called LaBranche House where all the affluent or wealthier men would frequent.

Baptiste was very familiar with LaBranche House. That was where he met all his women and spent most of his money.  

The French and Creole children casually roamed the town, sometimes walking down by the graveyard near Bayou Street. They had been told many a time to steer clear of Bourbon Street, a street with a sordid reputation of burlesque clubs, all night parties and…Marie Laveau, the Voodoo Queen of   New Orleans!  

When Baptiste was taking his walks he'd always watch out the corner of his eye. Something he learned to do when strolling along the sidewalks in New Orleans and in particular Bourbon and Bayou Streets in Congo Square. You see he’d had a few encounters with Marie Laveau.

Oh he had a great deal of respect for Marie Laveau... along with a healthy amount of fear.

This Creole woman, often used her Voodoo  to manipulate, acquire power and upon occasion bless those she liked with good luck and prosperity. She  was also quite adept in conjuring up her many powers in matters of the heart.

Her hair was long and black. She was both feared and respected. Ms Laveau had olive colored, Creole skin. Her black, piercing eyes were sharp as a razor’s edge. Almost magnetic, if she stared at you for very long.

Baptiste had called upon the Voodoo Queen a few years back when he was down on his luck..... and down on his luck with women.

It was almost to the point, that he’d all but given up on the possibity of being happy and contented.

Baptiste was a man with a robust charisma of Creole and French charm. Yet he had an air of reserve and dignity, with a bit of naughty that shone brightly in his chocolate, brown eyes. He was remarkably handsome with dark brown, wavy hair; a well chiseled bone structure in his cream colored face, full lips and a well toned body.

His main problem was, he liked too many women. Too many all at the same time. He spent too much of his money on his women which left him broke,  lonely and dissatisfied.

One night while strolling down Bourbon Street he happened upon Marie Laveau. He’d just finished playing a ‘gig’, with his old, friend Charlie his beloved sax and a few of the guys. Baptiste was feeling a bit light headed and a tad drunk from the ***** that flowed and poured so freely in that part of town called The Big Easy. It was a part of New Orleans steeped in history, lore and many mysterious legends.  Baptiste was feeling slightly tipsy from all the Whiskey he'd drank.

When Baptiste saw Marie Laveau walking towards him down on Bayou Street, he boldly said:

     "Well, Ms. Laveau”,  said he as she walked on by
      She looked piercingly at Baptiste, stared straight at him right through to his eyes.
      She was the famous Queen of mysterious curses
      She carried potions and spells in her bags and purses
      She was a famous legend in New Orleans where all the black trees grow

      This Black, Creole Lady lived in the dark, murky swamps all alone
      She carried black cat’s teeth and eerie Mojo bones
      She had three legged dogs and one eyed snakes
      A mean tempered hound she called  Big Bad Jake    

      He said, “Ms. Laveau you Voodoo Witch
      Please cast your spells and make me rich”!
      Marie started mumbling and shook her magic stones

      Why it scared Ole’ Baptiste right down to his skinny ole' bones!
      She cast aVoodoo Spell and spoke some eerie incantations
      Promised him wealth, true love and a big plantation!
      There’s many a story told of men she’d charmed
      But Ole’ Baptiste, he wasn’t too alarmed

      They strolled through the graveyard down on Bayou Street
      Where all Marie's ghouls and ghosts and spirits meet
      There lived a big, black crow where she held her ritual scenes
      She spoke powerful Voodoo words and cast her magic in between
      She held Baptiste’s hands tightly in her large, black hands
      She promised him love and riches and lots of land
      From that day forward Baptiste had more than his share of luck
      He had the love of a beautiful woman and lots of bucks


      But Baptiste always remembered that piercing look in Ms. Laveau’s stare
      An admonishing, cautionary warning they always shared
      If you ever walk the streets in New Orleans....
                                   Beware....
      You just might meet up with Marie Laveau... "The Bayou Voodoo Queen"
__________________­_________
"Marie Laveau (September 10, 1794 – June 16, 1881[1]) was a Louisiana Creole practitioner of Voodoo renowned in New Orleans. She was born free in New Orleans.
Marie Laveau a legend of Voodoo down on the Bayou. This well known story of this
Voodoo Queen who made her fortune selling her potions and interpreting dreams...
all down in a place called New Orleans!
r Apr 2014
Led down from the tower
Head high and hands bound
Blindfold declined against the wall
Black square pinned to his heart
Eyes afire and shining proud
He sang...

He sang of Caruso, Townes Van Zandt
Pavarotti, Bocelli, Mercury,
Carreras, he sang of Antoine,
Of Sinatra, Lennon, Morrison, Redding
He sang and songbirds paused in flight
He sang like them all

He sang a song of himself
Of leaves of grass, of second comings
Of Byron, and Bharti, and Cummings
He sang of Neruda, and Plath, Tagore
Dickinson, Kamala Das and Naidu
Oh, he sang of them all

He sang of art and beauty
Of Mona Lisa and starry nights
Girls in green dresses and pearls
He sang of Van Gogh, of Picasso
Of Rembrandt, da Vinci
He sang of Michelangelo

He sang of sadness, pain
He sang of My Lai, Sand Creek
Of Guernica and Krystallnacht
He cried and sang of Wounded Knee
Of Katyn Forest, Sabra and Shatila
Oh, he wept as he sang

He sang of history and wonders
He sang of Olduvai and pyramids
Machu Picchu, Tikal, and Angkor Wat
He sang of a great wall, the Taj Mahal
Stonehenge, Easter Isle, Mesa Verde
His song took us to them all

He sang of courage
A song of Bunker Hill, Gettysburg
Of the Alamo, Normandy, Stalingrad
Of Lincoln, Guevara and Dr. King
He sang of Bolivar, Bhutto, Ghandi
He shamed us with their song

He sang his song...
As women sighed and peasants cried
He  sang until the rifles fired, he died
Songbirds fell from the sky
Soldiers broke their guns on stones
And marched into the deep blue sea.

r ~ 4/12/14
Anais Vionet Nov 2023
I’ve always loved music. As a little girl, I could spend hours going through peoples CD collections, sampling them with my little battery-operated CD player. If you showed me a stack, rack or box of CDs, I was in heaven.

When I was 8 (2011), I got my first iPod for Christmas, an iPod Touch with 32GB of memory! The sticker said it was from Santa, but ‘Step’ got a package in the mail from Apple three weeks earlier, so I knew who it was really from. Upon opening it, I rushed upstairs to my older brother’s computer, plugged it in, carefully copied the username and password for the family iTunes account (from a wrinkled post-it note), and the world was never the same.

It never occurred to me that my parents could see all of my playlists and that they were automatically downloaded to their devices - like my break-up playlist, inspired by Antoine, my French-boy fifth grade crush. It didn’t work out because he didn’t have an email account and our recess times didn’t line up, but my playlist helped me through it.

I could burn playlists to CDs and exchange them with friends - or gift them to middle school boys who I hoped to amaze with my awesome musical tastes. There’s an art to the playlist that involves controlling pace and mood - every playlist was both a gift and a seduction.

Today we have Spotify with its unlimited streaming of every song ever made - on demand. Exchanging playlists, these days, is as easy as pressing "Share" and typing the first few letters of a friend’s or lover's username.

Like most of my girlfriends, I consider myself a playlist queen and as I continue to work this career path I’ve chosen, regardless of what's weighing me down, I know I can turn to my playlists to push me through. The band ‘The Narcissist Cookbook ’ assures me that my shocking honesty is fun with ‘Broken People.’ ‘K. Flay’ allows me to dance-out my rage with ‘Blood in the cut’ and ‘New Move’ motivates me to keep-at-it with ‘When did we stop.’

I’ve countless Spotify playlists: one for waking up, one for writing papers, one for doing problem sets, others for walking to class, doing the laundry, for nostalgic reflection, and for embracing the astounding depth of human pain.

Of course, as time passes, I find new favorite songs and older playlists are replaced with updated ones; but thanks to the archival nature of Spotify playlist collections, all my old lists remain intact. I’ve never deleted one. Search my archives and you’d see playlists from my freshie year, when I was new here, feeling insecure and alone, or from my sophomore year when I first fell in love.

This piece is a playlist love story, about how music reflects our identities and allows us to share ourselves through the vibes, melodies and beats that move us. I think playlists have a lot in common with poetry, which uses words, phrases, metaphors and imagery for similar purposes.
Steven Hutchison Apr 2012
On April 26th, 372 B.C. Plato was the first man to inflict injury upon his own dreams.
Not the forms casting shadows in his cave, his literal dreams.
At 6:35 a.m. the impish snarl of a water ***** crept into his Utopia of an
all-you-can-eat gyro cart overturned at the corner of his street and roused him
back to consciousness. The ingenious design of his Clepsydra quite obviously complete,
Aristotle came running with the awkward stride of a sleepwalking adolescent
to see what his master had done. When he arrived he saw flying,
two pots of water, an air-compressing submersible chamber and one water ***** reed.
Aristotle quickly collected the shattered pieces and noted
that this broken pottery was more real than time itself.

On September 21st, 712 A.D. a small village just outside the boundaries of
Chang'an, China came dangerously close to taking the life of the palace
astronomer/inventor/sleepyhead. Crowding around the door of Yi Xing, the
townspeople tore their robes and wailed for him to put a stop to the
incessant clanging. Xing, who had apparently overslept and was still
clinging to morsels of fading dreams about his young mistress, stuffed his
face into his pillow, muttering eureka, after first having chucked the
two clay pots, handful of stones and plate-sized gong out the front door,
much to the amusement of the assembly of drooping eyelids and torn pajamas.

In the year 1235 A.D. tortured residents of Baghdad began associating their
daily and nightly times for prayer with the ringing of their eardrums from
uninvited chimes.

In 1493 St. Mark's Clock-tower polluted the once-pure Venetian air with
hourly reminders that we are all yet one hour closer to our inevitable death
and the priests of the day called it humility.

Levi Hutchins of New Hampshire turned to a pine cabinet, brass clock and
mechanical gears in 1787, and for the first time gave himself the ability to
choose when he would hate the morning.

In 1847, French inventor Antoine Redier began making money off of people's
early morning auditory masochism.

Lew Wallace, the morning after completing his masterpiece novel "Ben Hur,"
awoke with a fiendish beeping in his ear and proceeded to invent the paradox
of the snooze button.

In Spring of 1942 the war in Europe raged and all U.S. alarm clock production ceased.

In the Spring of 1943 well-rested factory men, confronted by their foreman
upon arrival at 9:15, erupted the words "my alarm clock is broken,"
forever placing the excuse in the deep pockets of slackers
world-wide.

To all of these respected men of our history
Who have thought with their hands to create
The foundation of a society drowning in Starbucks,
I wish to express my sincerest ingratitude.

I lie awake in bed at night,
Licking the bitter taste of reality from my cheeks,
In the company of Plato, Lew Wallace and Yi Xing,
Wondering what dreams will be stolen from me.
Day 20
Nigel Finn Dec 2015
"I call people creatures sometimes
That may not
Be a good sign"
        -mikecccc*

I can't help but wonder what the writer's trying to convey,
And in my mind I picture one of the creatures who say;
"We're much more like people than humans are anyway,
As proven by Jean Baptiste Pierre Antoine de Monet,
Inheritance played a part in changing human DNA,
Which caused you to view every creature as prey,
So next time you blurt out a line so passé
Remember it's us you're insulting today."
And with that the fair creature returned on it's way,
Whilst the humans returned and lined up for their pay,
Earned from the torn earth and the creatures they slay.

I ask my fellow writer a question if I may;
Was it your intent to insult creatures that day?
This one's obviously a bit tongue in cheek, but does also reflect what I think to a certain extent- i.e that human life is only regarded as being any more important than any other life because **we're** human. Which seems a bit racist when you think about it ...Or speiciest... Whatever.
Richard Riddle Jun 2015
'Twas a balmy summer evening, and a goodly crowd was there.
Which well-nigh filled Joe's bar-room on the corner of the square;
And as songs and witty stories came through the open door,
A vagabond crept slowly in and posed upon the floor.

"Where did it come from?" someone said, "The wind has blown it in."
"What does it want?" another cried. "Some whisky, *** or gin?"
"Here, Toby, sic him, if your stomach's equal to the work -
I wouldn't touch him with a fork, he's as filthy as a Turk."

This badinage the poor wretch took with stoical good grace;
In fact, he smiled as though he thought he'd struck the proper place.
"Come, boys, I know there's burly hearts among so good a crowd
To be in such good company would make a deacon proud."

"Give me a drink -- that's what I want -- I'm out of funds, you know;
When I had cash to treat the gang, this hand was never slow.
What? You laugh as though you thought this pocket never held a sou!
I once was fixed as well, my boys, as anyone of you."

"There, thanks; that's braced me nicely! God bless you one and all!
Next time I pass this good saloon, I'll make another call.
Give you a song? No, I can't do that, my singing days are past;
My voice is cracked, my throat's worn out, and my lungs are going fast."

"Say! Give me another whisky, and I'll tell you what I'll do
I'll tell you a funny story, and a fact, I promise, too.
That I was ever a decent man not one of you would think;
But I was, some four or five years back. Say, give me another drink."

"Fill her up, Joe, I want to put some life into my frame --
Such little drinks to a *** like me are miserably tame;
Five fingers -- there, that's the scheme - and corking whisky, too.
Well, here's luck, boys! and, landlord, my best regards to you!"

"You've treated me pretty kindly, and I'd like to tell you how
I came to be the ***** sot you see before you now.
As I told you, once I was a man, with muscle, frame and health,
And, but for a blunder, ought to have made considerable wealth."

"I was a painter -- not one that daubed on bricks and wood
But an artist, and, for my age, was rated pretty good.
I worked hard at my canvas and was bidding fair to rise,
For gradually I saw the star of fame before my eyes."

"I made a picture, perhaps you've seen, 'tis called the 'Chase of Fame.'
It brought me fifteen hundred pounds and added to my name.
And then I met a woman -- now comes the funny part --
With eyes that petrified my brain, and sunk into my heart."

"Why don't you laugh? 'Tis funny that the vagabond you see
Could ever love a woman and expect her love for me;
But 'twas so, and for a month or two her smiles were freely given,
And when her loving lips touched mine it carried me to heaven."

"Did you ever see a woman for whom your soul you'd give,
With a form like the Milo Venus, too beautiful to live;
With eyes that would beat the Koh-i-noor, and a wealth of chestnut hair?
If so, 'twas she, for there never was another half so fair."

"I was working on a portrait, one afternoon in May,
Of a fair-haired boy, a friend of mine, who lived across the way,
And Madeleine admired it, and, much to my surprise,
Said that she'd like to know the man that had such dreamy eyes."

"It didn't take long to know him, and before the month had flown
My friend had stolen my darling, and I was left alone;
And, ere a year of misery had passed above my head,
The jewel I had treasured so had tarnished, and was dead."

"That's why I took to drink, boys. Why, I never saw you smile!
I thought you'd be amused, and laughing all the while.
Why, what's the matter, friend? There's a teardrop in your eye,
Come, laugh, like me; 'tis only babies and women that should cry."

"Say, boys, if you give me just another whisky, I'll be glad,
And I'll draw right here a picture of the face that drove me mad.
Give me that piece of chalk with which you mark the baseball score --
You shall see the lovely Madeleine upon the bar-room floor."

Another drink, and with chalk in hand the vagabond began
To sketch a face that well might buy the soul of any man.
Then, as he placed another lock upon the shapely head,
With a fearful shriek, he leaped and fell across the picture -- dead.
I was going to wait a couple of days, but, what the heck!
Jami Samson Oct 2013
Once again, I am not only alive;
But newborn-alive.
Antoine de-Saint Exupery tried to tell us
That besides having the solution to every riddle,
Snakes can also teach us
That we have always been the better creatures
For we shed our insides,
The only touchable things our souls produce;
Instead of our outsides,
And they come out of our only way in
To another soul,
And everytime they do,
We run after our breaths
Like the first time we learned
We actually need it.
We will really always meet ourselves here,
In this middle darkness where we first saw light
And made that womb-to-tomb pact of companionship
With what we came with to this world,
The same thing we'd leave with
Or leave because of,
And leave behind to cause a whole lot more
Shedding of insides
When we finally go the only way,
Which, all along,
Is back...
#43, Oct.25.13
Terry O'Leary Mar 2013
1.
There once was a couple of cats
Who engaged in continuous spats.
          The result was a tie
          When each scratched out an eye –
An old-Biblical *** for a tat!

The cats awoke bleeding and weak
And half-seeing the havoc they'd wreaked
          They discarded their clothes,
          Their backsides to expose –
A new-Biblical turning of cheek!

2.
There once was a man, oh so brave,
Who would sleep in a hole, called a grave ...
          Well, he being the host
          To so many a ghost,
He arranged a big bash, called a rave

3.
In days of Neanderthal knaves
When the men ruled like kings in their caves
          And not being too keen
          About keeping them clean ...
Often took on some wives, called them slaves

4.
There once was a man with a stave
Overseeing a holy enclave ...
          Well, maintaining a grin
          While absolving the sin,
He assessed wicked tales and forgave

5.
There once was a monk with a wave
Who desired a head with a shave ...
          Well, the barber was such
          That she cut back too much
Thereby leaving his globus concave

6.
There once was a man in the nave,
Although pious he could not behave ...
          But they paid him no mind,
          ’Cause his name was maligned,
Being simply a sinner to save

7.
There once was a man quite depraved
A voluptuous life was thus craved ...
          Well, continuous sin
          Ended doing him in –
On his tombstone they carved ‘Misbehaved’

8.
Antoine is a Vampire Ghoul,
Quite barbaric, bloodthirsty and cruel,
          With a fang in your throat
          He’ll **** slowly and gloat
With a smile as you whimper and mewl.

9.
There once was a raven haired Shrink
Who had orange Juice Tequilas to drink.
          Well her scarlet souled Beau
          ****** her tinted red Toe
And she paled when he tickled her Pink.

10.
There once was a travelling sage
Who yet lived to a very old age.
          Well, becoming quite senile,
          With problems (yes, ******),
He packed his wee trunk in a rage.

11.
There once was a Nun and a Druid
Exchanging some ****** fluid,
          When along strode the Father
          Who heard all the bother,
Lost stickum while coming  unglu..ed.
DP Younginger May 2013
****** suspicious schemes,
Right or wrong, I see past all communication into extreme expansions of a negative mindset,
Scarlet buttons compressed with Indian shaded tint, through mistaken pigment,
Veins pumping overtime with boiled fumes of something condensing,
You’re running out of immediate clockwork when days brew skyward and panic appears to be tempting your envious iris,
Behind the machinery are the blueprints,
Directed only towards agitated agony and sour sorrow,
Illuminated by locked doors-
I ask you- as the reader- the listener-
See passed my memories and create room for visions of a tangible imagination and leg-pumping adrenaline,
Needle infested wrenches lock arms with the absent intelligence of conscious deprived brain flow,
I see you peaking around my duct and depict an abstract view of confused, focused eyeliner,
Slick and plentiful dew drops linger between a plugged safeguarded build,
You’re running out of precious seconds as Antoine Fisher burns free the story behind a smearing disguise of gratitude,
Amen to the present and many men for this lopsided track record,
I’ve got a key witness in my pocket, along with images of what I lived for, before mistakes took flight,
Continue on with your heart, as nothing more than a stranger in a cauliflower society where I erase the painted tapestries,
Beware of the ticking, as I await my calendar to run dry,
Prepare your own stopwatch and click on the rolling minutes my old friend,
I hate everything you represent,
Everything you expose to the previously tainted atmosphere,
But mainly, everything you have coming home from war,
Tick…tick…tick…
Ô temps miraculeux ! ô gaîtés homériques !
Ô rires de l'Europe et des deux Amériques !
Croûtes qui larmoyez ! bons dieux mal accrochés
Qui saignez dans vos coins ! madones qui louchez !
Phénomènes vivants ! ô choses inouïes !
Candeurs ! énormités au jour épanouies !
Le goudron déclaré fétide par le suif,
Judas flairant Shylock et criant : c'est un juif !
L'arsenic indigné dénonçant la morphine,
La hotte injuriant la borne, Messaline
Reprochant à Goton son regard effronté,
Et Dupin accusant Sauzet de lâcheté !

Oui, le vide-gousset flétrit le tire-laine,
Falstaff montre du doigt le ventre de Silène,
Lacenaire, pudique et de rougeur atteint,
Dit en baissant les yeux : J'ai vu passer Castaing !

Je contemple nos temps. J'en ai le droit, je pense.
Souffrir étant mon lot, rire est ma récompense.
Je ne sais pas comment cette pauvre Clio
Fera pour se tirer de cet imbroglio.
Ma rêverie au fond de ce règne pénètre,
Quand, ne pouvant dormir, la nuit, à ma fenêtre,
Je songe, et que là-bas, dans l'ombre, à travers l'eau,
Je vois briller le phare auprès de Saint-Malo.

Donc ce moment existe ! il est ! Stupeur risible !
On le voit ; c'est réel, et ce n'est pas possible.
L'empire est là, refait par quelques sacripants.
Bonaparte le Grand dormait. Quel guet-apens !
Il dormait dans sa tombe, absous par la patrie.
Tout à coup des brigands firent une tuerie
Qui dura tout un jour et du soir au matin ;
Napoléon le Nain en sortit. Le destin,
De l'expiation implacable ministre,
Dans tout ce sang versé trempa son doigt sinistre
Pour barbouiller, affront à la gloire en lambeau,
Cette caricature au mur de ce tombeau.

Ce monde-là prospère. Il prospère, vous dis-je !
Embonpoint de la honte ! époque callipyge !
Il trône, ce cokney d'Eglinton et d'Epsom,
Qui, la main sur son cœur, dit : Je mens, ergo sum.
Les jours, les mois, les ans passent ; ce flegmatique,
Ce somnambule obscur, brusquement frénétique,
Que Schœlcher a nommé le président Obus,
Règne, continuant ses crimes en abus.
Ô spectacle ! en plein jour, il marche et se promène,
Cet être horrible, insulte à la figure humaine !
Il s'étale effroyable, ayant tout un troupeau
De Suins et de Fortouls qui vivent sur sa peau,
Montrant ses nudités, cynique, infâme, indigne,
Sans mettre à son Baroche une feuille de vigne !
Il rit de voir à terre et montre à Machiavel
Sa parole d'honneur qu'il a tuée en duel.
Il sème l'or ; - venez ! - et sa largesse éclate.
Magnan ouvre sa griffe et Troplong tend sa patte.
Tout va. Les sous-coquins aident le drôle en chef.
Tout est beau, tout est bon, et tout est juste ; bref,
L'église le soutient, l'opéra le constate.
Il vola ! Te Deum. Il égorgea ! cantate.

Lois, mœurs, maître, valets, tout est à l'avenant.
C'est un bivouac de gueux, splendide et rayonnant.
Le mépris bat des mains, admire, et dit : courage !
C'est hideux. L'entouré ressemble à l'entourage.
Quelle collection ! quel choix ! quel Œil-de-boeuf !
L'un vient de Loyola, l'autre vient de Babeuf !
Jamais vénitiens, romains et bergamasques
N'ont sous plus de sifflets vu passer plus de masques.
La société va sans but, sans jour, sans droit,
Et l'envers de l'habit est devenu l'endroit.
L'immondice au sommet de l'état se déploie.
Les chiffonniers, la nuit, courbés, flairant leur proie,
Allongent leurs crochets du côté du sénat.
Voyez-moi ce coquin, normand, corse, auvergnat :
C'était fait pour vieillir bélître et mourir cuistre ;
C'est premier président, c'est préfet, c'est ministre.
Ce truand catholique au temps jadis vivait
Maigre, chez Flicoteaux plutôt que chez Chevet ;
Il habitait au fond d'un bouge à tabatière
Un lit fait et défait, hélas, par sa portière,
Et griffonnait dès l'aube, amer, affreux, souillé,
Exhalant dans son trou l'odeur d'un chien mouillé.
Il conseille l'état pour ving-cinq mille livres
Par an. Ce petit homme, étant teneur de livres
Dans la blonde Marseille, au pays du mistral,
Fit des faux. Le voici procureur général.
Celui-là, qui courait la foire avec un singe,
Est député ; cet autre, ayant fort peu de linge,
Sur la pointe du pied entrait dans les logis
Où bâillait quelque armoire aux tiroirs élargis,
Et du bourgeois absent empruntait la tunique
Nul mortel n'a jamais, de façon plus cynique,
Assouvi le désir des chemises d'autrui ;
Il était grinche hier, il est juge aujourd'hui.
Ceux-ci, quand il leur plaît, chapelains de la clique,
Au saint-père accroupi font pondre une encyclique ;
Ce sont des gazetiers fort puissants en haut lieu,
Car ils sont les amis particuliers de Dieu
Sachez que ces béats, quand ils parlent du temple
Comme de leur maison, n'ont pas tort ; par exemple,
J'ai toujours applaudi quand ils ont affecté
Avec les saints du ciel des airs d'intimité ;
Veuillot, certe, aurait pu vivre avec Saint-Antoine.
Cet autre est général comme on serait chanoine,
Parce qu'il est très gras et qu'il a trois mentons.
Cet autre fut escroc. Cet autre eut vingt bâtons
Cassés sur lui. Cet autre, admirable canaille,
Quand la bise, en janvier, nous pince et nous tenaille,
D'une savate oblique écrasant les talons,
Pour se garer du froid mettait deux pantalons
Dont les trous par bonheur n'étaient pas l'un sur l'autre.
Aujourd'hui, sénateur, dans l'empire il se vautre.
Je regrette le temps que c'était dans l'égout.
Ce ventre a nom d'Hautpoul, ce nez a nom d'Argout.
Ce prêtre, c'est la honte à l'état de prodige.
Passons vite. L'histoire abrège, elle rédige
Royer d'un coup de fouet, Mongis d'un coup de pied,
Et fuit. Royer se frotte et Mongis se rassied ;
Tout est dit. Que leur fait l'affront ? l'opprobre engraissé.
Quant au maître qui hait les curieux, la presse,
La tribune, et ne veut pour son règne éclatant
Ni regards, ni témoins, il doit être content
Il a plus de succès encor qu'il n'en exige ;
César, devant sa cour, son pouvoir, son quadrige,
Ses lois, ses serviteurs brodés et galonnés,
Veut qu'on ferme les veux : on se bouche le nez.

Prenez ce Beauharnais et prenez une loupe ;
Penchez-vous, regardez l'homme et scrutez la troupe.
Vous n'y trouverez pas l'ombre d'un bon instinct.
C'est vil et c'est féroce. En eux l'homme est éteint
Et ce qui plonge l'âme en des stupeurs profondes,
C'est la perfection de ces gredins immondes.

À ce ramas se joint un tas d'affreux poussahs,
Un tas de Triboulets et de Sancho Panças.
Sous vingt gouvernements ils ont palpé des sommes.
Aucune indignité ne manque à ces bonshommes ;
Rufins poussifs, Verrès goutteux, Séjans fourbus,
Selles à tout tyran, sénateurs omnibus.
On est l'ancien soudard, on est l'ancien bourgmestre ;
On tua Louis seize, on vote avec de Maistre ;
Ils ont eu leur fauteuil dans tous les Luxembourgs ;
Ayant vu les Maurys, ils sont faits aux Sibours ;
Ils sont gais, et, contant leurs antiques bamboches,
Branlent leurs vieux gazons sur leurs vieilles caboches.
Ayant été, du temps qu'ils avaient un cheveu,
Lâches sous l'oncle, ils sont abjects sous le neveu.
Gros mandarins chinois adorant le tartare,
Ils apportent leur cœur, leur vertu, leur catarrhe,
Et prosternent, cagneux, devant sa majesté
Leur bassesse avachie en imbécillité.

Cette bande s'embrasse et se livre à des joies.
Bon ménage touchant des vautours et des oies !

Noirs empereurs romains couchés dans les tombeaux,
Qui faisiez aux sénats discuter les turbots,
Toi, dernière Lagide, ô reine au cou de cygne,
Prêtre Alexandre six qui rêves dans ta vigne,
Despotes d'Allemagne éclos dans le Rœmer,
Nemrod qui hais le ciel, Xercès qui bats la mer,
Caïphe qui tressas la couronne d'épine,
Claude après Messaline épousant Agrippine,
Caïus qu'on fit césar, Commode qu'on fit dieu,
Iturbide, Rosas, Mazarin, Richelieu,
Moines qui chassez Dante et brisez Galilée,
Saint-office, conseil des dix, chambre étoilée,
Parlements tout noircis de décrets et d'olims,
Vous sultans, les Mourads, les Achmets, les Sélims,
Rois qu'on montre aux enfants dans tous les syllabaires,
Papes, ducs, empereurs, princes, tas de Tibères !
Bourreaux toujours sanglants, toujours divinisés,
Tyrans ! enseignez-moi, si vous le connaissez,
Enseignez-moi le lieu, le point, la borne où cesse
La lâcheté publique et l'humaine bassesse !

Et l'archet frémissant fait bondir tout cela !
Bal à l'hôtel de ville, au Luxembourg gala.
Allons, juges, dansez la danse de l'épée !
Gambade, ô Dombidau, pour l'onomatopée !
Polkez, Fould et Maupas, avec votre écriteau,
Toi, Persil-Guillotine, au profil de couteau !

Ours que Boustrapa montre et qu'il tient par la sangle,
Valsez, Billault, Parieu, Drouyn, Lebœuf, Delangle !
Danse, Dupin ! dansez, l'horrible et le bouffon !
Hyènes, loups, chacals, non prévus par Buffon,
Leroy, Forey, tueurs au fer rongé de rouilles,
Dansez ! dansez, Berger, d'Hautpoul, Murat, citrouilles !

Et l'on râle en exil, à Cayenne, à Blidah !
Et sur le Duguesclin, et sur le Canada,
Des enfants de dix ans, brigands qu'on extermine,
Agonisent, brûlés de fièvre et de vermine !
Et les mères, pleurant sous l'homme triomphant,
Ne savent même pas où se meurt leur enfant !
Et Samson reparaît, et sort de ses retraites !
Et, le soir, on entend, sur d'horribles charrettes
Qui traversent la ville et qu'on suit à pas lents,
Quelque chose sauter dans des paniers sanglants !
Oh ! laissez ! laissez-moi m'enfuir sur le rivage !
Laissez-moi respirer l'odeur du flot sauvage !
Jersey rit, terre libre, au sein des sombres mers ;
Les genêts sont en fleur, l'agneau paît les prés verts ;
L'écume jette aux rocs ses blanches mousselines ;
Par moments apparaît, au sommet des collines,
Livrant ses crins épars au vent âpre et joyeux,
Un cheval effaré qui hennit dans les cieux !

Jersey, le 24 mai 1853.
Me
My name is Antoine Nunez....I am an Iron dog and Scorpio...born in Queens NYC in 1970.  I wear my pain and faults like a badge.  I love ferociously and ferociously defend what I love. I make no excuses for who I am though I am not always proud of what I've done.

I am Colombian American.  I live in a garage with my dog Domino.  I have had material wealth and success and all it brought about was stress.  I sling a hammer. I have friends in all corners of the world that I would defend with my life.

I am a loner...no girl no kids no ex no wife.  I live by the motto better alone than in bad company.  I have given my heart thrice ...the first two ******* 12 years from my life.  This last I was sure would be my wife.

I am not ugly though not Adonis.  My beauty isn't physical....as I'm in the twilight of my life.. it's what's in my mind...the person that this smooth and bumpy road has fashioned....that make me who I am.

I don't hide...have no need to lie.  What you see is what you get...the mountains where I run to cry  don't care about my height.

My name is Antoine Nunez....i don't want to fight....so I'll let you all know everything to make it easy to take my life.  

My name is Antoine Nunez and on any God given day you can try to ***** me at the corner of my block in the varrio....165th St. and Norwalk Blvd. Norwalk, CA

Or you can come for just a hug.
The real me.......I invite you death....come and get me.... I'll rip off my shirt so you can shoot me in the chest
ANu dei dawns..  
                         .      '      .
                  .                           .
                .                               .
----------------------------------------------
His name is Antoine
Careful don't read out loud more than once....its a spell.  Delusions of grandeur!!!!
Luann Jung May 2016
Everything I own, I carry with me:
i carry your heart(i carry it in my heart)
It has done me good because of the color of the wheat
But love is not a victory march

Herta Müller
e.e. cummings
Antoine de Saint-Exupéry
Leonard Cohen
No copyright infringement intended; only trying to be creative in the presentation of four quotes that I happen to like.
Qu'es-tu, passant ? Le bois est sombre,
Les corbeaux volent en grand nombre,
Il va pleuvoir.
- Je suis celui qui va dans l'ombre,
Le Chasseur Noir !

Les feuilles des bois, du vent remuées,
Sifflent... on dirait
Qu'un sabbat nocturne emplit de huées
Toute la forêt ;
Dans une clairière au sein des nuées
La lune apparaît.

- Chasse le daim, chasse la biche,
Cours dans les bois, cours dans la friche,
Voici le soir.
Chasse le czar, chasse l'Autriche,
Ô Chasseur Noir !

Les feuilles des bois -

Souffle en ton cor, boucle ta guêtre,
Chasse les cerfs qui viennent paître
Près du manoir.
Chasse le roi, chasse le prêtre,
Ô Chasseur Noir !

Les feuilles des bois -

Il tonne, il pleut, c'est le déluge.
Le renard fuit, pas de refuge
Et pas d'espoir !
Chasse l'espion, chasse le juge,
Ô Chasseur Noir !

Les feuilles des bois -

Tous les démons de saint-Antoine
Bondissent dans la folle avoine
Sans t'émouvoir ;
Chasse l'abbé, chasse le moine,
Ô Chasseur Noir !

Les feuilles des bois -

Chasse les ours ! ta meute jappe.
Que pas un sanglier n'échappe !
Fais ton devoir !
Chasse César, chasse le pape,
Ô Chasseur Noir !

Les feuilles des bois -

Le loup de ton sentier s'écarte.
Que ta meute à sa suite parte !
Cours ! fais-le choir !
Chasse le brigand Bonaparte,
Ô Chasseur Noir !

Les feuilles des bois, du vent remuées,
Tombent... on dirait
Que le sabbat sombre aux rauques huées
À fui la forêt ;
Le clair chant du coq perce les nuées ;
Ciel ! l'aube apparaît !

Tout reprend sa forme première.
Tu redeviens la France altière
Si belle à voir,
L'ange blanc vêtu de lumière,
Ô Chasseur Noir !

Les feuilles des bois, du vent remuées,
Tombent... on dirait
Que le sabbat sombre aux rauques huées
À fui la forêt ;
Le clair chant du coq perce les nuées,
Ciel ! l'aube apparaît !

Jersey, le 22 octobre 1852.
Just got a call from an old friend that lives right in town at the bottom of Main in PC, near Butcher's Chop House.  Roomie really (lived there about 1yr & 1/2).

"Speak"....

"****** Antoine....can't believe you picked up....I knew you weren't dead."

"Joel my man! how's it?
How's Crash, Gela, them slippery South Cackalacky squidbillies...
Doug?  Everyone still there?"

"Yeah...time warp. ..Good bro...what's up with you...are you coming up this winter to tear your knee up again?  Hope so that way you're stuck in the kitchen cooking all day!"

"Hahaha hey Joel....remember where we were about this time 10 years ago?"

"Yeah...we were heading home slowly from the first 'annual' Jackson Hole Music Festival....cuz you're *** wanted to fish the Green and every hole in the Uintas.  Been fishing lately?"

"Not much lately for fish my brother...more for smiles."

"Imposter! You ain't Antoine!.... wait..... WHAT the HELL'S got into you?"

"Awe nothing just caught two bugs....love and nostalgia"

"Classic ****... unclassic Antoine....come up in December and tell me about it"

Colby and I are already planning to!
Remembering the great times with my Park City friends.....hahaha bootlegging kegs from WY, getting stuck on the slopes in the Range Rover....sleeping in a uninsulated garage on a 20° night cuz the squidbillies were being obnoxious....getting that dreaded call from Jenna telling me that one of my closest boys died....tearing the knee up first day out in 2009 being an idiot!  Riding bikes down the slalom course at Deer Valley... faceplanting into a ditch at the bottom...still got that scar!  seeing the Gypsies Kings from 20 feet away.  Midnight boules...smashing all of you on the pool tables Everytime!!!!! Hahaha good times!
Pappo Jul 2015
Oh, little prince! Bit by bit I came to understand the secrets of your sad little life . . . For a long time you had found your only entertainment in the quiet pleasure of looking at the sunset. I learned that new detail on the morning of the fourth day, when you said to me:
"I am very fond of sunsets. Come, let us go look at a sunset now."
"But we must wait," I said.
"Wait? For what?"
"For the sunset. We must wait until it is time."
At first you seemed to be very much surprised. And then you laughed to yourself. You said to me:

"I am always thinking that I am at home!"
Just so. Everybody knows that when it is noon in the United States the sun is setting over France.
If you could fly to France in one minute, you could go straight into the sunset, right from noon. Unfortunately, France is too far away for that. But on your tiny planet, my little prince, all you need do is move your chair a few steps. You can see the day end and the twilight falling whenever you like . . .
"One day," you said to me, "I saw the sunset forty-three times!"
And a little later you added:
"You know--one loves the sunset, when one is so sad . . ."
"Were you so sad, then?" I asked, "on the day of the forty-three sunsets?"
But the little prince made no reply.
-The Little Prince, Antoine de Saint-Exupéry
and still listen to the audiobook, for some reason, it gives me comfort.
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The Sonnet you asked for is Inside.....
Mercury my man messenger to the gods, please deliver a message to the one above.  On your wings of fire tell him I've reached much much higher and I'm coming to dethrone him for his lack of humanity and the love he's expired.

Tell him "ANu Dei dawns, his name is Antoine and his soul
is your funeral pyre!"

ANu
Love this little game
Enfants, beaux fronts naïfs penchés autour de moi,
Bouches aux dents d'émail disant toujours : Pourquoi ?
Vous qui, m'interrogeant sur plus d'un grand problème,
Voulez de chaque chose, obscure pour moi-même,
Connaître le vrai sens et le mot décisif,
Et qui touchez à tout dans mon esprit pensif ;
- Si bien que, vous partis, souvent je passe
Des heures, fort maussade, à remettre à leur place
Au fond de mon cerveau mes plans, mes visions,
Mes sujets éternels de méditations,
Dieu, l'homme, l'avenir, la raison, la démence,
Mes systèmes, tas sombre, échafaudage immense,
Dérangés tout à coup, sans tort de votre part,
Par une question d'enfant, faite au hasard ! -
Puisqu'enfin vous voilà sondant mes destinées,
Et que vous me parlez de mes jeunes années,
De mes premiers instincts, de mon premier espoir,
Écoutez, doux amis, qui voulez tout savoir !

J'eus dans ma blonde enfance, hélas ! trop éphémère,
Trois maîtres : - un jardin, un vieux prêtre et ma mère.

Le jardin était grand, profond, mystérieux,
Fermé par de hauts murs aux regards curieux,
Semé de fleurs s'ouvrant ainsi que des paupières,
Et d'insectes vermeils qui couraient sur les pierres ;
Plein de bourdonnements et de confuses voix ;
Au milieu, presque un champ, dans le fond, presque un bois.
Le prêtre, tout nourri de Tacite et d'Homère,
Était un doux vieillard. Ma mère - était ma mère !

Ainsi je grandissais sous ce triple rayon.

Un jour... - Oh ! si Gautier me prêtait son crayon,
Je vous dessinerais d'un trait une figure
Qui chez ma mère un jour entra, fâcheux augure !
Un docteur au front pauvre, au maintien solennel,
Et je verrais éclore à vos bouches sans fiel,
Portes de votre cœur qu'aucun souci ne mine,
Ce rire éblouissant qui parfois m'illumine !

Lorsque cet homme entra, je jouais au jardin.
Et rien qu'en le voyant je m'arrêtai soudain.

C'était le principal d'un collège quelconque.

Les tritons que Coypel groupe autour d'une conque,
Les faunes que Watteau dans les bois fourvoya,
Les sorciers de Rembrandt, les gnomes de Goya,
Les diables variés, vrais cauchemars de moine
Dont Callot en riant taquine saint Antoine,
Sont laids, mais sont charmants ; difformes, mais remplis
D'un feu qui de leur face anime tous les plis
Et parfois dans leurs yeux jette un éclair rapide.
- Notre homme était fort laid, mais il était stupide.

Pardon, j'en parle encor comme un franc écolier.
C'est mal. Ce que j'ai dit, tâchez de l'oublier ;
Car de votre âge heureux, qu'un pédant embarrasse,
J'ai gardé la colère et j'ai perdu la grâce.

Cet homme chauve et noir, très effrayant pour moi,
Et dont ma mère aussi d'abord eut quelque effroi,
Tout en multipliant les humbles attitudes,
Apportait des avis et des sollicitudes :
- Que l'enfant n'était pas dirigé ; - que parfois
Il emportait son livre en rêvant dans les bois ;
Qu'il croissait au hasard dans cette solitude ;
Qu'on devait y songer ; que la sévère étude
Était fille de l'ombre et des cloîtres profonds ;
Qu'une lampe pendue à de sombres plafonds,
Qui de cent écoliers guide la plume agile,
Éclairait mieux Horace et Catulle et Virgile,
Et versait à l'esprit des rayons bien meilleurs
Que le soleil qui joue à travers l'arbre en fleurs ;
Et qu'enfin il fallait aux enfants, - **** des mères, -
Le joug, le dur travail et les larmes amères.
Là-dessus, le collège, aimable et triomphant,
Avec un doux sourire offrait au jeune enfant
Ivre de liberté, d'air, de joie et de roses,
Ses bancs de chêne noirs, ses longs dortoirs moroses,
Ses salles qu'on verrouille et qu'à tous leurs piliers
Sculpte avec un vieux clou l'ennui des écoliers,
Ses magisters qui font, parmi les paperasses,
Manger l'heure du jeu par les pensums voraces,
Et, sans eux, sans gazon, sans arbres, sans fruits mûrs,
Sa grande cour pavée entre quatre murs.

L'homme congédié, de ses discours frappée,  
Ma mère demeura triste et préoccupée.
Que faire ? que vouloir ? qui donc avait raison,
Ou le morne collège, ou l'heureuse maison ?
Qui sait mieux de la vie accomplir l'œuvre austère,
L'écolier turbulent, ou l'enfant solitaire ?
Problèmes ! questions ! elle hésitait beaucoup.
L'affaire était bien grave. Humble femme après tout,
Âme par le destin, non par les livres faite,
De quel front repousser ce tragique prophète,
Au ton si magistral, aux gestes si certains,
Qui lui parlait au nom des Grecs et des Latins ?
Le prêtre était savant sans doute ; mais, que sais-je ?
Apprend-on par le maître ou bien par le collège ?
Et puis, enfin, - souvent ainsi nous triomphons ! -
L'homme le plus vulgaire a de grands mots profonds :
- « Il est indispensable ! - il convient ! - il importe ! »
Qui troublent quelquefois la femme la plus forte.
Pauvre mère ! lequel choisir des deux chemins ?
Tout le sort de son fils se pesait dans ses mains.
Tremblante, elle tenait cette lourde balance,
Et croyait bien la voir par moments en silence
Pencher vers le collège, hélas ! en opposant
Mon bonheur à venir à mon bonheur présent.

Elle songeait ainsi sans sommeil et sans trêve.

C'était l'été. Vers l'heure où la lune se lève,
Par un de ces beaux soirs qui ressemblent au jour
Avec moins de clarté, mais avec plus d'amour,
Dans son parc, où jouaient le rayon et la brise,
Elle errait, toujours triste et toujours indécise,
Questionnant tout bas l'eau, le ciel, la forêt,
Écoutant au hasard les voix qu'elle entendait.

C'est dans ces moments-là que le jardin paisible,
La broussaille où remue un insecte invisible,
Le scarabée ami des feuilles, le lézard
Courant au clair de lune au fond du vieux puisard,
La faïence à fleur bleue où vit la plante grasse,
Le dôme oriental du sombre Val-de-Grâce,
Le cloître du couvent, brisé, mais doux encor,
Les marronniers, la verte allée aux boutons-d'or,
La statue où sans bruit se meut l'ombre des branches,
Les pâles liserons, les pâquerettes blanches,
Les cent fleurs du buisson, de l'arbre, du roseau,
Qui rendent en parfums ses chansons à l'oiseau,
Se mirent dans la mare ou se cachent dans l'herbe,
Ou qui, de l'ébénier chargeant le front superbe,
Au bord des clairs étangs se mêlant au bouleau,
Tremblent en grappes d'or dans les moires de l'eau,
Et le ciel scintillant derrière les ramées,
Et les toits répandant de charmantes fumées,
C'est dans ces moments-là, comme je vous le dis,
Que tout ce beau jardin, radieux paradis,
Tous ces vieux murs croulants, toutes ces jeunes roses,
Tous ces objets pensifs, toutes ces douces choses,
Parlèrent à ma mère avec l'onde et le vent,
Et lui dirent tout bas : - « Laisse-nous cet enfant ! »

« Laisse-nous cet enfant, pauvre mère troublée !
Cette prunelle ardente, ingénue, étoilée,
Cette tête au front pur qu'aucun deuil ne voila,
Cette âme neuve encor, mère, laisse-nous-la !
Ne vas pas la jeter au hasard dans la foule.
La foule est un torrent qui brise ce qu'il roule.
Ainsi que les oiseaux les enfants ont leurs peurs.
Laisse à notre air limpide, à nos moites vapeurs,
À nos soupirs, légers comme l'aile d'un songe,
Cette bouche où jamais n'a passé le mensonge,
Ce sourire naïf que sa candeur défend !
Ô mère au cœur profond, laisse-nous cet enfant !
Nous ne lui donnerons que de bonnes pensées ;
Nous changerons en jour ses lueurs commencées ;
Dieu deviendra visible à ses yeux enchantés ;
Car nous sommes les fleurs, les rameaux, les clartés,
Nous sommes la nature et la source éternelle
Où toute soif s'épanche, où se lave toute aile ;
Et les bois et les champs, du sage seul compris,
Font l'éducation de tous les grands esprits !
Laisse croître l'enfant parmi nos bruits sublimes.
Nous le pénétrerons de ces parfums intimes,
Nés du souffle céleste épars dans tout beau lieu,
Qui font sortir de l'homme et monter jusqu'à Dieu,
Comme le chant d'un luth, comme l'encens d'un vase,
L'espérance, l'amour, la prière, et l'extase !
Nous pencherons ses yeux vers l'ombre d'ici-bas,
Vers le secret de tout entr'ouvert sous ses pas.
D'enfant nous le ferons homme, et d'homme poète.
Pour former de ses sens la corolle inquiète,
C'est nous qu'il faut choisir ; et nous lui montrerons
Comment, de l'aube au soir, du chêne aux moucherons,
Emplissant tout, reflets, couleurs, brumes, haleines,
La vie aux mille aspects rit dans les vertes plaines.
Nous te le rendrons simple et des cieux ébloui :
Et nous ferons germer de toutes parts en lui
Pour l'homme, triste effet perdu sous tant de causes,
Cette pitié qui naît du spectacle des choses !
Laissez-nous cet enfant ! nous lui ferons un cœur
Qui comprendra la femme ; un esprit non moqueur,
Où naîtront aisément le songe et la chimère,
Qui prendra Dieu pour livre et les champs pour grammaire,
Une âme, pur foyer de secrètes faveurs,
Qui luira doucement sur tous les fronts rêveurs,
Et, comme le soleil dans les fleurs fécondées,
Jettera des rayons sur toutes les idées ! »

Ainsi parlaient, à l'heure où la ville se tait,
L'astre, la plante et l'arbre, - et ma mère écoutait.

Enfants ! ont-ils tenu leur promesse sacrée ?
Je ne sais. Mais je sais que ma mère adorée
Les crut, et, m'épargnant d'ennuyeuses prisons,
Confia ma jeune âme à leurs douces leçons.

Dès lors, en attendant la nuit, heure où l'étude
Rappelait ma pensée à sa grave attitude,
Tout le jour, libre, heureux, seul sous le firmament,
Je pus errer à l'aise en ce jardin charmant,
Contemplant les fruits d'or, l'eau rapide ou stagnante,
L'étoile épanouie et la fleur rayonnante,
Et les prés et les bois, que mon esprit le soir,
Revoyait dans Virgile ainsi qu'en un miroir.

Enfants ! aimez les champs, les vallons, les fontaines,
Les chemins que le soir emplit de voix lointaines,
Et l'onde et le sillon, flanc jamais assoupi,
Où germe la pensée à côté de l'épi.
Prenez-vous par la main et marchez dans les herbes ;
Regardez ceux qui vont liant les blondes gerbes ;
Épelez dans le ciel plein de lettres de feu,
Et, quand un oiseau chante, écoutez parler Dieu.
La vie avec le choc des passions contraires
Vous attend ; soyez bons, soyez vrais, soyez frères ;
Unis contre le monde où l'esprit se corrompt,
Lisez au même livre en vous touchant du front,
Et n'oubliez jamais que l'âme humble et choisie
Faite pour la lumière et pour la poésie,
Que les cœurs où Dieu met des échos sérieux
Pour tous les bruits qu'anime un sens mystérieux,
Dans un cri, dans un son, dans un vague murmure,
Entendent les conseils de toute la nature !

Le 31 mai 1839.
I have it tough you see....
my dad thought
long and hard
bout the name
he'd give me.

Since he was M.A.N.
and I was first born,
does that make
me the Son of man?
I digress so don't
let me regress,
tangentially rant or
cause you any stress.

My father decided on
the French version
of his middle name;
I was thusly
anointed Antoine.

Being the first,
they expected a lot
but I guess they
had picked the right one.

It means beyond praise
and in those early days
as a prodigy child
everyone thought
I'd be The One.
judy smith Nov 2016
The 34-year-old Russian model has admitted she applies beauty products to enhance her cheekbones and jaw line when she has to attend a formal discussion to make her look "older" and "more mature".

Speaking to Elle.com about her beauty regime, the blonde beauty - who has starred in fashion campaigns for luxury designer brands including Givenchy, Prada and Calvin Klein - said: "There's no particular routine. I keep my skin clean and moisturized. A product I swear by is [Guerlain] Super Aqua Serum, so maybe this is my secret.

"It's also genetics and a healthy lifestyle. I think it's really about using the right products and looking after your skin. And putting on makeup that doesn't make your skin look like it's caked on. My two favorite products are Lingerie De Peau BB Cream, and in the winter I use Météorites Baby Glowfoundation. It smells so good. The pearl powder is what gives it this really incredible glow. The secret to applying my makeup is that I just put it where it's needed.

"Sometimes I wear just a little pencil and a bit of mascara to make my eyes stand out a little more. And maybe a bit of color on my cheeks. If I'm going to a meeting, I will contour my face to make myself look a little older. I have to look more mature."

And Natalia - who has sons Lucas, 14, Viktor, nine, Maxim, two, four-month-old Roman and 10-year-old daughter Neva with her husband Antoine Arnault - has admitted motherhood impacts on her daily routine.

The Gorky-born star explained: "Keeping up with everything I do requires some sacrifices, but once and a while I need to take some time to myself."Read more at:http://www.marieaustralia.com/princess-formal-dresses | www.marieaustralia.com/****-formal-dresses
Richard Riddle Jun 2015
My wife, Karen, often stated, "You inherited your family's B S genes." I suppose there is a "bit of truth" in that. Okay, maybe a little more than "a bit." Most would probably take that kind of statement as an insult. However, I would rather consider it as a complement. I like, for the most part,  being placed in the catagory of being a "storyteller."
Throughout my childhood, yes, I was a child at one time,  I was fascinated with poets in the genre of the storytellers like Robert W. Service, a master of poetic storytelling(verse) who  could grab you by the seat of your pants with his tales of the Yukon Territory. Hugh Antoine d'Arcy's The Face Upon the Floor", another classic of verse. And many other poets trying to emulate those writing styles, and having their works instead attributed to those "grand masters."
It is my opinion that most of the newcomers, to this site anyway, have little or no knowledge of these writer's whom I consider the "true raconteurs." Someone will comment that Edgar Allan Poe was a great storyteller. Yes, he was, but he died in 1849, long before the arrival of those that I mentioned in the period(late 19th century to early 20th) .
Over the next day, or two, or three, I plan to post a couple of these early works, and hope you enjoy them as much as I have.

Sincerely,
Richard

— The End —