i will never know the black mother’s ache,
but i imagine that if the phrase “adding insult to injury” had a feeling,
that would be it.

i will never know the black mother’s ache,
but i imagine that it sounds like “hands up, don’t shoot,” like “i can’t breathe,”
like blood hitting a pavement that seems as though it was built
to catch those droplets.

i will never know the black mother’s ache,
but i imagine that it tastes like skittles and arizona tea,
four years old but still carrying the fresh sting of a wound just opened.
i imagine that it tastes 
like history repeating itself,
like seeing your son or daughter recycled each week
on every news report, on every tv station.
each time it is a different body, 
but it is always the same hand pulling the trigger,
the same black blood being spilled,
the same cries left unheard;
we shout “black lives matter”
and yet, still,
they cut them too short.

i will never know the black mother’s ache,
but i imagine that it looks like a web of lies too thick to cut through — 
every strand another weapon that he did or did not have,
another order that he did or did not follow,
another sin that he did or did not commit;
the only black they care about
is the color of the ink they use
to draw your angel-headed boy
a set of horns.
i imagine that it looks like evidence hidden,
like sparknotes-type skim-throughs labeled “thorough investigations,”
like another unindicted officer walking freely atop the cries of those 
who charged into a battle they knew they would, but hoped they would not, lose.
a battle they have fought too many times before.
i imagine that it looks
like an empty chair at the dinner table,
like cold-blooded ****** disguised as justice
with the help of a blue hat and a badge.

i will never know the black mother’s ache,
but if you listen closely enough,
you can hear it
in every cautious goodbye she says to her children whenever they leave the house,
or in the silence that those goodbyes used to fill.

can you hear it?
you will have to push past the shouts
of the big bold letters that they want you to believe.

somewhere,
somewhere in there,
a black mother’s heart is crying.
it is a gentle, hushed cry 
that the world does not want to hear.

but the tears are still just as wet.

(a.m.)

maybe you put too much faith in me

i'm agnostic, apathetic, aromantic
and too much of an antagonist to never let you down

you could drown me,
make me suffer for my attitude;
but i'll not atone for my sins

remorse is for the empathetic
and i am just

empathetic minus the em

i am not one to glamorize smoking,
but there is something recklessly beautiful about new york
and the way each cloud of smoke on every city street rolls
with a detached aggression
from cherry onwards —
like a demon knowingly conjured.

it is a slow suicide so defiant it is almost admirable.

almost.

but like most things called admirable at first glance
and detestable
at second,
there is an ugly side.

new york, though,
doesn’t know ugly — never has, never will —
and even when it does it is a
“between the lines” kind of ugly:
the spitting up of blood bright and red —
cherry —
at home, behind closed doors,
not cool and casual on the city streets.

new york doesn’t know ugly.
and so slow suicides become
park bench pastimes and
throats filled with smokes become synonymous with:
“living life to the fullest in the heart of new york city”
and the way each cloud of smoke on every city street rolls
with a detached aggression
from cherry onwards becomes
almost admirable.

almost.

(a.m.)

today my gums bled when i brushed my teeth,
and i thought of making some metaphor
about how efforts to attain purity
only result in more stains,
but no.
it was just blood.

to call a rose — or torn gums — by any other name
is to silence the initial sting,
but it still ends up hurting more in the end.
it always does.
lying always does.

and if all i have are my words,
what am i if my words are lies?

what am i if i cannot be honest?

a bad writer, perhaps.
but trying.
i am also trying.

there are some days when the blood looks
a little less like words on a page,
and simply a little more like red,
and i am hopeful.

yet still i know
that efforts to attain purity
only result in more stains,
and red is a ***** to clean out.

(a.m.)

my father carries his grandmother's wisdom with him
like a satchel upon his back,
like a palm print;
his own father’s teachings tug like strings
and read like a map worn but never wrong —
one that transcends.

my father knows how to live for himself
for the sake of others.
a hidden art form —
secretive to his son
who only knows how to live for others
for the sake of himself.

i could ask him how he does it,
but he tells me first that i will live and learn and hurt and grow,
and so i know, instead, that i will come to know.

my father carries me in his arms as though i am still one day old,
as though i am still taking my first few tiny gasps of air from this great big world
(the world he built for me),
as though my eyes have not yet become accustomed to the light.

my father’s arms never tire and i know why.
they are satchel and palm print,
strings and map.

i am one day old and sure that my father has lived a thousand lifetimes.
he speaks in bloodlines, holds heritage in his hands and then brings it to his head when it whispers.
like a child holding a shell to his ear, listening to the ocean.
my father knows where to find right answers.

i could ask him how he does it,
but he is already answering.

he has always been answering.

(a.m.)

from miles away i can see you erasing me.
you might not feel it, but i do.
i know you are.
it always goes this way.

from miles away i can see you erasing me,
and i want to shout at you, to tell you to stop,
but i have always been quiet in the moments when it would matter most to be loud.

i wish i could go long without love.

i will never ask for a second chance because you would then ask when you ever gave me a first one.
because you would break me down.
so erase me.

this is burning bridges still being built;
this is the familiar taste.
i wish i could go long without love. i wish it could have been different.

are you content watching the flames?

this is being sorry.
this is not knowing what to say.
i never know what to say.
i wish i could go long without love but i can't.

from miles away i can see you erasing me.
i am sorry that my desires never manifest themselves into something beautiful.

i wish i could
                    love.

i
        long.

from miles away i can see you erasing me,
so erase.
perhaps it will be better for the both of us.

(a.m.)