Abracadabara,
Alfred, Lord Tennyson,
English Victorian
Poet of note,

Beautiful, lyrical,
Somber with gravitas,
Superpoetical
Poetry wrote.

thou art
more fair     than a red apple
beneath the legs
      of an enormous fly

      thou art more
fragrant than
fresh     blacktop on a
hot summer's day

thou
art more free
      than a      penguin flying
a spaceship with fun bumperstickers

waken thou with me

'Tis better to have loved and lost
Than never to have loved at all;
But, like the Ghost at Pentecost,
True love stays when it comes to call.
Of all sad words of tongue or pen
The saddest are these: "It might have been!"
For us the saddest words are not:
What might have been has been a lot!

Greater than all created things summed up
And multiplied by immortality,
The LORD attends to every buttercup
And blade of grass and bird and bumblebee.
The greatest knows the least; and every man
His every hair has been accounted for;
And all of him is fitted to God's plan
The world and all creation to restore.  
Everything's His to give or take or loan,
And nothing lies beyond His lone control.  
Everything's His, and every thing is known
By Him who sees all parts and every whole.
He understands, both root and all, and all
In all, the flower in the crannied wall.

Three poets
rot down a river bed
their body decomposing
except their head
still composing poetry
and recite being dead
where poems still flow
I’ve heard them read

one was caught
by the sun beam
flickering ripples of light

another fought
by a splashing bream
kicking up a fight

the third flowed down
the rapid stream
where water foams white

I, one day went fishing
and caught myself a fish
down the river swimming
quoting Tennyson
Dickinson and Finch
I set it free
because poetry is freeing
Not every line in the end
is a hook
three dead poets can testify
down by the brook

"'I am half-sick of shadows,' said the Lady of Shalott."
-Lord Alfred Tennyson
…but half of her bends towards them,
these whispered tableaus, her spine tilting backward.
She carefully hordes them
like granules of opal. Her hands become lacquered
in half-dreams and dyes,
and her tapestry spins into colors so rich
even she is surprised
that her fingers have laced every cross, every stitch.
She is sick of half-shadows;
she wants the thick darkness to drown her whole essence.
These sparkles and dayglows
will stir her to madness in milky-white crescents,
and she will sink into nothing
without any name on the heirlooms she weaves;
She will fade into nothing,
and no shadows will weep on the day that she leaves.

Black moss and flower pots.
She cometh not, she cometh not.
Lonely and moated,
Rusted nails broken.

Dew with tears,
An hour before sunlight.
Cold winds wake,
A greyish mourn.
Clustered marish-mosses,
Silver green bark.

In a dreamy home.
Among wainscot,
Door hinges creak.
Like a mouse,
She shrieked-
She cometh not, she cometh not.

The ocean, consume me.
I hear your call to me like a mother cow to her calf,
A low drawling echo that grows with the hour.
Or the calf to its mother,
you call me home
to suckle on my breast where in it my heart beats.
Drum, drum.
Be still the drums.
Laying deep in dark abyss.
The drums, the drums.
I smell the salty air
It haunts my passage, staining my dress
with crusted, crystallised foam.
Will this heart ne'er be clean?
To be filthied by shame, now unworthy to him
by the sea and what it has done to me.
I wait for you.
You growing pains, you. You wisdom teeth pushing through.
The dust settles in my candle light.
The little white flecks fall together like prancing dandelion seeds
as fragile as children who have been wasted in your hands like white gold,
thrown away.
What they could have been had they fallen to my hands.
Rosey and blue-eyed with marjoram soft hair.
So I wait, breath now freezing with the in and out
steadying as the tide rises.
It calls me to consume me.
Dare I step to it? Submerse my feet within the waves.
One more hour, one more day - tick, tock, tick, tock.
But what if this hour he comes my way?
Descending from heaven, knocking at my gate.
The crash of the ocean against my hull.
Wait, wait, for my life and forever, I will wait.
The ocean, consume me.

"The old order changeth, yielding place to new” 1

On that cold night Sir Bedivere looked long
Into the dawnlight where three Queens gold-crowned 2
With Arthur passed at last into the West
And the sun rose, but not upon the King

Then in the silence of the raw new year
A masterless knight turned unto the hills
And after wanderings there took the cowl
And among new faces told the beads of worlds

For us – our old year too is someone’s new
With quiet grace and faith we pass from view


1 This line appears both in “The Coming of Arthur” and in “The Passing of Arthur” in Tennyson’s Idylls of the King, framing the arcing narrative.

2 The three Queens, too, appear in “The Coming of Arthur” and in “The Passing of Arthur.”  They are perhaps symbols of faith, hope, and charity from 1 Corinthians.