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Nessa Kay Mar 2017
with a voice made of velvet
fresh off the steam
he held up the tent
we'd come to call a stage
AMcQ Jan 2017
The draping curtain draws back
revealing a dimly lit set.
The cast scuffle backstage
in their daily quarrel.
I wish their din would cease.
The lights awaken,
Silhouettes of exasperated
hands come into view.

"A Comedy, it must be".
"Satire, surely, is what she needs".
"No, no, another Tragedy".
"Lets sing and dance; fill her with glee".

"Can we not do this again",
comes the voice of Reason.

Meanwhile, the protagonist;
She waits 'till the eleventh hour
to know of the script.

*It's all an act, at the end of the day!
George Krokos Jan 2017
Poetry is a sublime art form and can be used to get a message across
of things that sometimes have or need to be said by words to emboss.
Poetical verses then are groups of lines written in a certain style or metre
of various lengths and rhythm which are often like a stage set in a theatre.
_____
From "The Quatrains" ongoing writings since the early '90's.
An empty pub is the worst place to be,
In a city, Where even gods stay a bit longer every year,
Perhaps persuaded by the halcyon laughter of that half dressed street urchin,
Who has learnt to celebrate her comical existence,
In the pregnant underbelly of a false saint,
Who refuses to give birth to anything but naked poverty.

Small wonder the gods have never chosen to intervene in the city of joy,
After all its the fault of these urchins  who refuse to abandon their filthy smiles,
And have the audacity to peak through the walls that we annually paint,
With the victorious colours of human values.

But why do they peek,
Isn't their world filled with the unmatched profoundness of black and white photography?
Isn't their world the home to poetic muses and romantic poverty ?
Indeed, why do they peek ?
Before the label on the bottle in front of me,
Makes you judge the potency of what I utter,
Let me tell you why.

For them our world is a constant theatrical which has run different shows annually,
Yet the only complaint they have perhaps is that the genre of the shows,
Have somehow never changed.

Its always been the darkest of satires,
Like the running satire in which half our society,
Sitting safe within the beautiful walls ,
We built around our indomitable prosperity and culture ,
Indulges,
In the hysterical condemnation of a man,
Who wants to build a beautiful wall on a different continent .
To protect the same

You know, I don't speak urchin-tongue,
But I have always had the gift to read feelings I shouldn’t,
And something tells me the urchins have titled this theatrical,
“Moral *******”.

But that’s not all,
An empty pub is the worst place to be in a city which refuses to let you give up hope,
And gently reminds you with every drink
That even when the rest of the world is out there dancing,
To the drum beats of happy endings and ephemeral farewells,
There’s one place that will never close its doors on you.

The only thing is.
The place isn’t the home you never ended up building with her,
It’s just an empty pub.

And that is why an empty pub is the worst place to be.
Storm Oct 2016
lights flashing through the city and polluting the air,
car horns honking and people colliding with your shoulder.
billboards flashing advertisements for the crowds below:
‘get a coke! stop by olive garden! try this phone service!’
and surrounding those screens, posters for the theater.
wicked, lion king, hamilton, and more
go to west 46th street and fight the crowd,
feel the excitement, hear the orchestra, touch the souvenirs,
let even a native new yorker become a tourist for one day
take your seat, admire the view, take some pictures,
listen to the ushers, watch the crowd settle, straighten as the lights dim.
everyone in places--it’s showtime.
Darkly Oct 2016
Patron: "...And can you add the diced Hamlet to that omelette?"

Waiter: "Jolly good sir, and do you know if you'll be having dessert?"

Patron: "Oh yes, I'll have a strawberry Shakespeare."

Waiter: "Brilliant, your omelette will be out before you can say 'Ides of marshmallow'."

Patron: "That was dreadful and you know it."

Waiter: "Deary me, sir."

END SCENE
What the flippity flop. Who in the pooty comes up with this... oh. That would be me.
the curtain rolls aside
The stage sets
The lights flicker on
Everybody is waiting.
And suddenly
it begins
The fake facade
The fake tears that cascade
This entire thing is an act
Nothing but predators in the night.
And though everyone wants to fight
Things just get too **** tight.
We want to be exposed to the light
But the play begins to take flight
And stunts are executed at devestating heights

This play
The theatre is all an act.
The metaphorical phrase for life.
And ****** at best
The masquerade of faults
The sins
The lies
Beginning to become more of a circus.
And as this blood runs red
This...act runs dark.
The curtains still pried open
Set on the openess of a prairie.
These people.
The ones who lead us on
The never ending Mirage.
Until this act is exposed
The audience shall be snatched into grievience.
The fakes strut around us.
They show the underside quickly.
The ugly scene
That proved to be the ******.
The jaw dropping ****-canned conclusion.
But imagine the actors
Exposed and afraid.
Alone without makeup and masks.
Turning until someone asks
where the ***** the director?
Abandonment from the puppeteer himself
Waiting for everyone *else
to
Show themselves
For who they really are.
A complicated way of conveying a simple message: Dont be fake.
Its not very good though, but im trying. Sorry guys
Oskar Erikson Jun 2016
There are no blackouts for us
transitions; seemless
one waking daydreaming monologue to the next
no cut or redo
for me & you.

Deuterogenists.
Astrology and Escapology;
You dream and I disappear.
but it seems that we were casted together
This isn't stage fright- its fear.  

It's rude to say the extra's
weren't needed. But its true.
I guess the light always burned brighter,
when it was just us two.

Act I through to V
lasted our life
encore? no more.
I'll retire a gray fox and you my partner in crime.
Lets see what our final scene
has in store.
Racquel Tio Jun 2016
with theatre I tried to become many different people.
the killer was just my rage and the orphan was my abandonment personified.
and time and time again I learned that, they too, were me.
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